#idk why but I can so see him getting bit by an animal

[hoosurdaddy]

A kiss is the price to pay.

Dark!eddie munson x f!reader.

Trigger warnings: power imbalance, objectification, non consensual tension, emotional manipulation. I warned you. Your own fault if you continue.

Note: I’m not taking requests. I am just bored and haven’t been on here since forever. Idk. However this was a request I got back in like 2022-2023 or something? So credit to you

The evening at the Hawkins Fall Fair was in full swing, the air buzzing with the usual sights and sounds: the dizzying flashes of carnival lights, the deep rumble of the Ferris wheel turning, and the mingling scent of popcorn and fried dough. You had been stationed at the cheerleader's kissing booth for hours now, tasked with giving out quick pecks to random guys in exchange for five bucks, all in the name of raising money for new uniforms.

It seemed harmless enough at first—just a bit of fun, right? But by now, your face hurt from plastering on a fake smile, and your patience was running thin with every guy who lingered a little too long, or tried to sneak an extra kiss when your back was turned.

You wished you were anywhere else. Anywhere but here, stuck behind this booth, giving out kisses like they were nothing. And then, as if to make things worse, he showed up.

Eddie Munson.

You saw him lurking near the back of the line, leaning against a game booth with that signature cocky grin on his face. The one that made everyone else keep their distance, like he was some sort of rabid animal. The "freak" of Hawkins High. You didn’t have to look at the other guys to know they noticed him too. There were a few snickers, a few murmurs, and a few boys visibly shifting uncomfortably in their spots.

Eddie wasn’t the kind of guy anyone in this crowd would expect to see standing in line for a kiss from the cheerleader. Hell, even you didn’t expect him to do it.

But of course, he did.

He sauntered up to the booth with his hands in his pockets, his wild hair falling over his eyes. The smile on his face was way too confident for someone who was supposed to be the school outcast.

“Five bucks, right?” Eddie said, his voice dripping with something between amusement and challenge. He pulled a crumpled five-dollar bill from his wallet and tossed it onto the table in front of you.

You raised an eyebrow, trying to keep your expression neutral. "Yeah, five bucks for a quick kiss."

Behind you, the line of guys waiting to get their turn shifted, their patience clearly wearing thin. They muttered under their breath, clearly annoyed that Eddie had cut to the front.

"You're really gonna kiss him?" one of them scoffed. "Why don’t you just go make out with the school mascot while you’re at it?”

You could feel their glares burning into your back. It wasn’t like you cared what they thought—you weren’t the one who’d thrown down money to kiss Eddie Munson. But you could tell it irritated them. And that made you uncomfortable.

Eddie leaned over the table, his grin widening as he met your eyes. “What’s wrong, sweetheart? Too good to kiss me?” His voice was teasing, but there was an edge to it—something deeper beneath the surface.

You tried to shake it off. “If you’re not here for a kiss, Munson, you can just leave. I’m not in the mood for jokes.”

Eddie’s smirk didn’t fade, and he didn’t move away. Instead, he slid into the chair in front of you, crossing his arms over his chest. “Oh, I’m definitely here for that kiss, babe,” he said, voice low and almost too intimate. “But I think you’re gonna give me a little more than what you’ve been giving the others.”

You narrowed your eyes, but Eddie’s gaze was already hard on you. "What do you mean, 'more'?" you asked, barely holding back your irritation.

He leaned closer, his breath warm on your cheek. “A kiss for a buck is too easy,” Eddie murmured. “I saved up all my money just for this moment. You’re gonna make it worth my while.” His eyes flickered to the guys behind you, and you could see the flicker of amusement on his face. “Or maybe you’re not into making it worth anything. If that’s the case, I guess I’ll just walk away.”

The sudden idea of letting him leave, of not having to deal with the awkwardness or his incessant teasing, made your heart race. You didn’t want to kiss him, not really. Not Eddie Munson. Not like this. But the idea of making the guys waiting behind you even more uncomfortable? That… didn’t sit well with you either.

Fighting back a sigh, you leaned forward and tried to make it quick—a peck, a kiss that would make him get his money's worth and move on. But as soon as your lips brushed his, Eddie’s hand shot out and caught the back of your neck, holding you there.

You tensed, trying to pull away, but he didn’t let you. The kiss deepened, slow, deliberate, like he was savoring it. His lips were soft, but his grip was firm, his other hand resting on the table as if to steady himself—or keep you in place.

You could feel the heat rise in your cheeks, but you couldn’t do anything but brace yourself against the table, feeling his tongue slip into your mouth. A part of you wanted to scream and slap him away, but another part—the part you hated—felt a strange pull, a dangerous excitement in the way Eddie kissed you like he was trying to own you. His fingers moved to your jaw, tilting your head, forcing you to take more of him. You could feel the annoyance from the guys in line building behind you, the tension thick in the air, but Eddie didn’t care. He was lost in it, dragging the kiss out, his lips moving with a rawness that made your heart race in a way you hated.

Finally, Eddie pulled back, breathing hard, his grin wide and unapologetic. “There we go,” he said, voice smug. “That’s the kiss I paid for. Definitely worth the five bucks.”

Your heart hammered in your chest, and you quickly wiped your lips, disgusted with yourself for the way you’d allowed it to happen.

“Get lost, Munson,” you spat, the anger bubbling up now, but Eddie just laughed.

“Nah, I think you like it,” he said, voice dropping low again. “You enjoyed it more than you’ll admit. But it’s okay, sweetheart, I won’t tell anyone.”

You opened your mouth to retort, but before you could, Eddie turned and walked away, leaving you standing there, heart still thudding in your chest, hands trembling.

You didn’t know what to feel. Part of you was furious, disgusted by the whole thing. The other part of you—the part you barely recognized—was shaken, hungry for something more than just a kiss. You wanted to yell, to scream at him, but instead, you felt yourself quietly watching him leave, feeling like there was more to come. You didn’t know what Eddie Munson wanted from you, but you knew this wasn’t over. Not by a long shot.

A few hours later, as the fair started winding down, you began packing up the booth, ready to escape the night and get out of your own head.

But before you could even finish, you felt a cold hand on your wrist, pulling you back. Your heart lurched in your chest as you whipped around to see Eddie standing there again, a knowing smile on his lips.

"Did you think I was done?" he asked, his voice low, almost playful. “Not even close.”

Your pulse quickened, and for a moment, you froze. Something in his eyes had changed—darker, more dangerous.

“Eddie—what do you want now?” you snapped, pulling your wrist out of his grip, but he just stepped closer.

“I told you,” he said, voice barely a whisper, “you’re not getting away that easy. I don’t think you realize just how much you owe me now.” He let out a soft laugh, something unsettling in his eyes. "And trust me, sweetheart, I’ll make sure you pay up."

Your stomach twisted. You were no longer sure if you were angry or afraid. Maybe it was both. But one thing was certain: you hadn’t heard the last of Eddie Munson.

And that terrified you more than anything else.

[rekikiri]

I fully believe that Neil has had to get a rabies vaccine at some point in his life

[steakout-05]

staffy expectations vs staffy reality (by someone who has an absolute sweetheart of an american staffy <3)

[eggmeralda]

just woke up from the best film I've ever watched in my life only to realise it was a dream

[hecksupremechips]

I love me some homoerotic torture 🥰

[caotictimmy]

if you're doing mouthwashing can i have daisuke x reader hcs plz... just pretend the tulpar never crashed i want him to be happy hjdkjkdsjg

OMG ANON…you get me. Daisuke has me in a CHOKEHOLD. Ok so here are how the headcanons are gonna go. Pre dating/confession. Dating and NSFW. I had another anon ask me to do NSFW head canons with daisuke. So why not kill two birds with one stone. The regular head canon r gonna be Gn. But the NSFW are gonna have some AFAB stuff. Still can kinda be read as Gn.

Crushing - Confession

- I believe Daisuke crushing on you would be a very, you fell first, but he fell harder kinda thing.

- I think that because Daisuke can be well.. a bit dense (still love him though). That he’s not really gonna pick up on any hints or flirting. So you kinda of have to wait till he realizes he likes you.

- When he does realize he likes you is probably when you were sticking up for him against Swansea(I love you Swansea but you still were mean to Daisuke🙁).

- It’s gonna be easy to tell when he likes you. This man is gonna be so obvious😭🙏

- We all know he’s eager to please right? He’s doing this with you 2 times more. Always asking if you needed anything, he’d be right on it.

-Little things to. I’m talking some laying his shirt over a puddle for you to step on. I feel like he tries to woe you with these gestures.(and it works)

- Daisuke loves listening to your voice. No matter how your voice sounds. He’ll go out of his ways to find you to ramble on about something. He thinks you look and sound cute rambling. o(^w^)o

- Also I think he just likes looking at you. There have been MANY times where Swansea has smacked Daisuke in the back of the head, cause he got sidetrack staring at you with this very lovesick grin. Staring like you personally hung the stars for him.

- Daisuke would be a bit too nervous to think of confessing first. So Swansea would definitely be pushing him to confess. He’s tired of seeing you two ogling at each other and doing nothing about it😒.

- Our sly little man some how convinced Curly to make a cake for him to give you. (I swear on my life curly is a die hard romantic but I’m saving that for when I do headcanons on him later)

- I feel like Daisuke would sneak in your room. Waiting for you to enter. When you do he lifts up the cake in his hands, “ Imadeyouthiscakewillyoudateme” He rambled out. Being scared you would say no.

- But when you say yes. I’m not kidding he shouted “WHOO HOO!!!”. It was very funny. Daisuke would quickly put the cake down and rush to hug you,

Dating

- I feel like the affection he likes to receive is words of affection and physical contact. And for what he usually gives. Acts of service and physical affection. Let me explain

-(Daisuke receiving) It’s a bit obvious that Daisuke probably hasn’t gotten a lot of praise in his life. So I believe that he absolutely melts when you give him these encouraging words. It can range from a lot. From a small, “good job” to a “I love you so much, no matter what.”. It makes him so happy like you don’t even understand.

-(Daisuke receiving) Idk it’s just a an itch in my brain telling me. I think he likes all kinds of physical affection. From holding his pinky, to wrapping you arms and legs around him cuddling. If it insures some sort of touching he’s down. I also think he like resting his head on either your thighs, or chest. Resting his eyes. PLEASE scratch his head or tangle your fingers through his hair. He loves it so much. Like it calms him down so much.

-(Daisuke giving) You can’t tell me this man isn’t at least a bit clingy. Not in a “if you talk to someone else I’ll kill them” type of way but a “ you make me feel safe and secure” kind of way. Does that make sense? Anyways, he loves flopping onto you when he sees you laying down. Like I’m talking full rag doll flop. I fully believe he brought a stuff animal on the ship. So he fully treats you like a stuff animal. Quick random switch. I don’t think he likes being the small spoon. Only because I feel like he needs to sleep holding something. I don’t think he would mind being big spoon. But overall he prefers you two facing each other.

-(Daisuke giving) We all know he has a knack for trying to be as helpful as he can. We can see that when he tried to fix the vent! To trying to crawl up it to save Anya… guys I can’t do this anymore. ANYWAYS. This man does not want you to lift a FINGER. He is so head over heels inlove with you. He’ll do anything for you. He’ll ask him to bring you a star and he’d ask which one. LIKE HE LOVES YOU SM AND JUST WANTS TO SEE YOU HAPPY.

- He loves kissing. Receiving and giving. From a simple peck, to kissing your face all over. He just loves it so much. He finds it so romantic. Listen hear me out. Non sexual neck kissing. He could be waking up before you(highly unlikely). Softly kissing your neck to wake you up. Just soft and sweet.

- Late night talks are a must with him. It could be about anything really. From what plot twist you guys thought would happen on the shitty soap opera you guys were watching. What ifs, what your guys future would look like, what you guys would be if you were animals. The topics you guys talk about are far and wide. But he enjoys the comfort of being by you.

- You can’t tell me this man isn’t a big back. Daisuke definitely brought a bunch of snacks with him. So he will happily share with you. He is a very giving person. But also expect to get your food stolen sometimes.. make sure you get extra food in your plate to give him the rest. He would appreciate it a lot!!!!!:3

- He also really loves spending anytime he can with you. Especially if it involves games. Let me tell you. YOU DO NOT WANNA PLAY DRESS TO IMPRESS WITH THIS MAN. He would cook you so hard in the game it’s not even funny. He’s literally in the top 10 players in dress to impress.

NSFW - DO NOT READ IF YOUR A MINOR OR UNCOMFORTABLE WITH NSFW (AFAB)

- Praise kink. YOU GUYS CANT TELL ME I’M WRONG. You guys could water board me. Scream at me that I’m wrong. Every time you praise him when y’all are getting freaky. Busting. Like it gets him going SO HARD (pun intended) Like omg… Especially if you praise his efforts/ how good he’s doing. Pray that you’ll be able to walk after.

- This man is LOUD…… grunting, whimpering, moaning, panting. Any noise you can think of hes made it. Like he doesn’t even think of suppressing his noises. He also doesn’t want you to either! He loves hearing you. He thinks the louder you are = the better he’s doing. So please don’t suppress your noises he’ll get so sad:(. But back to the topic. This man needs something to muffle him. Wether that be kissing you, or lightly nibbling your neck. When he starts to get to loud you need to find a way to shut him up.

-Speaking of loud Swansea has definitely caught you guys once’s. Y’all were a bit to loud and he was wonder what was going on and… Let’s just say he wasn’t able to look at you guys for a bit. But after he gave Daisuke a fist bump. Man to man🗣️🗣️🗣️

- Daisuke is willing to try almost everything. I full heartedly believe this man is a virgin. The furthest he’s ever gone is making out. So he’s eager to learn! He was a bit nervous your guys first time. But after a bit that nervousness dissolved into eagerness! I don’t think he’d be into hurting you badly. And I don’t think he likes pain that much either. But I think he would like his hair being pulled. Or maybe you lightly scratching his back.

- I think he would be open to having sex not just in your rooms. Either in random room barely used. Or a couple of times on the couch when everyone was in their sleeping quarters. Thankfully you guys weren’t caught!!! But Curly was wondering what that clear sticky substances was on the couch…

-(AFAB) Munch no question asked. LISTEN WHEN I SAW HE WANTED AN EXTRA PACK OF SWEETENER I IMMEDIATELY THOUGHT BIG BACK MUNCH BEHAVIOR. Also because this man loves to please. DO YALL SEE ME VISION. This man who’ll slurp it up like no tomorrow. His favorite made is your pleasure is his pleasure. But omg like he gets so into eating you out it’s not even funny… You have to pry his face away from your core. And he looks so hot. His hair a mess. His eyes dazed but still has that love in them. And your juice all over his face like…

- He doesn’t have a favorite position. He likes way too many. And when you asked him what position he liked the most, he only responded with, “how can I pick a favorite when there all so good, and what about the ones we haven’t tried yet!” Safe to say you guys went to go try some more positions 😜

- I know I’ve been doing really freaky headcanons but I think Daisuke loves soft sex and morning sexy to. Maybe the morning after a bad day HES still feeling bad. You both are still groggy but you have time before you have to get up. Hell sink himself into. Before thrusting as his arms are wrapped around your waist. His hot breath on your neck, as he trailed kisses all along it. Just because he can be a freak doesn’t mean he can’t be really soft either.

- Daisuke loves cock warming. Try. Try to prove me wrong. He loves cuddling. He loves being as close to you as possible. What’s better than combining the two! But after a bit he does get a bit impatient and starts to subtly thrust. He really is trying to not to be you feel to good!

Authors note: SORRY THIS TOOK SO LONG. I STARTED THIS WHEN I GOT HOME AND FELL ASLEEP MID WAY THROUGH WRITING THIS. Again sorry for request being slow I’m trying my best😭🙏

[cup-o-stars]

Relativity Falls!

Design Concepts (and my unnecessary thoughts):

Excuse the the colors, ig my apps are fighting.

I see Mabel finding success no matter what happens to her, but I really like the thought of her running an insane arts and crafts business in GF. Alternatively, if she fell in the portal, she'd come out acting confident as always, but she probably wouldn't realize how much the constant change and lack of family/stability wore her out until she settled back in. In either case, she's a bit cracked.

Dipper is investigative, but cracks easiest under stress and is not as inherently adventurous as Mabel or Ford- so the portal wouldn't treat him well. If he's not the one in the portal, he'd be into stargazing and real magic to share with people, while also warding tourists away from the dangerous stuff. In general, he'd be an unhappy adult if left to his own devices, lol.

Between Dipper and Mabel, I like Dipper being in the portal more. He's a great protagonist, but as a supporting cast member, he needs to be more insane to match the draw that is 'Mabel taking care of children,' ha. I also love the idea of there being no portal / some other looming threat for these two to struggle with (at least because Hirsche has made it clear that Dipper and Mabel are equally smart, and to me it seems like the portal would reopen way quicker with them), but I didn't plan on posting these and I don't know how my followers feel about me posting lore.

Stanford and Stanley:

Pretty much how they are in canon, but now they're in a setting where they can get over themselves, ha. They aren't quite as mature as Dipper and Mabel were at their age, but after coming to GF, they finally found other people to look out for them. Dipper could be a more emotionally available and level-headed role model (I think having people to take care of is calming for him in turn), and they'd both look up to Mabel as the peak of somebody who knows how to socialize.

Fiddleford:

He's a sweet, southern, farm-raised mechanical engineer just like in canon.

Idk why Fiddleford is in GF (visiting an unnamed grandparent?), but I really like his relationship with Ford in the journal. Following that thought, in this AU, he starts out more of Ford's friend than Stan's, and it's kind of a big deal. Unlike Dipper's arc on learning to be a kid, Stan and Ford clearly struggled a lot with interpersonal relationships / finding security outside of eachother, and that's what I think this AU could be about (it's great they realized they need each other in canon, but the part where they had no one else to turn to is also kinda crazy if you ask me).

Ford gets to meet another smart kid in a weird town, which helps him feel more normal. He has a better idea of what friendship is because of it, but also, since I can't imagine Dipper wanting an apprentice so young/vulnerable/impressionable or Mabel asking only one of the twins to stay- he'd have to come to terms with the fact that he can't live in his dream world forever. (Or maybe the apprenticeship comes from somewhere else, just because the conflict around going back to Glass Shard Beach at all, or sending Stan alone could be pretty good.)

On the flipside, I think Stan's initial jealousy of Ford and Fiddleford's friendship would force him to try finding his own friends / hobbies. I like the idea that he fails at first- and a lot- but Mabel notices his mounting frustration (which he is very keen on hiding), and her consistent and unorthodox support makes him realize he wasn't alone to begin with. He can be more open around her, which makes it easier to open up to others, and then he can make friends without having to pull any tricks. He probably starts with some animals, and then at least gets closer to Fiddleford anyways (I feel like they're both more practical than Ford and value human company more, so they'd bond easier once Stan gets over his personal hurdle).

Anyways- because that was way too much- Mabel's exes are a constant source of antagonists and Dipper is stressed about setting a good example.

(I was more of a Monster Falls fan back in the day, but I can't draw animals, lol)

[batsplat]

quick follow up to this bit

was also reminded of this valentino quote

He speaks about my shoulder like he was the best shoulder doctor in Melbourne Hospital.

what WERE they cooking

(I can't like. prove this because obviously we simply do not have solid 'evidence' for casey's thinking here either way, but given this is a speculative post about how I'd narrativise these rivalries.... do think the screenshot above is basically my theory for why casey had a thing about valentino's injuries. to such an extent that valentino picked up and commented on it! after laguna and throughout 2009, there were various waves of discourse about casey having been 'broken' by valentino - first due to casey's dip in form in 2008, then because he had to take some time off in 2009. the fact that it was an invisible illness that he himself could not explain in a sport that is all about the big, glaring obvious injuries - one that was treated as a sign of mental weakness, something he was ALWAYS susceptible to being accused of... very much the opposite of valentino's shoulder and leg in that sense, which was way easier to explain and was immediately taken seriously. my suspicion is that for casey, it was about not being extended the same grace as valentino was, being frustrated at how much leniency valentino was being granted when casey was always being harshly judged. of course, valentino (in classic demented rider fashion) was if anything downplaying the severity of the shoulder injury and only admitted after it was more or less healed that he'd been terrified by how long the recovery period had dragged on and had feared he would never be the same rider again. casey's lack of empathy on this count is completely justifiable and he does also obviously have a point, but it's still an interesting part of his character. it's what makes the rivalry with valentino so very interesting - there are lots and lots of ways in which valentino directly made casey's life miserable, but then there are other ways in which valentino's mere presence, his existence, someone whose treatment casey could compare his own to, that also contributed to casey's hatred towards him. firstly by getting more empathy than casey did and the general injustice in how the sport was 'always' on valentino's 'side' in a way it never was for casey, secondly by having this reputation of 'breaking' rivals that... well, y'know, valentino was presumably more than happy to be the beneficiary of the whole thing, but it's not like this was actually a line he spread himself, including with regards to casey. he didn't have to! it's kinda just... an awful coincidence that casey's 2009 absence was always going to be treated with suspicion and he HAPPENED to have a rival with valentino's very specific reputation?? the perfect storm! which gets you to this odd point where... if anything after that casey is the main instigator in terms of the sheer vitriol of the rivalry - but it's built on years of seething resentment that valentino at times almost seems taken aback by... and then reciprocates with interest because of course he does. because that's just how valentino ticks. fundamental lack of understanding for each other!! valentino kinda accidentally being casey's perfect foil!! casey having a million Legitimate Grievances against valentino but still somehow managing to project 85% of his other issues with the sport on valentino too!! they're soooooooooooooo. so!!)

if you were to direct a motogp movie (or make a one season of television) what season or rivalry would you make it about? and more interesting what artistic liberties would you take? it doesn’t have to be a straight up biopic bc imo those are often boring, instead it could be something like velvet goldmine (1998) aka fictional characters whose real life counterparts are pretty obvious, veering in like rpf territory. anyways👀

did you know. one time this guy put a curse on this other guy. and he never won a race again

anyway, look, I do feel like by this point that's the BORING answer from me, but obviously it's where my mind first went. I'm not sure I'd actually want it out there in film form because by now it's badly enough remembered that it's like, my cute little niche story, and I think there's something fun about the Wider World even within the motogp fandom not exactly getting how bonkers the whole thing was. (I know other humans have canonically watched motogp 2004 but I swear even journalists have forgotten some key key details and it's kinda annoying but also fun.) bold words from someone who's been blogging about it!! weird gatekeep-y instinct. but basically my job here is done as far as outreach is concerned - I wrote a very long post, now I get asks about it twice a week that allow me to think about it some more with the four other people who care, perfect balance. that rivalry doesn't need to go mainstream!! the whole point of it is that it's kinda cruel but narratively pleasing that it's gone under the radar, because it's another sign valentino won. but obviously, I cannot literally make a film about this, so the hypothetical repercussions I think maybe we can put aside for a moment here

okay I came back to this bit of the post after I increasingly got into of the spirit of coming up with dumb ideas, but it did make me flesh out what I'd even WANT from something like that. I'm with you anon, a lot of biopics are boring!! if you want to just know what happened, please just literally go and 'watch the races' and 'read books' like what are we actually getting here. you kinda want to give it a purpose for existing, right, a way of portraying real/mildly fictionalised events in a manner that is also taking some kind of stance on the material AND is doing stuff you can't do 'in real life'. thing is, look, you could make 2006 into a film, and I'm sure it'd be perfectly nice because it's fundamentally a solid underdog story (well, inherently winning a title with repsol honda is NOT being an underdog but you can write it that way), but also what are you doing beyond just telling people what happened? I feel like that generally about single seasons, they're not really doing anything for me. I was also turning around the biaggi/valentino rivalry in my head in part because that's the one valentino gave as his answer for 'rivalry he would turn into a film' (marc big wet eyes sitting right next to him), but like. a film about that rivalry from valentino's pov is fundamentally not something I'm interested in. you have all these isolated very memorable moments that make it work as a rivalry, like you can absolutely spin them into a dramatic yarn that goes through the genesis of their conflict to middle finger gate to punching gate to assen + donington + sachsenring + phillip island 2001 and it's basically *insert rousing music* successful coming of age. at most you can lean into the fact valentino became successful at being a dick. like idk it's fine but also what's the point? valentino is challenged in a sports context by biaggi, he's challenged because he realises his words have consequence and the press actually reports the words he says to journalists (the horror), but he is fundamentally not challenged on a personal level. that's the entire point, right? it's the ultimate comfort zone rivalry - biaggi is a dick who it is quite easy to hate and also reacts poorly to valentino's initial provocation. the animosity escalates and it is inherently fun to beat him. valentino is mean to him, but it's not like he even really crosses any lines to beat him. like you can make it into a film, and if you twisted the material a little bit you could make it satisfying, but I don't want to!

now the way the writing process of this post worked was that I was going to breeze through a bunch of non-sete/valentino rivalries and explain why I think some of them don't work for our purposes here, but then I ended up writing myself into changing my mind. so my take on the biaggi rivalry is that actually, you CAN make it work but it has to be from biaggi's perspective. basically, I think you've got to amadeus it (a web weave I have been thinking of making at some point btw). so,,, it's a meditation on talent and how unfair it all is, maybe minus the bit where salieri poisons amadeus (I know that doesn't happen in the film) or dresses up as amadeus' father to, y'know, make him write a requiem on his death bed. and it's not amadeus in that HERE, the clown prince gets a happy ending! but it's more like, in thematic terms, I think you have to zero in on this bit. biaggi didn't have parents who shoved him on a bike when he was three years old, he didn't have parents who were invested in his motorcycling career (or even necessarily particularly invested in him), he started the sport late and discovered that, yes, he did have a prodigious amount of skill in it - but one that he started honing far later than valentino did. he approached his career with a sort of grim resolve, surly and irascible and not interested in making friends with any of his competitors but very, very good. he goes away from the race track and dates all these models, he irritates fellow riders, he's not part of the gang and he's happy about it. he's very successful! four 250cc titles, wins his first ever race in 500cc at a time when doohan was very much winning everything. he's also just like,,,, an interesting and spiky enough character it's not hard to make him come alive

but then of course you have this gradual emergence of the amadeus character, the one who challenges his established position in the court of,, well... motorcycle racing, and also as the guy italians rooted for! and valentino's obviously, y'know, in so many ways the exact opposite from biaggi, and he's super young and cheerful and lively and is doing all his silly celebrations and is being a bit camp and goofy and treats motorcycle racing as a party (you really want to lean into the culture clash here, like in amadeus it's because you have stuffy austrian court vibes but here it's because everyone is having their bones broken every two minutes and just how... kinda grim a lot of motorcycle racing was). and he's also this innocent! yes, he insults biaggi, and yes, in retrospect we know valentino is kinda evil, but at the time he was a kid with a big mouth who was a little taken aback by how that biaggi feud sort of escalated beyond what he'd actually intended it to do! and biaggi just, hates him. and I think, sorry to the real man max biaggi here, but you've got to play with how once they're actually competing with each other, it's miserable how there's just this unbreachable gulf in talent. like, whatever biaggi does he cannot win! he isn't going to defeat valentino over the course of a full season! which is depressing and horrible and CRUEL, because there's this inevitability to the whole thing... and also! because valentino doesn't DESERVE it. and you don't have to go full salieri pleading with god to explain how god could give this CLOWN all this talent, but it's kinda the same vibe! how is it valentino, who is constantly just having a laff and canonically maybe wasn't the biggest gym-goer in the paddock and is just generally seen as, y'know, a bit of a dandy, this foppish clown who everyone loves and who doesn't have to work hard to be good - how is he the one who is winning so much!! it's miserable and unjust... and I think how you portray this is that you really emphasise the kinda, repetitive nature of the defeat. like, I think you probably want to make this into a non-linear narrative where all this biaggi backstory is communicated somehow but you don't just start it when he was born or whatever - you start it in 2001 when they're competing for a title and already hate each other. and then you heavy on the time loop vibes. the whole cinematic language and all that other shit should emphasise how all these weekends are structured in exactly the same way and if you're losing to this one guy, all these different weekends can start feeling the same. it bleeds into each other, it feels inescapable, you're trapped in this narrative you can't change... worst of all, you even return to the same places again and again - like play with that! biaggi keeps coming back to where they had the fist fight, to where valentino first insulted him all those years back. you play up the disorientation and the misery of it all, plus biaggi canonically gives us all this kinda messy freudian shit to play with like how he was dating 'valentina' and his relationship with her was falling apart because of how miserable valentino was making him. it's all there!!

ANYWAYS the way you conclude this story is!! welkom 2004!! so again we can artistic license this a little bit and, uh, ignore sete (though I do also think it's fun if you lean into biaggi being displaced as a rival and staring at them being friendly and happy with each other from the outside) - but the key bit is that valentino is finally making the big error. biaggi wasn't winning titles on a yamaha, since he left yamaha has gotten worse, now valentino is making this big mistake out of his own hubris. language of cinema that shit and make everything brighter and more hopeful.... the time loop is finally over, biaggi has escaped, this year will be different!!!! everyone in his circle agrees, valentino is fucked. step off the plane at welkom (pre season testing didn't happen in this universe) and it's literal dawn of a new day... staring out at the sun and finally, biaggi can move on, can live a new and different life. anyway. obviously we all know what's coming next - you have this big dramatic climactic race where biaggi throws himself at valentino again and again and again and he comes so close to winning it... but he doesn't. and you have valentino living his best life, being delighted, but the film is focusing on how like,,, we're bleaching the joy back out of biaggi's life, how actually he's returning to what he already knew. and it ends on the podium, with the camera focusing on biaggi on that fucking second step or zooming in or whatever (idk how cinema works) and it just finishes on this shot of biaggi dead-eyed in a bleak world, trapped again for eternity aka until the end of the 2005 season. done!! I'm not sure this is quite what valentino had in mind, but. well. that's how I'd do it

this is from the pushkin play from 1832 not the 1984 film but like. low key pushkin already kinda nailed the essence of sports rivalries in the 1830s and we just have to acknowledge that sometimes

right. so the casey rivalry is where I'm going to go completely off the wall. skip this bit to get to the slightly saner stuff. this is also one I fully admit to sometimes playing around with in my mind anyway, but. uh. I'm gonna be taking this one in just. well. places. I do have a vision here but I also don't quite know how to explain it in a way that doesn't make me sound like I've lost my mind, but well if you're still reading this then that's on you. so lemme get this out of the way: the classic sports biopic formula would work well with casey. if I had to point to a single rider I would sports biopic-ify, it's casey. so you have all this kinda,, obvious adversity that's easy to get across, and it's a narrative you can follow chronologically without too much trouble. you've got all the childhood stuff, the australian racing club not letting him join them, the move to britain, the rising through the ranks, it's also this very biopic-friendly 'nobody ever believed in him apart from like three people' stuff. and the premier class is also narratively satisfying, from the rocky rookie season to the kinda shock success to then all the lows of 2008 and 2009 and the physical ailments and the anxiety and then the switch to honda and the title and then him deciding to retire... that's all good stuff! you can absolutely biopic-ify it! gun to my head and sure, I can walk you through exactly what bits of his life I'd focus on and put in what order and so on, and I think ultimately you could make a very good sports biopic from that

[some mild gore to follow in this next section]

but also. thing is. that's fine. it's just not where I want to go here, because again I feel like at that point you can also pick up his autobiography and just read it - because what you're basically doing here is just filming that. and I get how this stuff works, you're bringing the story to a wider audience, you can show stuff in a different way in that medium etc etc, and that's all great but also I don't care about bringing stuff to a wider audience. I care about doing fun stuff in my brain. so what I'd actually do here is just, basically, go in the exact opposite direction and ditch all the realism. genuinely, ditch the live action stuff, we're going animated - what I'm interested in here is stuff where we need to be able to fully suspend our disbelief and lean into some surreal shit. I'm not going to bury the lede here: my idea is that you take that thing where casey said he hated how ducati was ruining the bike by letting valentino's yellow encroach on it and, basically,, just go all in on that bit. like come on, that is so singularly visually evocative, it truly captures a lot of what's going on thematically in that rivalry. (see also x and x for the most relevant casey posts.) casey sees valentino as the malevolent force, this infection! he associates him strongly with a specific colour, one that can be sickly or unnatural or just... evil. malignant, malicious, malevolent, all the m words. to casey, valentino is a personification of everything that is wrong with the sport. valentino is literally the walking manifestation for so many of his issues, from the dangerous riding to the lack of respect to the lying to the cult of personality to the obsession with image and the media to the backroom games to the politics to the injustice of how different riders are treated differently, like!! he's literally all of that! this is a topic for another post, but this plays out in a lot of kinda, weird and funky ways where it's a two way street and sometimes when casey talks about motogp you go 'actually I think that's just valentino?' (btw he also does this about 'europe' right I don't think those are europeans you hate casey that's literally just valentino) and sometimes when he talks about valentino it's kinda? this feels like it's about a little more than the bloke himself? and basically, right, I think you need to take this to its natural conclusion where casey used to admire him and look up to him and want to emulate him on track and then gets disillusioned when valentino's worshippers turn against casey and casey is the one to bring valentino down to earth and... listen, I think you need to play around with valentino being a literal god. and I think you need to have casey stab him to cover up the yellow on the ducati with blood

okay. look. the idea here, right, is that we're basically making the subtext text, and just digging into that process of 'bringing valentino back to earth', of taking on a god and having the audacity to succeed, and also treating valentino as this sort of. infection in his own mind. the bike is literally being infected!! casey may have left the ducati but he STILL has some fidelity and love for this project, those were his people he worked with, and now valentino is coming in and just twisting everything around himself!! but also I think how this functions is that, okay, so you have all this normal stuff that's the actual 'plot' in the 'real world', but the ISSUE with the real world is that there's a lot of stuff that just. isn't possible there. like the thing casey wants in that rivalry but is never going to have is... a captive audience. a big problem casey has in that rivalry is that he doesn't get the chance to actually say a lot of stuff to valentino. he starts using the media more and more and plays the game on valentino's level, but there's still this disconnect where mr straight talking is the valentino rival who valentino never really blanks or freezes out like... there's a disconnect! there's valentino the person, who casey never quite figures out how to just straight up hate, and then there's valentino the character, the racer, the rider, the god who casey DESPISES. but when they're doing small talk at pressers and podiums, casey doesn't get to talk to that version of valentino! he just talks to valentino the person, who obviously isn't literally a different person but is also not going to explain to casey where he's coming from, is he, and also isn't someone who casey can explain to where HE is coming from. and that gulf... it does bother casey. I don't think he can quite verbalise why either, but there's just... this creeping tension. I think it'd be easier for casey if valentino really were more of a caricature, just kinda a dick in all walks of life. and there's just these canonical hints of that... the way casey talks about how he's sure valentino as a guy is fine, but he never knew valentino like that, the whole 'I'd like to go with valentino for dinner to tell him where I was coming from in that rivalry' thing, like!! it's there

so basically EYE think what you should be doing is using the wonders of storytelling to actually. embrace that element. and just leave realism behind now and again. valentino is a god, he is literally worshipped, he's part of this pantheon that casey is trekking to reach. casey is brave enough to take him on in combat, he is the first one who is truly able to draw blood. he sees how valentino isn't just a god of joy or battles or speed or the SUN or any of that other stuff - he's a disease, an illness, a god who is also a false prophet... the worship never quite goes away, because who ever truly gets rid of their valentino rossi complex, but casey eventually is given the chance to face a chained valentino and kinda,,, ritualistically publicly humiliate him using the ducati as both this sick thing that has to be 'cured' and this symbol of valentino's failure. I'm sorry, visual language goes brr here, like chain him up, do weirdly eroticised torture idc!! (psst psst valentino's fucked up shoulder also extremely goes brr here, casey low key a teensy bit weird about valentino's injuries? his thing after the 2010 leg break where he goes 'why's everyone making such a big deal about this other people break their limbs too' and then after 2011 jerez immediately asking whether valentino's shoulder is okay in just a very obviously passive aggressive way. literally he opens with that, valentino isn't using it as an excuse or anything, for some reason it's already on casey's mind and I would politely contest it was out of genuine concern for valentino's wellbeing!! it's just kinda? I'm so compelled by it? I suppose it is kinda about how valentino's suffering gets taken more seriously than his own? how those absences are received differently by the motogp world? idk I find this fun because casey does know this is one thing valentino can't really be blamed for himself, so it just slips out a bit? but yeah, casey + valentino's injuries, nobody's talking about it but I sure will, let casey get weird and mean and a teensy bit sadistic about valentino's injuries in an artistic manner.) crucially I like animation as a medium here because I think it's easier to lean into surrealism when you don't have to hand hold the audience so much through the suspension of realism, also there's just some imagery you can do in cooler ways through animation where in live action it may just look. weird. (I think you can also do one of those things where you have a live action film with only those specific bits animated but also... why? it just feels like in live action you need more 'justifications' for things, like am I saying casey is having some weird hallucinations and is losing his mind? no I just want to have weird vision sequences ffs.) the colour stuff!! valentino/casey is big on the colour coding as a rivalry, to the extent casey is even, y'know, drawing attention to it in the literal text!! yellow and red are banger colours, valentino is big on imagery himself with all his sun + moon motifs, it's kind of all there to make the easy next step to kinda zany surreal imagery. ritualistic stabbing works better in animation, you can kinda get the blood to like. drip down and overwhelm the yellow illness that's slithered out across the bike

and. AND of course what this entire set up allows you to do is.... give them an opportunity to talk. they can't talk in real life! casey CAN'T give him his real thoughts on anything, and fundamentally valentino can't either. they're opponents. they're strangers who chat sometimes. it's not just that they aren't friends, it's that fundamentally they cannot be friends - because their ability to do their actual jobs depends on a certain level of professional distance. valentino of course does have a decent read on casey, and vice versa, because when you're figuring out how to defeat someone then (if you're valentino) you're looking to play the rider too. valentino's entire approach depends on focusing in on his rivals and attempting to throw them off, to make them unravel. he's watching casey closely!! the entire journey of casey's first three seasons in the premier class essentially becomes like, this god of their world focusing in on him. figuring him out. trying to gnaw away at him. obviously, animation also allows you to go big on the panopticon-y imagery which is kinda fundamental to their rivalry, because of their fundamentally oppositional stances to 'performing' for the ever present cameras where there IS a little bit of common ground in they have both struggled with it. but valentino isn't going to ever say that to casey! casey isn't going to open up to valentino! so if you give them,, you know, a different arena to express themselves, where casey actually has this external figure to talk to (as he's like, cutting him open I guess) whereas valentino actually is put in a position where he's allowed to respond, where he can taunt casey a little bit, where he can interrogate casey's approach and also the similarities between the two of them and how casey has been forced to become a little more like valentino to challenge him... because the thing is, right, valentino is so big on message discipline with his rivals and has completely stopped talking about that rivalry post mid 2013 that, first of all, you have this complete imbalance in who's been telling this story for the past decade, but second of all you kinda don't have a sense of what valentino would respond? idk!! I think this is mainly fun as a thought exercise for me specifically but also I do think it's kinda, digging into some of the bits that make this narratively work as a rivalry, how valentino in this rivalry is actually just kinda... removed. like he's not really emotional about it!! at most he's a bit bitchy, but even that just feels about The Game. it's the most extreme in this regard followed by jorge - but with valentino's other feuds you kinda... see a bit more an unguarded moment, see something a little more real there. the casey rivalry feels so uncomfortable precisely because valentino is a little... inhuman in this one. I mean, if you want to have valentino as some kind of cross between a deity and a monster in any of his feuds, this is the one. casey's just an obstacle to him. idk don't you think casey kinda wants to chain valentino down and stab him and make him see casey a little more... well, I think he should want it and I think it'd be fun to see and get them to talk to each other. ugh and also all the implications of making the faith vs non-believer elements more literal... casey the heretic!!!

there's some obvious stuff here you'd have to figure out, like 'how do you make this work as a narrative even to people who aren't familiar with casey stoner at all' and 'who the fuck do you think the target audience is here' and 'you do know this is not the kind of thing that would ever be made, right, go back to the casey stoner sports biopic like a sane person' but!! I do think it's material you can make work if you're just,,, efficient and smart in how you're actually telling the 'real life' version of the rivalry. also in my head this is. idk. an animated limited series not a film, which then brings in other stuff like 'episodic structure' because I'm fundamentally opposed to tv shows that think they're films. and look, I'm not going to write an entire film script treatment here, I just think a good writer can figure this stuff out. blood on the ducati is the framing device for everything else, simple. lots of animated floating eyes I reckon, first casey is watching valentino and then valentino is watching casey and the whole world is watching them... and it does bleed into real life just a little, where you're wondering whether casey is actually imagining/dreaming this stuff or valentino is or if they both know it somehow... you can get away with more ambiguity in animation. anyway, if you do want more thoughts on this one specifically for whatever reason, let me know because this one I do actually have more on

also laguna 2008 is a bit tortoise and the hare coded if you really think about it

[end of gore]

so. on to jorge. hm. the thing about jorge is that he was kinda writing a coming of age film in his own head, so like - yes, that's what you do go for? you can play it straight and follow how jorge has cast his rivals, or you can pin the whole narrative on the fact that jorge has cast them - the kinda artificiality of the narrative, the way jorge is this storyteller who isn't being recognised as much as he thinks he should be, isnt adequately appreciated. the way there's this three way discourse between what jorge thinks the story is and what the public thinks the story is and actual. you know. reality. I think this is a bit more light-hearted, like you know how the best stories about teenagers take their emotions seriously but also let them be kinda silly? because young people are silly! jorge was silly! he's got a lot of CHARM because he's so cocky and naive and full on and intense and awkward and kinda off-putting and tactless and a bit all over the place and so painfully, painfully young, like he's a good protagonist because that's a KID. but also, obviously there's also a lot of extremely not light-hearted bits of his story - everything about his father, his manager... idk this one's another one where, I don't just want to make it a generic sports biopic, and I'm trying to figure out the clear narrative arc here? I mean, you can point to the end of 2010 and really lean into him choosing victory on-track over popularity off it. the problem with 2010 is that it does not work as a dramatic season, yeah sure with the magic of biopics you can hack at it to shit but also. idk. what are we getting out of it. I think for narrative purposes you want to maybe narrow in, and end it at the end of 2008, with the switching of the numbers this kind of moment of emancipation? but also! this feels like we're straying a bit too far away from the fun sports elements and I don't want to REALLY suggest all the ways in which you could mine jorge's personal trauma in a jokey tumblr post, so I'm gonna move on from this one

the problem is 2015 just straight up doesn't work as a jorge-centric narrative, except in a very kinda comic way that leans into how absurd his role in that season was. 2012 as a season is a bit... y'know, it's fine. okay it's mostly terrible, but that's fine too. but it doesn't have a great narrative hook. which kinda leads you to the problem that I do think the valentino rivalry is more... juicy from jorge's pov, because for valentino, jorge is just kinda? an obstacle? idk he's more normal about it, it's just his job to destroy the guy, you know how it is. but also 2009 does work better narratively from valentino's pov, like it's the build up to catalunya specifically you can dramaticise... idk though, I do love catalunya but my heart isn't really in this exercise because I think valentino isn't really being... challenged here? it's a title fight where he's fundamentally using a set of tools he's already perfected, to beat a guy he doesn't really give a shit about. when the italian press is down on him pre catalunya, it doesn't spark any genuine self-doubt - it's just a handy source of extra motivation. there's no epic highs or lows that season, not real ones. and yes I know I was talking about making valentino who gets stabbed repeatedly to cover up an infection a moment ago, but that reflected real EMOTIONAL truths!! I'm committed to thematic fidelity more than I am to literal fidelity

genuinely I think the best way to tackle jorge is with the jorge/dani parallel journeys... what, film? tv show? maybe show actually - you don't have one coherent narrative Statement per se but you're constantly charting those journeys in reference to each other, really rooting it in their respective points of views, no neutral detached cinematic language like I want everything to be very much written to be from their eyes!! going from one to the other and back again. and you're charting these different journeys, right, and how they both captured different flavours of like... emotional successes and failures. I think it's actually about failure, yeah, about having to accept there's something you can't have and might never be able to get - whether that's universal love or a premier class title or whatever - but Actually, that might not be the end of the world. and during this process, they go from being enemies to tentative friends!! guys who realise they can maybe actually understand each other better than they thought!! this real moment of interpersonal connection. you have all these media narratives and the managers and so on and the fact they're competitors as these built in reasons why they've just been pitted against each other from the start... but y'know, again, it is also just a bit about maturing, about being able to set that aside, about making your peace with defeat and failure as an element of growing up. you can't win everything, maybe there's something you really really really want and you're just not going to get it, but at the end of the day it's kinda... yeah. self-acceptance. idk this is the nice one

so with marc you can go several different ways here I guess, and again he's also perfectly decent sports biopic material, probably second to casey in that category like yeah sure do the comeback story. but also, we do already have a very good self-produced documentary about what he thinks the narratives of his career are? idk this is also just a personal taste thing, I'll leave him to doing all the injury stuff himself, I don't have much to add there. we'll get to the obvious one in a second, but I was trying to figure out if there were other places I massively felt like you need the cinematic touch. and, again, the 2013 season is obviously very exciting!! but also, you have it covered in.,,,, multiple documentaries, I don't feel I have a take their either? his rivalries with dani and jorge aren't really substantive enough to sustain a bit of cinema. dovi... I mean, what are you saying there? what's the arc? I feel like if I tackled dovi, I'd go somewhere else and really go all in with the ducati stuff, and make it a bit more... you know, stark, stripped back, basically just the emotional component of how much he gave to that project and how he managed to beat away one rival after the next and how it all ended up falling apart in a kind of anti-climactic way? he's also good sports biopic material, but in a way I think the marc rivalry is the bit of his story I have the least to say on. so eg, 2017 is a dramatic season, but he's also kinda fine after it? he always knew it was a long shot, he tried his best and he got really close and then he lost. you can't amadeus it because dovi isn't (fictional) salieri. basically, I think what I'm saying here is that dovi is too well-adjusted to feature in this post. though I'd totally watch a film about his 250cc seasons, like it's a bit annoying because HE is the underdog who loses both title fights to jorge, but it'd still be kinda fun idk. I wouldn't really know what to do with the material but if someone made the film I'd absolutely watch it

right then. the thing about sepang 2015 is... yeah, sure, of course you can do it, it already exists as a narrative but... yeah, what are you adding!! idk I always think when you're adapting something, you kinda need to have a reason for it? I mean, what are you doing that's not already there in the footage? idk maybe this is just a sign of having been a fan of this sport for one too many years but to me the idea of sepang 2015 can get a bit boring (or maybe just repetitive) where I need a new TAKE on it to really get into the idea of fictionalising it. like where's the auteur's touch y'know, what can I still add to this!! but it also needs to WORK for someone who is new to the story, which kinda just makes you want to tell the story straight.... y'know the story is strong enough and COMPLICATED enough to stand on its own and it IS good but I don't really have anything interesting to say beyond 'yeah sure that'e be neat'. I can't tell you why, but I also don't think the casey approach quite works here? the idea of providing a framing device with which valentino and marc can actually talk to each other... eh. don't like that. hm. okay wait actually I just turned it around in my head for... a while and I think I've got an idea to make the worst motorcycle racing film of all time. so, my central stupid film-making gimmick here is just. centring the fact we're completely reliant on a few guys and what they're telling us in making up our minds, and our removal from that story and the imperfection of their perceptions and so on. so I think you kinda make a point of... not actually showing the motorcycle racing? like, you always show it by showing other people watching it, you're showing the tv screen rather than the actual racing. even in the cinematic medium, you're centring the theatrical aspects, where you drill it down to just a few characters. valentino. marc. uccio. marc's fuck ass manager. maybe a crew chief or two. keep it limited though, all the others are kept at a distance - you're constantly focusing in on the same few characters. and very early on you basically just like... get them to fourth wall break by telling you, the viewer, with their actual words how racing works for them, what meaning they take out of it - and again it's this remove because we're never allowed to actually feel the racing for ourselves (no helmet cams), and it sets up that as the tragedy unfolds, again and again we're just hearing from them what happened. it's all zoomed in on how claustrophobic the entire situation is, like doing the race direction room after the sepang 2015 is perfect for that kind of thing, and crucially they're only ever addressing the audience because they can't address each other. but fourth wall breaks also obviously draw attention to artificiality! I realise they are very much like, lame gimmick central, but also are these men not inherently about lame gimmicks... idk it's basically the same story but at least it feels like a kinda interesting way of telling it. kinda trite, but cinema allows you to get to the point and let valentino actually play with the camera... so literally take it into his own hands and lead it around and tell the story from his point of view. and you can play with how they do both change in what stories they think they're telling, how they're constantly revising their own stories, how their stories completely clash with each other... like. make them literal narrators. that's my pitch

so. one interesting pattern that has come up with my approaches to these rivalries is that with the exception maybe of the 2015 stuff, I feel like I'm more naturally inclined to treat valentino as a narrative device and centre his rivals. a big part of this is that valentino is a fantastic narrative device. he's kinda. this looming presence in every narrative in this sport where you can just sort of use him as a sort of way to poke away at all these other riders. the monster everyone loves who you are trapped with. BOO!! he's gonna eat you! which is fun! but ALSO, crucially, several of these rivalries aren't that emotionally challenging for him!! again, with casey right, he wants to beat him, but he's not having a crisis of faith over losing to casey. he thinks casey is annoying, he wants to beat him because he wants to win. valentino is casey's foil, but casey is not valentino's. valentino makes for an excellent personal antagonist to casey, but the reverse just isn't true. casey isn't forcing valentino to reexamine his approach except 'ramping up the levels of being a dick on-track' - like, yes, that's a serious competitive challenge, but also valentino is very comfortable in his own skin in that rivalry. sure, you could have valentino have some kind of massive revelation about the casey rivalry, but like. he doesn't in canon. he changes his behaviour towards casey in pretty predictable ways depending on what the relationship demands from his perspective at any given time. there's nothing more there

now, obviously you know where I'm going here. there IS a rivalry where you can make the argument he changes as a result of it, there IS a rivalry that tips him over the line and makes him to do stuff he hadn't done before that, there IS a rivalry that happens to coincide with a period of his competitive life that challenges him both personally and professionally. now, look, I have already talked about the sete rivalry. you know what I think about this rivalry - and if you don't, I really already have told the story here and here and here and here and also here. I think this works perfectly well as a narrative in its own right, and it's one you can tell from either perspective... but you kinda need both. I think again you probably naturally lean towards starting it from sete's perspective and that first proper meeting (I mean, idk if it is their first actual meeting, but it's the logical obvious place you start this story) with sete giving valentino advice during his first 500cc test and valentino just, y'know, ignoring him and being a cocky shit and then crashing. so you get to see sete being kinda exasperated by the whole thing. also, obviously ibiza is like, a key framing device here, like it's the most obvious in-your-face way of tracking their relationship with each other. I don't actually know how often they partied there together, but it must have been at least twice and if the commentators are to be believed it must have included 2003. artistic license and you can add one or two more times, but mainly you want to focus in on 2003 onwards right. so you've got this 2002 one where it's, y'know, high point of their friendship and in the name of narrative efficiency, you establish here that sete is looking to make the honda switch. the emphasis is on how valentino has been winning everything but on the flip side you're getting the first insight into his discontent. and there's a bit of a vibe of, what could you possibly have to complain about? like you are winning so much? so it's late one night where they've had this slightly unguarded alcohol-fuelled moment of genuine vulnerability but in the end it's actually characterised by how... unsubstantial the link between them is, because they wouldn't talk about this kind of thing with each other and they might both be similar in some ways but also don't gettttttt each other. it means you can return there as a location in 2003, where you've just had sachsenring and valentino's dramatic loss but they're still partying together and it's like. obviously In The Air that not everything is quite right... their relationship is already gradually altered and twisted because you're introducing this element of actual stakes and competition (obviously in 2004 they do NOT spend that time together, as far as we know anyway, and you can show them being very much not together at ibiza as a very obvious Oooh Things Will Fall Apart and maybe already haveeee)

and I do think basically I've already said what I think the themes here are,,,, several times by this point, so I'm not going to belabour the point. I think all of this fundamentally works as a narrative with like, minimal massaging and rearranging of the elements for dramatic effect. it's all there already, everything from sete's arc with the [insert non-tasteless way of covering a real life tragedy that fundamentally alters the course of sete's career] and how that leads to sete becoming the challenger and how he does want to win and his eventual downfall. with valentino, you have the element of liberation and self-discovery and... well, growing into your own but also kinda having the narrative drawing attention to how 'growing into your own' can involve becoming a fully realised character who is essentially quite cruel? you have this kind of... build up, right, towards this moment of revelation, where you lay bare who these two people actually ARE at sepang 2004, and then again at jerez 2005. valentino has gone his own way, he has freed himself from the chains of honda, he has embraced individualism and the chance to define himself and his own legacy and stand on his own two feet and not rely on the strongest bike or all this stuff within honda where they chose him as their flag bearer, for better or for worse... like he comes to his own here! he takes the step from 'great rider' to 'legend' because he gets to this dramatic moment of stepping into the unknown, he takes this massive risk that could have cost him so much, and it ends up elevating him. but it also puts him under duress, and in that moment he reveals himself - whatever sete did or did not do at qatar 2004, EVEN IF sete did all that shit, what you are left with is valentino vowing to ruin this man. valentino uses sete to make himself 'better', to fuel himself as a competitor. valentino turns sete into a tool in his own story. and again, thematically you've got all this stuff about how sete was managing the image of the rivalry and how valentino took advantage of that - how sete needed it to remain respectful and valentino was completely willing to abandon that. like, you have two protagonists who really are similar in quite a few ways, who think they have this shared understanding with each other, but when it comes down to it? they end up being super painfully different

now I can go on about this and how to play it straight, basically, you can just do that rivalry and I think it'd be cool and fun and very easy to arrange in a good narrative way. BUT I've kind of already. done that. like I don't want to suggest a film that is basically a nicer version of my tumblr posts. so I want to take this in a slightly different direction, and I think what we need to consider with this rivalry is this: what if you made the curse literal? basically, what's always kinda charmed me about this rivalry is that the curse should not work and all the misfortune that befalls sete after that is so comical that it's kinda... what do you do with that? and the answer is you just lean all the way in. my pitch is this: what if valentino sells his soul to the devil?

so, you know faust, right, and you know the bit at the start of goethe's faust where god and mephistopheles are basically making a wager over how corruptible this one human is. and faust is like... he's kinda disillusioned, he feels that everything he's dedicated his life to in academia is fundamentally hollow, gets very close to committing suicide. and faust has gone a bit new age-y, gotten into all this mystical shit and he's got this pentagram that ends up preventing mephistopheles from leaving his presence in their first meeting... and basically what the devil can give him is like, the chance to attain some true pleasure, and for that faust is willing to bet everything - so if faust can just have that, then maybe eternal damnation is worth it. and look, I'm not going to summarise the entire plot of faust here and it does go off the wall a bit with all the gretchen stuff, but the point is you have this version of the devil who is fundamentally a cynic and is attempting to win an argument with god by making this human succumb to his own nihilism. and what faust basically does is like, abandon his normal life where he's trying to live by normal virtues and goes off on this journey with the devil. and there's this little moment where mephistopheles,,, pretends to be faust and takes on the role of an academic adviser (you know how it is) and seduces this random student away from the word of god and sends him down a wretched path, which ends with this bit:

like, a big part of faust's tragedy is supposed to be about... well, hubris, of the relationship of god to man, of no longer being afraid of the devil... and obviously, this is all framed very much in terms of religion, but at the end of the day it's also about, you know, having purpose - faust is living a life that no longer has any meaning to him, all of his knowledge and studies now no longer fill the void inside himself. his nihilism opens the door for mephistopheles, and is what makes him willing to accept the devil's terms. now, and I am so very sorry to goethe here, I think we have some material we can use here to explore the valentino/sete rivalry. obviously, you can't do a one-to-one, you need to get rid of some of like, the depression and all that - there were times when valentino was feeling 'a bit low' in 2003, but not 'faust thinking everything he'd done in his entire life was pointless' low, yeah? also, unless you want to do a real long view here and even then it can't really be justified, there obviously isn't really a 'tragedy' here from valentino's perspective. like, he wins! this isn't valentino's tragedy, it's sete's! I was being a bit facetious when I said he was 'selling his soul to the devil', and you can kinda parse mephistopheles' motivations in different ways depending on what flavour and what interpretation of him you're dealing with here. you don't 'damn' valentino, you essentially just turn him into a tool of the devil!

so, this is how this works out in my head: the devil works more broadly as the manifestation of competitive impulses, the kind of 'how far would you go to win' question as a bloke who shows up and literally talks to the characters about it (magic of cinema). he's also engaging with valentino feeling like his victories no longer having meaning, with being disconnected from honda and from the entire culture there and just feeling like he's going through the motions. there's this element of like... opening the door to what is essentially a journey of self-actualisation, bringing him closer to being a 'god' but also allowing him to fully come into his own and become himself. to win on his own terms. I reckon ibiza is my preferred narrative device where the devil talks both to sete and valentino there (separately), first literally as a mysterious stranger and then... maybe not? he's talking to them at times of their lives when they're not at ibiza and it's not happening there in the physical world and they both end up kinda having to confront they're dealing with some potentially malevolent supernatural entity. but the important elements of the devil is that a) he's not going to do anything the humans don't actually ask for themselves, and b) everyone knows he's following his own agenda and you should be careful of the requests you make of him. so it's kinda like... essentially, the backdrop of this rivalry unfolding is they're constantly being challenged to decide what lines they're willing to cross. which culminates at qatar... and maybe you do have sete making like. a teensy mistake. a teensy error in judgement, one that is both real and deliberate but he could not have known would get that reaction and instantly regrets. and valentino, who is I think inherently sceptical of the devil coming to offer to help him and maybe does crank out the pentagrams (remember, the whole point of faust is that he was too arrogant to be scared of the devil, or one of the points anyway), in a moment of fury does decide - no, actually. I will take that step. I will curse sete. now the thing is, dramatically this is a teensy bit tricky because when you're talking about being damned by the devil, usually the consequences are a bit more severe than 'not winning a motorcycle race again' (yes, you can get into how sete did also seem genuinely cursed after that, cf his ambulance/bus crash situation, but again we are flirting with being in poor taste in this tumblr post). but the thing is, right, you have to lean into the silliness here! qatar 2004 is inherently silly, a CURSE is inherently silly, like real life is already silly here! you have to engage with the people where they are, and for these athletes all this shit is so heightened that the emotions are full on. like, valentino would've sold that guy to the devil! and to him not winning another race is basically the worst thing that can happen

so, obviously, you get to do the actual curse stuff. curses are inherently campy fun, the devil doing curses is campy fun, getting valentino rossi to crank out the pentagrams is inherently campy fun. you get to play around with this, right, like you know that bit in the brno 2005 race commentary where the commentators are talking about how valentino might as well have a little radio to talk into sete's helmet to remind him of how sete had fucked up at the sachsenring. OBVIOUSLY obviously obviously it is just so... idk scrunchy and fun to have this idea of valentino becoming a malevolent enough force to literally do that.... like damn the commentators did kinda eat with that?? ughhhhhh do you ever think about sete leading the qatar 2005 race for most of the way???? like that's SO fucked up because you literally have articles from about the race going 'hey maybe sete can break his curse' and then the commentators are talking about curses having one year expiration dates but obviously they!! do not!!!!! there's one race where sete goes off track and the commentators are talking about how valentino will surely have smiled into his helmet like that's so fucked!! it's so fucked!! but idk I think basically you have all this creeping curse-y stuff and devil stuff and then you get this twist and then it just becomes misery zone for sete until you sort of. compress the timeline and have him retire without getting into what happened at the end of 2006. and valentino just relishing in all his very worst emotions. and you've got sete who was the better man after jerez 2005, who took the high ground again and again and again and it did NOTHING for him.... and then he's cursed and his career is finished and the devil has had his fun getting mixed in with mid noughties motogp. and now obviously this is inherently kinda dumb and corny and silly but it's the devil!! mephistopheles to me is allowed to get up to dumb shit sometimes, let him have some fun!! idk I like curses being literal idc

I think the obvious critique here is 'this doesn't really feel like it gets the message of faust'. which, yes, is true - and obviously the way narratives are structured, a satisfying resolution isn't 'well selling your soul kinda slaps, actually'. and my statement to respond to this argument is as follows:

this is essentially canonically what happened. valentino DID do something kinda evil and it DID work out 100% for him and it DID kinda slap. at least when you add in the devil, you're making explicit the bit where it is a little bit bad. also, is sports not inherently about selling your soul for success... the story of valentino and sete is essentially about how we are twisted by competition, how pretending that we don't wish ill to our opponents is inherently dishonest. it is about lifting a facade for something that is already inherently there in the souls of men. this is obviously inherently a deeply cynical stance, but this is also a deeply cynical story beyond all the fun battles and camp dramatics. the devil is a cynic and he is basically the point of view character of goethe's faust - he's the one who is positioned closest to the audience. sports is all about living out some of humanity's worst instincts in a relatively low stakes setting, which means we get a free pass to have fun with a deeply cynical story that goes 'maybe selling your soul to the devil is fine, actually'

do I stand by this stance? not really, but the whole fun of storytelling is that sometimes you can just be kinda mean. I think goethe would get it... you can tell which character he enjoyed writing the most

the OTHER way you can do this is centre everything around qatar 2004 as like,,, the mystery box element...... okay look I have now made two posts that go WAY too deep on the 'what really happened' element but I do loveeeeee the whole thing like I would just make a film about that very end of the season and we show it from all these different angles as different characters narrate what happened... like fuck all the riders I want to hear from whichever mechanic used the scooter... the gresini mechanic who gave evidence to race direction.... various honda higher ups the crew chiefs like this is jb vs juan martinez it's war!!! obviously you still have the same emotional/thematic hooks as the general rivalry does but idk I would have a LOT of fun figuring out how to structure that, I loveeee mysteries... maybe I'd write it as a mockumentary yeah..... this one's just fun

anyway. a lot of stuff going on in this post, huh! you can probably tell I didn't edit this much. my classic tell when I edit my tumblr posts is I remember how 'paragraphs' work. unfortunately all I have energy for are like. a bunch of rants about things in my brain. I think when tumblr tells you that you've reached the maximum number of characters per paragraph and you need to figure out where to put a break, it's probably a bad thing? on the whole, my stance is I don't have anything AGAINST mildly fictionalised versions, but for me I'm always more of a.... well I want to take advantage of the full specificity of the events as they happened or just come up with a completely original story. kind of person. I know this ask probably wasn't looking for my 'what if you bled out valentino as he's strung up above a red motorcycle' vision but yeah. with a lot of biopics I'm always a bit 'well you could just read about this couldn't you' like I need stuff to take some kind of a stance on the material it's using... all my stuff takes a stance. that's all I've got. obviously all these stances mean that basically none of these things could ever be made. and I know what I said above but if they called me up to write the casey stoner biopic script treatment, I would also do that. if you've actually read to this point, give me a shout - you're a real one and I love you

[morhido]

Sighs. Okay yeah i have thoughts about cgi toothless.

First of all, why does he look so... slimy? He feels too smooth. Like they just stretched some scaly skin over a skeleton and let it walk around. Immediately offputting.

His body language is. Fine? Am i being nitpicky or does it seem just the tiniest bit less expressive? I'm guessing this is either the scene right after hiccup cuts him free, in which case he should be way more intimidating, or the fish-sharing scene, in which case he should feel a little friendlier and more curious around hiccup. It's a quick shot so i won't put a ton of expectations onto it, but i think it's worth noting.

Okay this is a legitimately cool detail though. He has a secondary eyelid!! You can see it slipping away when he opens his eyes. That's a detail exclusive to the books so i like that they included something as small as that.

Sighs again. And this is the shot that prompted me to make this post.

Look at the original, and then look at the cgi version. I could write an essay about how inferior the cgi version is in comparison.

First off, they flattened his face. I swear every iteration of night furies after the first movie has just been compressing their snouts until they're sufficiently 'cute' enough for the audience to forget they're supposed to be sleek and aerodynamic.

Second, his eyes. Absolutely radioactive. I understand using a brighter colour for his eyes, especially in a relatively darker environment to make him stand out and seem more fantastical. But. They're just so bright. It's mildly unsettling how saturated they are compared to everything else.

Third, his eyes. Again.

Toothless is supposed to be terrified but still threatening in this scene, and the original shot conveys that perfectly. If it's a threat, then by all means hiccup should kill it or at least run, but instead he draws a connection between both of them being scared of the other and decides to cut him loose instead. And that's the core of their relationship. Toothless is staring him down with a slitted pupil that could just as easily be interpreted as "fuck around and find out" but hiccup just acknowledges that there's a frightened, injured animal in front of him that needs help, and he helps.

Is any of that conveyed in the cgi version? No!! It's trying so hard to be cute that it's gone full circle back to just being scary. The wide-eyed stare, the dilated pupil, he's basically just saying "🥺🥺 uwu pwease i'm so cute and innocent don't kill me aha 👉👈". Which is a lot less of a compelling reason for hiccup to free him!! Plus the fact that toothless turns up to look at him instead of lying and accepting his fate like in the original, which only makes it seem even more like he's trying to show off how apparently adorable he is.

Idk. Just the difference between the in-your-face sanitised cuteness of "teehe you wouldn't kill little old me would you? 🥺" and the expert subtlety of his "please don't hurt me" of the original doesn't give me high hopes for a toothless that stays true to his character from the first movie. Even from something as small as this. He's gonna get woobified. I can feel it.

[bloodsbane]

so i really liked this part in the snack/sorbet episode, and since i've been in a Think About Dunmeshi mood the last couple days, i've been trying to interrogate why this little moment caught my attention (besides the fact it's cute and appealing animation-wise - i especially like the movement of chilchuck pulling his head back up and gesturing with his hand afterwards)

i guess the short answer is it's a nice moment between chilchuck and laios. like, to me, it's an oddly... not vulnerable position, but maybe more open for chilchuck? it's a couple things: the POV shot emphasizes the fact that he has to tilt his head up and back to look at laios because of the height difference, and i know it's been shown (mostly in bonus material i think) that laios tries to be careful about how he interacts with chilchuck because chilchuck doesn't like feeling infantilized for his size (like laios not obviously bending/kneeling down to hug him, as an example). like, chilchuck could've still turned his head while looking up, or even walked backwards to look at laios, but he does this instead.

then there's the fact laios is gently pushing chilchuck forward. it's a small thing, but i know pushing can feel... well, pushy, maybe patronizing or rude in some cases, depending on the context and who's doing it, yknow what i mean? but chilchuck doesn't appear to mind. and this last part is probably mostly a me thing, but i think there's a certain amount of trust being demonstrated here, because chilchuck is 1) letting laios guide him, 2) trusting laios enough to not look where he's going for a second, which 3) idk about you but i find the act of walking forward while looking up mildly disorienting

i get this is probably mostly me looking into things a bit more than i need to! but still, i've always really liked the moments where chilchuck demonstrates that he does see laios as their team leader, and generally trusts laios well enough, even if he might prefer laios behave differently and sometimes decides he needs to be pushed to understand/confront certain things. their relationship dynamic is a particular one, kinda subtle, but there's a degree of respect and trust that i just enjoy seeing!

[jo-com]

⋆ ˚｡⋆୨୧˚ ➛ Mine

Charles Leclerc x fem!reader

Summary: He's yours, and you're his. That's how it should be.

Tw: DARK, implied smut, obsession, manipulation, possessive behavior, branding, angst, jealous charles, some grammatical error, not proofread, google translated french cause i can't speak french and sorry if i wrote it wrong i just started writing again so idk if this is good or not.

words: 1.1k

✩₊˚.⋆☾⋆⁺₊✧ ➛ My Masterlist (Part 2)

─── ⋆⋅☆⋅⋆ ── ─── ⋆⋅☆⋅⋆ ── ───

From the start, Charles was nothing more than amazing—he would give you endless adoration and assurance, and overall was the perfect boyfriend. He would worship you like you were some kind of goddess—well,  in his eyes, you were. 

But Over time, his once pure love became a crazy obsession.

The need to always be by your side and not let any other guys come closer to you, talk to you, or even breathe the same air as you intoxicated his mind and clouded his judgment.

And you start to see changes that would never occur in the past—changes that weren't good. Like that time when you and Carlos were just casually talking and catching up—that sight alone was enough to make his once-puppy dog eyes become piercing ones. Burning a hole in both the backs of your heads, from across the room you could see how tensed he was, his jaws clenched and his hands gripped the seat making the texture of the seat all crinkly.

At that time you only shook it off as a "concerned gesture" and never said anything about it to him.

But then it was constantly happening; he would always get riled up whenever someone would just approach you, whether it was a girl, boy, kid, or even animals; he was getting jealous over almost everything. 

You started to worry that things would get even more complicated as they continued. So you stood your ground and got up the courage to voice your concern to him. 

...

"Charlie?" you said softly, entering the room, where he was reading. Your eyes scanned around the room then stopped when you spotted his figure.

There he was, sitting by the fireside with a book in his right hand and the other resting on the armrest. He looked like one of those guys that were sculptured to perfection, but you knew that, underneath that godlike demeanor was one possessive beast that was hard to tame.

Hearing your voice, Charles looked up from your direction and immediately lit up. "Oui? Mon chéri," he responded with his thick French accent. 

You smiled half-heartedly and slowly walked to where he sat. From your action, he could tell that something was bothering you. 

His face scrunched up with a frown as he stared intently at you as you sat down on one of the armrests. 

"Is there something bothering you, Mon cœur?" he asked, lowering down the book he was reading and then slowly snaked up his free hand to rest on your waist.

You let out a deep sigh before answering, "You'll tell me when something's up right?"

He didn’t answer but just tilted his head and stared at you blankly. At that moment there were many questions running through his mind, but one particular thought stood out: Why would you ask something out of the blue when everything has been perfect? not unless someone put thoughts into that pretty little naive head of yours. 

He let out a low chuckle—the grip on your waist tightened as he sucked out a breath—your eyes met his. Seeing the lack of emotion as he stared back at you, sent shivers down your spine, and what scared you even more was when he gave you a calm but menacing smile.

"What makes you think that there's a problem sweetheart?"

You bit your lower lip, holding back the urge to just blurt out your thoughts.

That small gesture was not left unnoticed by Charles. He raised his other hand and touched your lower lip, softly grazing his thumb to where you sunk your teeth. "You know you can tell me anything, right? Mon cœur? he assured.

His expression didn't change; the loving eyes that you once knew were now an emotionless void. With that look, you knew he was getting impatient the longer you stayed silent.

Breaking the silence, you slowly nodded your head and smiled lightly. "Yeah, I know baby, it’s just that you’ve been off lately and you get so riled up easily, mon amour—I know that you mean no harm, but it’s just too much and i-"

“Do you think I like being that way? ”Charles cuts you off.

He gazed at you—eyes filled with rage from what you just said. You squeaked at his burning glare and were quick to look away. The hand that used to rest in your waist was now at the bridge of his nose, pinching it with frustration. 

"You know i wouldn't be that way if not for you, y/n. I am just keeping you safe from all those disgusting men at the paddock, tu ne sais pas de quoi ils sont capables y/n (you don't know what they are capable of)."

You kept your head down and stayed quiet, not wanting to say anything further that might ignite more of his anger. 

Charles stared at your weak state and sighed heavily. 

He stood up, standing in front of you. His hands are cupping both your cheeks, forcing you to stare at him. Charles rubbed your rosy cheeks soothingly, making you lean in on his touch.

"Everything I do is for you, mon chéri, okay?"

You looked at him through your eyelashes and smiled. Charles just wants you to be safe and there's nothing wrong with it, maybe your just overthinking it?.

Charles smiled and kissed your temple; hugging you close to him as if you'd leave once he let's go.

Only a fool would believe that Charles's "just wants you to be safe".

Y/n was a fool

...

Your body jolted at the sensation, your hand moving to your mouth as you bit down the urge to moan out loud.

The two of you were inside a closet room in the pit. Charles decided to pull this stunt the moment he laid eyes on you and Max talking. Like usual, he got riled up and dragged you somewhere secluded to "teach you a lesson".

Tears swell up your eyes, making your vision go blurry. Your other hand was pushing his head away and attempting to stop him from diving into your cunt and eating it like there was no tomorrow. 

"Stop," Charles hissed, grabbing both your wrist and pinning it above your head—restricting your movements.

"What did i tell you about talking to others?"

You gulped down the lump in your throat and shook your head. "I am sorry, mon amour" your eyes pleading for him to stop.

Charles scoffed, gripping your jaw tightly. "espèce de salope (you slut), you just want everyone's attention, don't you?"

"Charlie, no, it's not like that," you begged, your voice shaking as his grip on your jaw tightened.

"Oh, I'll give you attention alright, Chienne (bitch)," he cussed, his accent making his aura more frightening.

...

You lay emotionless on the table, tears falling down your face—your clothes on the ground, your hair a mess, and your body filled with his markings.

In the corner of the room, Charles was fixing his clothes. Acting as if nothing had happened. 

He then went over to you and pulled your body towards him, crassing your hair and kissing your temple. "Je t'aime tellement mon amour."

...

Should i make a part 2?? Btw hope you like this idk if i did it okay i just wanted to write again and like always my request are open!!

[sweeterlovers]

HIS LOSS / LANDO NORRIS + JACOB ELORDI

lando norris x piastri reader + reader x jacob elordi / SMAU

FACE CLAIM / hadar lavy

WARNINGS / cheating!

-

INSTAGRAM

liked by gossipf1, f1lover, and 36,751 others

f1gossip F1 GOSSIP: Lando Norris caught cheating on Y/N Piastri??? Lando Norris has been spotted with a mysterious blonde woman!

view all comments

user6 WHAT WHAT

user78 holy shit bro

user0 no more papaya rules….

user2 LMFAOOOO

user613 mclaren garage bout to be real awkward

user8 the DRAMAAA

user03 SINCE WHEN WAS LANDO DATING SOMEONE???

user836 where have u been????????

user5 bro i don’t know.. i didn’t even know oscar had a sister 😭😭

user6782 you’ve been living under a rock

user111 what the actual hell

user3 his loss i guess

user521 i don’t even know anymore

user778 landoscar 😭💔

user89 well that’s over with

user2000 anyways Y/N deserves better

user58 welp!

-

INSTAGRAM

liked by oscarpiastri, landonorris, and 135,726 others

y/n.piastri well it’s just me and my stuffed animals against the world 🙂

view all comments

user2 girl you deserve better

user57 wait the stuffed animals are so cute

user05 i know 🥹 what are their names???

y/n.piastri well the octopus is named mimi and the kitty is named princess mellow!

user267 awww

yourbsf anyways your so hot wtf

y/n.piastri 😘😘😘😘 ilyyyyyyyyy

user9 stop she looks so sad :(((

user2 i wonder why….

user88 i wish i looked that good after getting cheated on

user892 the fact that he’s still liking her posts….

user0 ugh he’s so icky

user83 i hope she can still come to the paddock and support oscar!!!

user543 me too!!! we may have to wait a bit for that tho

user452 🙁🙁🙁🙁🙁

user362 your so pretty!!!

oscarpiastri why are mimi and princess mellow so far apart?

y/n.piastri idk they need space

-

MESSAGES

yourbsf

ok y/n you’ve been sitting in your room for the past week, you need to get out and go party!!!

y/n

i’m not in the mood

yourbsf

ok well i don’t really care!

y/n

?????

yourbsf

go get ready! i’m picking you up and we are going to the club!!!!!!!

-

INSTAGRAM

liked by oscarpiastri and 265,727 others

y/n.piastri 🍾🪩⚡️

view all comments

yourbsf HOTTIE

y/n.piastri LOVE U CUTIE

user3 okkkk i see youu

user0 you look soooo good

user67 revenge outfit 🔥🔥🔥

user1 party girl era?????

user56 imagine she goes to a party and sees lando as the dj

user9 i would die

user267 this post is chaotic and put together at the same time

user78 you look amazing!!!!!!

user566 😻😻😻😻😻😻😻

user6 i want to party with y/n piastri

-

MESSAGES

my dear brother 🤧🤧

how was the club?

y/n

it was alright

my dear brother 🤧🤧

did you meet anyone?

y/n

nope!

my dear brother 🤧🤧

i’m sorry, if it makes you feel better i can run him over!

y/n

it’s whatever, but i wouldn’t be made if you “accidentally” crashed into him

my dear brother 🤧🤧

noted

-

INSTAGRAM

liked by oscarpiastri, jacobelordi, and 73,624 others

y/n.piastri i was going to wear this to the club but i changed 👍

comments on this post have been limited!

user9 jacob elordi in the likes????

user0 oooooo!!!!

oscarpiastri 👌👌👌

yourbsf you look good either way!!!!!

-

INSTAGRAM

jacobelordi

hey! i know this might seem weird but i’m in australia visiting my family and i’m free and i was wondering if i could take you out on a date?

y/n.piastri

are you being for real?

jacobelordi

yes?

y/n.piastri

sorry this was just unexpected! but i would love to go out with you!

jacobelordi

great! i’ll dm you the details

-

INSTAGRAM

liked by jacobelordi, oscarpiastri, and 164,263 others

y/n.piastri date night 🤍

view all comments

user6 WHAT

user78 ok girl!!!!

user10 looking gorgeous!

user2 i’m glad your moving on from lando <33

user9 yeah he’s a 🚩🚩🚩

user34 most of the drivers are 😭

user16 true

user57 gorg!!!

yourbsf i see you!!!!! 👀

y/n.piastri LMFAO

yourbsf well text me the details…

y/n.piastri yes ma’am 🫡

-

INSTAGRAM (PRIVATE)

liked by yourbsf, jacobelordi, and 12 others

y/n.private lately with me 😘😘

view all comments

yourbsf cuties!!!!

jacobelordi what is that second picture?

y/n.private it’s a picture of you with a bow edited on you! 🎀🎀🎀🎀🎀🎀🎀

jacobelordi did you do that?

y/n.private yes!!!!

-

INSTAGRAM

liked by jacobelordi, oscarpiastri, and 167,282 others

y/n.piastri 🤍🤍

view all comments

user3 SOFT LAUNCH??

user88 i know!!!

user00 anyone know who the guy is?

user2 i think it’s jacob elordi cause he’s been liking her posts

user7 idk but @oscarpiastri & @yourbsf may!

oscarpiastri maybe 🤷

yourbsf i can’t disclose such information

user675 😻😻😻😻

user013 the last photo 👀👀👀

user4 and the first one! they seem so cute together 😊

user37 ok but she looks sooo pretty in the second pic

-

INSTAGRAM

liked by y/n.piastri, oscarpiastri, and 568,926 others

jacobelordi me and my girl @y/n.piastri

view all comments

user56 my husband 😖😖😖😖

user78 i can’t have anything 🪦

user0034 😍😍😍😍😍

user4 she kinda reminds me of rapunzel in the second photo!

user00 ok but they’re kinda cute together

user3 i guess…. i’m kinda salty about it

user6 like you had a chance??? side eye 😒

user002 who even is she?

user23 she’s the sister of a Australian f1 driver (oscar piastr)

user22 ok i see him!

user46 love to see a fellow aussie

user378 🇦🇺🇦🇺🇦🇺🇦🇺🇦🇺🇦🇺🇦🇺🇦🇺🇦🇺

user402 and the kangaroos 🦘 🦘

y/n.piastri you beat me to the hard launch ☹️☹️

jacobelordi i’ll make it up to you :)

user4002 🤩🤩🤩🤩🤩

oscarpiastri i swear if you hurt her…

jacobelordi you’ll run me over with your race car

oscarpiastri bingo!

-

INSTAGRAM

liked by jacobelordi, yourbsf, and 306,372 others

y/n.piastri me and my mans 🤍💙

view all comments

user3 cute!!!

jacobelordi love you baby

y/n.piastri yeah yeah i love u too

user03 🤗🤗🤗

user77 an upgrade!!!!

user49 damn…..

user00 🇦🇺 🦘

user622 the flowers 😻😊

user08 i know!!! so cute!

oscarpiastri cute.

yourbsf CUTIES I LOVE LOVE 💗💗

y/n.piastri THANK YEWWW

-

SWEETERLOVERS - sorry that took my so long to write 😭

[lesbianstarlightglimmer]

Night

[ohbo-ohno]

idk if any of you have peacock/have seen ads for their show "teacup" but i can't stop thinking of smth similar with ghost (entirely unedited)

like, you buy a house out in the middle of nowhere - maybe a cabin, just to get away from society a bit. and you say you won't stay for long, but then you get used to things, start enjoying the peace and quiet you get away from all other human life, and you just... stay.

and then one day you go outside, and there's a giant spray painted ring around your house - enough for you to walk a bit but not so much that you can reach your garden. and there's a man standing maybe fifteen feet past the line, wearing a mask that covers his face, but clearly just staring at you. he's massive, casts a shadow that crosses over the line, but almost unnaturally still.

he tells you that he won't cross the line, that everything past it is still yours and safe. but if you cross the line in any way, you're his. the fact that you won't last long without food from your garden isn't something that needs to be said, you're already taking stock of the food inside your pantry.

you'd gotten comfortable out here in the wilderness, with your garden producing everything you could want. you never got into canning - bought a book on it, but never even cracked the spine. it's so much work, and you were perfectly happy with going to the garden before dinner and throwing something together with what you could get.

but now you're stuck. you see the man outside your window sometimes, walking around and around and around the circle, never passing it. every room in your house has a window, and there are days where you feel like he's following you, every time you glance outside he's just there.

you don't see him at night. you have no idea where he goes - god knows if he ever sleeps, you're not sure if he's even human - but you can't see him in the dark. the light from your windows doesn't stretch to the line, and the moon isn't enough to make him visible. once the sun goes down, he's just gone.

that's what gives you the nerve to step outside one night, long after it's gotten dark. you're hardly breathing as you tip-toe towards the line, eyes trained on your poor neglected garden - it's been several days since he first arrived, and no one has tended to your poor food. you're not even sure what you'll be able to get, if he's really gone.

he seems to be, or at the very least you certainly can't see him when you stop right at the edge of the line and look around. your flashlight illuminates the edge of the forest as you scan the trees, the circle of light smaller than you'd like. there's nothing.

you stand there for several more minutes, just staring at the food only a few feet out of reach. there's plenty of food that you know has already gone to waste, but you're hoping, praying there's enough to fight off your hunger just a bit, just long enough that you can think past the ache in your stomach long enough to attempt a plan.

(you'd been unable to think the first 24 hours, a creature of panic and nothing more. by the time you'd calmed even a bit, you'd been so hungry you could hardly breathe, then gotten sucked back into your panic after one look at your barren pantry. why had you never bothered to save food?)

your first step over the line feels like a crime. you almost squeeze your eyes shut just to wait for something to happen, but you force yourself to keep your flashlight active, not letting your eyes settle as you scan the forest again and again.

each step feels like you're stepping on glass, heart in your throat. it's dead silent in a way you've come to know the forest never is. the only thing keeping you from darting back inside is the desperate, animal need to eat.

you fall to your knees at the edge of your garden, plucking as many cherry tomatoes from the vine as you can, shoveling them in your mouth without even checking for bugs. there's nothing here but you and then man in the forest.

they burst on your tongue, cold and juicy and tangy and delicious. you feel delirious, having gone more than three days without eating by this point. the tomatoes could be spoiling on the vine, dotted with rot, and you'd still savor them like they're nectar.

you drop your flashlight after the first mouthful, desperate to use two hands and grab as many of the fruits as possible. the light illuminate just a small section of the trees ahead of you, blades of grass casting high shadows.

you only notice how much you've lost focus when the flashlight flickers off next to you. you can't move for a moment, juice dripping down your chin, paralyzed at the thought that he's somehow snuck up on you, made it to your side and taken your only light.

but he's not by you, you're still alone. you can feel it acutely, some instinct at the back of your head saying predator near, hide but not screaming in the way it had on that first day, when you'd been closest to him.

still, you're on your feet in the next moment, fruit abandoned in the dirt as you sprint back to your cottage. your not far from the circle, just mere feet, but it feels like an insurmountable distance.

you can feel him, he's right there you know it. the forest is quiet, the only sound the crunch of grass beneath your feet and your heavy breaths, but you swear you can hear his voice echoing in your head. not an inch past that line, love. then you're mine.

it's not a surprise when you're tackled to the ground, not really. still, you scream, tomatoes already churning in your gut and bile gathering in your mouth. your nails claw desperately at the colored grass, so fucking close to your safe haven, your cage.

"got you," he hisses over your shoulder, so heavy over you that you can hardly get in a breath. you scream soundlessly, face contorted in tear as you break your nails in your desperate digging. "you're mine."

the lights from your cottage seem like hardly more than the flame at the end of a matchstick as you're dragged away, your strength nothing compared to his as you're taken further and further from the safe haven he'd allowed you. by the time you hit the tree line, you don't have the energy to even try to scream.

[solxamber]

I HAVE A REQUEST FOR IDIA SHROUD X A SHARK READER >///<

More specifically, a reader that just has a very large shark tail that he likes to hold onto, weather it's hugging it or holding the tail tip as they walk down the halls. Idk I think it would be cute 🫶

Hook, Line and Shy Guy - Idia Shroud x Reader

Idia loves your shark tail, you think it's adorable.

i loved the idea so much <3<3

Idia clutches the end of your tail again.

You’ve told him about a thousand times that it’s fine—no, really, you don’t mind—but the way he’s gripping it like it’s his lifeline, bright red ears poking out of his hood? Yeah, that says everything.

He likes it. A lot.

Currently, the two of you are walking through the halls of NRC. Well, you’re walking. Idia? Idia’s trailing after you, both hands wrapped around the very tip of your shark tail like it’s some kind of comfort object. You flick it every once in a while just to mess with him, and he lets out these quiet little startled noises, like you’ve just pulled a rug out from under him.

“C-Can you not?” he stammers, even though he doesn’t let go.

You throw him a grin over your shoulder. “Didn’t know you were so attached, Shroud.”

He tugs the edge of his hood lower over his face, mumbling something under his breath. You don’t catch it, but you think it was something like, "I hate this place." Or maybe "I'm doomed."

Frankly, it’s adorable.

Idia holding onto your tail has become a habit. The first time it happened, you thought it was an accident—he was nervous, fidgeting with his sleeves, and when your tail flicked by, he just… grabbed it. You didn’t have the heart to pull away when he looked so relaxed for the first time that day.

And now? Now it’s a thing. Your thing.

He clings to your tail when you’re walking to class. When you're studying together in the library, he drapes it across his lap like a security blanket and pretends not to notice that his hands wander to it whenever he’s stressed. Heck, one time in the Mostro Lounge, he straight-up hugged the base of your tail to his chest like it was a giant pillow.

And, honestly? You can’t get enough of it.

“Why do you like holding it so much, anyway?” you ask, slowing your steps just a bit so he doesn’t have to rush to keep up. “Feels kinda fishy, if you ask me.”

Idia grumbles. “That’s... That’s a pun. And it’s not funny.”

You chuckle, swishing your tail to the side slightly. He stumbles, almost tripping, but still clings onto the end of it. You swear you see his hands tighten, just the smallest bit.

“It’s soft, okay?” he mutters, so quietly you almost miss it. “And… I dunno, I just... I like it. Is that a crime?”

A warmth spreads in your chest at the honesty. Idia being open is a rare thing, and you’ll take any little piece of it you can get. But you’re not letting him off the hook that easily.

“So you like soft things, huh?” you tease, glancing back at him with a grin. “You want me to just wrap you up in it one day? I could curl it around you like a big ol’ burrito—”

“Stop talking!” he hisses, his face flushing all the way to his neck. He looks like a lobster. But the way his fingers keep fiddling with your tail tip? Yeah, he’s not letting go.

“Okay, okay, I’ll stop,” you say, stifling a laugh. “But seriously, it’s kinda cute that you like it.”

“...I'm not cute.”

You blink. “Dude, you’re holding onto my tail like it’s a stuffed animal right now. How is that not cute?”

Idia grumbles something unintelligible, squeezing the fin of your tail in protest. He’s trying to look annoyed, but the effect is ruined when you feel him press his forehead to it, hiding his blush in your scales.

“You’re evil,” he mutters. “Pure villain energy.”

“And you love it.” You flick your tail, knocking lightly against his side. He yelps but still doesn’t let go. He never does.

The two of you continue down the hall, your tail gently swaying behind you and Idia holding the end like it’s his own personal lifeline. A couple of passing students stare, but he doesn’t even care at this point—he’s too comfortable, too content.

By the time you reach his room, he doesn’t even hesitate to pull your tail onto the couch with him, clutching it like a favorite blanket.

“Don’t make it weird,” he mumbles, tucking his hood over his head again.

You sit beside him, the warmth of his hands still lingering on your scales. And as he absentmindedly strokes the tip of your tail while zoning out in front of the TV, you can’t help but think that this might just be your new favorite thing, too.

Masterlist

[i-cant-sing]

i was just minding my business like scrolling to find new fics to read since i was so so bored and while i was finding some delicious fics (ahem ahem: yandere big brother bakugou x little sister reader) ur post suddenly idk the word (lumitaw (its a filo word)) and i was screaming and immediately dropped what i was supposed to read to read yours 😭😭😭

i got the worst memory ever to exist because i keep forgetting their names but i think i'll grasp them once the next chapter is out (hopefully) but yeaaah!!! baris reminds me of abbas in a way but ig he's a bit more.. brute yk what im talking about????? ig he's ok..

OH! and i have a theory about the painting, y/n's face getting smudged maybe because baldwin or SALAUDDIN decided to smudged it to forget how they look due to heartbroken (prob not baldwin,, but i feel like salauddin would do that ??) i guess im getting married again 😔😔 i feel like im betraying my pookie salauddin 💔💔💔🙏🙏 BUT ANYWAYS THANK YOU FOR THE UPDATE SNOW!!!! AMAZING AS ALWAYS!! can't wait for the next one already!! 😭😭😭 i think i'll send more of my thoughts if something crosses over my mind (prob when im in the shower)

ooohh i like your theory(portrait pictures at the end). i like it a lot. expanding on it:

Baldwin would probably cause the painting to be smudged because he's kissing it, kissing your lips, drunk off his mind, tears streaming down his cheek as he spends hours sitting in front of it, talking to the painting as if u still exist, begging u to come back from heaven, even apologising for all he's done, just please- come back, angel...

Meanwhile Salauddin would probably be staring at your portrait angrily. He understands why you had to leave but.... you couldnt have told him where you were goinh? Do you not think he couldve protected you? He wouldve used his whole army, gathered Muslims from all around the world to protect you. Did you... did you not have the least bit faith in him? deep down, he knows u did this to prevent a war between him and baldwin but.... Salauddin wouldve gone to war for you. Happily. This wasnt your decision to make alone. Now, he stands in front of your portrait, he has it in his palace now, and he doesnt say voice it out like baldwin, but he has complaints. HE keeps them inside, mentally talking to you, telling you just how stupid you were for sacrificing yourself, for jumping off that stupid cliff. How u shouldve just- just asked him for help ONCE, and he wouldve fought until his last breath if it meant keeping u safe. In his mind, u sacrificed yourself to protect Baldwin from murdering innocent muslims or anyone else u wouldve seeked help from.

And now? All Salauddin can do is pray for you. He wakes up late into the night and sits on the prayer mat, making dua for you for hours, reading Quran for you, has animals slaughtered on eid on your behalf, even doing charity and hajj (pilgrimage) on your behalf, just so that you can have more good deeds in your name. He still has the chess board u gifted him, but he's stopped playing chess. He never played the game again, it was only a painful reminder of you. The one person who he could never beat.

As for your painting, why it was smudged? Salauddin didnt want anyone to see your beauty, thats why he kept the portrait hidden in his room, but then he feared that one day when he's not around anymore, someone will see you. So, he used a rag soaked in turpentine to smudge your face, but couldnt do more than just the bottom half of your face. He thought that was fine, after all, thats how u did often appear when you were around, wearing a niqaab, a veil that covered your face.

Now that he looks at your eyes, he realises his mistake. He heard the wise tell him-

"Eyes are the windows to the soul."

He now knows it to be true.

This is what I think the portraits look like:

Notice that this is the earrings Salauddin gifted Y/n when she was in the market with him:

How Baldwin's been: