#i was rewatching that scene in GO and just about lost my mind

[mybedroomceilingsbored]

bucky would ABSOLUTELY get a whole bunch of potted plants and either trauma-dump on them a la Crowley or be super super caring and protective like he was with pre-serum Steve.

you cannot tell me otherwise.

Bucky Barnes is a plant dad.

[dhmis-tinhatter]

elaborating on my “jax isn’t an asshole he just acts like one” post, i want to talk about a particular scene in the pilot. i’ve seen a lot of people call him a jerk for lying to kinger and gangle about kaufmo being okay, and then throwing the bowling ball at them to push them into the hole. i didn’t understand why he did these things at first, but after a few rewatches i think that jax was trying to protect them.

look at jax’s reaction when he finds out that kaufmo has abstracted. he’s clearly scared and concerned.

but he quickly covers up his worry and goes back to acting like he doesn’t care. it’s like he’s trying to keep up the appearance of being a jerk so that people don’t expect anything different. it’s a persona.

the next time we see him is when he finds kinger and gangle looking at the hole in the floor. they ask how kaufmo is doing, and jax says “oh, he’s doing great. in fact, i don’t think i’ve ever seen him this happy before.” this seems like a weird thing to lie about, especially since he knows kinger and gangle will find out what happened to kaufmo eventually, but i think that jax saw how worried they (especially gangle) were about kaufmo and didn’t want to stress them out more.

while kinger is expressing relief that kaufmo “hasn’t completely lost his mind,” there is a sound off in the distance that makes jax turn around. he looks worried because he know’s it’s abstracted kaufmo.

jax knows that they need to get out of there before kaufmo arrives, but the others don’t know what happened to kaufmo, so he has no way to explain to them why they need to leave. so, instead, he throws the bowling ball and knocks them into the hole before jumping in after them.

i’m not entirely sure yet why he keeps up this persona of being a jerk, but it is clear to me that it is a persona. that paired with the fact that he breaks the fourth wall earlier in this episode makes me think that he may be more aware of what’s going on than the other characters are. maybe he acts like he doesn’t care what’s going on so that nobody suspects he actually knows more than he’s telling.

[alltimefail]

Okay gang, I noticed something super intriguing in my recent weekend rewatch of Dead Boy Detectives!

In Episode 4 when the night nurse goes into Charles' mind there's a consistent detail in his memories that I haven't seen anyone point out: not all of Charles' five schoolmates throw stones at him when he's in the lake.

Two boys are positioned slightly off to the left side of the screen, watching and making no move to stop the others, but they do not directly harm Charles at any point.

I know this doesn't seem particularly interesting in and of itself, but it quickly becomes more interesting when the Night Nurse asks Charles "What could possibly have made [his] friends turn on [him] like this," and we flash forward to the next memory, a visual response to her question. In this memory, we see Charles standing up to all of his so-called "friends" who are senselessly beating up on a boy from Pakistan and...

Wait - actually, no - not all of his friends...

Yet again, two boys have been intentionally set apart from the group and yes, it is the same two boys who stood off to the side and watched Charles be harmed (ultimately killed) in the previous scene. The juxtaposition of these scenes begins to feel even more intentional when the perspective flips and we see the scene how Charles was seeing it, with the passive boys on the left and the boys engaging in violence on the right.

This scene is much brighter so we get a really good look at their faces here, but both of them go through a myriad of facial expressions/reactions in quick succession that are challenging to discern with 100% certainty. But with the blocking for the group being the same in both shots and the roles the boys play being the same in both shots, I feel like this had to be an intentional choice made to convey something implicitly to the audience.

That leaves me to wonder - did these boys know, deep down, that what was happening was wrong? Did they want to resist, walk away, or try to stop the violence like Charles did earlier but felt powerless to do so? It would be remiss of me not to acknowledge how one of the two "passive" boys was black: did that otherness, the same otherness that Charles felt and that boy from Pakistan surely felt, keep him from speaking up out of fear for his own safety (a valid fear, considering what we know).

Whatever the purpose, it's a really sad detail to me. Heartbreaking, actually. Edwin is 100% right when he says that the living are messy, and Crystal is right when she says that she and the boys lost their lives to boys who went too far (hers temporarily in the form of her memories, the boys completely in the form of their literal lives) because that's just it, isn't it? This show is full of moral and ethical conversations surrounding the limitations of labels like "good" and "bad" people; about capability and willingness to change; and about how our actions, whether rooted in good or bad intentions, can lead to unintended or undesired outcomes. Perhaps none of Charles' "friends" believed they would kill Charles that night; perhaps they just wanted to "rough him up" or "teach him a lesson." Perhaps none of Edwin's bullies could have anticipated that the ritual sacrifice "prank" would do anything more than scare a boy they perceived as different, effeminate ("Mary Ann"), and they certainly couldn't have known it would lead to years of torture and suffering in hell for not just Edwin, but for themselves as well. But it doesn't matter, and it doesn't excuse what they did. The boys who stood to the side and watched Charles die, and who watched their fellow "mates" beat on another boy prior to that, may not have thrown a single punch, but it didn't matter - the damage was done. They still were complicit in that violence, and therefore played just as much a role in Charles' death as the boys who were throwing stones and punches. To be alive is to deal with mess, complications, baggage...to insinuate otherwise is to diminish the nuance and intention put into every choice not only in this show, but in some ways, the world at large as well. It may be a small moment, but it struck me as something that said so much without having to explicitly say anything at all. Art is a good mirror on society in this way; it makes us face the reflections of messy, complex characters and situations that we could just as likely find ourselves a part of (maybe as the "good" guy, the vicim; maybe as the "bad" guy, the bully; or maybe as the guys who just... did nothing at all. The ones who watched, who were complicit in the suffering of others for what could be a multitude of selfish or self-preserving reasons).

All that being said, the TLDR here is: considering it's the same two boys who behave the same way in both instances it feels like an intentional detail. I wonder if there's potential for one (or both) of these boys to reappear in Charles' (after)life in the future? They are likely both still alive today, in their 50s, just as Charles would be had he not been murdered. Perhaps one of these boys could die and come to the agency with regrets or unfinished business (directly involving Charles or regarding something unrelated). Maybe Charles will run into them, alive, through a different case or just on the streets of London and be overwhelmed with a sense of "That should be me, too. I should have gotten to live." I imagine he would recognize them, even in older bodies, and it would understandably affect him to have to face anyone who played a role in his death, whether they threw stones or just watched.

Orrrrrrer it could be a totally pointless detail! 😂 I'm always open-minded to the fact that after 30+ rewatches I could be overanalyzing at this point. Either way, it confounds me nonetheless and I so desperately hope we will get to explore Charles' trauma more in season 2 (🤞)... so I thought I would share my thoughts! 🖤

(Last note: please excuse the bad photo quality!! I searched meticulously for the exact screencaps I needed but couldn't find anything, so I just took pictures of my tv screen with my phone lol.)

[aleksiej]

does rottmnt donnie dislike touch?

i have rewatched all of rottmnt and am ending this debacle once and for all (at least for me lol)

based on the two seasons, the movie and the comics (tho the comics don't really bring anything to this conversation) i think i have the answer to one of the more controversial topics in this fandom

(no, it's not the yuichi vs usagi debate, usagi obviously wins that no sweat)

so, does donnie dislike touch?

in the series, he is shown being fairly touchy with his siblings throughout the series, with some exceptions i will try to list now, tho not with proper episode names as i am not looking them up, sorry not sorry:

pilot episode, captured by draxum in a cacoon with mikey he's visibly uncomfortable and tries to get away

mikey's solo mission, he doesn't look at any of the and in response to a hug he pats mikey's head with a metal arm from his battle shell.

glued together, he's showing visible discomfort at being forced into close (touching) proximity of his brothers, tho that discomfort is somewhat elevated when they do a second go-round after the sticky foam ball got crushed

that time splinter caught everyone in a trap hanging in the lair (i think it's the forest survival episode?), he's, again, uncomfortable and the first to find a solution to their entrapment, be it on his phone

there's probably more, but that's what i remember from the series and spread out on about 60 episodes it's noticeable, but not a deciding factor, especially since donnie's also seen being fine with touch. now, the movie offers us even more of a look into donnie's relationship with touch. this list will include every instance presented i can think of, in no particular order.

during leo and raph's fight after they lost the key, donnie jumps on raph's back in an attempt to stop him from advancing in the fight, as mikey tries to shield leo. it's a very quick decision and doesn't seem to particularly trouble donnie.

after the kraang come through the portal and the turtles escape-pod out, mikey's panicking and grabbing cj, also causing him distress. donnie grabs mikey under his arms like a plushie and is shown to carry him until leo gets back with a panic attack and news of raph, upon which leo starts at cj with a fight in mind and donnie and mikey keep him away. again, no distress is coming off of donnie, no more than the regular situation call for (although he gets more logic-minded and quiet as the movie goes on with only small donnie moments breaking it up, which seems to be how he reacts to stress, but that'll be in another fever post)

he's touching mikey sometimes during the subway battle, but it's most likely he either didn't notice or didn't care, considering everything else happening in that fight (ps the kraang train is my favorite villainous entity in the franchise, give me more of the kraang train and i will give you my soul)

he's shown very visibly having sensory issues (very relatable) throughout the whole movie because of the kraang. not necessarily to do with touch, oh except for the part when he had to get EATEN BY THE TECHNODROME THROUGH HIS BARELY TOUCHED AT ALL SOFT SHELL which is shown to be a sensory nightmare and awful to touch and yes, i had night terrors if that, thank you very much.

at the very end, they all hug with no visible problems except for the fact that they are on staten island. that is to say, there's one important scene still, it happens before the end, but i wanted to have space to gush about it so here we go.

the famous scene of raph grabbing donnie and mikey flying through the air, yelling "don't worry donnie, it's not a hug, it's a rescue". probably the most important thing said in accordance to donnie's relationship with touch.

in my personal opinion, donnie doesn't mask (i mean look at his behavior) or if he does, he does it, rarely in public and even rarer with just his brothers. so every one of the hamato clan knows at least the most important of donnie's boundaries, especially related to the autism, as it's handled well within their family structure (both donnie's and mikey's autism is) . so, if raph calls out to him to warn about the hug he's giving donnie and treats it like a potential bad thing, there are really only two conclusions we can get to.

one, donnie doesn't like/hates physical contact. disputed by just about everything else in the show, except for the listed above exceptions.

two, donnie being open to touch or not is conditional. and considering the mentioned exceptions and raph's rescue from the movie, there's one similarity we can notice between them.

the touch affecting donnie is happening without his consent and without a form of escape.

(except for when donnie's hugged by mikey in his solo mission episode, but considering he's already kind of detached, i'm assuming he's just not up to it and so he uses his robotic extra arms to give comfort instead of ignoring his little brother which aww)

that's the uncomfortable part, the unpredictability and lack of a way to detach himself. aka, donnie's just like me for real. lmao.

donnie probably doesn't mind touch and welcomes it, but needs to be in control of the process and be able to leave if he gets overwhelmed. and his family knows that, hence raph's words in the movie that led so many people astray...

this might just be another evidence of how well donnie is written as an autistic character, both with his low empathy not being demonized and not preventing him from creating bonds (tho sometimes making it difficult) and the fact that the most common opinion of autistic people (that they hate touch, which is something a psychiatrist brought up as evidence of me not being autistic) doesn't apply to everyone.

as a summary, rottmnt donnie is probably the best version of donnie right now and he doesn't hate touching, he just has to touch on his own terms. extremely valid, extremely relatable.

[scoobydoodean]

ok so forewarning, i don’t really have a question here, just lots of thoughts.

there’s so many layers to the general *badness* about the mia vallens therapy scene. like to the manipulation (for lack of a better word) that sam rewrites. like it makes such a difference that she thinks jack is their little brother instead of the son of the thing that killed dean’s best friend/loml. not to mention the fact that it’s been what like a week since *everything*

and like yes dean’s being cold towards jack and giving him orders (which, i could argue they weren’t uncalled-for), but tbh he’s only being moderately colder/more direct with him than he’s been with cas at times on hunts (thinking hunteri heroici) and even similar to how *sam* has been with like claire and even dean himself (thinking that episode dean turned into a teenager and all of MOC). like genuinely, how was sam expecting him to act like?

also (half joking) i genuinely think dean would’ve warmed up to jack even quicker than he did (we can already see it in this same episode, like that look he gives jack when he asks mia if buddy hurt her too) if he heard jack say he hates anakin skywalker lol

ok wait i do have a question. do you think jack actually was “terrified” of dean during that therapy scene?

(post linking to some context)

Okay so I rewatched 13.01-13.04 on a plane this past week so it's all extra fresh on my mind rn. The thing about 13.04 is that Dean wasn't comfortable bringing Jack on the hunt, and Jack didn't want to go, but Sam pushed insistently for all of them to go on the hunt together... primarily because Dean's feelings were thwarting Sam's plans for Jack and his own emotional coping mechanisms in a larger sense.

I think Dean's feelings compared to Sam's here are relatively more simple (and yet somehow still intensely misunderstood to a baffling degree). Dean was grieving. He was grieving Cas who died right in front of him, he was grieving Crowley (he pleads with Chuck to bring "even Crowley" back in 13.01!) and he was grieving Mary.

The thing with Dean's grief over Cas is this: instead of viewing it from Dean's perspective, we tend to analyze it as omniscient viewers who know Cas will come back, refusing see how miraculous Cas’s return truly was. We refuse to see Cas's death was different this time and appeared very permanent. There was no uncertainty like there was in season 7 or 8. His wings burned into the ground and his grace extinguished. Dean pleaded and prayed for Cas and Mary and Crowley's return to the only person who ever brought Cas back from certain death (via explosion in 5.01 and 5.22)—the person who told Dean in 11.23 he was leaving and Dean was on his own. Dean didn't hear back. The ONLY reason Cas comes back in 13.05 is that 1) Jack woke him him up unwittingly using powers no one knew he possessed and 2) Cas then annoyed a creature they didn't even know existed into letting him out of a place they 3) didn't even know existed and 4) Cas somehow came back with a body even though he had been burned to ash. All of this is completely miraculous. It was unforeseeable. It doesn’t even make complete sense as a viewer. In other words, Dean has ZERO reason to hope for Cas's return. There was ZERO reason to refuse to acknowledge that grief… but that's exactly what Sam does. He suggests Dean pray for Chuck to bring Cas back in 13.01. As soon as Sam knew Dean already tried that and Cas was DEAD dead, he treated Cas as something Dean needed to reframe and get over:

SAM: You thinking mom is gone and Cas is gone, and that Jack can’t be saved. Dean, after everything we’ve gone through… We just lost people we love, people who have been in our lives for a long time. Everything’s upside-down. I get it. But we’ve been down before. I mean, rock bottom. And we find a way. We fix it because that’s what we do.

This is the "Pull yourself up by your bootstraps" speech in 13.02—like a day after they burned Cas's body. Sam's wording here is cruel too—saying Dean is "thinking" Cas is gone as if he didn't die right in front of him? He refuses to acknowledge Cas's death as something Dean was actively and rightfully mourning. This becomes a major point of contention between the brothers at the end of 13.03.

DEAN: Look, I know you think that you can use [Jack] as some sort of an interdimensional can-opener and that’s fine, but don’t act like you care about him! Because you only care about what he can do for you! So if you want to pretend, that’s fine! But me? I can hardly look at the kid! Because when I do all I see is everybody we’ve lost! SAM: Mom chose to take that shot at Lucifer. That is not on Jack!

Sam will only name Mary—the one person whose death they can’t 100% confirm (the same thing happens in front of Mia in 13.04). The absence of Cas’s name here is pointed. So Dean says:

DEAN: And what about Cas?

And how does Sam respond?

SAM: What about Cas?

Uh... wow. That's what really sets Dean off to full on shouting:

DEAN: [Jack] manipulated him, he made him promises, said, ‘paradise on earth’ and Cas bought it and you know what that got him? It got him dead! Now you might be able to forget about that, but I can’t!

Sam's denial of what Dean literally SAW (Cas died) and how that hurts—his insistence that Dean also halt grieving to hope for the impossible—it's a major sticking point and very revealing of Sam's own coping mechanisms. Sam's chief response to grief is to disassociate himself from it. We see a textbook case in season 8 (see: 8.08), but in most of the series, what this actually looks like for Sam is to keep moving and hunting (ex: 1.02, 2.02, 2.10, 2.11, 2.18 3.11, 4.09, 9.01) which is also why he insists on bringing Dean and Jack on the hunt in 13.04. Sam tries not to think about what they've lost and focuses on what he CAN do. He focuses on hoping Mary can be saved because she's the one person he didn't SEE die.

The thing about Dean’s grief over Mary is this: he convinces himself Lucifer had to have killed her. She's the one person whose death Dean can't be certain of, but he absolutely cannot bear the thought of hoping she’s alive and it turning out he’s wrong. He knows he wouldn’t psychologically survive hoping in that and his beliefs being crushed. It would be like losing his mom all over again (a THIRD time). So he sticks to what is most likely: Lucifer killed her. He can't contend with the hope Sam is clinging to desperately, and that's what makes them such poor companions in grief. Sam feels off balance when Dean won't keep moving and hoping like him—when Dean can't keep up the pace Sam wants to run at in his own grief—and in doing so, Sam keeps pushing Dean to contend with hopes that open Dean up to a WORLD of pain Sam can psychologically convince himself not to feel. Grieving together just really just doesn't work for them because they're never on the same page and deal in such different ways—and this has been hurting them from as early as 2.02!!!

Now to bring Jack into this more fully: Jack represents Sam and Dean's different perspectives on grief and on Mary. Just like Dean despairs over Mary's demise, Dean despairs over the possibility of Jack being good. He can't bear the idea of hoping in that and being wrong. The psychologically safest option for him is to assume the worst and not hope or believe in anything turning out okay.

Sam, on the other hand, pretty much immediately sees a way to use Jack to get Mary back. This is clear when he and Jack get locked up together in the jail cell in 13.01. After establishing that Jack isn't hearing things and (probably) isn't going to murder him imminently, Sam immediately starts down a line of questioning establishing how well Jack understands his powers, and then asks him outright:

SAM: Jack, look, um... before you were born, you -- you opened up a door to another world. Do you remember that? JACK: Yes. SAM: Okay, um, could you do that again?

Shortly after, when Sam arrives, he tells Dean (who is convinced after everything that happened in 12.23 that 12.19 that Jack is evil or will turn evil):

We need him.

Sam repeats this sentiment multiple times with clear meaning, and later in 13.04, he admits to Jack that he wants to use him to open the portal. This doesn't mean he doesn't also grow to see himself in Jack quickly and genuinely believe in his capacity for good, but he isn't fully honest with Jack about his motives until 13.04 where he finally comes clean, and this poisons the well with Jack a little.

@shallowseeker has pointed out before that in 13.03, while trying to figure out how to get Jack's powers to work (and spying on Jack through cameras from another room) Sam is seen reading "The Drama Of The Gifted Child". I wish I could find the post because Shal probably brought it up too, but when I was rewatching this episode, I noticed the chapter Sam had just settled into read before being interrupted was titled,

"Depression and Grandiosity: Two Related Forms of Denial"

Given the accusations flying from Sam toward Dean then from Dean toward Sam about denial in the following episode (13.04), this feels amusingly pointed. Dean is depressed (and about to attempt suicide in 13.05), Sam is depressed and has "grandiose" ideas of using Jack to pop open a portal to another reality while hiding behind the guise of being the most rational person in the room when he... isn't necessarily? And it's easy to argue "Well, Sam turns out to be right even if he didn't ultimately have much of a reason to think he was" but the core problem here is how his beliefs effect how he treats other people's grief. He isn't honest with Jack about his motives (while Dean is somewhat brutally honest) and pushes and watches even while claiming he's giving Jack space (13.03), he refuses to give Dean space to grieve even the family member they know is dead, he inserts a therapist into the situation and criticizes Dean's grief when Dean won't play his game, and in 13.05, after Dean says that he can't believe in anything right now, Sam's clumsy attempts at help involve plying Dean with alcohol he says he doesn't even want and trying to send him off to strip clubs—believing that Dean performing being okay will somehow address his mental state because Sam's idea of coping himself is simply "going through the motions".

As for Jack, I don't think he's scared of Dean. I think he's scared of what Dean believes. He's scared that Dean is right. From 13.01-13.06, Jack is contending with the question of whether he's destined for evil or good, and in his depressed state, Dean believes Jack is destined for evil because hoping in anything is completely beyond him at that moment. Sam tells Jack that he can be good, but he hides ulterior motives as to why he's being nice, and when those ulterior motives are revealed, it leaves Jack thinking Sam is the kind of person who will lie to Jack and tell him he's good just to get what he wants. Meanwhile, Jack knows Dean is being completely honest with him about what he believes. 13.03 and 13.04 clearly demonstrate that Jack understands the difference between beliefs and facts: Dean could be right or he could be wrong. What Jack holds onto like an anchor is that he can trust Dean to tell him the truth about what he believes—even if it hurts.

It's also just so obvious that Jack immediately wants Dean—specifically—to like him (see: Jack mimicking Dean's mannerisms while eating in 13.02, and his clumsy attempts to earn his favor in 13.04). Sam also picks up on this, and encourages Jack to seek Dean's approval in 13.04 to try and change Dean's beliefs. Sam (and to some extent Jack) are thinking in 13.04, that if Jack can prove to Dean that he can be good, and if Dean tells him he did a good job (which Dean does in the end), Jack can believe that. Sam sees that Jack wants Dean's approval and the impression that Dean's beliefs have had on Jack and thinks by pushing them together as soon as possible (when neither of them want to go on the hunt) and treating them as a family and forcing Dean to accept Jack when Dean just isn't ready (including by paralleling Jack with himself in a way that becomes an accusation), he can "fix" Jack so he isn't scared of his powers anymore (13.03) and then he can teach Jack to use his powers and Jack can open a portal to save their mom.

Jack's attempts to earn Dean's favor in 13.04 are clumsy. His first attempt is directly ignoring Dean telling him to wait in the car and sneaking into the crime scene, potentially contaminating it. At Mia's office, Jack's outburst about losing a mother is what allows Sam to set up the whole family therapy trap to begin with, and because Dean knows Sam is going to use that to hurt him, he warns Jack not to make outbursts like that. Dean is not being nice. Point blank. And I do think his tone is a little different than with Cas which in the past felt more like exasperation. I also don’t think it makes him the devil. I think that's understandable when putting in even a tiny amount of effort and it's kind of laughable to me how few people seem to even try because they're so caught up in Sam's happy family narrative and the idea that someone wanting Dean's approval presents an obligation that Dean give it no matter how emotionally impossible—and in a situation where asking him to lie would actually destroy that much more of Jack's trust.

[beaniegaebie]

i don't really have any solid conclusions about this yet but i noticed A Thing in a rewatch and i haven't found it mentioned elsewhere yet so here we go

(apologies for the appalling image quality you're about to see, i can't screenshot easily rn pls bear with)

OKAY so in the scene where crowley confronts gabriel about "shut up and die", something about the arrangement of book stacks caught my eye a little

the majority of the books are angled so that we mostly just see the page edges and not the spines clearly, EXCEPT for a particularly shiny and familiar colour combo right here-

but nothing too weird going on there, i thought, crowley coloured books in a bookshop so what? right up until i registered crowley's line when we get a closer look-

hhhhmmmmMMmmmm yes yes "everything just the way you wanted" huh, very interesting considering that we know how much thought goes into props huh

and for most of the shots we get of crowley in this position those freaking books are just quietly nestled right there in the corner-

look at that god damn framing i fuckin see you, you glorious bastards

so i paused to see if i could figure out what the hell was up with those fuckers and this is when i absolutely lost my mind, your honour

A and C you say?? in crowley colours???? framed like this?????? localised entirely within your kitchen???

anyway long story short they're two books from an Agatha Christie Crime Collection set (24 volumes, three stories per volume) and guess whats on the mfing front covers I'm-

(its a rant for another post but when paired with this other set of initials spotted in s2 i want to scream actually)

ANYWAY back to the books, through an absolutely unhinged comparison of the formatting of gold text blobs i reckon the two we have here are:

(on top) The Pale Horse; The Big Four, The Secret Adversary

(on bottom) 4:50 From Paddington, Lord Edgeware Dies, Murder in Mesopotamia

(I'm fairly confident but if anyone has a better image to confirm/correct this pls do)

now here is where I'll need a bunch of help from some Christie-heads out there bc I haven't read any of these and I've only seen the tv adaptation of one of them, so i dont know for sure if these are like A Clue, or A Cool Thing, or if I've just fully brainrotted myself into a fun lil corner here? wa-hoo

but here's some initial stuff that jumped out at me after skimming the basics:

(some of) the titles: Pale Horse/Big Four - death's horse ofc, the four horsemen mayb? the them+adam?? ; Mesopotamia is a very biblical choice bbz ; 4:50 From Paddington- azi likes trains i guess? idk that one's tenuous lmao ; honestly no idea with the other two but Secret Adversary feels a tad ominous

iirc Big Four just has kind of an unusual history, it was initially twelve short stories that she later compiled into one, and it was published fairly soon after christie's mysterious disappearance/reappearance

in Big Four, poirot fakes his death at one point and doesnt even let hastings in on it and I'm hoping sure its totally irrelevant to the ineffable bois

part of the Pale Horse story is a group of assassins that basically try to pass off all their murders as being actually caused by like ✨satanic powers✨ which is interesting

christie knew a fUCkton about poisonings thats why she wrote so many into her work and, while i don't believe the poison coffee theory myself, it sure is an interesting link with how cyanide is associated with almond smell/flavour and that metatron chooses almond syrup in particular

(ALSO random side note that is mostly meaningless but I've worked in a good few uk coffee shops and have never worked anywhere that stocks almond syrup; almond milk yes, hazelnut syrup yes, but never almond syrup...? prob just the places i worked though lmao)

EDIT forgotten point: I've seen some speculation that the bently's plate reading "CURTAIN" could be a reference to poirot's last story, along side that alternate scene of crowley ordering the sherry for "miss marple", its just one too many agatha christie references for my melted brain to handle and I'm SUS

so this is where i run out of idea steam and hand it over to you lot because i have no clue what this could mean, if it even means anything other than a cool set feature

is there something here actually or am i yelling into the void just for fun?

who knows, who cares!

[cursingtoji]

🎙️ just saw your post asking about blog recs…step up to the stage bc i need some!!!!

BLOGS RECOMMENDATION <3

— mostly jjk, but also chainsaw man and aot

*taping the mic* okay here are my nominees with some fics recomendations as well

disclaimers!

lemme start saying so plot is everything to me, pwp can be hot but i'll hardly remember it afterwards, that being said here's some writers that can do both great plots and hot scenes.

also while digging i realize i wasn’t following some of those and if you noticed im sorry im dumb but i truly love your writing.

i tried to tag every active blog i could remember but it’s possible i forgot a few since i’ve been reading more jjk recently. if i forgot you im so sorry please don’t take offense.

many blogs i loved were deactivated, rest in piece great works they had.

everything i read i reblog under the tag #recs

@thekillingmoonmoon ofc moon is the first one i think when the topic "best writers" come up, i freaking love her and everything she does its not even fair to pick one thing so im picking 3, this super passionate toji work that i re-read at an alarming frequency (which btw i consider my own personal gift). yakuza choso and yuki aka the hottest duo ever. the cherry on top is her kishibe series (just realized i gotta catch up on)

@rinhaler - luxe is def on my top 3, she comes up with very organic scenes. even if it's a simple plot she can develop it so originally. I recently read her underground fighter!sukuna and i'm still thinking about it.

@laudthingcat has the best headcanons in the jjk fandom hands down, it’s the perfect dose of hot funny and cute, pick anything from her masterlist it’s guaranteed you’ll have a good time reading it. when you moan their name in your sleep in particular gives me butterflies

@meownotgood is obviously the best aki writer out there, you can see the love for aki in their words and how they write him so well and so into character. arrival in tokyo is truly a masterpiece, they also have a +100k words series i've been wanting to read for a while but i want to rewatch chainsaw man first hehe, i'm 100% sure is fire tho.

@kentoangel roma writes choso like she's in love with him and you can tell. shes always on my for you and even her snippets are *chefs kiss* special kudos to stepbrother!choso

@kentopedia i just realized i'm assigning a writer per character and nanami is definitely rylie's. the domestic lovely way she writes him makes me forget canon.

@tojisun another blog that is very often on my for you page. cannot talk about toji fics without bringing up sun, everything she writes about him has me furiously nodding. not to mention simon and konig, just talking about them makes me wanna run to her blog and binge read everything

@chocochipsushi 's bodyguard toji is unforgetable to me, i wish i lost my memory so i could read it all again for the first time. bodyguard toji is the definition of living rent free in my mind, whenever i have to deal with annoying coworkers i immediately think “bodyguard toji would not allow them to talk to me like that”

@suget one of the greatest geto writers for sure, they have so many geto works, i was going through their blog to find the one i read more recently and there was so many others i haven’t seen! another writer i could very easily spend a whole day binge reading. btw this cult leader one was recommended to me and i fell in love with it <3

@staryukis has the cutest gojo drabbles

@tonycries brooklin baby was recommended to me by moon and it had me by the neck! also they have many other works im hoping to read soon as well

@mommypieck isayama created reiner but they created subby reiner

@titan-fodder ‘s the tinniest notion The Best Reiner fic in all the existence of the universe (tw: stepcest kinda?)

@nanaslutt mma!toji made feel every emotion possible so intensely

[ilovereadingandstuff]

Yo, dear friend, wanna know what definitely sold me on watching Link Click? wanna know what was the scene which was the cherry on top of the cake that finished convincing me watching this show with which now i'm obssessed with? what also sold me completely on shipping shiguang with my whole heart?

THIS moment right here...from the first episode on season 1.

"...you're up."

MAN, THE WAY THIS SCENE SQUEEZED MY HEART!!??

The way that Cheng Xiaoshi woke up hurting by the mix of Emma's memories of her parents alongside his, in addition of the mingling of his mouring feelings over the disappearance of his parenst AND Emma's troubled feelings of insatisfaction, forced to be separated of her parents but at least they're alive and her horrible life-situation...

and when he was just starting to process his thoughts and waking up from the fatigue he had for the exhausting day...Lu talks to him.

Lu Guang WAS AWAKE...or at least sensed when Cheng Xiaoshi woke up and was struggling or both...and asked what's up...

aaaand, when Xiaoshi explains his ache over his dream, starts to roll his eyes, rolling on bed for discomfort, getting lost in thoughts over his sadness...Lu Guang gasps...or at least makes a tiny little sound, like when realizing something...AND THEN HE METAPHORICALLY TOUCHES CHENG XIAOSHI'S SHOULDER!!!! in a way to comfort or contain him, soothing his pain, trying to divert his mind and make him go back to sleep...

FUCK!! I love it.

I LOOOOOOOVEEE IT

The way those last frames LOOK INSANE to me, like, as if Lu Guang is crossing spacetime to reach for Cheng Xiaoshi, physically connecting two point of the same timeline to just cross bounds and comfort him...

(and with season 2 ending...DAMN this becomes even more beautifull as it could be possible)

Holy shit man, I can't get over this scene. Really.

You get what I mean???! You understand why I lost my mind right here?!?!

The way this scene shows the emotional support and intimacy these two hold for each other.

Lu Guang reaching for Cheng Xiaoshi to calm him, understanding his overwhelming feelings, the way he sees Cheng Xiaoshi's pain in his empathy for Emma's situation (that he is currently experiencing himself in flesh and blood) and the mix with his emotionally-driven instincs...Also telling him to focus, to not think about it for his own good. Not devaluing his feelings, but for him to not wheel on them more than neccessary...

So, yeah, that's what sold me for real. Blown my mind truly, and completely convinced me that this show was my favorite one (as it truly is cuz GOD IT'S SOOO GOOD)

Also, doing a rewatch, damn they're so beautiful together. like, sorry, if you expect me to not ship them...then do not do this.

How Lu Guang is so understanding, firm in his position but never rude to Cheng. Somehow copes with Xiaoshi's childish attitudes...but then, in comparison to anyone else, it's such a huge contrast!! how Lu Guang validates him so much, supports him, understands him...never pushing, but never going away.

Lu Guang is truly a masterpiece of character, just as Cheng Xiaoshi is. And I couldn't be happier for this show to exist.

[downbaddetective]

I'm finally coming back to one of my previous posts. (Thank you to @m-eowdy for the reminder to finish the thought. I'm sorry if it's a little disappointing after the wait.)

Specifically these two shots of Edwin being completely covered in our two most important colors, because the symbolism here is significant to me.

I lost the original thoughts that I had (unfortunately migraines make me forget things) and by the time I was feeling kind of okay I knew that there were things I wanted to say but couldn't remember how. So, instead, I sat and rewatched the show, taking notes so that I could make sure that I wasn't making anything up.

So, color symbolism in this show is so stupidly important, and it's called out by characters in universe (thank you, Niko). We obviously see our characters in their colors, Edwin in blue, Charles in red, Crystal in purple, and Niko in pink. But it's also not that cut and dry. Edwin, in all reality, is very grey, Crystal wears a lot of different colors, and so does Niko. Obviously, part of that is because the girls aren't dead and have to change their clothes, but the colors that are worn are still significant to their state of mind and the events happening around them. With Edwin and Charles, it's very similar, though a little different. Charles' red gets darker as he is more and more affected by what happens at the Devlin house. Edwin, though, barely shows his blues most of the time, but when he becomes vulnerable, he sheds his grey layers, and we see it a lot more.

Now, I think that it's worth mentioning that Edwin and Charles swap their afterlife colors, so when they look at each other, they see their afterlife. The red and blue also give us clues as to things that they're hiding. Red being often associated with anger and blue with sadness. That being said, I'm now getting to the symbolism in the fact that Edwin is one of two* characters to be washed in both hell's red and death's (heaven's?) blue like this.

Edwin's entire journey is kind of impeded by the fear of getting caught by the afterlife and being sent back to hell. Red is his constant source of fear, hell being the biggest example, but Charles in his red is also the cause of Edwin's issues. Charles is the reason why both the Cat King and Monty have some type of red associated with them during interactions with Edwin. These colors are omens for Edwin. Charles essentially shared his blue afterlife light with him. They were meant to be detectives together, and that's where it all starts, right there in that attic. The red, on the other hand, is indicative of the bullshitery that is incoming, including the worst-case scenario, aka BEING DRAGGED BACK TO HELL. RIGHT THERE. IN THE APARTMENT THAT THEY GO LOOK AT RIGHT AFTER THIS. (Even though it is definitely at least partially his own darn fault.) The fact that we see these two scenes out of order also indicates that by the end of it all Edwin has overcome the previously stated bullshitery. We see Edwin interact with these two colors as a collective much more in the show, and it's seems it's because this was Edwin's time to learn and grow, and I suspect that if we get a season two at some point, we will see that flip so that Charles can have his turn.

All in all, I am absolutely in love with the colors in this show and I will probably have more to say later but I wanted to finish at least this part of the color analysis so that I could have a resolution to the previous post. I don't think I was able to recover all of my original thoughts about the significance of these two, but I think I got a pretty good chunk of it. I do want to say that I've seen the other color analyses floating around. I will be taking a look at some point, but before doing my own, I will be avoiding them for now because I want to write about my own perception rather than accidentally just stealing other peoples work.

(* Ngl, a little worried about Jenny if we ever see a season two)

[son-of-a-top-gun]

Sky's the Limit (part 1)

Hello all, so I rewatched Top Gun Maverick last night and was inspired to finally finish this enemies-to-lovers series I've had in my drafts for literally months featuring everyone's fav sexy asshole Hangman!

Warnings: two idiots as usual, Jake being arrogant, innuendo, author fem!reader

Sky's The Limit

You take off your glasses and slump your face into your hands. You had been staring at the same blank document for the last two hours and still had not typed a single word. You hear the bar door swing open and chatter filling the bar, but you do not look away, instead keeping your face in your palms.

When your Aunt Penny had offered you the chance to stay with her in sunny San Diego over the summer to finish your long-awaited second book, you practically leapt at the chance. Back in New York,  your agent, publisher and frankly every literary magazine were rabidly awaiting the next brilliant idea from bestselling debut author ‘Sky Bentley’. What you couldn’t tell them was that ‘Sky’ didn’t have a single clue what that brilliant idea was. So you had leapt at the chance to not be Sky, just for a little bit, while you tried to figure out your next steps.

You had only been in San Diego less than 12 hours before scuttling down to the Hard Deck. You had loved spending your summers here as a teenager, but hadn’t managed to come back since graduating from NYU. You had tried writing in the house this morning, but Amelia had some friends around and you couldn’t think with all their excitable chatter, so here you were. You knew the bar was pretty empty during the day, but the day was rapidly turning to evening and it was becoming less quiet. But you could tune it out. Until.

“You know darlin’, this is a bar not a library right?”

***

When Jake Seresin walked into the Hard Deck that day, he had assumed it was just another quiet evening as usual.  He had strolled over to the pool table as usual, confident that he would win, as usual, when something caught his eye. Unusual.

There was a person sat in a booth, who was…working? It was hard to discern much, except they were wearing a baggy Top Gun T-shirt and what looks like short shorts, although they are sitting cross legged so it’s hard to tell. Judging by this and the messy bun, he thought it might be a girl, but he wasn’t not sure. They had a computer out, but their head was slumped in their hands, with glasses strewn to the side. He had never seen anyone try to work in the Hard Deck in the whole time he has been coming here, especially not at 5pm on a Friday.

“Who’s that?” He asked Javy, who is setting up the balls. 

“Damned if I know.” Jake looked over in thought. Javy elbows Payback. “Hey, maybe we’ve found a girl in California that Hangman has managed not to sleep with.” Phoenix coughs. “Except you of course, Natasha.”

Jake smirked and started walking over. He loved a new game.

“Well, not for long.” Javy sighed. Nat considered the scene more closely. She had a good feeling about this.

“How much are you willing to bet?”

***

“Sorry?”

When you finally remove your hands, your vision is still blurry. You can tell there’s some sort of guy in front of you, in what looks like Navy uniform. Fantastic. It was hard to tell as you looked around for your glasses, but you had dealt with enough of these kinds of guys at family parties. Just another meathead who would say the same old shit as they always did. 

“Pardon my manners, sweetheart but you seem to be lost. The library is -” Before he can finish, you cut him off.

“Oh yes, actually, I think I am lost. I thought I was at the Hard Deck, but from the looks of you this is where Chippendales go to die? I hope you don’t mind but I’m not interested in whatever you’re selling, thanks.”

You hear him laugh a little.

“I’m pretty sure we’re the same age.”

You look around for your glasses.

“Sure, whatever the Viagra guys keep telling you, buddy.” You can see him fold his arms out of the corner of your eye, but you ignore him, continuing to search for your glasses. Silence ensues for what seems like forever.

“I think you’re looking for these, Grandma.” He hands you your glasses, and you snatch them out of his hands.

“Thanks.” You put them on. You see him properly now. He’s tanned, blond and incredibly handsome, like he’s walked straight out of a Hollister ad. He leans back, arms still folding and biceps definitely flexing and your heart skips a little. Sure, it had been a while since you had gotten some, but then he smirks and it’s clear that he’s the sort of handsome asshole who knows how good-looking he is. You roll your eyes and straighten up, folding your laptop.

“I’ve gotta go. It was a real displeasure meeting you,” You stand up, but before you can turn around, you hear a familiar voice.

“Ladybug! It’s you!”

“Bradley?” At this point Bradley Bradshaw swans into the bar, wearing one of his usual god awful Hawaiian shirts and plants a kiss on the top of your head.

“Ladybug?” Navy Ken raises an eyebrow. Bradley turns and rolls his eyes.

“Oh, I should have known you’d be sniffing around here already.” Bradley turns back to you. “You’ve had the pleasure of meeting Bagman, I see?”

“Bagman?” You mimic Bagman’s expression, complete with raised eyebrow.

“It’s Hangman. Although most people know me as Lieutenant Jake Seresin.” Jake winks at you. “At your service.” You scoff.

“If I’m at your service, I think I’ll rather die.”

At this point Bradley lets rip with a belly laugh, placing a hand on a bare stretch of your arm. You swear you see Hangman’s jaw tense a little.

“How do you two know each other again?” 

“Me and Ladybug grew up together.”

“We’re old family friends. Bradley used to babysit me and my sister when we were little.”

“And look at you all grown up now, some bigshot fancy auth-” You shoot him a glare. Bradley is one of the few people in the world you’ve trusted with your secret, and you explicitly told him not to tell anyone. You just wanted a summer to be normal, with no pressure.

“Fancy what?” Jake looks you up and down.

“Academic. She’s a pHD student.” Bradley says immediately. Damn, that was quick, you think to yourself. You look up at him. Was Bradley always this good at lying?

“Yeah. English lit. Here working on my thesis.You wouldn’t be interested.” You make sure to put extra venom in the ‘you’. 

Bagman’s furrowed brow offers a little fake smile, but before he can retort, Bradley leads you over to the other aviators. While you are a little tense going into the group of navy guys, most of them are immediately friendly. You struggle to remember everyone’s real names and call signs, but they don’t seem to mind. In particular, the girl, who is called Natasha, links arms and drags you off to a corner.

“Thank god you’re here. It will be nice to have another woman in the midst.”

“Honestly, it would be nice to just have someone who isn’t a pilot”. Her lanky WSO pipes up. “I heard you were doing a English lit degree.”

“Oh, er, yeah. It’s Bob right?” I mean it was sort of true. Except you had completed said degree about five years ago, but it certainly helped as Bob started enthusiastically talking about books. He was cute, and you were trying to reply, but you found it hard to focus when you could feel a certain pair of green eyes boring into you from the other side of the pool table. You deliberately refused to look in Hangman’s direction the rest of the night, until you couldn’t stand it any longer.

You stride over and gently put your hand on the guy who you think is called Fanboy. 

“Do you mind if I take this?” You pick up the cue. He nods and you turn back to Hangman. “Right, are you going to play me or what?”

He tilts his head in disbelief. “Darlin’ are you sure that’s a good idea?”

“Well, darlin’ If it means you stop staring at me like a wounded puppy all night, I’ll do whatever it takes.”

The rest of the squad have all dropped their conversations to turn and stare at the two of you.

“Suit yourself.” He sets up the balls to break, before leaning over to whisper in your ear. “Just remember if it gets too much, you can always beg me to stop, Ladybug.”

You try not to react. After all, it’s better he thinks like this. Having watched him play the last few games, he was clearly a very good player, but you knew you have to play the player, not the game. As you break, the game begins fairly normally. He manages to pot a few in quick succession, looking visibly relaxed with a gloating smile over his beer. You deliberately shuffle, and readjust until you can tell he’s stopped looking at you. This is the time you make your move, potting several balls to take a significant lead. Jake turns back suddenly, his jaw slackening a moment before regaining composure. You can hear Bradley stifle a snigger. Being dragged around from base to base with few kids your age to play with meant that Bradley had grown up watching you whoop the ass of everyone you played at pool since the age of eight. 

“Something funny, Rooster?” Jake’s head swivels around.

“Nothing. Nothing at all.”

Jake starts playing more ferociously, almost clawing it back until you’re both got two balls left. You walk past. 

“If it gets too much, you can always beg me to stop.”  You look him up and down, before you whisper in his ear. “I like a man on his knees.” Jake’s cheek flushes and with that you pot the final two, claiming victory. You yawn. “I think I need to head home, but it was lovely to meet you all. Well almost all of you.” You blow a kiss to Jake, before waving goodbye and swiftly leaving after giving Bradley a hug. The rest of the group stand in stunned silence.

Jake raises one hand. “Don’t say anything.”

****

Jake lies on his bed. He couldn’t sleep. This was unusual. Well, not the not sleeping part. He always struggled to get asleep. At least, when he was sleeping alone. That’s why he made an effort not to. But tonight was different.

For one, it was rare for him to be alone in bed on a Friday night. But he had been so distracted, he hadn’t even managed to follow up with the pretty blonde who had asked for his number at the bar.

He couldn’t stop thinking about your stupid face.You and your stupid face and stupid glasses and stupid lips and the stupid way you said on your knees-

He got up and paced around the room.

This would simply not do. 

Not only were you completely infuriating, but you beat the great Jake Seresin at pool. Bradley said you were here for the whole summer.  So Jake had some time to get his own back. But how? He had noticed something odd about the way you looked at Bradley when he mentioned your pHD. Something was up, Jake could just tell, and he was going to get to the bottom of it. But not before he had a cold shower first.

part two

[mamasplat]

i was on vacation- the aggression chart???? lmao

nicee 👍👍 loving the work

also the themed playthroughs seem fun :)

Oh I’m having a great time with my true calem run, just got through shalour city

And while I’ve yet to piece together the aggression chart I will use this as an opening to break down the relationship chart that started as an unholy consequence of me trying to fit calem into anime plots

Starting from the top:

Shauna having feelings for Calem is something that is laid on very thick in the firework scene. Anime wise I almost linked Shauna to Serena too but I ended up backing off the idea because I was lacking evidence.

Tierno, i don’t think i need to explain this much if you’ve watched the anime, his crush on Serena was something he was very open about.

Miette, I actually don’t think she had a thing for Ash, like at all, she does not try to pursue him at all in the anime she just likes to talk about it, it’s a tool to get under Serena’s skin. But that alone would make her a valued piece of the unholy love triangle amalgamation so I added her to the chart.

Calem, specifically, Rival Calem: okay I think I need to explain this one a little more blatantly. Calem’s character arc cannot exist without Serena. His entire journey is dedicated to her mere existence, and pokemon masters really hammers home how important she is to him. She is the blueprint to his every move and step forward because in his mind she deserves better than he can offer so he will fight to be better. The way he talks about her when she isn’t around is unapologetic admiration and I cannot ignore the writing on the wall. He likes her. He’s got it bad.

Serena, specifically anime Serena of course. Her emotional attachment to Ash isn’t just surface level like Tiernos attraction to her, being around Ash gave her the courage to be herself, to stand up to her mom and make her own future, to keep going even when she’s lost and lost hard. She used Ash as a moral compass to keep her head in the game and that only strengthened her connection to him. The end of the series kiss scene was far from unwelcomed, it was over due.

Ash….this boy is oblivious as shit. I’m sorry Serena was not sly nor slick she fumbled at every turn and you STILL didn’t know??? I and from what I can see, many other fans, have come to the only conclusion that Ash just doesn’t do romance. He has ignored so many clear cut love interests and left them one sided because he doesn’t recognize or want romance. He just wants to be the best like no one ever was, love isn’t on his mind, therefore he is clueless to the love induced war going on around him. He is an unintentional ladies man.

And ALLLL of that is just the information i collected from rewatching the whole of X&Y while also replaying through pokemon X and ALSO going through pokemas events. Its all connected, i haven’t done anything else with my free time, its all kalos baby. ALL KALOS.

Blame Pokemon ZA being announced (I say as if I hadn’t started this before that)

[woodlaflababab]

Rewatched The Awakening and having some Thoughts™

First, Katara, my baby, not me literally crying during my break in the backroom at work bc she's just so strong and so hurt and so brave. Her conversation with her dad will never not break me. I hate that Katara has ever gotten heat for actually being open to discussing her pain. My girl is brave and strong and lovely and the boys aint got shit on her.

I love the realism of this conflict. I love the way she so clearly lays it out and understands herself but is so lost on how to go forward which like, FAIR. The contrast of how excited she was for any news on her father in the Bato episode, to this, is just heartbreaking. She deserves a good reunion and yet because of the war, her family has been ripped apart and even when it comes back together she still carries those scars.

Second, how anyone can reach season three and watch this episode and still think Aang is a one note character or still the same childish figure he was before. He also breaks my heart in this episode. The adultification is wild, it's hard to watch him here and remember, this is a kid, a 13 yr old. It's someone who's experienced death, who feels the weight of the literal world on his shoulders, who's failure means losing an entire war, and he's so broken over it and it's like, No, Aang, honey, please. Have some grace for yourself.

Him in the water just, accepting death for the second time is so morbid and so sad. He's just ready to give up. Truely his lowest point. And going from his hurt at the mere idea of having to cover his arrow, to him literally burning his glider, which can never be replaced, like, how much more can he lose. He really has sacrificed everything for this war and yes I will sit here and cry about it thank you very much.

Third: speaking of these two, I think my favorite scene in the whole episode is unironically the one where she snaps at her dad and Hakoda walks away and Aang's like, "Are you mad at your dad?" All concerned and she's just "No, why?" And Aang's face kills me it's hilarious. Like, good job Aang, that was the correct answer. Him being like, something is clearly wrong and she clearly is also not ready to face it so he just shrugs and is just like, sure, okay.

Honestly, the whole interaction makes me laugh. The way Aang looks up at Hakoda like, oh yeah, the father of the two most important people in my life, the one they almost left me for, and also a world leader and so someone important to the position of the avatar. Ah. And then Katara seems to be mad at him and Aang's just, he just woke up from a coma, ksnfmsnfnd, he is not equipped to deal with this rn but he does it anyway.

Just, ugh, that second he stares at Katara before shrugging cracks me up so much, you can so clearly read what's going through his mind.

Anyway, I think this is genuinely one of my favorite episodes, I will always be a Book 3 stan.

[mrinafria]

Night on the balcony, OG vs ALT Seon Jae

[tw: death/killing]

It's a given that OG Seon Jae was murdered by the taxi driver but I've always been more curious about the how of it, because it was never shown to us. I really thought they'd shed some light near the end of the series but oh well. I won't complain because I got the epic rom-com ending of all times. But I think we can all agree that they deliberately left so many things out to give us the cutest fluffiest ending known to mankind lol.

A couple things that clicked as I was rewatching the ALT 2023 episodes recently, *coughs* for the 19th or so time *coughs*. There's this scene:

You see Seon Jae struggling with the taxi driver, who is trying to sedate him using that hanky since the moment he barges in. Of course there's something on it, which happens to be:

In the 2009 timeline, Tae Sung's dad and his partner at work talk about how the Taxi Driver's modus operandi is using animal anesthetics on his victims. We'll come back to this shortly.

A couple things to remember:

1. OG Seon Jae was already physically unwell when we see him post-concert. It was most likely a panic attack (was it because he saw the taxi driver? We'll never know why T-T). It's very likely he took medicines to calm his nerves. Some of these anti-anxiety/nerve-calming medicines can have the same ingredients as anti-depressants based on my experience, and one of the things they do is make you slightly drowsy, as a consequence of relaxing your nerves [disclaimer: please remember this is just based on my own experience and opinions I've seen people share. Medically there might be more to it.]

2. OG Seon Jae did not jump off on his own (because he is Seon Jae). However, that doesn't necessarily mean he didn't have depression. Im Sol's incident and him blaming himself ALL through 15 years is enough for anyone to spiral into it. Whatever little we saw, there were telltale signs of it, so it is possible he was under medication in the OG timeline (BUT he didn't jump off the balcony).

3. Basically, he was not in the best frame of mind when we see him in 2023, lost in thoughts of Im Sol and their unexpected meeting on the bridge, and then checking up on her secretly, as she gets back to her apartment. I won't get into details because I promised myself this was not going to be another one of my OG Seon Jae eulogies.

He was basically preoccupied with other thoughts and physically not in a good shape to put up a fight. Heck, he didn't even bother to pick up the call from his agency CEO or react to the doorbell right away.

UNLIKE THE ALT 2023 SEON JAE.

4. ALT 2023 Seon Jae had met Im Sol without any of the guilt and pain of OG Seon Jae.

5. ALT 2023 was already "in a relationship" with Im Sol (*giggles*) when we see him in the hotel room.

6. Unlike his OG self, he never seemed to have any panic attacks/mental health issues. He confirmed it himself when Im Sol kept asking about medicines/depression. He longed for Im Sol, but he wasn't in anguish, torturing himself for 14 years over something that never happened in that timeline. So he is perfectly well and capable of not going down without some struggle or fight when the taxi driver attacks him.

Now, going back to animal anesthetics.

[Disclaimer: I'm no professional and this is just something I learned. If any of you have a professional opinion about it, please let me know!]

I initially wrote off the chloroform trope for OG Seon Jae because it's detectable during autopsy. And according to the news, nothing suspicious showed up in OG Seon Jae's autopsy except for medicines.

Some animal anesthetics, however, are undetectable in human bodies, unless you're conducting specific toxicology tests if you are suspicious of something other than chloroform. I assume nobody did this specifically because no signs of struggle were found, giving no reason to suspect the cause of his death (again, we'll never know the specifics of toxicology tests done for Seon Jae's autopsy -_-)

If this progression of thought is right, something like this might have unfolded in the OG 2023 timeline:

7. Similar to ALT 2023, the taxi driver breaks into Seon Jae's hotel room. Seon Jae probably tries to fight him but he's not able to because of ^^^1-3 reasons. Taxi driver sedates him comparatively easily.

8. Once Seon Jae is unconscious (wow it's difficult to type this because my brain won't stop playing out this scene), taxi driver fixes the room so no signs of struggle can be found later.

9. Once he is done, he takes Seon Jae and throws him off *okay breathe*

10. Seon Jae's eyes are shut when we see him underwater. He is likely unconscious because of the animal anesthetics so obviously he can't swim or save himself.

That's a lot of conjecture going on in here lol but this at least helps me not to overthink this anymore. The only thing that's still bugging me: Everyone is busy checking out what happened with Seon Jae, so it may be possible the Taxi Driver manages to sneak in to delete the cctv footage somehow, but I'm not convinced myself. Why do I have a feeling the script actually had a different plan with the whole OG Seon Jae incident thing, and they just edited ALL of the other stuff out to make it more romcom-y? Again, no complaints, I LOVE they made it more romcomy, but I've already rewatched the series so many times, it's very hard to pass off all these things as nothing when I see they were trying to form a connection underlying the main plot.

Anyway.

[biconickyoshi]

Okay y’all… I was very critical of eps 3 & 4 (especially 4) of NAtLA. Then all of a sudden eps 5 & 6 kinda slapped me in the face with how much better the show suddenly got.

Spoiler-free thoughts first:

Zuko, Iroh, and Aang have cemented themselves as the best parts about this adaptation - which is really funny considering I’m currently writing a longfic AU where Zuko and Iroh discover Aang in the iceberg right after Zuko is banished at age 13 and end up becoming the first members of the Gaang (albeit reluctantly at first lol). Episode 6: “Masks” (the Blue Spirit adaptation) was so good, I’d venture to say that it actually improved and fleshed out some things from the original series.

Episode 5: “Spirited Away”, while not as good as E6, was not as bad as I heard people say it was going to be. I think that the changes they did make didn’t bother me nearly as much as the changes they made in the last episode, and it was actually entertaining.

There were several scenes that made me cry in both of these episodes (moreso in episode 6, which I’ll get into further down in the spoiler section). These are the scenes that I feel like really tapped into the heart of the original show rather than feeling like a soulless remake.

Now for my in-depth thoughts (INCLUDES SPOILERS):

EP 5: “Spirited Away”

- Staring out, I was bummed because I had just rewatched the first two eps of the original animated series lol.

- It was an interesting choice to have all three members of the Gaang get stuck in the Spirit World, but I think it worked.

- Wan Shi Tong just showing up randomly was a bit unnecessary, but I suppose it will be kinda interesting to see him again in S2 since he’s already met the Gaang

- Hei Bai plays a much smaller role in these eps, but I strangely didn’t mind that either?

- Seeing Katara’s last memory with her mom was devastating, especially the fact that she had to witness her death and hide in the igloo with Kya’s charred body :(( she definitely has severe PTSD.

- Even Sokka’s memory made me tear up a bit

- Koh being the villain and a soul-eater or whatever was a bit of an odd choice, but I guess I can see why they did it. I do prefer him just being an asshole who steals ppl’s faces lol

- Appreciated the Fog of Lost Souls reference from the LoK lore

- Aang reuniting with Gyatso made me cry. I know some people didn’t like him being in the Spirit World, but I really liked it. Also, the fact that Gyatso was the first person to tell Aang that it wasn’t his fault the Air Nomads died, and that if he had been there he would have died too? THANK YOU! My poor boy has been berated enough for “abandoning” the world.

- We got some interesting lore about the afterlife for humans from Gyatso and Aang’s convo, which we’ve never gotten in AtLA media before. Idk if it’s just for Air Nomads, but Aang mentions that Gyatso stayed behind instead of “seeking enlightenment”. I know that the end goal in Buddhism is to reincarnate until you eventually achieve nirvana, so I wonder if that’s what they were alluding to (I’m not an expert on religions so pls correct me if I’m wrong)

- Oh yeah, I forgot June is here lmao. As a queer person I loved her (bc beautiful goth woman) but I didn’t like the weird choice to make her hit on Iroh - I guess to contrast the Iroh being creepy towards her thing in the OG series. I wish they would have just had them interact normally tbh, no weird “flirting”

EP 6: “Masks”

- Here we go y’all. The best episode in the show so far and probably the best the show is gonna get this season. I’m still pretty shocked at how good this one was.

- I think the decision to include flashbacks to Zuko’s Agni Kai was a good decision here. It felt like an appropriate episode for them and the flashbacks were very well done.

- In general, Dallas is doing a phenomenal job at portraying a Zuko who is angry and aggressive, yes, but also so very sweet and compassionate at his core. I love when little inklings of his true self shine through.

- Roku was… not what I expected. He was very much more of a lighthearted and jokey person… I didn’t hate it, it was just unexpected lol. I wonder if they did that to contrast him with Kyoshi. Which, speaking of, I’m glad Roku clarified that Aang doesn’t just need to be a merciless warrior (and that he didn’t berate Aang for “abandoning” the world like she did). But I still am annoyed about the mischaracterization of Kyoshi in general.

- RIP Shyu :/

- Thought it was kind of strange how June captures Aang at Roku’s temple lol. Like how did she get on and off the island??

- Zhao continues to feel like a completely different character to me lmao. I think this version is pretty funny, but it’s so weird to see Zhao being portrayed as so goofy and incompetent when he was such an intimidating force and the main villain of Book 1 in the OG series. Just a weird direction they went with his character.

- The Yuyan archers look cool as fuck. 10/10 no notes

- Still not sure how I feel about Azula already being this insecure and jealous of Zuko. I think it makes her feel a bit more realistically like a child, but the whole point of Azula’s character is that she is really good at maintaining this cool and calm persona on the surface, which she uses to scare and manipulate people. I can see her maybe getting to a point later on to where she hardens herself into that though. We’ll see.

- Baby Zuko asking Iroh how he looks and his little smile 😭😭😭😭 I had a physical “aww” reaction to that. THAT’S MY SON (me and Iroh shouting in unison)

- War Room scene was handled very well. No complaints. I like how Ozai tried to test Zuko with battle strategies.

- Blue Spirit break out scene was extremely close to the original, and it was really good. They adapted it almost shot for shot with all the important parts.

- Here’s probably my favorite part of the episode: Zuko and Aang’s talk inside the abandoned house after they escape from Pohuai!!!!!! Gahhhh I could gush about this scene all day. I love how they expanded it to be an actual friendly conversation between Aang and Zuko. Like we get to see Zuko’s true self coming through - the sweet, kind boy we know he is. Zuko and Aang just have such great chemistry as well, wayyy more than Aang has with either Sokka or Katara. Like I adored them bonding over painting and caligraphy!!! I think this is the best acting we’ve seen from Gordon so far, and Dallas did a phenomenal job switching back to that hurt, angry version of himself (of course a trauma response). And the fact that Aang said “sorry, I didn’t mean to hurt you” when he blocked Zuko’s firebending attack??? My sweet boy 😭

- The final flashback to the Agni Kai was really well done too. I’d already heard Zuko fights back, which I wasn’t sure I’d like, but I actually didn’t mind it. I really liked that they showed Zuko’s hesitation whenever he did actually have an opening, and that was what angered Ozai the most - Zuko showing compassion, “weakness”. Daniel Dae Kim is of course doing a phenomenal job (no surprises there), and I really liked that Iroh actually attempted to stop Ozai at one point. It also looked like young Azula had tears in her eyes, which I again actually liked because it humanizes her.

- I loved that Aang was still there when Zuko woke up on the boat 😭 he wanted to make sure he was okay!! I full on started crying when we got the “do you think we could have been friends too?” lines from him. Again, Gordon killed it. I love how you can tell that Aang knows Zuko has been hurt and that’s why he acts the way he does. He doesn’t blame him for any of it. 10/10

- the last flashback to Zuko in his bed recovering from the burn… god the tears just kept flowing. I really liked the choice to have Ozai almost give Zuko a chance to like… idk understand why he did what he did, and how compassion is “weak”?? And then Zuko’s response to give people a chance 😭😭😭 as if I couldn’t love him any more!!! And then of course Ozai gets pissed. But seeing baby Zuko just cry in his bed UGH I’m dehydrated at this point

- Of course I can’t finish this review without mentioning the 41st division. What an incredible way to expand upon the source material by making them Zuko’s crew!!! It shows just how much Zuko truly cares about others and it moved me so much (once again to tears).

I don’t have high hopes for the last two episodes, but honestly, if this is what the live action can be, it gives me a bit of hope (at least for future seasons). I really think that Dallas, Gordon, Paul, and Daniel were the stars of this ep and are a big part of what made it so good.

[doctahpants]

This has been in my drafts for ages, but in honour of 10 years since Death in Heaven aired, and my rewatch, which reminded me of this, I thought I'd finish it.

Okay, so I am such a sucker for the Master losing their composure, just for a moment (although sometimes longer). Something happens, and Master.exe stops working.

There's the graveyard scene in Death in Heaven, which I have spoken about at length and is (at time of writing) my profile picture. The first cracks show with "I need you to know we're not so different! I need my friend back," but then the Doctor kisses Missy, and she's lost for a good few minutes.

There's the moment in The Magician's Apprentice where she realises they're on Skaro and you see and hear the utter terror that she can't quite disguise. She takes a step backwards as though that might help.

There's a moment in End of Time during the showdown between The Doctor, The Master and Rassilon. He's goading the Doctor, challenging him to shoot, but the second he thinks he might actually do it, there's a sudden moment of vulnerability and he gives that little shake of the head.

There's that moment when Delgado!Master gets really worried because he thinks he's killed Three in Mind of Evil

There may be more examples, but it's been a while since I last watched Classic!Masters and don't recall beyond that one. I'll get to them in my Classic watch through eventually, but I'm still on Hartnell at the moment!

I don't know where I'm going with this really, I'm just an absolute sucker for those moments!

[yolatirra]

Some Thoughts about Arcane Season 2, Especially Relating to Potential Time Travel

Pt 1: Isha

I think Isha has something to do with Ekko and time travel.

Something that keeps nagging at me about Isha is that we don't actually know anything about her. She showed up in S2E2 running from some guys and then literally dropped into Jinx's lap. We still don't know why she was running from them. We don't know where she came from. We have no idea who she is.

One analysis videos I watched, which I've now sadly lost track of, pointed out that there are a TON of Firelights symbols in that scene.

With this in mind, I combed through the entire six episodes of Acts 1 & 2, looking for any other green hourglasses. I didn't find them anywhere else. To be fair, I combed through the season pretty quickly, so I may have missed them. If I did, please point them out to me! But if I'm right that this is the only place we see them, that's VERY WEIRD and VERY INTENTIONAL.

Someone in a different analysis video also pointed out that Isha has some oddly fancy aspects to her outfit.

This could definitely be nothing, but something about that pattern on her vest seems out of place. Almost more like something you'd seen in Piltover than in Zaun.

My theory is that Isha was sent to this point in time by Ekko and we're going to see what led up to this moment in Act 3. Isha might be dead (I'm still sobbing about it), but we're going to learn more about her.

Will she stay dead? Honestly yeah, I think so.

I think that the version of events we're seeing is the version where time has already been changed, and I'm going to get into that more later.

Pt 2: The Letter

Actually I lied above about not finding any other green hourglasses in season 2. I found one more, in the scene where Jinx is reading Vander's letter to Silco in S2E5.

Note that this ISN'T the Firelights symbol. But it is definitely a green hourglass. Also note the gear in the center, which has been a recurring symbol this season that seems to have something to do with time.

This has to mean something, right? But I don't know what.

Pt 3: Gears-As-Clocks

There is one really notable instance of this. I really wish I had a GIF of this scene, but I don't know how to make GIFs and I don't feel like learning just for this, but here's a sequence of screenshots that hopefully show you what I mean.

Jinx turns clockwise, which transitions into the gear on Jayce's hammer also turning clockwise. Like a clock. The gear is a clock. Going forward in time.

And what shot do we get immediately after this?

Jayce is going forward in time.

I suspect there might be other instances of gears turning clockwise to symbolize a clock, but I've already spent too long on this post so if anyone finds another example, please share. Still, even if this is the only instance, it recontextualizes all gears in this season to be time-related.

Pt 4: Fortune Cookie

I kept wondering why Jinx calls Viktor a fortune cookie. I do think there are multiple parts to this and I'm missing some of it. Something about a cookie being sweet and Viktor being sweet? I dunno, I'm missing part of what this comparison means.

HOWEVER. Why a FORTUNE cookie, and not just any cookie?

Fortune cookies predict the future, but in silly, little ways that don't really mean anything. Maybe Viktor can see the future, but only glimpses. Tiny things that don't actually allow him to do anything about it.

Fortune cookies also hide their fortune inside a bland, mildly sweet cookie, and you have to break the cookie to get the fortune out...

OKAY WAIT I was gonna say I don't know what that means, but uh... you have to break the cookie to get the fortune.

You have to break Viktor to find the future.

Pt 5: Fate

I've rewatched Viktor's scenes several times, and I kept wondering why Viktor asks Singed whether he believes in fate. It seems to come out of nowhere.

My theory at this point in that Viktor knows something is manipulating events, but he can't see specifics. He just knows there is some invisible force guiding events, and maybe, he's wondering if Singed knows about it.

Pt 6: Singed's Plan

What is Singed's plan in Act 2?

He goes to the undercity rally and clearly wants to be arrested. He comes prepared with a knife and slits his hand, so he will leave a blood trail. He wants to be taken to prison, and he wants Warwick to follow him there.

When we see Singed in the prison, in the scene where Jinx finds Isha, he has the door to his cell partially open.

He could have left before that, but he wants to be there. Then the lights start flickering and he closes the door again, to protect him from Warwick.

When Caitlyn walks through the prison in S2E5, he's STILL THERE. The door is unlocked. He could have left after Warwick did. But he stayed.

He stays so he can talk to Ambessa. When Ambessa comes to see him alone in prison, the first thing he says is "I've been expecting you."

He wanted to show Ambessa what he was capable of (Warwick) so that Ambessa would hire him. And that's exactly what she does.

And what does he do? He convinces Ambessa they can use Warwick, and then tracks Warwick to Viktor's commune.

Now, there are some things worth mentioning. First, Singed likely didn't expect Jinx to be at the prison, and didn't expect Jinx to awaken Vander within Warwick. However, Jinx's presence didn't disrupt his plan to get Ambessa's attention. His plan remained intact.

Second, he wouldn't have had any way of predicting that Warwick would up in Victor's commune, but I suspect this is a happy coincidence for him. I'm guessing he wanted to use Ambessa to recapture Warwick, and then was planning to convince her that Viktor would also be useful.

We know from the scene early on in S2E4 where Ambessa is conducting hextec experiements that she wished she had captured the "scientists" aka Jayce and Viktor. Singed likely knew about Viktor's commune, just because word about it had been spreading around Zaun, and even to Piltover (Lest mentions Viktor to Salo), and we know Singed suspected that the Herald was Viktor.

Ambessa would have wanted to invade the commune to capture Viktor, even if Warwick hadn't been there.

But, it turns out, he is, so that allows Singed and Ambessa to capture two experimental subjects with one invasion. Singed wants to get in there, capture both Warwick and Viktor, and combine them into a perfect being. This is his ultimate goal on the path to "curing death".

Which leads us to my final topic.

Pt 7: Jayce

What is the thing no one expects in Act 2?

Jayce killing Viktor. This was not a part of Singed's plan. Jayce kills Viktor before Singed can get to him, and THAT is why killing Viktor was necessary.

So, I have a couple of theories of where things go from here regarding Viktor.

Option 1: While this didn't prevent Singed from getting ahold of Viktor, it did damage Viktor in some way that prevents him from being used the way Singed intended. Whatever Singed would have done with Viktor is now impossible, and the future isn't as bad as the one Jayce saw.

Option 2: Viktor is actually, fully dead, and the hints of him we see in the Act 3 preview are actually scenes from the future that Jayce saw and has now prevented. Viktor could still come back in some way in the main timeline, but... I honestly do think there's a chance that he's actually just dead, and we'll only see alternate timeline versions of him in Act 3.

Okay, I think that's everything. Sorry to end on a depressing note but uh... Arcane, right? It's good. It's really good.

I do hope Viktor isn't dead though, even if he comes back even more wrong than before.