Sometimes I forget how angry people get about ships that aren't harmful 😅
Tim Drake is canonly bi and he has a boyfriend. People ship him with his ex girlfriend. Both of those ships are completely fine, I think timbern is cute and I don't ship timsteph but I get they were together a while and people like them.
That being said I made a poll to see which Tim ship is most popular (I enjoy seeing what people think yk, it's entertaining) and Steph was one of the options but so was Bernard and someone rebloged it saying if timsteph didn't win it would be misogyny?
Neither of them are winning btw lol, connor is which is its own weirdly controversial thing
The thing is-
Timsteph isn't a bad ship. They were together a while, they were cute. Lots of people grew up with timsteph and like them.
Timbern isn't a bad ship. Just because Tim's dating a guy now doesn't mean he hates Steph or anything, he just moved on (and so did Steph!) and he's bisexual, he isn't just suddenly gay. They're cute too, and it's nice to see representation.
Timkon also isn't a bad ship. They're close friends which is the base to a good relationship, if they got together it'd also be good.
You know what is a bad ship? Tim and Jason. Or Damian, or Dick, or Bruce. And yet I see more people mad about shipping Tim with his boyfriend or his ex girlfriend or his best friend than I see people mad about shipping him with his siblings and his dad.
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i didnt read the last chapters since i discovered it was the end (but i was spoiled by tumblr lol)... i didnt want to believe it... i want to still look forward to new chapters of No Home :(
For the last few years eunyung and haejoon have been my companions. I healed a little while following the story of eunyung, feeling like its ok to be angry and wanting revenge on your family and the society that continues to want to keep you in a "house" where you are mistreated. How the world isnt made for children at all, the absolute unfairness of it all. That you can choose to keep going, and if you do so its ok to keep your distance with what hurts you.
I healed too with haejoon, who came to terms with the fact that he will always be overcome with sadness and grief from time to time, and when that happens he can only let himself feel and wait for it to pass, and try to look forward to the next day.
Honestly this manwha was the best ever. I couldnt read this manhwa as a form of escapism because it was too real. It pulled strings in my heart i didnt know i had, made me question a lot of things about myself, about others, about my relationship with others. It made me have painful discussion with a few people. Following this manhwa, most of the time, was really unpleasant lol. I hated then loved eunyoung, I liked and then disliked haejoon (yeah sorry haejoon, i think you can be really cruel and stupid and i wanted to strangle you a few times in the last arcs (i would NOT be friend with that guy lol) -thats why this character is so amazing). But i felt so much while reading it i wouldnt trade it for anything. It was funny, it was dumb, it was deep, it was enraging and healing, but most of all it was sincere. The most sincere depiction of what being a person in a deeply flawed society is, and how there's happiness even while surviving.
It was so frustrating to see the manhwa go in a direction i didnt want it to go ! I wanted it to become my cozy refuge, where every problems are magically solved, where haejoon and eunyung ends up understanding and loving each other in a cliché way, where theres a new home with my *fave charas* and its a series of feel-good interactions. Instead the problems kept pilling up, most of them didnt have a satisfactory conclusion, eunyung and haejoon kept hurting each other and distancing themselves. Haejoon just cut contact with his father without knowing what were his nefarious motives or without this guy facing any consequences, we dont know if eunyung's parents will keep bothering eunyung unchecked, we dont know if they're going to be happy and rich, or if, realistically, as orphans without generational wealth and deep traumas, they're going to end up in a shitty life situation.
And i couldnt thank wanan enough for this. They didnt take the easy way, the feel-good way, the way that would have given them a probably bigger fandom so a bigger source of money. I'm amazed by how they managed to hold this whole story so perfectly. Not a single misstep. Everything they draw was where it should have been, every action from the characters were understandable (and frustrating lol), the fucking subtlety of the developing relationships, no deus ex machina and no miserabilism. I didnt always agree with wanan's ethic or what i perceived of it (i think stealing or being violent is ok depending on the context, i dont think working hard to earn money is a virtue) but i respect how they choose to present it. I didnt talk about the other characters because honestly they didnt move me as much (except marie), but i love them so much too. I felt sad that eunyung and haejoon didnt become best friend 5ever (or even lovers hehe) but honestly, understandable lol. If i was one of them i WOULDNT become close with the other at all, so its kinda amazing they could still find this level of mutual understanding.
In short, wanan is an amazing story teller.
And an amazing image-composist (have no idea how to say this in english). The artstyle doesnt look like much, but this gave wanan a wide graphic range to convey emotions that wouldnt have been possible with a more sophisticated style i think -how will i forget the red swirlings mixing with eunyung skin ? The expressions, the choice of colors, the choice in showing something in particular without giving a clear explanation on why (often haejoon's surprised or contemplative face, which made me re-read chapters a few times to try to understand what was happening in his big head). It didnt feel like wanan thought their readers were stupid, nor did they play the fake-deep style. It was perfectly balanced.
And so even if i didnt read it, i have no doubt the end will be the same. Im so sad they decided to end this manhwa, but i know prolonging it would have been greedy and that ultimately, the manhwa would have suffer for it. Some authors do that : they have a popular series going on, and for whatever reason they keep writing new chapters without a clear goal and so the story becomes diluted, messy, useless. I love when they do this, because i can say goodbye to a story progressively as my interest in it wans, without feeling sadness or loss. But it makes me not think of the story at all in the future, since everything that was good about it became buried in new shitty chapters. Because wanan didnt do that, i know that i would think of no home for a long while, maybe forever,
,like i really lost companions when no home ended actually. Because it really, really hurts, knowing i wont be seeing new faces of the no home characters anymore. I know it sounds probably stupid ; i feel genuine grief here lol. I want to know what will happen to them, if they are alright, if they found a place in the world... if there is something to look forward after all, and i really dread not having answers every monday anymore. and the fandom is so small i cant comfort myself by re-entering the no home world every week or whatever... does anyone else feel this way ToT ? maybe i should participate myself but well,, i wouldnt know where to begin...
And saying that ! I'm almost never on this blog, i dont really have socmed accounts, i dont participate in fandoms at all. But I spent a looot of time reading and watching people who does -without being connected or interacting with posts or fanfics at all. AND i really want to thank you all for giving me so much material to chew, posts that made me think, fics that made me smile, drawings that inspired me, witnessing interactions that made me laugh. I was and i probably will continue to be a ghost on socmed, but i really want you to know that you had an impact on me and i was looking forward to your new posts (and will continue to!).
the "every no home chapter is a test of my willingness to Not blow my own brains out" and explosion eunhae monday of @skiptoyuri
the regular nohome posters which makes me happy to check tumblr regularly @shimamitsulover @lesbianpegbar @luckyswamps @tomoyoo @cloudbends @t0a2ter @solcarow @dragon-of-timeless-blue
the awesome artists who keep producing bangers nohome art @gohaejoon @maxsolosur @jjd5426 @bnnuycafe @ct-bunny @lentl-soup @fartaycat @jjd5426 @prokkoli @moxymaxing @ginangtan
the nohome posters that i enjoyed running into @pleuvoire @homolobotomized @podoro-vines @fmet @welpuu @revertrate @obstinaterixatrix @kulluto
the artists that made me interested in checking no home @cienfll @craysmo @ant-eaters @idledee @fruiitlins @froqpi-art @201918b @tinfishmeal @ohrsoh @30mingirlfriend
thanks @ditherslam for the awesome fanfics, obviously i read them all and they're some of my favourites. youre an amazing writer and i cant wait for the next chap of "your atoms"!!
thanks @homeless202 for being an insatiable nohome poster for a while (and @grannykombucha !)
im forgetting a lot of others but i really wanted to thank you all for your time, energy, work. i never interacted with your posts or with you but i really want to convey how cool it is that you all contribute to make no home a more well-known manhwa and the fandom alive
thank youuuu (hope the @ are ok tell me if its bothersome ill delete it)
and really, really, thank you wanan ! waaaa i want to cry
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I have to admit I’m so unsure of what message they were trying to send with Nick Ogata
Looks classically fruity but I’m still… unsure
Well, they say if it looks like a duck, swims like a duck, and quacks like a duck...
I think it goes past appearances, though. Of course, he does dress like a dandy (the same way Yokoyama first visualized Mine dressing, incidentally), and there's a certain flamboyant charm there. And he does have Those Mannerisms. You know the ones, I'm sure.
If that much seemed tenuous, the fact he frequents Earth Angel, more or less acts as Ichiban's "sugar daddy" over the course of the game, and is very excited to hear all about Ichiban's "date" with Arakawa while clearly under the impression Ichiban means it in a romantic sense (💀💀💀) leaves few doubts for most about what they were trying to get at.
But as always, I'd like to talk about queerness in the context of Japanese culture. Earth Angel no longer billed as an "okama bar," but that was part of its history, and the Champion District is also home to Drama Queen. Like I've touched on before, the "clustering" of LGBT-friendly establishments in the Champion District makes it more like a cross between Golden Gai (what it's actually based on) and Nicho (Shinjuku's hub of gay subculture), which naturally carries implications for regulars.
Another thing I've touched on before is wealth. Among the sexual minorities in Japan, gay men appear to have the highest ceiling for financial mobility. Characters like Nick and Mine, who've accrued more wealth than most other characters could even dream of, demonstrate that perfectly; the sums of money at the core of games like Yakuza and Yakuza 4 are pocket change to them. To a degree, this goes for Oda too, though in a cast of characters of characters who are also filthy rich, he doesn't stand out as much.
Those are pretty broad, of course, but there are a few things specific to Nick. For one, his theatricality and dramatics. In particular, his showmanship in the iconic finale scene stands out to me. There is a fair amount of crossover with queerness in Western culture here, so I'm sure it'll sound familiar. Let's see...
"Mainstream" visibility and acceptance of transgender identities and homosexuality in modern Japan first came to be through big spectacular televised events inviting queer entertainers to perform. And although these were joyful occasions that many were happy to see, the lack of seriousness in media in general has more or less lead to the generalization of queer people (mainly gay men and trans women) as entertainers and performers, theatrical, dramatic, camp.
To quote Queer Japanese, "Curiosity is the only driving force. Sexual minorities portrayed by media are funny and entertaining, but without real voice. The invitation of sexual minorities to the program by NHK satisfies the curiosity of viewers while also showing the viewers how open, accepting, and tolerant the media has become." This is the case for a lot of Japanese media, RGG included.
Another thing specific to Nick is that he's half-American and has clearly spent a lot of time stateside, being bilingual. Now, that might not sound related, but frequently in Japan you'll encounter the sentiment that being queer is a "foreigner thing"; many people are more willing to accept foreigners and the diaspora as being queer than the alternative. The sentiment lies at the intersection of too many ingrained assumptions to unpack here, but it's one that's reflected in characters like Nick (or even Mine, who is heavily Westernized himself.)
Analysis aside, the biggest instinctive "tell" for me was the attempt to subvert expectations with him dating women and enjoying their company (unlike Mine, for once). In attempting to subvert expectations, it's necessary to acknowledge the fact the expectations are there in the first place. So to me, Nick is a character who is crafted to set those expectations, and his character cannot be divorced from them.
And my reasoning may sound counter-intuitive, but... I'm not sure what man who's actually interested in women only dates them to refine them to their best selves and then immediately breaks up with them. It's like, he only gets in relationships knowing they'll end and he'll be the one to do it, and that's not only fine with him, but the appeal. So it kind of just circles back around to being pretty gay.
While I'm here, Nick is partly based on this guy from RGGO (whose name I never bothered to learn/remember, but I assume he has one.)
Neat.
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