#in a sense i also find it very hopeful

[creed-of-cats]

Anyone ever think about how Terry is essentially a failsafe.

He is the worst case scenario. He is the embodiment of the and? At the end of both happy endings and tragedies. He would not exist as Batman if not only Bruce, but the entirety of the batfamily hadn't failed. He would not exist as Batman if Bruce didn't find the last dredge of hope inside him and dragged himself out of the pit he created.

Terry isn't in most universes as Batman because most don't need him. Most have one of the bat kids step up as Batman and the head of the company. He is irrelevant in most. But in at least one, things go wrong, and begins a chain reaction that ends with Terry's father dead on the floor, and a Gotham empty of anyone to turn to, so Terry has to do it his damn self.

While I think Terry does genuinely want to be Batman, I think something else drives his stalwart position. He grew up in a Gotham without heroes, and where the main company decided to suck the city down with it. Everytime anybody ask him to give up the cowl, they are asking for a lot more then just him not wearing the suit. Who else is there? We love Barabara but there must be enough of a conception about her police force that Terry doesn't even considering going to them out of fear of corruption. Who else is there? Nobody. And I don't think he wants to risk that again.

It must be lonely, to be an entire city's last and final chance. To be the universe's attempt at damage control.

[starrysharks]

bunny blast-off!

[jemmo]

Making sense of love for love's sake: the game

Despite all the things i absolutely adore about how the plot unravels and expands in love by love's sake, upon first watch, there's some things i couldn't piece together, which @lurkingshan echoes in their post:

'The way the author was messing with Myungha and forcing cruel choices on him really does not track with a desire to help him find happiness.'

And to preface, this is not something i fully get yet either. I think i'll need a good month and a sizeable reading list of relevant resources to understand just what/who this author/sunbae is and what his role is and how he is associated with myungha. But as always with the best shows for meta (aka bad buddy), as a plot unfolds, you can always find a better understanding by looking backwards and re-contextualising what you've already seen. so i watched ep 1, specifically the scene between myungha and his sunbae at the bar. And i will talk about how everything said in this scene has a whole new meaning now we know the full story, but for now i wanna focus on that question that they keep coming back to; "Then... will you change it for him?".

When you watch the show for the first time, your brain follows the simplest, most obvious version of the story you're being told, one where myungha has been pulled into the world of his sunbae's novel that's being turned into a game and given the opportunity to fix the thing he didn't like about it; making yeowoon happy, and thus you just think the rules of the game are imposed by the author, and so when these cruel choices first come up, you see them as the difficult roadblocks that are nevertheless necessary to any kind of game, forcing the player to make an impossible choice so that the game can continue in a certain direction and its only after that you learn whether it was the right choice or not, or there is no right choice, it simply changes the game you are playing.

And when its revealed what this game actually is, at first i tried to interpret these cruel choices, namely the choice between yeonwoon and myungha's grandma, and at best i could come up with the concept of this being a choice between staying stuck to the past aka choosing his grandma, even though he knows that choice doesn't mean she's safe bc he knows the future where he loses here, its an inevitability, but thats the small happiness he knew before it was taken away and thus that happiness is known and safe, theres no risk, versus choosing to pursue a new happiness, a love of yeowoon and thus himself, which he doesn't know, he hasn't experienced yet, and could be risky. Its a happiness that isn't guaranteed like his grandma, but its a happiness that looks to the future and has hope in it that he can find a new happiness to pursue despite what has happened in his past.

And that fits nice, okayish. But then i watched ep 1 and heard that question "Then... will you change it for him?" And watching through the rest of the eps, we come back to this scene at the bar and each time we get a new run up to the author asking this question, either new dialogue is added or we hear a different piece of the conversation entirely. It starts at the beginning of ep 1 as:

"Because Cha Yeowoon is the only one who's miserable." "It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile."

Then a bit later in ep 1 we go back and its expanded.

"It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile." "Why? Do you think you'd write it differently?" "Yes, definately. Someone like Cha Yeowoon, or someone like me with an awful life, can also be happy."

And then all the way on in ep 6, we get this new dialogue.

"I don't like talking about destiny." "Why?" "Because it means everything is predestined." "Then do you not believe in fate?" "Fate and destiny are the same. My grandma likes to say that. She said life is like a written book, and how you'll live and die are written in it. (...)I don't like things like this. Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." "Really? Then Myungha..."

And while we don't hear the author ask the same question, I feel like him getting cut off like that insinuates that the conversation leads to that same ending point. All that is to say, every time we hear this question being asked, its like we learn more and more about what this whole thing is, what the game is, what myungha is saying he will do by agreeing to do what the author asks. And every time, we see myungha being more defiant against the idea of yeowoon being resigned to his miserable ending. He starts off thinking that kind of life is destined, and while it's miserable, its not something he can fight. Then he says he'd want to write the story differently, bc yeowoon, or even him, could be happy. He challenges the idea that yeowoon, and thus himself, is fated to be miserable, and opens up the possibility for happiness for them both, but doesn't yet have the means or resolve to do it, its like he knows its possible on a fundamental level, but doesn't see it as something he can actually achieve. But then we circle back to the idea of destiny and books, both of which came up in the previous quote, and seems incredibly pertinent seen as this whole thing is about a novel this author has written. Myungha talks about how he hates the idea that life is a book where everything written is predestined to happen, from the moment you live to the moment you die. He says "Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." That vile way of life he described before that he said was destined, he is now saying it can be changed, and that possibility is now something he's holding onto, its what he sees hope in so that he can keep trying, bc now he finally is trying, he has the resolve, he's trying to realise this thing, this impossibility of rewriting the life he thought was destined through the way he loves yeowoon.

And coming back to those cruel choices, given this fresh context, it made me think. bc this isn't actually a game that myungha has been put into where the rules are dictated by an author completely separate from him. He said himself, he'd rewrite it, he'd change things for yeowoon. And when you start to think of it less as him fighting against a rigid, removed system and more like him being a character in a story he is trying to rewrite himself, that has both the author and his own limitations, or just his own if you're in the school of thought that the author is some figment or part of myungha himself or his conciousness, then you can start to see where these cruel choices might come from. They could be myungha, the author making edits to this new story, imposing his own doubts and limitations on himself. When he says he has to pick between Yeowoon and his grandma, what if that's the new author myungha seeing this story unfold and thinking no this isn't right, he can't have it all, i'm not deserving of this much happiness.

And what makes me like this idea even more is that when we get that second choice between ending after 14 days or getting 100 days back at the cost of resetting Yeowoon's affection to 0, that whole conversation happens in what I think the bar actually is which is this frozen moment in time where myungha is in the water with this extension of a voice in his head that is talking through these things. That conversation in itself needs its own post, but when you look at it both as a decision to break up or not or a decision to hold onto life or not, you can see how the author is just this soundboard relaying the decisions myungha is going through in his head. The author's voice is his own, weighing up his decisions. And if he is the author here, it only reinforces that the person making the rules of this game is him. You can even extend it further to the idea of the debuffs, where he puts in place this thing that makes it so he causes harm to yeowoon when he's around, and its only by garnering affection that he can prevent it. He gives himself a reason from the get go to stay away from yeowoon and reason it as him doing it for yeowoon's safety, when in fact the only way to make yeowoon safe is to increase his affection, which he can only do by being near him. Its a system that at first gives myungha a reason to stay away aka not like himself, but ultimately says the only way you're going to make yeowoon like you, or the only way you can like yourself, is if you accept risk. And that in itself screams to me of a myungha writing in these game systems that are trying to encourage his own-self love while falling at the hurdle of his own lack of self-worth.

The idea is still messy in my head even for me, but i just really like the idea that myungha could be trying to fix this thing both as a character and game master, and that both these versions of him have these flaws that manifest in their different ways to cause the events we see. It kinda is the definition of being your own worst enemy, the idea that in order to work towards loving yourself, the biggest obstacle you have to encounter is yourself, bc we are the ones holding ourselves back, making all these rules that make it harder to like ourselves and pursue our own happiness. The voices in our head telling us that we aren't good enough and aren't deserving are our own, and while the things that happen to us can inform what they say, we're the one's reinforcing those words. And what this show teaches us is that, if we're the one holding that pen all along, we can choose to change what those words are. If we make the rules, you don't have to create a game with concrete ultimatums, you can create a game where rules don't control you. Instead, you make the decisions, and you can make the ones that make you happy.

[dariusaurs]

i think dinostar is such an interesting ship right now even if i've kind of turned away from it after this season. the problem is that it's complicated, and fandoms historically don't like nuanced situations or takes. i don't think it's fair to say darius is putting brooklynn on a pedestal, since from his perspective, she hasn't done anything wrong, and kenji has been framed as this unfair partner to her. it does feel like his feelings are very immature and more of an infatuation right now ("if he loved you half as much.."/"unless?"), especially when you compare them to kenji's own feelings for brooklynn - his girlfriend who he's loved for 6 years - but that isn't a horrible thing, it's just different. i do completely understand if people dislike the ship right now, and even criticize darius' way of handling the accidental confession, but i just think people have been way too harsh on all three of them without being willing to see that all of their perspectives are different

[firenati0n]

several sentence sunday <3 :)

hello friends :) thank you to @welcometololaland @anincompletelist @suseagull04 @bigassbowlingballhead @indestructibleheart

@thedramasummer @onthewaytosomewhere @cricketnationrise @ninzied @sophie1973

@cha-melodius @orchidscript @sparklepocalypse @kiwiana-writes @tailsbeth-writes

@theprinceandagcd @hgejfmw-hgejhsf for the tags :) :) i finally have some sentences. i have been struggling a lot with reading and writing recently. so, I'm writing something that makes me happy to bring the juice back.

here is a peep at angel!henry sequel. because honestly, writing him experiencing joy at small human things is helping me recalibrate myself and find my own tiny joys. i am doing this for me. it is a love letter to humanity from me to you, but also a reminder to myself

The Victoria & Albert museum is lively today. Henry hasn’t been back to the Cast Courts since he last visited in his time of need, the heaviest he had ever felt, his whole being sagging under the weight of the world’s pain he elected to shoulder. If he stares hard enough, he can almost see a shadow of his former self staring up at Trajan’s Column, can almost run his fingers across the desperation written all over his face as he seeks comfort in Civitali’s angels; his hands clasped and cold and pleading.   Now, his hands are warm, nestled in Alex’s palms, calloused fingertips absentmindedly running over Henry’s knuckles. It makes Henry feel grounded, tethered to a reality he never thought he deserved, but has manifested nonetheless.  He takes in the statues with a new perspective, a newfound respect. Yes, they endured. Yes, they were seen, and they were loved.  But now, Henry is too. Seen and loved, in the way that matters, with an end in sight. Henry’s never been happier to reject eternity. 

xoxo roop

+ tags under the cut and open tag as always <3

@priincebutt @rmd-writes @leaves-of-laurelin @eusuntgratie @blueeyedgrlwrites

@getmehighonmagic @violetbaudelaire-quagmire @captainjunglegym @duchessdepolignaca03 @porcelainmortal

@orchidscript @myheartalivewrites @dumbpeachjuice @anchoredarchangel @nocoastposts

@wordsofhoneydew @tintagel-or-cockleshells @sherryvalli @lizzie-bennetdarcy @heysweetheart-writes

@onward--upward @celeritas2997 @inexplicablymine @affectionatelyrs @happiness-of-the-pursuit

@14carrotghoul @cultofsappho @alasse9 @nontoxic-writes @piratefalls

@ships-to-sail @itsmaybitheway @adreamareads

[swordmaid]

shri’iia mood board

[lenaellsi]

Why does aziraphale tells crowley he forgives him??? I literally just finished it and its driving me insane

hello anon! hope you're doing okay after that ending!

that's a hell of a question. there are a few different answers, and i think a lot was going on in aziraphale's head at that particular moment, but this is what I took from it:

-this is a dance aziraphale and crowley have been doing for a long time.

there's some sort of moral conflict. aziraphale repeats heaven's party line. crowley asks a bunch of uncomfortable questions. aziraphale doubles down. crowley calls him an idiot. aziraphale forgives him. crowley storms away. pretty much half of their relationship is built on these kinds of destructive patterns at this point--of course they'd fall back into it during the worst fight they've ever had.

-aziraphale is angry.

he's heartbroken, and he doesn't understand why crowley has decided to abandon him in what should be (from his perspective) the happiest moment of their lives since the fall. he's lashing out, and intentionally hurting crowley in the same way he's been hurt. he's not stupid, no matter how much miscommunication is happening in this scene--telling someone "i forgive you" after they've kissed you is going to hurt, and he knows that.

this reading comes mostly from michael's performance. several people have noted that in the moments immediately after the kiss, aziraphale says "I l--" and then cuts himself off. then he goes on a Michael Sheen Face Journey TM and ends up angry, and that's when we get "I forgive you." whatever else is going on with aziraphale in this moment, he's pissed.

-forgiveness is what aziraphale does.

in aziraphale's very first (modern day) scene of the season, we learn that forgiveness is "one of his favorite things." he forgives maggie's rent, and he forgives gabriel enough to shelter him from heaven and hell while he's vulnerable. it's an instinct for aziraphale, for better or worse, whether it's because it's something he thinks he SHOULD do or something intrinsic to him as a person who desperately wants to do good. occasionally, it's even something he does for his own gain. (see: forgiving maggie was a kind action, but he himself admits that part of his motivation was that she always knows how to find his music.) it makes sense that he would fall back on forgiveness as a framework for understanding a mess of complicated and painful emotions. it makes him feel better, forgiving people, and he needs the comfort of that here.

-he means it.

he forgives crowley for saying no. he forgives crowley for breaking his heart. he forgives crowley for always asking 'damn fool' questions. he forgives crowley for kissing him at the worst possible time. he forgives crowley for falling. he forgives crowley for making him doubt. he forgives crowley for being kind, and clever, and ridiculous, and special, and someone he couldn't help but fall in love with, no matter how much it hurts them both.

and unfortunately, forgiveness is the one thing that will always make crowley walk away.

[agalychnisspranneusroseus]

Got any trans HCs for the amphibia trio? I love the many different interpretations I've seen from this fandom

I don't know about specific headcanons, I know I'm considering making Anne trans in RiAAU but I haven't decided yet.

In one hand: it would be interesting to think how she deals with her first periods because, well, amphibians don't have those, and Hop Pop assumes she's dying (she doesn't tell anyone else because she's so embarrassed). Not that he tells her that, but it really freaks him out. He thinks she has some sort of internal damage, and it's only after months of research that he finds out about some rare mammalian species, such as a few monkeys and rodents, that experience the same cycle Anne goes through. The whole point of this is that it makes Anne feel even more out-of-place. She doesn't remember her world or her parents, only that she came from "somewhere" (possibly another continent) full of people of her species, and she wonders if things would have been easier if she grew up with her biological family. I mean, surely this would be easier. It just serves as a reminder that she knows nothing about her species, not even its name, and she has no idea of how her biology works or what is good and bad for her or how long she'll live or what changes she'll go through.

.

BUT, on the other hand: Trans Anne. Let's start with the obvious: amphibians don't have penises or vaginas and they reproduce externally, meaning they like... release eggs and sperm in the water and they mix without the involvement of either parent, meaning no one knows what the cultural significance of a "penis" or a "vagina" tends to be in most human cultures. As a literaly 3yo, Anne probably didn't have an extensive understanding of s.ex and gender, and it wasn't like the clothes she showed up with told Hop Pop much. She just knew that, as time went on, she found herself relating more and more to the female frogs of Wartwood, and she almost subconsciously began to refer to herself as a girl. There wasn't any big coming out moment, more like a point in which, after months of ambiguity (this kid kept using different pronouns for herself) she just settled on some good ol' she/her and began picking somewhat girly clothes when Hop Pop took her to the market.

It's not like the concept of trans people doesn't exist in Amphibia, it's just that Anne didn't realize that was her situation until, at least, meeting Marcy, and noticing the differences between them. It's not like either of them had ever seen another human from up close, so they didn't know what to expect anyway. Anne's only encounters with Sasha beforehand had consisted on magical girl swordfighting in the sky and whatnot. Certainly not enough to discuss their unique biology, which is something Marcy is very excited to discuss, since she's never met anyone with her same "condition" before, and she wants to know everything, so she uses her as her little rat lab whenever she has the chance. Even then, since she also lacks all knowledge of human s.exual dimorphism and its cultural implications, she doesn't associate anything about either of their bodies to any specific gender that could possibly be asigned to anyone based on biological feautures. Since Sasha remembers the most from Earth, she's probably the only one who could maybe possibly remeber her mom or the kindergarden teacher saying something about "the difference between boys and girls", but by the point she's in speaking terms with Anne, and by the time she realizes their bodies are different, she doesn't really care.

That's not to say Anne doesn't experience dysphoria or that she never undergoes any kind of physical transition. It was probably around the time her voice started to change during puberty that she realized her case may be kinda unique: neither Marcy nor Sasha's voices have changed that much, she can tell even though she only sees Marcy in person like once every 3 years and all the words she exchanges with Sasha consist of death threats and insults. Plus, there's a clear difference between """male""" and """female""" voiced in frogs too. She doesn't want to sound like a man! She doesn't want to be anything like a man! Men are gross! Sorry Sprig, Hop Pop, but it's true. Men are icky icky yuck yuck and Anne is a girly girl. She doesn't want to turn into Stumpy! Or Buff Loggle! Oh, no, is that her future? She commits the triple mistake of 1) sending a letter to Marcy that same day, 2) knocking on Maddies' door promising her firstborn if she can save her from turning into Stumpy, and 3) she becomes obsessed researching mammalian biology in the archives. Bad decision. Bad bad. She's discovering things to feel dysphoric about she never even knew existed! Did you know mammalian mothers feed their offsprings with "milk" that comes from their "mammary glands"? Did Sasha and Marcy have those? She hates herself a little for checking out Marcy next time she sees her and she realizes that, indeed, in the past years she's grown a pair of those that Anne does NOT have. She notes that both she and Sasha are pretty much hairless. She used to think hair was a normal mammalian trait! That weasel that tries to eat the frogs every winter sure is covered in it!

Maddie shows up to her door with a bunch of new spells to try out, happy to have a willing subject. Most embarrassingly, Marcy starts doing her own research as soon as she gets Anne's letter and sends her all her discoveries, and now Anne feels mortified because Marcy knows about all the bad bad very bad changes she's going through (Marcy, for her part, is just fascinated by the nature of their "condition").

It takes a bit, but after a few very frenzied weeks, Anne comes to understad what's going on: her species had certain level of sexual dimorphism and she just happened to have been born with the supposed "sex" usually associated with "men" as a social category. When Hop Pop finds out, he burst into laughter. Oh, it was THAT all along! Anne made it sound so complicated, but it was just the same things he went through when he was younger, just the other way around ("Say what now Hop Pop?")! A few curses here and there and she won't have to worry about these so called "mammary glands" and "hair" anymore, though in the meantime, as Maddie perfects a human-friendly curse, she gets turned into all sort of different creatures. By the time it's done, she just wants to feel like... herself.

It's true that there are some things about her body that make her feel weird, like they don't quite fit in, but there are others she only worries about because she compared herself to Sasha and Marcy, which wasn't fair to anyone involved. Did she really want to fundamentally change parts of her body because of insecurities she developed last week over a book about lemurs? Then, a second set of fears come in: what will happen when she goes back to her place of origin? Because she does want to find her birth family. Will they recognize her, if they're looking for a boy? Will they think she's lying if she claims to be their daughter? If she changes only a few things but doesn't "go all the way", will people there think she's a freak? Will she ever be able to fit in with those of her species?

Does she really care so much about what other people think? She just wants to be herself. Some of the changes she's been going through are making her feel less like herself and more like she's being turned into a tax collector from Toad Tower. Those things have to go - her voice, for example. And she wants a more femenine silhouette (she may or may not show Maddie photos of young Mrs. Croaker as a reference). She wants a softer face. She's seeing her face changing in the mirror and she doesn't like it. She wants it to stay round and soft, not to grow hard and sharp or big and rough. She's not so sure she wants those "mammary glands". It's not like she ever thought about having kids, and the whole "breastfeeding" thing just seems gross, but after her research, and finding out she could have kids with, I don't know, maybe Marcy one day (a thought that makes her blush), she thinks it may be a good idea. She'll consider it. Maybe later. Her genitalia... well, she's used to what she has now. It already took her like 10 years to fully figure out what it was and how it worked and starting over with a whole new set just feels like too much work (also, the babies, the potential babies with Marcy). Frogs and toads have neither "penises" or "vaginas" so there's not a lot of information, and based on books about lemurs and her own empirical experience, comparing herself to other mammalian species isn't too useful. She'll leave it the way it is. She'll see if there's anything else she wants to change later, or if she wants to go back on something.

Marcy is surprised next time Anne visits Newtopia. In her letters, she described this strange transformation in excruciating detail, but seeing her in person now, holding her face in her hands, all she sees is the same Anne she's always loved.

A few more ideas:

HEADCANON: in Amphibia, two people of the same "s.ex" can reproduce through magic, which means there has to be a concious effort and intent. The external fertilization process there's no such thing as a pregnancy, and there's no such thing as s.ex. All reproduction is intentional, which means there's no need for abortion either. There are processes to destroy fertilized eggs and embryos, but they look completely different from human abortions.

Amphibians may perform acts resembling s.ex for pleasure or fun but they look different from human s.ex and have no relation to reproduction.

Andrias is the only person in Amphibia who knows enough about humans to know how they reproduce (a process he finds repulsive). He never tells Marcy, of course, though once she becomes queen, she finds his secret library and his hidden tomes on "alien biology", some of which talk about humans. He's also the only one who knows humans can have children on accident, and that Anne is the only human in Amphibia who could cause something like that to happen (he reads all of Marcy's correspondence). He knows his daughter is very close to this weird farm girl penpal of hers, and even though she's still a child, he worries for her future and the future of the crown. This new discovery could land the crown in the hands of a dynasty of aliens if he's not careful. Is it weird that he spends so much time worrying about his 12yo daughter getting pregnant from another 12yo? Yes, yes it is, but he already controls every aspect of her life, it's not like he's going to stop at her sexuality, future, real, or imaginary.

Man now that I wrote it all down, I think this option is more compelling than the first. Maybe I WILL go with this one.

[aliensubstance-011]

Hi, I'm very obsessed with your demon!Edwin au and I have to ask. Was he ever human or did the he-was-sacrificed-ergo-he-lost-possession-of-his-soul-to-the-demon-which-then-got-sold-several-times-and-in-turn-being-tortured-reforged-his-remaining-essence not happen at all?

Aghh hello!! You've summoned a minor lore-dump demon of your own >:)

So- as much as I adore the idea of him being originally human and slowly losing himself to the tortures of hell (an Idea I might explore later?? because I didn't even consider that??)- he is originally a demon from the layer of lust.

Now, hear me out. I'm still trying to wrap my head around The Sandman's version of hell, but from what I understand a big part of what can send someone to hell is believing they belong there. Throughout history, being queer has been regarded as a sin- a particularly lustful one! So, in hell, there's a specific area of lust dedicated to queer people from the past- this is where he gets his concept of fashion, speech patterns, knowledge of the world and thus also his internalised homophobia.

[thedrotter]

as a little treat i am sharing with you little Aya doodles I've done over the last few days to unwind ww just little expressions based on lines in-game because those are always fun to draw. nothing too special just biscuit

it's Aya because upon doing bizarrely throughout playthroughs of the game for still unspecified project purposes I've gained a soft spot for her she's my daughter now my mental tier list on my favorite characters is so confusing right now

[sweetandglovelyart]

Knightfall in Dream Land - Page 9

Meta learns that he is a Star Warrior, decides to stay on Popstar, and prepares to duel the king of Dream Land.

[uhbasicallyjustmilex]

four walls playlist

[recitedemise]

Okay, but what if... what if, and I do say this with a lot of whimsy :)))), your character is the one sweetening Gale up? I'm still chipping at my poetry asks (my brain is chugging out metaphors like no one's business), but Gale being the subject of syrupy poetics is either, one, an endearing gesture that has him very fondly laughing, or two, outright sending him into disgustingly taken silence. Gale is out of practice with romantic overtures (I would argue he essentially has never gotten one at all considering it was Mystra he was with), but he isn't a bumbling schoolboy. He's nearing 40. He won't be a mess, but he may be tastefully and delightfully bashful... a smidge of a blush and a very open, sincere smile, too.

[starkittnd93]

👀 for the ask game if you're still doing it- Cyrus?

1. How I feel about this character

BASED. SO BASED. I LOVE HIM SM. His chapter 4 goes SO HARD. Like YES go off king!!! Criticize that elitist education system meant to hoard knowledge from the public because education = power!!! Make that knowledge accessible to the public!!!!

(also he’s so neurodivergent oml he’s SUCH a mood sometimes- especially when he info-dumps)

2. All the people I ship romantically with this character

Iiiii… don’t really ship him with anyone tbh lol

3. My non-romantic OTP for this character

Hmm I really like his friendship with Therion! They really go from “your rambles make my head hurt” to *telepathically communicates via glances* and I’m HERE FOR IT

(Also Therion remarking that he’s allergic to academia, yet thinking that things might’ve been different if Cyrus caught him while he was still young in another banter in Cyrus’s chapter 4…)

Also, they’re not in the same game, but…. (Looks at Hikari’s banter in Osvald 4 where he mentions being very interested in history) …….Hikari and Cyrus would get along so well, actually-

4. My unpopular opinion about this character

Uuuuuuuhhhh. I don’t … completely hate Therese??? (Don’t get me wrong I HAAATED HER at first- but then she saved Cyrus and I was like “oh ok then you’re. Kinda okay��)

5. One thing I wish would happen / had happened with this character in canon.

I kinda wish we got to learn a little more about his backstory considering we don’t get anything in canon, but at the same time I don’t really mind it that much tbh- His story’s already good as is!

(Oh yeah and. Can’t believe I’m saying this again but similar to what I said in Tressa’s post- I wish Primrose wasn’t Like That to him in that one banter with him her and Therion-)

[sangfielle]

family bloggers go to hell no matter what

[mitamicah]

10/13 Käärijä stickers 👠💄✨

The most selfindulgent piece of this entire project x'D

I found this store full of just käärijä green things and so I decided to just draw Jere wear all of it at the same time x'D (except I didn't find a way to incorporate the dancer shirt so almost all :'D xD). It turned out working way too well not to make a sticker out of it so I'm sorry :'D

Alternative version (without the shirt) below the line :3

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