#in general i don't hate this episode as much as everyone else

[trekkiehood]

Okay, A, I relate so hard with your dilemma, because I'm also having so many ideas right now, only, instead of not having enough time, I can't seem to find enough focus! 😫

B, okay, here's a question about your writing: what's an idea/WIP you're most excited about right now? Feel free to share as much or as little details as you want!!

Tagging @stars-remain2 because they responded to my post

Thank you!!! I was so excited when I saw this I have just not had time to answer

Okay so I really want to write a longfic for the MotA fandom that would take place during the Buckies time in the POW camp but I don't have a through line 😅

Like I have a couple scenes that I want to play with but it's so episodic. I'll probably end up posting them as one shots and then putting them in an AO3 series but my brain wants it to be a long fic so bad 😂

Some of the ideas I have for these scenes (mostly Gale angst lol)

The fic I'm currently working on that involves the guards threatening Gale is and things escalate very quickly

Possibly a secondary scene to that dealing with the aftermath and Gale not wanting to be alone around the yard and the same guard carching him alone

Gale hitting his emotional breaking point and losing it at Bucky after Bucky pushes him too far

Which would probably lead into a Gale being sick/having pneumonia

Gale collapsing. Idk why. Exhaustion? Hunger? Don't care I just want that man to collapse and everyone to be so caught off guard and worried

I really do want to play with Gale just slowly losing it bc I think that'd be FUN

Okay but Gale having to get between two of his men who are fighting and he separated them but one of the guys is still in the heat of the moment and so he decks Gale and the whole room goes silent and Gale in one Swift motion sweeps the guys feet and has him down on the ground and is just like "don't get up bc I will put you right back on the floor and next time I won't be so gentle" and everyone is SHOOK bc since when does Major Cleven fight back physically especially with subordinates???? (Also Bucky straight up hates this dude now, he has made an enemy for life lol)!

Would also like to explore Gale getting shot down. I probably would not go with the actual historical events and would make things more traumatic and something he slowly reveals to Bucky (or not. Maybe Bucky never knows idk)

And just Gale with food issues. In the show he lost weight so much quicker than everyone else like boy are you ok???

Gale dealing s/h is something else I have lurking. It would be less blatant than that but a general idea of Gale liking pain but only if he's in control of it (a mirror to Bucky he goes out looking for fights bc he wants other ppl to force him to feel pain)

Do you see my dilemma 😂

So many ideas and so little time 😭

And again they all happen in the same little universe in my head but I have no through line to justify it being one fic so idk what I'm going to do. Probably just make it a series.

I know I probably won't have great leadership bc I don't write romance I just wrote very strong platonic soulmates (or t'hy'la if you will) but hopefully some people will enjoy them lol

If anyone has any questions or wants more info on any of these fics plz ask (maybe it will help me form thoughts more fully lol)

Thanks again for asking!!!! It was good to get all of this down!

[sing-you-fools]

the cruelest thing 10 ever did was trap Ursula in a tile so she could blow Elton forever. like. what kind of existence is that? she didn't even do anything! she was good! she just got absorbed! she didn't deserve to be turned into a blow job tile! some fates are worse than death, doctor!

Doctor who morality is so funny because he’ll be like noooo I’d never shoot someone!! not even in self defense!! guns are so bad! but then he’ll trap someone in a mirror for eternity or make them stand watch as a scarecrow forever. Hey king we gotta get you some decarceral literature you’re doing torture on a scale so much worse than guns

[thatbookgirl1118]

I cannot for the life of me find the original post (tumblr is a hellsite) but this was sent in an atla gc:

@the-badger-mole

and tbh i always kinda felt like kataang was weird exactly because of that one-sidedness??? like there's one episode of katara maybe sort-of seeing aang as a love interest (when the fortune teller tells her she'll marry a powerful bender), but then the rest of the show is her being passive in the relationship or actively pushing aang away (like their second kiss). and then at the end she just randomly decided "okay i like you i guess."

whereas aang got a bunch of pining moments and you actually believed he was in love with katara.

and most of their relationship was about how she helped aang - he did contribute to her character development over the course of the series especially as a bender of course but it didn't feel as emotionally/spiritually deep as katara's literal one episode sidequest with zuko.

but then someone else wrote "I would argue the opposite? Kataang is where Katara choose the peaceful nomad which subverts the trope presented where zutara is where she chooses the strong protector/combatant. Aang as a character is a subversion of the typical hero while zutara is like,,, coloniser romance idk"

and honestly... i kinda get that. aang was problematic in a lot of ways, but he was definitely a subversive protagonist, and i can see the power of allowing the woman to choose the pacifist vegetarian over the extremely obviously hot jock badboy. this is an incredible oversimplification of their characters of course, but the point stands.

Basically, Kataang is the ship we all logically want - the sweet, friendship-based, seemingly subversive one. But Zutara is the one that actually makes sense in the story, with these characters, not their tropes. Aang is subversive, but he and Katara are also kind of terrible for each other - he isn't mature or selfless enough for Katara, who needs someone to force her to take care of herself because she's always the one taking care of everyone else (wonder what that's like). That's why she and Zuko are so perfect, because he not only takes care of her, he makes HER prioritize herself. Aang... does not. He's pretty selfish, which yes is partially due to his immaturity (I personally don't count Korra as canon because it treated ALL the og characters terribly so I'm speaking purely from his 12 yo self), but it's also just a basic incompatibility thing. And Katara is actually equally bad for Aang - she enables him waaay too much, and he needs someone who doesn't. Who forces him to stand up on his own two feet and take responsibility. She's too much of a mother, and her relationship with Aang is too mother/older sister-ish.

With Zuko, on the other hand? Katara started out HATING him, forcing him to prove himself to her instead of handing him everything she had like she tended to do with Aang and Sokka. He had to earn her care, and as a result he appreciates it way more and demands way less of it. He's a far less selfish character generally for the same reasons, and is much more mature/has a better understanding of life and gray areas. Southern Raiders is a great example of this - he's down for whatever Katara decides because he understands that there's no one right answer, unlike Aang who simply preaches forgiveness. I'm not necessarily attacking Aang about that either - I do believe that grudges eat away at a person, and taking a life does haunt you, so forgiveness isn't necessarily bad advice. But it's not what Katara needed. Aang is great as a friend, but I don't think he's what Katara needs from a romantic partner. Zuko just... is.

[bibluebutterfly]

It is truthfully so impressive to watch how we've watched Stolas grow as a seemingly asshole character to a genuine person who truly does want the best for the person we love. (HEADS UP: This is LONG)

Now, and we're only going to lightly touch on this because the Pilot isn't cannon, but it still contributed to the public opinion on Stolas. In other words, he was borderline predatory in a way that made EVERYONE uncomfortable. (It makes sense though since he was innitially supposed to be the villain. Which thank goodness that was changed because we already see enough bisexual predators in media as it is. Yes, I'm headcannoning that Pilot Stolas was bi.)

Then we get official episode 1. Stolas is... not much better. Although to his credit, he's not as bad or as creepish. The unfair power dynamic is very there, and he definitely talks down to Blitz, but at least he waits until Blitz agrees before getting to the pilot level of sexual.

And then we kind of just keep this up until episode 7. Stolas is VERY sexual and VERY horny with Blitz, and you either like it or you don't. It was consensual, nobody forced anything, and even Blitz says that he doesn't fuss about banging Stolas, but that power imbalance is very much there.

Stolas is calling him by pet names like "my little imp" and is baby talking him, which really comes off like his fetish is sleeping with the lower class. Again, you either like Stolas at this point or you don't.

HOWEVER, despite all his baby talk and just generally inappropriate behavior, we are shown very early on that Stolas has a loving side, mainly in the form of his daughter. "You Will Be Okay" was the thing that got most people from hating him to actually liking him. It was the thing that separated him from just being a horny owl.

Then Ozzies. Hooo boy. This is where we finally get to see Stolas apart from Blitz's POV and as it turns out... he's kind of a pathetic dork more than anything else. We see him go very low. Like the man is alone in his big house eating cereal for breakfast in his bathrobe and watching telenovelas. It's hard to go lower than that. More importantly, it's a stark contrast from how we saw him just one episode ago.

Not just that, but when he's asked out on the date he is genuinely so excited and awkward that you just can't help but feel bad for the guy.

And then we have Hells healthiest couple have their dick moment which leads to Stolas covering his face, validating every and anything Blitz had feared, which lead to him calling out Stolas which leads to them both crying at home.

AND THEN WE GET THE THING THAT MAKES EVERYONE EITHER LOVE STOLAS OR THINK THAT HE'S RUINED.... THE CIRCUS.

Yeah, so it turns out the arranged marriage theory was true, and that Stella has been verbally abusive for who knows how long. But the real kicker is how much it explains Stolas's behavior from season 1. As it turns out, Blitz coming on so strong that night resulted in Stolas trying (badly) to copy that energy. And it turns out that when Blitz told him to stop that first night, he still ended up tying Stolas up and banging him. So... understandable. It turns out that Stolas never wanted to be malicious with his intentions, but genuinely thought that the arrangement was something that they both wanted.

But at the same time, he realizes that misunderstanding or no, a part of him did recognize that Blitz wasn't as happy as he was, and that he can't gaslight himself into thinking otherwise anymore.

Now the big thing about season 2 we all need to talk about, is how hard and fast it took Stolas off the regal and powerful pedestal that I think we all subconsciously put him on. Whatever mystery and darkness that surrounded him in season 1 went completely out the window in season 2. But personally I believe that this fits as season 1 was mostly told from Blitz's POV while season 2 takes place in Stolas's when he's there.

Stolas does not see himself as something regal and powerful. Stolas, as it turns out, is a romantic as well as a MASSIVE dork. Like he's disney princess levels of dorkiness. The man even gets his own slapstick moment for crying out loud.

But aside from that, he's highly intelligent and a genuinely good person who will put others before him if he can recognize the benefit.

Also, while we're on the topic, I don't think that Stolas is as powerful as we or Blitz were led to believe. Like yes, he's got immense power to those who have none.

But at the same time, put him next to Asmodeus, and this demon who seemed so strong before is actually tiny in comparison. Especially when noted that Ozzie was still holding back in this scene.

Now we have the "Look My Way" MV. By now, any dark mystery is gone, we know who Stolas is, but what we didn't expect to see was how blatantly Stolas realized his mistakes and took responsibility. This whole season we saw him be sad over his relationship with Blitz, but we never expected him to realize just how badly he messed up.

But he did. And it was glorious. And again, we realize how much he truly cares for Blitz, this isn't just him saying "I care about him" then doing nothing. This is him realizing he cares about Blitz, and wanting to do something to make it right. Even if that means Blitz will never want to see him again.

Anyway. If you made it this far, I'm impressed. As I've said before, I'm proud of the owl boy and how far he's come as a character. Tell me if you think I missed anything.

[ace-sher-bi-john]

While I absolutely love both BBC Sherlock and Sherlock & Co, Sherlock & Co definitely depicts a more healthy relationship between Sherlock and John.

For starters, on BBC Sherlock, Sherlock and John are both co-dependent on each other. John was implied to be suicidal before he met Sherlock. Sherlock relapses without John by his side. Even with Mary to substitute the void in his heart and help him find purpose again, John would never move on from Sherlock. If anything happened to John, it wouldn't end well for anyone, especially Sherlock.

On Sherlock & Co, one of John's only problems after returning home from Ukraine was that he couldn't afford a flat on his own. He seemed to be very excited about life, going on dates, couldn't wait to start his podcast. He was genuinely happy to see Mike.

Sherlock could easily manage on his own without John. He doesn't need to be reminded to eat, he doesn't need an assistant for cases, he doesn't need someone to take care of him. His only problem is that he needs a flatmate.

Although John and Sherlock both need each other to afford rent, they don't need each other for anything else. They want each other's company, they don't need it. They aren't two halves of a whole, they are two wholes coming together. That's how it should be with all healthy relationships, platonic, romantic, queerplatonic, or otherwise.

It also helps a lot that Sherlock isn't a complete jerk on Sherlock & Co. He genuinely treats John and everyone else with a kindness that while I believe BBC Sherlock is capable of it, he rarely showed it. When John's PTSD is triggered, Sherlock asks John if he'd rather sit out that case. He then asks John if he wants to hold hands and discuss his feelings. In part one of the Blue Carbuncle, Sherlock complimented, actually complimented John. That kind of scene just never happened on BBC Sherlock. John was doing his "That was fantastic! You're amazing!" and Sherlock said, "You flatter me, Watson. But you did awesome too! You should have seen the way you did that! It was brilliant!"

John seems like a much more well rounded happy person in general. Just listen to any of his viewer discretion warnings. "Greetings you handsome devil! This episode will contain a bit of the old swearing, a bit of violence, some drug use. Oh and a bit of duck poo!" I hate to make this comparison, due to how much it will sound like an insult. But he acts like the quirky Disney Princess personality that every Disney Princess from the 2010s has and I mean that in the best possible way. It's my favorite thing about him. He's so adorable.

In the Blue Carbuncle, John has a moment similar to ones that you've seen many times before on BBC Sherlock. John has plans that mean he won't be able to help with the case. He is going to Berlin to spend Christmas with his old army friends. It's going to be his first boys' trip in years. But then he gets so sucked into the case that he's almost late for his plane and decides to just stay with Sherlock anyway because the case is just so fascinating he can't leave. On BBC Sherlock, John has abandoned his plans, his job, his girlfriends, for a case because he couldn't stand to be without Sherlock for so long. Also because Sherlock would often crash is dates, ruin his relationships, just so that John could assist him on cases. On Sherlock & Co, Sherlock was happy for John that he was going out with friends, even though it would mean spending the holidays alone. And Sherlock LOVES Christmas, so it's sad to think that he would have to spend it alone.

Where BBC Sherlock would manipulate or guilt John into staying, Sherlock & Co Sherlock let John go and was genuinely fine with going it alone for a week or two, even if it meant being all alone on Christmas.

I love BBC Sherlock, toxic co-dependent relationships and all, and I always will. But Sherlock & Co gives a little something different and I am happy that my boys are happier.

SH: *laughing* What's so funny Watson? JW: *laughing* It's just hearing you say "bell end" SH: Lovely and jubbly

[alicealmost]

My thoughts about tadc episode 3

Okay, Okay, I know I'm 3 days late... but I've explained the whole thing about watching with my BFF. So, here we go:

Some points:

- Kinger: the whole thing with Kinger and his wife made my perception of this character change a lot... after knowing he has a computer science degree and used to *hate* bugs before make me think he was rather a serious man, who thought about everything logically (which makes sense, since he is a piece of chess). Because of that, Kinger would likely avoid spontaneous activities and venturing out of his comfort zone. However, after meeting someone, in his words, funny and creative, Kinger started to open up to new ideas... I think Queenie was the exact opposite of him, which I think is why she is a queen chess piece, but black, representing she would likely oppose to Kinger. The checkmate couple might have had problems to adjust each other personalities...

-Zooble: lil baby ;-; and the way Zooble goes all soft when speaking about Gangle's shyness I'd precious.

- Caine: My beliefs he is not an AI but more likely another human strengthened. I know I'm probably wrong, but I don't think it's normal for an AI to feel so upset and when he is talking to Zooble that skipping his adventures could hurt Bubble's feelings it highly suggested to me he could not attribute those feelings to *himself*, as he is supposed to think he is an AI and can't feel human feelings. Again, it's very likely I'm wrong

-Martha: I had a theory that Martha and Ragatha were the same person, but it was proven to be wrong. However I loved Martha's character mostly because of my

✨️💜🐰☝️Bunnydoll:

I was advertised about bunnydoll old married couple vibes... I just didn't know it was so much in there. Jax is always looking to Ragatha... even when Caine Is talking to all them, he will stand up and look to her like this

We have Ragatha angry "Jax!" Like we had in pilot and episode 2... I do think it's intentional.

But nothing compares to Martha's comment about "you know how men are" when speaking about her husband and Ragatha replying "Don't I know it?" And looking straight to Jax... if it's not old married coded, I dunno what it's. And don't get me started with the little red wagon ride.

And last, but not least, Pomni.

I like how she thanked Ragatha for all the help the doll gave her. There was a moment Pomni said "he just wants me to suffer." And idk why I think she was not talking about Caine, but someone like her boss or something like it. Pomni gives me the impression she often thinks everyone else is hoping something bad to happen to her and it gives her lots of insecurities and fears, and it could be something that happened in her job... and deep down she doesn't want to be forgotten and want to be told she matters.

In general, I loved the starting scene where they are spending time together. I think when Jax holds his breath, his tail gets unplugged from his body and becomes like a rubber ball XD I like how Ragatha wasn't like most people expected her to be like, because most thought she was babying Pomni in the 2 previous episodes, when actually she was concerned because poor jester saw an abstraction on her 1st day there... she wasn't trying to be a mother hen to Pomni.

Now let's wait for episode 4 ^^

[burr-ell]

Ppl are so fucking weird about narrative meta and it's solely bc it doesn't cater to ships. The ship isn't the center of the narrative and therefore when we talk abt the story in broad strokes they take any neutral writing observation and treat it like bitter screeing and crazy hate even though frankly speaking I don't think pointing out patterns is emotionally charged

So this ask is almost a year old and I am VERY sorry to the anon who sent it, but it's also interesting to me to consider how things have changed in that time. I got this a couple weeks after Imogen/Laudna became canon and I had been subject to some stan harassment because I disliked it, and after a bit of conversation about the whole thing I just shrugged and moved on. And yet for a not-insignificant portion of the ship's fandom, it feels as though everything that has happened between Imogen and Laudna since then has been just...quietly ignored. (I distinctly recall one of the hateful anons I received lecturing me about how "Im*dna is the heart of the campaign", and uh...how you doin these days, bud?)

Like, I've very recently blocked the majority of loud stan voices on Twitter, but it's telling to me that so many people proclaim to be these deranged fanatics about the ship and yet hardly acknowledge anything that's happened. And it could be that it's because prior to episode 89 nothing interesting had happened, but they still had moments; they had that dance on the pirate ship and the lap pillow and the comforting after the shard incident. But you'd hardly even know those moments happened—everyone's pfp is still a screenshot of Laura from episode 65, the bios all still read #IMOGENTEMULT: "can i kiss you?", and all the fanart is generic hugs or kisses and the occasional buff cowboy Imogen with damsel Laudna. So many emoji combinations include the ring when it's been referenced more often out of game than in it!

And meanwhile, the people who were vocally critical of the ship—many of whom, I think it bears observing, are queer women, women of color, neurodivergent women, or some combination thereof—have been having the time of our lives ever since 3x89 and especially 3x95. We've been asking for conflict the whole time and finally got it and surprise! We're enjoying ourselves! I think you'd be hard-pressed to find someone in this corner who's turned into a classic OTP-type shipper, but we're engaging with this narrative and are interested in where it goes because it finally gave us something to do. We're also focused on everything else in the campaign, because it has an intriguing plot, an engaging villain, fun worldbuilding, and five other interesting protagonists.

If you got into the campaign because you wanted to watch a good story, you may have had trouble in the beginning, but if you stuck it out you're probably having a good time vibing with the moon. But if you got into this campaign because you thought the most important thing in the world was making sure Imogen and Laudna end up in their skinnyass white girl cottage baking cookies and shopping for Zhudanna and exchanging the uwu softest of kisses and handholds? You'd probably like very much for the campaign to have ended in July 2023. But it hasn't, and I think the campaign rather forcefully demonstrating once again that it is out of the audience's control is a disquieting thought in those circles. And if you're the type of person who felt Imogen and Laudna's constant fawning and inability to have uncomfortable conversations was not only romantic but aspirational, you're not likely to want to sit with disquieting thoughts.

[bloodycyrano]

K, so I'm in a depressive episode, and I'm craving chocolate. Nobody probably cares, but here's what type of chocolate members of Team Tadpole prefer and how I think they'd react to receiving it as a gift! This is purely headcannons, and I haven't been able to play the game in a few months, so if I get something wrong, don't be mad at me, lol.

Shadowheart: She absolutely adores dark chocolate, and she's absolutely one of those pretentious fuckers who hate milk chocolate, and take anything other than 90-100% cacao as an insult on their fucking bloodline. She does think that she's better than you for liking Dark chocolate- This does not change if she gets her 'good' ending.

If you bring her her favorite type of chocolate, she will not only be impressed but grateful. I feel like she probably has chronic migraines or something and would enjoy sharing it with you some late night with a bottle of wine and a charcuterie board. Probably making flower crowns or feeding animals in a meadow, basic cottagecore lesbian romance stuff. I could be wrong, I've never romanced Shadowheart, but it's just a gut feeling.

Karlach: Karlach likes milk chocolate best, and doesn't see the point in putting up with something bitter just because some people think it's 'better'. More than anything, it reminds her of her mums baking, back when she was a kid. Chocolate is expensive and hard to get your hands on, but by god when the holidays came around or her birthday, I feel like her mum would've baked her the best cookies or chocolate chip muffins after working extra hard to afford it.

Karlach would love whatever type of chocolate you gave her, but I think especially if you brought her hot chocolate or chocolate chip cookies/Muffins/etc, she might even tear up a little. After all, she hasn't had something like that since her mom died.

Wyll: Wyll is a proud enjoyer of chocolate in general, but actually seems to favor white chocolate and dark chocolate the best. He likes to enjoy the contrast in flavors.

I feel like Wyll would just be grateful to be given chocolates, and wouldn't care much what form they came in. He'd probably invite you to enjoy them alongside him, and simply spend time with one another. I do believe he loves dark hot chocolate with whipped cream, and would probably try to set up a day to go to his favorite cafe in baldurs gate for hot chocolate, to return the favor. It's a treat for him, too, since he hasn't been there since his father cast him out. It'll bring a wave of nostalgia, and maybe some unkind memories.. But he will feel happy to be there. Especially to be there with you. And maybe, it'll become a much more common thing.

Astarion: I feel like he prefers dark chocolate, if he's able to eat it at all (I don't remember how vampires work in DnD.)..

If he can't eat it, I feel like he'd miss it.. the simple things. Pleasures like imported chocolates. He might go on a monologue about things he enjoyed as a Mortal that he no longer can.-.. If he can, however, eat chocolate.. I think he'd be surprised. Surprised you thought of him, surprised you spent the money, surprised you wanted to give him anything at all. I think he'd be very happy, but he probably wouldn't want to show it. He'd brush it off with a sarcastic comment or something, yet still taking the mental note that if nobody else cared, at least you did.

Gale: Gale is the most pretentious motherfucker there is, are you kidding me? I think he, himself, loves milk chocolate and it's a major guilty pleasure, but he tells everyone it's dark chocolate. He doesn't shame anyone for their preference, but there comes an air of arrogance whenever he says he likes dark chocolate.

He will definitely be grateful no matter what type you give him, but if you give him milk chocolate and tell him you know it's his favorite? He might try to deny it at first, but his heart is beating a mile a fucking minute knowing that you've been observant enough to bring him his actual favorite type without making a big deal about it, or calling him a liar.

Lae’zel: Has never had chocolate before, and doesn't know why you're giving it to her. She does, however, adore white chocolate after you get her to try some. You'd assume she'd prefer dark, but she doesn't. She believes that if you're going to have a sweet, or a desert, it shouldn't be bitter because that defeats the purpose.

After you get her to try it the first time, she'll insist she doesn't like it or see the reason for it, but at any party or gathering or anything where there's chocolate? She's sampling the fuck out of that snack table, and hovering over the bowl of sweets like a dragon guarding a hoard of treasure. She actually really likes fancy chocolates and truffles. If you bring them to her while in an established relationship, she won't act very different, but she's very happy and feels very loved.

I might do Halsin, Jaheira, Minsc, and Minthara later. Idk.

[maxwell-grant]

I'm seeing several popular react to the Penguin show with "God I wanna see Batman kick his ass in the next movie". Which, for a show about a Batman villain, is probably an indication of succeess

Are you kidding me it fucking rules, there's no "probably" here, the show couldn't possibly have achieved what it set out to do harder.

I've talked with people, as Episode 7 was coming out, that they've managed to strike this perfect balance between making Oz the fun engaging protagonist to watch, and making him a villain that we'll want to face justice, opposite Sofia who tread the line between his Batman Villain arch-nemesis as well as the closest the show has to a hero. The camera loves her, the costume designers and hair stylists love her, the showrunner calls her the hero of the show, production folks who go on the podcast talk about how she was their favorite character to work on, while Oz, the protagonist, only grew darker and more despised and more fucked-up as the weeks passed, as we sit through 8 hours chipping away at all of his fun and charm and wacko comedy antics and motivations and all the scruples and principles that he turns out to have less and less of, that become less and less useful to him, until he butchers them all in the very end along with the heart of the show.

As I saw it around week 6, by the time this thing was over, Sofia would demand to be received with tragic applause and heartbreak and whooping cheers and love, but Oswald would have the children of the world booing and hissing and throwing eggs and tomatoes at him, and then asking him to come back so they can do it again. AND I WAS RIGHT, and also I WILDLY underestimated the degree to which that would be warranted, and I certainly didn't expect that, for the first time in my life, I would be unconditionally and enthusiastically on the same side as everyone who posted that Arkham scene, where Batman picks up Penguin and smashes him against a mirror, as something Battison has to do in the next movie. I couldn't believe what a stab to the heart that last episode was.

I'l get into the specifics of why this worked more on the Episode 8 breakdown and, granted, it's a lot to conciliate still, it's genuinely a strange feeling to be onboard with everyone else who wants Penguin to be flattened and crushed and humiliated, to truly hate him as a loathsome monster for the first time ever even as I love him in so many new fucked-up ways. This is, make no mistake, the good version of the Joker's Asylum one-off, Pain and Prejudice, Bullies, all those modern stories that are ultimately about nothing more than reminding you of a super-duper serious evil bastard this funny little man is, stories I generally just find too dumb and reductive and ugly and tasteless and trying so very damn hard to be scary without working for it. This was Lauren LeFranc slam dunking everyone who's picked up this character since Jason Aaron in 2007, including Jason Aaron himself, and wherever they take him in the next movie, or if they can justify another season of this, they've fully set him up more than ever as a guy we will want to be exploded by the Batmobile, that he not only fully deserves it, but must, be defeated for good.

Beyond impressed, don't think I could have ever anticipated how much I wanted this.

[mdhwrites]

i wanted to ask you about some legend of Korra stuff but I know you've said your not a worldbuilding guy so here's my toh ask instead: what is the appeal of camillip (Camilla and Philip)? I'm not asking as a belos hater (I mean I do hate him but more cause I find him un-intimidating- he's not exactly competent) but it's such a crackship. I'm not against it I support most ships so long as pedophilia/incest isn't involved but it's a very odd ship. Same goes for goldric but I actually didn't see as much of that ship like other people in the fandom at the time did. So why do you think people are so drawn to this ship? I know the villain x hero, enemies to lovers dynamic is popular and how there is that corruption vs innocence and bigot in love trope but most people remove Philip's villainy/bigotry? So why do you think people are so drawn to this ship?

So first: I can criticize worldbuilding, I will criticize TOH's after all, but it's just not my strongest suit, especially when it comes to my own fiction. The bigger issue with asking me about Korra stuff is just that I've only seen the first season when it was coming out, and like two episodes of the second, and went "Well, I like the slice of life stuff, didn't like the actual plot stuff and WOW this is bad now. Peace." It's also so long ago I can't actually give any real opinions of my own for something I found mostly forgettable.

Second: I would bet Philip and Camila as a ship actually has nothing to do with Philip being a villain. So a potentially awkward take I have about Belos is that part of why he may appeal to certain parts of the fandom is that, well... He's the only dude with confidence. He's the only one who might ever put his foot down. Everyone else is either too nice or submissive to have a proper backbone and there are going to be fans who strictly don't want that out of the male characters they play with. Belos gives that to someone for TOH and Camila can play against that in many ways. Either you lean into how subservient she is to her daughter's whims and have her second to him, or you have him and her push against each other as peers or you lean into the fact that both theoretically want to temper Luz into being a better human being but have very different ways to go about it, leading to its own push and pull. There's a lot of good, dynamic stuff there just by base personalities.

You also admittedly have another side of him: The Hunter side. Hunter is your edgelord, punk kid with a tragic backstory and as someone who has spent time with Belos enjoyers, one of the REALLY compelling parts about him to them is that he is arguably wronged in many of the same ways that Hunter is. Someone who was raised a certain way and was told by his family to believe in those ideals until suddenly he was betrayed out of nowhere and found himself alone. However, unlike Hunter, the cultural brainwashing actually, you know, was cultural brainwashing and he took the words to heart and committed terrible things because of it. Things he has now doubled down on for centuries as they are all he has to cling to.

That sort of backstory is RIPE for an "I can fix him" mentality and Camila is the perfect sort of character to do that. She is kind, has the patience of a saint, a firm moral code but also a perseverance which means she won't give up. Who better then to pull out the better man in him, the leader and visionary who made the Isles into frankly a damn near utopia besides his one law, than Camila? Mix that with the history he has with Luz, or general conflicts he could have with Luz, and this adds a lot of angst and stakes to anything to do with their relationship.

Camila is also admittedly the only non-squicky option for all of this with him really. I mean... As far as women who are legal go, you either need to age up characters, all of whom should hate his guts pretty vigorously, or you have Camila, Eda, Lilith, Evalyn, Terra, Dora the Explorer or whatever her name was, and Odalia. That's a lot of names... Not a lot of characters. Half of those people are people most of the fandom overlook or just don't really have a character. Odalia loses ALL of the points I talked about here because PURE EVIL according to the fandom and then Lilith and Eda both have big reasons to despise him with every fiber of their being AND they also don't really have the right attitudes to lead to a redeemed Belos, not as a main draw. Camila is the only one with the right storm of traits to tell more sympathetic sides of Belos with.

And that's okay. There's compelling stories to be had there and that's what fanfiction is all about. It is fun to dissect what romance tropes and the like are at play in a given ship though like this, so thank you for that and see you next tale.

======+++++======

Funny enough: I don't think I've personally seen almost ANYTHING of this ship so all my analysis is just off the theoreticals I can see by my knowledge and instincts. Admittedly, I don't see a lot of TOH content in general nowadays.

I have a public Discord for any and all who want to join!

I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead. If you want to hang out with me, I stream from time to time and love to chat with chat.

A Twitter you can follow too

And a Kofi if you like what I do and want to help out with the fact that disability doesn’t pay much.

[hello-nichya-here]

i hate that the general public has the ideia that sandor only sees sansa as a "little sister" and has a stronger bond with arya… got did irreparable damage to society

I get far less mad at the "He's closer to Arya" thing when the people saying it are honest about refering solely to show as that's the only version of the story they've consumed. What I cannot stand is the people that only watched the show and then try to use it as evidence to claim Sandor was closer to Arya IN THE BOOKS THEY'VE NEVER EVEN FUCKING READ!

Buddy, in the books he beat, threatened and insulted her every other paragraph. He HAD moments of campassion towards her, and Arya did take notice and retribute it sometimes, but their dynamic is overwhelmingly negative and toxic. They're not friends, he doesn't see her as someone dear to him, and Arya was 110% justified in leaving him to die - something Sandor himself acknowledges.

Don't get me wrong, I do believe has good in him, and that he will BECOME a good person, as that's clearly what's being set up, but for 90% of the story he is an absolute bastard, even when actively trying to be nice to the Stark girls - and he has ALWAYS put way more effort to be gentler towards Sansa than he ever did to anyone else on Earth, Arya very much included.

He talks about her all the time, makes his romantic/sexual interest in her very clear, and cries on his "death" about how he failed to protect her. More importantly, while he DID threaten Sansa when offering to rescue her, he was in the middle of a PTSD episode, and all it took for him to breakdown crying and leave her alone was her singing a song about mercy. He never bonded with Arya on that level or ever got even close to respecting her wish to not be around him like he did with Sansa.

And let's not forget why Sansa sang to him: because Sandor demanded a LOVE SONG about the fool-turned-knight that rescued the pretty girl and then became her lover. He wants to be Sansa's hero and wants her to LOVE him. He almost kissed her during that whole mess, and George R.R. Martin has Sansa misremember the event to include an actual kiss, because Sansa was, in his own words, "correcting" that moment - not by ignoring all the awful parts of it mind you, but by making Fantasy!Sandor act on his obvious attraction to her, because the fact that he didn't was more important in her head than him literally threatening her life.

In case that last bit didn't make obvious: the book was not subtle about Sandor NOT thinking of Sansa as his "little sister", but as the object of his lust/love AND the poor, innocent maiden that is waiting for a true knight to rescue her and safely take her back to her family's castle - and despite her not being reckless enough to run off with such an unstable man, Sansa DOES have feelings for him too. Hell, even the show wasn't always unwilling to go there, as they do have some moments that scream "there's something there"

I REALLY need to make a whole separate post on how GOT completely destroyed Sansa and Arya (plus Sandor) as characters, and how their dynamics with "The Hound" were all wrong since Dumb & Dumber clearly didn't get that they were not supposed to side with Sandor's "everyone is awful, so all awful things are justified" mentality.

[roxannepolice]

The thing about Ricky September rising to the top of the chart as the most controversial aspect of Dot and Bubble is interesting, because... welp, as many people have pointed out, he's the surface level white twinky manic pixie nuwho Doctor at their most op on steroids. I've seen people comparing him to s6 Eleven specifically, but the offhand remarks about how much he knows, the interest in history, and most importantly, the proper introduction as the handsome guy who leads our protagonist away from cheap looking monsters and then runs hand in hand with her... that's Rose, the episode. The reason people took a liking to him is because he literally echoes the main character of the show we're watching. He's the Doctor doll in this sci fi dollhouse. That's why it's so shocking when Lindy uses him as cannon fodder.

So the fact that he's no less racist than everyone else in Finetime fits into the general concept of this episode as unpacking the naturalised racism of Shakespeare's Tempest/Forbidden Planet sf conventions, that Doctor Who, and the Doctor themself has been guilty of (welp this is what you get for thinking it's a good idea to turn a brown guy over to WWII villains or not filtering for racism when you random generate a time and space you will hide in with a black companion - you watch aryan bubble folks go to their deaths you bent ass over tits to prevent; not for many people this would have been karma doing its job, but for the Doctor it is).

But I don't think... the show wants us to hate itself, or its main character. Like, there are reviewers clutching their pearls over another cult text getting written by people who hate it, but. criticism isn't hatred, it's often an expression of love, and perhaps one of the highest forms of self-love. Which is why it caught my attention Ncuti Gatwa looks extra-doctorish in the last scene. Yes, clothes are surface, but in a visual medium they're a message too. Fifteen has been the most clothes changing Doctor we've seen so far, and he spends most of the episode in a more everyday casual shirt, but he dons the extravagant yet stylish tartan knee length suit for the end. And he does a Speech(tm), too, and helpless shouting, and finally a stern face (which ironically enough reminded me of fury of a Time Lord Ten). And like, he's not ignorant of why Finetimers look at him this way. They always knew, just never were on the practical not abstract side of the deal.

So Ricky the Doctor Doll works not only as a meta textual self reflexive parody, but also a contrast. Not so much as a "but see, this show, or even this era is not like other girls" masturbation, but more as a reflection on what makes this protagonist who they are. Yes, maybe s6 Eleven was op-ed too much, but that's not what made any Doctor, including this one, who they are. From this perspective the concept that Ricky would not have helped anyone from outside the in-group is... ironic considering how much of a separate chaff from grain sentiment there comes about in response to the Doctor's radical - and often pragmatically wrong! - kindness. Yes, the rationales for when they "should" be less merciful are more solid than skin colour, but I think this element of "this guy is what you WANT the Doctor to be, and not just visually" is there. Can't help thinking of how the destruction of Gallifrey - both in s1 and s12 - gets hailed as "yes, that's what the show is telling us is the RIGHT thing to do, just in general, not to prevent a specific outcome!". Meanwhile Fifteen keeps calling it genocide and remains wistful.

[sepublic]

I'm glad I'm not the only one that noticed that trend with toh/dungeon meshi, because it had been bothering. And while everything you said runs true, I feel another aspect of it is the want to compare lumity to farcille. Amity-Marcille is not a bad comparison, even if it's not perfect, but Luz and Falin don't really have much in common beyond some traits you can really strech.

And I feel this highlights another aspect of the white favoritism, and is that most people only like Luz as part of Lumity. She fits as Laios far better than Hunter does, not as Falin, but the farcille vibes for lumity are far more important, because Luz character on her own is not what people is interested in, and is really bothersome. Because again, Amity is white, and she doesn't have this problem.

In general fandom will always default to reducing Luz to just the silly queer girl to talk about her white counterparts’ depth. They’ll talk about Hunter’s cult trauma or Amity overcoming her abuse, meanwhile Luz has an entire arc about surviving a suicidal depression and not letting a racist gaslight her into thinking she’s a selfish monster.

And then they’ll just reduce her to OTTER LUZ because it’s funny to juxtapose what a silly idiot Luz is compared to their serious and deep white faves, it’s just Oblivious Luz again. On its own these things (minus Oblivious Luz) were fine, except Luz isn’t held up as a multifaceted character with range the way her white counterparts are, she’s mostly appreciated as their supportive accessory and not someone whose struggle has so much more narrative focus because it IS the narrative.

There will sometimes be this performative culture around praising Luz as a Girlboss, a girl of color, but in the end it’s just that; Performative. People don’t treat Luz with the same consistent depth, they don’t treat her trauma the same as others’ despite her being the actual main character; She’s canonically suicidal! Fandom will give Luz her time in the spotlight when this week’s episode does, but after a while default back to Hunter when canon isn’t constantly reminding them who’s the real star of the show.

It’s simple really; Fandom loves to praise how their media has a diverse cast but then not engage with said diverse cast the way they do their white (boy) faves; They just treat characters of color as a shiny medal to prove they’re Progressive, but canon is not fandom. And fandom never listens to PoC despite saying they will this time, no you’re just an anti who hates fun or I can learn to consume it ‘critically’ except you don’t. Fandom has this gaslighting effect, regardless of intent, that the white guys are the only truly interesting characters and everyone else just isn’t as good no matter how much they do.

[tossawary]

This is going to come up in "Some Unknown Corner", but I don't know how explicitly it'll come up, like, terminology-wise, so... saying it more explicitly here if you want to try and look out for this detail in coming chapters. Minor spoilers for a character issue that will become a later plot point.

I'm going to try to explore Yue Qingyuan having claustrophobia, specifically a fear of being shut in underground spaces in particular. This man has wild amounts of willpower and will generally refuse to be vulnerable, so he does NOT let on to this fact in obvious ways, even when forced to be underground temporarily, but he HATES the experience. On the edge of a panic attack, feeling like he's dying, still smiling pleasantly somehow.

Yue Qi goes back into the Ling Xi Caves with Shen Jiu as disciples in one of the Qijiu extras. In this case, I think he was a little fearful (not irrationally, honestly) of something bad happening to Shen Jiu, so he forced himself to be there despite the fact that he hated being there the entire time. (My general headcanon is that Yue Qi genuinely doesn't remember huge chunks of his confinement due to the trauma of it all.) By the time he's the sect leader, over ten years later, he's calmed down enough to let Shen Yuan go in there alone to cultivate. (Maybe Shen Qingqiu threw him out another time later down the line as disciples.)

In SVSSS, Yue Qingyuan goes into the Ling Xi Caves again, I believe, in order to get stronger and potentially get Shen Qingqiu's body back from Luo Binghe. When Luo Binghe invades Cang Qiong, Yue Qingyuan has apparently hastily had to exit seclusion at a delicate time. Was he trying to heal the Xuan Su sword issue as much as possible? Are visits to the Ling Xi Caves a regular medical treatment for him? Why didn't he go into the Ling Xi Caves to get stronger / potentially heal his broken relationship with his sword any earlier? I'm imagining Yue Qingyuan honestly having to force himself to go cultivate alone through a fairly serious phobia, and Mu Qingfang being generally against it, because it seems more like Yue Qingyuan might accidentally work himself up into a terrified, traumatized episode of some kind and die due to another qi deviation.

Being at Mai Gu Ridge sucked for many reasons. It sucked for everyone, really.

Yes, Yue Qi having claustrophobia does make his being blinded in "Some Unknown Corner" worse. (He's holding steady (barely) based on being able hear other people around him + smells + Shen Jiu's touch.) He's really not having a fun time! He's a practical guy and he really doesn't like panicking, so he is SHOVING IT OUT OF MIND, which is not great. I already view Yue Qi as disabled in SVSSS canon due to the Xuan Su sword issue, and the story keeps putting him in positions (sect leader) where he cannot "afford" to be disabled (he has to try to save everyone else), and it is continuously fucking him up. He needs some real rest so, SO badly.

[longing-for-rain]

what do you think of the argument some people make that goes along the lines of "zuko was acting entitled towards kataras forgiveness and the betrayal at the catacombs was just a second thought to him"? According to them, zuko failed to understand that kataras anger at him was a direct consequence of his previous decisions and instead blames it on her resentment against the fire nation (the whole "i think she sees me as her mother's murderer" spiel). They also claim that he's a raging misogynist bc of the way he treated katara in the pirate episode, that he didnt remember her name when asking sokka abt the southern raiders, taunting her in the northern tribe by saying she is a big girl now that she's learned some new tricks, referring to the kyoshi warriors as a "bunch of little girls", yelling at mai and acting possessively, mocking ty lee... amidst many other things, including the toxic masculinity accusations ofc. They also condemn his selfishness in helping katara find some semblance of closure. I think a great part of this is just biased hate, but i just wanted to know your opinion. It's okay if you don't want to answer though!

Oh no of course, I think it’s definitely biased hate, because these kinds of superficial “criticisms” only seem to come up in response to people shipping Zuko with the incorrect character. I’ve seen the same people who make these arguments praise Zuko, say they love him, say his redemption is inspiring, etc. in other contexts.

There is a lot to unpack here, but I’ll touch on all these points because I find them interesting. Also, in regards to generally stupid anti Zuko takes from whiny anti shippers, a lot of those came up here which I addressed in detail.

Now, about these particular arguments.

1) Zuko wanted Katara’s forgiveness out of selfishness

Firstly, I never understood this take because in context…Zuko already has what he set out to get when he left the Fire Nation at the beginning of The Southern Raiders. Actually, let’s take a step back here: leaving the Fire Nation. Did these people collectively forget that? Zuko could have stayed in his life of luxury, watched the world burn, and inherited the title of Emperor from his father. But instead, he committed treason, risking his life in the process, because he knew in his heart it was the right thing to do. This is the character you’re trying to smear as a selfish monster?

Anyways.

The Southern Raiders. The scene which kicks off the conflict with Katara is when the group is sitting around the fire, praising Zuko for his heroism and saving them from Azula. He humbly admits he doesn’t feel he deserves the praise, to which Katara agrees and storms off. But the important piece of context here is that everyone else—including Sokka, Katara’s own brother—seems to be on Zuko’s side. If Zuko was purely selfish, he wouldn’t have cared what Katara thought of him. He could have laughed along with Sokka and agreed that Katara was just being dramatic. But that isn’t what happened.

Zuko doesn’t look angry or vindictive here; he looks hurt. He cares what Katara thinks of him; he later says those words verbatim to Sokka.

I also think the fact that Zuko made a special effort to reach out to Katara above the other characters shows that he recognizes that the catacombs incident was much more personal for Katara. Zuko even acknowledges this himself.

Zuko: Katara mentioned it before when we were imprisoned together in Ba Sing Se, and again just now when she was yelling at me. I think somehow she's connected her anger at that to her anger at me.

Zuko remembers their conversation very well. Katara’s anger towards him was different than the others because she felt betrayed on a more personal level. She shared something deeply personal with Zuko and connected with him, and felt deceived when he betrayed her.

In Katara’s mind, Zuko talking about his mother was fake. She tells herself it was just him lying to her and manipulating her to gain her trust, because that’s easier than the idea that he didn’t care. I believe this is why Zuko finds it so important to make it up to her…and specifically why her mother was involved. Obviously Zuko was wrong to side with Azula. But he wasn’t being manipulative or uncaring. He was manipulated himself by Azula, the person who knows how to control him better than anyone else.

So, in this episode, Zuko is not setting out to prove that he’s “good” (he’s already done this); he’s setting out to show Katara that he does respect her trauma, he does understand and respect the weight of what she told him about her mother. Zuko can tell she’s deeply hurt and that he’s part of that hurt. That’s why he wants to demonstrate that his care for her was and is genuine. He never lied to her. And that right there is the opposite of selfishness. This is once again Zuko acknowledging his own faults and taking responsibility for fixing them. He doesn’t even seem to demand or expect forgiveness in the end.

Look at his face. He’s surprised. He did not expect this gesture, although he graciously accepts it.

If Zuko was this selfish, entitled monster people want him to be, he wouldn’t react this way. He wouldn’t even care about any of the points I just went through.

If you honestly believe that Zuko’s motivation was selfish and he was just manipulating Katara’s feelings this whole time, you fundamentally missed the point of one of the show’s most critically acclaimed episodes.

2) Zuko didn’t know Katara’s name (?)

This one is just stupid. I’m sorry. I didn’t know people actually used this argument because it originated as a joke post and you should be embarrassed if you genuinely think this is canon. It comes from the scene in The Southern Raiders where Zuko says “your sister” rather than “Katara” when asking Sokka about their mother.

There is absolutely nothing about this scene indicating that Zuko doesn’t know Katara’s name. The word choice is most likely to emphasize the sibling relationship between Katara and Sokka to explain both to Sokka and to the audience why Zuko sought him out specifically.

And think about it. Zuko has been hanging around 24/7 with them for probably two weeks at this point. There is no way he didn’t catch Katara’s name, if he didn’t already know it. And given how diligent he was in his Avatar hunting days, he most likely did already know it.

3) The pirate episode

Okay I’ve said this before and I’ll say it again…I’m so tired of people projecting some weird, creepy sexual undertones onto this episode. There was absolutely nothing abusive or misogynistic about the character interactions here. It was a very standard (and honestly a bit cheesy) example of a cartoon villain and hero interaction. The fact that you see a female character in any kind of distressed situation and immediately project sexual implications onto it is the real misogyny here. I never see people complain about similar scenes involving male characters:

I could dig up even more examples but can you see my point? The argument that there was any abuse or sexual misconduct on Zuko’s part this episode is absolutely misogyny—but it’s audience misogyny; not Zuko’s. The canon scene would have gone exactly the same way if Katara was male. The only difference would be much fewer disgusting sexual over-analyzations of it by fans.

4) “Little girls”

For this one, an important piece of context to keep in mind is that this script was written in 2005 by a creative staff of mostly men. So we need to ask the question, is this meant to reflect misogyny on Zuko’s part, it is it the bias of the writers?

Another prime example of this is Iroh’s interactions with Jun. Obviously, that was severely creepy behavior and absolutely misogynistic. However, most fans (including myself) tend to overlook that. Why? Because it’s jarringly inconsistent with the rest of Iroh’s character and his purpose within the narrative. In context, it’s pretty obviously something the writers thought was “funny” at the time but aged like rotten milk.

Also, in regards to sexist language during fights, consider all the stupid lines like…

Azula: Who are you? The Avatar’s fan girls?

Ty Lee: You are not prettier than we are.

…in the Kyoshi Warriors vs. Dangerous Ladies fight. Seems like this is just a writer bias issue, personally. When have men ever been normal about teenage girls? Right—never.

I get this is a slippery slope, so my approach is to compare Zuko’s lines like this to everything else we know about Zuko and ask the question: is there anything about Zuko’s character that indicates he views women as inherently inferior or lesser?

Well, no.

You know what is a trend for Zuko? He focuses on putting down his opponents by acting like they’re younger and weaker than him. His first reaction to Aang is “you’re just a child.” This is consistent with his attitude towards Katara and the Kyoshi Warriors. Zuko canonically treats male and female opponents no differently. He fights and moves on. No creepiness, nothing like Iroh and Jun, etc. If they were male, it wouldn’t have gone differently. That’s why I think it’s a reach to say these comments by themselves indicate a misogynistic attitude.

Besides, why would Zuko see women as weaker and lesser when this is who he grew up with?

That’s another thing. For as much anger and resentment Zuko harbors for Azula on the basis that she’s Ozai’s favorite and born lucky—not one comment is made about her sex. If Azula was male, nothing would inherently change about this dynamic. So yeah, I’m not really buying this whole “Zuko is a misogynistic incel” narrative. If you’ve ever dealt with incels in any capacity, you know they’d absolutely jump at the opportunity to whine that their (female) sister is so much more lucky and privileged and loved compared to them.

5) Zuko, Mai, and The Beach

I’m working on a longer analysis of this but to summarize…people on both sides blow this issue way out of proportion. Mai wasn’t abusive. Zuko wasn’t abusive. They were a pretty standard angsty teenage couple having angsty teenage drama. Zuko called Mai a big blah and shoved some dude into a vase. Mai told him he was out of control. That’s literally such a minor issue, that they resolved by the end of the episode.

But to dig into this more, consider the point this is in Zuko’s story. He’s at rock bottom. The premise of the entire episode is to show how abnormal and out of place Zuko feels among people who should be his peers. His issues with Ruon-Jian aren’t even about Mai to start. Zuko was beefing with this dude before the party even started, remember?

Why is Zuko mad at him? Because he’s making Zuko feel freakish. He’s making Zuko feel like he once again is an outcast, and Zuko hates that. He’s insecure. That’s…the point of the episode.

I’m not going to excuse his tantrum over Ruon-Jian talking to Mai, because that was toxic, but consider the context. Zuko isn’t some crazy possessive freak. In his mind, this is just icing on the cake, another example of why he’s an antisocial freak compared to other Fire Nation teens and he hates how it makes him feel.

But interestingly enough, I do think Mai and Zuko’s interactions in that scene give some insight into their dynamic and Zuko’s character—believe it or not, in a positive way. Just consider the context and body language.

I’m just stating facts here. Zuko is more physically threatening than Mai. He’s bigger, stronger, male, and he’s a firebender while she isn’t a bender. And yet, Mai has absolutely no trouble getting in his business to tell him off. Why? You can argue that it’s just because she thinks she could knife him—but we’ve seen how she reacts to an actual physical threat (Azula) and it isn’t like this at all. Mai is confident because she knows Zuko wouldn’t physically harm her. He’s angry, but he never once uses his figure to physically intimidate her. He clearly doesn’t make a habit of this behavior either judging from Mai’s reaction. Also think about the fact that the only physical altercation here is between Zuko and another man. The primary target of his anger isn’t the woman he’s allegedly acting possessive over unlike another character in the Ember Island Players and several comics…

Not to mention the way they reconcile around the fire. Zuko’s behavior doesn’t at all reflect an angry, entitled misogynist who thinks he owns his girlfriend. Quite the opposite. He clearly holds a lot of love and respect for her. It’s just that…this episode is literally displaying Zuko at his most tortured, his most self-hating, his most insecure as he realizes he no longer has a place in the home he’d desperately been chasing for years after being brutally mutilated and banished. With that in mind, I think he actually handled himself very well.

The thing about Zuko is that he takes accountability for his wrongs and works to improve himself. He has flaws and even when they’re understandable, he still takes responsibility for fixing them. That’s the trait of his that sets him apart from…certain other characters.

6) Zuko being rude to Ty Lee

Again, see above. Yes, Zuko was mean to her. But again, this is Zuko at rock bottom. This is Zuko venting his frustration about nobody being able to understand what he’s gone through and how isolated and freakish he feels. None of them had their faces burnt off in front of an audience. None of them were banished and forced to live as refugees. Zuko blew up at Ty Lee in the first place after she made a comment about bad skin.

Like yes, he’s rude, but did you miss the point of that episode? If you think this has anything to do with misogyny you’re just delusional, sorry. That interaction had nothing to do with Ty Lee being female. It had to do with her (and every other character that episode) living a privileged lifestyle while Zuko is (literally, too) feeling the weight of the scars his trauma has left him with.

So in conclusion, yes, I really think these takes are all shallow and unfounded jabs at Zuko’s character that either don’t understand or outright ignore critical parts of his development and story. And considering I’m #canceled for my based misandry in many circles, it should say a lot that I’m defending a man of any kind ✌️

[accio-victuuri]

my mostly calm(er) reaction and reflection post on the magnolia awards nomination list 🥀

sir i don’t understand. why aren’t good people rewarded? // as the old saying goes, evil doers get gold belts and good people can’t even keep their corpses. { war of faith episode 24 }

the quote above is one of my favorites from the show and i feel the truth to it now more than ever. i have already posted about my initial rage and that hasn’t changed, it’s not okay and will never be. i’m mostly a pacifist but i’m not a doormat. there is a reason why the WOF account or the other nominees like the director and “best actor” have not posted their thanks as soon as the nominations were out because they are guilty. it speaks volumes and they should be ashamed of themselves. if you look at the most recent post for WOF weibo account, they are being torn apart. not to mention blog accounts and the same audience who supported the drama calling them out.

this should not be a surprise to those of us who watched the show and understood it’s meaning. because this is what the show thought us, to not stay quiet when there is injustice. much like how wei ruolai said that he is ashamed to be in this mountain. how he was not afraid to leave his dream and literally walk back to Jiangxi for what he believes is the right thing to do. i don’t think you will fully understand the hurt, this is not just me being a yibo stan but someone who saw myself in Wei Ruolai.

the drama was about how the youth can change the world. the reality, and what just happened is proving otherwise. i’m sharing this quote here cause it perfectly explains the problem:

"If the youth are strong, the country will be strong" but the truth is the youth are strong, but you don't recognize it.

this incident exposed the problem with these acting awards. i daresay, not only that, but with other industries where everything has to be about seniority. which in turn makes the younger generation feel burned out and contribute to wanting to lie flat. because what’s the point if the game is rigged. the CCP have always given importance to the youth. often inserting the message of why you all should have kids now because they are the future. they are important blah blah blah — but this simple award? you can’t even show fairness? Wang Yibo is the poster boy for CCP’s propaganda on how an upstanding Chinese Youth should be. He has been in the most recent years, we all cannot deny that with how prominent he is showing up in nationalistic programs tied to the “youth”. So if someone as popular/well-known/talented as WYB can’t be treated fairly. can’t be rewarded with his efforts, then what more for a normal citizen?

WOF team and Magnolia Awards really opened a can of worms here. It goes deeper than nominations and a fandom. In a way, it’s good how this exposed the corrupt system and contributed to why people are so angry. The tag for him continued to stay on top because a lot of netizen can relate, even if you didn’t watch it, i bet they had something to say. It’s been happening for some time but definitely is magnified because of Yibo’s popularity and it made them look really bad.

I am aware of Yibo’s chances with the history of older nominees when it comes to this Awards show but I am confident that he had a good chance of getting it. What made me livid was Wang Yang taking the nom. You can slice and dice it however you want, but Yibo carried that show. He is the main lead. The story is about Wei Ruolai. If Yibo didn’t get it i will still speak up but with the betrayal, not only to him but also the screenwriter — i can’t stay silent and be the “rational” vic that most of you are familiar with. WAR OF FAITH is still one of my favorite dramas with how it affected me and is largely contributing to why i’m reacting the way i do.

I’m not gonna defend anyone. Only Wang Yibo. Honestly. Fuck them all. I watched the show and supported it for WYB — everyone else don’t matter. I won’t post any hate message on their accounts but they get no love from me either.

So now let me get to the good part. Because no matter how hurt we all are, there is still a lot of good that came out of this. The silver lining(s) if you will.

1. Everyone who said that WYB has some backers can fuck off. This proves that he hasn’t. He has no background. There is no big-name pulling the strings for him. He is where he is because he is WANG YIBO. His name alone is enough. WOF got the green light because Wang Yibo’s name was on it. Now more than ever, it is proven that he is where he is because of who he is and what he can bring to the table.

2. We are reminded once again that producers are not our friends. LOL. if you know, you know. it’s all business. So don’t kiss their ass.

3. The fact that he trended #1 for hours, and still is right now at number 4 is proof of how great he represented the character of Wei Ruolai. People now recognize him as an actor who deserves a nomination and a win. The general public are now on his side. He is the underdog and there is nothing more that we want to see than a beaten down person rise above it and win. In a way, this creates more buzz and anticipation for his next movie that will be out. 🫶🏼

4. This has really set him apart from his peers of idol actors who crossed over to being professionals. He did it so effectively and in a short span of time. What happened is sad, but he won people’s hearts and those who already do stan him are more geared up to support him in the future. 💪🏼💪🏼💪🏼

I’m happy for WOF’s nomination. If i’m being honest, it was a sure thing. I’m proud WYB was part and led this amazing drama to what it is. He will continue to give us more excellent works because that is his gift to the audience who always support him.

In the next coming days, if WYB or most likely YBO puts something out, that’s what i’m gonna follow. The most i will do is congratulate WOF, but the others? no thank you.