#it is true that it was canceled
Explore tagged Tumblr posts
troythecatfish · 4 months ago
Text
Tumblr media
"Traditionalists" crying about cancel culture as this new thing is a whole new level of irony
173 notes · View notes
r0semultiverse · 8 months ago
Text
Tumblr media
163 notes · View notes
chloreen · 2 months ago
Text
Tumblr media
I swear 2024 is testing the limits of my fucking patience, if they don't give me Diorphysus back you'll be watching me on Netflix 'cause there's going to be a documentary about me setting major streamers' headquarters on fire
53 notes · View notes
alicentsgf · 3 months ago
Text
literally just gonna give up watching tv. every single new show i've gotten at all invested in in the last year has been cancelled. whats the point in giving a shit anymore
55 notes · View notes
marukrawler · 3 months ago
Text
daily reminder that preyas mpreg is real
Tumblr media Tumblr media Tumblr media
52 notes · View notes
scuttling · 5 months ago
Text
I Can Handle Me A Dangerous Man - Ch 1
Fandom: True Blood (TV) Pairings: Eric Northman/Female Reader or Eric Northman/OFC Word Count: 4,471 Tags: 18+, NSFW in later chapters, it's gonna get real nasty Summary: Sookie's cousin returns to Bon Temps, and Eric wants her... to work for him. 1 - 2 - 3 - 4 - 5 - 6
When Camila Reyes steps out of the taxi, she is met with a billowing cloud of cigarette smoke, the crunch of gravel beneath her boots, and thick, humid air unlike anything she’d ever felt in Chicago. She takes in the old farmhouse, her home for much of her childhood, and feels guilt and regret settle over her when she remembers the last time she set foot in Bon Temps—the day of Gran’s funeral.
She pays the driver, tips him well even though he chain-smoked the entire ride from the airport, and lifts her bags from the inside of the trunk; when he drives away, leaving her standing in a cyclone of dust, she takes a deep, fortifying breath and strides to the front door. 
Confident is the last thing she feels—helpless, dejected, and unmoored are the first things that come to mind—but she pastes on a self-assured smile and raps her knuckles on the metal frame of the storm door. A short woman with blonde hair pulled back into a ponytail looks at her quizzically through the screen, and then gasps and throws the door open, nearly knocking Cam off her feet.
“Camila Reyes, is that you? I haven’t seen you in, what, ten years?” the woman asks, wrapping her arms around Cam. They’re around the same height with similar builds, but whereas Cam has dark hair and naturally tanned skin, she is all bright yellow curls and skin like a porcelain doll, the gap in her teeth as endearing as it was when they were teenagers.
“Sookie! It’s been a long time, a really long time. You look so lovely,” she says, pulling back so she can look her over at arm’s length. She wears a pair of yellow gingham shorts with a flowy white tank top and white Keds, and something about that is so quintessentially Sookie that it immediately fills her with fondness. Sookie grins.
“So do you – and you’ve even lost your accent,” she says in a way that’s almost accusatory, but she’s smirking playfully. “Now you sound all classy and sophisticated and I’m the only one with the podunk twang.” Cam shrugs and laughs; she didn’t set out to lose the accent at first, but it became clear that her colleagues in the big city didn’t find the Louisiana drawl as charming as television had led her to believe.
“Ten years will do that to you,” Cam says lightly, doing her best not to reflect on the last of those ten years and how everything she’d worked so hard for circled the drain. “Now, I know you weren’t expecting me, and I hate to do this…” she begins, but Sookie brushes her off with the wave of a manicured hand. 
“Don’t you even start,” she says, and then she reaches down to grab one of Cam’s bags and holds open the door. “This is your home too, and you’re welcome to stay as long as you like, you know that.”
Cam grabs the other bag and follows her through the house, up the staircase that had seen better days many days ago. “I brought wine, if that’s any consolation,” she says, though she knows Sookie means it, that it’s really no trouble for her to stay with her in this big, empty house, “and now you can borrow my shoes any time you want.” 
Sookie glances back and smiles at her. 
“Wine is always good, and your shoe collection is even better, I know that for a fact.” They stop outside what is now a guest room, but which used to be Cam’s room, and she is grateful to see something other than the pale purple wallpaper of her childhood adorning the walls. The room is now bright and airy, painted robin’s egg blue, and its look suits Sookie more than it ever suited Cam. “But the best part is having my favorite cousin back home after all these years.”  
Sookie walks into the room, sets the suitcase on the chair beside the bed, and Cam does the same. Her returning smile is sad; she knows it had to be difficult for Sookie to be here… not alone, but without one of the few people in Bon Temps who really understood her, who saw her for the girl she was instead of what they thought she should have been. Guilt makes her stomach twist. 
“I’m sorry you didn’t see me at Gran’s funeral,” she says—because technically, that’s true. Sookie hadn’t seen her, because she hadn’t made it past the front seat of her rental car. She never even told Sookie or Jason she was there. Sookie frowns, but it’s sympathetic and kind. 
“That’s okay. I know how hard funerals are for you. What matters most is that you’re here now… and that there’s someone I want you to meet.” Cam is grateful for the change of topic, and the flirtatious smile Sookie sends her way has her suddenly very, very curious. 
“Is this someone a man?” she asks, eyes wide and faux-incredulous. Sookie slaps her arm gently and nods her head. 
“Yes, it’s a man… his name’s Bill, and he’s my… Well, boyfriend doesn’t feel like the right word, but I guess that’s what he is.” Her hands move to her hips, and she looks over Cam’s hair, her outfit, and apparently deems it suitable. “Why don’t you freshen up a bit, and I’ll treat you to dinner at Merlotte’s so you can meet him. It’s near-dark anyway.” Cam smooths the hair at the crown of her head, certain she’s got frizz and flyaways no hairspray can contain, and nods. Sookie starts toward the door when Cam calls out after her. 
“You’re treating—does that mean he’s a modern man who lets his lady pay for the meal? How progressive,” she teases—Gran never liked boys who took them out and didn’t offer to pay, and it was a joke between them and their friend Tara; Sookie chuckles like she’s holding in a joke of her own. 
“No, he’s really old-fashioned, actually,” she says thoughtfully. She taps on the doorframe before she steps into the hall. “It’s just that, well, he never eats a meal.”
Bill is a vampire because, obviously; Sookie wasn’t exactly being subtle, but it took Cam nearly the entire drive to Bon Temps’ finest bar and grille to put the hints together anyway. She blames it on the jet lag, even though she never actually left her own time zone. 
They meet him inside, and he’s already seated comfortably in a booth, but he stands to greet her when she and Sookie approach him. Cam is all but attacked by Tara, who hugs her more tightly than even Sookie did, and they make a promise to catch up later when the bartender’s not up to her neck in two-dollar drafts. 
“It’s so nice to see you comfortable here,” Cam comments to Bill later, when he is handed a bottle of Tru Blood by a smiling, if slightly neurotic looking red-headed waitress. He seems familiar with the clientele, greeted Sam and Tara like friends; she has to hand it to her hometown: she would have guessed they’d be way behind the national average when it comes to human-vampire relations. Bill takes a sip and offers her a smile. 
“Thank you. That’s mostly Sookie’s doing,” he admits, and then he glances over at her, at her lovestruck smile. The two of them are so cute it actually makes Cam’s teeth ache. “People weren’t exactly welcoming me with open arms at first, but she has this way of making people listen to her, even when they don’t want to.” 
“It’s a gift,” Cam says, dropping her own hint, but Sookie shoots her an unreadable look and she takes a sip of her beer instead of following up on that. She changes tracks. “I don’t know if Sookie told you, but I’m a lawyer, and I specialized in vampire rights back in Chicago. If you ever need something, legal advice or support, you have my number now.” 
“That’s so kind of you; I will keep that in mind,” he says gratefully, fingers wrapped around the glass bottle. “And I have to say, I appreciate you doing that kind of work. I know not everyone is progressive when it comes to vampire rights, and I’m sure it’s a difficult occupation.” Cam nods. 
“It has its moments. I’ve experienced more than my share of tragedy, had many clients executed by radical humans before we could attempt justice.” She suppresses a shiver at the thought of some of the things she’s heard, things she’s seen. Across from her, Sookie tuts and shakes her head. 
“Executions. What a terrible thought,” she speaks through a frown. She takes a sip of her iced tea, and after a moment, Bill stiffens in his seat beside her. Cam, familiar with vampire microexpressions, clocks the change in his disposition, and so does Sookie; she tilts her head in confusion like she wishes she could hear his thoughts.
Just then, a man approaches their booth, tall and broad, with short blond hair and a peaked complexion that outs him as a vampire immediately. Dressed all in black, he looks especially pale, and shadow falls over the three of them as his hulking silhouette blocks out the overhead light.
“Sorry to interrupt. Hello Sookie. Bill.” The man turns to Cam, his lips curving up into a polite smile as he gives her a tasteful once-over. She can see that his eyes are silvery blue, a cool, icy, complex color that captivates her instantly. “Hello. I don’t believe we’ve met.”
“This is Sookie��s cousin, Camila. She’s visiting from Chicago,” Bill says with a tone that indicates the man is unwelcome at the table they share. He pays it no mind and reaches out to take her hand, to lean in and place his lips there in the semblance of a greeting kiss. It makes Cam flush hot, and she hopes it doesn’t rise to her cheeks for all to see.
“I’m Eric Northman. What a pleasure it is to meet you,” he says, eyes drifting over her face now that there’s less distance between them. He pauses there briefly to look into her eyes, curiosity in his stoic gaze. “I see some of Sookie’s features in you.” 
“I’ll take that as a compliment, Eric, thank you,” she replies, though with her dark hair and complexion no one has ever drawn a similarity between her and her fairer cousin. Cam’s mother was Gran’s daughter, Sookie’s aunt, and Cam’s father was of Cuban descent, fresh off the boat he rode in on—and out on, just as quickly as he’d come. “Will you be joining us?” 
“He will not,” Bill supplies in the same clipped tone he’d used previously. He looks incredibly serious, more now like the vampire he is than when it was just the three of them; Eric stands, drops her hand, and flicks an irritated glance in the other vampire’s direction. 
“I do not wish to impose, but I do need a moment with Bill here, if you ladies don’t mind. Business deal,” he adds, and then he looks back to Cam and Sookie, his features more polite. He winks at them. “I promise it will only take a minute.” 
Bill thinks it over—though it doesn’t seem like a request to Cam—and seems to decide it best to accept the invitation and step away from the table; he glances over at Sookie with a brief apology and walks toward the door, and Eric follows him, throwing a glance over his shoulder as he goes.
“Now there’s a man that makes me think terrible thoughts,” Cam murmurs when she expects he’s out of range. “Over and over and over.” She says it partially because it’s true, but also to earn the scandalized laugh Sookie shares as she slaps Cam on the arm.
“Oh my god, Cami!” Cam laughs back, playing indignant. Not that you’re wrong, but…
“Well he does, all climbable and big and strong. And those eyes—you can’t tell me you don’t think he’s handsome.” 
After a brief stare-down, Sookie huffs a sigh.
“Objectively, yes,” Sookie says, with a playful roll of her eyes, “but he’s also Bill’s sheriff, and… I don’t know, rival, I guess?” Pain in the ass is more like it, she thinks, though she’d never say it aloud.
Cam drains her beer and narrows her eyes at Sookie, leaning in. The objectively shit doesn’t throw her for a second.
“Sookie Stackhouse, do you have both of those gorgeous men battling for your attention? I swear, sometimes it feels like blondes do have more fun.” 
She rolls her eyes again, chuckles like the thought of earning Eric’s attention is laughable. She probably still sees herself as the awkward teenage girl Cam remembered her as and not the Southern bombshell she is now.
“I think Eric is interested in things he can’t have, that’s all—not me in particular. And he really likes getting Bill’s goat.”
“So you’re saying I should play hard to get?” Cam teases, but despite the lightheartedness of her comment, the atmosphere changes drastically and Sookie’s face becomes serious.
“I’m saying you should stay far the hell away from him. He’s–he’s, cold-hearted and mean. Cruel. He does underhanded things to get what he wants.”
Cam has always found herself amused by Sookie’s naivety, but hearing her speak so judgmentally about Eric, about vampires, gives her pause. 
“I’ve been in the company of vampires, Sook, I know how some of them can be.” Sookie sits back, tilts her head to the side, and Cam narrows her eyes. “What?” 
“You’ve been in the company of vampires?” she asks, brows raised, and for a moment she is that naive teenage girl again. Cam simply waves a hand.
“Chicago is very different from Bon Temps, or even Shreveport, so yes, I’ve been in the company of vampires. Plus, they’re the only ones that truly quiet my mind, you know?” she adds as an aside, and Sookie shushes her, looks toward the door and back with wide eyes.
“Keep it down. I haven’t told Bill you’re a telepath too, or anyone, for that matter. Next thing you know you’ll be dragged into vampire business, and that is not somewhere you want to be, trust me.”
She can sense the sincerity in Sookie’s voice, so she does soften to a murmur, unable to be heard among the din of the chattering crowd.
“It’s my secret to keep, or not keep—and it was a big help during some of my trials, even if my colleagues didn’t know all the details. I get that you’ve always hated your ability, but it’s an important part of me. I don’t try to hide it anymore.” The thing about Bon Temps, love it or hate it, is everyone knows everyone else's business, and although Cam’s never felt fully herself in this town, she’s not about to hide for anyone else’s comfort. Sookie frowns, contrite.
“I’m sorry. It’s just… not something I’d be doing, if it weren’t for Bill. Eric holds things over him and I’m stuck in the middle trying to make peace.” She doesn’t say any more, because the vampires walk back in, and when Bill takes his seat Eric claps a hand on his shoulder firmly, in a way that could seem friendly but that looks more like a show of power than anything.
“Told you I’d bring him back,” Eric says to Sookie, who suddenly becomes very interested in her manicure; she drags the edge of her nail through the condensation left behind by her glass. Eric pays her no mind and looks to Cam again. “Before I leave, I want to extend an invitation to you. I own a bar in Shreveport called Fangtasia, and I would love for you to come by for a drink some time so we can get to know each other better.” 
The word drink makes her think of the vampire’s unique diet—something completely normal, not usually something she’d normally fixate on anymore than she’d be intrigued by a pescetarian—and she quickly tamps down the flash of interest that jolts through her body at the associated imagery.
“That sounds nice, Eric, I’ll be sure to take you up on that,” she says with a smile, and as she does something tugs at the back of her mind arbitrarily, something she can’t quite put her finger on. She clears her throat. “Bill has the details, I’m sure.” 
Bill appears grateful for her inclusion of him—she figures he’s probably feeling emasculated by the more senior vampire, the way he speaks with a double meaning under his tongue—and he assures Eric he will pass on the information.
“Well then, I’ll let the three of you get back to your evening. Thank you again, Bill,” he says without inflection, and he looks over at Sookie, then Cam. “I look forward to seeing you soon.”
He leaves, and Sookie looks Bill over, runs her hand up and down his back in a comforting gesture. Cam’s not sure if it’s meant for her eyes or not. 
A few moments later, the red-headed waitress returns to take their dinner orders, and Cam orders a massive salad and another beer and asks Bill what he misses most about the 1800s. It proves to be a good distraction, and by dessert his features seem to have softened again. 
When Sookie drives them back to the farmhouse, the twinkling stars in the cloudless blue sky remind her of the depth of Eric’s eyes.
As Cam walks into Fangtasia for the first time, she notes that it’s exactly what she expects: a small, dark, loud nightclub packed with the moving bodies of humans and vampires alike. Some of the humans are hoping to find a community of their peers, folks with tattoos up and down their arms and more piercings than one would think possible; some are there to see their first vampire or try to initiate contact with one; and some are there just to say they went, buying overpriced drinks and t-shirts and taking selfies with the crowd. 
She feels about middle of the road in a navy silk camisole, black pants, and her most comfortable black heels, and she breezes over to the bar and buys herself a martini, finds a table toward the less crowded back of the room and slides onto the stool nearest the wall. 
It takes all of five minutes for Eric to approach her, looking as gorgeous as he did when they first met; this time he is wearing a tight black tank, black jeans, and damn, if she thought she was climbable before…
He quirks a smile as he sidles up to the table. 
“Camila,” he greets warmly, and when she stands he leans in to mimic a kiss on her cheek. She feels that same strange tugging sensation at the back of her brain that she did at Merlotte’s, but the memory leaves her as quickly as it had returned. “I’m glad you decided to come.”
“I had to see what all the fuss was about; your bar is very popular among the travelers passing through Bon Temps these days,” she mentions, thinking back to a strange vampire that had given Bill a hard time at Merlotte’s the other night as they were getting ready to leave. Apparently not everyone was as enamored of Vampire Bill as others. 
“And how do you like it?” he asks, resting his hand on the table top, palm flat, fingers spread. She looks at his broad hand for a moment—a second longer than she should have, maybe—then glances up to look at his face.
“How embarrassing would it be if I said it’s… fangtastic?” she asks with a shrug of her shoulder. Her joke earns a laugh from Eric, and she feels silly for the warmth that flushes through her at his approval. 
“From you, I’ll take it as a compliment. I’m sure the establishments you frequented in Chicago were a little different from this one.” She hums thoughtfully; she’s had her fair share of meetings in swanky hotel bars and fine dining restaurants, but vampire clubs aren’t hard to find anywhere in America.
“Not so different,” she tells him honestly, “though there were fewer eyebrow piercings. I like it here, though, it’s… comfortable,” she adds with a sip of her drink and a tilt of her head. 
It is comfortable, despite the blaring music and the crowd of people talking over one another, because about a third of the bar’s patrons are vampires; she’s used to walking into a room full or half full of them and sighing involuntarily, the weight lifting from her shoulders when she doesn’t have to work as hard not to read the cacophony of their minds.
“That’s an interesting word,” Eric says, eyes roaming over her face. A pretty young waitress in a minuscule black dress steps up beside him, then, and places another martini on the table for Cam. She smiles up at Eric, who does not acknowledge her, and walks away before Cam can thank her for the drink. “On the house,” he tells her, and though she’s only half finished with the one she purchased, she lifts the glass and takes a long sip to show her gratitude.
“Thank you. And thank you for inviting me,” she adds, and when she looks up to meet his gaze she feels that mysterious pull again, then a faint buzzing like white noise on a television screen, or her ears popping at high altitude. “That’s you,” she says slowly, reality dawning on her, and though his features are frozen in surprise, she can see something curious shift in the set of his eyes. 
“Pardon?” 
“Sorry, I—I appreciate the drink, but I already know what you want from me. You want to know if I’m like her.” If I can hear what the humans are thinking, she doesn’t say, but she knows he understands. He crosses his arms over his chest.
“I’ll admit I am curious about that, but it’s not the only reason I invited you.” It feels like he’s telling the truth, but she’s still unfamiliar with him, and she’s met several vampires she believed to be honest until they showed their true colors at the end. The only reason humans don’t have the same effect is because she can hear their lies before they have a chance to really develop.
“Then why did you invite me?” she asks firmly, because while she’s not ashamed of her ability she does not enjoy being singled out for it, no matter how good looking the other party may be. Eric pauses, then sighs as though she’s forcing him to show his hand.
“I’ve looked into you. Heard about your reputation,” he says, and he takes another long look at her, lingering over her bare shoulders and throat. “You don’t look like a human rights—excuse me, people’s rights—attorney, I have to admit… unless I’ve just been doing business with the wrong attorneys.”
She takes another sip of his drink, because he’s done his due diligence and she’s always appreciative of someone who isn’t afraid to dig through some tough sources. Her firm had never exactly publicized the fact that one of their lawyers was taking vampire rights cases, so he must have pulled some strings to get the information. 
“I was a people’s rights attorney. Now I’d be lucky to try a case in traffic court.”
“Because of your defense of vampires?” he asks, and she can understand why that’s the way he’d see it; she didn’t defend them, technically, because they weren’t and still aren’t able to be held accountable in a court of law, but she did advocate for their civil rights and against forced assimilation.
“Because I don’t treat vampires like animals or humans like they’re superior,” she offers in summary. She taps a finger against the tabletop. “Say I was like her. What would that mean for me? Would you threaten me until I agree to help you? Manipulate me so I do what you want?” 
He sighs again, and this time it feels like an attempt to appear wounded by her question, though she can’t imagine there’s anything she could say to cause this man any type of emotional concern.
“I would ask if you would be interested in doing some… consulting for me. You would be under no obligation to do so, of course,” he says, showing his palms. “Sookie has helped me in the past, but she does not seem interested in continuing that relationship.” 
His contrived description of their relationship forces a huffed laugh from Cam’s lips.
“You instigate problems between her and Bill – or Bill and you, and it puts her in the middle. That’s why she’s not interested.” 
“Is that what she told you?” he asks, leaning in again, this time on crossed forearms. It brings his face closer, and despite her irritation, she kind of likes it. He’s not bad to look at, either way. “I tend to think of myself as a problem solver, if anything.” She leans in too, as much as she can, looks him directly in the eyes.
“I’m familiar with vampires like you—men like you. Everything’s a pissing contest, you’ll do whatever it takes to assert your dominance, and nothing else matters.” If he’s surprised by her assumptions, he doesn’t show it. “Sookie is my family and she has my loyalty. Flirt with her if you want to, that's your prerogative, but I’m not going to stand around and watch you toy with her to get under Bill’s skin. I’m sure you can find a way to do that all on your own.” 
He stands tall at that, brow furrowed like she’s just said something insane. 
“I don’t flirt with her, I just… enjoy exposing Bill’s weakness,” he explains with a shrug. Cam hums, unconvinced, takes the toothpick out of her glass and pulls the single olive off the stick with her teeth, eats it.
“Like all men, I can promise you he has more than just the one,” she says with a smirk when she’s finished chewing, and she downs the rest of her drink in one smooth sip. “That kid’s underage, by the way—the one by the bar with the pink streak in her hair? One of your bouncers didn’t do a very thorough ID check. She’s been freaking out about it since she walked in.” 
Eric turns to glance at the girl, who is saying nothing aloud but does look almost comically on edge, and then back at Cam. She smiles politely, her professional smile, and stands, pushing in her chair and slinging her bag over her shoulder. 
“I’ll think about the offer, if you think about what I said. Thanks again for the drink.”
57 notes · View notes
whenthegoldrays · 5 months ago
Text
this poll is going to get me canceled
58 notes · View notes
emotinalsupportturtle · 1 month ago
Text
Idk but it really fucking angers me that people are more angry at n*** g***** and his actions because it’s resulted in good omens 3 being a single 90 minute episode instead of a full series than they were at him for sexually assaulting and coercing multiple women. Would you rather have a rapist face no repercussions and benefit from making a new full series or have him fired and get a shorter ending to a story and characters you loved?
51 notes · View notes
sandwichsapphic · 6 months ago
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
i might have went a little crazy this weekend but. derry-ifies your beloved english characters
bertie is perfect for the wee english fella role, obviously. the others don’t translate as simply but i don’t care i was sketching for fun and the concept of bertie in a girls catholic school is so stupid. i love his female friends so much i wish they got more time to hang out without the threat of matrimony, so this is teenage-them wish fulfilment
also they would meet jeeves at that FATB event. i just think it’s really funny if they can’t date still, not because of a class divide, but because he’s a prod
70 notes · View notes
furoruisa · 1 year ago
Text
"You don't need to bring Red, white and royal blue into the cancelation of A league of their own" Yeah, yeah, we should. it is not the first time this happened! It doesn't matter how popular a wlw is! Is never treated like a mlm, and it hurts! Prime promo their mlm like is their best accomplishment and cancel (after saying they will give us 4 episodes) their sapphic show that has awards, a lot of fans, etc so people, especially sapphics have the right to complain and compare!
244 notes · View notes
thedrowsydoormouse · 7 months ago
Text
So I’ve been doing a little bit of thinkin’ after the two new episodes of Who about Susan Twist and I had a lightbulb moment I haven’t really seen anyone else talking about just yet.
Spoilers ahead for Wild Blue Yonder, Church on Ruby Road, Space Babies, and the Devil’s Chord. Ok, onto the theory!
We all know Susan Twist is going to be more than just an Easter Egg, but I think everyone is taking the actress’s name too literally. She’s not playing Susan.
She’s The One Who Waits.
She’s there. Always in the background. On the periphery. Watching. Waiting. Because everything leads back to her.
And the first time we see her is in the scene that has the first major world shift in the episode that set up this entire plotline about invoking superstition at the edge of the universe and letting something through.
And who do we encounter pretty much immediately after? The embodyment of Play (Toymaker). And then a little later in we meet the embodyment of Music (Maestro).
Which raises the next part of my theory: What is The One Who Waits the embodyment of?
Death
Death just sits, and waits, and watches, biding their time because everything has its time and Death comes for everything in the end.
And every time we’ve seen her, things start going really wrong. In WBY, she was one of the last people we saw before the Tardis landed on the spaceship, Donna almost died, and the Doctor almost let a NotWe loose on the universe. In Ruby Road, she’s watching Ruby and her friends perform the same night they nearly get crushed by the giant snowman head. She was one of the crew in Space Babies who were forced to leave the station and abandon all those babies to die. And in Devil’s Chord she was in the cafeteria when Paul and John are talking to the Doctor and Ruby about music before getting angry and leaving which, had the Doctor not intervened, would’ve lead to literal nuclear winter.
I feel like too many people are focusing on just the previous lore from the past 60 years which, for any other context makes sense. But this isn’t your granny’s Doctor Who anymore. The tone shift started in WBY means we need to think outside the Blue Box (that’s bigger on the inside) to figure it all out and for once, I think being into SuperWhoLock may have finally paid off! The NotWes are shapeshifters. The Bogeyman was basically a thought form (tulpa). The literal baby eating, musical goblins. The Toymaker and Maestro are both functionally gods. And which god waits patiently in the background?
Death.
It’s not a perfect 1 to 1 with Supernatural but if you find the midpoint between the two everything starts to click into place.
The final Big Bad of the season is The One Who Waits which is Death and not even the Doctor can fully cheat death, they can just keep running. So in the end the Doctor doesn’t actually defeat Death. He just traps them or delays them enough to get away so he can just keep running.
(Also Mrs. Flood is just a normal human who’s past was changed by the Doctor. In the start of the episode, before the Doctor properly meets Ruby (I don’t count the encounter at the club) she has no clue what the Tardis is. But as soon as the thing happens on the roof her past changed to include an encounter with the Doctor when she was younger (I think it’s going to be the episode with the slug things we’ve seen in the trailers because there’s a girl with blonde bangs in a season where coincidence is the driving force behind everything so it has to mean something) which is why her entire personality shifts by the end and she becomes nicer and suddenly knows about the Tardis and knows that Ruby has to go with the Doctor. She’s not Susan or Ruby’s mom. She’s just someone they save along the way.) 
65 notes · View notes
crumbleclub · 2 years ago
Text
Conflicting dynamics between Michael and his siblings are so intriguing. I feel like a lot of people slant strongly one way or the other– he's either protrayed as a good brother who's been thrust into a parental role and does everything for his siblings, or as a complete monster of a kid who spends all of his spare time tormenting his little brother– but it's more interesting to me when it's both.
The Michael who cruelly locks his brother in a room surrounded by the things he fears most and the Michael who tries to redirect his father's abuse away from Evan and towards himself are the same person.
The Michael who did his sister's hair every morning is the same Michael who tore apart her toys when he was angry with her, and both parts of him were there when he found himself crying in her room at the realization she was never coming home.
On top of that, they probably had a lot of very normal moments, too. They played outside together in the summer and tried to pawn their chores off on each other. There was one song they all liked when it came on the radio, and they made fun of the adults they knew when nobody else was around. None of them knew how to talk about their feelings, but, when one of them had been having a really rough time, they'd find that the breakfast Mikey made the next morning was their favorite, or Evan's favorite show had been put on even when Elizabeth had the remote, or an anonymous party had left a really cool rock on Michael's bedside table.
It must have been strange from the younger kids' perspectives, especially Evan's. Your brother keeps making you cry on purpose, and he's so, so mean, for no reason at all, but you know the bruise under his eye had been meant for you.
284 notes · View notes
magic-can · 2 months ago
Text
Ryan Murphy needs to be put down like a sick dog
21 notes · View notes
sydchan · 5 months ago
Text
I don’t think you all realize how many times I’ve had to hold myself back from going on a long rant about the age gap N and Hilbert allegedly have according to Bulbapedia (just so you all know, I stand on the freak side of things, I genuinely would still ship them if the Pokemon company swore they were 14 and 20). It’s just narratively this is nonsense and does not fit and Word Of God means nothing when compared to source material so 16 and 18 makes way more sense. But again…not worth rambling about. One thing I will say is while I can kind of buy N as 20 (21 would make more sense as the next age milestone after 18 he might have been coronated at, but I guess 20 is from when you’re an adult in Japan?) it’s honestly Hilbert as 14 that grinds my gears more. Like why does Bulbapedia say he’s 14 and then within the trivia section of that very page, mention that interviews say he and Hilda were designed as 16. Like at least list 14-16 as the age range??? Like bruh, why is it not a range????? 16 is clearly one of the correct interpretation of his age. Constantly perplexed by this.
The damage Bulbapedia has done cause fools won’t play the source material and come to their own conclusions….
Like I guess if one wishes to assume Hilbert is younger than the game implies and N is older than the game implies have at it. You do you. But it’s such a bizarre shift to see in how the ship is viewed.
28 notes · View notes
dykeogenes · 10 months ago
Text
“poor people don’t deserve help if it’s their own fault they’re poor” did you know that so many people go to the ER with lightbulbs up their butts that there’s an established medical best practice for getting them out? did you know that every year people light their houses on fire deep-frying frozen turkeys and firefighters risk their lives to save them. Now let’s think about these facts together for a little bit and see if any important lessons about human nature present themselves.
62 notes · View notes
vanibear · 6 months ago
Note
If Joey had tiktok he'd be posting shit like "Top 10 most out of pocket things to happen to me: 1.) Seto Kaiba trapping me and my friends in a murder theme park" and then Kaiba Corp would send him a cease and desist
Literally . the tiktok feud would be insane
49 notes · View notes