#inspiration: maybe this time (2014)

[cozylittleartblog]

when valve has enough money to buy god, but they let bots ruin their game for 5 years and dox people 🤖🔫 #FIXTF2

everyone who signs this 100k+ petition will have their name printed and sent to valve HQ. this shit is unacceptable.

[oleafia-art]

Landgraab High School Yearbook, circa 2014

This is an illustration of some of the teenage townies from the Sims 4 in a school yearbook. This is based on my own story I’m making inspired by these characters, which is why some of them look different to their original Maxis counterparts (I gave them in game makeovers since they’re important characters).

The main characters of this story are Cassandra Goth, Hugo Villareal, Wolfgang Munch, Morgan Fyres, and Malcolm Landgraab. Luna Villareal, Sofia Bjergsen, Yuki Behr and Darling Walsh are all important to the story as well. And of course all of the family members of the characters mentioned are very important. The story is a coming of age mystery drama with a little bit of romance and comedy. It revovles around the daily lives of these teen characters but takes a turning point when Bella Goth goes missing, which leads Cassandra and other characters to start an investigation looking for her. There is of course the whole matter of Jacques Villareal and Nancy Landgraab running a whole underground crime ring as well, so things get pretty crazy and dark secrets about the families are revealed as the investigation continues.

I’ve been really obsessed with drawing these guys lately, but I’ve barely had any time to play the actual game, so most of the story is in my head or written hastily in my notes app lol. Let me know if you guys want to see more Sims art inspired by my townie story! I’d love to delve more into each character and their relationships with one another. Maybe even make some comics?

Please feel free to reblog if you like!

[yamumsyadadd]

the forgotten girl (2)

posted originally on my old account. will be posting twice weekly :)

Amelia Scott-Higgins was a person a lot of people looked up too. The winner of the 2019 Ballon d’Or who was just 21 at the time. She was an inspiration on and off the field, so you can imagine everyone’s shock when she disappeared. Only a few know the gruesome details of her injuries, and those happen to be Barcelona players Lucy Bronze and Keira Walsh. Alexia Putellas had always admired her, as a person and a player. 

“Do you think we could convince her to join us? We need a striker and she is the best!” Jana excitedly said to Alexia, Mapi and Ingrid as they walked into the locker room. 

“No, she was the best. Past tense.” Ingrid said. 

“Ale you could totally convince her! You guys were friends no?” Jana’s words were loud through the quiet locker room. 

“Who are you convincing?” The English accent through the Spanish was still very clear to this day and unmistakably came from Lucy. 

“Amelia Scott-Higgins! She’s living in Barcelona and Ale used to be her friend! We need her Luce!” 

“No. Understand what I am about to say. No one here is to contact Milly and ask her to play. No one is to ask her to come to a game or to hang out. She has been through enough and you will all leave her the hell alone.” Keira spoke extremely firmly. No one has heard her talk like that before. 

“Kei, come on they don’t know.” 

“That’s exactly right Lucy. They don’t know. You all think she’s this amazing footballer and want her to play, but she went through some fucked up shit. She doesn’t want to play, she doesn’t want to watch. She wants to be left alone so that’s exactly what everyone is going to do: leave her alone.” The locker door slammed as Keira left. She would protect Amelia now, since she couldn’t before. 

Before it all happened, Keira, Leah and Amelia were inseparable. The group was formed at a football event the first year Amelia moved over to the UK, in 2014, at just 16 years old. Emily played with Man City, alongside Keira, Lucy and Georgia. Despite playing at different clubs, they always made time for each other. The unlikely friendship with Alexia Putellas started in 2017, after both signing with Nike and having to do a campaign. Both girls were socially awkward, they sat in silence for most the day until Alexia invited Amelia to dinner. From there on out, they were very close friends. 

Alexia struggled with the fame, Amelia did not. She was able to offer advice to Alexia, sharing ways to keep relationships private, or how to compartmentalise. Alexia didn’t even get a text off of Amelia when it all happened. She had flown to England to attend the funeral. A numb, bruised and bandaged shell of a friend stood before them all. 

“You knew Amelia?” Olga asked quietly over dinner the night after their run in. 

“Yeah. I knew both Amelia and Emily.” The sadness evident in Alexia’s voice. 

“Why’d she quit? I googled her. She won the Ballon d’Or and UEFAs best player. What happened?” 

“Her wife was murdered and she was hurt. I don’t even think I can begin to explain the type of player she was. She was easily the best player the world has ever seen. No matter what, she worked hard. She cared, if a person got hurt you’d know because Amelia was there first. After her opponents lost, she wouldn’t celebrate her win, she’d go around and tell them everything they did well, hug them and let them cry. I went to the funeral, she was just a shell. Covered in bruises and bandages, in a wheelchair. Then she just vanished. On the first anniversary of Emily’s death, she deleted every single social media she had, changed her number and quit football. I hadnt seen her since, apparently Keira and Lucy hadn’t either.” 

“that’s a lot for one person to go through. Where are her parents?” 

“Doesn’t have any. They died when she was little, from what she shared she was in foster care in Australia until they let her come to the UK”

“Maybe you should invite her for dinner? She could use a friend.”

“No. YOU should invite her. You’re someone who she doesn’t know and you two seemed to hit it off.” 

Olga didn’t tell Alexia, or anyone for that matter, but Amelia had followed her on instagram that night after they met. Seemingly on a private, almost anonymous account. Olga had no plans to force Amelia back into football or back into Alexia’s life, but the more she learnt the more she wanted to ensure she wasn’t alone in this world. 

Every morning, Alexia would run along the beach. It was usually quiet and calm since Spain generally didn’t wake up until later in the morning. Every morning, she would watch the same surfer. Scars scattered on her legs, one long scar from the back of her hip, across her torso. Alexia knew it was Amelia, but she never stopped to say hello, not until that morning. 

The morning that would change things. 

[multiseb21]

bez was a serial liker on marcs ig? that makes me feel all kinds of ways not gonna lie

YES!!!!!! For better or worse, this ask inspired me to scroll through Marc’s entire Instagram again to create a timeline of Bezz’s serial liker era.

2014:

April: The first post Bezz likes is a video of Marc jokingly straddling an exhaust pipe…normal behavior. Moving on.

May: Bezz, known cringefail loser, plays it cool for once in his life by waiting a full month before interacting with one of Marc’s posts again. That post? Marc at a basketball game…shocker

May-December: Bezz fully commits to his serial liker era by liking 90-95% of the photos Marc posts for the remainder of 2014. He likes everything from race weekend pics to selfies to food to whatever weird shit Marc is doing in his free time. He’s an avid liker and he’s proud. Here are some highlights of his fanboy era. Bezz I bet you wish that was you in those ranch pics

2015:

Bezz is still a serial liker throughout 2015. The likes are somewhat less frequent than they were in 2014; however, there are still instances where he likes a hilarious number of posts in a row.

Pre-Sepang: The final photo he likes before Sepang is Marc’s pole position in Phillip Island.

Sepang: Bezz does not like a single photo throughout the lead up, weekend, and immediate aftermath of Sepang.

Post-Sepang: Shockingly, Bezz returns to liking photos after Sepang. He likes a few photos throughout the race weekend in Valencia (including the photo on the right). The final photo he likes in 2015 is Marc testing (left).

2016:

In 2016, Bezz begins his journey into becoming Vale’s strongest soldier. His serial liker era is over. He does not like any of Marc’s posts in 2016…

[EXTREMELY LOUD INCORRECT BUZZER]

SIKEEEEEEEEEEEEEEEEEEEEEEEE!!!!!

Even the strongest soldiers crack sometimes. He falls off the proverbial wagon and likes a single post about…Cal Crutchlow??? Yeah. Idk.

2017-2023:

Bezz bounces back from his one moment of weakness in 2016 and takes his role as Vale’s strongest soldier very seriously. No likes in the past seven years. Marc Marquez is enemy numero uno and his Instagram is off limits.

2024:

With the way things are going post-Jerez, maybe he’ll one day return to his serial liker roots…TBD

[veilantares]

Dark at the End of the Tunnel

Sink into an Anglers grasp in a dream, like the undersea the Night cradles screams

Been inspired by anglerfish recently, so I'm going to try to do at few of these dark background ones back to back and see if I stumble into something new. I noticed I tend to draw characters / mechs / robots in these oneshot illustrations extremely lanky, but I wonder if I made a comic, whether I'd keep these exaggerated proportions - I'm often indecisive about how much mech vs character is in these biomechs, so I usually just don't think about it and draw what feels interesting in the moment.

This gives me a chance to lay down a meandering anecdote - many years ago as a dumb teenager, I'd stay awake every Friday evening / saturday morning till 4 am, hoping to catch my favourite developer, Digital Extremes' weekly devstream. I vividly remember during closed beta in 2012 people would introduce the game as being about futuristic space pirates zipping through corridors - the games fidelity back then was really quite different, one of the early warframes, Ember, even had her whole model redone at one point. Around 2013-2014 ish when I was most excited for these streams, I noticed the games tagline was "ninja's play free", nothing at all to do with pirates - but it was catchy, and you'd see all over in the advertising because of the parkour moves you could pull off in the game were genuinely sick.

Incidentally, both the Defiance MMO (rip) and Destiny 1 (rip) were what warframe tended to be compared to at the time, both released a little after warframes closed beta, neither of which were piratey or ninja-ey , I think probably 80% of the reason for that was that they all had both guns and abilites ... I guess they were also all live services, I don't know if they were called that back then.

Compared to Defiance and Destiny, I was puzzled at what it was about warframes identity that made the aesthetic feel "itself" - and I got my answer on one of those devstreams - the art lead at the time brought out what they called a "faction pitch bible" a one pager showing all the factions they had in the game at the time, each of them with a few lines of flavour text.

What struck me from that faction pitch was that the Tenno / warframes "cyber knight" description was nothing at all to do with pirates or ninjas, it was a third, wholly other thing, and yet by virtue of being first, it might as well have been the "true" description.

But there was another original, even more original than the "true", Warframes predecessor game, Dark Sector, was a spy thriller with biomechanical aesthetics, or perhaps a powered suit superhero series. Would this original, more original than even the initial, not be what it truly was?

I think what my takeaway was from all of these, is that first an foremost, the aesthetic is "itself" rather than any arbitrary descriptors - I enjoy this about my own pieces, that they mostly still feel like they were made by me even if I can't quite categorise them or explain myself. Perhaps I'm happy if the takeaway is "cool mech", "weird robot" or "wacky character" because maybe it's all of those things and even more!

[akiiame-blog]

Welcome to another edition of:

Common Misconceptions of the Mario Series that are Incredibly Annoying

This time, this post has inspired me to talk about how unfair it really is that Mario, and only Mario, gets regularly accused of being "a cold-hearted psychopath because he stomps on Goombas and Koopas."

Let's ignore the fact that this has been incredibly dumb to unironically claim and instead focus on this:

Many other characters like Luigi, Peach, Toad, etc have done the exact same actions before.

Yet, I don't see a single person accuse Luigi the same way people constantly accuse Mario.

Strange, isn't it?

I would assume that the average person who knows Mario would have the knowledge that other characters other than Mario have done the same actions that have been deemed as harsh or even evil. There's been numerous games where this is the case.

So why is it that it's cool when Luigi or the other characters do it, but it's suddenly a problem when Mario does it?

It's a contradiction that is so blatantly obvious. And maybe that's part of the "joke," but the "joke" ran itself into the ground way back in 2014.

[napoleonic-sexyman-tournament]

All the propaganda is under the cut. It's long for both of them:

Alexander I Pavlovich:

a. “Maybe not the most handsome or charismatic man in this tournament, but he has ample chaotic neutral energy that both baffles and fascinates contemporaries. In short, if you're into mysterious men, you won't find a sexier enigma than our imperator.”

b. “Look. Is this or is this not the monsterfucking website.”

c. There are lots of monuments dedicated to him. There's one in Moscow in the Alexander Garden right by the Red Square. While nowhere near as grand as the Alexander Column, I think it's still worth showcasing!

The monument is meant to celebrate his victory in the 1812 Russian invasion. He's holding a sword, proudly standing on top of his enemies' weapon.

The sculptors, however, have never seen the man in their life - all the people involved in the making are still alive and well (i think), so that should tell how new it is. The monument was opened for the public just a decade ago in 2014.

d. quote about this bust from the memoirs of Sophie de Choiseul-Gouffier: “No painter was able to properly capture the features of his face and especially his soft expression. Alexander didn’t like to pose for portraits and they were mostly done with some stealth. In this case sculpture have produced a better likeness. The famed Thorvaldsen made a bust of this sovereign worthy of a hand of such a remarkable artist.”

e. His family nickname might have been ‘our angel’ and the medal commemorating his death bears the inscription “Our angel is in heaven”, but did you know that to this day Alexander looks down on Sankt Petersburg as an actual angel, wings, cross, trampled snake and all? Alas, you cannot see it from the ground, the Alexander Column being so very tall, but the statue of the angel on top certainly seems to take after our sexy thrice-angel Emperor.

f. Apotheosis of Alexander! An eminently universal image, perfectly serviceable for his rise to the throne… of Napoleonic Sexyman Tournament.

It really looks like Peter and Catherine are instructing the Electorate. Gentlevoters, surely you wouldn’t dream of disappointing Sasha’s Grandmother and his scantily clothed giant of a Great-great-grandfather?

g. What is sexier than a man in a dress???

Thomas-Alexandre Dumas

a. “mustache”

b. “Tall! Daring! Swashbuckling! A devoted husband and father! Had a personal conflict with Napoleon! Also it was said he could, while holding onto a bar above his head, LIFT A HORSE WITH HIS THIGHS. How is he not on this list ten times already! Vote for General Dumas!”

c. “He was so hot that he inspired The Three Musketeers, The Count of Monte Cristo, and many more books that his son, Alexandre Dumas, wrote. He definitely looked the part of a sexyman, as he son recounts in his memoirs: "My father, as already stated, was twenty-four, and as handsome a young fellow as could be found anywhere. His complexion was dark, his eyes of a rich chestnut colour […]. His teeth were white, his lips mobile, his neck well set on his powerful shoulders, and, in spite of his height of five feet nine inches, he had the hands and feet of a woman. These feet were the envy of his mistresses, whose shoes he was very rarely able to put on." He could crush you between his thighs: "His free colonial life had developed his strength and prowess to an extraordinary degree; he was a veritable American horse-lad, a cowboy. His skill with gun or pistol was the envy of St. Georges and Junot. And his muscular strength became a proverb in the army. More than once he amused himself in the riding-school by passing under a beam, and lifting his horse between his legs." He was so badass he could beat 13 men with 4 and take all the enemy prisoner, and defend against hundreds of men on a bridge by himself. He performed these acts of valour numerous times in Italy. He was so formidable that the Austrians named him the "Schwartz Teufel", or the Black Devil, and his feat at the bridge earned him the moniker of "Horatius Cocles of Tyrol". He wasn't afraid to stand up to his morals and protest against unfair treatment. When unjust executions by the guillotine were happening outside his quarters, he closed the blinds of his curtains, earning him the nickname "Mr. Humanity". When in the Vendée, he complained about the wanton indiscipline in his troops. When in Italy, Berthier wrongly reported his actions as one of "observation" in St. Antonio. Dumas wrote to General Bonaparte that if Berthier was in the same position, he would have shit his pants. Dumas abhorred plunder, never exhorted the locals, and ordered the Directory agent who had come to persuade him otherwise be shot if he dared present himself to Dumas again. Integrity and a sense of moral justice is sexy, mark my words. For Dumas' final qualifier as a sexyman, look no further than this Tumblr heritage post (https://www.tumblr.com/petermorwood/133803437020/hortensevanuppity-elodieunderglass), with 300,000 notes and counting. And I quote: "- daddy general dumas was an immense fierce french warrior who was a 6 foot plus, stunningly gorgeous and charismatic Black gentleman - he invaded egypt - the native egyptians said “is this napoleon? this must be napoleon. we for one welcome our majestic new overlord” - then napoleon showed up - napoleon has all the presence of yesterday’s plain Tesco hummus - the native egyptians were like “… no… no, we’ve thought very hard and we’ll have General Dumas actually” - this did not make napoleon happy - in fact it made him jealous - napoleon felt so emasculated that he launched a campaign of revenge against General Dumas, including taking away his pension, that probably inspired a lot of Alexandre’s rather satisfying scenes in which fathers are nobly avenged and the money-grubbing villains are rubbed in the mud" I rest my case. Tl;dr: He was so hot he inspired multiple books, he was a stronk man who could crush you between his thighs or carry you like a sack of potatoes, and he was so badass that he could take on odds of 1 to 3. He had a foul mouth but a heart of gold and his actions were never self-serving. Posts relating to him on Tumblr have had 300,000 notes and counting. He is qualitatively and quantitatively qualified to be a sexyman.”

[ohsohoney]

When it comes to love you're just as blinded.

Part Ten

Eminem x Musician

Summary: It starts with a drunk embarrassing video, it spirals into something a whole lot more.

Note: Later than usual, sorry! But I've been busy with a whole load of shit ngl, it's just been stress:) Let me know if anyone else wants to be added to the taglist though, I realise my updating is a bit sporadic? Maybe? Just a little? Lmao, anyway here's 10, hope you enjoy!

| Set in 2014, just after the release of LP 2

taglist: @thelastemzy

Masterlist

Jacket potatoes were a fucking delicacy.

Any Brit back home would tell you that. You could top ‘em with all sorts; Chilli, Tuna, Cheese, Chicken, Stuffing, Coleslaw, Bacon, Gravy, Bolognese— some people even liked them plain. But my favourite, as well as the only real and true way to serve a jacket potato, was with an ungodly amount of butter and baked beans.

Being in the States, it was a rather hard dish to come by. But, seeing as Marshall always appeared to go above and beyond, beans (No, none of that shoddy American shit) could be found in the little basket he’d gone and gifted me the day before. A little wicker bowl full of goodies to soothe that little ache of homesickness. 

I smacked the can down onto the countertop and levelled Rosie with a long stare.

“You’re serious?” She asked me around a wary glance, extending her arm out cautiously to get a better look at the bright blue tin as though she thought the contents might just reach out to try and grab her back.

“Deadly.” I remarked, attempting to keep my smile hidden when I met her question with a raised brow, “You’ll love it.”

Rosie didn’t look too convinced about that fact and yet, she rolled up her sleeves and took a seat at the counter to watch me work, helping out with the few things that she could. 

She had waltzed in through the front door a while earlier, just a second after I’d made it up the stairs, and the grin she’d worn when she had spotted me had had my heart warming and the pair of us wandering into the kitchen, arm in arm and already talking at a mile an hour. 

I was sauteing some mushrooms in a pan after having peeled and diced them up, whilst she kept a keen eye on the warming potatoes. “So Dad’s finally found some inspiration then?” Rosie asked me after a while, peering into the oven.

I smiled when I peered over at her, seeing how the orange glow of it washed over the side of her face to softly illuminate her features. “Seems so, we got a lot done but he was on a roll by the end of it.” I told her in reply, shaking the pan again and blinking at the sizzle that sparked up, “What do you mean anyway? Finally.” I dragged out that last word in a small singsong which made her chuckle as she stood to her full height once more and turned.

“He’s been trying to write for a couple weeks now, I think. Or months.” She shrugged, stepping back to watch the mushrooms fry with a slight wrinkle of her nose, “Not sure, but he keeps complaining about it whenever he’s on the phone.”

With a small hum, my eyes flickered back over to her, then to the pan again, “He didn’t mention it.”

Rosie blew out a faint chuckle and leant back against the counter, knuckles wrapping around its edge, “Why would he? He hates jinxing himself.”

It was cute that she noticed things like that about him, something I’d begun to note in the short time I’d been staying with the two, but I didn’t know... A large part of me wished that Marshall would have said something about it before, or at least alluded to it. It made me feel a bit bad for bowing out so early now. 

Still, my mind was quickly recaptured by the task at hand and then the story that Z deemed to tell me about, apparently a teacher thought that one of her friends was a shoo in for these auditions that they had coming up soon. The familiarity of the scene made me think back to Lottie, to everything that was happening back home, and I wished, silently and not for the first time, that it could be possible for a person to exist in two places at once. 

The spuds took their time baking but soon enough they were ready and piping hot, fluffy on the inside and with a crisp exterior. Rosie gathered up the butter and cheese at my signal, face lighting up at the prospect of being able to drown her own in the latter, whilst I pinched the tops of the spuds with a clean tea towel and plated them up, spattering them with a small amount of herbs.

I was going to keep Marshall’s wrapped up in tinfoil, if only to save it from going all horrible before he had the chance to try such a delicacy, but thankfully he’d worked his way back up the stairs just in time. I wondered how he’d managed it.

“Hey, you’ve got table duty.” Rosie exclaimed as soon as she saw him bustling over the threshold, handing the cutlery she was already holding to him without a second thought, which caused Em to blink down at his hands whilst he struggled not to drop the sudden weight he'd just been shafted with.

“‘Scuse me?” Marshall prompted, brow furrowed as his gaze wandered about the rest of the kitchen. I wondered what he thought of the bubbling pot of red sauce sitting on the hob, as well as the absurd amount of butter both Rosie and I had already lumped onto our steaming plates.

“You can set the table, Dad.” Z explained as she jumped back to help me with the mushrooms, her voice edging the line of a whining lilt, “We cooked! So it’s only fair.”

Marshall stared at her for a second longer before he ultimately snorted, “Right.” He murmured, recapturing his hold on the silver he held and eyes finding mine, before he spun round on his heel and left the room once again with a small smirk. When he returned, his plate was almost ready and just about to be loaded up with– “The hell’s that?”

I withheld my snarky reply in favour of smirking when Rosie answered for me, her eyes widening in the face of her father’s obvious leery expression. “Beans, Dad. El told me it’s one of her favourite meals, she wanted to share it with us.”

It wasn’t hard to hear the undertone there, the kind that told him to keep quiet on how he felt about the bubbling bowl I was currently holding because Z obviously didn’t want me feeling disheartened in any way. It was adorable, as was the stern face she’d paired with it, the same face that her dad found hard to waver against. His shoulders slumped ever so.

“Right.” He repeated for the second time tonight, dragging the first syllable out a tad, “Looks good?” He tried. 

I had to laugh then, “That a question or statement, Mathers?”

His eyes flickered over to meet mine, but I motioned for Rosie to get a start on heaping the cheese we’d grated onto her plate, the girl’s responding grin was giant. 

“I–” Em appeared stumped for a split second before he eventually just pressed his lips together and decided to jump in on helping us. Although he did complain when he spotted the frying pan sat off to the side, “Mushrooms too?” But with Rosie’s short warning of Dad, Marshall only appeared to raise his hands in mock surrender and then moved over to grab the plates so that he could carry them off into the next room.

I shared a conspiratorial smile with the younger girl before we followed after him, the three of us settling into the same seats as we had occupied the day before. Marshall still looked wary, even with his beans being hidden beneath a thick layer of cheese that I figured he had reasoned to himself would mask whatever taste was under it, but Z, to my utter surprise, looked ready to dig in.

“Changed your tune there, lovely.” I mentioned with a sly smirk, my gaze lingering on her long enough to catch the sheepish reaction she bore before she just shrugged and dipped her head around a grin, fork already in hand.

“Smells good.” Was the excuse she used and so I softened my face into a smile too.

“Well you helped so of course it does,” I quipped easily, picking up my fork as well before nudging Em’s forearm, “Come on, you big baby. Just try it. If you hate it, I’ll order you whatever you want. On me.”

That had him rolling his eyes, but he picked up his knife and fork with a determined expression.

I bit back a round of chuckles I could feel bubbling in my throat and used my chin to getsure for the pair of them to get stuck in. Rosie was quick to tear into hers and I was silently thankful for the way the potato easily broke apart under her knife, its texture fluffy and golden.

“Oh wow, this is so good.” She blew out the second that she could, already moving onto her next bite whilst Marshall was still working his way up to trying his own. “When you first showed me those beans? I was so sure I was gonna puke.”

I snorted quietly at that image, perfectly content with the plate of home I’d gone and conjured up for us, whilst Em’s face wrinkled. “Well if you had hated it, you’d have only had your Dad to blame, he’s the one who bought them.”

“I jus’ looked up British shit, they were top five on every list.” Marshall defended before he finally took a bite, slow in the way he raised his fork to his mouth, his eyebrows raising a little as he let the taste settle in, “Shit.”

My eyes narrowed a tad around the smile that I was chewing on to keep hidden but I watched him cut further into the potato, beans and melted cheese puddling around the sides. “That a good shit or bad shit?”

“Three dollars.” Z acknowledged, voice muffled by the food she still had in her mouth.

I laughed at that and shook my head in fond amusement before I turned to Em for an answer. He took another bite, a big one, something I took to be a good sign, and just nodded. My brow quirked in hope. “So good?”

He hummed, one shoulder shrugging, “Ain’t gone die if I finish it.”

Snorting, I could only shake my head at him, hiding my smile behind my fist. “Idiot. You like it.”

Marshall rolled his eyes, though the gesture was obviously fond as he raised his fork to point at me, “Just grateful you didn’t burn down my damn house.”

Rosie’s giggles filled the room and with them we all settled in to enjoy. Marshall asked after his daughter’s day and the girl was all too happy to ramble and rant to him, face lighting up at the prospect of it. She mentioned her English lesson, the book they had started on and how her teacher had explained this one paragraph to her class, then she went into detail about the play that was set to happen just before the Christmas break. I chimed in here and there, putting in my two cents where it was worth, but in truth, I was perfectly content to simply listen and watch on. 

The clean up that followed was mainly made up of me and Z messing around and singing to the music Em had stuck on, never the type to linger in silence. The pair of us did manage to rope the man into joining us once he had loaded up the dishwasher though, something he thoroughly complained about but followed through on all the same. He was just a sucker for his kid's smile, I reckoned, went above and beyond for the girl and it was all too easy to see.

It was a lot later that we all fell into a comfortable silence around the tele, Rosie sat crossed legged on the sofa with her homework whilst I offered help whenever asked. Marshall had joined the two of us a little later, after his phone had rang and he’d stepped out to take the call, he’d padded into the room with only the explanation of ‘Royce’ before he’d fallen into the seat beside me. I’d hummed but was too distracted by Rosie’s newest question to prod him further on it.

By the time she had finished up, handwriting practically perfect, her books had fallen into a heap on the coffee table and she’d slowly but surely scootched her way further up the sofa. I kept my eyes on the tele when I’d outstretched an arm in quiet invitation but hadn’t missed the grin she’d given in turn before she’d settled into my side, head coming to rest on my thigh. I caught Marshall’s watchful stare from out of the corner of my eye but didn’t glance back over, smiling at the scene that played out on the screen whilst my hand smoothed over the girl’s hair. 

I wasn’t sure how much time had passed between us before Marshall’s quiet cough broke the peace we’d since created, but the sky was more of a hazy cast of dark blue now rather than the ruddy auburn that had lined it much earlier. I stifled a small yawn.

Rosie sniffed softly in my lap, twisting a tad to cast her Dad a quizzical glance. Throughout the duration of the film that Z had picked out for us to watch, the man had gotten close enough that he now only had to drop his shoulders to poke at her cheek.

“Bath and bed, kid.”

The scrunch that overwhelmed Rosie’s face at the order had me grinning and so I tucked a strand of hair behind her ear before moving my hand to pat her shoulder. “Up and at ‘em, soldier. Heard what the old man said.”

“Do I have to?” Z huffed, just as a hand came up to rub at her eye. Marshall’s mouth ticked ever so slightly into an amused smirk, his fingers replacing mine in an effort to smooth the front of her hair. 

“School tomorrow.” He reminded her all too gently, dropping his hand lower to shuck the underside of her chin which only made the girl smile sleepily. “You know the deal.”

She sighed heavily in retort, but did eventually make the move to push herself up and out of my lap, legs stretching across the couch cushions before her feet found the floor. It was just as she went to stand that she turned to face me though, her expression a little meek but rapidly losing the residual somnolence it had just held. “Will you do my hair again for me tomorrow?”

I was caught by surprise at the question she’d asked. I wouldn’t lie, but I didn’t let the reaction show as I smiled warmly back at her, reaching out to tap a finger on the top side of her hand, “‘Course. Anything you want, lovely.”

Rosie’s little grin had her eyes squinting and forced the corners of her mouth to pinch upwards in a move that only deepened her dimples. She leaned over to give me a hug of thanks, whispering the word into my ear before she pulled away and rounded the sofa, kissing her Dad’s cheek on her way out.

“No messin’ about, Z. An early night, ‘kay?” Em reminded her, leaning against the back of the couch so that he could tilt his head far enough to see her, “I’ll be up soon.” He added, his words met by another charming grin whilst she shook her head in fond exasperation and slipped out of the room, leaving just the pair of us and the tv. 

It was a long while before Marshall disturbed the quiet once more, the film we’d been watching had finished some time ago and so now all that was playing on the screen was a couple repeats of South Park and the odd advertisement. “She’s different with you.” I heard him voice.

With a furrowed brow, I let my head turn to find him. He was perched in the same position he had been, but now with an arm stretched along the back of the sofa and a knee bent to fill the small gap that still separated us. “What d’you mean?”

When he replied, it was low and soft, a murmur if not for the sincerity behind it. “She don’t act like that ‘round nobody.” He told me, fingers jumping in a steady rhythm on the back of the cushion, his eyes peering between mine. “Me, sure. She’s a fuckin’ koala when she wants to be, but with other people… it’s something she second guesses.”

His words confused me. Or rather, threw me. “I don’t get it.”

He dropped his gaze, blowing out a small but mirthful huff through his nose, his thumb dragged along the edge of the sofa. “You known her what, three days? And she don’t think about gettin’ close to you. Sure she’ll be coy with it, sly even, but that’s ‘cause she don’t wanna overstep with you. Like that right there–” Em said, getsuring his chin out towards my lap, I followed the gesture, then blinked back up at him, remembering the way she’d approached me, “She don't do that with people.”

My face must have given away to the fact that I was still trying to process the weight of what he meant, because his smile was soft, warm even.

It made me think of Lottie, who was always so open with her affection, who gave it out without thought or focus, her smile always great, always there. Then of myself. I tended to avoid affection where it mattered, a reason as to why I’d never let many people too close to my heart, why I hadn’t had something fulfilling to divulge when Marshall and I had spoken about past exes, I supposed. It baffled me to see some of the same tendencies I’d shown growing up in Rosie, in a girl too sweet, too loving, too happy to be so aware of how to guard herself.

I looked to him again and let him have his fill, allowed him to see how his words, the sentiment behind them, had pierced through the armour I’d long since moulded around myself. 

One side of his mouth lifted and he used the hand resting on the back of the sofa to circle my wrist, leaning in a little closer, filling that previous gap. “Ro’s had her mom, her sister. They’ve been there. They love her, and she loves them. I know that. But with Kim, it ain’t always parentin’, it’s fun and games. It’s showin’ off, not showin’ up. It’s messin’ around until she finally grows–” 

He paused there, eyes flickering left and then right as his tongue swiped over his lower lip, almost as though he was resentful of the term he wished to use. 

He settled for, “Bored. Or maybe jus’ tired, you know? She’s there until it's her time to step up and do the job she’s ‘sposed to, til it's missed recitals and forgetting pick-up, that’s when she reacts. Pulls away.”

He sighed, gaze caught on his fingers, on the easy way they engulfed my wrist. His thumb brushed over the freckle that dotted the bone, and continued on through a slow exhale, “Ayla, she’s a lot older. She does her own thing, she’s got school, work, friends. Z obviously filters into all that, but there's always been a small divide. I like to think it’s just ‘cause of their ages– it’s how me and Nate worked growin’ up, you know? But there’s this whole idea that fuckin’ messes with my head, like maybe it's all down to me. Ayla’s my niece, but she’ll always be one of my own. I love that girl as much as I love Rosie. More than life itself. But I know I hurt her, havin’ her here, watchin’ me fail and fuck up whilst she was growin’ up. And jus’, maybe I can’t help but wonder if I ever let her know that enough, that I loved her, if it’s that that’s impacted her relationship with Z.”

I was quick in my attempt to soothe his doubts, the hand he didn’t hold jumping over to lay across the top of his own. “I’d call you an idiot, but I reckon you already know that.” I chuckled halfheartedly, though my smile was genuine when his eyes snapped up to meet my own, “You’re an amazing father, Em. I honestly believe that with my whole heart. And it doesn’t take much to see it either. I mean, I was here not even a day and was so quick to see the love you held for your daughter. I saw it in your reactions too when we called, when you spoke of them, however brief it was. I haven’t met Ayla but I don’t think I’d have to for me to see that your worries are just that, worries. I’m sure that girl loves you in the very same sense that I am sure that she knows you love her. That you see her as much more than just your niece.”

My thumb trailed over the back of his hand, skimming knuckles, taking in their slight discoloration, the faint white lines that could have only been age old scars. I dipped my head a tad so that my gaze could align with his shadowed blues, prompting him into lifting his eyes from off the floor.

“I’m also honoured that you think Rosie’s comfortable enough around me to mention the gravity behind it, that you’d trust me with her company, let alone her affection.” I said sweetly, gifting him another smile, it was close lipped but one that appled my cheeks. His stare caught onto it, fingers tightening around my wrist by a fraction in a squeeze that showed only his appreciation. So I squeezed back, fingers fastening over the top of his fist. “Z’s hard not to love, she’s all of your best parts and more. Sometimes…” 

I took a small breath, fretful over saying what I had intended to until Marshall met my flickering gaze once more, silently prompting me on. I swallowed thickly, feeling the force of it travel through my throat, but did follow through, “Sometimes it’s just hard raising kids, I guess not everyone’s made out for the harsher reality of it all. Of having to be a parent and not a friend. I mean, it was forced on me in a way, I’ve been raising my siblings since Danny the day came along, since before I knew what being a mum meant. What one was.” The weight of that admission had me reeling for a split second, at the truth it held. But I pursed my lips before allowing my eyes to find Marshall’s once more, “Kim, I’m sure she tries, I’m sure it’s more than my mum ever did, ever could do, but it’s okay for you to fear that it’s not enough for Z, too.”

Marshall worked his jaw, blinking for a second before he eventually spoke, voice rasping with the emotion he felt. “Kid deserves the world.”

I found myself grinning at that, the teary kind which glossed over your eyes but was strong enough that you couldn’t prevent the fluid motion of it. It was without thought that my arms came up to wind their way around his neck and I relaxed further in the gesture when I eventually felt his face come to rest against my shoulder.

“She does.” I murmured, hand cupping the back of his neck, fingers resting over the fine hair which lined his nape. “She does.” I heard myself repeat again as my eyes slipped closed. 

When we parted, I watched as Em knuckled the corner of his eye, grunting faintly to clear his throat and rid the room of any tension that then clouded us. I felt the corner of my mouth twitch, but did look away towards the tele when he started to shift once more, giving him a sense of security that he hadn’t been caught out, that I wouldn’t dig too deeply into his reaction. 

“Thanks.” He murmured after a stunted moment and it was only then that I glanced back over to him. I smiled in turn.

“Nothing to thank me for.”

When we parted ways for the night, I chose to head on up to bed, mind so full of thoughts that I found it hard to latch onto a singular one, whilst Marshall stopped at the bottom of the staircase to gift me a quiet goodnight, eyes caught on the reflection of moonlight that crept its way across my cheek, the sight mirrored on his own face.

I didn’t know it then but I would eventually, he’d never felt so inspired.

So as I’d slipped beneath my duvet, my mind stuck on the words we’d shared, Marshall was back down in the studio, writing away once more. But this time, it was for a completely different reason.

[femmeprincessjulia]

Ranking Cinderella Adaptations Based On How Much I Want The Dress

(In my own personal opinion, these are just the ones I like the best.)

10. Cinderella (2021) : Everyone's hated on this movie enough, so I'm just going to focus on the dress. In theory, I could see what they were going for. If it was just a fitted bustier, a hip-hugging skirt and a bustle, then I think it would have succeeded. But it's just underwhelming. That's all it is. Underwhelming. 3/10

9. Into The Woods (2014) : There's not much to talk about with this dress. I love the color choice, and I think the way it moves is pretty. But it just feels too simple. I know it's a dress that isn't crucial to the plot or anything, but it's still just a little too underwhelming. But I do think the sleeves are cute. 4/10

8. Once Upon A Time (2011-2018) : I think my issues with this dress are similar to my issues with Into The Woods. It just doesn't have the "wow" factor I'm searching for. It's a beautiful dress, and I would certainly wear it. But it just feels like the most generic Cinderella dress. Blue, sparkly, princess-y. Still cute though. 4/10

7. Another Cinderella Story (2008) : I'm a sucker for a red dress, and I truly adore this one. The neckline isn't my favorite, but I love the layering and the ruffles. It's such a daring take for a Cinderella dress, but it's something I would definitely wear. It looks like it would be fun to dance in. 6/10

6. Cinderella (1950) : Yes, it's a classic. It's simplistic, but so magical. The scene where her dress changes is one of my absolute favorites of all time. In this case, I love the simplicity. It really makes her stand out. I dreamed of this dress so much as a kid. 7/10

5. Ever After (1998) : Maybe I'm biased, because this is one of my favorite Cinderella adaptations, but I do adore this dress. While the time period is not my favorite in terms of silhouette, this dress still feels magical and dreamy. Empire waists and a slender fit aren't my type, but I would wear it simply to feel ethereal. I mean, the EMBROIDERY? The WINGS? All gorgeous and stunning. 8/10

4. A Cinderella Story (2004) : Yeah, it's a very simple dress. But it's absolutely breathtaking. I want to get married in this dress. Something about it is just so angelic. I feel like it should be paired with wings too. The femininity in this dress is something I truly adore. 8/10

3. Rodgers and Hammerstein's Cinderella (1997) : Is it costume-y? Yes. Is it made of two clashing materials? Yes. Would I sell my soul to the devil for the chance to wear this dress? Also yes. I don't care how cliché it is. The sweetheart neckline, the opera gloves, the little bustle in the back, it's all so cute and just feels like a little girl's princess dream. Plus, I love the shade of light blue. 9/10

2. The Slipper and the Rose (1976) : Shockingly, I haven't seen this film. But I truly should, because the costume design is absolutely gorgeous. It all takes inspiration from the rococo period. My bias takes hold again, it seems. Sure, it's a lot of frills and pink, but that's exactly what I look for in a dress. If I was going to a rococo ball, this is what I'd be wearing. 9/10

1. Cinderella (2015) : The almighty. The most beautiful dress to ever be created. The dress that lingers in my dreams. Nothing can surpass this dress. Words can't even describe how wonderful it is. I do believe this dress is the most magical of all. It is absolute perfection from head to toe. Scratch what I said earlier about getting married in Hillary Duff's dress. I'm getting married in Lily James' dress. 1000000/10

[theoutcastrogue]

[From a 2014 article by John Darnielle of the Mountain Goats. He's talking about how a random spam email ended up inspiring a part of his book Wolf in White Van. Later, in 2020, the album Getting Into Knives came out, and I think it inspired its artwork too.]

"It took years for me to be able to just reflexively delete spam, or filter it so that I never see it at all. I blame the spammers for this; the quality of their work took a sharp nosedive at some point. But during whatever period of the internet’s growth you’d call the early 2000s, it seemed like you’d still get some winners: things that had been typed up by a person, sent out to a bunch of email addresses they’d bought or rented for 5 or 10 bucks from the only guy who was ever going to make any money in this particular exchange. Most of them went directly, if manually, into the trash; but once in a while, there’d be one that seemed to earn, at the very least, the minute it’d take me to read it.

The one I’m remembering here was subject-lined SUPPLY OF KNIVES. [...] The subject line opened on an all-caps email that boasted, in ornate, antiquated English appealing to the reader’s more refined sensibilities, about the high quality of the knives on offer at an external website. You shouldn’t click on links in spam email. I live my life on the razor’s edge! I clicked the link.

I want to tell you about these knives: They were beautiful. They were weird. They had elaborate designs in the handles, moons or stars of wolf heads, and special grips, and a variety of points. They were made from metals whose pedigrees were described lovingly, and had been struck — smithed? wrought? — via processes I knew absolutely nothing about, but that sounded fantastic, difficult, arcane. It’s the joy of specialized language: When you’re an outsider to it, it can’t help but sound cool.

Of course this is the whole idea of any operation like this. SUPPLY OF KNIVES could well have been, and probably was, a company in Ohio who’d stumbled across an old warehouse full of knives, and knew enough about sales to describe these things in the most exotic terms they could find. I’m pretty immune to pitches: Who likes to feel like he’s being pitched? But somebody involved with SUPPLY OF KNIVES had had just enough authorial flair — that, or true faith — to caption each knife’s mysterious, blurry accompanying JPEG with a description whose constant recourse to specialized vocabularies seemed to say, “You’re not even reading this unless you already know about this sort of thing. Let us therefore speak like the fellow travelers we are.”

It was like a trade catalog for roadside bandits in need of knives.

I can’t speak for everybody, but I know that when I was a child the life of the roadside bandit seemed like a pretty romantic way to go. I looked at all these knives and read the descriptions and was just generally delighted about the whole thing, so I saved the email in a “memorable spam” folder I used to keep that had maybe two other emails in it. A few years later, Apple came out with this robotic-arm-screen iMac you never see any more, and we were long overdue for a new computer so we got that; and then, after a while, I got myself a laptop, because I was traveling all the time, and eventually both the old iMacs ended up in the basement, and they were both asleep but alive until fairly recently, as far as I knew.

But when I went to check for the email, it was gone. The old blue iMac is dead, bricked, lifeless. Searches on the term “supply of knives” on this laptop and on good old robot-arm-screen find nothing. The backup CD for the blue iMac drive is probably in a drawer around here somewhere, but that’s like saying, “The coin I had in my swim trunks’ pocket is probably somewhere in the ocean.” There is no SUPPLY OF KNIVES. There’s only the memory."

[source]

And this is the wonderful cover art of Getting Into Knives. Back cover and promo material below. Note that "Knives International" and "Knives Wordwide" are not real companies, they appear to be a callback to that elusive spam email.

[winterisol]

Once again @ray935sworld has inspired me with her talking abt David Alonso as a child caught in the middle of a rosquez divorce.

So... This little idea has kinda sat in my drafts for a while, and Ray has given me the creative juices to actually yap about this. (its long so I'll put a cut)

So, I'm thinking, Marc and Vale are being their typical flirty selves 2013-2014. I'm thinking after Mugello 2014, Marc is on a high winning that race, while Valentino is enjoying the thrill of Marc winning as well as his half-decent 3rd place. Both of them drink a little too much, and maybe Marc is feeling brave, and drags Valentino to an alley nearby, hoping for a sloppy makeout.

But as they get lost in each other, they suddenly hear a weak cry. Thinking it's some sort of cat, Marc's soft side gets the best of him, and he's immediately investigating the sound. At the far end of the alley he sees a box, and he slowly creeps up to it, only to be greeted with two little kids, huddled together, faces covered with dirt and horribly thin.

I think Kimi has a small piece of paper with him with his name and surname written as well as his birthdate, while with David there is absolutely nothing.

Him and Vale panic, then quickly sober up, gentle speaking with the kids (who are very quiet and scared), and then deciding it would be best to take them to the hospital. They get a hospital, and pray that the kids are fine.

I think Marc gets really attached to these kids from the second he seems them. Maybe its Kimi's curls, or David's blue eyes but he feels like they resemble Vale, or maybe that's just the alcohol and his love sick brain talking.

Anyway, they are soon cleared, being nothing more than dirty and malnourished. The doctors also inform them that the two boys are in fact not related, and Kimi is in their system, but both parents are dead, while the other kid (David) is not in the system and could not tell them a name.

After a few minutes of back and forth with Vale trying to be a voice of reason (shocking I know) Valentino and Marc offer to adopt them. Valentino is Valentino so I'd like to think with some connections and using his name, he's able to expedite the process of adoption and soon both Kimi and David are under their custody.

In my head, Marc is the one to get emotionally attached quickly, being the one to name David, David, and legally giving his mother's last name to David, Marquez Atlena.

It's kinda like a co-parenting situtation legally, but yeah Marc and Vale at this point 100% well past being friends, and clearly fucking (nothing more tho). However, this and the kids are hidden from the media. Often times either being watched by their parents or friends when there is a race weekend.

Kimi falls in love with go-karts while David seems to always watch Marc or Vale at the races. And Marc is their biggest supporter, Valentino as well, but I think he'd be a little bit more protective and worried for the two boys.

Then of course 2015 happens, and the kids are kinda caught in the middle. Both Marc and Vale try hard to shield them from their clearly deteriorating relationship, but once Sepang happens, Marc is so ready to never see Vale again. He wants to take the kids with him, but he's then attacked at his home, and quickly realizes its not safe with him.

Valentino, then realizes he isn't very well equipped to raise two 8 year old boys on his own. He first makes them stay with his mom, who raises eyebrows and isn't happy with Vale, but does it for the sake of David and Kimi. And then with David wanting to pursue a career in Motocycling, Valentino decides its best for David to be in Spain with Marc where there are more opportunities.

Vale becomes kinda distant, half raising Kimi, while barely maintaining a relationship with David after shipping him off to Spain.

This all then jumps to 2026, Kimi Antonelli is fighting for the Championship in F1, while David Alonso is nervous star of the future debuting in MotoGP.

They meet at a sponsorship event and people are quick to notice how close the two boys are. It slips from David's mind that it isn't public knowledge, and he casually mentions they are brothers. The media goes wild, 'cause both of them have never public been with their family (some nasty people calling them orphans because they've never been at a race with their mother or father) and are curious on why they use different last names.

[sixbucks]

Farewell to Otis, the King of Fat Bear Week

Katmai's famous Fat Bear Week contest is about to celebrate its tenth anniversary—but for the first time, its biggest star is nowhere to be found. We pay tribute to a true champion.

Muhammad Ali, Dale Earnhardt, Florence Griffith Joyner: Even the most high-flying heroes eventually fall to Earth, weighed down by time, accident, and the vagaries of biology. To that pantheon, add the King of Fat Bear Week, 480 Otis.

Otis, a roughly 28-year-old Alaskan brown bear who made his home in Katmai National Park and Preserve, drew the kind of lasting fandom that few Internet-famous animals enjoy. In 2014, he won the inaugural Fat Bear Tuesday contest put on by the park and Explore.org. He would go on to capture a record three more titles, most recently in 2021, in the process becoming an unofficial symbol for Fat Bear Week as it went from a park service in-joke to an online phenomenon that now counts more than a million votes every year.

Anthropomorphizing wild animals can be a dangerous game, but if viewers on Explore.org saw a little bit of their aspirational selves in the aging bear, it’s hard to blame them. Even as his teeth wore down to stubs and younger, bigger males drove him out of the best fishing spots, 480 Otis would return to his habitual fishing grounds on the Brooks River year after year. He was a model of mature patience, sometimes dozing off in the river as he methodically scooped out a winter’s worth of salmon. In recent years, his late arrivals to the river had occasionally left fans worried that Otis had passed away; sooner or later, though, he would show up, perhaps emaciated, but alive and ready to eat.

But even the greatest eventually give in. With Fat Bear Week just days away and Otis nowhere to be seen, it doesn’t seem like the GOAT is coming back. We’ll likely never know Otis’s ultimate fate; as Explore.org noted in a video, Katmai is a big place. It’s possible he decided to switch up his feeding grounds after more than two decades; maybe he just wanted to live out his remaining days far from the cameras. But wild bears live hard lives, and it’s probable that he succumbed to age (at nearly 30 years old, he was pushing the limits of a brown bear’s typical lifespan), injury, or starvation somewhere in the park’s vast forests or tundra.

Wherever he’s gone, Otis, the Fattest of the Fat Bears, will continue to be a super-size inspiration to his fans, us included. So goodnight, sweet prince. We’ll go have a snack and take a nap by the river somewhere in your honor.

[gublerie]

suburban legends - in depth of a theory that the song is written about matthew gray gubler

this theory was made by me and rafa (@bendthwrules on twitter) cause we’re both delusional and have lots of free time apparently lol please take this lightly this is just to have fun. if you have any thoughts to share or add to our theory dont be shy !

first and foremost, we’ll start with a timeline then dive in to analyze the lyrics! it all starts with taylor’s infamous 4th of july parties, as most of you probably already know, matthew was in one of her parties in 2013, she threw the party at her house in rhode island.

on july 3rd, matthew tweeted that his next stop was new england, later that day, he took a photo with a fan during a flight to connecticut. the rumors that he was at her party started when he posted pictures with face paint and sparklers and people started to notice similarities between his and taylor’s pictures, he later deleted said pictures.

for reference, first are the pictures he posted and the pictures taylor took with other friends on the same occasion.

later on, we got this picture of the of them together, confirming that he was at her party indeed. (i can’t remember who posted this so if you remember please let me know)

his attendance on taylor’s independence party sparked rumors of a possible romance, although they didn’t officially date, it’s common knowledge that they did have a fling (also for the sake of the theory we’ll accept that as true lol).

let’s fast forward to 300 (and almost 65) days later, a new movie premieres at the fantasia international film festival on june of 2014, the movie is suburban gothic. and this was the starting point for me and rafa i mean suburban gothic… suburban legends…

taylor announced her first pop album ever, 1989, on a yahoo worldwide livestream on august 18th, 2014. by the time she announced it, of course, the album was already finished and the tracks it would have were already determined so anything taylor wrote after that, wouldn’t be in the original version of 1989.

our grand theory is that the premier of matthew’s new movie, suburban gothic, made taylor think back on her (very very) brief relationship with him, therefore, inspiring her to write suburban legends, a direct reference to the movie title.

without further ado, let’s get to the lyrics!!

taylor start the song by singing

“You had people who called you on unmarked numbers

In my peripheral vision”

which led us to associating it to mgg’s previous girlfriend and also his co-star in suburban gothic, kat dennings. since they were doing a movie together, they probably were in contact a lot and that’s possibly what taylor was referencing in this verse.

she then goes

“I let it slide like a hose on a slippery plastic summer

All was quickly forgiven”

keep in mind all the 4th of july parties are in the middle of summer, this verse could be a direct reference to that since the very first rumors started with a party in the middle of summer.

“And you kiss me in a way that's gonna screw me up forever”

do i even need to say anything else?

“I had the fantasy that maybe our mismatched star signs would surprise the whole school”

when sharing my thoughts on the lyrics with rafa, i reminded her of what taylor wrote in state of grace “just twin fire signs”, this could be about taylor and the person she’s singing about sharing star signs (of the elements fire) but also about them being twin flames (or at least she thought so). just like she purposefully mentioned matching signs in previous lyrics, i do believe she would mention mismatched signs, mind you that taylor is a sagittarius and matthew is a pisces.

that verse could also be a metaphor about how would people view their relationship, they are from different parts of the industry and didn’t share many mutual friends. “surprising the whole school” could be about how shocked the general public would be about them being together.

“When I ended up back at our class reunion walking in with you

You'd be more than a chapter in my old diaries with the pages ripped out”

here i want to highlight the expression “you’d be” and in the previous verse “i had a fantasy”, when using these expressions, taylor is taking a position of someone imagining something, someone wondering even daydreaming about what things would be like. all the other theories about who this song is about revolve around people who taylor actually had a relationship with like harry styles and it just doesn’t make sense to me why she’d be having a fantasy of how things would be like when she knew how things were. personally, this verses make much more sense when placed in a context of someone who taylor didn’t have a real relationship with, like matthew.

“I know that you still remember”

if we’re starting from the assumption that she wrote the song almost a year later looking back at what happened between them, this verse could be how she is directly talking to him, she is remembering what happened and she knows he still remember as well.

“When you told me we'd get back together”

this could possibly hint to him wanting to get back together with her, wanting to actually evolve into a true relationship.

“I broke my own heart 'cause you were too polite to do it”

although i think there’s something almost sarcastic to this verse (like you were sooo polite you couldn’t even break my heart 🥴), i still do think it makes a connection to the previous verse i mentioned, perhaps he wanted to have a real relationship with her and when she realized it wouldn’t work, she had to break her own heart so she could move on.

and some other verses that just scream matthew gray gubler (iykyk) but i can’t quite put into words like “You were so magnetic it was almost obnoxious” or “We were born to be national treasures”.

well, that was too much ! i think it’s pretty clear that i’m not the most skilled writer (😭) but this was just to share the thoughts that were making me go crazy. huuuuge thanks to rafa cause she was the one to make me stop and think about it also helped me with the writing process and also is big on timeline cause she’s been on both fandoms a long time, ty love 🩷.

please let me know your thoughts on this, love you pookies 🫶

[mikeywayarchive]

Mikey Way: “I was borderline terrified a lot of the time My Chemical Romance was active. I was learning the bass in front of 20,000 people every night!”

By Gregory Adams ( Bass Player ) published June 9th 2023

The reunited emo kings’ low-end ranger reveals why he swapped out his signature Fender Mustang for a sparkling new signature Jazz Bass, learning bass in arenas, and how he overcame insecurity about his chops

Full interview under cut:

My Chemical Romance’s reunion has seen bassist Mikey Way thrumming through the high pomp punk of The Black Parade and Three Cheers for Sweet Revenge favorites with a familiar rhythmic fortitude, but keen-eyed band obsessives have probably noticed the musician is no longer sporting the snazzy, silver-flake Squier Mustang signature model Fender built for him back in 2012. 

The good news is that’s because, as Fender have just formally announced, Way has a brand-new – but just as glammy – Jazz Bass out now. There’s a good reason why Way’s made the switch: the Jazz Bass is his first love.

Though he started out on guitar, Way got the hang of a four-string in the mid ‘90s while playing a loaned-out Jazz Bass in his pre-My Chemical Romance project, Ray Gun Jones. He upgraded to a silver-finish Jazz of his own by the time MCR started touring in the early ‘00s, but a trailer mishap led to that instrument getting smashed to pieces on a highway.

Way tells Guitar World that he eventually became obsessed with the short-scale sturdiness of a Mustang bass guitar as My Chemical Romance were writing their 2010 full-length, Danger Days: The True Lives of the Fabulous Killjoys, after fooling around with a model Duff McKagan had left at North Hollywood’s Mates Rehearsal Studio. By 2012, Way had his Squier model in stores.

It was during the downtime after My Chemical Romance went on hiatus in 2013, though, that the stubbiness of his Mustang became a little hard to handle.

“I stayed away from playing bass for a little while, which is natural – I was just decompressing,” Way explains. “Then, sometime in 2014, I picked up the bass again, to get my chops back, [but] I noticed that the Mustang felt strange to me.” 

After reaching out to the folks at Fender, Way got a grip on his playing by stretching out on the longer-necked Jazzes they sent him. Way’s take on the Jazz Bass is outfitted with ’70s-style single-coil pickups, and a thinline “C”-shaped maple neck the bassist says is super-speedy.

The finish is silver, of course, but Way also wanted an aesthetically inkier black pickguard. The headstock, likewise, pops with its matching gloss-black finish.

Speaking with Guitar World, Way gets into the glam and grunge gods who inspired his love of a good sparkle coat, overcoming performance anxiety, and why a steady attack wins the bass race every time.

What were some of the musts when it came to designing this latest signature?

“I’ve been obsessed with the sparkle finish as far back as I can remember. Growing up in the ‘90s, the silver-flake [finish] was big in alternative music. Chris Cornell had the Gretsch Silver Jet, [Daniel Johns] from Silverchair had one – [with] the imagery the Smashing Pumpkins used, they liked sparkles.

“Ace Frehley, of course, was big into flake finishes, and as a kid, you love the larger-than-life, comic book world of Kiss. [And there’s] David Bowie – the glam rock stuff. That flake finish makes me think of so many different things, but that’s why I love it so much.

“I remember being younger and going into stores and seeing a flake finish and being like, 'Oh my god, that’s an expensive [looking guitar] – I can’t afford that, let alone play it.' It was almost intimidating.”

One aesthetic difference between your Mustang model and this Jazz is that you didn’t throw a racing stripe on this one.

“I thought about bringing it back and keeping the continuity. Maybe somewhere down the line we’ll throw a racing stripe on this. The thing with [seeing a] racing stripe was always like, 'This player is a badass!'”

Is there a psychology behind removing the racing stripe, then?

“The psychology behind it is that I forgot about it. When My Chemical Romance was talking about doing reunion shows [in 2019], I’d contacted Michael Schulz from Fender and was like, 'Is it OK if I make a new bass for this [next] era of My Chemical Romance?' I wanted to take my past and bring it to the future – taking my Mustang and melding it with the Jazz Basses that I loved so much. 

“I tried to have my cake and eat it, too. I wanted the thinner neck, and I wanted the silver-flake, but I wanted it on a Jazz Bass. They knocked it out of the park immediately.”

Getting back to how you used to admire those silver-flake guitars in the shops, you actually started out as a guitarist, right?

“So, the story goes that my brother [My Chemical Romance vocalist Gerard Way] had a Sears acoustic guitar when he was 10 years old. We would take a shoelace and make a strap, and we would stand on the couch pretending we were in Iron Maiden. And then it got real around ’93-’94, which lines up with the rise of alternative music. You started to see people that looked exactly like you, and they were playing guitar. They were playing Fender Strats! 

“My brother got a Mexican Stratocaster, Lake Placid Blue. I found it not too long ago, and Michael from Fender hot-rodded it. That’s how I cut my teeth – that Mexican Stratocaster [was] my first foray into really trying to learn how to play guitar. I would watch bootlegs of concerts, and watch [guitarists’] hands and fingers – Thom Yorke, Billy Corgan, Noel Gallagher, Jonny Greenwood. I would watch what they were doing. It all started from that.

“Bass came out of necessity, twice. Me and my brother had a band called Ray Gun Jones, I guess in ’95-’96. It was kind of Weezer-ish, or us doing a surf-punk thing [with] a little bit of pre-mid-west emo. At the time we were really into Weezer, Jawbreaker, Promise Ring, Smashing Pumpkins, Nirvana, Sunny Day Real Estate. 

“[Ray Gun Jones] needed a bass player, so my brother was like 'Hey, do you want to play bass for my band?' I was already a huge fan – I’d always tag along to practices. The ex-bass player let me borrow their bass. We had 4-5 songs, and I got the rudimentary from that. In that era, everyone was like, 'I want to be a guitar hero,' but I realized I had a natural knack for [bass]. I picked it up right away. 

“Then, with My Chemical Romance, it was the same thing. My brother was like, 'We need a bass player,' and I was like, 'Well, this is familiar' [laughs]. 'Here’s the demo; learn these songs.' They weren’t terribly difficult.”

Was that bass you had borrowed a Fender Jazz?

“Yup, I’ve only ever played Fender. I’ve tried tons of other basses from other companies, but it always feels alien to me.”

You mentioned studying the playing of Thom Yorke or Billy Corgan through those bootleg vids. Were there any bassists that you treated similarly, to understand the mechanics of bass?

“Matt Sharp from Weezer. I tried to ape him in the beginning, but my attack sounds vaguely reminiscent of a Smashing Pumpkins recording. I would learn Siamese Dream and Melon Collie and the Infinite Sadness, and the Blue Album [the band’s 1994 self-titled debut] by Weezer. Those were the three albums that I put the most time into learning. That’s in my DNA.”

How about from a hyper-local perspective. If My Chemical Romance started out playing New Jersey basements and VFW halls, where there any bassists from that scene that inspired you, or that you appreciated?

“Yes! We shared a rehearsal space with this band called Pencey Prep – that was [MCR guitarist] Frank Iero’s original band. John McGuire was their bassist, and he let me borrow his equipment all the time. He taught me fundamentals, and gave me pointers – he taught me a whole heck of a lot. 

“I always respected Tim Payne from Thursday, I loved his attack and stage presence. And when I’d watch Gabe Saporta from Midtown, I thought 'This dude is the coolest guy in the room.' He’s got this calm, cool, and collected [presence] that you can’t fake or learn. And then Eben D’amico from Saves the Day – brilliant! 

“I would try to learn Saves the Day basslines. They were pretty complex [compared to] what most bands were doing in that scene. Most bands in the post-hardcore scene had simplistic basslines, but Saves the Day did not.

“There’s also Ray Toro, the guitar player of My Chemical Romance. Not only is he truly gifted at guitar, but he’s truly gifted at bass and drums – Ray can do everything. He was instrumental, early on, with showing me the ropes. Ray gave me lessons when I was a novice. I can’t thank him enough for that.”

What kind of pointers was he giving you?

“He showed me proper fretting, or [how to maintain] a steady attack. I got a really great compliment from our front-of-house guy, Jay Rigby. He told me that I’m one of the very few bass players that he doesn’t have to go in and tweak the volume [for]. 'You’re steady, throughout.' I think that’s something that Ray Toro instilled in me: the consistency of attack. 

“It’s funny thinking about it, but I was such a novice going into My Chemical Romance that I would bring myself into an anxiety-ridden state of, 'Oh my god, we have a show tonight; I have to start practicing right now.' I would be practicing four to five hours before we played – I’d play the set [in the green room], and then I’d play it again. Other bands would be like, 'What are you doing?' I was so neurotic at that point, because there were so many people around me that were beyond gifted. 

“I got pushed into the deep end; you’ve got no choice but to figure it out. Ray and Frank are so gifted that I had to keep up. I didn’t want to ever do the music a disservice.

“That brings me back to the simplicity of the early My Chem basslines. The first album [2002’s I Brought You Bullets, You Brought Me Your Love] was me learning the bass, and somehow [producer] John Naclerio recorded me and said, 'You did a great job,' which I did not expect. 

“I thought I was going to go in there and they were going to have to do some studio magic, or someone would come in and play [my] part. I thought of the worst-case scenario, but I went in and did it. I played the bass seriously [enough] by that point.”

What are you generally looking for in a My Chemical Romance bassline? 

“What makes it for me is if I do a fill, I’ll only do it once. If you listen to [the band's 2022 comeback single] The Foundations of Decay, any fill on there I only do one time. What’s interesting about The Foundations of Decay is that it’s very loose and run-and-gun. We went in and punched things in for timing, which everyone in the world does, but the meat of that is first-or-second take. Which brings me to someone else who was very instrumental to my bass playing: Doug McKean.

“He’s no longer with us, unfortunately, but he was our engineer from The Black Parade [until his passing in 2022]. He was always a huge cheerleader for me – he instilled confidence in me. He was always good at getting a killer performance out of me.”

What are some of the biggest My Chemical Romance bass moments for you?

“I’ll say that fill in on Foundations. No-one saw that coming.”

There’s a YouTube video out there of someone playing their favorite Mikey Way basslines, some while using your signature Squier Mustang, but one standout in particular is The Black Parade’s The Sharpest Lives.

“What’s funny is Sharpest Lives has a bass solo, and I was terrified of it. I had performance anxiety [through] the 12 years before we broke up – I don’t have it anymore. Somehow when the band got back together, a switch in my brain [got] flipped. [But] while My Chem was active, I was borderline terrified a lot of the time.

“I’m playing with people far above my skill level, I’m playing [on bills] with bands where their bass players are way better than me, [and] our shows were getting massive. We were playing arenas! So not only are you learning the bass, but you’re learning the bass in front of 20,000 people every night. It made me tweak a little, but I think it shaped me into what I became.

“That solo gave me anxiety. It was when we were playing the biggest venues of our career, and it would break for the solo [Way starts singing his ascending bass lick]. I practiced it relentlessly, then it [became] second nature. Later on, it [became my favorite part of the show.”

You’re already playing the Jazz signature in your live show, yeah?

“It’s what I use for the live show. Basically, Fender built [it] for the reunion, and then we made a couple tweaks for when we release it.”

Was there a learning curve at all towards transferring My Chemical Romance songs you’d written on a Mustang onto the Jazz?

“There was Planetary (GO!), a song off Danger Days. I’d guess you’d say the whole thing is a disco beat. It’s dance-y – [Mikey starts singing an octave-popping bassline], I do that for the entirety of the song. I was very happy that I only had to do that on a Mustang, initially [because of the shorter scale]. But going back to what I said, [after] I took a little break, [I] went back to a Jazz Bass. 

“I missed the room, or the way my hand went up and down the neck. I wanted to go back to that, so I jumped back in and felt right at home again.”

How many Jazzes are you bringing on the road?

“I bring two basses out, [but] I stopped even switching [during the set]. This is a testament to Fender craftsmanship – that thing stays in tune. It’s got the four-saddle bridge, and it stays in tune so well. I’m a little neurotic so I’ll tune every few songs, but if I went five to six songs you probably wouldn’t even notice.”

What does it mean to you to now have a fully-formed Fender signature model – as opposed to the Squier – and with the body shape you began your career with?

“It’s really a dream come true. It’s funny, in 2002-3 we started touring across the country. I had a Mexican Jazz Bass, but [the band] were like, 'You have to use something with better electronics; better wood. Step it up!' So, I went into the Guitar Center on Route 46 in New Jersey, and at the time Fender had released a special Guitar Center edition that was silver-flake. 

“It always bugged me that the pickguard was white – it threw me off, aesthetically, and I was like, 'I’m going to change that pickguard one day.' So, I got that, and I was using that for a while. 

“We were out with [Boston emo quartet] Piebald – it was one of our first cross-country tours ever – and one night someone forgot to close the trailer door. We’re driving on the highway, and half the contents spilled out – unfortunately, my bass was a casualty of that.

“But Frank Iero, and his heart of gold, jumped out on the highway in the middle of the night and tried to recover [the bass]. He was like, 'Maybe we can fix it!' I’ll never forget him doing that. He got a chunk of it – it’s in one of our storage units.”

For more information on the Limited Edition Mikey Way Jazz Bass, head to Fender.com.

[reallyhardydraws]

2023.

i hope any of you reading this will forgive the essay. i started posting to this art blog ten years ago in 2013 when i was just at the very end of high school, uploading short animations i'd made for one of my final projects, preparing myself for art school where i was gearing up to become an illustration/animation student.

i went into my art foundation course in 2014, still thinking i was going to be going into storybook illustration or with faint hopes of becoming like a concept artist for game/animation, although even then i'd started thinking about patterns...

and then in 2015 i did go into my BA, going in for that illustration with animation degree that... usually when i talk about it in real life, i say didn't really feel like the best place for me. if i think back, the best things i got out of it were two of my best friends, one of whom is now my partner. looking back on my BA era, there's some bits of sketchbook stuff...

and while i was at university my main fandoms were thunderbirds are go and x-men for a bit... these are from the end of 2015 into the beginning of 2016...

then for a little while i was doing this still sort of pastel-ish lineless situation:

and i alternated between that and this thin fineliner type work (pretty sure all of the linearted pieces were done on paper and scanned, and all the lineless were graphics-tablet-only) - it was in this style that i started to offer commissions for the first time too.

and i also had fineliner-lined work in sketchbooks that i coloured with marker and posca pens, the colours of which were generally a bit more intense just based on not being able to slide the hue/saturation around on paper:

also 2016 was when i discovered the spongebob musical just after it's trial run in chicago (which ended in july of 2016) and i started making fanart at that point... which would have the biggest effect on the way i drew (and i did end up handing in a piece of spongebob musical fanart as one of my art school homeworks lmao)

from summer 2016 until early 2017 things were still quite soft and pastelly in my digital art, colour-wise:

and then suddenly everything got whacked up to 100% on saturation. also i was using the binary tool to give everything really thin pixel lineart for some reason.

then i went on vacation in summer 2017 and didn't draw for maybe a month? just short of? and when i came back i decided to change everything up again... giving characters blobbier, more ugly-cute faces with large squinting eyes and big nostrils and i was worrying a lot less about making anything look smooth, lineart-wise. i turned off the pen stabiliser in SAI and let it wiggle.

then... the spongebob musical opened on broadway in late 2017, i went to see it live in person for the first time... and my whole brain was ENTIRELY consumed by my love of it. i was putting that david zinn inspired pattern explosion into everything, even if it wasn't sbm fanart.

as we go into 2018, i started colouring my lineart. my biggest interest was still broadway musicals (with spongebob at the top of the list)

i think summer 2017 - early 2018 is probably my favourite art era, i was at my most bright and colourful and exciting... although i know in my actual real life i was struggling a lot with my home situation and i had been for some time. art was definitely my escapism back then, and i think a lot of the time i drew really bright, joyful stuff to try and inject that feeling into myself.

as for my university work, i was putting my focus into 3D paper-mache puppets:

and i was also starting to do more repeat patterns, mostly inspired by things around me. i'd learned how to make patterns actually tile and repeat in 2017, so made a few during my time at uni just to accompany some of my projects, but never as the focus of them. one of my university tutors told me that maybe i should put more focus on doing surface pattern, and maybe applying it to textiles, but i said i wasn't interested.

i graduated from my BA in the summer of 2018, and immediately began volunteering at the whitworth art gallery doing anything i could - stewarding, helping with arts and crafts, dancing with families...

in 2019 i was still very colourful... i was trying out more chunky colouring on characters skintones that i think was def inspired by tumblr artist jadenvargen:

but the blobbyness and ugly-cute style of drawing faces was gone by here, and i think... the way i drew characters probably had better *anatomy*, proportions were maybe a bit more realistic...

in 2020 i started adding the black shading to under the chins and some other places on characters' bodies because i started watching the anime my hero academia with my brother, lmao (and i was starting to pastelise colours a bit again, these are the most pastel-ish examples) my lineart has really smoothed back out too, though i never turned my pen stabiliser back on in SAI. i think my hand just adjusted. probably seems a bit insane to miss that, but i do.

by the end of 2020, the almost-year of lockdown over cobid had... made me a bit insane, i think, and i moved out of my mother's house and into a flat with a friend from university.

in 2021 i think things were much the same... i think from this point on is where things have sort of settled. i don't want to say stagnated, but i do think things have been very... like this for a while.

2022 - got the most exciting examples out...

also i was very into these little frames in 2022.

and then on to 2023! in 2022, i did begin trying to shift gears a bit -- hoping to put more energy into sewing and making products (like my tutor has suggested back in uni, even though i'd really resisted the idea.) i sold at a few in-person markets during winter of 2022, but got disheartened by the amount of money i had to sink in up front to sign up for a spot...

which has made me VERY grateful for the people who have supported me via online sales. it has really helped me stay afloat in 2023 - AND it has felt more wonderful than i can describe that there have been people interested in my work... especially when a lot of it has been my original designs, rather than the fanart that i expect a lot of people initially followed me for.

i've also... in the past 2 years... branched out a bit more when it comes to 'being an artist' - and have had the opportunity to deliver arts & crafts workshops with local refugee & asylum seeker support charity, afrocats. it's taken me to their home base in a church to hotels across the city where asylum seekers were temporarily placed while waiting on their new homes, and of course to my beloved whitworth art gallery, where we welcomed visitors from all backgrounds: from the typical white middle class visitors the gallery usually expects, to all the refugee visitors coming into the space for the first time.

and through my volunteering at the whitworth, i showed up so often they decided they might as well pay me. so i've also become a facilitator of... creative play sessions, my favourites of which have been outdoors. monthly, year-round, we have 'outdoor art club', where i get to paint with mud and make potions from leaves with kids & families - here you can see me tell you a little bit about it in this video below with 'crempog' a puppet character that makes videos about activities for kids and families around manchester (my bit starts at 01:10 although i am in the intro and thumbnail haha)

and then of course the summer 'PLAYTIME' activities we've had the past two years: scrap studio in 2022, and play market in 2023. it's the best freelance gig ever -- just to hang out and encourage families to be creative and have fun.

in working more in these new avenues... outside of being - as i've called myself for a long time - "an internet artist"... i've found myself more interested in this sort of thing. in being a "real world artist" too. in doing surface pattern design, and being a workshop facilitator, i find myself wanting to put more energy into these sorts of projects.

in 2023 i've also dabbled a little bit more in youtube videos! i have had a channel for a while and have made videos in previous years, but 2023 has been the year i've done the most in. admittedly most of them haven't been about my art, and more just like... random things that interest me (the spongebob musical in particular) but i've really been enjoying video editing. that's kind of an art form too, so i'm including it here!

moving forward, want to keep putting even more of my energy into other things. my shop, with a bigger range of products to offer. workshops in real life, where i can make a difference.

as for my art blog... i feel like i've done the least drawing in many years in 2023, and... well, things have been weird and complicated for a bit in my real life. i hope to draw for fun a bit more again very soon, and to return to doing things in more of a wild and crazy way, to be more creative and exciting with the way i draw things. still, here's some of my favourites from 2023:

thank you so much to everyone who has borne witness to my art journey this past decade!!! i hope you will stick with me, who knows, maybe for another 10 years if tumblr holds out. especially a big thank you to everyone who has ever commissioned me, or bought anything from my store, you literally keep me able to make art at all and i cannot, cannot, cannot overstate how much it means to me.

i'm moving homes soon, possibly into very cramped temporary conditions for a little while before HOPEFULLY starting my real life with my partner. if i can take one more moment to plug my work, then [here is a link to my online shop] and [here is my ko-fi page too.]

cheers, cheers, cheers!

- LOREN 🌈🍍🎉

[dollsofthewest]

AG Cowgirl Outfits

Following in the footsteps of @enby-dollhouse and @doll-collecting-aerialist, who did posts on the variety of ballerina and tennis outfits respectively, I wanted to do my take on a section of AG outfits I love: cowgirls! Saddle up and let's head out!

Rootin', Tootin' Cowgirl (1998)

Okay, so maybe this is the outfit that inspired me to do this post in the first place. This is adorable. It's rootin'. It's tootin'. I love the bright blue color. It's advertised as a Halloween costume, but doubles just fine as a fancy rodeo outfit. I do like the idea that you can be the sheriff, or the bandit, or both at the same time! And lest we forget to mention that black cat trick-r-treat bucket!!

Molly's Dude Ranch Outfit (2004)

Is anybody doing it like Miss Molly? This outfit was not connected with any book but released as part of a "Summer Fun" collection. I like to imagine Molly went to a dude ranch near Yellowstone National Park, or maybe somewhere along her Route 66 Adventure. It's cute and pretty authentic to rodeo shows. Also, look at her little canteen!

Nicki's Ranch Outfit (2007)

Most cowgirls don't wear the fancy rodeo costumes like a lot of people think: those are for the shows and fairs! During her daily work, Nicki wears her own pink version of modern jeans, chaps, and boots. And of course her staw hat to protect her from the sun.

Rustic Ranch Outfit (2008)

Another practical outfit; it may look impractical to wear a skirt but I've seen girls who prefer it, if they are riding side-saddle. The vest is kind've plain, but it comes with a horse-themed scrapbook and a (faux) leather Western Hat.

Western Riding Outfit (2010)

Definitely a casual pick for our cowgirl. Fit for farm or school, everybody knows exactly what animal is this American Girl's favorite. Like Nicki, this girl wears a straw hat, but she'll need sunblock if she's going to ride all day with those short sleeves and skirt!

Western Plaid Outfit (2014)

I like to think of this as Abercrombie Horse Girl. I'm not sure how practical that dress is for horse riding, and I'm a bit worried about those loose band around her boots. Still, this girl has something not previously seen, even with Nicki, and that's the very important helmet! Always wear a helmet while horse riding!!

Pretty Pink Riding Outfit (2014)

Sold at the same time as the previous one, so you could choose which outfit you wanted with your life-saving helmet. This girl is wearing what I liked to call Gucci Horse Girl.

Blue-Ribbon Riding Outfit (1998)

I forgot this one so I'm adding it here to show you what I would consider an Ideal Horse Riding outfit. Helmet: check! Proper boots: check! The coat even comes with functional pockets and inner thigh padding. She certainly gets the blue ribbon from me for best dressed!

Maryellen's Cowgirl Outfit (2022)

Ah, a return to classics! This is about as stereotypical "cowgirl" as you can get. As far as I'm aware, this is meant to be her Halloween costume, which tracks with how popular cowgirls & cowboys were during the 1950s. Lookin' cute, Miss Maryellen!

Lila's Horseback Riding Outfit (2024)

I think when Glen Campbell sang "Rhinestone Cowboy" he wasn't talking about this. Still, maybe this is what horse girls these days wear? It's a shame to see a modern girl without a helmet, but you can't deny this fits Miss Lila's style to a tee!

What is your favorite AG cowgirl/horse-riding outfit? What would you like to see made in the future?