#i will not be apologizing for this behaviour

[storytellingbadger]

Hells' teeth, people. Seriously. Basic standards of behaviour, anywhere?

Sincere apologies on behalf of the TSBS fandom, @queenkatluv. The heart and soul you put into the writing will be missed.

To those of you already doubling down on this. Apparently this will come as a surprise to some, but it's perfectly possible to disagree with a character's actions/arc without being a complete arse. I know. Wild.

It's possible to not enjoy something without being a troll or a hater. Without getting personal and vitriolic. Without abandoning sense and common courtesy. Without making a wickedly talented, creative, generous person quit writing a show.

The fact this has happened should be a bitchslap of a reality check. This is embarrassing. This is shameful. This is reprehensible. Be ashamed.

I'm Done Writing For LAE

I've written for LAE for a while now, even when I have 3 other jobs and not a lot of time to dedicate to it. But apparently all that time and effort I put in just isn't good enough.

Every time I open Tumblr, read the YouTube comments, scroll through TikTok, and sometimes even on the TSBS fan discord, I'm welcomed by people saying how shit my writing is, how shit my characters are, or how much they dislike xyz.

This isn't me wanting sympathy, or to guilt trip you. Though I'm fully expecting people to say I am. I just want to let you know; I'm done. I'm not writing any more episodes or interacting with the community in any way. I've tried. It's clearly not good for my mental health. So I'm done.

This isn't me saying I'm done voice acting or anything, I'm still going to be Earth/Pollux/Dazzle, I just won't be writing what will be happening to them anymore.

I put my heart and soul into these characters and their stories, but apparently that's just another way to get hurt.

If you have questions about TSBS, don't send them to me. I'll only answer/interact with questions/posts about my own series/channel.

[vrystalius]

hi! Ive been reading ur fics for a while and i love them sm and hope ur enjoying ur break!

I was wondering if u could write about giyuu apologizing after an arguement?

once again i absolutely love ur fics lol 💗

Apologies

Giyuu apologising after an argument— how does he do it?

Pairing: married!Giyuu x gn!married!reader

“Why can’t you just talk to me? I feel like I’m the only one trying here!”

You immediately regretted those words the second they left your mouth. Washing out your mouth with soap won’t wash that expression of your husband from your face, him staring at you in both disbelief and deep guilt. Giyuu knows that he can come off as cold or even uncaring, even to you. It’s never intentional but rather a terrible habit he seemingly can’t get rid off and it keeps forcing him to push people away from him. That’s why it may seem he doesn’t try hard enough to express his thoughts, his feelings.

Despite knowing that you will be understanding and listen to his worries, hold him while you kiss his face until he finally smiles again, all those fears and thoughts that dwell on horrific events he experiences on a daily gone in mere seconds.

So, who should apologise first? Giyuu, or you?

Since your husband left your house after the argument, probably wanting to take a walk or get some fresh air, you had time to think about what to do to apologise to him. Directly talking to him might scare him off and result into him being too intimidated to answer or scurry off to hide somewhere else to avoid you altogether. A letter could work, right?

Composing and thinking about every word, every sentence helped you sort your thoughts out and properly speak about the argument from your perspective while also staying respectful to his own view of the issues. You just hoped that your crow was awake to deliver a letter to your husband. If not, you’ll leave it in your bedroom for your husband to find and read quietly while you waited on him somewhere else.

But before you could prepare a method for Giyuu receiving your letter, Kanzaburo, your husband’s elderly crow, weakly called out to you and ruffled his feathers while resting on your windowsill. A letter was secured around his neck. Gently, you took the bird and put it to rest on your lap, giving him well-deserved scratches while gently unravelling the letter from his neck. It was written by Giyuu, obviously, but before you could read, the door to the room opened and your husband stood in the doorframe, staring down at you in surprise. He eyed you, then the letter in your hands.

“Have you.. read it?”

“No, Kanzaburo just delivered it.”

“Ah.”

You could see the gears shifting inside his mind. He probably overestimated the senior crow and thought the letter would be delivered faster. You scratched the crows head and glanced back to the paper in your hand.

“Should I read it? Or do you want to say everything you wrote down to me personally?”

Giyuu silently averted his eyes, his shoulders sagging and a small frown spreading on his face. He was avoiding to look into your eyes.

“No. I’ll be in the bedroom.”

You watched your husband slowly close the door, leaving you alone with his elder companion. While the crow was contently preparing to nap on your lap, you opened the letter.

˚✧₊⁎⁺˳༚

My dearest,

I am sorry. I know I’ve caused arguments again and again because of my silence and my behaviour over all. You feel like you’re the only one trying in this relationship and I’m sorry for that. I thought that if I stayed silent it would be easier for the both of us but that is clearly not the case. I should’ve realised much sooner, but instead I am only doing it now.

I am just too scared to scare you off with my problems and issues since you have your own, just like everyone else does. You are important to me so you always are my priority. My thoughts and feelings can wait, so I stay quiet.

You deserve better than the way I am treating you, you deserve so, so much better. You’ve been patient with me, you stayed with me for so long, through good and bad times. I don’t deserve your love.

I want to do better and I will. Please have a little more patience with me. Please.

I love you, I am sorry that I haven’t said it enough times. I am sorry if you don’t believe me.

Yours forever,

Tomioka Giyuu.

˚✧₊⁎⁺˳༚

💠

Thank you so much for requesting!! I’ve been seeing you interact with my posts pretty often so thank you for all your love and support <33 I’ll happily write more requests for you in the future if you liked this one!

Also, I haven’t forgot about Kyojuro’s thighs request :,) I started writing it and it’s halfway finished— my NSFW meter just ran out and I started writing this instead XD

Anyways, make sure to EAT, SLEEP and DRINK enough!!

Take care of yourselves, physically and mentally <3

[zours025]

I am not finishing this because im fucking lazy so take this now too okay!!!

Alts and the like under here + One amputee iggy stump (???) warning IDK1!!!11!

[marigold-hills]

The Dark Wizard

preview! Wolfstar Howls Moving Castle AU a tiny little bit of the next work I’ll be working on. Posting will begin in December :) massive thanks to the groupchat for checking this over before I posted, you are the absolute best ❤️

✨✨✨

When Remus leaves his hometown, it’s not to seek his fortune, or adventure, or – gods forbid – love. He leaves because he’s a monster, and monsters do not belong in society. They belong in the Waste.

This is how it happens.

It’s May Day. The village of Hogsmead is abuzz with excitement. Revellers and drunks, lovely dressed up ladies and dapper gentlemen circling one another, for propriety's sake staying respectable distances away. The gentlemen whistling at the ladies, the ladies pretending to be aghast by the behaviour, covertly blushing and giggling.

It’s a perfect day. Sunny, warm, bright.

For Remus, it’s perfect for a different reason.

Everyone is too busy to notice their pockets getting lighter. Too buzzed to pay attention to the man dressed in ill-fitting clothes walking too close to others. A casual jostle is just this - casual. Nothing to worry about. Nothing to raise concern.

Remus has a few pilfered wallets in a hidden pocket he sewed into a stolen vest. It’s easy, this. He’s done it for years.

“My apologies,” he smiles at a man in a soldier’s garb, whose money pouch he just appropriated. This one feels good for more than one reason - the soldier was in the process of accosting a lady who did not seem pleased to be accosted. She takes the moment he gets distracted by Remus and ducks away. Remus would like to say that he makes sure to only steal from those who deserve it, but it wouldn’t be true.

Food is food, and money is money, and both are something he needs to live. Remus can’t get a job, on account of being a monster, on account of how many days he has to take out to recuperate and travel somewhere far enough to make sure he wouldn’t let himself loose on his quaint hometown of Hogsmeade. Since his parents’ passing, this is what he’s been reduced to. 

He’s tall but can make himself look unassuming, with hair once golden-auburn and now grey from the effect of too many full moons. It’s perfect for this job, being easy to look over and hard to describe. He’s young but looks old. Feels old, too, but that’s not something for people to see.

Remus makes mistakes in this work so rarely that he doesn’t notice he’s made one until it’s too late.

He’s following a well-dressed man, waiting for an opportunity to strike. The man is exceptionally pretty, with short black curls barely skimming the tops of his ears and a gait like royalty. Remus follows behind him at a stretch, slow and careful, until they round the back of a seedy, dark pub and the man turns around like he is the one who set the trap.

Green eyes like poison.

“Trailing the Wizard of the Waste, that’s brave of you,” the man says with a voice that freezes Remus midstep.

Because he knows better than that. He knows not to go for the people who are dressed overly expensive, with rich black fabrics and shining peacock plumes in their hats. He knows chances are somebody is watching over the really rich. That the possibility of a greater payoff doesn’t compare to the risk of being caught.

And yet here he is: caught.

“Or maybe simply foolish,” the Wizard says. “You don’t look a fool, but such things can be so deceiving, don’t you agree?”

The way his eyes pierce through Remus: all he can think is he knows. Somebody knows. Remus has been found out. 

He turns and runs, tripping over his own feet in his haste to get away. Remus remembers what the townspeople did the last time someone was found out. Remembers the stench of burning flesh.

He doesn’t look back once while he flees, not even when the Wizard shouts “my regards to Sirius!”, to his retreating back. 

✨✨✨

tagging you lovely people who had previously been interested in future works - let me know if you want to be in the list for this one as well :)

@tealeavesandtrash

@moon-girl88

@hoje--aqui

@cocoabutterandbooks

@onion-sliced-apples

@prancingpony42

@digital-kam

@remoonysiriusly

@sweetstarryskies

@a-sunset-outside-my-window

@procrastinatingstuff

@annaliza999

(let me know if you do/don’t want to be tagged!)

[askfordoodles]

Finally some good fucking food character analysis, OP.

We really aren't talking enough about how much of a performative chaser Emmrich actually is, because it's so sub-surface and tends to get drowned out by other parts of his more overt behaviour i.e. the gentleman-aspect, his fish-out-of-Nevarra status, his overall general positive attitude and passion for learning etc., so I absolutely agree.

Also, you can practically see the switch he makes from realizing he's being chased to deciding 'oh alright, I see you noticing me, - I'll take it from here' 😏 During the skull-scene is where you get to see him go into his well-practiced (but also very performative) Rizz Mode™ persona, as I like to call it. There's a reason people find it difficult to see how he can be both an awkward nerd AND a Rizzler. It's because he can't. He's very good at flirting, but it's also not his true self. It's dance, the steps of which he's come to learn flawlessly though experience, but it's also a shield. (*side-eyes Dorian* what is it with you fruity necromancers and your deep-seated fear of intimacy?)

I also realize now, that look of shock IF you tell him he's your first "anything, romantically"... also has that tell, like he's GENUINELY astounded that someone could choose him for something so important, something more monumental. 'Really? No one before me? You could have had anyone, what's so special about me?' He's realizing he isn't just another one of Rook's flings, they waited all this time for someone like HIM, and they consider what the two of them have as ROMANTIC. And we see that tell OP mentioned, he looks down/pikachu combo all 'Oh... oh damn, I'm important to them...' And then his face softens, he looks back up and says he's glad to be chosen.

But again he's underselling it, he's not simply "glad", he's so thoroughly honoured and touched.

And he assures them, without prompting btw, that they'll take it slow. Now... Rook didn't ask for that, technically. Honestly, I'm realizing now this could just as well be Emmrich trying to regain a sense of control, but pulling on the reins to slow things down, because 'woah woah, you're actually WAY more serious about this than I was ready for, let's take it easy...' but since he's a gentleman, he slyly reframes it, implying it's for Rook's benefit. In respecting Rook's boundaries, he's really covertly trying to protect his own emotional barriers.

(also, as I've said before in my own meta: my personal read on Harding's line about them moving too fast is that she's referring to them, moving too fast FOR EMMRICH, which is to say EMOTIONALLY - and she was right on money, too, but obviously she words it clumsily enough that it's not obvious to the player, or even Emmrich at first)

Unfortunately, he's already got it bad and there's no turning back without some good ol' fashioned self-sabotage. Tell yourself you did the right and noble thing to try and mask how terrified you are.

Emmrich is so in over his head even before that argument. He's used to being afraid of dying,

but along comes Rook,

and he has to face that he's been afraid of living this entire time too, and it's too much.

It's knowledge he wasn't ready for. But it's smacked him in the face, and they might die tomorrow and welp, time to let fear write my break-up speech.

What I think is beautiful is, the argument itself ends in a way where, if he WANTED, he could have chosen to see it as a break-up, but in the midst of battle, after having only cooled off for maybe half a day, like OP mentions, HE'S the one to initiate an attempt at reconciliation. He even, tentatively, refers to Rook as 'darling', he's making no attempts to distance himself. As far as he's concerned, they're still together, they still care about each other, whatever they have is salvageable and, more importantly, he wants it to be.

Sadly, they don't get the chance to apologize to one another, because Solas Shenanigans happen... Rook is gone... For WEEKS. And Emmrich is left to stew in every single emotion he's ever felt for them. (we were robbed, this should have been included somewhere, in all romances)

It's the age-old saying: you don't know WHAT you have 'till you lose it.

The vacuum in his life without Rook hits him full force. 'Actually, wait, them not being here is way worse than them being too close. They could never be too close, I need them here with me right now, what was I thinking, I'm such a fool, as always...'

When they finally return, he's NOT leaving anything ambiguous, he is GOING to let them take the lead, he is GOING to lay with them until morning and unapologetically act like a besotted couple of newly-weds and fetch them breakfast, ...

he is GOING to admit to them, and to himself, how he feels.

That he loves them. And they're a team, facing the world not merely side-by-side, but together. For the long run. They're going to plan for a future that no longer scares him like it used to.

((Personally, my Rook never banged him until that coffin scene, and I think it's extra impactful that their first time is Rook leading him, but I do appreciate that the writing makes their previous level of intimacy vague enough that several Rook-interpretations make an equal amount of sense))

More thoughts and theories about our favorite Necromancer

My darlings, I have too many thoughts and my obsession is running wild. (How I missed you, hyperfocus). If you have read my last meta post about our Emmrich, here it is: First Meta Post

That is not a required read however. I am still wondering why anyone is reading my word vomit U_U

Anyway, I love reading other peoples theories, so please, send me yours. <3 And a lot of thanks and love for all you darlings who make this fandom such a beautiful and nice place. Especially to @jaal-ama-daravv - who makes the most beautiful videos, and writes such wonderful character studies.

Warning, from here on there will be spoilers as well as mentions of sex. If you don't want to read about any of that, do not read the rest.

Also pictures and way too many words. This is a ten page word document, save yourself while you can. I tend to go off on a tangent once I start writing. I am also well aware that not everyone will agree. This is just my personal read on Emmrich.

Now, after my first essay I have some more thoughts on Emmrich and Rook and specifically their intimate relationship.

Emmrich is such an interesting and baffling contradiction. On the one hand he is confident, self-assured, all manners and poise. He is smart, and he knows it. He has special gifts, and he knows it.  He is confident without being proud. He likes to teach others without being arrogant. He still likes to learn about new things and is, as far as I’ve seen, never judgmental about different beliefs and ways of life. (Unless someone treats him with disdain or bully him)

He is a man who is confident speaking of his thoughts and feelings and fears. How he just casually drops his thanatophobia is just astonishing. He is honest and open-minded in the best ways.

And then there is the other side of him. The wet kitten side of him. As open and honest as he is about his emotions, when we get to the meat of it, to the scary bit, the real feely bit, he locks up completely. As long as it is surface level (or he can pretend its surface level), everything is up for discussion. But once we reach deeper and touch *love* he gets so scared and refuses to admit and commit to his feelings. And as much *death* scares him, love scares him more.

So how does that influence his intimate relationship with Rook?

According to the banter with Lace “everyone knows about it”. He was rather surprised by that.

That tells us two things:

They were trying to be sneaky or at least keep their private business private.

They failed, massively.

Add to that Laces comment about them moving rather fast (when, where? I would have loved to have seen that. Comments like that just give me the feeling that we should have had some more cutscenes after the dinner date, to show us those two besotted fools).

But back to them moving rather fast. I would guess that they both did a lot of gazing lovingly at each other, blushing, spacing out while watching their darling, stollen kisses in the hallway when they thought no one was watching, stuff like that. Just being to besotted fools.

But moving fast usually includes sex. Lots of needy, sweaty sex. The inability to keep their hands of each other.

That moves us to the question of the day – did they have sex before their coffin time?

Let’s look at what we know about Emmrich. Emmrich is no virgin. That man has experience. He had past lovers. But what he tells us at that sweet diner date – “nothing serious for years.” We know not much else besides his crush on a boy in his youth and his fling with the Orlesian Art Lady. He is not someone to kiss and tell and that is appreciated. That man has class, and we love him for it.

So - nothing SERIOUS for years. If he hadn’t had ANY relationships in the past years, he would have said so. But what he says is that he did, in fact, have UNSERIOUS relationships in the last few years.

I would read that to be somewhere along the “fwb, lovers, affairs, paramours, companions, a fling, a little romance” line. Something not purely, but mainly physically driven. Someone you like and respect, you can go out and have a good time with, have lots of amazing sex with (b/c he is a living being and has his needs). Spending time with people he liked, was sexually attracted too, but nothing as serious as love. A physical relationship. A little thrill, some fluttering, but never that deep.

Not to say that those situationships would not have been romantic. He is (buried under all that resignation) a deeply romantic man. I am pretty sure he went on nice romantic dates with his previous paramours too. That this is something he just enjoys too much. Treating a companion with some quality time, not just in, but also out of the bedroom.

But after he’d given up on his dreams, he did not have any notion of those flings being more than a “enjoy the moment”. There was never the expectation of deeper feelings, beyond friendship, attraction and/or respect. All those romantic gestures were nothing more than a little bit of “play pretend”. To give himself the illusion of true romance, just for a little time.

Take the fact that you can go a “everything you do is creepy but I still flirt with you and I want you to throw me over that tombstone” and his comment on “the attraction of the forbidden”? This is not a relationship born of mutual respect and deeper feelings but out of purely physical attraction. And he is OK with that.

I want to repeat – Emmrich is very much okay with a casual, sexual affair. He does not require love to have a relationship with someone.

And then think about that Johanna calls Rook specifically his “paramour”. Which is a lover, especially an illicit one. This word was very specifically chosen by Johanna. For various reasons, I would think.

For one, I do believe that it is a dig at his dreams of the eternal flame. It’s a dig at him, that Rook is not his love, but his paramour. A lover for a time. To be parted from soon enough. B/c that silly dream of his, as if it ever would become reality.

Second, I think it is a comment on the way his relationships often went, especially in the past years. Those unserious flings of his. Never to amount to anything substantial.

Did he try to have something serious in the past? Oh yes, for sure. But it never worked out. Then he gave up his dream and just let himself have a good time with people he found to be nice and attractive.

To pick up my point of self-sabotage from my last meta post – I’ve come to a point where I believe Emmrich is a kind of chaser. I know someone like that and it’s so fucking tragic.

Emmrich feels deeply and strongly. When he falls in love with someone it’s a lot of emotion. But at that point it’s all dream, want, wish. As soon as someone returns these feelings - those dreams, wants and wishes become reality. And reality is scary. In this wishful dream about the eternal flame, there is no fear. No fights. No loss. But that is not reality. As soon as it becomes reality, he gets scared. Before, his feelings were no threat, because you can’t lose what you don’t have. Once those feelings are returned, there is a clear possibility of losing, of being lost, of being left behind.

Emmrich is not a chaser because he enjoys the hunt. He is a chaser because being loved by someone is scary. So damn scary. So, he starts to pick fights and is looking for excuses. From being the chaser, he becomes the chased. He is hunted by his fears, and his fight or flight instincts go all flight.

After years of this cycle he gives up. Resigns himself to flings and little romances without even thinking of more. Or so he thinks. Dreams like that don’t die, they just get buried.

And I’d think that there was not many, even of those short term flings, lately. His life revolves around work and Manfred.

Now remember he comments on Rook “showing unexpected interest in a new companion”.

First of all – unexpected.

They are a daring adventurer. He thinks of himself clearly as the more boring one, compared to Rook. He never expected any of those flirts. But he is clearly flattered.

Second – companion.

That was such a weird way of saying “hey do you like me?”. This whole “companion” thing does not scream “I have FEELZ for you/you have FEELZ for me” but rather, “I think you might want to spend some quality time with me”.

The possible answers - dashing good looks, kindness, his way of words.

He feels he is fortunate if Rook thinks him good looking. Hallo, Mr. Professor, sir… Have you looked in the mirror lately? Consider that he is meticulously grooming himself, takes his exercises daily in the morning. That man does not like himself aging. I think it is a reminder of how his pending death is a step closer every day. But it shows, to him, that his efforts of taking care of himself are not in vain. Or maybe it shows him that his age does not matter. Rook finds him attractive despite (or because) of his physical age.

Rooks comment on his very charming way of putting things makes him hope his years behind the lectern have proved useful. Hey *years* behind the lectern. Again, this is a way of saying his age is NOT a problem but a benefit.

If Rook remarks his kindness, he answers “you humble me”. It’s the one answer that does not touch his age/experience/looks. It’s a remark on an innate character trait he possesses. Kindness. His whole demeanor in this option shows he is actually touched. And maybe a bit baffled. He did not expect this, at all. Its like he sees his kindness not as an attractive trait. Which he should. He is nice without TM and its sexy as hell.

The next part is his statement “If your attentions go beyond charming flattery… that would interest me, indeed”. This reads to me not necessarily as “do you have feelings for me” but as “do you just enjoy the flirting, or do you want to do more than flirting?”

And oh boy, does he want to do more than flirting. I want to repeat my earlier statement – this man has given up on love. But some little fling with an exiting young adventure who was constantly, awkwardly flirting with him? Hell, yeah.

(I want to remind you that we were able to have mutually enjoyed flirts with Dorian as fem!Inky. You can flirt with someone and still never want to fuck them. And you are also perfectly able to want more than flirting without having deeper feelings. Like sweet, dump Shepaloo said it so eloquently “Lets bang, okay?”)

Again, I want to pick up a point of my last post, that this is all surface level thoughts. I do believe that their emotional attraction and depth of feelings go deeper, from the start. But how often does it take quite a bit of time to realize one’s own feelings. Especially this wonderful, silly man whose modus operandi is running away.

Now, an interested Rook can answer in an open “lets see where this goes” way. Mirroring his rather open idea of a little romance, a fling, some quality time. Something that does not have to end in an eternal flame, but a simple enjoyment and exploration of the moment.

Rook can also reply with a “I think they do.” – What Rook actually says is “I think they already…”

And conveniently Rooks answer here is cut short by our sweet boy Manfred. They get cut short, no matter what answer you choose, but in this specific case, I am convinced this was very much on purpose. What would the whole sentence have been?

“I think they already go way beyond flattery.” (?!?) Something along those lines. But that goes into danger zone. WAY into danger zone.

If Rook had finished that sentence, at that point in their budding romance? It would have been over before is all started. Too much, too soon. Too much for him, period.

Now we have the hard lock – their sweet romantic moment in the Memorial Gardens. And he is smitten. He fell hook, line, and sinker for his own play pretend. Just a little romance, but that man is falling, fast. (Not that he would admit that to himself).

A beautiful date, all arranged by Emmrich, to spend time with Rook. Because a couple should have a quite moment to get to know each other. I mean there were menu cards with gilded edges, ffs. And, oh yes, they were “lets dig into the feelings”, he said couple. He is falling, falling, falling fast. But it still hasn’t hit him, how deep he has fallen for his darling Rook. Poor Emmrich.

Then a fight, where we really see the wet kitten side of him for the first time. A little wet, feral kitten, hissing at the hand that’s trying to feed it.

Emmrich is lashing out for no good reason (or no good reason for anyone but himself). There is no real confidence there but a desperate act of pretending. An iron (slipping) grip, trying to control himself and the narrative. Shoulders squared, back straight, an arrogant stance, raised chin, turned half-away from Rook, and a condescending way of talking to Rook.

Like I said in my last post – he is working his way up to breaking up with them. And he tells himself it’s like ripping off a bandaid. Be strong and confident and say what you have to say, and they will see the wisdom of that.

It’s only that, they don’t. Because there IS NO wisdom in what he is doing right now. They don’t take his bullshit but throw it back at him. They don’t accept his mock excuses.

Look at him here, how he looks down ON them. I can’t recall any other time he looks down on Rook, despite him being a tall king.

Especially the route where Rook throws it in his face that he DOES in fact love them. Speak what he can’t even think.

“I can’t… At my…”

“I can’t love you. At my age…” Why not? Does he not deserve love, just because he is a bit older? It’s just heartbreaking how he views himself.

And again, he lashes out.

“I am perfectly serious.” So is Rook.

“One of us has to pay attention to these things.” As if Rook is not paying attention. They got to the meat and bones of his problem in just a few seconds.

No matter what route you go here, the gist is the same. He is scared shitless, treats Rook like a child, and goes on how the is the only one thinking the important thoughts.

When Rook in reality way ahead of him. They thought about it and came to the conclusion that being with Emmrich is a really good idea.

Rook knew they were falling for someone older than them. (Even if that age difference is just a decade, with a mid-40s Rook.) They knew it, and still went with it. They are not a child who is too inexperienced and stupid to make decisions about their (love) life.

But now, here, at this moment? Emmrich treats them with disdain. Like a silly little person, who does not think things through. He holds himself above them. Physically and mentally. They are too young, he knows better.

And not once has he done that before. He always treated them as an equal. He follows them into the most dangerous situations ffs. He trusts them with his life in a fight against would-be gods.

All that fear and anger at himself that reaches a new high get redirected at Rook.

The next day they are off to Tearstone Island. That night must have been hell. For both of them. But its going to get much much worse.

In any case, Emmrich seems to have come to some conclusion or realization, because on that island? He apologizes.

They both did react very emotionally, but he came at Rook with superiority and, to a certain degree, dishonesty. All fueled by his fear. So that he is the one to take the first step and apologize to Rook instead of doubling down? An important step. As I said in my last post – he NEEDED to be called out. A sweet and nice counterargument would not have had the impact Rooks raw an honest emotion hat on him.

Emmrich “Rook? Darling? I wanted to say-“

Rook “Yeah, about that argument…”

Emmrich “(Sighs) It’s no time to apologize, is it?”

And here we have the most heartbreaking line, in hindsight. “We’ll talk back home, Emmrich. I promise.”

(Narrator: but they would, in fact, not talk about it back home. Because someone would not go home.)

One fight and weeks of horror later, they find themselves in a private crypt and finally they do more than share a kiss.

Now - to the point I originally wanted to explore with this post – is this in fact their first time? (I am sorry, but my brain is a circle and nothing makes sense)

Let’s look at what evidence we have from the cut-scene.

Rook did not know he is an early riser.

That leaves two possibilities:

They never had sex up until that point.

They did have sex, but never spent the night together.

Now what does that mean?

This depends a lot on your personal Rook and how they feel about sex in general. If Rook wants to wait, or is not ready, he will absolutely accept and respect that.

But for the sake of this analysis lets go with the idea that Rook is not opposed to sex at an earlier date.

They never slept with each other

Why? He clearly was not opposed to casual relationships in the past. What would hold him back now? Especially if you recall Laces comment about them moving fast. Why not jump into the bedroom?

Now my first crack theory is that they get interrupted, like every time. (Rook interrupted The Dread Wolf, and now he cursed them to always be interrupted when they want to have some private time)

But now, in all seriousness, maybe it’s just that part of him DOES realize that this goes beyond a very unserious relationship. That they both have deeper feelings, that spark of something greater, something beautiful.

So, he holds back. He does not give his all. He is charming, he is flirty, he takes Rook on dates. But it’s all very technical. Very performative. Yes, he is a very romantic man, yes he enjoys those moments. But there is always a feeling of control.

Those moments when you see him let go a bit (that kiss beneath the eternal lovers, “I think, sometimes you indulge me”), are so beautiful and you glimpse a bit of the man behind those walls.

He has a tell, you see. (I am telling you about it further down)

But generally, he feels very much in control of himself. And to lie with Rook? To go all the way? Too dangerous. Who knows what happens in that sweet moment after la petit mort? What secrets would his lips spill?

2. They slept together, but did not spent the night together.

They do have sex, but sleep alone in their own beds. Casual sex is fine, but to fall asleep in each other’s arms? Too much. Too real. Sex okay, but sleepy post coitus cuddly? Woah, slow down your horses.

So, they have sex, preferably in Rooks bed. First, does he even have a bed? Second, it’s way easier to leave Rooks bed after the act, than throwing them out afterwards.

Oh, and how many reasons he has. Rook needs their uninterrupted sleep; they are stressed and must have proper rest. He wants to get some reading done before he retires. He needs to look after Manfred.

Oh, he is a bad liar, for sure. He is lying more to himself than to Rook. I would think that (if this is the build up to their fight) Rook realizes that he is giving poor excuses.

And the sex itself? A technical 10/10. He knows his anatomy, after all. But his heart is not really in it. He can’t allow himself to. He holds back, keeps a tight lid on his emotions. They both are well spent afterwards, but like so much else, it’s performative. Technically very well executed, but rarely do you see HIM, the real him, behind all that performance. Whenever something slips through, he reels back and closes up.

And then we are in that crypt. Rook was gone for weeks. The last thing they said that night before were words of anger. Rook called him out on his feelings and from that point on there was no possible way of lying to himself anymore. Those feelings were there. They were real. Rooks feelings were real. And those weeks spent in desperation, trying to  get them back? Those walls came crashing down.

His true face, when all the walls are gone? You see that face when Rook leads him to the coffin. There is no pretense anymore. No performance. Just him, and all his love for Rook. The amount of emotion the animation team packed into those short moments in the cutscene? Mindblowing. Who ever crafted that expression on his face? They are the GOAT. I watch this part of that scene on repeat, and it never gets old.

So, I told you about how he has a tell, yes? Okay, two actually, but we all know surprised pikachu Emmrich. In that last scene it is resolved in the most beautiful way.

He looks down, when something touches him deeply, when he goes into his feels.

A few (way to many) examples:

And the worst wet kitten look? After the fight, when Rook leaves.

Its a look of shame. Of hurt. This man is hurting so badly.

Now here at the end we have that moment when Rook leads him to the coffin. His face turns down, like before. But here he looks up at Rook. He does not turn his eyes away but looks directly at them. Ahhh my heart.

Now, think about the fact that ROOK is leading in that moment?

In those moments where Rook leads or startles him (or is simply annoying enough so that the truth slips out), you see the most emotion from him.

Rooks flirting startles him, and he has a pikachu face reaction every time.

Their first kiss? Rook leans against the monument, and leans up, telling him without words that NOW is the time for a kiss. How can he not go for a second kiss?

That moment when Rook calls Manfred “our son”? He very conveniently ignores the word “OUR” and goes in defense mode over the word “son”. But called out on his feelings for Manfred? How can he deny them? He has tears in his voice when he says how he would not exchange this moment for anything? A real, deep emotion.

In their fight Emmrich is again all technical, all performance, so logical (or what he sells himself as logic). But Rook wrestles that moment from him and takes lead, calls him out on his bullshit.

In the crypt Rook pulls him up into a kiss and then leads him to the coffin, guiding him, taking him with them.

Most of the other times he takes the lead, very much in control. But the most emotions you get from him, are those times Rooks leads, when he lets go of this tight control over himself, or he is startled in to a reaction. For all the age difference that is played up in their relationship, in the important moments Rook is the one who guides. And he follows where they lead.

Those little moans he makes? If they did have sex before, I bet he did not make those sounds then. Where they did have some incredible sex, now they are making love. Open, vulnerable. He gives in.

And then they fall asleep together. Skin to skin, arms and legs intertwined. Their hands caressing, no sound but that of their heartbeats and soft breaths. Pure and utter contentment. In that moment nothing exists but them. Can you imagine that moment he woke up? The amount of emotions he must have felt then? This need to speak those little words? Those huge little words. He does not say them, not yet. But he is almost ready.  

Finally, they stand there, on the battlefield of Elgar’nans madness. And he tells Rook. The last wall falls. Gives the most precious thing he can give to anyone.

“I love you.”

[toscrollperchancetomeme]

“I got upset about 20 years ago because I thought it would block me,’ she says. ‘However, it’s been very easy to avoid reading any, so live and let live. If I were a young writer, I’d want to own my own ideas. But maybe fan fiction is a transitional phase: whatever gets you there, gets you there.“

x

[borderlinereminders]

"I know I hurt you but I told you I'm sorry! I can't handle you being upset with me. I'm a terrible person who doesn't deserve your forgiveness but I don't know what I'm going to do if you don't forgive me!"

^

Whether it's intentional or not, this is manipulative. And it's not okay.

It's okay to express feeling badly, but that should be portrayed more like "I feel really bad that I hurt you because you don't deserve that. I am really sorry, and I am here to talk about this when you're ready to discuss this further."

If someone is doing the first example, please know that it's 100% okay to just walk away to deal with your own emotions. You don't owe them anything. Their emotions about you being upset are their own responsibility and it’s okay for you to take the space you need.

And if you’re someone that is unintentionally doing the first example, please know that you aren’t irredeemable or terrible. And you can still learn to do better.

[andromedasummer]

before you go to discourse, before you go to make your hot take about what's just happened with yuki tsunoda, check in with your disabled mutuals who like motor racing. these kinds of slurs pop up way too often in the professional racing scene and its never any easier to stomach, especially when the responses start flooding in. support them if they choose to speak up about this because historically this stuff hasn't gone down very well.

the last time a driver was ableist and many disabled people shared their discomfort and anger, the backlash was directed into inboxes and private dms and was bigoted and often violent. i want to hope that 3 years on things have improved, and the fia investigating this is a step further than what happened in 2021. but i also want to be realistic about how society as a whole feels about discrimination towards disabled people and how that attitude can bleed into things like these in a very ugly way.

[sysig]

I really like @theratpy​‘s Dr. Zo :D I like him for normal reasons don’t even worry about it don’t read into it at all haha (Patreon)

Bonus Ratticus

[bluespiritshonour]

Another thing I've been muling over: a complain I've seen about Maiko is that she keeps him from going on the right path—and... I agree.

For Mai, Zuko's well-being is her sole concern and the rest of the world could crash and burn and that's... Okay?

Realistically speaking, your support system should NOT be one person. One thing I love about ATLA is that (despite romance writing not being one of it's strong points) the lack of ships that follow the tropes.

Kataang is not an archetype. Neither is Sukka or Maiko.

Having your support system be just your romantic partner isn't healthy (for them or for you) or realistic. But most romances do that and until I watched ATLA it didn't occurred to me that that's not a good thing.

ATLA and Maiko are very realistic in that Zuko needs both the Gaang and Mai. He needs the Gaang to hold him accountable for every shitty little thing he did—and he needs Mai there to keep from spiraling and self-destruction.

Zuko and his uncle were de facto conquerors, so they had to do much more to redeem themselves than Mai and Ty Lee (mere soldiers, but NOT innocent) had to.

Zuko had to work hard to earn the Gaang's forgiveness (personal opinion: he should've grovelled more and he should've been called out on his racism against Aang) and Uncle Iroh reconquered Ba Sing Se in the name of it's people.

They both did reparations to the very people they hurt. And their crimes were much more direct and vicious compared to Mai and Ty Lee’s.

As someone not as responsible as them, Mai and Ty Lee's redeeming themselves was at the Boiling Rock.

And well, when Zuko is Firelord right after the war—he would be paying for the crimes of his ancestors. He needs the Gaang there to keep from acting like he did with Katara pre-Southern Raiders (everyone else seems to have forgiven me!) and he needs Mai to keep himself from actually spiralling into self-destruction and undeserved guilt (Sozin's and Ozai's faults aren't his even if he's paying for it and someone needs to remind him that)

So, yeah. He needs them both for different things.

As for Mai, her conflict was that she was never allowed to express herself. And loving Zuko made up for that—she finally stands up for something she believes in (not in the cause, but in Zuko) and Zuko didn't even have to do anything beside exist. He didn't “fix her.”

Although, again I do have the the complain that Mai has to do a lot of emotional labour for him and if you really are gonna shit on Maiko: it's Zuko who needs to step up, not Mai—well, Mai tried to “fix him” and she couldn't!

That's so important to me!—I’m tired of girl fixes boy narrative. And she couldn't fix him because only he could fix himself and Mai herself is used to making the best out of a situation and being selfish/passive/choosing the path of least resistance. She tried to do to Zuko what worked for her (or maybe didn't, considering she was coping)—and well—later when Zuko's Firelord it'll be Mai who keeps him from harming himself.

Zuko needs both to be balanced out.

He needs multiple people to act as support system and that's both healthy and realistic. Mai isn't everything and neither should she be.

I know what the comics did; don't bring them up here. It's not about the comics.

[aeviann]

I come forth bearing the joyous news of another absolutely perfect bird fanfic that my beloved bestie @fideliahoney has published. Of course I had to draw for it in tandem with her writing process, because how could I not when it dips into my favourite guilty pleasure rarepair that is Tibarn/Naesala.

Please go read it on Ao3 if you like crack with sexy birds treated seriously that also involves Naesala having tattoos

[abirddogmoment]

wow eternally grateful to Mav for fixing something in me (the deep-seated anxiety of being embarrassed in public) by being the most best boy (the most endearingly embarrassing animal to ever go in public)

[scarapanna]

Seems like Shadow Milk might not have the best relationship with his creators...

[transmascutena]

Good evening (or morning, depending on your timezone).

Absolutely no hate, but I want to ask how you reconcile your enjoyment of the show with the reality of what Ikuhara has (most likely) done?/gen

I understand Death of the Author, but what drew me to Utena in the first place was its theme of critiquing the patriarchy and calling out abuse, which feels somewhat hypocritical now. I resonate with this show, and many of Ikuhara's other shows, on a personal level, which is why I am especially disappointed with the accusations since I now have to wonder how that reflects onto me as a person...?

Obviously I don't know you personally, but you seem to spend a lot of time and care on your analyses (which are great btw) so have you also struggled with this?

Again, there is like zero judgement when I say this and I'm absolutely not trying to come off as hostile (in case that is how this reads). And, there is no pressure on you to answer this and I'll completely understand if you want to ignore the ask.

Thanks.

hi, i've been thinking about this as well since yesterday, and it is kind of tough to figure out how to feel about. i think it's important to remember that ikuhara did not make revolutionary girl utena alone, for one. he had a whole team of writers and animators and producers and so on, that it would not exist without. obviously ikuhara played a big part in the show's creation, but far from the only one (if it was, i have no doubt it would be very very different), and . idk what my point really is here but i don't think his actions reflect on the show as a whole. it still is what it is, it still says the same important things about our society's systems of abuse that we've always talked about, even if the director didn't understand it or didn't want to understand it or however you want to put it. and by extension i don't think it reflects on to all the people who have enjoyed the show, who have seen their experiences in it, who have learned from it more about how this kind of abuse works and so on. and i think we need to be aware of what has (allegedly, but again, i believe it) happened, but i don't necessarily think we need to write off the show just because he had a hand in making it. because it is just as important as we've always known it to be, you know? though i think there are (as there has always been and there always is in anything) elements of the show to be critical of, and maybe some new things as well in light of this. i'll have to think about it more.

[winepresswrath]

what louis did to lestat and what louis did to armand are connected and that's important to the story but also. it is simply not the same. nothing louis did excuses armand's behaviour, that's not how anything works, but he did not "cross a line" or "poke at armand," he weaponized armand's history of abuse to belittle and demean him. nothing armand said to louis came close- the equivalent would have been "oooh, i'm such a stupid bitch that my husband can beat me half to death and i'll keep crawling back for more even when it endangers my daughter!" it's retraumatizing and deeply destabilizing to hear that shit from your partner. and in response armand should have been like "well this man sucks when he's high and he's high all the time, so i'm bouncing" but if he'd done that we wouldn't have a story, would we?

edit: i've come back to give armand credit for "claudia didn't love you like we did/do. ps. u used her to distract from your own hurt feelings" that shit does hit in a similar way. however "the ways someone hurt you have left you contemptible and weak. they scrawled 'dirty and annoying' all over your soul in red ink and it's never coming off" is just outstanding work. timeless

[faunandfloraas]

You have been sending a lot more i.n lately is there a new bias wrecker 🧐

since I've never claimed a bias, how could I have a bias wrecker