#in fact i just finished vol8 and when i got up i could feel a migraine coming up

[ladykyriaa]

Spent the last couple of days, quite literally doing nothing but read the light novel. now I'm onto volume 9 and apparently I spent a whopping 14 hours a day this week on my phone😭😭

[metawatts]

What are your thoughts about the fight of Ironwood vs everyone in vol. 8? I was so annoyed by it. I felt like they nerfed Ironwood so hard. Oh, and the writers decided to NOW use Marrow's semblance to stop characters before they can start fighting (the Ace Ops). Would have been nice to have consistent writing and have Marrow use that in the fight against RWBY. (Loved your review of JLxRWBY, btw. You put exactly how I felt into words.)

Well the reason you feel like Ironwood was nerfed was, in fact, because he WAS. I pulled this fact from the rwby wikia because I don’t have it in me to actually hunt down the quote, but, according to the Director’s commentary on episode 12, ‘the reason that Ironwood lost was because the writers felt that Team ORNJ deserved a win after losing to Neopolitan in Volume 7.’

So don’t worry, you’re not crazy. Ironwood absolutely got nerfed so MKEK could make sure JNR didn’t look like the jobbers we know they are. That’s plot armour, deus ex machina, and hand of the author at work, straight from the horse’s mouth. No one is allowed call MKEK good writers ever again, do the words 'kill your darlings' mean nothing anymore?

Anyway, this fight. It’s crap. Honestly a lot of the fights in vol8 are just really bad, that volume was just a disgrace in every way. Personal gripe: the song that plays over it, ‘Be Strong and Hit Stuff’, is probably my least favourite song on the entire vol8 album and considering all of them on the whole suck except for the one that was not written for the show, that’s a low bar. Most of why I hate this song is because Nora is without a doubt my absolute least favourite character in the whole show, but it’s also just. I’ll do song rankings one day.

It's just the same style of formulaic combat that rwby does in every fight of the entire volume. It’s just JNROW mashing their attack buttons until they get a decent combo. And the qrow and robyn and marrow vs the other ace ops scene? Don’t even talk to me about that, so Marrow suddenly has the guts to stop fighters in their tracks when it’s his old team? Vol8 really took every character I vaguely liked and put a gun to their likability (except you Watts you kept slaying, I named this blog for YOU).

I mean, real quick combat breakdown: Emerald rips off Mercury’s kick and then does nothing for the rest of the fight. Jaune and Oscar trade off ‘whack ironwood with my bladed weapon/cane’ before Ren does his stupid rope trick and decides he wants to try whack at Ironwood. Ironwood is doing great here honestly, he’s just in full boxer mode, his guard’s consistently up, he recovers quickly and adapts, he lands some good blows. Jaune and Ren also quietly drop out of the fight here, because Nora is getting powered up by Winter, somehow, even though she’s never been shown to use dust ever she suddenly uses it all the time even though her weapon lacks the same sort of dust casing as Weiss so where’s this come from you’d think she’d have used it against Cinder when she was literally getting killed but WHATEVER-

Anyway Nora gets the first major relevant hit on Ironwood because literally of course she does, we cut off to Marrow being a turncoat, and then cut back to Winter and Oscar riding a Manticore while Nora joins Jaune and Ren and Emerald in ‘not existing in this fight sequence anymore’ land, and apparently they just decided after getting one hit in they’d pause to get on an animal instead of continuing attacking, this fight makes no sense.

Anyway, Ironwood destroys the Manticore barehanded, king shit, Winter hits him with the ice dust she suddenly uses, Oscar poke attacks, and right when ironwood’s about to knock this kid out of the stratosphere, Winter uses some sort of flashy finishing move that is literally ripped from Kill La Kill I see those studio trigger sparkles. Again, also makes no fucking sense either, what even is this, and don’t tell me ‘rule of cool’ because it wasn’t cool, it was lame. And also, so much for ‘give JNRO a win’, they can’t even stick to their own favouritism because Winter does all the actual fuckin work here.

Overall scores

Story Context: 4/10

Fight Choreography: 1/10

Authorial Bullshit Intervention (Plot Armour, this time admitted to): 10/10

Emotional Investment: 4/10 (but only because I wanted Ironwood to at least megaton punch Jaune or Nora into outer space)

Deserved Outcome: 1/10

Also, thank you!! I ended up having a lot of fun writing out my JLxRWBY review, even if a lot of it was tempered by Seething Rage. Being a miserly grump sometimes is good for the soul, after all.

[philcoulsonismyhero]

Fic Writer Interview

I got tagged by the excellent @astriiformes Ages ago to do this fic writer interview thing, and I’m finally getting around it! So here goes...

Name:

Mairi (sounds like 'marry'), Kamemor over on AO3 (after a particularly cool Romulan politician in a Star Trek novel, if you were wondering)

Fandoms:

Currently, I'm writing a lot of RWBY fic and that's unlikely to change because I'm deep in Special Interest Hell with no signs of coming up for air. In the past, I've also written a bunch of stuff for Criminal Minds and The Flash/DCTV. I've got a lot of other fandoms, but those are the main ones I've written for.

Two-shot:

Assuming this is asking if I've ever written one, technically no. But I do have a series (Just Hold On, a RWBY fix-it) that currently consists of two fics which could stand alone as they are, although I have plans to continue that one for quite a few more fics if I can find the motivation and time. And I guess I also have a couple of fics that I could have split into two chapters because they switch from one POV to another about halfway through. I like to stick to third person limited POV, and that means I often have section breaks when I want to switch from one character's perspective to another's, and for a two-person scene that usually means two sections. But I like the oneshot structure, and usually I don't feel like what I'm writing is long enough to split into chapters.

Most popular multi-chapter:

I only have one true multi-chapter fic, and it's Moving Forward, a Flash fic based on the idea of Reverse Flash being taken prisoner at the end of s1 rather than being wiped from existence. It's technically still unfinished, but I got a lot of lovely comments on that one a few years back when I was posting it, including a few folks that went through and commented on each chapter and really made my day. Maybe one day I'll actually finish it...

The only other thing I have that’s multi-chapter is a collection of missing scene ficlets, also Flash fic, but that doesn’t really count.

Actual worst part of writing:

My brain tends to be very visual when I'm writing fanfic for a TV show, and few things are as annoying as knowing exactly the facial expression someone is pulling and having No Idea how to describe it in words. Same with tones of voice. Also, I tend to jump straight into writing the bits of scenes that are most interesting to me, and going back and adding in the context that you need to make something actually readable for someone that isn't you can be a bit tiresome.

How you choose your titles:

It depends, tbh. A lot of my older fics are titled with short verb phrases that are pretty straightforward (like 'Moving Forward' or 'Breaking the Cycle'), but recently I've rather enjoyed using song lyrics. Most of my RWBY fics have lyric titles either from songs from the show itself or songs that I've got on my extensive Ironwood character playlist or otherwise just quite like and feel like they fit. I don't tend to find titles all that difficult, and I've got a fair few WIPs that have them already.

Do you outline:

Again, depends on the fic. With longer ones, yes, usually as a list of bullet points describing what happens. But shorter missing scene fics or things that I bashed out in only one or two sessions and only follow a single conversation tend not to be outlined because they just flow as I write them. I've got some more extensive outlines for a few of the fix-it AUs I've been playing with, but even then they're just bullet point lists or mostly held in my own head.

Ideas I probably won't get around to but wouldn't it be nice:

I have. So many. Most of them are RWBY fix-it fic, which is fun to write at the moment of divergence but then A Huge Endeavour to follow any further than that. I’ve planned out a bunch of different shapes for where the three different versions I’ve already written and posted would go, but there’s only one of them that I’m really continuing (aforementioned two fic series). Although I have a dilemma there, because the climax of the story arc that I figured out for that ‘verse would work even better in the other one that focuses more on Penny & Ironwood. But it’s not as simple as just throwing the idea into continuity with that one, because there’s a Major difference between the two in that in one of them, Qrow was the one who got through to Ironwood, and in the other they kinda hate each other over the whole ‘I blame you (and also me but mostly you) for Clover’s death’ thing, so I’d have to plot out a completely different relationship arc there which would have a knock-on impact on how well Ironwood is dealing with everything else. Canon divergence fic! it’s a good time.

I’ve also got So Much other RWBY fic in bits and pieces in various Google docs, it’s ridiculous. (Including a superhero AU that I’m rather fond of conceptually, but don’t really have a solid arc plot for.) A lot of it would be nice to get into a publishable state, but I probably won’t ever be bothered to.

On the not-RWBY front, I've also got a big Criminal Minds/Silent Witness crossover that I've planned out all the beats of, but actually writing it means coming up with the specific details of the murders and the autopsy scenes and a whole lot of technical stuff that I'm not comfortable just winging based on what I've seen on TV. But I also don't like researching real life crime stuff even though I love a good crime drama, so you see my dilemma. I like casefic in theory, but in practice I'm probably not going to write much of it. 

Callouts @ me:

Just because you’re an insomniac who mostly writes fic at night rather than sleeping doesn’t mean that every conversation fic has to happen as a result of one or both characters being unable to sleep, my dude. There are Other circumstances in which people talk to each other.

Best writing traits:

I’m good at character voice, although that’s a pretty standard thing to be good at. I also really like unconventional crossovers, I’ve gotten pretty good at playing around with conversations between characters who never met or aren’t even from the same universe and coming up with a believable dynamic for them. I also like to think that I’m good at getting into the heads of awkward characters and figuring out which bits to poke at in order to get them to do things they didn’t do in canon. (And figuring out how they rationalised the things they did actually do.) That’s a big reason why I liked writing Reverse Flash, the complicated bastard, and it’s why I’m having so much fun with Ironwood now. You’ve really got to work at him to get him to change direction, great big stubborn disaster that he is, and I think I’ve rather gotten the hang of that.

Spicy tangential opinion:

People should write more longfic focused on gen relationships. Some of the most fascinating relationships in stories, at least to me, are the ones between people you’d never expect to be friends, or between adults and the kids they feel responsible for who also feel kinda responsible for them, and that makes for a (imho) much more interesting story than most ships. I Live for a good complicated mentor/mentee relationship, but I hate looking for fic about them because then I have to deal with the fact that a lot of people ship those relationships and it squicks me out. Give me the longfics about types of relationships I actually care about!

(This whole thing is a good 40% of the reason that I’ve ended up get absorbed in planning out a RWBY Vol8 re-write where the parallels and the newly complicated relationship between Ruby and Ironwood is The Main Agenda. (The other 60% of the reason being ‘[x character] deserved better’.) There’s some Really Good Stuff there and I want to play with it in more of a longform situation than my usual oneshots.)

No pressure tagging:

@squireofgeekdom , @catgirlalchemist , and anyone else who wants to give it a go! Feel free to say I tagged you :D