#it had a lot more moving parts than most detective comics I’ve read which made it more intriguing

[daydreamerdrew]

Whiz Comics (1940) #2

[taggingtim]

Why I love Pre-Boot Tim Drake and why the Reboot has ruined him

I love Tim Drake.  He is my favorite comic book character of all time.  I’ve been really upset the past few days about what DC has been doing with him lately, and I thought it would be cathartic for me to write something up about it.  (No, this isn’t a rant about Tim being bi/gay; it’s a much larger problem than that. But I’ll get to that in a bit.) Bear with me for a bit of history, first.

When I was a kid I loved the Batman Animated Series.  I know this will lose me a lot of internet cred, but I always preferred the fourth season. In particular, I loved Tim Drake. He was fun and funny and I absolutely adored him.  I used to beg my mom to take me to the mall so I could buy issues of Gotham Adventures. For my birthday one year my parents got me a subscription to the comic, and I was blown away by the idea that I could have comics MAILED to my HOUSE.

Around middle school I started collecting Marvel comics, mostly X-men stuff.  I loved them, but when I started college I quit the hobby for financial reasons.

 Fast forward a few years, and I felt I was financially stable enough to start buying comics again. Rather than going back to Marvel, I decided to give Batman comics a chance.  I had no idea where to start, and when I found out my beloved Tim had his own comic series, I thought it was a perfect entry point into the Batman universe. I bought the complete series from a local comic shop and dove in.

 Tim’s Robin series was exactly what I was looking for in a comic.  He was very different from little Timmy Todd from BtAS, but I loved him. I built the rest of my comic collection around him, grabbing up every book that he was featured in, from Young Justice to Teen Titans to Batman, Detective Comics, Nightwing, Red Robin, and many others.  I have random books from series like The Demon just because Tim was in them.

 So why did I like Tim so much?  What about this character made me so excited for more?  I found in Tim something that I had never seen in a comic book before: character growth.  Somehow, though he was written by many different authors over many different years, Tim managed to have a character arc that is consistent and makes sense. Sure, there were a few small bumps along the way, but on the whole Tim has always stayed true to his character, and he’s developed in a way that the big name characters, like Batman, never can.

 When we’re first introduced to Tim, he’s a young teen who has been neglected by his parents growing up. He’s smart, healthy, and strong, but he lacks so much self confidence and has little sense of self worth.  Tim notices Bruce’s increasing violence as he grieves for the loss of his son, and Tim knows he needs to step in and help.  Batman needs a Robin.

 For most characters, this would be the part where Tim put himself forward for the job.  But he doesn’t.  He seeks out Dick Grayson and begs him to come home instead.  It’s only when Batman and Nightwing are in danger and there is literally no one else to help that Tim steps up and dons the cape. And once he does, he’s constantly plagued by self-doubt, terrified he will screw up and leave Batman worse than ever before.

 From there, Tim undergoes intense training.  He never begs to be in the spotlight, doesn’t push to go out on the streets before he’s ready.  His goal is to help Bruce as much as possible.

 Here’s where I started to fall in love with him.  All that self-doubt, the constant need to be useful?  That’s exactly what you would expect to see from a child whose parents had ignored and neglected him.  He finally has a parental figure who sees him, who values him, and Tim does everything he can to make himself worthy in the hopes that Bruce will keep him around.

 This is the first example of character consistency that we see with Tim.  And it continues.  When his mom dies and his dad is put in a coma, you see Tim struggle to come to terms with losing the people he loves, but never had a relationship with.  Tim almost never mentions his mom after her death, because she just wasn’t present in his life.  When his dad recovers and decides to stick around, Tim struggles to build a relationship with him.  He’s plagued with guilt because he’s finally found the father figure he needed in Bruce, but he thinks that he’s supposed to feel that way for Jack.  It’s a running undercurrent in their relationship that creates distance between them for years.

 This is already so long, so I’m going to try to summarize a bit more.  We get to watch Tim grow up.  We see his awkward relationship with his first girlfriend, Ariana.  He doesn’t know how to treat her; he’s never had the opportunity to observe a healthy relationship.  But he tries so, so hard.  All of Tim’s relationships are awkward, because he’s never had a model of a good one. Steph is a great match for him, because she’s very vocal about what she wants and needs, and she isn’t afraid to call Tim out when he messes up, which is exactly what Tim needs.

 Big things happen to Tim. He’s stuck with Jean-Paul Valley, who slowly goes insane, leaving Tim to try to keep the city in one piece.  He’s infected with the Clench, a plague that sweeps over Gotham and kills everyone it touches, and barely escapes with his life. His girlfriend is sexually assaulted, leaving him to deal with the fallout.  His family moves out of Gotham, and he has to sneak back in during No Man’s Land to help.  His relationship with his dad has intense ups and downs, resulting in him being sent to boarding school, punished in a variety of ways, and generally caused a lot of trouble in his life.

 Then people start dying. Over the course of about a year in his life, Tim loses his girlfriend, his dad, a close friend, and his best friend, each of whom dies under tragic conditions.  Tim’s grief is intense, and he is understandably traumatized by the losses. We see fundamental changes in his character.  He changes his costume from something bright and cheerful to something darker that reflects his emotional state.  He’s more subdued, his adventures a little more serious.

 When Bruce first tries to adopt him, Tim literally creates an uncle and hires an actor to play him, just to avoid dealing with the situation.  Bruce has viewed Tim as a son for years, so to him the adoption is an obvious step.  For Tim, it feels like a betrayal of his father, and it takes a while before he’s ready to accept Bruce’s love, home, and a place in his family.  

 When Damian shows up on the scene, Tim really struggles with him, and not just because early Damian is a horrid brat who tries to kill Tim on multiple occasions.  Tim has always felt the need to earn his place with Bruce, and Damian constantly throws all of Tim’s biggest fears in his face—he’s not wanted or needed now that the “real” son is here, he’s not worthy of a place in the family, he’s not good enough.

 Tim tries to clone Conner, his best friend.  He’s lost so many people, and he’s desperate to get them back.  Conner was cloned to begin with and fully matured over a very short period of time; the technology clearly exists, so why can’t Tim use it to get his best friend back?  And if he can get Conner back, why not the others he’s lost?  He eventually gives up, but when he eventually gets access to a Lazarus Pit, he immediately wants to incorporate the waters into his process so he can revive his loved ones.  With Dick’s help, Tim eventually decides to let it go, but it’s such a poignant moment for the character.

 Then Bruce dies, and Dick takes Robin away.  Tim switches to the Red Robin persona as he travels the world, alone, trying to prove that he was right.  He has to deal with the trauma of losing another father, finds out that his girlfriend never died but let him hurt so much for so long.  His brother and the only close friend he has left both think his grief has overwhelmed his sense and that he’s gone crazy.  He’s utterly alone.

 The Red Robin series is such a great culmination for Tim.  He finds a place for himself as a hero, as a CEO.  He gets parts of his family back—Bruce, Steph, Bart, Conner.  He finally figures out who he wants to be and creates a place for himself.

 This overarching character development is what I love about Tim.  His many, many traumas impact his decisions, and you can clearly see how he changes over time as a result of them.  I didn’t even go into his development as a leader from his early fumbling with Young Justice to his strong leadership of the Teen Titans, or how his relationships with Conner, Bart, and Cassie develop so fluidly and realistically over the years.

 This is why I love Tim. Characters like Batman are static; nothing that happens to them will ever have a lasting impact, because in the end the character always returns to what they were.  Tim, on the other hand, has changed and developed A LOT since his initial appearance.  His growth has always been consistent and logical.

 When the reboot happened, all of that character growth was lost.  Tim was replaced with a jerk who betrayed his friends and cheated on his girlfriend.  DC has basically retconned all of this and tried to turn Tim back into who he was, but by taking away all of the things that have happened to him over the years, Tim has lost SO MUCH.

 I keep looking for my Tim in recent comics, and I just can’t find him.  It breaks my heart, because I love him so much, and it feels like he’s lost to me forever.  The most recent Young Justice comic series actually gave me hope; I felt like maybe, finally, someone was going to write Tim correctly.  He had his primary friendships back, his relationship with Steph was developing (even if they seem to have completely dropped all the development around Steph’s decision to let Tim think she was dead).  The actual book itself wasn’t fantastic, but it felt like they were headed in the right direction.

 Over the last few days, I read the Batman: Urban Legends books.  I actually read the Batman/Red Hood story first, which was fantastic.  I was really excited to read Tim’s story (though I already knew how it ended).  Jason’s character was handled so well, and he seemed to actually have some character development that will hopefully last.  I anticipated the same for Tim.

 But Tim’s story was awful. The plot was all over the place—kids are being kidnapped, so Tim has to join a pain cult to get them back?  He’s somehow helping Oracle with computer issues while simultaneously questioning witnesses?  He’s broken up with Steph, off camera, shortly after telling her how much he loves her, but Steph somehow thinks that they should have a caring relationship where Tim tells her what he’s feeling?  Bernard has somehow become a good enough fighter to stand side by side with Robin?  Tim STILL doesn’t have a code name?  Why is everyone suddenly hounding him about what he wants to do with his life?

 It’s just such a mess of a story.  If it didn’t end with Tim agreeing to go on a date with Bernard, no one would ever have even mentioned it.  There’s nothing particularly re-readable or enjoyable about it.

 I actually liked that they brought Bernard back. I really enjoyed him in the original Robin series. It’s been a while since I read that part of the series (I’m actually working my way back through it now).  I know Bernard always read as gay to me, yet somehow I felt like he was out of character in these books.

 And then, the climax of the story.  Tim is bi, or gay, or has at least agreed to go on a date with a boy.

 If this had happened in the pre-boot, when Tim was Red Robin and had an actual character arc, I honestly wouldn’t have had an issue with it.  I do think it would have needed a LOT more build up than it was given here.  Tim has always been a very introspective character, and we’ve been party to so much of his internal monologue over the years.  It seems very strange to me that such a huge thing just sneaks up on him out of nowhere when he’s never even thought about it before.

 But more than that, this story just feels like the final death blow for the Tim I loved.  The whole arc is about how Tim doesn’t know who he is or who he wants to be.  What will his hero name be?  Will he go to college?  What is he going to do with his life?  These are all great questions, and his answer to all of them is… date a boy?  

 Is this going to be his defining characteristic going forward?  From here will we just see Tim exploring and discovering his sexuality?  The Tim we have now doesn’t have a family, a team, a purpose, or even a code name.  Why was this the thing that DC decided to give us?  It feels like they wanted to make a gay Robin and decided it would be Tim because they didn’t know what else to do with him.

 It’s stupid, but I honestly feel like I’ve spent the past few days grieving the loss of a loved one. The Tim that DC is presenting now is just not the person that I knew.  Tim would never break up with Steph that abruptly for what he admits is no apparent reason.  He would never say “just call me Robin, since Damian’s out of town.”  Everything that I love about Tim seems to be gone, and in its place DC has given me a date with a boy.  

 Again, it’s not Tim being not-straight that I have an issue with.  I’ve never read the character that way, but it’s something I can live with. My issue is the way it was handled. Why not make Tim an actual person first, and then explore his sexuality?  Send him off to college!  He’s obviously thinking about it!  It’s the perfect opportunity to give him his own book.  He can move to a different city, choose a new name, and DC can introduce a whole new set of characters.  Figure out which parts of Tim’s backstory are still canon, and which have been dropped. Make him a person again, and then let him explore his sexuality.

 I know this post is all over the place, and I don’t have time right now to go back and edit it.  I just really needed an outlet for my frustration.  Right now it feels like there are so many people who are so excited about Tim being bi/gay, but they don’t know anything else about him.  I keep seeing people comment how DC has been “dropping hints for years!” with no evidence other than “he and Superboy were really close!”  I guess I’d just really like to have some dialogue with other people who are fans of Tim, rather than fans of Tim-as-bi/gay or fans of Tim-as-straight.

 Does anyone else feel this way?  I’d honestly like to have a dialogue about it with other long time fans.

[thattimdrakeguy]

Favorite tim writers

Sorry for taking so long to answer this one. I'm still moving boxes, and I had to get a shower cause I got all sweaty and such. Gross I know.

But hmmmm. I been trying to think about it along the way.

1) Marv Wolfman.

He created Tim. No other contenders for me. While he may not have wrote him a lot, he wrote enough to make the base for all depictions of Tim at least should be based on.

2) Adam Beechon.

Why you may ask, because I think he understood the character at Tim, and used the personal trauma that Tim had amassed at the time in a way that stayed true to Tim's character. Showing that Tim can evolve, while not losing who he is for simple melodrama. And plus, he's this high, mainly cause while I like most of Dixon's writing till later on in his run, he's a prick.

The only thing off the top of my head is that Adam Beechon made Tim just a bit too cool. Because while he isn't the biggest geek ever compared to his friends who are obsessively geeky. Tim is still a big geek. That often felt a bit forgotten to make him more of a popular kid. Tim has his cool moments that get recognized, I think mainly his confidence in certain situations. But Tim needs to feel at least like a notable bit of a geek.

He didn’t write for my favorite era. But, I admire he kept Tim consistent while others destroyed him for the drama. Plus he had a longer chance to write him compared to others who either had him for a few small issues, not under his solo, or in Dixon’s case--wasn’t an asshole.

Beechon still can’t write Cass Cain, though.

3) Meghan Fitzmartin.

She's mostly got a very solid understanding of Tim, if not his relationship with some of the others. Typically one that's honestly not paid attention too for so long, it's just made to be generic, pretty, and bland.

There's a few flaws in the way she writes Tim, that, while small, are just not enough to make her go higher. Plus, you know. Revealed Tim's gay. Which is pretty nice.

Like this could just be me needing to reread, but I felt she made Tim take himself way too seriously. Tim never took himself too seriously. He took the job and being Robin seriously, but not himself. So sometimes when the story was focused on purely Timmy, he felt just a bit off.

4) Alan Grant

Though never a writer of Tim's solo, as far as I am aware. He wrote some of his earliest stories, and among them at least a hand full of his most important stories. I also think that he understood Tim's more childish side compared to Dixon, who I saw gave Tim a line about insurance deficits or something--like a 14-year-old boy would even care to do that, let alone reference it.

I think his biggest flaw if I remember right, was just that Tim's dialogue could be worded like he was tryna think of how a 90s kid would talk. Which dates it a bit. But mostly he was just fine and it fit in with how Tim was established to speak in his origin. A little kid doing his best to sound smart, with enough innocence, and naiveté, and with a genuine kid voice in there that makes it all work within what his origin establishes about him.

How well Alan Grant always achieved that--eh, but, still. I remember him being quite good. And I think he deserves more credit than he's given since he helped establish Tim, alongside Marv Wolfman, and Dixon.

5) Chuck Dixon.

While stated before he's not a morally great person. Who's bigoted opinions are shown well through his own contradictions made in his attempts to defend himself. He still wrote a very good Tim, and Tim's best stories. His biggest flaws to me, where sometimes feeling like he forgot what a kid was like within Tim's dialogue. It would sometimes be very good, which, that's part of writing a very good Tim. But every now and again Tim--didn't really feel like himself, and talked more like I imagine Dixon would speak. Going from a joke Tim would make that references TMNT to a joke only a curmudgeonly 30-year-old man would make, is very distracting.

And every now and again would portray Tim as a bit too mature, or--something along those lines if not the exact word to use. Tim was a light hearted kid that used his brightness to make Bruce hopefully remember his own light side. Dixon at times would struggle at this and write Tim more like how Dick would get at, at Bruce, and not Tim himself. Or just overall have Tim say something that, I really don't think the same kid from Lonely Place of Dying would be saying. He also made Tim proper mean in the few things of Young Justice he wrote. Clearly not understanding the Young Justice dynamic. Like Dixon couldn't help but leak out his own cynicism on a character literally created to be idealistic and a bit of an optimist.

He's a writer that could easily be one of Tim's best writers, which he showed with series like Tim's first Robin mini. Where, while Tim was portrayed as a bit more mature than in Lonely Place of Dying. Made more sense as his "mommy" had just died and he was trying to prove he's not just a kid. While also writing him to show just how much of a kid he really was deep down with his obliviousness and naiveté.

That still persisted in the solo, but there's just some moments where it's like. "He does remember what Tim's like right? And what a kid is like?" Which would created inconsistency among the Batman or Detective Comics writer that still had Tim just a bit more closer to his lighthearted naïve, but ready to prove himself roots.

Not to say this makes Tim's solo bad, but the more I've read it the more I noticed odd moments, I think towards the middle, and some even more towards the end where it could get very noticeable. Tim by the end of his run didn't always feel like Tim, and when he did, more often than not a very bland two dimensional version. Though there’s a few moments like that even in the beginning.

--

If I can think of anymore I'll add them, but as it is now, that's the best I can think of, and tried to give my reasons as to why on their positioning.

[yicruz48]

Teen Titans Review: Annual #2 Part 2

August/26/2020

Part 1

This again pushes the narrative of Damian as the angry aggressor with no self-control nor a ability to be conscious of how his own actions hurt other people.

I am not denying that Damian hasn’t been extreme before or has a temper but if written correctly he would have enough awareness to feel guilt for what he did to Emiko and not act so aggressively towards Bruce.  

This is another section of the issue that I feel conflicted about how to feel about this for several reasons: 

-> The things Damian says in these panels aren’t all false : 

I wouldn’t be sincere in this review if I didn’t acknowledge the truth to Damian’s comparison. In the last two years real time the Wayne Manor has become a sort of coffin and tomb. A manor that only carries the echoes of those who used to live there. 

After a while, I could imagine it would be distressing to visit the Manor because it would remind them of the people who weren’t there anymore. 

-> I fear Anti’s will look at these panels and try to justify Damian as a bad person:

I asked my older brother (Who doesn’t know much about comics besides the bit I tell him) to read the interactions in this issue and give me his opinion on them. 

“To me it feels like the writer is trying to show Damian is conflicted and not in the right headspace therefore showing him erupting into a fight with Bruce violently but...I can definitely see how someone who doesn’t like Damian could turn this narrative against him.”  

And I agree with him. As much as dislike these direction in writing for Damian, I do see what Thompson was trying to do here (and since the beginning of the run). It hasn’t been executed well, but he has been trying to get the reader to sympathize with Damian (more than Glass that is). 

And I believe it is trying to show that Damian is at his wits end, not thinking right-well-I mean-Damian hasn’t been thinking right in TT since 2018, but I guess he’s really not in the right headspace. 

But I have the same fear that my brother mentioned, if you look at these same panels through the same lens of someone who doesn’t particularly like Damian you look at this and think is horrible. I can already imagine what they’d say:

“Look at how badly Damian treats his father!” 

Although your supposed to look at this as Damian having a outburst after keeping in it for so long and not being emotionally-neglected by his father.  

“Alfred’s death was hard for Bruce too, Damian needs to stop acting like he is the only one who is hurt.” 

Even though Bruce is an adult and Damian is a teen(a severely-damaged one at that) and you know...BRUCE DIDN’T COMFORT DAMIAN AFTER ALFRED DIED...

And this further expressed in Detective Comics where Damian causally mentions that he is surprised that his father contacted him. 

Like...um...Damian is a 13-year-old boy...are you really telling me Bruce hasn’t contacted his own underaged son especially after Alfred died? 

“Dick just got shot and lost his memories. He didn’t die. Why is he acting like he died?” 

I talk more about Damian’s and Dick’s relationship here. 

But to put it simply, Dick is one of the only people Damian trusts to be vulnerable with. Damian is extremely independent yet depends on him the most. This is expressed many times in the beginning of rebirth (specifically in the Nightwing and Batman comics). Losing that connection is extremely damaging to Damian.

Moving on, I actually appreciated this scene with Crush. I happy that she kept the group from intervening between Bruce and Damian. 

With the track record of how “great” the Teen Titans are at handling situations them getting in the middle of the fight would’ve made this worse. 

Plus I liked that she recognized that this was something personal. So far, I’ve felt like the majority of the Teen Titans have antagonized Damian and it felt refreshing to see Crush realize that Damian’s actions are more personal than they thought.  

But at the same time, I don’t know how to take this. I feel like they also wrote this in order prop her up to be the new leader in the next issues so at the same time it feels a little insincere.  

I already said this in part 1 of the review but I am grateful for the decency DC or Thompson had to give us some personal reasonings for his actions, but again, it doesn’t work as a good trigger nor does it hold the same hype it would’ve if written earlier when it happened, not months after it happened.

One of the only things about these panels that I have to say is  that I saw some people theorizing on twitter that perhaps Damian was expecting to be punished by his father because of how his other brothers have been treated by Bruce. But I really don’t know myself how to interpret it. 

Why is Damian questioning why Bruce isn’t fighting back? 

-> Was he expecting Bruce to punish him? 

-> Was Damian expecting  his father to challenge his new beliefs?

Because Bruce doesn’t really challenge Damian’s beliefs at the end, if anything, it seems like Bruce gives up trying to reason with Damian. 

Which is sad if you look back to this panel in Batman and Robin 2011:

Jumping back on track, and then we have this panel: 

Which is yet again another panel that I feel conflicted about. 

I guess it’s nice Bruce finally told his son that he loves him, but also it’s a little to late now. Bruce should’ve expressed compassion to Damian when he had the chance, and he had a lot chances to do this: 

-> On his 13th birthday.

-> By being more involved in his life. 

-> When Dick got shot to remind Damian he had someone there for him despite Dick not being there. 

-> When Alfred died in front of him. That was most likely traumatizing for him, would’ve been nice to have someone there to comfort him. 

I feel like I keep repeating myself, but again, this four pages are difficult to interpret. 

 “Everything...lead...to...THIS” 

-> I’m taking this as Damian concluding that being Robin (and everything that encompasses including the no killing rule) lead to him losing people he loved and eventually not being Robin.

“You will never truly see me so long as I am in your shadow.”

-> Damian thinking that Bruce won’t take him seriously if he is Robin? 

-> Thinking that Bruce won’t ever truly see who he really is if he is Robin?

“Now I am finally free.”

-> Damian implicating that being Robin was a burden and/or restricted him from doing what he thinks is “right?”  

As a Damian stan the last four pages were the most painful to read. Seeing Damian leave the Robin title frustrates me soo much. 

Conclusions and Predictions:

-> This issue was not as bad as I thought (but still bad): 

For one, I am glad Bruce didn’t beat up Damian. 

I am glad they had the decency to give Damian more personal reasons to go down this path even if it was late. 

-> (I’m gonna start talking about the art more in my reviews) 

Pansica is a very talented artist BUT I personally don’t think he was the best choice to draw a comic with teens. The adults in this issue were drawn great but I feel like drawing teens is not his strong point. 

There was points in this comics were Damian looked unpleasant and I think it was because Pansica tends to be very detailed although a lot detail does a disservice to drawing teens. As a artist myself, I lay off the details when drawing children since it often ages them more if you put more detail. 

Maiolo’s colors are good. I don’t know if it was a conscious decision or not but the dullness of the color really emphasizes the darker vibe of this issue. 

-> Thompson didn’t fail me this issue, he still manage to make me hate Roundhouse more than last issue :)

He also really pushed that unnecessary Emiko X Wallace ship in the middle of this issue. I think the bothers me about this relationship is that they gotten closer because of Damian killing. I really don’t vibe with that.

-> Bruce just suddenly offering a hug after giving Damian death stares at the beginning just confuses me. 

-> Teen Titan’s didn’t ever take Deathstroke go and basically let him go unless he’ll be appearing next issue. 

-> So far Damian sucks as being a villian/anti-hero, he failed both at killing KGBeast and Deathstroke. 

-> Hate that once again, most of the blame was thrown at Damian.

->To Damian, being Robin was the best thing to happen to him.  

It allowed him to see the mistakes in his past(that he was made to do) and work towards becoming a better person...in other words, it granted him an opportunity to redeem himself. 

Not only that, but it granted him the opportunity to honor the people who helped him become a better person (Dick and Bruce).

And even Damian felt like he needed to “prove” that he could be Robin because I think even Damian felt like he didn’t deserve it or wasn’t good enough. 

What this comic has done with him is atrocious and will always be no matter the outcome. 

I have a petition related to Damian here. I would appreciate it if you shared and signed. 

[seras-elessar]

Brooklyn 99 and Copaganda: My Two Cents

I’ve been reading many of the posts about cop-propaganda and how Brooklyn 99 as a diverse comedy police procedural hits all the hallmarks of whitewashing the police, but I’ve been reticent to engage because a) the posts are getting oh so long already and b) my thoughts haven’t been fully formed until about now. Just disclosing my credentials I’m going to come at this from a bachelors of film- and media-studies with a minor in moral and ethics philosophy, as well as my many years as an educator. 

I will also disclose that I really enjoy Brooklyn 99, and anyone can continue to do so while being aware of the issues. Being aware of problems with the media you consume is not a weakness, it’s a strength.

I’m going to go, point by point on why I think Brooklyn 99 Ended up the way it did and what we need to be aware of as we move forward. I will however put a tl:dr up here as well as a more in depth conclution at the end.

TL:DR: Brooklyn 99′s copaganda is an unfortunate combination of socially aware creators using the show as a platform to raise awareness and being part of two genres (comedy and crime) with problems inherent in the way stories in those genres are told. It’s not deliberately trying to whitewash the police, they do so by trying to do the right thing as creators with a large platform.

The Case of the Creators and Cast

The first part is looking at the people who are showrunners, producers, writers and the cast. The originators Dan Goor and Michael Shur have many series to their names, and all follow similar patterns; starting with a comedy premise and then developing as the seasons continue, often using their platform to raise points about social and moral issues. Andy Samberg is also a big part, being the main lead and credited as producer.

The cast is racially diverse and the show brings attention to that, both for comedy and to highlight social and political issues. They also appear to have a working relationship with the writers and directors, so the cast are allowed a lot of input into how their characters are portrayed and how they develop.

It’s clear to me going through the series, looking up creators and cast in interviews and their social media presence that most of them are socially and politically aware and wanted to use their platform to highlight and raise awareness about injustices the see in American society today. This is something many creators have been asked to do for many years and it’s admirable that they want to actually at least bring these issues up in the time they have. However this brings us to the second part which may be the biggest contributors to why Brooklyn 99 is seen as not just copaganda, but even insidious.

The Problem of the Premise (or Faulty Framing)

This is the long part.

Much, so much, of the problems of Brooklyn 99 and it’s place in cop-centered media is the premise. And I don’t mean that it is cop-centered. No I mean it becomes a problem that it’s a comedy. I will take the cop-part first and circle back to the comedy to better show why.

Police procedurals as a form of media follows certain patterns and tropes, many of which are inherent to the genre. The structure of each episode being “awareness of crime - investigation - reveal and capture of guilty party”. This structure is very easy to work into three acts with a classical dramatic curve, following the conflict introduction, advance the conflict, and climax.

graph from kurser.se illustrating their course in scriptwriting

A police procedural follows the cops, detectives or investigators as they solve a crime and punish the guilty. For our purposes that is not in and of itself a problem, however it shapes our point of view of the events that transpire and how we react in the climax. The cops are the main characters, the heroes of the narrative, and we’re made to empathise with their struggles (to punish the guilty).

They also use many tropes. The Box episode is one such trope, where the entire episode is one long interrogation and it reoccurs in almost all crime and punishment TV-shows. Homicide: Life on the Streets had a very intense Box episode, and holds the same problems that the similar episode in Brooklyn 99 has (no lawyer, racing against the legally allotted time arrested, manipulation tactics et cetera). Police use of force, antagonistic internal affairs investigations, powerplays among the higher-ups and many other tropes make their way into Brooklyn 99.

One thing not brought up a lot is the episode where Peralta and Santiago track a criminal breaking into an upscale hotel. During capture of the suspect Peralta causes some collateral damage as he throws himself at the suspect. The jump hits a bystander and breaks his leg, and from the reactions and the dialogue it’s shown to be a very serious injury.

The ensemble of detectives are portrayed as socially conscious and (mostly) competent. Even the butt of the joke character displays this (Hitchcock: “He was arrested for being black. Get woke, Scully!”)

This is where playing it for comedy can be an issue. Comedy is a release of tension, a cushion to the impact of the narrative. It’s not for nothing that the funny person in otherwise serious media has been dubbed as the comic relief. This makes the unhealthy tropes inherent to the crime and police TV-show come off as less of a problem and more cute, quirky and fun. That I think is one of the main reasons why Brooklyn 99 in particular feel insidious when they tackle social issues because

1) whitewashing police in a cop show is expected. The story comes from a person we can root for catching a bad-guy.

2) simplifying issues in a comedy is expected. Comedy is difficult on it’s own, jokes are hard to write well, so when that is the focus much of the rest needs to be smoothed out.

3) when these come together, portraying cops as good and simplifying issues for the comedy, it downplays their importance and impact.

4) this becomes troublesome when tackling real-life issues of injustice and problems with society today. First we’re sympathetic to our main characters, being shown as good cops, second we have issues brought up in a serious manner, and some issues being very serious, but then they’re played for comedy.

The premise is flawed when they lean toward social issues and the framing of the show and the characters enhances that.

This is where I also want to note again that I don’t think this was intentional. The show wasn’t crafted to be propaganda. The cop-show as an entity, a type of media, is propagandistic because of how stories of crime and punishment is told.

Series and Syndication

This will be a short bit, but I want to bring it up. When Brooklyn 99 was created it was syndicated to run at Fox. The channels, not just their news network, has unhealthy connections to not only the police, but the military, conservative think tanks and political initiatives. To be green-lit they likely had to pass screeners with an extreme pro-cop filter. But it was green-lit, so how did that happen?

Media, art in general, is always a compromise, and I think the positive portrayal of the cops and the police as a whole (some bad apples, sure) was part of the compromise to get syndicated. Police is a touchy subject in American television. I already cited Homicide above and they whitewash planting a weapon on a suspect one of the main characters murders. They spend the season building up how bad the suspect is, but how they can’t find evidence directly connecting him to the crimes. They get enough to go in, and they shoot this unarmed Black man. Then they put a gun they brought in his hand to plead self defense. The audience is told this was a necessary evil, the only way to get him “off the streets”.

This is a worse example than much of the abuses portrayed in Brooklyn 99, but again, Brooklyn 99 plays the abuses off with comedy. Homicide did not, they framed it as morally right.

Media and Literacy

Media literacy is a problem. When I worked as an educator very few if any age group was able to read media and see connections to real life biases and politics. The way we consume media impacts the way we feel and react to things in real life.

I’ve explained framing countless times, and how media tells us who’s right and wrong and who we as viewers should sympathise with. This is illustrated really well in this video-essay by Renegade Cut concerning the framing in Rick & Morty.

https://youtu.be/X-8ICfWsUVw 

Consuming Brooklyn 99 without thinking about how the framing of the actions of the characters and the events of the stories impacts our reading and thereby out feelings towards cops in general is why some people have expressed that they “grown to understand and like” the police after watching it. This is again an unfortunate combination of creators and genres.

We do need media literacy as a part of our education, and it grows more and more important the more accessible media becomes.

Conclusion (or The Monkey’s Paw)

I think the problem of Brooklyn 99 stems from the cross between comedy, crime fiction and creators who want to do more than tell jokey-jokes and actually use their platform to lift issues they care about. This awareness isn’t bad, in and of itself, I actually think it’s something all creators should try. They had a platform and they wanted to do the right thing. 

This is in my opinion the cruel joke of this discussion. The creators know they should raise awareness when they can and they try to do so, but in doing so they’ve created a propaganda tool for the police geared toward the most vulnerable demographics, racial and sexual minorities. That’s why I find this conclusion to be a Monkeys Paw, we got a high performing show, with a diverse racial and sexual cast, that displays knowledge and understanding about topics of injustice, from a politically aware creative team... and it’s smoothing out the injustices committed by the people they portray.

[thedoctornumber11]

Munday post

I figured maybe this week I’d do a different type of Munday.  Most of my long time roleplay partners already know me quite a bit and I also try to introduce myself to newer partners as well, however I figured this could be a good chance for everyone to really get to know me.  I’m including everything under a read more not because long post and also because I know not everyone likes seeing this type of thing.  It’s just a bunch of random facts about me and my favorite things along with a munday pic under the cut.  I didn’t want to just throw out a munday picture like most would do.  I’ve done that plenty of times before and there’s nothing wrong with it, I just felt like doing something a bit more unique and different this time that might really give people a chance to get to know me :D

So long post under the cut.

So, first off, my name is Derek.  I’m the mun.  I just recently turned 30 and I’m from Indiana.  I work in a preschool, essentially as a glorified baby sitter.  I help the teachers get their breaks.  

I’ve been interacting on here since November of 2013 and I’ve had this exact blog with this exact URL the entire time.  I wanted something really generic and not just a quote or something like that.  I first tried TheEleventhDoctor, but obviously that was taken so this ended up being what I went with.  As for the theme, it too was made a VERY long time ago.  The TARDIS theme with the opening doors on the TARDIS actually used to be quite popular when I first started interacting on here, particularly with the Doctor Who RP fandom.  Although I’m the only one I see with it these days, if you go looking for older Doctor Who blogs that have gone inactive you are actually likely to find a few other blogs with it.  As for the background picture, I found that one myself except for the part with Matt Smith/The Eleventh Doctor edited on.  That part was done by someone I used to interact with who just surprised me with it one day and unfortunately isn’t on Tumblr anymore :(  Having been on this platform for so long I’ve obviously seen a lot of blogs come and go and I miss every single last one of them :(  However I also enjoy everyone I currently interact with and would recommend almost any of them.  Seriously, if anyone is looking for new people to interact with, let me know you are looking for people and what fandoms you enjoy and I can probably recommend a few blogs!

Outside of Tumblr RP, I enjoy video games, yugioh, reading comics, general super hero related stuff, watching movies, playing Pokemon Go (I help run the local PoGo community) general board games, watching my shows, figure collecting, and cosplay, most of which I’m sure is stuff many of you also enjoy.  My fandoms include Doctor Who (obviously), DC, Star Wars, The Legend of Korra/ATLA (I’m one of the few that likes LoK more than ATLA), Marvel, Star Trek, Firefly, Power Rangers, The Walking Dead, Yugioh, Pokemon, Sherlock, general Nintendo fandom, Digimon and Harry Potter.

Here’s a few things about me in list form.

My favorite musician is Weird Al Yankovic.  

My favorite book is Look Me in the Eye by John Elder Robbison.  As someone who’s been diagnosed with aspergers syndrome myself, this book really spoke to me in my original read through and since then I’ve purchased it multiple times.  I own at least three or four different copies of this book, partially because I kept loaning it out to people.

My favorite book series is the Harry Potter series.  Don’t ask me for a favorite book in the series, I love them all about equally.  

As for comics, right now my favorite thing I’m reading is the Power Rangers series that Boom is putting out.  Some of my favorites of all time include Power Ranger Soul of the Dragon, the Star Trek TNG/Doctor Who crossover, the Power Rangers/Justice League Crossover, the original Spider-Gwen series, Poison Ivy Cycle of Life and Death, The Dark Knight Returns (I know anything Frank Miller related is a bit controversial but I enjoy it for what it is) and Batman: Hush.

Favorite movies include UHF, Scott Pilgrim VS the World, Captain America The Winter Soldier, Captain America the First Avenger, Avengers End Game, the Justice League movie, anything and everything DC animated, anything and everything Spider-Man related (yes, I even like Spider-Man 3 although it wasn’t as good as the others), anything Star Wars related although I’d say Force Awakens is my favorite one, the 2017 Power Rangers movie, Serenity, The Lego movie and it’s sequel, Yugioh Bonds Beyond Time, Mystery Men, Galaxy Quest, all the Star Trek movies, the corny 90′s Mario movie, the Doctor Who movie, and Detective Pikachu.  Really, any of the Marvel and DC movies could probably make this list as well, I’m not super picky when it comes to movies.

Favorite TV shows is something I am a bit pickier about.  Doctor Who is obviously on the list, and I’ve watched and enjoyed most of the Marvel and DC live action stuff although I have a huge preference for the arrowverse and 70′s Wonder Woman.  Animated stuff tends to vary but a lot of the older stuff from the early and mid 90′s seems to be best for that.  Power Rangers is obviously on the list as well, along with The Walking Dead, Digimon, Avatar the Last Airbender, The Legend of Korra, Sherlock, Yugioh, Firefly, and off the top of my head that’s about it.  Everyone always assumes I’m huge into anime as well, but I’m not actually that into it.  Just not my thing.

Now video games has potential to be my longest list as it’s easily my favorite medium of story telling due to the interactivity.  First off, Nintendo and Playstation are my general consoles of choice.  Nothing against Xbox, I have a lot of respect for the brand but I can’t really afford to have three consoles (even though I wish I could) and Nintendo and Sony have more offerings for me personally.  I also do dabble on PC a bit, but I don’t really have a high end PC and it’s mostly just for Sims.  That being said, my favorite games and game series include Watch_Dogs, The Sims, Mario (mostly the “main series,” 3D games and 2D platformers but I do enjoy some of the off series stuff like Mario Kart and Mario Party as well) , Pokemon, Super Smash Brothers, The Force Unleashed series, Injustice, most of the Spider-Man games, The Last of Us, Tomb Raider, most of the Batman games, Wario Ware, The Last of Us (still haven’t played the sequel yet.  Waiting to get it for cheap after seeing reviews), Days Gone, Control, Horizon Zero Dawn, No Man’s Sky, 51 Worldwide Classics for Switch, No Man’s Sky, the Tony Hawk Games (still haven’t played the new one yet), Time Splitters, The Movies, Hulk Ultimate Destruction, Zombies Ate My Neighbhors, Kirby, The Legend of Korra game (the 3d one, not the really bad one for 3DS), Donkey Kong, Street Fighter 2, Punch Out, Metal Gear Solid 5 the Phantom Pain, Sonic Heroes, and the list could go on and on.

My favorite drink is root beer or chocolate milkshakes if that counts

My favorite alcoholic drink is probably just a basic screwdriver tbh

My favorite food is Cheeseburgers, although Chicken Pot Pie is also a top contender tbh

My favorite color is green

My favorite Doctor is Eleventh obviously, but Thirteen, Two and Twelve are tied for second

Favorite companions are Amy, River (if she counts), and Donna

Favorite New Who episode is The Eleventh Hour

Favorite Classic Who story is Genesis of the Daleks

Since I’ve mentioned super heroes a lot, my favorites are Batman, Wonder Woman and Spider-Man, although Supergirl, Batgirl, Captain America, Scarlet Witch and Black Widow are also pretty high on the list.

Favorite game in the Pokemon series is X and Y

Dragonite is my favorite Pokemon

Favorite 3D Mario game is Odyssey although Sunshine would be next up on the list.

This is my only Tumblr RP blog.  I also have an ask meme blog and I used to have a personal but I haven’t logged onto it in years.

I’m on discord and I do add people from Tumblr on there, but I mostly only use it for Pokemon Go tbh

I spend every Wednesday and Sunday at the local comic book shop playing Yugioh

For anyone wondering in relation to that last fact, my current competitive deck Barrier Stun.  Some of my favorite casual decks that I play or have played in the past are Lightsworn, Blue-Eyes, E-Heroes, Greed, Sacred Beasts, Penguins and Six Samurai.

In the last decade I’ve moved about 3 times

I own pets!  I have one dog and one cat currently, but a few years back when we lived in a more country like setting, we owned 7 cats and 2 dogs at maximum.  Most of them died of old age over the last few years.

Before my current job I used to work at Walmart.  Long time followers of the blog may remember that I hated it there.

I don’t have a whole lot of writing experience outside of Tumblr tbh.  While I do enjoy writing on here, it’s the interactions itself that makes it fun for me and while I’ve tried to write a few things myself, it’s just not the same as roleplay.

Anyway, I just sort of wanted to do something different for munday besides just posting pictures of myself so I hope anyone who read this enjoyed it.  Here’s a pic of the mun to go with it.

[northoftheroad]

The Robin 80th Anniversary Special

It's not a secret that I'm first and foremost a Dick Grayson fan, whether he comes dressed as Robin, Nightwing, Batman or something else. But I try to be charitable and be happy for fans of the other Robins that they got a pice of the birthday cake, i. e. the Robin 80th Anniversary Special.

For your enjoyment (?), here are my thoughts about the book. Spoilers ahead, obviously – don't like, don't read!

I honestly thought almost all of the stories were ok – but pretty forgettable. Marv Wolfman's spin on Dick leaving to become Nightwing, in "A little nudge" (art by Tom Grummett and Scott Hanna), is probably the only one I will remember and reference in the future. I don't know if or how it is supposed to fit into the (any?) continuity, but as far as I can see, it works nicely in the current setting.

Dick's parting from Robin and Bruce was successively portrayed as more and more hostile. When he originally left Robin to become Nightwing (1983–1984), the two still had a good relationship. This changed in comics to, first, that Bruce decided to retire Robin, and then to that Bruce outright fired Dick and kicked him out of the cave. This lead to that their relationship was portrayed as poor, antagonistic even, for a good many comics years.

The bad mood was picked up by Batman The Animated Series, where Dick left being resentful of Bruce and his methods.

I don't have a lot of good things to say about what has happened to the Bat-family after Flashpoint. But from what we've seen from scattered panels, Dick was the one who decided he wanted to leave Robin. You can read Marv Wolfman's story as confirmation of that. Which is nice.

Bruce is only a little bit of a jerk in this story, being utterly rigid about that Robin has to follow orders. Dick, however, chooses to stay with a kid that had been shot instead of following the criminals.

Dick has had it with Bruce's rules and leaves the cave, but he says "later" rather than "goodbye".

It's made clear that those strict rules were Bruce's way to say, "I know you've grown up, and you should move on; I'll be fine without you."

Batman # 408, where Bruce decides to retire Robin because he got scared when the Joker shot Dick, is firmly established in my mind as the "correct" leaving story in my mind. It was the only one I had read and knew of for many years, and the two still part on decent terms. But Marv Wolfman's 80th Anniversary version has a lot going for it.

On to the rest of the stories...

"Aftershocks" By Chuck Dixon, art Scott McDaniel and Rob Hunter.

Set during Cataclysm (a storyline from 1998) where Dick lived in Blüdhaven before he moved back to Gotham and became Batman. It's an action-filled story where (fingerstripe) Nightwing comes to Gotham after an earthquake has hit the city.

It's interesting to read this, living through the corona crisis that is going on right now. I don't know how it is where you live, but where I am, people are setting up networks to help people who can't go out to shop or walk the dog, University students are helping kids do their math lessons with the help of Facebook, people make masks for health workers etc. But when Chuck Dixon writes what happens after a catastrophe, Dick has to fight his way through masked thugs who are trying to rob an ambulance of "painkillers and tranks" when he tries to save a cab from falling with a damaged bridge. A woman is giving birth inside the car, and the story ends with that the mother wants to name the boy after Nightwing.

"Well...Robin works, right", he says.

"Team building" by Devin Grayson, art Dan Jurgens and Norm Rapund.

Well, I'll always soak up everything that has to do with Dick and the Titans – Teen Titans, New Teen Titans, Titans, any Titans...

Devin Grayson wrote The Titans 1999–2000, which is the setting of this story. Most of it takes place inside a H.I.V.E. locale, where an exasperated boss (Damien Darkh) chews out his soldiers after a fight with the Titans. But Darkh decides not to kill the lot of them, because they did distract the Titans while he stole a red crystal/power source. Of course, it turns out Dick is the soldier who has kept his helmet on; he takes the crystal with him and gives Darkh a bit of advice on team-building on his way out.

"Generally speaking, fear of execution isn't a great motivator. I've found basic team-building and morale-boosting to be much more effective. Like, I'm just spitballing here, but... You ever consider a pizza night?"

Well, it did keep me amused, and it shows us that Dick is a good leader and strategist, (and a great acrobat who manages to get out of the H.I.V.E. uniform with one hand, on the way out), although it isn't exactly a surprise that Dick was in the building when you get near the end.

"The Lesson Plan" by Tom King and Tim Seeley, art Mikel Janín.

Now, I do like some things about the Grayson run, but with a bit of distance, I've realized it was mostly the art. The sexualization of Dick and how King and Seely wrote him as a guy who jumps first and plans never got tiresome. This story is in-character for Grayson; Dick is accompanied by a girl (Paris) from St Hadrian's on a mission, and on the way, he remembers the lessons Batman gave him and imparts his own interpretation of them to Paris. As is Batman says, "plan everything", and Dick says "Improvise. Leap first... figure it all out on the way down." Ergo, classic King and Seeley. Also, it is possibly implied Dick made out with a beautiful girl that turned out to be gorilla in disguise...? Yep, vintage King and Seeley.

Other than that, I don't have a big problem with the story. Some things ring true to me – as when Dick remembers Batman saying, "At their core, people are cowardly and self-serving. Trust no one until you know them. And even then, never completely". And what Dick says is, "Give the benefit of the doubt until you gotta knock 'em out."

For my own peace of mind, I'm reading this as Dick is half-joking with his advice. It's not like we've never seen him make plans and be suspicious post-Flashpoint.

On a side note, one of the best characterizations of Dick Grayson to my mind is a panel from Black Mirror. When Dick explains he had injected James Gordon Jr with a subdermal tracer, and says about himself, "I am a softie. And I do try to see the best in people... but that doesn't mean I'm stupid."

Detective Comics # 881. By Scott Snyder, art Jock and Francesco Francavilla.  

"More Time" by Judd Winnick, art Dustin Nguyen.

Jason has a cute story about him repairing Thomas Wayne's watch as a present to Bruce. He started the work as a tiny Robin (too tiny, in my opinion, but with Dustin Nguyen on art it probably couldn't turn out any other way) and finished the work as Red Hood. Jason delivers the present to Bruce on his birthday, placing it on the Batmobile while it is parked in a Gotham alley.

"Extra Credit" by Adam Beechen, art Freddie E. Williams II.

Tim has an appointment with the guidance counsellor at Gotham City High School. Tim sees a future in law enforcement (that's the first I've heard of that, but I'm no expert on Tim) and he's adopted (again, something I haven't seen post-Flashpoint). But the counsellor doubts that Tim will be admitted because he has nothing to show when it comes to extracurricular activities. It's kind of a fun few pages where the counsellor suggests things that Tim could do, and Tim thinks about what he does as Robin on his spare time.

"Boy Wonders" by James Tynion IV, art Javier Fernandez.

Tim, Red Robin, is unsure what he wants to do with his life and goes to his brothers? fellow Robins? for advice.

I know emotions have been running high because Dick tells Tim that he is "demonstrably smarter" than he is, which makes it sound as if Dick is not really smart at all.

Again, for my peace of mind, I choose to read this as I want: that "big brother" Dick is encouraging, he has always thought highly of Tim, he has no ego to preserve. This doesn't make Dick a reliable narrator on the subject, and the page ends with that Tim thinks "He was the first. He's the best. He's always going to be the role model. "So, two brothers who admire each other.

Tim also talks to Jason and Tim, and the story ends with that he tells Batman he wants to start Gotham Knights protocol, the team in Detective Comics (Rebirth.) 2016-2018.

"Fitting In" by Amy Wolfram, art Damion Scott.

Stephanie, as Robin has problems because Tim's Robin suit doesn't fit her female body. But at the end of the day, Bruce gives Stephanie her own "changing room" in the Bat-cave, because she's female.

...are Bruce and Alfred idiots? Did Dick, Jason and Tim have exactly the same body type when they were Robin? Stephanie deserved a story worth being told, not this one.

"My Best Friend" by Peter J. Tomasi, art Jorge Jimenez.

Jonathan Kent writes a school essay about his best friend, Damian. As he writes the words on his laptop at home, they are illustrated with pcitures of the two as both Robin and Superboy, and as Damian and Jon in civvies. Tomasi and Jimenez worked with Super Sons (2017–2019), and though I didn't read that, I'm pretty sure this story is an extra chapter in that series.

"Bat and Mouse" by Robbie Thompson, art Ramon Villalobos.

It's not the worst story in the book, but somehow the one I disliked the most. It is part of what is going on in Teen Titans and Bat-titles right now; we see Alfred's tombstone and how Batman and Robin have a strained relationship and difficulties in communicating. I'm not keeping up with what is going on with Damian and Bruce in detail, so I really can't say whether this story is consistent with how things have been going lately. I'll let Bruce-and-Damian fans take that ball.

To be honest, my reaction to "Bat and Mouse" is probably due to that I really, really don't like what's happened in the Bat titles lately. I firmly hope that the current situation will be changed and Alfred will be alive again, and I wish I could go back and re-read this book years from now without being reminded of this very dark time when DC seemingly doesn't want any money from me for new comics...

Being who I am, I probably take it waaaaay too seriously to try to understand where/if these stories fit in the DC continuity... The writers have probably (rightly) thought more about writing a good story than making it consistent with any grand plan for a timeline for all of the DC universe. But whatever.

The Grayson story clearly happens in a post-Flashpoint universe, as does Damian's and Tim's stories. But Tim says he's adopted, which I believe has never been said outright post-Flashpoint. And Stephanie has as far as I know not been Robin in this continuity. Chuck Dixon's Nightwing story is explicitly set during Cataclysm (a storyline from 1998) where Dick lived in Blüdhaven before he moved back to Gotham and became Batman. Post-Flashpoint, he moves to Blüdhaven for the first time in Nightwing vol 4., so Dixon's story should take place in the old continuity.

On the other hand. The last pages of the book are made to look like profile overviews in the Bat-computer and use pictures from different Robin runs. If the snippets of information are supposed to be the current continuity for the Robins, a lot from the pre-Flashpoint universe is back in canon.

Shortly, Dick was adopted (that's the word they use), formed the Teen Titans, moved to Blüdhaven and was Agent 37 for a while. Blüdhaven comes before Agent 37, but it's not explicitly stated when he first moved there. Because if Dick was in Blüdhaven before his time with Spyral, it is inconsistent with parts of Rebirth Nightwing. (Which I can live with...)

Jason's story starts as the street kid who tries to steal the tires of the Batmobile, his stint as Robin was short, and today, Red Hood has formed a tenuous alliance with Batman. Tim uncovered Batman's secret and made a bid to become the new Robin – and his new moniker "Drake" is acknowledged. Stephanie was Robin for a very short while. Damian was created with genetic material that Talia stole after a romantic tryst with Bruce, and he was bred to be an assassin.

Personally, of course, I think that Dick Grayson was worth more of an effort from DC on his 80th anniversary. But on the whole, the things we got were decent, "A little nudge" gave me something I will keep with me, and several of the covers are great.

(The cover photo is still pinched from Dan Jurgens' Twitter – I haven't bought all of the variant covers.)

[focusfixated]

fic rec post: bookmarks of 2019

hooo boy i really got through some fandoms this year. from right-on-time fandoms that i got to partake in as they were happening (good omens) to years-too-late fandoms i only just discovered (hannibal), there have been some real outstanding things to read from authors across multiple fandoms and genres. 

i’ve put together a list below of some of the fics I bookmarked to my ao3 this year - some were written in 2019, some are older than that, but all of them left their mark on me these past 12 months.

i haven’t listed and reviewed every single story i have bookmarked this year, or else i’d be composing this post for weeks, so i’ve also put quick links at the end to other recs that you can find on my ao3 if you wish to peruse.

here’s the list, arranged by fandom, chronologically in the order i read them:

fandom: dirk gently’s holistic detective agency

interrogation by goingtoalaska – @holistick on tumblr

rating: G

pairing: dirk/todd

summary: Of course Dirk has some extremely important questions that can only be asked in the middle of the goddamn night, obviously.

notes: one of those dialogue-rich, beautifully-crafted, one-shot fics that just perfectly exemplifies the form. i’m always impressed by authors whose strength is in funny, well-written dialogue. it’s really one of the most difficult things to master. this is a well-observed rendering of these characters subtly done through conversation. comical, sweet, quick-witted, lovely.

fandom: hannibal

 consenting to dream by emungere – @emungere on tumblr

rating: E

pairing: will/hannibal

summary: a seduction through physical objects. It starts with a scarf loaned to Will on a cold day, but Hannibal, as usual, isn't satisfied with anything small.

notes: a perfectly-crafted slowburn sugar daddy AU structured around gifts and offerings that tangle hannibal and will gradually into an ever darker, more complicated, more intense relationship. this was one of those fandom-transcendent stories that was of such gripping quality, i read the whole story and its sequel without having any knowledge of the source material and went to watch the hannibal TV series entirely off the back of having read the fic.

it's honestly stunning how beautifully this is written. the consistent characterisation, the slow development and revelation of the dynamic between the hannibal and will, and the powerplay between them is so utterly compelling. i'm so fascinated and enthralled by the exploration of power dynamics, the shifting balance between what hannibal wants, and what he wants to give, and how will is both subsumed by his need to please and be cared for, and is at the same time motivated so strongly by the desire to see hannibal out of control.

everything is just so perfectly on a knife's edge at all times, it makes the development of their relationship throughout totally riveting.

  the wave at morning by emungere – @emungere on tumblr

rating: E

pairing: will/hannibal

summary: post-fall, Will and Hannibal strike a new balance in their relationship.

notes: i have probably re-read this one more often than anything else this year. more of a collection of scenes that build up the picture of a relationship than a whole story, this nevertheless has such a raw intensity, it’s one of my favourite things i’ve ever read in any fandom. a concisely-observed exploration of a developing dom/sub relationship which is based on both a powerful sexual desire and a compelling, psychological push-and-pull dynamic between the characters.

masterfully-written and searingly hot, it hits emotional notes with such accuracy and economy, leaving all this imaginative breathing room around the scenes which are remarkably stimulating. desire comes off this in waves and is so worth waiting for.

also, read everything by @emungere. a stunningly talented writer.

  fandom: legend

 you’ll find it funny (when you’re looking back someday) by th_esaurus

rating: E

pairing: ronnie/teddy

summary: It was around this time that Teddy Smith began his nightly habit of leaning on the wall across the road from Esmeralda's Barn with an unlit cigarette dangling from his lips and the top two buttons of his baby-blue shirt undone. He'd a mole dead centre on his neck and tilted his chin back to show it off, waiting for someone to come by and offer him a match.

notes: after watching the film and being left disappointed that we didn’t get to properly explore any of the fascinating characteristics of ronnie kray, violent gangster and known homosexual, this fic was bang on.

an insight into the dangerous, volatile connection between ronnie kray and mad teddy smith, and a thrilling exploration of desire and power between two unstable men. every detail in this story was so keenly-observed and delicious to read. the writing had a poetic flow to it that i enjoyed immensely, and i read it back to back three times in a row, just trying to absorb everything on offer here.

  fandom: rocketman

 what if the birds aren’t singing, they’re screaming? by th_esaurus

rating: M

pairing: elton/bernie, elton/john

summary: He is spectacularly good at making music and spectacularly good at making mistakes.

notes: an angsty one, but such a satisfying read. so achingly full of feeling, the whole story simmers like the film's version of elton john does, with a kind of raging disappointment and dissatisfaction. there is such a vivid sense of place here, such beautiful descriptions of scenery, and every snap of elton's temper against the backdrop of these warm landscapes is so keenly felt. incredibly well-observed.

the pace and flow of it, too, the way the dialogue moves, the barbs and quips and the push-and-pull of the dynamic between elton and bernie, makes for such a compelling characterisation. there is a palpable agony in the unrequited love here that anyone would recognise. the whole thing is so well-drawn, so achingly hurtful, and utterly wonderful to read.

also, do yourself a favour and read everything th_esaurus has ever written, because it’s always incredible.

  fandom: good omens

 ad astra by drawlight - @drawlight on tumblr

rating: E

pairing: aziraphale/crowley

summary: Some things can only be said in the dark.

notes: and so we come to the good omens portion of the evening. this has been an astoundingly creative and productive fandom to be a part of, and has been a really fulfilling, satisfying place to put a lot of feelings. there are so many brilliant stories i’ve read since getting into this fandom, it’s hard to pick a few, but i’ll start with this wonderful classic. 

an incredibly-drawn portrait of the first tentative moments of something new. so beautifully full to bursting with images and ideas and feelings, so economic and poised in its language, it really sinks into the depth and detail of what makes these characters who they are, what draws them to each other, and it aches in the most heartfelt of ways.

  the lightness of you by rend_herring 

rating: E

pairing: aziraphale/crowley

summary: God should not have built them with such discrepancy, made them need for love, and long for wholeness, then left them to their own devices.

notes: this is so wonderful. the tone, the pace, the way it moves so trippingly and joyfully from thing to thing, crowley's continual internal monologue which is absolutely charming and very endearing, the lightness of the humour and at the same time the depth and breadth of feeling in this, the very concept of love and what it means to have god's love, and the love of another to fill the void. this made me have such Feelings about crowley.

also likens an orgasm to the cosmic altering of the very universe and managed to make it feel both evocative and true.

  bent to the very earth by ark – @et-in-arkadia on tumblr

rating: E

pairing: aziraphale/crowley

summary: Use me, please, Crowley had said, so Aziraphale takes him at his word.

notes: a fantastic read. i am so absolutely here for the constant shifting dynamics between these two, the things you'd expect from angels and demons, and the circumventing of those expectations in aziraphale and crowley. all of it is absolutely delicious, so well-observed and beautifully-crafted. 

written with all the humour and tenderness that makes them such enjoyable characters to read. also this is probably the key story that made me a fan of service top antony j. crowley now and forever.

lead me to the banquet hall by obstinatrix & wishwellingtons – @placetnemagistra and @scurator on tumblr

rating: E

pairing: aziraphale/crowley

summary: Crowley loves taking Aziraphale out to eat almost as much as Aziraphale loves eating, but it's always a bit of a one-sided affair. Aziraphale has never understood why.

notes: this story destroyed every single one of my corporeal cells and projected my soul directly into the ether. incredible writing. it gives me such visceral delight to read a story that puts so much effort into its reference points - all these joyful, ornamental little sprigs of detail throughout that make this universe thoroughly lived-in and a delight to experience.

the way this story deals with food - it's exceptionally, viscerally erotic, but it symbolises so many things too; love, indulgence, pleasure, deprivation, guilt. all the things that food does represent, in our daily lives. but it's somehow heightened here, used as a turning point, a metaphor, a symbol. truly one of the best things i’ve ever read.

a bookshop is not a business by anactoriatalksback - @itsevidentvery on tumblr

rating: G

pairing: aziraphale/crowley

summary: In which Aziraphale has no intention of selling books to anyone at all, let alone this infuriatingly persistent customer. No matter how nice his cheekbones are.

notes: absolutely delightful reading from start to finish. such a brilliantly witty tone, very pythonesque and also in keeping with the humour from the book, but also gives us all the added layers of gay disaster crowley and aziraphale from the tv series. i love every little detail in this, everything is just so well-crafted and funny, it’s really writing of the highest calibre. the back and forth of the dialogue between aziraphale and crowley is so enjoyable to read, with its quick, snappy, sparkling pace. wonderfully fluffy entertainment.

  classics appreciation with a.j. crowley by yolkinthejump - @yolkinthejump on tumblr

rating: E

pairing: aziraphale/crowley

summary: Aziraphale lays a temptation for Crowley. Literally: lays himself down and waits and asks for something without actually asking, as is his way. Crowley, as is his way, is happy to oblige.

notes: thorough filth of the purest kind. this is intensely gorgeous. the glorious mess of it, the physical love and joy and the depth of their need for each other just sings off the page. an ode to form, to the body, this leans into touch and physicality in such a powerful way, but maintains a poetry and lyricism which is lovely to read. aziraphale, in all his lazy luxury, and crowley, scattered and overcome – both of these characterisations were so on point. This is such a stand-out thing, decadent and intimate and so wonderfully-written.

  the curious attractiveness of others by giddygeek - @giddygeek on tumblr

rating: T

pairing: aziraphale/crowley

summary: “I’m rough,” Crowley argued. “A rough beast, and all that. Well,” he corrected himself, “an agent of the rough beast. Well, an associate. It’s all very complicated, as you bloody well know."

notes: a truly stunning piece of work that revolves around touch and the complicated sublimation of feelings that can’t be expressed. there is such a strong sense of character here, aziraphale's infinite softness in the face of crowley's wild, windmilling panic, and there’s a lushly detailed narrative full of little moments of humour that are a joy to read. 

it’s a simple and beautiful expression of their relationship taking place inside a magical, miraculous world made up of mundane, ordinary things that are elevated by the author’s gorgeous narrative. there are so many stand-out moments in this; brilliant, sharp lines, beautifully executed, establishing both world-building and character-stuff in one, fluid motion. this is choirs-of-angels levels of wonderful.

  it’s the beginning of a new age by fluorescentgrey - @yeats-infection on tumblr

rating: T

pairing: aziraphale/crowley 

summary: In August 1970, Aziraphale and Crowley attend one of the Velvet Underground's final shows at Max's Kansas City.

notes: reading this fic was like listening to a really beautiful song. the entire thing is just suffused with meaning and emotion, and there’s such a powerful evocation throughout of the feeling behind art and music and connection. It gave me shivers. there’s a weighty, beautiful power behind the words here, chosen so carefully to their greatest effect.

this fandom has some incredible, creative ways of evoking symbolism or finding parallels between religion or holiness or ecstasy of a sort with other earthly feelings (sex, desire, servitude, love) but since reading this i've not yet found such a stunning evocation of this feeling of connectedness drawn through music anywhere else. this is beyond a beautiful good omens story. this has made me project directly into emotional existentialism. also i fucking love the velvet underground.

gorgeous details, perfect turns of phrase that are so precise and ringing with humour. heavy with longing and nostalgia, a sense of time lost, change, uncertainty. this story is a goddamn piece of art.

de bono coniguali by ineptshieldmaid - @ineptshieldmaid on tumblr

rating: M

pairing: aziraphale/crowley

summary: ‘Nonsense,’ Aziraphale says, briskly, ‘Monogamy has nothing to do with it. We committed sodomy twice last Sunday.’ Crowley goes to speak, but Aziraphale is nothing if not skilled in rhetoric, and he holds up a hand, ‘which, of course, does not invalidate the sacrament; it’s rather like baptism, it can’t be reversed, but it can be defiled, and I think all authorities would agree that vigorous sodomy on Sundays defiles the sacrament of marriage.’

notes: there is a fascinating concept being explored, here, in the interpretation of religious doctrine, and about how to exist as a queer person while also being a member of a faith community. it digs into ideas of sanctity and absolution beyond the usual handwavey explanations of “goodness” and looks more deeply at what religion means, culturally, for the people who might have difficulty reconciling these different aspects of their identity.

it’s a really brilliantly-written thing. there is such an enjoyable precision to the ideas being shared through aziraphale and crowley’s conversation about religious doctrine and its application. there’s so much rich historical detail here, a neat, precise pacing of dialogue, and is full of smart, witty and interesting asides. this is a story in which the two have a very clear dynamic as established partners and lovers – their conversational back-and-forth is easy at times, and at others has to be carefully extricated, but always in a way that you can feel the years of connection there.

  fandom: the goldfinch

 A Grand Inquisition: Being an Investigation and Evaluation of Certain Things Done and Undone, Said and Unsaid, Over the Course of Many Years (or Perhaps Merely in Dreams) by m_leigh - @morgan-leigh on tumblr

rating: T

pairing: boris/theo

summary: what r u doing for Christmas this yr? Come hang with me again I have nothing going on but big as fuck bottle of vodka with as you people are saying, your name on it.

notes: this is how we wish the book had ended. reading this just absolutely floored me. the complexity of sentiments in this, the span of time and the emotions caught in it, the poetry! the boris-voice is spot on – dark, messy and crooked, while also having this kind of gamely, optimistic attitude, never lingering too long on what can’t be changed. fantastic characterisation. 

the details in the landscape and scenery around within this story were also stunning - all these different places, antwerp, amsterdam, berlin, vegas. just absolutely wonderful. economic and evocative all at once. read it and then read it again.

  the ledge by fluorescentgrey – @yeats-infection on tumblr

rating: M

pairing: boris/theo

summary: In the hotel elevator, he stared at himself in the endless mirror. Thin man (Bob Dylan chords) in black coat, with little white dog. His nose was red from coke. Eyes red from maybe something else.

notes: is it weird to cry because you love someone’s words so much? this story is like a peeling-off of layers of skin to get at all the grimy, glistening rawness of feeling underneath. reading this kind of hurts, because it focuses in on this relentless, wild careen into self-destruction, but it's more than just the subject matter that had me repeatedly covering my face and muttering ohmygod. it's the shape of this whole story, the form of it brought together exquisite writing which is unconscionably good.

every sentence flows into the next one with such precision and depth of meaning, making each next thing more compelling and subtly significant because of what came before. it's impossible to pick anything out, it feels like pulling a thread and the whole thing unravels, because everything is so closely-connected, so elaborately woven. there is an effortlessness to the detail in this, in the way we dip and weave through these seething, living landscapes, elevated by observations full of poetry and feeling.

this goes without saying probably, but please read everything fluorescentgrey writes.

  fandom: inception

 pants on fire by helenish

rating: E

pairing: arthur/eames

summary: "Ah," Yusuf says, lifting a reproving hand, "are we calling less than 24 hours of memory loss amnesia now?"

notes: finding new stories to read in throwback fandoms is such a joy. this one is absolutely outstanding. arthur and eames both find themselves experiencing bouts of amnesia, and the concept is used as a tool to explore how their relationship appears to each other without baggage or bias in such a brilliantly-executed way. 

the character exploration here is incredible, breaking open the layers of complexity of arthur and eames’ feelings and desires with such deftness. the dialogue is also marvellous, so engaging, witty and heartbreaking in turn. just an incredibly-executed, extremely compelling story. 

  breaking and entering by resonant

rating: E

pairing: arthur/eames

summary: Eames is very good at pretending.

notes: if you’re going to rewatch the film, do yourself a favour and read this afterwards. there is such fantastic detail here, and such a strength of character development, the pacing feels wonderfully measured, the story so full of life.

this is the kind of story where the author has such an enviable talent for richly-detailed, well-researched background information. the jobs they’re running, the locations they end up in, and the smaller details too – the items in a room, the clothes they wear. the world that’s built around them is tangible, and the emotion it’s infused with is too.

part of this focuses on the idea that eames being the forger/pretender archetype means he has this kind of detached observation of the disparate elements of what he’s feeling, his default mode always set to pretending and going through the motions of something without understanding the truth of it, and although it was perfectly in-character for him, it also felt like an extremely universal and human way of fumbling into relationships, which made it very moving, and a wonderful thing to read.

  fandom: harry potter

 grounds for divorce by tepre – @tepre on tumblr

rating: E

pairing: harry/draco

summary: Malfoy finds a coin. Harry finds a letter. A story about histories, a story about families. A story about a lemon tree somewhere in Upper Egypt.

notes: jesus christ this story. the detail and care with which the world is coloured-in here is just incredible. the added lore, the historical detail, the characterisation of people in the background, the thought behind the practical aspects of things like the curses and spells, the modes of travel, the administrative set-up of ministry departments, the daily grind of work, the science of potion-making, everything is so thought-through, whether it's a deeply important and relevant part to the story, or a passing detail in the background it all serves to make this thing such a rich, unique, fully lived-in world that expands out to the edges and even further, like there's even more beyond just the bounds of what this story shows us. 

this story takes us on a journey. i forget how good a good bit of angst can be, but this story reminds me of how enjoyable it can be to give yourself up to an author's hands, and let them take you somewhere dark and painful, let them unpick the misery, the hurt, the fear, the trauma, and lead you out into the light, into healing and resolution.

this story felt so starkly real, a deeper and more honest look at harry and the life he’s experienced than any bullshit nineteen years later epilogue ever did.

  the weather inside by earlybloomingparentheses - @ebp-brain on tumblr

rating: E

pairing: remus/sirius

summary: Sirius rides a flying motorbike, and snogs strangers in pubs, and strikes moody poses Remus finds irritatingly attractive. But for Remus, who drinks milky tea and wears flannel pyjamas, there's a chasm cracked right down the fault line between wanting and doing. How he wants, though. How he wants.

notes: a vividly intelligent, compelling looks at remus' desires and fantasies, at the way he navigates his own understanding of what being a werewolf means, and how it shapes him. the queer themes here are starkly present, the weight and baggage of desire, the complexity of sexuality. 

sharply melancholic at times, this is also a really lovely, deeply emotional look at the stumbling, difficult way remus and sirius eventually find a path to each other. it’s ultimately optimistic in its portrayal of love and desire, and the feeling that you can be understood, can be known, can be found. just beautiful, a real hard-hitter.

  fandom: IT

 how much more than enough for both of us by pineapplecrushface - @pineapplecrushface on tumblr

rating: E

pairing: richie/eddie

summary: Richie has tried very, very hard to get laid over the last twenty years, but something has always gotten in the way.

notes: your guess is honestly as good as mine as to how i ended up in this fandom, but here we are, and there are some truly wonderful stories to enjoy. this one is beautifully-written – the longing, the aching, the sadness, i could feel it in my bones. deals with the concept of forgetting, and supernatural horror aside, there's something really simple and human about this mortifying ordeal of going for person after person and fucking it up each time and sabotaging yourself in the search for love. well-written, lovely, simple, tender.

also you should really read everything by @pineapplecrushface - both their work in IT fandom and good omens is stunning.

  things that happen after eddie lives by ifithollers 

rating: E

pairing: richie/eddie

summary: in a world where Richie manages to save Eddie from It after the deadlights, they still have problems on their to-do list. Featuring everything from Derry to Los Angeles—Richie Tozier's murder trial, Eddie Kaspbrak's divorce proceedings, bedsharing of the platonic and non-platonic varieties, an investigation of magic, a truly disgusting séance, the quintessential morosexual road trip, and OH MY GOD THEY WERE ROOMMATES.

notes: this is top-tier, next-level, Good Shit. a real satisfying slow burn full of incredible, nuanced character stuff, high-stakes drama, trial & error, with a real, tangible move towards understanding, and maybe healing. plotty, narratively compelling, manages to balance real-world, atmospherically humdrum details with some viscerally brilliant and strange supernatural elements.

also a masterclass in exploring self-loathing, trauma, and sexuality in a way that is necessarily uncomfortable, and fascinating and cathartic. the razor-fine line of being paralysed into inaction by wrecking-ball levels of want was powerfully compelling to read both as a look at a particular kind of queer-baggaged desire, and also as an exploration of who these characters are.

full of smart, brilliant banter and dialogue, i am always overwhelmingly grateful to authors who have the talent and fortitude to tackle a novel of a fic, to give us this much wonderful, quality entertainment absolutely for free. what a gift.

  the kids table by stitchy – @stitchyarts on tumblr

rating: T

pairing: richie/eddie

summary: For the most part Richie and his sister have a doctrine of mutually assured destruction. They could obliterate each other with their parents given the slightest provocation. To keep things at an even keel, they steer clear of each other as much as possible every other day of the year, but on Thanksgiving? Kids Table is like their NATO.

notes: an observation of how things change within families as time goes on - people die, people get married, people get divorced, the family dynamic changes, and there's always a really painful process of trying not to get left behind, trying to change with it, but also trying to hold on.

i’m recommending this one, but honestly, do yourselves a favour and read everything stitchy has written for this fandom. this one particularly stood out to me because i’m an absolute sucker for sibling fic, especially when it’s written like this; emotional, witty, astutely-observed, resonant.

the core of the sibling relationship between richie and his sister here is a joy to read. this is a lovely, humorous and emotional story told in a series of thanksgivings, filled with keenly-observed, vivid, details, and written in a really sharp, concise style that cuts clearly to the truth of a feeling. absolutely wonderful.

---

okay! that took forever. i hope someone finds something in there to enjoy they maybe haven’t read yet. and if you’ve got your own fic rec posts, please link me!

quick links to more recs:

good omens

harry potter

it

the goldfinch

hannibal

all other fandoms

[jupitermelichios]

Jupiter’s Top 10 Fic Series of the Decade

In no particular order (and belonging to no particular fandom)

Honourable Mentions: Of Hunters & Hellblazers by KittyAug - Self Help by maskedfangirl - Bad Jokes by hahaharley - Doubtful Sanity by DustToDust - Wilton’s Bakery ‘Verse by machine_dove & sproings -  Sic Gorgiamus Allos Subjectatos Nunc by etothepii - New Favourite F Word by Polaris - little beasts by noctiphany & likewinning

drawn into something by Nonymos (Venom, Eddie/Venom, Dan/Anne, Eddie/Venom/Dan/Anne)

“Eddie, you… and him.”

“Yeah.” Eddie stares at the floor. “And… and look, Annie, I know it’s weird, but I can explain, I…”

His voice breaks, he’s damn near tearing up, panic rising again—and he jumps when Anne cups his face.

“Hey, it’s—it’s all right, Eddie.” She’s making a valiant effort to smile. “Don’t get so worked up. I’m not gonna run screaming.”

“No?” He laughs and sniffs. “Damn. Starting to wonder what it’s gonna take, at this point.”

This is not Nonymos’s only entry on this list. In fact they may just be my favourite fanfic author of all time. Drawn into something is everything everything I want from a Venom sequel, emotional, kinky, romantic, and poly.

OTP: Fight Club by MorganOfTheFey (Detroit: Become Human, RK900/Gavin)

"One hundred. Ten X," Nines says, voice flat enough it almost doesn't sound like bragging. "I would have been decommissioned otherwise."

"Ohhhh. Aw, that's sad. Just," She tries to snap her fingers and gets distracted for a moment when she can't. "Jus'like that?"

"Yeah RK, that's so sad," Gavin echoes. "Can you play yourself despacito?"

His own phone blares the song barely a second later. Gavin drops a few f-bombs fumbling to get it out of his jacket pocket and turn it off. Then as soon as he puts it back in his pocket, it starts up again.

"Thank you for the suggestion, detective," RK900 says. "This is making me feel better."

The fourth part of this is still coming out, and it’s the highlight of my week when the new chapter drops.

Dreams of the Waking Man by Lex_Munroe (Marvel Comics, Wade/Cable, Daken/Bullseye, Wade & Hope)

All at once, it hurts.  It hurts worse than the day Nate died (because Wade couldn’t accept it back then, insisted that Nate had managed to timeslide out, that the busted old telemetry circuit would only let him go forward and he was just lost for a little while).

He sits in the middle of the floor, ducks his head, cries.

She was smarter than he was—than he is.  She’d known all along.  Brave girl.

Timesliding doesn’t work right on Wade, never has, and their cobbled-together sliding module barely had power to take one stringy teenager for one jump.

She’d known she was leaving her parents, that she certainly wouldn’t see one of them again and quite possibly wouldn’t see the other.

Wade allows himself a moment more for grief and shame and humility.  Then he clears his throat and wipes his eyes and gets back to work.

This may be the cleverest fic I’ve ever read. Crossovers, theoretical physics, and the best love story Marvel never wrote.

The Mountains Are The Same by bonehandledknife & Primarybufferpanel (Mad Max: Fury Road, Furiosa/Max, Furiosa/Ace, Everyone & Healthy Coping Mechanisms)

“'Real isn’t how you are made’” Gilly said with the air of a quote, of a Remembering, “'It’s a thing that happens to you.’”

Rotor closed his eyes in a long blink, “A thing that hurts, innit it right?”

“Sometimes,” Gilly agreed, squeezing his hand, “That’s life though, when you are Real. We all become it bit by bit. But it doesn’t happen if you’re not strong, if you’re not soft, if you’re not sturdy.”

“ But how can y'be all of those at once ?” he wheezed out. It’s getting hard to catch his breath.

“You are all that right now, aren’t you?” Gilly asked him with piercing eyes, “No one else of all these Boys has had the strength to ask for me. And I will Witness you as I have kept all those of my sisters who’ve fallen these past days.”

This series is not always easy, it doesn’t shy away from the hard or the dark or the painful, but it is always worth reading.

The Unspoken Truth by Nonymos (MCU, Clint/Loki)

Barton glared at him like he was trying to decide whether he was being mocked or not, but the next second, his shoulders slumped. Loki was familiar with the feeling – that dreadful feeling of discovering something repulsive in one's own nature.

And then, he waited. He waited for Barton to think and connect the dots, to realize that an obvious solution was standing just before him, to remember how he had felt when waking up tied down, or being forced to drink down the water. The demi-god just stood there, hoping – almost praying for the first time in his life – that his enemy would look up at him with something else than hatred in his eyes.

No one writes kink quite like Nonymos writes kink, and this series is the perfect encapsulation of that.

The Stone Gryphon by rthstewart (Narnia, primarily Gen)

"Tools!" Richard was so shocked he was near speechless. He sat down heavily on the bench and began writing frantically in that strange code. "You are saying that you have observed ordinary crows use tools? Peter, that is… remarkable."

"Well, I've seen Beavers use fishing tackle and sewing machines, so it didn't seem that unusual at the time."

I’m not going to lie, this may not be to everyone’s taste. But, amateur theologian, lover of weird animal facts, and history nerd that I am, there are very few fics more exactly tailored to my interests.

Republic of Heaven Community Radio by ErinPtah (WtNV x His Dark Materials, Cecil/Carlos)

The greeting catches both her and Carlos off-guard. It's not wrong to talk directly to another person's daemon, but it's still a little weird. "Likewise," she stammers.

They're both waiting for the obvious next step, which is for Cecil to introduce his daemon. The fact that Carlos hasn't spotted her yet is understandable — a big community gathering in a small space, you get plenty of daemons breaking away from their humans to socialize directly with each other. Any of the dozen animal shapes currently within ten feet of them could be Cecil's. If his daemon has an unusually high range, there are even more possibilities.

What Cecil says instead is, "If you ever have any important experimental-theology news that you need to share with the town, call me any time! Everyone listens to my show." There's a touch of what Carlos hopes is nothing more sinister than smugness when he adds, "Everyone."

He steps out of the way to let someone else interrogate Carlos, and vanishes into the crowd. Carlos doesn't get a chance to see what daemon he leaves with.

This may be the most carefully thought out crossover I’ve ever read, and I’m a little in awe of ErinPtah’s skills.

The Soul in the Machine by missdreawrites & Troodon (Dishonoured, Corvo/Outsider)

“... Outsider?” Corvo asked, sitting down on the filthy floor. “In the published list of the people who died of the Plague… how many were registered Augments?”

<There have been a total of 231 dead in the past year. Of that group, 100% were Augmented individuals. This number has increased exponentially under Hiram Burrows’ “The Boldest Moves Are The Safest” law, allowing the execution of any individual infected by the Plague.>

“Son of a bitch, ” Corvo swore with feeling. “This is… look at this waste. We aren't even people to them, are we?” He looked down at the body next to him. “And I killed the one person who could help. I did this. I doomed an entire people to plague, and murder and…”

The cyberpunk Dishonoured AU I desperately wish I’d thought of, because it works so very well.

In Which Tony Stark Builds Himself Some Friends (But His Family Was Assigned by Nick Fury) by scifigrl47 (MCU, Steve/Tony)

“Do you know what the difference between a villain and a super villain is, Stark?” Coulson said, leaning his palms on the tabletop, looming over everything like a very snappily dressed gargoyle.

“Style?” Tony asked, pointing both index fingers in Coulson's direction like the gunslinger that he was. He added a wide grin to the gesture, but Coulson didn't seem to notice.

“A villain has a giant mass of robotic vacuum cleaners that he can sic on his enemies. A super villain gives them the ability to fly.”

“In my defense, I do not actually remember installing repulsor technology in the Roombas,” Tony said, choosing his words carefully. It had been a working theory, sure, but he still wasn't quite sure when he implemented it. Maybe sometime on Tuesday night... That one was a blur. “It was a very long couple of days. So I was as surprised by that as everyone else.”

This doesn’t really count as a rec, since everyone in the fandom has read it already, but it really wouldn’t be fair to draw up a ‘best of the 2010s’ list and not include this.

A Great and Gruesome Height by mokuyoubi (Hannibal, Will/Hannibal)

Bedelia lashes out but Will is quicker. He grabs her wrist, pressing hard between the delicate bones with his thumb, until she makes a soft noise of distress and drops the fork.

Hannibal purses his lips and leans in close to her ear. “Now that is disappointing,” he whispers, and Bedelia has the good sense to be afraid with that mouth so near her skin. He inhales her scent deeply and straightens. “I thought you and I were beyond such petty jabs.”

“Were it not for the fact that you required medical attention, I have no doubt I would have met a similarly crass ending at the hands of your pet,” she says, lip curling in disgust.

Hannibal smiles serenely and says, “Will is a creature entirely of his own making. It is not to me to guide his hand. Merely to share in the sublime perfection of his vision, when he allows it.”

There are many dark!Will stories out there, and most of them are a lot of fun, but few are quite at believable as this one.

[sanoiro]

Lucifer 5x04 - It Never Ends Well for the Chicken - Spoilers And Speculation

Warning! There is always a possibility that certain scenes might have been mixed up under their non-respective episodes.

I would appreciate if no media from my S&S posts were taken (again!). I post bts directly from the OPs never from second sources. I spend hours on this as a fan but I’m not a news site nor a source for anyone, therefore, do not take anything from this post. If you want to post some of the photos or videos you see here find the OPs do not take advantage of the hours I’ve spent on this! 

Written By: Aiyana White

Directed By: Viet Nguyen

Aiyana White has written/co-written the episodes:

4x05 - Orgy Pants At Work

5x04 - It Never Ends Well for the Chicken

5x10 - Resting Devil Face (Teleplay)

Cast: Tom Ellis as Lucifer, Lauren German as Chloe, DB Woodside as Amenadiel, Lesley-Ann Brandt as Maze, Kevin Alejandro as Dan, Scarlett Estevez as Trixie, Rachael Harris as Linda Martin and Aimee Garcia as Ella.

Season 4 Recurring Characters: None Officially Announced Guest Cast:

Emil Beheshti...Abe Gantz

Iris Braydon...Portraitist

Patrick Daniel...Paddy

Christopher Gerse...Benny

Joe Sobalo Jr....Vincenzo

Behind The Scenes

(Including the ET intwerviews)

Locations

This episode was shot in two locations the WB lot and at a mansion at Beverly Hills.

- Penthouse?

- New York Street WB Lot

-New York Street WB Lot - The ‘Garden’ Club

-Beverly Hills Mansion (Ellis + German and a lot of background actors)

This S&S is different than the rest mainly because on some level I know certain parts of the plot so here I had to decide what to do. The writers are obviously really proud about this episode and they should be as it is based on an amazing concept. At the same time do I really need to spoil a magnificent episode by writing accurately around 1/3 or 1/2 of the episode? To prove what? To achieve what? After the Part has dropped I’ll share that script page.

So early on I talked to some friends and it was decided that the verified by a script page and crew call page spoilers would not make it in the S&S. At least not the actual core of the episode. Some minor details here and there will still be here yet that is met with another problem as 5x04 sets in motion the rest of the season and if I’m correct also affects 5x09. Therefore, I do hope you do not mind if I’m vague on some parts. Finally don’t you worry when I speculate about things I will tell you upfront like I have done in the previous episodes.

As you can imagine I struggled a lot on how to explain this episode and write the S&S by what has already been spoiled from the cast, mainly in their ET interview at that time from Lauren, Ellis, DB and Aimee.

What I have to tell you first is that 5x04 moves on 3 levels. The first level is the present as a story is being told, it does not begin at random. If you remember 5x03 left us with a temporary solution and two amethyst bracelets on Dan and Lucifer. At the same time 5x05 features the title Detective Amenadiel. Lets speculate here that Lucifer is not that well so the clarity he gained in 5x03 with the show Diablo allowed him to recall of a different time that’s the second level, his past. The third level is how the episode is dressed meaning as a Noir episode that is set in the 1940s.

First, let’s explore the first level. Lucifer for some reason he feels the need to take the audience back to his past, and in order to do that there must be a present audience in his story. Someone that will make him go back and forth. I remind you that the shootings of the noir episode didn’t give any space for a lot of present time shootings so I would guess that Lucifer is at a place he feels safe perhaps his penthouse or Chloe’s house. I do not think that must be happening during therapy as we need a place that comforts him and this is a story not a therapy session the whole structure of it does not support Lucifer talking during a therapy session but to someone he trusts.

Now as you know when you tell a story you need to put everything in a perspective that your audience will understand. Us yes but also the person/s Lucifer has in front of him so the story changes and is manipulated according to us the viewers but also Lucifer’s audience.

w let’s go to the third level before the second for a very simple reason. We would expect for Lucifer to remember his past that this story to be set in Heaven, the Silver City to have angels and a pearly gate, clouds and harps but our genius writers take us somewhere else. They take us in 1940 before the US joined the Second World War. The US joined WII on December 7, 1941. The clothes the actors wear carry this late 1930s, early 1940s style where everything is bigger, there is colourful patterned fabric, no shortage of metal, there is no reason for grimness and of course, there is no war. So here is the thing as the audience you can hear the war drums echoing in the distance but this episode for its main part carries this innocence before WW2. WW2 is also relatable to the humans in Lucifer’s life, they get that people never expect a grand war and that certain behaviours are understandable.

In addition to that film noir concept for 5x04, before WW2 that genre was popular but skyrocketed in the 1940s when we had two of the most amazing Hollywood noir films of all time. By the way, do remember that Hollywood thrived due to the war as the rest of the world either had to halt filming big productions or the technology was simply not affordable yet you will find some good foreign movies but without the same exposure Hollywood gave for the simple reason that it had not been affected directly by the war, meaning the bombs and the poverty.

Now the Noir films I was talking about are The Maltese Falcon that was released in October of 1941 just two months before Pearl Harbor and Citizen Cain in May of 1941 that inspired so many great film noirs we can also mention of course High Sierra in January of 1941. All these movies are important to remember as Lucifer’s past is narrated in a very similar way but with a twist which I’ll let you know what it is when I start explaining the second level. Until I get there do remember that Lauren was watching the movie ‘Only Angels Have Wings’ (1939) which although it is not a film noir it is relatable to this episode and I wouldn’t be surprised if the writers recommended to the actors to watch it. So we gather that the film noir is not a random choice or an attempt to make this episode artistic as other shows have done but it actually deals with that atmosphere the misdealings and the unfortunate choices but also heartbreak. Well, for some that is.

The second level of this episode is that Lucifer talks about his past. If level two and level three correspond then we can claim that it was before Lucifer Fell. I do believe and support this theory as on a level it follows the Comic’s concept that Lucifer Fell around the time he met Lilith. Lilith has been confirmed for 5x04.

Now if we are in a time when Lucifer didn’t Fell what does that mean for the episode itself? Who will. appear there? Why do we have Chloe dressed as a man? Why Lauren called her character Jack? What is going on? Unfortunately for all of us I know that part so I’ll have to skip it but at the same time I’ll not disappoint you.

First of all the second and the third level are connected so they are one thing and the whole story is on some level an allegory in some places and true on others. In order to understand this better you need to be familiar with the book/movie “The Life of Pi”. For the ones who have not read/watched it it’s basically a story of a boy stranded at sea with a Tiger, a Zebra, A Hyena and a Chimpanzee only in the end to realize that none of the zoo animals the ship carried had made it to the raft but the actual story involved humans, murder, cannibalism and the madness that led to boy’s survival through a long quest of keeping up faith to nothing yet everything. The same happens in this episode more or less.

Our characters are changing and as Aimee said even her character in that episode is different. You see the only constant in this story is mainly Lucifer, most of the rest are ‘shifting’ and that’s the appropriate word to explain it. You should also go to all the leads social media and discover some more clues here and there because our leads do not do post in random. Like with my speculation with Inbar for 5x03 I support the same speculation here but from a different person.

So let’s get to the story that Lucifer attempts to narrate. We are back in a time before the big war and we see a Lucifer with lighter colours, curious and of course young. We do not know if he has Fallen but as I speculate over and over in this S&S let’s say that he has not so perhaps we will see the process of that Fall of what or who helped him think for himself.

In the comics, Lucifer after Ibrael slept with Lilith and she bore him a Nephelim son called Briadach, Lucifer and Lilith started having long conversations over why she lays with demons, why she left Adam and the matter of will comes up something that Lucifer contemplates a lot after that. As the years pass in the comics the time comes when Briadach and Maze kill Ibrael because not only he refused his son but also wanted to exile all the Lilim from the Silver City which they have built. You see Lilith was so in love with Ibrael that she gave him her children as builders for the City of Heaven.

Long story short the Angels wanted to kill Maze and Briadach to atone the sin of Ibrael’s murder but Lucifer refuses to take a side which angers Gabriel. Samuel then takes the name Lucifer and leaves the Silver City,

The chances of all that happening are slim to none of course but the concept that Lucifer and Lilith talk at some point in that episode about will and freedom means a lot. There are a lot of firsts in this episode actually that the viewers will certainly love. Also, I do not think we should approach their meeting as a romance more like a platonic romance of similar ideas and a start of how Lucifer made a stand towards divine plans.

Talking of firsts as some of fans noticed Lucifer in that episode didn’t wear his ring. The writers' room had two backstories (not from the start of the series!) for that according to Idly and apparently, they have decided which one to use so in 5x04 we will see how Lucifer got his ring but not everything is that simple or innocent. And talking about lack of innocence that is one of the reasons why the Garden is transformed to a club that bears the same name in the episode. Also perhaps that duet is actually Lucifer’s first introduction to a piano and he is a natural? Honestly no idea.

^Video Here

There is also always an alias... I told you this story is moving on 3 levels all the time. 

It was first assumed that it was Lauren but as White was the writer of 5x04, in reality, we see Ellis and Lesley Ann before their duet if that tux is anything to go about. 

From the bts we have seen that there is a case, there is always a case and there is even a police car so if I were you I would expect a body somewhere (you will probably be shocked when you see the victim) and so things will need to be investigated and unveiled. Meaning the culprit.

We have seen Lauren with a black eye as well as a cut lip and that is again normal as the story progresses yet you will not get much of the story’s zest aside from the fact that Lucifer is working with Lauren’s ‘Jake’ and that in the Garden he meets Lesley-Ann with which he has a duet. Perhaps some mommy issues from Maze can finally be addressed when Lilith makes her entrance.

^Lucifer getting in the Garden Club^

^Remember there is always a trap... There is always a chase for riches and... power. 

Now you may ask and what of the Proprietor? Well, he might be our villain and he might be someone totally unexpected. Do not get fooled by titles and do expect the unexpected.

As a final note, I’ll have to remind you this. Season 5 is a heavily supernatural based season like S4 was and before that S2. It’s basically what the Writers Room can do without being controlled by a Network and when they have the freedom to create the path they want for the characters. Season 1 was supposed to be a filler for FOX and to get a second season it was unexpected, to say the least and then in December of 2017 the news came that it had been renewed for a 3rd season at that point, the network wanted a full S2 meaning 22 episodes, 4 of which as you know were moved in S3. So S2, S4 and S5 are in the same tune and 5x04 will set the tune to synchronize with the supernatural elements of the past seasons.

Plot-wise you will notice that most of the shooting was done at night also Lucifer’s clothing lighten up here and there while the story becomes bleaker. 

^Some bts suggest that Maze is present in Lucifer’s story or at least in the present aka the first level of that episode even if she is not around that story from the beginning. 

Now early in this S&S I told you that this episode might affect Season 5 Part 1 as a whole and even 5x09 but I didn’t tell you why. The solution of 5x03 is temporary and Lucifer in 5x04 realizes that he can find a permanent one by recalling events of his past. Perhaps his audience comes to the conclusion that a solution may lie on a detail of 5x04. That leads to a quest but what frees Dan and Lucifer has other consequences and do not be surprised if in Part 2 you will see the younger version of Lucifer again that you met in 5x04. Confusing? Yes, but better than nothing I suppose at least we know that the season is well crafted.  

Unfortunately due to the circumstances under this S&S is written I’ll not answer any questions that will ask from me to clarify or further speculate details and in general what I have mentioned above. Thank you for your understanding.

PS As far as I know up to that point the Hell set was still up in the stage so we might see it again in 5x04. Only time will tell.

PS2 There are hints everywhere in every single bts above. Things that are obvious and others that you simply cannot spot until you watch the episode but trust me this will be an unforgettable experience for all Lucifans!

Although some photos seem to be the same like the ones in 5x03, which is true, it is why sometimes we do not know which episode she shoots as multiple scenes from 2-3 episodes sometimes are shot in one day due to Scarlet’s other responsibilities and under the Child Actor Act that does not allow a child to work for more than a certain number of days and hours per week. 

Bonding time I guess... 

^The same t-shirt so we shall see :P 

[autolenaphilia]

The Cybersix comics

So now i’ve read most Cybersix comics that are available in English scanlations. Mainly Pharmadan’s stuff. 

And it is very different from the cartoon adaptation previously reviewed here, very different indeed.

Anyway, the comics were created by Argentinian creators Carlos Trillo (scripts) and Carlos Meglia (art), in the early 1990s. And yes, i do think of them as Carlos & Carlos or the the two Carloses.

The premise is one i recognize from the cartoon adaptation. It is about the superhero Cybersix, a product of genetic engineering that has rebelled against her evil creator and fights the other products of his mad science, led by his clone son José.Her cover as a male literature school teacher named Adrian. She finds a friend in Lucas, the school’s biology teacher, with who she also sexual/romantic tension. Her allies include another product of the villain’s mad science, Data-7, who has the body of a panther and Julian, a street urchin she adopted.

But the approach the comic book source material took to this is very different. The cartoon tv show is meant for children, even if it is on the darker side for such things. The comic is clearly meant for adults, and has a transgressive attitude with lots of violence and sex. And it is still almost 30 years later very shocking and offensive, it certainly was to me and I still kinda liked it. The word “problematic” has been much abused, but it still applies.

You could compare it to something out of the 90s “dark age” of American super hero comics, but to me the tone reminded me of artistic, provocative and very sexualized European comics, like something out of Métal Hurlant.

I’m therefore going to leave the rest of this review under a cut. Also it is getting kinda long. This might be a good point to put out some content warnings, ignore them at your own risk.

Content warning:: Discussions of: violence, racism, nazism, racist caricatures, sexualization of women, prostitution mention and (most disturbingly) sexual themes involving underage people (ick)

(most of this applies to the comic if you decide to read it, it can be worth checking out, but replace “discussion” and “mention” with just depiction, so be prepared for that.)

For one thing, the villain is clearly a nazi scientist who escaped from Germany to South America after the war. He is even named Von Reichter (the cartoon goes with Von Richter). This gives the comic a strong political edge. I don’t know exactly how controversial Argentina’s former status as a haven for escaped Nazis is in that country. But it probably is very controversial. Taking that subject in a critical manner might very well have been a genuinely brave move on part of the creators.

There is also the violence you might expect from a superhero comic. José is a particularly brutal villain this time around. Although Cybersix is remarkably non-violent. When she draws the sustenance she needs vampire-like from Von Reichter’s creations, she avoids killing them.

Concerning Cybersix’s gender, the comic doesn’t have the ambiguity of the cartoon. This time, it’s clear what her gender identity is, Cybersix is a woman.

Her male identity is merely a disguise. Adrian Seidelman is a person who dies in a car accident who looks kinda like Cybersix, who has no legal status, and therefore she decides to steal his identity.

Cybersix remains an interesting character, but i frankly prefer the ambiguity of the cartoon.

Her questioning of her own humanity due to her origins was also in the comic and is a strong theme in her internal monologue here.

Interestingly from a gender perspective, she has this need to prove to herself that she is not just human, but specifically a woman.

II is hard to avoid the subject of sexuality when talking about this comic, for it is almost omnipresent here. Cybersix is a very sexualized character. Her costume design is far from the worst example in comics, but like so many superheroines still designed with titillation in mind.

I found it hilarious that the comic’s actual explanation for the costume is that Cybersix stole it from the wardrobe of a literal sex worker. (the reason Cybersix broke into her home is that she was actually a Von Reichter creation that had infiltrated human society).

But this comic goes beyond most american comics and actually shows Cybersix naked surprisingly often. Her relationship with Lucas gets fairly explicit. If you find the crop of these panels odd sometimes, it’s because I’m trying to avoid showing something that breaks tumblr guidelines.

But the sexualization of Cybersix is actually a minor problem. The nude panels of her are almost quaint, like watching an old movie from the 70s which doesn’t bother to cutaway when a couple gets undressed. It isn’t really that disturbing, especially compared to the creepy sexuality in the rest of the comic.

I didn’t mention Lori in my review of the cartoon. She is one of Adrian’s students who in the cartoon has a crush on him. That is kinda a disturbing theme in itself, but in the cartoon it is no big deal, because it is fairly toned down. In the comic, she is much, much worse.

She is obsessed with Adrian and very explicitly wants to have sex with him. Remember, Lori is a teenage schoolgirl. She also doesn’t care much for the concept of consent. For example, she mails Adrian her nudes unsolicited, and that is about the least worst thing she does. I’m not saying that isn’t terrible in itself, it is just that Lori does way worse things in this comic. You can understand this gets very uncomfortable to read about very quickly.

To be fair, while the trope of the sex-obsessed woman is often a male fantasy, it is very possible that Lori is supposed to be disturbing, rather than sexy. She is even drawn in a rather grotesque manner.

José is even worse. He has only the body of a child, but the mind of a man, including sexually. It isn’t nearly as prominent part of his character as it is with Lori, but this also becomes disgusting rather quickly, for obvious reasons. And then Lori and José meet and do it, oh my god. Although José’s sexuality is almost certainly meant to be creepy.

(because the world is full of people who can’t read properly I probably need to say: no, i don’t support pedophilia even if I think this comic also has its positive sides. Also, even though I can’t really speak for them and they have both passed away long ago, I’m pretty sure Carlos & Carlos didn’t support pedophilia either, if you can even call what horrors that go on in this comic that. Depiction in fiction doesn’t equal endorsement and all that.

This might be obvious from everything I written, but i have seen bad misreadings of what people write and the resulting misinformation spread so quickly on the internet, that writing out the obvious might be necessary. )

I must also talk about the depiction of race in this comic, which is odd. There are two important characters here, who are for lack of a better word, racialized.

One is a black man who saves Cybersix from Von Reichter when she was a child. She regards him as her father. The other is Miao Yashimoto, a Japanese private detective. His sister is kidnapped by Von Reichter, who forces Yashimoto to act against Cybersix, but he eventually becomes her ally.

Now describing them here, it doesn’t sound bad at all. That’s because their personality and role in the story isn’t the problem, it is how they are drawn. They, especially Yashimoto are very much racist caricatures. Yashimoto even has the stereotypical buckteeth. I won’t show you for obvious reasons, but you can always look up this comic yourself.

What is odd about this is that the intent clearly isn’t hateful. These are both heroic characters and the comic has a more or less explicit anti-racist message. A nazi is the villain for a reason. It is just that the creators clearly don’t realize the way Meglia drew these characters is not appropriate.

What is even weirder that Yashimoto was adapted into the cartoon, complete with buckteeth. And that was a show was made in Canada in 1999. Very strange.

Overall, the comic is very different from the cartoon and I have no idea why they picked this edgy adult comic as source material for.a tv show for children, but they did. It is surprisingly faithful to the comic in many ways. The premise is pretty much the same, only it is executed in a very different, child-friendly manner. I would argue that the cartoon is in many ways more enjoyable and accessible than the comic. The attempts of the comic to provoke its audience are often not successful, or maybe rather too successful.

As you can probably tell, my feelings on this comic are complex. I care not for the creepy sexuality or the hamfisted attempts to handle race. So I don’t know if I can recommend this comic. You do need a strong stomach for all this.  But despite all that, there is still much to like about this comic  The art is great; very evocative and atmospheric.

And the writing can be that too. Cybersix is still a great character. Her origin story, her existential angst and her difficult love story with Lucas are just as compelling if not more than in the cartoon.

Sadly, this comic is not widely available in English.The scanlations made or collected by Pharmadan is the most extensive and what I read so far. There is a person here on tumblr, who tried to continue scanlating them  but they seem to have fallen prey to tumblr’s asinine content rules.and doesn’t seem to have been able to go elsewhere yet.

I’ll leave you with my favourite panel from the comic:

[thatlittledandere]

1, 2, 3, 4, 5, 8, 15, 16, 17, 20, 21, 22, 23, 25, 26, 27, 31 and 40 for that shipper ask meme (sorry for picking so many but those questions are GOOD)

You're right, they absolutely are. I'm sorry in advance that this is gonna be LONG and I'm on mobile so I can't even add a read more;;

1. Talk about the first ship you ever had

So I'm SURE there were relationships I was invested in in movies and cartoons I watched as a child (I've always been a sucker for romance, even though there was that period when I didn't want to admit it) but I can't remember anything from very far back;; So it was either Ron and Hermione from Harry Potter or Ichigo and Masaya from Tokyo Mew Mew, whichever I read first.

2. Talk about three of the most important ships throughout your life

GOSH. You can't do this to me. I guess Romione because it was the time in my preteens when I was becoming more aware of... stuff, in general, abs the two cemented my love for friends-to-lovers. Then Ioryuu, because I've never been AS invested in and passionate about a ship before and likely never will. Nothing can compare to that intensity and ngl I miss it;; I miss the genuine hype I felt in my heart that made me interact with people and make things. So many things. I honestly can't think of a third one with such a lasting impact, sorry;;

3. What's your current OTP?

I imagine Souyo scenarios in my head every night before falling sleep and every morning after waking up, this is not a joke not an exaggeration. I still feel a little traitorous saying this on tumblr but their dynamic IS somewhat similar to the way I see Ioryuu so-

4. What's your current NoTP?

I don't think I have one? I have dislikes, some of them strong, but I don't see any of them often enough to be, like, actively angry. I have better uses for my time than willingly exposing myself to stuff I don't like.

5. Do you have any poly ships?

Not generally, juggling two characters is enough work lol. The only poly ships I've ever really actively shipped are Niels, Duncan and Natalie from the web comic Niels And the Gang by humon and Kinatsuen from Boueibu, but neither are actively on my mind much these days.

8. Have you ever shipped yourself with a character?

BOY HAVE I EVER. I've seen someone on tumblr have a side blog for self-shopping and not gonna lie, it's an excellent idea. My late teens were spent reading character x reader fics on Quotev and I started my fic career with the same genre. I don't really know what to do with myself when I DON'T actively ship myself with a character, which is my state of being now that Yosuke surpassed Yoosung as my favorite character;; Ibushi and Yoosung are the biggest ones but man oh boy I have shipped myself with characters from early age and I'm showing no signs of stopping! There's a reason that I main dating sims.

15. Have you ever "shipped at first sight"?

Not for long. I SUCK at forming first impressions. Usually if I start thinking I'll ship something, I end up not being so invested in it after all, and instead shipping something I swore off at first lmao. Which leads us to...

16. Talk about a ship you initially disliked

As a rule of thumb, all of them. I don't understand HOW it keeps happening but somehow almost all the ships I truly care/d about (that I didn't start shipping through osmosis before knowing them in the source material) started out as something I thought I "wouldn't be able to get behind." Gajevy. Shikatema. Sasunaru. Doctor/Rose. Karabita. Atsutodo. Kiribaku. Yoozen. Enatsu. Freaking IORYUU. EVEN SOUYO. IT'S BEEN YEARS I REALLY SHOULD KNOW THE PATTERN BY NOW

17. Talk about a pairing you've stopped shipping romantically

Like, I started to think they're better as friends after all? I guess NaLi. Then again, I mostly only shipped them out of spite in the first place because I wanted a counter for N/a//Lu, which I never liked at all;;

20. Talk about a ship you feel alone in shipping

Now this time I can say for sure that there isn't one. I can't come up with ships myself and stay on board if there isn't content for it, canon or otherwise;; It's not a conscious decision or anything, it's just how my mind works. I get attached to stuff by exposure, whether from fans or the source material, and if the source material has enough content for two characters for me to pick up on and become interested, it's guaranteed to be enough to become a somewhat popular ship.

21. Is there a ship you just don't get, but have nothing against?

Actually... That's the extent I go to with notp'ing these days. I'm passionate about the right to ship whatever you want so by proxy I can't have anything "against" a ship, even if the sheer thought of it existing makes me nauseous. And I know how to think from points of view other than my own, so I can usually see the appeal, even if it appeals to me personally less than eating dog shit while walking barefoot on rusty nails that are also on fire.

That said, the only ships I have on my Tumblr blacklist are Yoo//ra/n and Suza//lu/lu because they're both popular ships for characters whose tags I am/was following and therefore get suggested a lot even if I want following anyone who ships then. Oh, and all B/LMa//tsu ships! I generally can't feel good about incestuous ships, but can and will fight for their shippers' right to do as they please as long as they stay respectful. (never saw blmatsus who weren't respectful. saw a plethora of anti-blmatsus who were absolute demons. actually the reason i moved away from the last remnants of my anti mindset was that i didn't want to be associated with THOSE anti-blmatsus, when the shippers they wanted dead were all such sweet people. food for thought.)

22. Which of your ships have the best chemistry?

All of them?? Lmao I don't understand this question, isn't shipping all about liking the chemistry between characters? Or the potential for it I guess, in which case the chemistry is whatever you want it to be, which is great B) I'm sorry I keep accidentally dodging questions I'm bad at choosing examples from a long, unordered list

23. Which of your ships deserve better writing?

Hhhhhhh I shipped Jerza for years and was still unsatisfied with their ending, Jellal didn't get to heal enough and we didn't really see them working through their past in an effective way and getting comfortable around each other. It's like they were supposed to be friends to enemies to lovers but the last part didnt really develop and their relationship stagnated at the stage were they were both just permanently awkward out of regret, and couldn't bring themselves out of it even though everything was forgiven forever ago. Or I've forgotten a lot of stuff that happened. Very likely. Is your a case of bad writing or good writing not working out the way I wanted it to? You're asking the wrong person.

25. Have you ever shipped a pairing before you even started watching the show/movie simply because of gifs/graphics or similar?

EYUP. Harumichi was my otp for like a whole year before I saw a single episode with them lol. It was crazy, but it was REAL. I've also went into shows already paying attention to things I knew my friends/people I follow shipped, kind of hoping I'd get into it.

26. Have you noticed a pattern in your shipping? Is there a romantic dynamic I'm writing these questions down from screenshots and I cropped the rest of this one out by accident rip

Eeeh I go for the obvious. Best friend pairs, obvious pining, some rivalry with sexual tension, though I don't really know what to do with those. Then there's the fact that I never see it coming sick Persona 5 reference bro and start shipping the couple I thought "should just be friends" at first. This is more about my relationship to the ships than their dynamic but it's very constant...

27. Is there a ship you've shipped for most of your life?

Hmmm well I got into HP and started shipping Romione sometime in mid elementary school so it's definitely been more than half my lifetime since, but I don't really know if I "ship it" anymore. I didn't start disliking them or anything but for me, "shipping" is an active intrest in a fictional relationship, so if it reaches the stage where I like it, in theory, but I don't have the feels, it doesn't really count. That's why I can say I like ships without shipping them. It's gotta be actively on my brain, man.

31. Talk about one of your favorite headcanons for a ship you love

I haven't mentioned Kannao once, which is criminal. So here's some of what I imagine their future to be like :D I've been getting new Persona followers recently so here's something for you to unfollow me over lmao

So first of all I ignore the canon that Naoto goes back to the city for her detective work after her first year of high school, shhh she stays in Inaba, only taking the occasional jobs. She and Kanji start dating during the spring break before their second year and get more comfortable with each other, so that the next summer they're still cute and very much themselves (which means somewhat reserved) but not as awkward anymore :) I haven't thought about what happens after they graduate but they get married in their early 20s and have a son <3 (Chie and Yukiko adopted their daughter only slightly earlier. They may or may not have had a bit of a competition going on) ((yes Souyo are very much together but if they end up having children I haven't thought about it it's later))

Kanji manages the textile shop and Naoto helps when she's free from detective stuff. They live in Inaba but Naoto is away quite often for her gigs;; She takes up a few jobs less when Kouta is little though so he wouldn't feel less close to his Mom than his Dad.

Both Kanji and Naoto suffered from unfair expectations growing up, so they try their best to make up for it with Kouta's upbringing. They want him to feel comfortable being himself and free to express himself the way he wants; they make sure he knows he'll always be loved and supported, and to never be ashamed of who he is. As a child it doesn't even occur to him that many social norms and social expectations exist, because Naoto and Kanji pretty much let him do whatever as long as he isn't hurting himself or anyone else. They might go a little overboard though, giving into Kouta's whims without much consideration at all. The Amagi Aunties enforce rules and keep kids grounded in reality much better lmao

40. If you could change one thing about your otp, what would that be?

HMNGHNMHGNMGH I WAMT YOSUKE'S INTERNALIZED BULLSHIT ACKNOWLEDGED!! It's there AtlUS!! Stop pretending oh my god.... I love the Dancing All Night story mode (so far. I am by no means done); Yosuke gets cool moments and Yu's internal monologue really shows how much he appreciates him. The dynamic is so much better than with a silent protagonist, and thank god they didn't go with the tactless anime Yu (as fun as he is). I know there are a bunch of nods to the cut romance across spinoffs but mannnn... I wish they were more serious about it. At this point it's not even that far-fetched to think Yosuke has feelings for Yu that he may or may not be aware of, and I know that Yu as the player character can't be too tied down to one option in canon, but still... Even the clown gets tired of jokes at some point. One can dream.

40 ship questions

[alittlefoxedup]

An Unexpected Reunion p4

Yes, I’m still doing this thing. Life got in the way a bit, but I’m going to finish this story. Enjoy!

Day 4: aftercare/pampering | unconventional courting presents

Jason was beginning to like letting Roy plan dates. The weather was just right for a day at the beach. Roy would probably burn, but Jason had put a lot of sunscreen on him. The crystal blue waves had most definitely washed it all off since Roy refused to wait. They’d worry about it later.

Sitting on a blanket, leaning against Roy’s chest, and being hand fed by his boyfriend was Jason’s favorite way to dry off. He had eaten his lunch by himself, but he was too tired to carry on after swimming with an alpha that benefited from being shirtless. Roy hadn’t even questioned it. Alphas appeared easier to handle when satisfied. He could get behind this. Well, not behind.

“So, you know how I didn’t tell about what I did in Gotham?”

“If this is going to ruin my mood, save it.”

“I think you’re gonna get a little mad then be happy I did it.”

“I see you’ve conveniently waited until after my heat.”

“I was waiting for something that just happened to happen during your heat. Just read this.” Roy fed him another grape and his unlocked phone.

The text was one of the infamous patented Dick Grayson ramble texts. There wasn’t exactly a cohesive thought, but it made up for it in raw emotion. It was the kind of thing that would be read over a video of someone pathetically eating ice cream or cookie dough. Dick had run out of ideas and had too many emotions.

Dick had done everything he could to fact check the little bit of information Jason had been able to give before being shut out. He managed to give them a timeframe in the two seconds they’d let him speak. Dick had found the hospital records. He had Clark check the grave which explained the broken fingers. Finding any footage of Jason in their short meeting had been infuriating but not as bad as the countless fruitless scans for any matches. The only lead Dick had was Roy had been seen working with someone no one knew. It was a desperate cry for help.

“You need to tell me what happened.”

Roy sighed. “I went to the Manor. Alfred met me at the door so I told him I didn’t have Dick’s number anymore and asked if he was around. Dick came upstairs after Alfred started giving me food. It started nice then Dick got tired of me not answering him in detail. He demanded to know how I got out so I told him. Alfred heard and took over asking. They didn’t tell him. Alfred asked for my number, gave me the cookies, and asked me to leave so he could speak to Dick. I don’t know if I made things better or worse. Dick at least wants to know what happened. Did I mess up?”

“I think… I think you did the right thing. Maybe it wasn’t the best way to do it, but it’s not like they listen to anyone.”

“Maybe I should have gotten more cookies out of it.”

Jason smiled and tried to relax into Roy.

“What do you want me to tell him?”

“What if we go to the New York safe house next week?”

“Sure.” Roy kissed Jason’s cheek and got to planning.

Waiting was the best idea and the worst idea. Jason’s nervous energy manifested in cleaning. Somehow it escalated to Roy eating chips over the bathroom sink. A small fight occurred that was easily resolved in the bedroom along with some amount of nervous energy. Jason tried to be less crazy and appreciated Roy stepping in after he’d finish a room.

Convincing Jason to build a nest was the smartest thing Roy came up with that week. Cuddling with his boyfriend in a nest put all of his worries so far out of his mind Jason could actually relax. Being able to fuss over his shirt intolerant alpha was one of the best parts of the relationship. Roy soaked up all his attention and energy until the agreed upon day.

Jason couldn’t relax the night before or morning of. The usual way of working off nervous energy couldn’t be used since Dick would know. Jason didn’t like neutralizing scents in their bedroom and nest so he was frustrated on top of nervous. If Roy could stop looking so good for a couple of days, Jason would be able to handle everything better. All he really needed Roy to do was wear something with sleeves for once.

“Why do I have to wear a jacket today?”

“You just do.”

“If getting you Dick for a courting present was all it took, I would’ve done this sooner, babe.” Roy slipped on the jacket only to push the sleeves up.

Jason forced himself to not look at Roy’s forearms. “Do you have to say it like that?”

“Don’t worry. You can have as much as you want after he leaves. I might even let you unwrap it.”

“Shut up and go make breakfast.”

“Do you want sausage?”

Jason grabbed his pillow. Roy was out of their room and running into the kitchen when the pillow smacked into his back. His goofy laugh was the only thing keeping Jason from fully freaking out.

Roy thankfully didn’t cook sausage but did continue to make meaningful looks. Jason wasn’t sure if his face would ever resemble his normal complexion. His only revenge was bending over to start the dishwasher as the doorbell rang. The frustrated growl and oh so subtle swearing washed the embarrassment from Jason’s face. Roy always forgot Jason knew exactly how to get him back.

Jason could just barely catch Dick’s scent. Whatever greeting they were having was not something Jason wanted to interrupt. From the surprise in Dick’s voice, Jason was certain he hadn’t been expecting Roy to be present. Jason didn’t think Roy would have done anything or said anything to suggest otherwise. Dick must need to refresh his detective skills.

The moment Jason moved into the living room was awkward. Dick was only halfway inside before he froze. Jason wasn’t sure where to look. Roy eventually got tired of them staring at each other like deer in headlights and pulled Dick inside so he could shut the door. A head shake was the only explanation Dick got before Roy returned to the kitchen.

“Um, hi.”

Jason smiled a little. “That’s what you’re going with?”

“I guess. It’s not like I have any point of reference. As long as I don’t do what Bruce did, I’m good, right?”

“I guess.”

“I am really sorry about what happened. I… I really messed up. I’m sorry, Little Wing.”

“It’s okay.”

“No, it’s not. Do you have any idea how many times I’ve wished we could have you back? I got my wish and immediately screwed it up. I’m so sorry.”

“It’s okay. I don’t want to fight about it.”

“I definitely didn’t come all this way to fight.” Dick closed the distance and pulled Jason into a hug.

Jason wasn’t sure when the last time he’d been hugged by Dick. It didn’t happen often, and he had actively fought it then. He didn’t know what to do except awkwardly hug back. Leaning his head down to rest on Dick’s shoulder strained his neck. Roy was a better height for that, but Jason didn’t want it to stop.

“How’d you get so tall?”

“Long story.”

“I’ve got time.”

“You won’t like it, and Roy will kick you out if you get growly.”

Dick pulled back and took a long look at Jason. “You two seem really close.”

“Well, yeah.”

“I’m not following.”

Jason started to laugh before realizing how serious Dick was. “I thought he told you. He’s been courting me for months.”

“What?! What the hell are you thinking?”

“That I’m an adult and can make my own choices.”

“But—“

Jason took a step back. “It’s my choice. You don’t get to tell me what to do especially after just showing up. Roy’s been nothing but good to me so deal with it. I’m not dealing with alpha nonsense today or any time in the future.”

“Really? Are you sure?”

“I’m really going to let him kick you out for sure if you keep being an ass. Roy’s not going anywhere. You can deal with it or get out.”

Jason sat down on the couch. He took deep breaths to fight his rage. No one was going to walk into his life and criticize it immediately. As much as he wanted his family back, he wasn’t going to sacrifice his happiness for it. If they couldn’t put up with the fact he loved Roy, he didn’t need them.

“Okay, I can deal with it. Could we try that story?”

“Sure as long as you’re not an ass.”

“I’ll try.”

Roy laughed from the kitchen. “Like that’s possible.”

Jason laughed as Dick realized their conversation hadn’t been as private as it seemed. Roy quickly joined them with popcorn. It made the story not so heavy. Jason didn’t mind skimming through the rough parts so he could get to cute Damian stories and making fun of Roy. There were more good things to talk about than bad now.

[ahumansvoid]

Misc WIP Folder

So I’m going through my WIPs folder’s subfolders. 

One is labelled Misc, so that’s the one I’m going through now. Everything will be below the cut because this will probably be a long post, there are sixteen files in this folder. 

Most of them are from different fandoms, so I’ll put what fandom it’s in + what title I have for it in my folder in bold before I talk about it. I’ll be going from oldest to newest. Technically not because I can’t sort Google docs like that, but rather “last modified by me” so, longest abandoned to newly abandoned I guess?

 Also Spoilers for any of the fandoms, maybe? Probably. 

If you have any questions about any of the fandoms, message me or send me an ask. I’m open to talking about any and all of them. 

Fandoms Involved (Ordered by appearance):

Murdered: Soul Suspect (Video Game)

Trollhunters: Tales of Arcadia (TV Show)

Gravity Falls (TV Show)

Until Dawn (Video Game)

Avatar: The Last Airbender (TV Show)

The Mummy (2017) & (1999) (Movies)

Assassination Classroom (TV Show/Anime)

Red vs. Blue (Online Show- Rooster Teeth)

Camp Camp (Online Show - Rooster Teeth)

Dirk Gently’s Holistic Detective Agency (TV Show)

Devil May Cry (Video Game + Anime)

Aladdin (2019) (Movie)

Castlevania (TV Show)

Murdered: Soul Suspect - MSS

So there isn’t much in this one, just a bullet pointed outline. Murdered Soul Suspect is a video game, if you don’t know it and are curious you can google it or message me. 

Anywho. This is just a little part I thought was funny.

It’s essentially a Ronan survives AU of the game, pretty standard and I thought it would be fun. Honestly this part about Ronan and his cracked spine just reminded me of Obi-wan and how I write him in ignoring his injuries (and how most people write him) so it made me laugh a bit. 

There’s really not much here, I didn’t even finish the outline.

Trollhunters: Tales of Arcadia - trollhunters au

I am very creative with my titles. Clearly. This is another bullet point outline. but this one is longer and irrc I actually started writing this, and that file would also be in this folder so if I did write it’ll also be featured on this post.

This is an au where Claire is the trollhunter rather than Jim.

The top bit is literally just for context on the next star point. Anywho Writing AAARRRGGGHH/ seeing it spelled out is funny to me. Also I’m pretty sure I rewatched bits with AAARRRGGGHH with subtitles on to see how it was spelt and then replicated that.

The second star point is funny to me because I describe annoyance/anger (rightful, both of them) as pissy. And that’s funny.

There’s more but if I’m write and I wrote it out, then that’ll be featured later. 

Gravity Falls - Gravity Falls

... Okay I’m not creative with titles until I have to be. Once more, bullet point outline. So this is an after-canon AU where Bill left a remanent of himself in Dipper and it’s become apparent when they’re in Piedmont.

I just like the rules I had Dipper give Bill. I thought they were neat. Also, I like Mabel convincing Dipper to let Bill live because he’s pathetic. This is a demon who has tormented them for an entire summer, but nows he’s pathetic so lets help him. 

Not much of interest in this. I probably didn’t write it because it’d be a long and day-in-the-life type fic. It’d just be Dipper and Bill coexisting and going through life and IDK how well I’d of written that. So I didn’t write it.

Until Dawn- Until DAwn AU

FYI I’m keeping the titles case-sensitive. Another bullet outline. So this is a Josh survives/exorcised AU, also an Everybody Live AU. I’m pretty sure I wrote this when I was heavily invested in Until Dawn and Josh (because I like him.) And I was reading Until Dawn fanfic in which Josh is blamed for what happened on the mountain. And I think I was getting pissy which lead to this:

So in this AU the Until Dawn Group splintered into Sam, Josh & Chris, and Mike, Emily, Jess, Matt & Ashley. So this conversation/fight is between Chris and the second group. So Chris is the 1st,3rd and 5th talking bullet point. I don’t know who’s talking in the 2nd &4th bullet point but it’s one of the second group. Probably Emily, Mike or Jess maybe. Not Ashley.

Im 90% sure that I wrote out this entire outline just for this little interaction. 

It just tickles my id. I still kind of like it, but I honestly don’t know what else I’d write for this AU.

Avatar: The Last Airbender - Zuko is the avatar

Title is self-explanatory. Also, I really like bullet outlines. So. Anywho. 

Aang is still a 12 year old in this, he used up all his “avatar energy” (that’s literally what I wrote) to keep himself alive so he’s just an airbender now.

I just love Iroh. And this is just funny to me.

If I ever wrote this, it’d be a lot of hijinks of Katara and Aaang (and eventually Toph) covering for Zuko whenever he bends anything other than fire. More cracky than serious.

“The Mummy (2017)” and “The Mummy (1999)” - Mummy x Mummy

I watched the 2017 version of the mummy (got it from the library for 2 bucks) and since there are some throwbacks to the 1999 movie I decided to try to combine them. This also became an AU where Evie and Rick save Imhotep in Mummy 2, and due to Evie being revived meant she was functionally immortal (doesn’t age, but can still be killed). And due to everything, by the Mummy 2017 rolls around it’s just her and Imhotep hanging around, investigating ancient egypt and whatnot.

Honestly this is just part of the outline. None of this is really amusing to me, just, if I ever tried to write it, a lot of work. Although, the fact that I can’t remember the blonde lady friend from the Mummy 2017 is kind of amusing and I literally call her ‘BLF’ throughout this entire outline. I think her name was Lisa. Or Sara.

i’ll google it.

Assassination Classroom - AC AU

At this point, I might as well tell you when it isn’t a bullet outline than saying when it is.

This was really just a Reaper/Koro-sensei raises Nagisa rather than his mom.

People panicking around children is amusing to me. Again, long AU. And this was probably an excuse to write some baby assassin Nagisa and whatnot. Honestly whenever I read this I do remember more details on this, that I have never written down. 

Murdered: Soul Suspect - Murdered: Soul Suspect

...

Okay I think this is just a repeat of the one I posted earlier???

I- I don’t know what this was? Like this is newer than the other one? 

?????

Uh, brain weirdness?

Let’s move on.

Trollhunters: Tales of Arcadia - TRollhunters

Ok! So this is the written out of the bullet point earlier. I did not write out much. But I’ll talk about it a bit more? So this AU is also a Bular survives and Jim finds him and helps AU.

This is literally all I have written. So, right after this, Jim would find an injured Bular and helps him. There isn’t much to add, but I will add what I had written as Barbara’s reaction from the outline:

Large AU, but it would be fun to write. I would most likely end up writing Claire’s journey of Trollhunting along with Jim’s adventures with Bular.

Red vs Blue - Meta, no, that wasn’t, he wasn’t

Okay, that’s not the full title but also the full title is literally the first sentence. Which is a long one so you get part of it. This is actually a written au, it’s about Agent Maine/ The Meta surviving and meeting up with Siris. This is just the first couple paragraphs:

Nothing I read was particularly funny to me, so just the first two paragraphs. Essentially what would’ve happened is Siris would help Maine find Washington (on Chorus) go to Chorus. Find Felix and Locus. Drama Ensues.

I might actually write this. Maybe. There’s potential, if the drive hits me.

I havent watched RvB in a couple of years, but I did like the series. It was interesting.

Camp Camp- Camp Camp

Y’know since this is ‘misc’ I get just having fandom names. Lot easier to identifiy.

So, this file is currently loading still, but I remember this. It wasn’t that long ago. This wasn’t so much a fic as a comic I would of like to have done. I definitely would’ve needed to brush up on my art skills (I am mediocre at best) but it’s just a small little comic I would’ve done on Camp Camp.

First little bit. I actually wrote out most of this rather than just bullet pointing it. 

There is a little bit I’d have to polish up, but I could probably post this entire thing. But I kind of want to actually do the comic first. But boy that’s a lot of work.

I love how most of the reason I’m not writing these is that they’re a lot of work.

Dirk Gently’s Holistic Detective Agency (TV Show) - Project Cheron

This is an AU where Priest is one of the projects of Blackwing. Specifically Cheron and I think my reasoning is that he makes people go where they need to be. IDK. I actually wrote a couple of these. But this one is essentially Priest getting a bunch of projects together to help something. Idk.

This entire thing is weird and would probably be labelled crack if I ever finished it.

Okay. This entire scene is funny to me. Just, this girl rushing out in front of the car waving happily with a decapitated head in her hand. I like it. So, Aine and Herodias are OCs. Both are projects Priest is collecting. 

Dirk Gently’s Holistic Detective Agency (TV Show) - “Dirk

Another Priest is a Blackwing Project AU but that’s not really the focus of this story. This story is about a project (Project Carman- OC) who can trap people in their certain significant memories of her choosing. Carman gets annoyed at Bart, Dirk and the Rowdy 3 so she traps them in memories signifcant to their stay in Blackwing and Priest.

I’ve only written 2 of the six memories, so that’d be fun to complete. These are also just sad. They’re not happy memories. So, random moment that’s somewhat amusing:

Also, title is the first sentence in the fic.

Devil May Cry - “Should I

I- why did I decide to do this from oldest to newest? Part of me is embarrassed, the other part is reminding me I have no reason to be? It’s a video game fic. But also this is a game of my childhood. It’s about Nero looking for his dad and finding Dante instead. Canonically Dante’s twin brother, Vergil, is Nero’s dad.

Just a random moment because I didn’t write that much of it. Also I thought it was kind of cute. Patty shows up in the Devil May Cry anime. Which I watched before I played the games. 

Aladdin (2019) - Aladdin AU

A mix of bullet outline and written. I don’t actually have much of this AU, but essentially before Aladdin wishes to become a prince, he notices some mercenaries kidnapping a little girl and decides to rescue her. 

This girl is the princess of Shiroba, Aladdin takes her back to Shiroba. The Queen/ Sultana appreciates Aladdin going out of his way to help her so she invites him to stay in the palace. 

Eventually word gets to Shiroba that Agrabah is planning to attack so Aladdin and the two twin princes of Shiroba (that I made up, OCs) make a plan to infiltrate and see what they’re planning. They’re not planing espionage, but as Shiroba is a peaceful nation, they want to see if they should start evacuating people and whatnot.

So you get the Prince Ali stuff with the Genie and yada yada. 

I have none of that written. I just know that’s what I intended to do with it.

So, first little bit. Long AU that would take a lot of work. Also, I know this isn’t super popular but I liked the 2019 version of Aladdin. I really like the changes they made. 

Castlevania (TV Show) - Waking up in Jail wasn’t a new experience

Again, title is first sentence. Not writing that out. Anywho, this is a kind of complete canon AU to Castlevania. Essentially we haven’t reached Lisa getting burnt at the stake yet. So, loving Dracula fam. Trevor and Sypha meet earlier due to circumstance. Alucard gets attacked by something and gets rescued by Trevor and Sypha. They travel together for a while. And then Sypha and Trevor get to meet Alucard’s parents. 

That’s where this AU will go if I ever write it. To be fair, last time I wrote in this file was March, so I guess that’s technically possible. Don’t hold out hope.

First couple of paragraphs. 

Also, that’s it! Misc WIP folder done!

Oh, if you’ve made it this far, a)thank you and b) if you want to continue/write any of these, go ahead, but tag me or send me a link. I will be very happy to see/read what you create if you like any of this in an inspo way.

Also. This is long, so, IDK if Imma go through the other folders rn. Maybe tomorrow. 

[3195c]

Scott Snyder On ‘Death Of The Family': ‘It’s A Love Letter To Batman From The Joker’

2012.11.29

ComicsAlliance: With the clean break that you got from the New 52 relaunch, was there ever a desire to completely reinvent the Joker when you brought him back?

Scott Snyder : It’s interesting because I feel like he’s a character that you do reinvent every time that you take him on as a new writer. There wasn’t really an impulse to change his origin, whatever that origin may be, or reinvent him physically in a huge way — at least on my part. But there was the idea that if we took him on, I wanted to have a really specific take on him that was different than what Grant [Morrison] had done with him or what Tony [Daniel] had done with him, or anybody else recently. There definitely is that impetus with a lot of these characters that if you’re going to take them on, you better have a way of doing it that’s going to be your own and different, or you might as well not touch them.

CA: One of the things that I noticed reading through “Death of the Family” so far is that he’s a very horror movie type of villain. He’s a very scary Joker.

SS : He is very scary.

CA: More than usual, which is quite a bit! Was that where you wanted to go with the Joker? Did you want to do a more horror-style take?

SS : Yeah. For me it’s less the idea of him being graphically horrific or explicitly horrific and more about being psychologically and emotionally horrific. I really got my first taste of writing him while I was working on Detective Comics , and I got to do an issue with him. In that issue, you can’t ever see his face. He’s restrained and he has a mask over his face, he can’t even move. So he doesn’t do anything like he does in our story now, he’s just kind of a voice in the dark, but writing him there was so exhilarating because he was so terrifying with the things he says to you.

I knew the take that I would have here was really that same kind of Joker unleashed. To me, what’s so scary about him isn’t even the physical things he would do — those are horrific too and there’s plenty of them coming in Batman — but it’s the fact that he seems to know your worst fears about yourself, and he knows how to convince you that they’re true. He can look at somebody like Harvey Bullock, and this is coming up in issue #15. He has a two-panel interaction with him, and the things he can say to Harvey can level Harvey and make him pause, this hardened cop, and not know what to do. Almost paralyze him with fear, but of himself. In that way, the Joker’s kind of the Devil’s tongue in our series. In that way, he’s very scary and horrific. He looks at Batman and says “I know what your worst fear is about yourself, and it’s true, and I’m here to deliver it and celebrate it with you.”

That fear is essentially in our story that deep down, what Batman wants is the Batman Family dead. It’s a really personal story. It’s probably the most personal story I’ve done so far at DC. As the father of young kids, the story comes from that kind of impulse where you wish for a moment that you could stop worrying about them and go back to the way it was before you had kids. Even though you love them to death and would never want to change the decisions you made to have them, you just wish you could have some refuge from two minutes from worrying about them. The Joker hears that. He says “I heard what you said, you want your family dead.” Batman’s like “No, I didn’t say that, I didn’t think that,” and the Joker says, “Yes you did, you just won’t admit it. I heard it in your head.”

He can read him that way, and in that way he’s deeply, deeply horrific and nightmarish. But I don’t think of him so much as a horror movie villain. He’s a force of primal horror.

CA: I’ve written before about how there’s a very strong family aspect right at the core of Batman, from his origin story to becoming this patriarch of this Batman Family. Obviously, the story’s called “Death of the Family,” so that seems to be the aspect you’re playing with. It’s really interesting that this is the source of weakness, that the family is Batman’s vulnerability.

SS : What the Joker does is he takes something you’re proud of about yourself and convinces you that your worst fears about it are true and that it’s a weakness. It’s the way he comes after every member of the Family in their respective books. He’ll come after Dick Grayson and essentially say, “Your problem is that you need people in your life. You’re weak because of that.” But that’s not really a weakness, that’s a strength of Dick Grayson: his sense of empathy and compassion and the friendships and relationships that he builds in his life. But the Joker’s very good at making you believe that that’s what makes you incapable of winning against him.

So what Joker’s saying here is, “You built this family and it will always cause you to lose. You can get ahead of me, you can catch me, but as long as I have Damian right here, or as long as I have Dick over here, I’ll always win. You’ll never beat me.” So it’s a weakness. But is it a weakness, or is it a sign of growth and maturity and strength? That’s the Joker’s game.

CA: The title being a reference to Batman: A Death in the Family stuck out as well along those same lines. We always sort of categorize that as “Batman’s greatest loss,” the death of the second Robin, Jason Todd. That’s the one time he loses.

SS : Right.

CA: Was that something you wanted to get back? This sense of Batman, this unstoppable crimefighter, being in danger of losing through his family?

SS : Very much. Part of the idea is that what Joker is saying is that as long as you love, as long as you love people in the world more than you love being Batman — and being Batman at its core, to the Joker, is about fighting him; it’s about being the Bat-King of Gotham with your enemies, who are really your allies who keep you strong; as the King, as long as you pretend that, you will always be vulnerable — you will always be weak, and you will always lose.

I really wanted to have this story where I go into Bruce’s emotional trajectory more deeply than in any other story. The way that he feels, what he says to Alfred. This is the one that, for me, is really cutting him as close to the bone as I can, personally. It’s supposed to be emotionally and psychologically harrowing for him from the word go, and the fact that Alfred’s missing and we don’t know what’s happening to him really cuts Batman’s nerves raw for every moment that this story goes on.

CA: Going back and reading through the story so far, it seems to be a grand tour of the Joker’s Greatest Hits. You’ve got the references to Death in the Family in the title; the setup involved references to The Man Who Laughs with the chemical factory and the reservoir; there was the awesome, super-creepy scene with Harley re-enacting the Red Hood story. What was the reason behind revisiting all of those elements?

SS : I wanted it to be a story where the Joker is forcing Batman down a twisted version of memory lane, saying, “I know you loved these adventures we had together.” In some ways, I’ve tried to play this idea of the Joker as Peter Pan a little bit. Even when he says, “Hello, darling,” the Darling family is the family in Peter Pan. He says in issue #13, “I’m knocking at your window looking for my old shadow.”

Really, what the Joker’s trying to say to him is that it was better before. “You were thrilled by me. You won’t admit it, but you love that I came along to help you be stronger, to fuel your fantasy, and you do that for me, too. Together, we’re more of a family than any of these people.” In that way, the trip down memory lane was really meant as a kind of love letter to Batman from the Joker, even though those things were inverted. He’s not really acting them out in the same way that he did those crimes the first time, he has these horrible twists on them.

And in having the horrible twists, he’s saying something to Batman, which is, “You have forsaken your own kingdom. It’s been rotting from the inside for the past couple of years, and I am here to be a corrective to that.” The reason the crimes are inverted is to show that this is the place where rivers run backwards and two-headed beasts are born, and the whole city is wrong because Batman essentially can’t man up and be the King he’s supposed to be, and admit that the people sitting at his table are a false royal court, convincing him that he’s human and tender and soft when he’s not. “You’re supposed to be sharp and strong, and that’s why I fell in love with you in the first place.”

CA: You talked about the relationship between Joker and Batman, and between Joker and Dick Grayson. How do you see him fitting in with the other characters? What are the views he has of them?

SS: I think he views them all with incredible disdain in general, just thinking that they have caused his king to become fat, soft and weak — in his opinion. Individually, I think he’s been accumulating ammunition against them for the past year. He’s seen everything that’s happened in their stories from offstage. There’s nobody that’s safe in any of those books from him coming after them. Individually, he can eyeball you for about a minute and figure out what you’re afraid of about yourself, so he’s coming after them with a very strong notion of each of them being a certain thing.

For Dick Grayson, again, it’s that his compassion is his weakness. For Damian, he really believes that his devotion to Batman as a child is this incredible vulnerability and weakness, and that he pulls Batman down by convincing him that he really loves some child who follows him around like a son.

For Batgirl, what he finds amusing about her, which you’ll see in Batgirl , is essentially that she considers herself a survivor and takes pride in that in some way. Whether he thinks she’s Barbara Gordon or not, that’s part of the mystery and I don’t want to give it away, but what he comes after her openly about is that there’s something worse in the surviving of a terrible incident, because you get to the other side and it’s supposed to be better, and he’s going to teach her how that’s so untrue.

Jason, of course, he obviously has a very, very personal history with. And Tim as well. He comes after them in a very intimate way. The idea is that he’s looked at them and found them wanting, and he has a very specific take on them that cuts to the heart of what they’re afraid of about themselves. The kind of challenges he’s going to throw their way and the kind of nightmares he’s going to put them through really are meant to speak to those fears immediately.

CA: What about Bruce Wayne?

SS: Well, Bruce Wayne is a whole other thing. It depends on what you believe. If you believe the Joker knows who they are and you believe that he’s coming after them because he’s figured it out, then he has very specific feelings about Bruce Wayne. On the other hand, if you believe Bruce, who says Joker can’t have figured it out, or that he won’t, or that he hasn’t figured it out for reasons that he’s still keeping close to his chest in some way, then you’d assume he has no feelings about Bruce Wayne, or very small feelings.

I’d say you have to wait and see with that one.

https://comicsalliance.com/batman-death-of-the-family-scott-snyder-interview/

[arbeaone]

The Skinny Magazine Published on May 01, 2017

[ View larger version here ] Text from the article can be read below. (There may be some errors.)

The Mighty Barratt

Beloved curmudgeonly comic Julian Barratt makes a jump to the big screen with the endearingly silly Mindhorn, in which he plays a washed-up actor caught up in a murder plot. He talks about the pomposity of actors and a possible return of The Mighty Boosh

Interview: Jamie Dunn

Movie actors are a funny old lot. Essentially they're big kids who've been paid handsomely to raid the dressing up box, but to hear them talk you'd think they were curing cancer. Comedian, musician, writer and actor Julian Barratt finds his fellow thespians' self-importance endlessly hilarious. "It’s so hard to not sound like an arse when you talk about acting,” he says down the phone from London. “So it's a very rich territory for comedy.” You can see this self-seriousness at work on shows like Inside the Actors Studio and those round table discussions The Hollywood Reporter do around the time of the Oscars. “Oh, those round tables are just great,” Barratt chuckles. “They're full of people trying to make out they don't care about acting and it’s just a job. ‘We're just like plumbers, but working with different materials; the plumber works with pipes, I work with human emotions.' Or when you talk about how privileged you are to work with whoever - even that comes across as annoying."

Barratt channels some of this pomposity into Richard Thorncroft, the protagonist of Mindhorn, his inspired new comedy, which he co-wrote with Simon Farnaby. At the start of the film we discover Thorncroft enjoyed some low-level fame in the 80s as the title star of Mindhorn, a cheesy detective show in which the titular sleuth uses his bionic eye to literally see the truth; his ocular gift helped him interrogate bad guys, but it also came in handy while seducing women. We see snippets of the show - which comes across like a mashup of Bergerac and The Six Million Dollar Man - throughout this feature-length comedy, but the majority of the action takes place in the modern day, where Thorncroft has become a grotesque has-been; overweight and toupeed, he reaches a career nadir when he loses his latest gig, a TV ad for orthopaedic socks, to John Nettles (of Bergerac fame).

Thorncroft is a joke, but Barratt can certainly empathise. “He is very much a version of me after a couple of bad decisions,” laughs Barratt. He reckons at actors are a few poor choices away from Thorncroft’s predicament. "I don't think it takes much: make the wrong career move here and there, and a couple of bad relationships, and suddenly you're on your own and you're grasping at straws.”

Barratt is being modest, surely. The 48-year-old has been a key player in some of the 21st century's most feverishly adored British comedies. With Noel Fielding he created the wildly surreal The Mighty Boosh, in which he played “jazz maverick” Howard Moon, a character even more pompous than Richard Thorncroft. Then there’s Dan Ashcroft, the self-loathing journalist who finds himself inside a maelstrom of idiocy in East London's hipster scene as depicted in Chris Morris and Charlie Brooker’s prescient sitcom Nathan Barley. He also had a recurring role in spoof supernatural medical drama Garth Marenghi’s Darkplace. And that’s not to mention Will Sharpe's brilliant Channel 4 show Flowers, from last year, in which Barratt gave his darkest- and finest- performance yet as a suicidal children’s book author.

Despite this success, Barratt insists a Richard Thorncroft-style fall from grace is a real worry. “Sure, I've made shows that have connected and that I'm very proud of, but you're always trying to think of the next thing you're going to do. You have to keep asking, 'Do I still have it in me to do another thing that people want?' I have friends who never got into show business at all, and they have proper jobs - they do their job and they're not constantly thinking, 'What can I do next?' 'How can I make it valid?’ ‘Is this going to work?’ 'Are people going to be interested?’ They just do a job and then at the end of the week they turn off and go out. I sometimes envy them that sort of life.”

We're glad he's stuck with comedy, as Mindhorn contains some of Barratt's most gut-bustingly funny material. With his career in the toilet, Richard Thorncroft is given a reprieve. When a deranged serial killer on the Isle of Man tells the police he’ll negotiate, but only with Mindhorn, whom he believes to be a real detective, Thorncroft is given a cushy gig resurrecting his old character to try and solve the murders. Files the film with ¡Three Amigos!, Galaxy Quest and Tropic Thunder, the other great comedies about actors being mistaken for their characters and pulled into real-life peril. The initial idea came from Barratt’s friend and co-star Simon Farnaby. “Really nerdy fans of The Mighty Boosh will know that Mindhorn is the name of a half-man, half-fish creature that appears in one of the Boosh's songs,” Farnaby explains when we meet him in Glasgow ahead of the film’s Scottish premiere at Glasgow Film Festival. “He's very obscure, he appears in one of the songs from the radio show, I think. Julian had given me the CD and I heard the name Mindhorn and I just wrote it down because it sounded like an 80s detective show, you know, these one word shows like Wycliffe or Spender.”

The pair clearly love this very particular genre; you have to love something to satirise it as well as Barratt and Farnaby do in Mindhorn. But the film isn't simply a nostalgic piss-take in the mould of, say, MacGruber, Will Forte’s hilariously crude parody of MacGyver, the action-adventure American equivalent of the shows Mindhorn send up. Barratt came up with the twist that the films should be about the actor who used to be in Mindhorn, and Richard Thorncroft was born. This was over a decade ago. "Originally Julian thought he was too young to play Thorncroft,” says Farnaby. “Whoever played the character had to be old enough to be believable as an aging has-been. We thought: let's get someone like Ben Kingsley to do it!” But so slow was the writing process that Barratt soon found he was approaching the perfect vintage to take on the role. “He likes to tell people he put on weight for the part,” chuckles Farnaby, “but he didn't, he just carried on doing what he normally does.”

Barratt is far more complimentary about his writing partner: "Simon is great because he's very pragmatic. He's great at just getting to the end of things. I'll get really caught up with the problems and the details, agonise over them a lot, so we were a good team." How does he feel about writing on his own?” "I can’t stand it to be honest. I'll do it. I mean, I like to write with someone and then go off and write a bit on my own and bring it back. But writing on your own is lonely, it’s bloody awful."

Talking of writing partnerships, Barratt is still best known for his wildly inventive stage show and BBC sitcom The Mighty Boosh, which he co-wrote and co-starred in with Noel Fielding. It was a classic chalk and cheese double act: Fielding's Vince Noir was a glam rock dadaist with a child-like spirit of adventure while Barratt’s Howard Moon was a curmudgeonly jazz-enthusiast and the butt of almost every joke. Rumours of a revival, or even a feature-length project, have been floating around since the pair's last official Boosh performance in 2009.

Barratt sounds open to the idea. "I don’t want to start any rumours, but we never finished with the Boosh," he says. "We parked it essentially. So it's like a crazy old car that we drove around in, and it’s still there. We could get it out, we could look at it, try and get the engine going again, give it a new coat of paint. Sometimes you think it’s best just to leave something where it was and not try and recreate that magic, but who knows?" He gives a long pause and chuckles. 'We'll probably run out of money at some point and you'll see us doing it.”