#imo fandom at its best is Appreciation of Art like they make courses for but crowdsourced. the best meta is brain expanding for free

[deancasforcutie]

#spn is an objectively good show#i've literally never subscribed to the fandom idea that it sucks or whatever lol#i think its lame to not just fully embrace your interests#if you like the show you like the show and that's all good#but if you're embarrassed about it even on tumblr dot com then just log off lol#stop spreading your misery or projecting it onto other fans#the show is GOOD#it wouldn't have 15 seasons otherwise#it wouldn't have had the audience it had and still has if it wasn't good#now get up and have some fruits (@jhnwinchester)

#prev holding hand in Frankfurt School traumatized hand dskhdgkhd #also same with the Celluloid Closet bc even though I had a gender studies minor there's still so much out there to analyze and learn about #and also even without all the depth that's found in Supernatural. if it moves you on a personal level no matter if it's enjoyment or silly #or sad and tragic or makes you question things - it's good. #like yeah I know where Adorno and etc come from but I have the feeling we now move towards being so overly critical that it becomes purist #and defining what art is and what not and what quality art has turns it full circle into policing people what they enjoy and what narrative #they are allowed to consume. and then you come back toward exactly that what the Frankfurter Schule feared #also just I hate the classism in it all? Like why are you better because you go to the opera. Why is the opera automatically the 'better' #form of art. Oh right. It's because going there is connected to status etiquette and money. #like don't get me wrong we need to fund small artists and art should not have to be this capitalist/neoliberal hellscape #but the framework we consume in and present art as is so impactful. why are we connecting Supernatural to shame. Is it because it's enjoyed #by the average consumer as opposed to some snobby policymakers. By the one not in power? #mhm. is it maybe that calling mass media low art is actually reistablishing systems of power like of course mass media is a tool #but a tool is also to tell who is allowed to enjoy what form of art and aquire what kind of knowledge you know #also yes agreeing with you the SPN writers knew their shit. except maybe Buckleming aksdhkjsdhfkgfd (via @deancrowleycas)

Supernatural is queer and I am queer and it impacted me greatly man I love art man I love to relate and to laugh and to cry and to learn and I love that Supernatural is good

[stranger-who-writes-fiction]

Back at it again with my self-indulgent comic posts. This time! It’s Supergirl: Woman of Tomorrow #3, perhaps the most tonally-distinct entry yet, with shades of The Twilight Zone. 

Spoilers!

So, as mentioned, this issue is the most deliberate in terms of both its pacing and its tone, IMO.

What is that tone, you ask?

To quote Alex Danvers, from “Midvale”: Hello, darkness.

THE STORY:

Kara and Ruthye are still looking for Krem Clues in the alien town of Maypole.

(Which is actually just Small Town, USA, complete with vintage 50s aesthetics.)

But the locals are clearly hiding something! So Kara and Ruthye continue to investigate, and they eventually discover what it was that the residents of Maypole were so keen to keep hidden. 

Genocide, basically. 

As I said, this issue struck me as very Twilight Zone; a genre story involving the build-up to a dark twist, all set against the backdrop of an idyllic small town. (Think, like, “The Monsters are Due on Maple Street” but instead of focusing on the Red Scare, it’s classism and racism.)

The wealthier blue aliens kicked all of the purple aliens out of town, and when space pirates showed up to pillage and plunder, the blue aliens made a deal with them: the lives of the purple aliens in exchange for their safety.  

Which is where the episodic story connects to the larger mission; it was Krem who suggested the trade, and then joined up with the Brigands (space pirates) when he was freed by the blue aliens.

The issue ends with no tidy resolution to the terrible things Kara and Ruthye discovered, but they do have a lead on where to find Krem, now, as well as Barbond’s Brigands.

KARA-CTERIZATION:

Ironically, it’s here, in the darkest chapter yet, that we get the closest to what might be considered ‘classic’ Kara. 

Which I think comes down to that aforementioned deliberate pace--this issue is a little slower, a little quieter. It gives the characters some room to breathe.

That’s not to say Crusty Kara is gone. Oh no. She is still very much Crusty. XD 

But anyways. A list! Of Kara moments I loved!

I mentioned a few of these in a prior post when the preview pages came out: I like the moment where Kara blows down the guy’s house of cards, and I like that the action is echoed later in the issue when she grabs the mayor’s desk and tosses it aside. A nice visual representation of the escalation of Kara being, like. Done with these creeps. (Creeps is an understatement but you get the idea.)

Another one from the preview pages: Kara explains to Ruthye that her super hearing won’t necessarily help her detect a lie, especially if she’s dealing with an alien species she’s not familiar with.

It not only reveals her level of competence and understanding of her super powers, it also shows that, you know. She’s a thinker. She’s smart. 

Amazing! Showing, rather than telling us, that Kara is smart! Without mentioning the science guild at all wow hey wow.

(Sorry, pointed criticism of the SG show fandom.)

Anyways.

I dig the PJs! 

And Kara catching the bullet! Not only are the poses and character acting great, it’s also a neat bit of panel composition:

We start with Ruthye’s POV, and then move to the wide shot of the room. The panel where Kara actually catches the bullet is down and to the side of the wide shot panel--we move our eyes the way her body/arm would have to move to intercept the bullet. Physicality in static, 2D images!

Also, like. It’s a very tense moment, life-or-death, but. Ruthye’s wide-eyed surprise at the bullet in Kara’s hand? Kind of adorable. 

I was pretty much prepared for the page of Kara shielding Ruthye from the gunfire to be the highlight--it was one of the first pages King shared and I was like, ‘yeah, YEAH.’ But, shockingly? The TRUE highlight of the issue?

Where do I BEGIN?!?!

EVERYTHING. About this moment. Is lovely.

From Kara holding Ruthye above the bench to explaining the concept of a piggyback ride, to telling her:

“I’m going to hold my hands here, and these hands can turn coal into diamonds, so they’re not going to let go. I’m going to keep you safe.”

HNNNNNNNNNNNG.

Ruthye’s narration--about how Kara had avoided flying as she was concerned it would freak Ruthye out--just adds a whole additional layer of YES, GOOD, YES, and her line on that splash page is great: “You see, all that time, she was worried about me.”

HNNNNNNNNNNNG. AGAIN.

To say nothing of the STELLAR ARTWORK.

And SPEAKING of that stellar artwork, Evely and Lopes continue to knock it out of the park. Each issue is distinct and beautifully crafted, a true joy to look at.

Before I jump into more of the art, a few final notes of character stuff in general.

Ruthye is the one most affected by the experience in Maypole, as she can’t comprehend how a society of people that look so nice and gentle and peaceful could have been party to such a horrible act.

One of the big criticisms of the book thus far is that Supergirl is not the main character, and I guess I can agree with that observation. Typically, in Western media, the main character is the one who goes through the most change in the story. 

And, yeah. That’s Ruthye.

As I was reading the end, where Ruthye sits on the curb and Kara hugs her, I was imagining how the scene would’ve played, had King stuck with the original idea for the series: Kara as the one learning to be tough/experiencing all of this for the first time, and while I think that could certainly work...

I continue to appreciate that King literally flipped the script; that Kara, especially in this issue, is like, ‘I’ve seen this, I know this,’ as opposed to being the one going through a loss of innocence.

*Marge Simpson voice* I just think it’s neat!

Because Kara’s been a teen in DC comics for so long--ever since she was reintroduced to the main DCU continuity, actually--so this is all brand new territory, here. Having an older Kara who’s SEEN SOME STUFF.

(Alsoooooo, since Bendis made the destruction of Krypton not just inaction and climate disaster, but rather, genocide, and the subtext of a Kryptonian diaspora text, the waitress’ derogatory comment regarding the the destruction of Kryton, as well as Kara picking up the bad vibes the entire time, suggests not just a broad commentary on discrimination in all its forms, but specifically allegorical anti-Semitism. The purple aliens being forced out of their homes and into substandard living conditions, then the blue aliens--their neighbors and once-fellow residents--essentially allowing the space pirates to kill them, making them literal scapegoats, Kara discovering the remains of the purple aliens, and Ruthye’s horror at the ‘banality of evil’...yes. A case could be made, I think.) 

(Which would probably require a post unto itself and a lot more in-depth discussion, nuance, and cited sources.)

(Should mention that King has brought up that both he and Orlando--the other Supergirl writer he talked to--are Jewish, and for him personally, that shaped his views on Kara’s origin story.)

I guess my point is that this issue is perhaps not as out-of-left-field as some might think, and just because there isn’t as obvious an arc for Kara, doesn’t mean there isn’t some sharp character work at play. 

(I could be WAY OFF, of course, and I’m not suggesting it’s a clear 1:1 comparison. I’d actually really love to hear King talk about this issue in particular.)

Anyways.

Here’s the final page, which I think works, because as I mentioned before, there is no easy answer/quick wrap-up to the story of Maypole:

THE ART:

I mean. How many times can I just shout ‘ART! AAAARRRRRRRRRRRTTTT!’ before it gets old?

I dunno, but I guess we’re gonna FIND OUT.

There are some panels in this issue that I just. Like ‘em! From a purely artistic standpoint! Because they’re so good!

Like, I just really love the way Kara is drawn in that top panel. Her troubled, confused expression, the colors of the fading light, the HAIR. 

Evely draws the best hair. I know I’ve said this before. I don’t care. I will continue to say it, because it continues to be true.

The issue I find myself running up against when I make these posts is that I really don’t want to post whole pages, as that’s generally frowned upon (re: pirating etc.) but with something like this, you just can’t appreciate it in panel-by-panel snippets.

(Guided View on digital reading platforms is a BANE and a POX I say!)

Anyways.

LOVE the implied movement of the cape settling as Kara speeds in and stops. 

And, obviously, Kara flicking the bullet away is just. A+. 

And the EYES, man. LOPES’ COLORS ON THE EYES???!?! BEAUTIFUL.

Also, should note the lettering! The more rounded letters for the ‘WOOSH’ of Kara’s speed (and, earlier, the super breath) work nicely, and contrast with the angular, violent BLAMS of the gunshots. 

And, I gotta say, the editor is doing a really great job of not cluttering up the artwork with all the caption boxes. Which is no small task.

(I assume the editor is placing them, as editors usually handle word balloon/caption box placement, but I suppose it could be Evely? Sometimes the artist handles it. Either way, whoever’s taking care of all the text, EXCELLENT WORK! BRAVO!)

Okay I think that’s everything.

Ah, nope, wait.

MISC.

Just a funny observation, more than anything else: Superman: Red and Blue dropped this week, and King had a story in there, “The Special” (which was very good, btw.) Both Lois and the waitress swear a lot so I’m beginning to think that this is just how King writes dialogue for any adult character who isn’t Clark. XD

This is absolutely a personal preference but when Kara was like, “And my name IS Supergirl,” I was like nooooo. I know King is trying to simplify all of the conflicting origin stories and lore but I LIKE KARA DANVERS, SIR. XD

It’s almost assuredly a cash-grab/an attempt for DC to get all the money it can out of a book they don’t have much confidence in, but I like the cardstock covers! Very classy, much Strange Adventures.

(OH my gosh, can you imagine that issue 1 cover with spot gloss???? Basically the only way you could possibly improve on it.) 

Okay NOW I’m done. For real. XD NEXT TIME: Kara and Ruthye go after Krem and the Brigands!

[curiosity-killed]

Hi....If you don't mind me asking, who are your favorite MXTX characters (top 5 from each novel)? And why? I'm sorry if you've answered this question before.

Aw of course I don’t mind! Though I feel like my answer is going to be a disaster bc I love these casts so so much aha let’s see:

✨ SPOILERS AHEAD ✨

MDZS/CQL

1. Wei Wuxian

Ah so I feel like this is obvious based on the sheer quantity of things I produce and the effort I put into hurting him 😅 but yeah! I love how much of a classical tragic hero he is and I love how much love he has and how that gets twisted around and shaped into a collar of spikes around his own neck. I saw gif sets of wwx before I ever knew about CQL and my reaction was “fuck. I’m going to love him” and I do! And I love that he does learn from his past and I love most of all that he learns to accept the love he is given and is able to make a happy ending in a place of being loved and held in respect and appreciation

2. Wen Qing

On the other hand, I did not expect to be like “mine now” with Wen Qing. Don’t get me wrong, the sexy immortal look got me but it wasn’t really till I started writing fic that I was like ohhhhh Oh Boy. Wen Qing is brilliant and ruthless, fiercely loving and aloof and cold. I love that she gets the lose-lose challenge of balancing what is right for her family vs what is right in the world, what she owes to her sect and what she owes to individuals. The golden core transfer is my favorite dubious science experiment in p much all media I’ve consumed. She gets to be so human—prickly and tough and also achingly gentle and afraid and putting on a tough face and sometimes still crying. “I’m sorry and thank you” ! Im!!

3. Jiang Yanli

The first fic I wrote for this fandom was literally “Jiang Yanli died no she didn’t” lmao I do feel like I underserve Jiang Yanli in that I often fall prey to using her to further the complexity that the male characters are permitted while denying her the chance to be given the same space for development and breath — something to work on! But in that, I really genuinely love how tightly she binds herself to her family and how she tries so hard to be what others need her to be—and then she does make a choice for herself and for a single moment at least, she gets to be loved and to be happy and to have this, a husband and a son and a place, for herself. And terribly I love how much she permeates the story still after death. She is the unspoken voice, the face turned from the camera but always still present, carried in the hearts and names and memories of the ones left behind

She deserved better but—I am weak for the tragedy of it all

4. Jiang Cheng

Another surprise (tho hardly surprising in hindsight): Jiang Cheng is just...horribly understandable. He makes terrible choices and his greatest heroism is undone by a choice made for him or, in the case of “killing the Yiling Laozu” is a lie. He is such a youngest sibling who doesn’t want to be the youngest until all at once, he’s the one in charge and he doesn’t want it at all. He is full of anger and hurt and so much love he doesn’t know what to do with it, doesn’t want it anymore, has no place to put all of its terrible, overwhelming flood.

5. Lan Wangji

I almost didn’t put Lan Wangji or Jiang Cheng on here and then I realized that this is sort of a list of characters I’m pickiest about in fic and...yeah. I think what I love best about Lan Wangji is his journey of grief and healing and through that, his decision to step into world. Where Wei Wuxian’s decision to travel and be removed from the cultivation world (in varying degrees depending on your headcanon preference lol) is really, really important to me, Lan Wangji’s decision to go from being an isolated lone agent working apart from the systems of the world to being involved and invested in changing those systems and working to make them better is also really important to me. I’ve talked before about how relatable Lan Wangji is to me (esp with regards to our interaction with the outer world) and there is something deeply hopeful and comforting about post-timeskip Lan Wangji being in his like mid-/late-30s and still making decisions and growing and changing and choosing to invest himself in the world and the future

yeah. i have thoughts here that I don’t really have the maturity, life experience, or articulation to put into words but Lan Zhan Good basically

TGCF

1. Xie Lian

suuuurpriiiiise!! Yeah honestly mxtx’s mains in TGCF and MDZS really just hit all my buttons basically. What appeals to me most of all about Xie Lian is, fittingly, how he is humanity taken to extremes. His capacity for incredible kindness and compassion is equaled with his capacity for cruelness and ruthlessness. His heaven-shaking highs are matched with calamitous lows. He is the hyperbolic of what it is to be human—and he is also the small moments, the wildflowers and the maple leaves and the mundane chores and the comfort of whispered conversations late into the night. I could quite literally go on for pages about what I love about Xie Lian but I am not Hua Cheng and can restrain myself LMAO

2. Hua Cheng

of all the characters on these lists, Hua Cheng is the one I’m pickiest about tbh! When I say I love him for similar reasons as Xie Lian I don’t actually mean this as being similarities between the two but the fact that both of them so richly convey mxtx’s points about the nature of humanity and what it is to be human. Hua Cheng is both the boldest and most arrogant of all and also the most vulnerable, the one who shies away from the truth because he’s braced for it to hurt and isn’t sure he can take it. He is gory blood rain and an umbrella to shelter a fragile bloom; he is a blade whose wounds only heal if he permits it and he is a sacrifice that he brushes aside as a fit of madness. *pats his head* this boy can fit SO MUCH inside him that he refuses to acknowledge

3. Jun Wu

Definitely my favorite antagonist in recent reading. I was doubtful of him from the start (something something issues with authority something something probably should talk to my theoretical future therapist shhh) but the unfolding of his reveal was so delightfully painful and exquisite that I was like “YES!!!” reading all of it. About the epitome of a satisfying plot twist imo. But about the character himself, I love how he parallels so many — Xie Lian in his rise and fall, his glory and disgrace; Hua Cheng in his fixation and ruthlessness; He Xuan in losing himself to the plot and not knowing how to move forward. I love that he feels beyond human in a way the others don’t—he’s so old and has gone through so much and he doesn’t feel things the way humans do anymore, doesn’t remember right how love squeezes the heart or how hate can exist without acting on it. I love that he thinks he knows how to control everyone and that it’s such mundane things that fool him: Xie Lian’s absurd stubbornness, Hua Cheng’s foolish faith, Yin Yu’s...emotional maturity??? Not Sure how to verbalize that one. But in the end, he is defeated by both the humanity of others and by his own—he’s so tired. He’s exhausted in a way that gods and ghosts aren’t meant to be. He is, under the armor and the masks, the curses and the power, human—benevolent and cruel, evil and good.

4. He Xuan

I love my fish man! No but really I love how He Xuan is so fixed on his one goal that he refuses to acknowledge anything else in his (after)life—which doesn’t make it go away. I love that he is left unmoored, purposeless through the very act of completing that which gives him purpose. I love his long con and the ways he clings to himself but loses himself not in the act but in the telling himself it’s an act. I love that he tries to be a moral man and then becomes a ghost king, a calamity. His reveal is also terribly badass and I do love his bone fish wholly unironically. Like I’m not going to get a He Xuan tattoo (for one thing I’ve been meaning to get a tattoo for 5 years and still haven’t gotten around to it) but also. B o n e f i s h

5. Mu Qing

Of course! The Jiang Cheng of tgcf lol Mu Qing (which my phone desperately wants to autocorrect to my Qing) is so...gah he’s such a mess! And he so fully commits to the belief that no one will ever see and understand him as he is but will always view them through their own convictions about him and his actions — which is simultaneously heartbreakingly lonely and also. Sir You Are a Clown. I genuinely think he’s owed apologies from both Feng Xin and Xie Lian for their treatment and assumptions of him and think that he would be HORRIBLY offended at the thought (while secretly touched? But like secretly even to himself). He will never explain himself and will just clam up tighter the more people accuse him and it’s such a self-sabotaging behavior and also so horribly relatable. I love u sir, you’re a disaster

SVSS I have not read but I do really like the moshang art 😂

[pearwaldorf]

fanwork roundup 2019

LIST OF FANWORKS NSFW is denoted with an asterisk. All Good Omens is Aziraphale/Crowley unless noted. the last witness before the wave hits (Good Omens, gen) can you feel my heart beat fast (I want it to last, need you by my side) (Good Omens) *well you laughed baby it's okay (it's buzzcut season anyway) (Good Omens) take care to leave a trace (KOTOR 2; Jedi Exile/everybody, Jedi Exile/Visas Marr) of some other man's belief (Good Omens, gen) I've got this feeling, so appealing, for us to get together and sing (Good Omens, gen) [archive-locked work] (RPF) I knew that sullen hall (Good Omens/Dragon Age: Inquisition crossover) *we gladiate but I guess we're really fighting ourselves (The Last Jedi; Finn/Poe/Rey/Rose) healing spirit (Good Omens) [archive-locked work] (RPF) better than anything else that I've tried (Good Omens) gotta blame it on the goose (Good Omens/Untitled Goose Game crossover) *don't know you super well but you might be the same as me (Good Omens) sleeping at last (Good Omens) *don't need a crown to know that I'm a queen (Good Omens) *just let me try (and I will be good to you) - an Anthonavery RPF (Slow Show) *I can make you boil up baby, let it simmer (Slow Show) an instrument of thy vision (Rise of Skywalker; Finn) Tumblr ficlets I also did two challenges this year: Ineffable Fictober and Drabbletober. TOTAL WORD COUNT 

62423!!! By fandom: Good Omens: 36697 Star Wars: 7421 RPF: 5808 KOTOR 2: 2505 Dragon Age: Inquisition: 1105 Everything else (Critical Role, MCU, Hannibal, Mass Effect): 8887

OVERALL THOUGHTS 

Oh god it was so good to get my words back, and not only that, surpass my word count for my previous best year. The past two years have been super fucking bad for writing, and to be able to write with ease and joy againi feels like a marvelous gift, and I am grateful. And copypasta from last year, because it seems worth repeating: If, despite everything, you were able to produce work this year, congratulations. And if you couldn't, that's okay too. Next year will hopefully be better. 

PERSONAL BEST/FAVORITE I really do feel like I leveled up as a writer this year. The words were good and they came easily. I branched out a lot this year: RPF, really strange metafic, things that should be fic but the thing it's fic of doesn't actually exist. I had a lot of fun writing all of it. 

MOST UNDERAPPRECIATED (IMO) 

I feel like everything was appreciated the right amount. I would have loved more people to have seen I knew that sullen hall, but niche crossovers are hard to attract attention.

MOST POPULAR

well you laughed baby it's okay, aka the hair-pulling fic. People really seemed to like it an almost disproportionate amount to its length and quality. Maybe it was exactly what fandom wanted at the time. Also somebody tried to plagiarize it so I guess that must mean they liked it a lot. :P 

STORY WITH THE SEXIEST MOMENT Don't need a crown to know that I'm a queen. I like stories where characters know they're a snack and aren't afraid to show it off.

MOST FUN STORY TO WRITE 

Gotta blame it on the goose, for sure. It's so silly.

STORY THAT SHIFTED MY OWN PERCEPTION OF A CHARACTER

I knew that sullen hall. I never spent a whole lot of time with Blackwall, so it was interesting to get into his head for a bit. And in the course of writing the story, I had to think about things that he and Aziraphale would have in common, and it was useful character work for both of them.

HARDEST 

Of some other man's belief was a strange, recalcitrant story where I never really knew where I was going with it. All I know is it wanted to be written very very badly.  

BIGGEST SURPRISE/S 

The fake RPF I did for the Slow Show universe. The everything I wrote in the Slow Show universe. But it was great fun, and the Warlock Party House is a wonderful group of people. 

BIGGEST DISAPPOINTMENT  

I wanted to get out a vid this year, but I don't think that's going to happen. 

MOST UNINTENTIONALLY TELLING STORY 

Like I say every year, all my shit is out in the open.  

FAVOURITE LINES/SCENES

Occasionally, as she is drifting off, she feels something shift in her awareness of him, like the brush of a hand on a curtain.(from we gladiate but I guess we're really fighting ourselves) “Jesus fucking christ, angel. You can’t just say things like that.” “Leave that poor boy out of this. Now tell me, do you like the red or the black better?” (from Ineffable Fictober prompt "anything you like") He reached up to grab the other man’s hand, lacing their fingers together and squeezing. Come for me, he tried to communicate with his touch. Flood me with your release. (from just let me try. I was writing it intentionally badly but sometimes I'm not sure people got that 😆) 

LINES/SCENES YOU’D CHANGE 

I try not to think about it because then I'll want to change them and then I'll never stop fiddling. 

TOP FIVE SCENES YOU WISH WOULD BE ILLUSTRATED

The alley scene in can you feel my heart beat fast Nanny, Warlock, and Aziraphale at the concert in I've got this feeling Crowley tending Aziraphale's hands in healing spirit This chapter (wings) from Ineffable Fictober Crowley chasing after the goose 

2020 WRITING AMBITIONS

As always, a look at last year's:

(Creative) Survival is still a laudable ambition. I will endeavor to produce as much as I can creatively, and hopefully exceed this year's incredibly pathetic word count. I haven't made a vid in a while, and I have a new NLE (VEGAS Pro 15) to take for a spin. Art is also part of resistance, and integrating it more into my life will be good. 

I think I did pretty well with the first two. Didn't make a vid, but I'm starting on one now. Good Omens was more important to me this year than I realized. Coming off Endgame, I needed something to feel excited about, and Good Omens is a very enthusiastic fandom. It also got me through the lead-up and release of Rise of Skywalker. For a while I was deeply suspicious a shoe was going to drop re: how much fun I was having in GO fandom because it felt too easy. People weren't wanking the day away (or I could avoid those that were) and they were so happy to love on the characters. And then I realized no, that's actually how it should feel to be in a fandom community. So I guess that's one of the things I'm going to do next year: prioritize joy, especially when it comes to fandom. I've never been exactly bad at writing whatever the fuck I want, but that is something I should continue to do. I would like to write something long with at least a modicum of plot. I am bad at both of these things, and it would be nice to prove to myself I can if I wanted to. I am going to try and make two vids next year and see if I can learn Vegas 15 and maybe another NLE. I also want to get a captioning/transcription guide up for fans who want to make their vids more accessible, as somebody asked about it.

[vixenfur]

In the mood for more positivity around! Tell us how much you love your friends and how they have made an impact in your life!

!!!! I love this!!!! OFF I GO!

@zeta-jane - Zeta, you’re unlike anyone else I’ve ever had the chance to know. You’re filled with sarcastic remarks and random facts and you never fail to amaze me, make me laugh and teach me new things (sometimes all at the same time). Your writing skills are phenomenal and it’s always so much fun writing with you. Even if I take ages sometimes to get a project rolling with you, believe me I really enjoy myself the entire time!! :D Thank you for always being honest with me and never sugarcoating stuff, I need realism in my life more often than not xD Thank you for being a constant force in my life and being true to yourself above all. Seeing your bold personality and mentality grounds me a lot and I really love that about you!!

@yuudefensesquad - my DAWTER. my precious sunshine child. You have made me soso happy and I hope you can say the same about me. I feel like we’re on the same wavelength and we understand each other a lot. Beyond quoting the same vine at the same time or sending the same/similar memes to each other, sometimes when you talk about your experiences it feels like listening to myself. I feel really lucky to know someone like you and I absolutely adore what you create. You’re so amazingly talented and sweethearted and I want the best for you.

@crazyloststar - AAAAAH you’re just incredible. I’ve always seen you as one of my closest friends in fandom, and at the same time I look up to you. Not only in terms of your writing & the things you create, but just your attitude on things, from your own personal struggles to your advice for my own problems. I really strive to think more like you, and thanks for always being reasonable and truthful with me!! and of course, thanks for all the laughs and fun times!! I find it hard to stop smiling when we talk!! :D

@absolute-exclusivity - omg girl. I can’t tell you how grateful I am that you’re in my life. You are so full of energy and joy and sunshine that it’s impossible for me to be sad anymore after talking with you or seeing your smile. Spending time with you during my abroad experience was so worth it every time and I miss you tons!! All the laughs we shared and more–I will never forget them. Most of all I love your outlook on life. Even when things get rough, you motivate yourself and power through. You don’t let yourself get dragged down no matter what shit is thrown at you and your strength is so admirable. Even in your most painful moments you find a way to see the light and I love that about you. Just know you have a shoulder to lean on when you need it– I’m right here for you. Thank you for being in my life.

@ Feli even tho she’s not on tumblr - girl !! you are the most cursed fuckin person I’ve ever met LMAO but honestly thank you for all the laughs. You crack me up constantly!! but more than that, thank you for being there for me. We’ve only gotten close as of lately but I really enjoy talking with you & I’m glad to know we’re both the same level of filth™ as each other XD Your advice is really helpful to me personally and I hope I can be a help to you, too! Rock on girl & keep up that amazing art and writing talent you’ve got going. You’re incredible and never think otherwise.

@balefulvengeance - You are soooo sososososo COOL and I am so freakin thrilled to be your friend. I’ve always admired your art and writing and cosplay, and I can’t say how excited I am to cosplay with you coming up!!

@anyonguk - you are so incredible!!! We met so long ago but both of us have changed and grown so much. Despite our interests going different directions, I’m still so happy that you remain in my life & spread your loving, positive energy. You’re so full of happiness and joy even during the hardest times and I really admire how you get through the hurdles in your life. Even when things seem bleak you find a way to pick yourself up and carry on! But you don’t do it alone– you let us friends help you and support you and I think the fact that you can rely on us is really amazing. It’s so good that you know when to reach out and how you want us to help you. I’m so honored to be someone you can turn to.

@ Kris, who’s tumblr I also can’t find atm - girl!!! You are so so full of love. Your posts always bring a smile to my face and I absolutely love the energy you have. You’re always out there wanting the best for this world and it’s so admirable. Your drive and motivation to stay positive and be the best person you can be is amongst the strongest I’ve ever seen in people. I appreciate your memes, your creations, and your kind words in rough times. I hope my words can comfort you too. You’re doing great & I want nothing but the best for you!!!

@just-another-dream-about-yuu - Hey girl I know we don’t talk a whole lot one on one but I am so so happy to know you. You have the best attitude imo, always being your best self and doing what you love. You’re unashamed to be who you are, to express yourself how you want, and to do what makes you happy!! I may not always understand what your posts are sayin but I LOVE seeing you out with your friends and smiling and enjoying yourself. I Love your art SO MUCH even if it isn’t always OnS, I adore your style and always have. I love your enthusiasm and you’ve always, always made my fandom experience so, SO worth it. Thank you for being you. Keep it up!!!

@ Theo who also might not have a tumblr idk - Again we don’t talk a lot one on one but you’re so freakin sweet!! I don’t even know how to explain it!! You make me so very happy; your art is so soft and though you might have parted ways from ONS, I’m so happy you still wanna be friends & stay close. I am excited to see your creations from now on while treasuring what you’ve given the fandom. Most of all, thanks for being such a bright person in my life! When I think of you I think of sparkles and smiles, so thank you for always being so positive and fun to chat with!!

@seraph-star - you’ve done so much for me and you probably don’t even know it!! Everything from your fanart, your posts and your comments on my works have always left a huge impact on me. I hope we can become closer friends because you really rock and I adore your edits, your art and everything else you create. You’re so inspiring to me and I love seeing your story & what you’re up to. I wish we lived closer so we could hang out cause man I think it’d be so much fun!! :D Keep up the amazing work and keep being you. You’re one of the coolest online friends I’ve had the pleasure of meeting!!

@weirdfairytales - I MISS YOUUUUU! yo i Know life be that way but I think about you lots. Not only your amazing fics but just chatting with you– its been far too long and we gotta catch up soon. You’re so freaking awesome and unique and I love our convos, our deep talks and the times when we meme each other into nothingness XD you’re doing so many cool things and I am cheering for you always, even if you’re not aware of it all the time. Keep being amazing girl and I’m here when you wanna chat.

shoutouts to Gia, Helen and Angeru for being the coolest beans ever as well ;) though we aren’t as close I still appreciate you guys!!!!

THERE’S SO MANY PEOPLE I LOVE AND WANNA SHOWER IN LOVE but I kept it to this group for now. you’re all so great and I took this ask and ran with it. I hope it brought a little smile to your face if nothing else. This isn’t for anything in particular, & don’t feel obligated to give me a long response or anything!! this was just a chance for me to express how much i love and appreciate you all.

[shoushatohaisha]

review: hajimari no kyojin (osaka 6/1)

so. hello. i usually write up my butai thoughts as, um, 100+ tweet threads in the immediate wake of whatever i just saw, but this time around i thought i'd work them out into a proper report, of a sort. if you, too, have seen this show already and want to talk about it... please. any time. always.

about reviewing: this is my very favorite 2.5D franchise, ever. but this is also a review, not a cheerleading exercise, so not every single thing i have to say is unrelentingly positive. having said that, i respect kinoshita, wada, suga-zachou, and the staff at large more than just about any creative team in this corner of japanese theater fandom so like. i'm not here to drag, lol.

about spoilers: i talk about the plot elements covered but try to avoid spoiling any of the fun production surprises. :) happy to do a more spoilery play-by-play later if folks are curious.

about length: i just checked and it's 2400 words im so sorry.

without further ado...

first of all, i admit that based on the preview clips i doubted, and i was swiftly taken to task for doubting. IM SORRY WORRY-SAN i trust u implicitly and i should have known better. after the major changes in shinka no natsu, i was concerned that bringing back the revolving stage and the original opening theme would feel stale/regressive. it did not. while they did bring back the revolving element they also extended the stage backward and added a second level behind a full stage height projection screen – the second level was used to do some neat staging for flashbacks/parallels and the screen was used to, how shall we say this, up their projection game in a major way, which i frankly did not think was possible. i will not spoil the details but it was pretty great, on a purely technical level.

i also realized that a lot of the repetition – opening with the bike scene, bringing back the original opening credits music, the staging, etc – is the "look back" over the last couple years that i'd expected to come this fall. they are very obviously already preparing for the end – you could think of this as part one of their last show, with the fall as part two. the show opens with a restaging of sixth grader hinata seeing the little giant on tv for the first time – then the current karasuno team take the place of the tv and hinata joins them for a team jog. "karasuno, fight!" "oh!" "fight!" "oh!" only then each character calls out their signature line from the show so far. "uchi no renchuu wa chanto tsuyoi" / "mou tobenai karasu nante yobasenai" / "murabito b mo tatakaemasu!"

and haha. let me tell you. BOY, DID I FEEL THINGS. a lot of things. i think yachi got me the worst but they were all real bad. (i have so many feelings about yachi's story and what a beautiful job saitou ami did with her character on stage. god. ;_;)

the theme of this play was the role of captain – what makes a good captain, what a captain does for the team, and how to step into those shoes when the captain is gone. the johzenji match is fun, but here, in a sense, it exists more or less to set up the wakutani match – (re)establishing daichi's importance so that his absence feels like the gut punch it is. and fully settling the weight of that responsibility on ennoshita's shoulders, as both daichi's substitute on the court and the captain-in-waiting.

with that in mind, the rival schools: imo it wasn't strictly necessary to cast full teams for each school – each match got its own dedicated act, and unlike, for example, nekoma/datekou in karasuno fukkatsu (which had a similar story structure), there aren't really any individual characters on these rival schools who have a role as such other than terushima and takeru. (you know, the captains. see above. XD) so in theory one could get this done with, like, one actor for each captain and then an ensemble cast playing the rest of the team across both matches. HOWEVER, having all those bodies allows them to do super cool stuff visually, and why force yourself to create the illusion of a full team if you don't have to? i.e., /i/ sure am not complaining, isn't it nice to have $$$ to achieve the max vision of your choreographer. XD

i also have no doubt that the kids playing these other characters are doing whatever they can to create a character within the ensemble, and i suspect there's plenty for repeat viewers to pick up on, esp during say the johzenji match (see below). however for the first time viewer following the main flow of the story it's more or less a very large ensemble cast.

the johzenji chaos was well expressed, haha, there was so damn much going on all the time that i hardly knew where to look. (i've also seen opinions on j-twitter that that diluted the impact and i can see that too – it worked for me as a "funny" match that didn't cross the line into comic relief, but ymmv.) i thought the final scene with misaki would pack more of a punch, but i fully expect them to cry at daisenshuuraku so that might fill in the last 10% that's missing rn.

wakutani are another Good Dance Team. one did get a sense, stylistically, of fukurodani- and nekoma-lite with johzenji and wakunan, respectively – i assume that was intentional. mirroring the cats vs owls match, as it were. yanagihara rin's takeru was like… scary?? i had to rewatch those episodes this weekend to see if i'd just forgotten something, but no, stage takeru is not so much reliable middle brother as scowly quiet tough guy. he looked like a kyoutani tbh, and looking at the kid actually cast for kyoutani, one wonders if someone in casting mixed up some paperwork or something. having said that, yanagihara was great at being the character he was, i enjoyed what he did on stage. i'm just not sure that character was takeru. XD (edit: ok having just rewatched, i have to revise this somewhat, i think a big part of my impression was due to being too far back to properly see his expressions the first time around -- up close he was much smilier, and bc i was thinking about it i noticed some nice details like him going over for a family hug afterward.) otoh big post-match scene – all of wakutani, actually – was really good. v effective, i heard sniffles around me.

during this match, johzenji reappeared dressed as takeru's family: FUCKING HILARIOUS omg, everyone involved has clearly learned how to do this right wrt blocking, the very fine line between comic relief and intrusion, etc, after the, er, shaky shousha to haisha experiment of kuroken doubling as oikawa's fangirls. seichou shita na, errone.

also, some great wire work for hinata and takeru – you could tell kenta is really comfortable up there these days. the first time the wires came into play one of the women behind me went "UWO!" which, when a japanese theatergoer makes a noise out loud, that's a true sign something's impressive. XD

nekoma vs fukurodani: Yeah, That Happened. it is a testament to how well done karasuno vs wakunan was that i didn't just spend the entire time screeching BRING BACK CATS VS OWLS because fjkdajfkdlsfjd KYAA. another good staging moment – they used mirrors to create the effect of two full teams playing at a crowded gymnasium, it was brill. i won't spoil some of the fun details but vvjakdlfjdf. and tbh i think the best performance of the four was probably shouri's?? not that this is news but istg idk how someone so soft offstage does THAT on stage. is it this "acting" thing you speak of.

new bokuaka: i mean it was clear some of this material was meant for yoshimoto kouki and i did kinda miss him – i appreciate higashi-san's pinch hitting and he did a solid job. but. ah well. HAVING SAID THAT. fucking "michi wo tsukurimasu yo" i mean we should all be grateful it wasn't kouki and yuuki or it would have just been a fucking fanfic on stage. it was still bad and i don't even go here. XD

and last but not least, arita ushiwaka kenji: not exactly the world's most natural line delivery but that's fine because, i mean, he's ushiwaka. and his physical presence was perfect. which was about all he was called on to do in this particular show, ahaha.

now, for karasuno. and specifically, for my son, kawahara kazuma. remember what i said approximately a thousand words ago, about captains and captains in waiting and stepping up to the plate? (or onto the court, as it were.) ennoshita's story was the heart of the wakutani match and kazuma carried the second act. he was. so. good. he had good material to work with, of course, but he made it even better. i was saying to a friend that in retrospect i think this is one of the very very few parts of the series that actually played better and more emotionally affecting on stage than in the source material (as opposed to differently good/differently affecting). in the manga/anime, you can only see what the paneling or the frame shows you, and those initial paneling/framing choices are focused on the drama of CAPTAIN DOWN. but on the stage, daichi goes down… and off to the side you see ennoshita freeze. and from that moment on, for kazuma, it's go time. he doesn't let up until the end of post-match scene in (here) the locker room – which, jesus, that scene. it packs ten times the punch it does in the anime. because of kazuma.

sorry if i sound like a crazy person here ahaha. but like. like, imagine you have been acting since childhood, you've studied dance with famous choreographers and innovators, you had a main role in The Franchise That Changed 2.5D as a teenager, you've done a solo album, you have a serious history in performing arts... and you get cast in what was initially the smallest role of the entire karasuno team. and you take it! and pull your weight! kazuma was a team player for three years and he deserved this chance to let his actual skills shine so much. ;_; because i don't necessarily think he would have been better in any of the other roles than his actual teammates – but i do think he is a much better actor than several of his actual teammates. and he finally got the opportunity to show that.

anyway, when it came time for curtain calls, the applause swelled noticeably for kazuma – a louder ovation than anyone except kagechan and kenta. and one of those people clapping her hands off, say in row 20, just a random row choice, was definitely tearing up at the same time.

IN OTHER KARASANEWS. kt-san. LIVE IN PERSON KT-SAN BACK IN THE ROLE HE WAS MEANT FOR cries into my hands i love him daichi-saaaaaaaaaan. very occasionally his delivery reminded me he's a model not an actor, if you know what i mean, but like, for the vast part it didn't matter because he is naturally such a perfect fit. have i mentioned i love him.

new suga: mmmmm. he looked and moved fine but his line delivery did not convince me. tbf it's not like suga has a huge role to play in these matches so 1) it's not a huge deal 2) he didn't get much chance to get into the character. either he'll get better or he won't, and if he doesn't it's not going to sink the next play or anything. he seems like a nice enough kid, i wish him well!

kageyama tatsuya: still can't yell and enunciate at the same time. loved that they brought back the archer analogy from shinka no natsu though!! it was one of my favorite things about his kageyama, and it's nice that it's something he "owns" instead of imitating/inheriting from tatsunari.

tsukishima & yamaguchi: miura kairi continues to get even better, i'm so pleased. <3 also, i love love love that they still use the musical motif from shousha to haisha for yamaguchi's jump float serve. it was the same in shinka no natsu, it's the same here. THE TSUKKIYAMA WAS REAL CUTE, great detail work before and after the serve as well as after tsukki's block(s). as for tsukishima, much as they brought back kageyama's archer imagery, they brought back tsukki's fancy katana kill block. (they didn't waste kondou shouri, either, i'll leave it at that.)

last but not least, MY ACTUAL SON AND FEELINGS TWIN, SUGA KENTA: ok like. to set the scene here. i have mad respect for this kid and also love him to death as a human. i think he puts more thought into this production than anyone else in the cast – he is practically worry-san's AD. and he clearly has a lot of real deep thoughts and feelings about the source material. so deep in fact that it took a while for me to come around to his hinata because while, for example, tatsunari's kageyama could have walked straight off my television screen, kenta went down to the manga and built hinata up from there. he didn't have a choice – he's nothing like murase ayumu's voice. all too often we, and i include myself here, think of the two dimensions in 2.5D as anime, rather than manga... but just as there's a big gap between the two dimensions of animation and the three dimensions of live theater, there's as big a gap again between static black-and-white drawing, and movement and color and sound. and when i looked at kenta's hinata as something created solely from furudate's art style, it all slotted into place for me. (naturally, ymmv.)

it also took kenta longer than some of the others, i think, to portray all of what he wanted to. shoen hinata was pretty yelly, and pretty single-register yelly. hinata is a yelly character, of course, but the balance between that hinata and Serious Match Hinata was out of whack at first. this got better and better with every show. and then—

his encounter with ushiwaka here. was IT. it was what i was looking for all this time. his delivery of hinata's big line there was like – i think maybe i clapped my hands over my mouth, unclear, bc it was like the final missing piece and i was so happy. kentaaaaa. ;____;

part of me wonders if this is what kenta's always had in his head but maybe couldn't get his face/voice to express the way he wanted it? OR, IT'S KENTA, SO MAYBE IT WAS ON PURPOSE and his previous Serious Hinata was meant to be like, just a feral hunger child whereas this is the kid who experienced the heartbreak of losing to seijou. i would love to ask him tbh. XD

anyway, my son, after five plays continues to grow in his portrayal of this character. kenta is the heart of gekidan haikyuu in so many ways, and i will be at their graduation show if it kills me.

(breathes out) i think that's. everything. a best setter award to anyone who read this far, and feel free to ask if there's anything specific you want to know about? i will be seeing it again this weekend for daisenshuuraku and will be sure to report back on who cried, etc. all hail volleyball stage the end. 🏐