#i want to illustrate this or something because it's just GOOD

[theelvishfiddler]

Leader in Blue

This wasn't a planned illustration, I just took a sketch and had fun going overboard.

This one has sat in my drafts for a long time. I notice a lot of mistakes, the blade on Leo's katana is way too long, and I don't really want to fix it.

I enjoy saying "post bad art" and "let art be not perfect" because I love mesy art drawn with energy and passion. TBH I don't think this one is bad, I just don't like it very much. Which feels like a good distinction to make? You can put skill and effort into something and not like the end results, not because it's objectively bad, it just doesn't fit what you enjoy looking at in art.

Why did I get kinda philosophical under the read more? ┐(´～`；)┌ Anyway... I decided to post it because maybe someone out there will like it more than I do. :)

[creatingblackcharacters]

Hi! Your blog is really really cool and an awesome source of information with so much context and detail! I really love your approach of like "don't not do it; research, learn, and do it well"!

So Idk if this is a reasonable question or not but I thought it would be better to ask than not to: So I'm endeavoring to write a kids picture book and in it there's a little girl who's Black with a physical disability, probably moderately quadriplegic, and I was wondering about what kind of hairstyles might be realistic for her to potentially have?

Like I know she could technically have anything that a real person could have, but like I don't want to just pick something out for the character just based on how *I* think somethings looks without having a context I don't have yet if that makes sense?

She's about 5 or 6 and she's able to use her hands but she'll have spasticity in them and be using adaptive equipment, and she can move but she'll be in a wheelchair most of the time, so Idk how that might factor into how she/her parents might kind of style her hair?

(it won't really come up in the story since it's about her first day of school, but like more from a design standpoint)

Also idk if this matters to add but I wouldn't be personally doing the art, I'd probably try and connect with someone to illustrate, but I would like to try and have some pretty concrete descriptions for them to work with when the time comes.

Thanks so much, you're so awesome!!!!

That's a good way to summarize my mentality, and I appreciate you catching that! I do get frustrated when people approach writing people different than them as "well is it yes or no" when that's not what it is. It's "put effort into it or leave it alone". Because many things can be done! We can be in any story! It just has to be done with...wait for it... INTENT!

As for your question, she's an industrious child because I was not doing my own hair at 5 and 6 lol. That's a young age for hair. Maybe a ponytail or afro puff at best. I think it would be okay if you allowed her parents to do her hair, which does lead back to her being able to have any style that she might like. Maybe something with less barrettes and such, since they might fall out and she may struggle to put them back in.

So my suggestion would be to look up hairstyles little Black girls, and go through your options and pick one!

[acommonanomaly]

I’ve seen a lot of criticisms of how the Crows are portrayed in The Veilguard, the biggest one being that they are “sanitized,” and while I can sort of see why people think this, I personally don’t see it. 

I was thrilled with the Crows in the Veilguard. My Crow Rook playthrough was so satisfying, and I came to love the Crows even more than I did before. 

Maybe that’s because I don’t feel the need to be constantly reminded that they are assassins who kill people for money. Or maybe it’s that I love them because they are assassins who kill people for money. I thoroughly enjoy morally gray characters, those who struggle against or give in entirely to the darker sides of their natures. I enjoy them because they are a warning of what any of us could become under the right (or wrong) circumstances.

And that’s why it’s so vital to me that they are not dehumanized. 

Of course some of these people who have gathered together as a group are going to form found families. I LIVE for that shit. Them being assassins doesn’t mean they're incapable of seeking friendship, family, and love. They’re people. Of course they’re going to fight for the freedom of their city and their people when Treviso is occupied. That doesn’t mean they aren’t assassins anymore and it doesn’t mean they’re knights in shining armor. It means they’re people fighting for what they love.

Zevran told us about the horrible recruiting methods of house Arainai and their torture of children. But it’s also heavily implied that he really cleaned house and stirred up change. I like to think that his campaign against his house made waves, that it changed some things. Not to mention, I find it very likely that each house has its own methods, its own way of doing things. 

And really, there’s no reason to believe that there isn’t dark shit still going on behind some closed doors just because the Crows don’t open those doors to Rook, especially a non-Crow Rook. The Crows not showing dark shit to this ally who is helping them doesn’t mean they don’t have dark shit going on. The Crows absolutely have their infighting and betrayals, look what happened with Illario!

(As a side note: I would have loved for Caterina to have been called out for her abuse of Illario and Lucanis, but Lucanis has been through a crap-ton of trauma and probably feels like Caterina is all he has left, especially after Illario’s betrayal. It makes sense that he’s not ready to face that just yet.)

What I find really fascinating is how a lot of the Crows seem to see themselves. The Crows grow up in a place where being an assassin has become completely normalized. Antiva has no standing army and relies on the reputation of the Crows to deter other nations from engaging in open conflict with them. Many of the Crows seem proud to be Crows.

And they have their own code they live by, even if we in the real world wouldn’t find it a particularly moral one. 

It’s illustrated most clearly in regards to Jacobus:

.

.

.

Imagine the chaos that would ensue if Crows were allowed to just kill willy nilly? How would they look then? They do not want to be seen as mindless killers. They don’t want their new recruits to fall into the habit of killing without a contract, as this would make them something other than what they would like to see themselves as. 

This makes sense and I like seeing it examined.

I love the Crows being explored more deeply and given more depth. I love seeing them as people as well as assassins. I would love to see even more of it, to see how these people who go out and kill for money behave once they’re not on the job. 

This is good stuff and I’m all for it. 

[synth-ab]

Zelink is taking over my brain again

[cryptiduni]

“white mourning.”

[deoidesign]

Can you make a tutorial on how you world build and make ocs? I can't seem to make any people in my brain, but then when I try to come up with environments jobs, beliefs and little details to slowly come up with someone, I think: well I don't really know how people have influenced the world- it's a weird loop

To be honest, I don't think I can! Writing is an extremely personal process. The way I write is directly related to how I process things, what I find important in stories, years of my own analysis of my and other's writing, etc... The way you write will be unique to you, as well. But I can explain how I personally think of it.

The short answer:

Write. Write anything and everything, it's a tool to explore your ideas. Analyze your own writing, and write more. Then, as you discover which ideas you want to develop, write more to explore them more. You won't know what you want otherwise!

The long answer:

I think this kind of loop is common. It's easy to feel like everything needs to be done "at once," because our job as writers is to make elements logically fit with each other for our readers. But as you've discovered, developing multiple elements simultaneously isn't really possible, or at least is extremely difficult.

Personally, when I think of writing, I break it into three major elements; characters, world, and plot. As much as possible every scene explores one or more of these, and as much as possible these three things tie back into what I personally consider most important: theme.

Everything I do is in service of the themes I want to present. Without them my events feel aimless. It can take a while to discover them, but they're the core of my work. You will have to discover what you feel is the core of yours. Analyzing other media helps with this too.

Concepts in your brain exist in a state of infinite potential. But when you start writing you have to start making choices, which removes potential as you move forward... But you have to move forward anyways. If there's ideas you want to explore later, you can always explore them later.

What this ends up meaning, to answer your question, is that I don't think of my characters as "people in my brain" or my worlds as something people have influenced... Not at their core, at least. They are tools that I use to represent specific ideas. Obviously they're also my blorbos, but mostly they're serving a specific narrative purpose.

So above all else... Write. Write, and discover what you're writing about, and then start over and write with that in mind. Keep doing this. But you have to write!

[articularreview]

⚠️Spoilers for Shinrei tantei Yakumo - the lamenting doll file 03 and the epilogue⚠️

Here in case you missed it

I just read it and spontaneously wrote this.

Be careful if you haven't read it yet.

The file starts with where it left off the last time with them deciding to locate Mahiro's mother.

I kinda forgot about it since we haven't seen Isshin for a while, but this volume reminded me of how much Yakumo is influenced by Isshin. Be it the way they talk or sometimes even their mannerisms.

It's pretty much a given that they'll have to stay another night at the hotel but that would mean Haruka will have to stay in that creepy ass room again. Isshin really told Yakumo “accept the situation or sleep with her”😭😭😭

But sadly It's just like Gotou said, Their relationship label won't allow it smh

Gotou's snores and Isshin's bad posture are KILLING ME. My mom entered the room while I was having a fit of laughter I just looked crazy to her 😭

Isshin is so chill he doesn't care if you try to make him look bad. Rather his hilarious responses made Gotou look silly for complaining. Poor Gotou-san. Maybe I should learn from him... Unbotherement sure is powerful~

Anyways I guess that means Yakumo is the only one who sleeps normally hahaha

Just like I expected, Mahiro's death is weighing Hiromi down. kinda knew it from file 02, but hearing the details from Masae made me want to cry. No parent should ever go through this.

And so they split into two teams: team Gotou and Yakumo. and team Haruka and Isshin. All I'll say is that the latter team sure is a good match.

And then we have Gotou-san who not only has to put up with Yakumo's comments but also got a Salary cut too!! He suffered too much this trip. Imagine wanting to skip work only to get dragged all the way to a whole different prefecture. Still kinda his fault for ignoring Ishii smh.

Speaking of Ishii I'm happy he and Makoto were mentioned even though they didn't make an appearance. Isshin's mere presence made up for any other character's disappearance. Kaminaga-sensei is a genius for mentioning Eishin too. I think references like that will increase in the complete version. Knowing the future and the direction of your work sure makes a big difference. It was really interesting knowing that Eishin was the one taking care of Nao when Isshin's not around. Nao must really miss Isshin even if she doesn't show it on her face. I head canon afterwards Nao being overjoyed to see not only Isshin but Yakumo and Haruka too after his two-day disappearance.

The scene when that madman dragged Haruka gave me the chills. Kaminaga-sensei using TTCM as a reference sure was brutal I ended up imagining it. Haruka did her best till the very end but the situation was hopeless. She can't even resist. her mouth, legs and wrists were taped. And on top of that he had the audacity to slap her! How dare him! If that man wasn't charged with attempted murder after all this I'm throwing hands!

In the end the case was solved and we find out that Takahiro-kun was the one talking to Hiromi all along. It really broke my heart knowing that all this time he didn't even know he was dead and yet played along to try to comfort Hiromi who was mourning for her child. What a strong kid. He and Mahiro are.

The lamenting doll huh... makes sense.

In the epilogue we learn that Yakumo can't handle hot food which I thought was really cute.

Tbh his whole food preference was quite unexpected. First we learn that he has a sweet tooth (Which Haruka thought doesn't suit him at all lol) and then a similar situation to the one in the epilogue happened in vol. 7 iirc when Yakumo was (again) staring at the sake and when Haruka asked if he can't drink he stubbornally tries to only to spit it out. This man just can't be honest😂 I actually really respect men who don't drink or smoke so that's a flex~

Now some of my favorite Yakumo lines which for some reason all happen to be verbally abusing Gotou (Can't blame Haruka for laughing because c'mon how could you not?)

• “You can say that because you've never heard it yourself. Compared to Gotou-san's snores, even a train would be quieter.”

• “A member of the police stating that he'll be driving under the influence? Japan is finished.”

• “I'm saying bears can't understand the taste of wine. What if someone made up a new proverb: bears and wine.”

• "I don't want to waste any more calories than this."

• "Well, that's not surprising. A bear with damaged taste buds such as Gotou-san will never understand."

Bye I'm using these irl.

I'll also add these two because I keep remembering these two exchanges and laughing:

1)

"I see. If you don't want to, it's fine. But please stop bringing cases to me from now on."

"This and that are a different story."

"No, it's the same thing. Ah, that's right. So that Gotou-san will stop bringing me cases, I'll be reporting to the police that you've been leaking investigation details to a civilian."

"What!? Don't joke with me! I'll get fired if you do that!" Gotou shouted in panic.

"Good then. That way I won't have to involve myself in cases that have nothing to do with me, and taxpayer money won't have to go into paying the incompetent Gotou-san; just like killing two birds with one stone."

"What did you say!?"

"Isn't that great? This way, Gotou-san can also play around to your heart's content. So it'll be more like killing three birds with one stone," said Yakumo, grinning as he looked at Gotou.

He really stabbed where it hurt. Having been commented like that, Gotou wouldn't have a way to refuse. "Fine. I'll help. Happy?"

Gotou lifted his heavy bottom up from the sofa reluctantly as he sighed. Yet Yakumo wasn't done with his counterattacks.

"Not really, it's fine even without Gotou-san helping."

"That wasn't what you said earlier!"

2)

"Sorry about that. Could you please tell me what I should do?" Gotou asked formally while swallowing his displeasure.

"You should know if you listened to the story"

"I'm asking because I don't know."

"You should have if you paid close attention to the whole story."

"Well I don't know!"

"Is that something to be proud about? Good grief.”

Too much Yakumo😂

Volume 11 is up next. I'm really really excited for this one because Unkai and Miyuki are one of the best antagonists I've ever read. I'll never forgive them for what they did to Yakumo but their back stories are very very well written and explains how they ended up that way. That last arc will wrap everything up. I remember reading the book description a while back but Laute's translations stopped at the time so I thought I'll never read it.

The day has finally come!!!

[hanzajesthanza]

thinking about all of the wonderful book witcher designs that i’ve seen from fanartists across decades of fandom (i.e., way before i joined the fandom) and how different everyone’s designs are, yet how they all are so similar because we’re all inspired by the same descriptions, we’re all working with the same text. the distinguishing features come from creating based upon our personal interpretations and imaginations, which are unique to us. and yet all images, in all of their differences, are the same character, the same description, the same text

[bluravenite]

slight rant/vent

Though I'm also posting on twt at @bluravenite in case you want to interact with me outside of hate anons

Yk there's probably hate anons going around all the time but it's been really apparent this past week that some people genuinely don't know to shut the fuck up... I have stopped posting with the same frequency as i was bc i am working on commissions and drawing takes time but i might just keep a more sort of closed parasocial relationship/ treat Tumblr more as a portfolio than as social media if that keeps happening... Sorry that i rant in here a lot but it's genuinely exhausting sometimes when most of your mutuals on this app are getting rude anons...

[vithcy]

I'm making peace with the fact that I might never have a career in art. Even if illustration is the thing I'm most passionate about, I know my art style isn't very commercial, I seem to lack the discipline to build a good portfolio, I struggle way too much with networking and reaching out and there's the geography factor where every opportunity that I might be a good fit for seems to be an ocean and couple thousand dollars away 🤷🏽‍♂️

And honestly? fuck that, I'm enjoying the way my art is evolving and I think I'll be fine just doing it at my own pace. If a opportunity does come up -but it won't cuz I'm not actively pursuing it- I will definitely make the most of it but for the time being I'll stick to drawing the fictional lil guys that take up my headspace in my free time

[thedevotionaltour]

i hate my dumbass school's elective credits i have to take. three fucking elective studios alongside the studio class for my bfa in order to make sure i only have to take two electives alongside my senior project. LIKE DAMN SORRY FOR TRYING TO GET MY BFA CLASSES DONE AND OUT OF THE WAY INSTEAD OF TAKING A BUNCH OF ELECTIVE STUDIOS.... also 26 credits when every class is 3 credits or 1 is in insane why is this not 24 credits needed. i should kill this school

[ratstuckinamarble]

the rat is SICK? :( poor poor rat.....

stay snuggly and stay warm <3

Oh my goodness how are you this adorable T-T I don't even know what to say...

I want to glue this to my heart. May not help me get well sooner but it sure is making me so happy ๑ï

Thank you, truly.

I'll try my best to stay snuggly and warm, though I could never reach the comfort of your drawing. In the meantime, you stay cozy and safe too <3

[theres-whump-in-that-nebula]

Reading over a talk script and realizing the structure is so clunky that there’s absolutely nothing to sink your teeth into

[sad amateur actor sounds]

[giantkillerjack]

It's important to play a "LEVEL UP!" sound effect in your head whenever you get better at a skill because the world is flawed and so this does not happen automatically.

Often, in this life, we must provide our own sound effects.

[yyshcul]

another one of my uni portfolio pieces. something about kind gestures of strangers that go unnoticed because we're so used to them and the inherent goodness of people etc etc etc

honestly i just wanted to draw a comic because i wanted to show off my illustration skills. i wish i had spent more time on these & drawn more comics for this series but i was running out of time :(

(made in photoshop)

[grasshoppergeography]

Hey All,

I've been away for some time, as we've been working really hard on something quite exciting:

let me present to you the world's first ever global ocean drainage basin map that shows all permanent and temporary water flows on the planet.

This is quite big news, as far as I know this has never been done before. There are hundreds of hours of work in it (with the data + manual work as well) and it's quite a relief that they are all finished now.

But what is an ocean drainage basin map, I hear most of you asking? A couple of years ago I tried to find a map that shows which ocean does each of the world's rivers end up in. I was a bit surprised to see there is no map like that, so I just decided I'll make it myself - as usual :) Well, after realizing all the technical difficulties, I wasn't so surprised any more that it didn't exist. So yeah, it was quite a challenge but I am very happy with the result.

In addition to the global map I've created a set of 43 maps for different countries, states and continents, four versions for each: maps with white and black background, and a version for both with coloured oceans (aka polygons). Here's the global map with polygons:

I know from experience that maps can be great conversation starters, and I aim to make maps that are visually striking and can effectively deliver a message. With these ocean drainage basin maps the most important part was to make them easily understandable, so after you have seen one, the others all become effortless to interpret as well. Let me know how I did, I really appreciate any and all kinds of feedback.

Here are a few more from the set, I hope you too learn something new from them. I certainly did, and I am a geographer.

The greatest surprise with Europe is that its biggest river is all grey, as the Volga flows into the Caspian sea, therefore its basin counts as endorheic.

An endorheic basin is one which never reaches the ocean, mostly because it dries out in desert areas or ends up in lakes with no outflow. The biggest endorheic basin is the Caspian’s, but the area of the Great Basin in the US is also a good example of endorheic basins.

I love how the green of the Atlantic Ocean tangles together in the middle.

No, the dividing line is not at Cape Town, unfortunately.

I know these two colours weren’t the best choice for colourblind people and I sincerely apologize for that. I’ve been planning to make colourblind-friendly versions of my maps for ages now – still not sure when I get there, but I want you to know that it’s just moved up on my todo-list. A lot further up.

Minnesota is quite crazy with all that blue, right? Some other US states that are equally mind-blowing: North Dakota, New Mexico, Colorado, Wyoming. You can check them all out here.

Yes, most of the Peruvian waters drain into the Atlantic Ocean. Here are the maps of Peru, if you want to take a closer look.

Asia is amazingly colourful with lots of endorheic basins in the middle areas: deserts, the Himalayas and the Caspian sea are to blame. Also note how the Indonesian islands of Java and Sumatra are divided.

I mentioned earlier that I also made white versions of all maps. Here’s Australia with its vast deserts. If you're wondering about the weird lines in the middle: that’s the Simpson desert with its famous parallel sand dunes.

North America with white background and colourful oceans looks pretty neat, I think.

Finally, I made the drainage basin maps of the individual oceans: The Atlantic, the Arctic, the Indian and the Pacific. The Arctic is my favourite one.

I really hope you like my new maps, and that they will become as popular as my river basin maps. Those have already helped dozens of environmental NGOs to illustrate their important messages all around the world. It would be nice if these maps too could find their purpose.