#indian women's kimono robe

[assessthatdress]

his robe is actually printed not embroidered! historically, fabric like this would have been hand-printed with a series of complex, interlocking carved wooden blocks like this:

this is actually better than embroidered given the goal of costuming as 'communicating a lot of info about a character without exposition'. Banyan robes like this would have been worn as fashionable 'undress' at home by gentlemen - so not really appropriate to be traipsing around doing naturalist things. But, from this production's standpoint it is serving to show Maturin as softer, more 'natural' and more casual in contrast to the more stiff/traditional naval characters.

by the early 19th c. embroidery was already largely relegated to formal wear for men, until it basically disappeared from menswear almost entirely later in the century (aside from occasional exceptions like livery or a subtle design on a waistcoat or an emblem or something).

Cottons printed in India - like chintz and calico (both words derive from Hindi) - and later, fabrics printed in Europe which basically copied Indian design & aesthetics wholesale, were very popular for more informal clothing in the west starting in the later part of the 18th century. Here's a dress with a quite similar pattern from a similar period:

The wiki lists banyans as being inspired by kimono, but considering the relatively limited exposure the west had to Japanese material goods prior to the mid 19th c. and the fact that 'banyan' has sanskrit origins, I think it's far more likely that the style of garment was inspired by the many open-robe style overgarments worn throughout the near east and through southeast Asia.

Many banyans were imported garments with minimal modification, (or even could be made directly for export to the European market - a similar thing happened in the late 19th century with Western women snapping up and wearing kimono as dishabille at the height of late 19th c. Japonisme)

I want to live my hot girl summer like I’m stephen maturin in the galapagos- just a straw hat, a sexy embroidered robe, some lizards, and vibes

[vish-fan]

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[karinwullfrodt]

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[craftjaipur2]

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[graysoneli7]

Shirt Styles Around the World: Traditional Garments from Different Cultures

Shirts have been an integral part of clothing traditions in cultures around the world for centuries, each with its own unique style, fabric, and significance. From the colorful and intricately embroidered shirts of Mexico to the flowing robes of the Middle East, traditional garments offer a glimpse into the rich tapestry of global fashion heritage. In this exploration, we'll take a journey across continents to discover the diverse array of shirt styles worn by different cultures, each reflecting their history, identity, and craftsmanship.

Mexican Guayabera: The Iconic Shirt of Latin America

The guayabera is a quintessential shirt style that originated in Cuba but has become synonymous with Latin American fashion, particularly in Mexico. Characterized by its lightweight fabric, pleated details, and intricate embroidery, the guayabera is a symbol of elegance and sophistication. Traditionally worn for special occasions, such as weddings and fiestas, the guayabera embodies the vibrant spirit and cultural heritage of the region.

Indian Kurta: Timeless Elegance from the Subcontinent

The kurta is a traditional shirt worn by men and women across the Indian subcontinent, prized for its versatility, comfort, and timeless elegance. Made from lightweight cotton or silk fabric, the kurta features a loose, flowing silhouette and often adorned with intricate embroidery or embellishments. Worn with matching trousers or skirts, the kurta is a staple of everyday wear and special occasions alike, reflecting the rich cultural heritage of India and its neighboring countries.

Japanese Kimono: A Symbol of Japanese Culture and Tradition

The kimono is a traditional Japanese garment known for its timeless elegance, intricate patterns, and meticulous craftsmanship. Made from luxurious silk fabric and adorned with hand-painted motifs or elaborate embroidery, the kimono is a symbol of Japanese culture and tradition. Worn for special occasions such as weddings, tea ceremonies, and festivals, the kimono embodies the grace and refinement of Japanese aesthetics, reflecting centuries of artisanal skill and cultural heritage.

Middle Eastern Thobe: The Robe of Honor and Respect

The thobe is a traditional robe worn by men across the Middle East, prized for its simplicity, elegance, and cultural significance. Made from lightweight fabric such as cotton or linen, the thobe features long sleeves, a high collar, and often embellished with subtle embroidery or decorative trim. Worn as everyday attire in many countries, the thobe is also a symbol of honor and respect, often worn for special occasions and formal events.

Conclusion

Shirts styles from around the world offer a fascinating glimpse into the diverse cultures, traditions, and craftsmanship that shape global fashion heritage. From the vibrant embroidery of the Mexican guayabera to the timeless elegance of the Indian kurta, each traditional garment reflects the unique identity and cultural heritage of its respective region. As fashion continues to evolve, these traditional shirt styles serve as a reminder of the rich tapestry of global fashion heritage and the enduring legacy of craftsmanship and cultural expression.

[vervefashion01]

Outfits throughout the eras & countries

As far back as history goes, fashion has always existed there. Every age is shown through a unique painting method, and the same is true of fashion. Fashion varies not only between eras but also between regions. We will come across a wide range of cultural diversity, materials, and other things as we go from north to south and east to west. However, the thing about fashion is that it travels the entire world and is not limited to a certain place. In the beginning, clothes and fashion were restricted to a certain place or territory. However, the time has now changed.  People are eager to acknowledge the diverse variety of cross-cultural relationships everywhere in the world and are ready with open hands to explore the world of fashion across the globe.

Let's dissect the fashion trends from different parts of the world and have a close look at how they change from place to place.

INDIA

The Indian subcontinent's women wear sarees, which are made of an unstitched length of cloth that has been woven over the body like a robe. One end of the fabric attaches to the waist, while the other end rests over one shoulder like a stole or shawl, occasionally exposing some of the tummy.  Its length and width can vary from 4.1 to 8.2 meters (4.5 to 9 yards) and 60 to 120 centimetres (24 to 47 inches), respectively. The Nivi style is the most often used term and style for sari manufacturing and draping. The choli, or fitted bodice, and the ghagra, parkar, or ul-pavadai, or petticoat, are worn with the sari. In the Indian subcontinent, it is still in style today.

SOUTH KOREA

The hanbok is a traditional article of clothing worn by Koreans. South Koreans are the ones who call the clothing hanbok, but North Koreans call it chosn-ot (조선옷, lit. "Korean clothes"). The Korean diaspora, particularly Koreans living in China, also wears the clothing. The components of the traditional hanbok were the jeogori (top), chima (skirt), baji (pants), and po (coat). The basic form of the hanbok included numerous Mu-ism themes and was made to be easily movable. The majority of people's hanbok was entirely white and adorned with no design for thousands of years. Usually, extravagant hanbok was saved for important events like weddings. Commoners, or seomin, were for a while even prohibited from regularly wearing bright hanbok.

JAPAN

Japan's national attire is the kimono, a traditional piece of clothing. Unless the wearer is deceased, the kimono is a wrapped-front garment with square sleeves and a rectangle torso that is worn with the left side wrapped over the right. The kimono is typically accessorized with tabi stockings and zōri sandals. It is typically worn with a thick belt called an obi. Kimonos are made according to a predetermined technique and are usually created from a long, narrow bolt of cloth called a tanmono, however, fabric bolts in the Western style are also occasionally utilized. Men, women, and children can choose from a variety of kimonos depending on the event, the time of year, the wearer's age, and  less frequently these days by their marital status. 

SOUTH AFRICA

In South Africa, the traditional dress is called Dakshi, which is a colourful garment worn on the upper half of the body. A dakshi has both formal and informal versions and it varies from fully tailored suits to simple draped pieces. It is commonly seen as or tailored with an ornament v-shaped neck with the neck and sleeve line being embroidered and usually tailored as a loose-fit pullover garment. It is often worn with a brimless cap which is worn by the Muslim community from Africa and the African diaspora. The word "dashiki" comes from a Yoruba loanword ‘dàńṣíkí’ , which means 'shirt' or 'inner garment'.

INDONESIA

It is officially recognized that the kebaya is Indonesia's national garment. It is typically constructed of light materials like cotton, voile, gauze, lace, or brocade. Occasionally, it is adorned with embroidery and worn over the upper body. Pins, buttons, or brooches are used to keep it intact. Currently examining the lower garment, is referred to as a sarong, kemben, or kain. It is a lengthy piece of clothing that is worn and tucked either beneath the armpit or around the waist.Generally, ikat, tenun, songket, or batik are used to make sarongs. Many Southeast Asian airlines, such as Singapore Airlines, Malaysia Airlines, Royal Brunei Airlines, and Garuda Indonesia, have opted for Kebaya as the uniforms for their female flight attendants, making the traditional dress a fashion icon in the region.

As we've already discussed, just as fashion varies from place to place, it also does so across historical periods. Let us now explore the evolution of fashion across time.Even though fashion has been changing throughout the different eras, three eras have made a significantly noticeable evolution throughout the times. These are the Renaissance era, the Victorian era and the Art Deco era. Now let's dive into each era and get to know the clothing difference from each era.

THE RENAISSANCE ERA

The Renaissance era (14th-17th century) was a period of cultural rebirth in European history characterized by a resurgence of interest in classical art, literature, and learning. It saw a turn toward individuality, science, and humanism, which shaped artistic, social, and cultural advancements that still have an impact on contemporary society.

The development of the merchant class led to changes in fashion, while nobles displayed their wealth with elaborate decorations and luxurious materials. Men wore ornate hose, breeches, and doublets, often decorated with jewels and fur trimmings; ladies wore full dresses with structural corsets, rich draperies, and fitted bodices. Ethical principles were reflected in fashion, which emphasized natural shapes. Men's codpieces and women's farthingales, which stood for both social standing and creative expression, were iconic components. For both men and women, Renaissance dress left a long-lasting legacy of grace and creativity.

THE VICTORIAN ERA

Named for Queen Victoria, the Victorian era (1837–1901) was a time in British history marked by social reforms, industrialization, and rigid cultural standards. It was a time of great technological progress, a growing British Empire, and well-defined social divisions. Victorian literature, architecture, and fashion all reflected the ideas and values of the time, with a focus on gender roles, morality, and manners.

Women's clothing during the Victorian era was characterized by ornate gowns with voluminous skirts kept up by bustles or crinolines. These dresses were decorated with lace, ribbons, and elaborate needlework, and they frequently had tight waistlines and high necklines. Tailored suits consisting of fitted jackets, waistcoats, and pants usually came in subtle hues and patterns as men's fashion matured. Men are accessorized with cravats, pocket watches, and top hats, while women wear jewellery, parasols, and gloves. Accessorizing was important for both genders.  Victorian fashion showcased the era's technological innovations and cultural inspirations while also reflecting the values of society, which included humility, respectability, and uniformity.

THE ART DECO ERA

 The Art Deco period (the 1920s–1930s) was a time of creative art and design defined by geometric shapes, vivid colours, and rich materials. Art Deco embraced modernity and sophistication, incorporating elements from various cultural influences, such as ancient Egyptian and African patterns, and had an enormous effect on architecture, fashion, and the visual arts.

The Art Deco period saw a dramatic change in fashion that reflected the vibrant spirit of the day. The freeing "flapper" look, which was defined by knee-length skirts, dropping waistlines, and lavish embroidery or beading, was adopted by women's clothing. Because of their fluidity, materials like silk and chiffon were preferred, while long strands of pearls and cloche hats were popular accessories. Men's fashion, on the other hand, embraced a more streamlined form, with cut suits that had structured shoulders, straight-leg pants, and small lapels. Luxurious materials radiating elegance and class, such as wool and tweed, were widely used. Gentlemen's professional looks were finished with fedora hats, tie pins, and cufflinks.

In conclusion every era and culture adds a different thread to the thread of fashion history, from the ornate clothing of history to the modern fusion of global trends. Clothes have represented cultural values, social conventions, and personal identity for thousands of years, serving as more than just an article of clothing. Fashion captures the ideals, ideologies, and aesthetics of the era it is designed for, whether it is seen in the luxurious silks of imperial China, the elaborate draperies of Greco-Roman robes, or the cutting-edge designs of haute couture. Furthermore, fashion is a global phenomenon that mixes elements from other cultures and historical periods. Global fashion is enhanced by the variety of sartorial traditions, from the regal presence of the kaftan in the Middle East to the grace of the kimono in Japan. Despite these differences, innovation, self-expression, and the unwavering desire for beauty are the commonalities that connect fashion overtime periods and geographical areas. Humanity tells its stories, welcomes its diversity, and celebrates its creativity through fashion, making a lasting impression on history. We wholeheartedly welcome you to our fashion world VERVE to explore the new colours of fashion to find your own unique persona.

[deannedunn]

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[vish-fan]

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