#i swear ppl need to know this
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idiot-mushroom · 2 years ago
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you-
you guys know puss in boots is inspired by a real person right?
you didn’t think that he was just something the shrek creators just made up right?
you know who joaquin murrieta is right?
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hajihiko · 1 year ago
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Multilingual 🌍
Fuyuhiko: its beneficial to understand when rivals are talking in secret
Sonia: diplomacy is easier when you speak their language too
Hajime: duolingo library forced speedrun
Akane: worked in customer service
Kazuichi is just more of a Language of Numbera guy 😋
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thylionheart · 2 months ago
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sergle · 1 year ago
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I really truly, from the bottom of my heart, hate you bitches so much, because on the tiktok of literally COCK AND BALL jokes w brittany broski, there were a few notes/messages like this:
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And I KNOW you don't think anyone's going to check. You had someone go into your askbox and say "hiii brittany broski is shitty about palestine she's really ignorant :/" and you went oh omg I didn't know!! thanks for telling me! So I checked! This is in reference to her talking in her podcast, because people were asking why she hadn't done any big press statements about Palestine, you didn't retweet this or that, you must not care, don't you care, what's your stance, etc etc please say more OKAY COOL. So what's going on there? What did Brittany say on her podcast? Is she a Bad Person? Can I have some transcript, please? ____ "Hey guys, before we get into this week's episode, I want to talk to you about the ongoing and prolonged suffering and loss of life in Gaza, in Israel, and the oppression of Palestinian people widespread. I don't ever want it to be a question that I would ever not be against the oppression of any group of people, that I would ever stand on the side of the oppressor." "There was a lot of fear of misusing my platform." ... "I will admit that I was nervous to talk about it, because I don't want to say the wrong thing. And this is too fucking serious of an issue to misspeak, or to spread misinformation, or to speak over or for someone." ... "So I want to take a moment on my biggest platform- which is this podcast, to say that I stand with the people of Palestine, I stand for the liberation of Palestinian people." ... "Every day, to log on to social media, and be just inundated with graphic, unimaginable violence, and loss, and grief, it's just--There are no words." ... "And I feel helpless. That's part of it too, when you feel helpless, the last thing you want to do is talk to people about it-- but visibility is a resource in and of itself. And I can offer that." ... "The outpouring of rage and passion online, and anger at what's happening, I would argue needs to be dedicated and focused on our elected officials. We live in a democracy- albeit an inherently flawed one- we live in a democracy where we have elected officials who were elected and put in power to represent us, and if we feel misrepresented, if we feel underrepresented in foreign affairs? These officials have public phone numbers and emails. There are scripts available online to express your disdain and your rage, and unfortunately that's one of the only ways we'll see actionable change."   "If you expected more from me, it's a terrible feeling- but I don't want to center myself, this needs to be all eyes on Palestine right now, where the real activism is happening. I would encourage you to follow journalists that are on the ground, people who are in Gaza, we need to be listening to them. I would also hope that we're at a point in this conversation where I can express my desire to stand in solidarity with the people of Palestine and that NOT meaning or suggesting or condoning anti-Semitism of any kind. There's a rise of anti-Semitism and islamophobia in the United States and it's just-- it's disgusting, and it's scary, so I want that to be said too. I just wanted to share that I am experiencing part of this collective sense of helplessness and hopelessness-- but it DOESN'T HAVE to be hopeless. I'm going to include a phone number in the description of this episode where, if you don't know the name of your senators or your Congressman, it's never too late to learn, and you can reach out to them." _______ Hm. What a bitch!! Yeah, just so ignorant and uncaring. Obviously she's not keeping up with anything. Should've retweeted more shit ig!
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perfectthewayyouare · 4 months ago
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buddie will never go canon this, they'll never make eddie gay that, we've been let down before, yes yes i agree but
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karvviie · 3 months ago
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just want to say that you are one of the only artists whose wash take i respect especially because youve mentioned you dont even like him that much so hes kind of just a cute handbag for characters you do like. i love that.
helpppp yeah… i mean i do like wash. i like to put that man in situations. i think i just care more about the version of him in my brain rather than in canon.
i guess he’s just not exactly the type of character i go super crazy about but i do also have some reservations about his place as a “white” character in a fandom.
i only say this because when i first joined the rvb fandom years ago, he was pretty much exclusively drawn as a white man. i’m not saying that people only like him because he’s white, but i do think that in any community there will be some people with an unconscious bias towards white men. for example, there are many instances of poc characters in a piece of media being written poorly or as the therapist/accessory to the tortured white guy.
it’s totally normal for people to play favourites though obviously (i do too!) it’s only when it leads to the poor treatment of poc characters which is when it doesn’t sit right with me.
anyways. that’s not really relevant but i just wanted to explain my thoughts on the topic. regardless of whether he is white or not i fully understand why wash is one of the most popular characters and i don't have any problems with him or his stans or to people who see him as a white man! people have a right to envision him however they want to.
i just gotta be wary sometimes because there are certain people out there who can get very defensive over their favourite characters. i’ve had people in the past be very racist and mad at me for not drawing him as a white guy. and yes i know it’s basically canon that he’s white but also i don’t really care. people are making these heterosexual characters yaoi it up so why can’t i draw this guy who’s face has never been revealed into a poc.
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midnxght-sweet-time · 9 months ago
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Tea time wif Nui Rido!! He look so happi
I luv mah bby ♡♡♡ ✿◕ ‿ ◕✿
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tequiilasunriise · 1 year ago
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Annabel Lee & Fears: A Short Essay Based On Ep70
Here it is, folks, the truest crux of Annabel’s character, her deepest fears is not going mad or even people discovering she’s not as put together as she tries to appear, but rather:
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Was that gambit of constant scheming and using others worth it, Annabel? Was always trying to think ten steps ahead and always keep yourself in a position of power and control truly worth it, because how can you ever be trusted when all you do is play 5D chess with everyone?
There is is, folks!!! Just like her greatest strength- her cunning willpower- is centered around a certain bright moon, Annabel’s greatest fear is rooted in Lenore. The deepest, darkest trenches of her soul, the one thing that would shatter her heart and send her lungs choking fer breath? The killing blow that would end her and make all these charades worthless? It’s Lenore seeing her constant conniving and asking Annabel, “Why would I be any different? You already have no problem using everyone else as a pawn, how could I ever possibly trust you, Annabel Lee?”
The way Annabel is SUCH a great morally grey character, y’all tell me you love hot villains yet many a time I’ve seen people calling Annabel too heartless. She’s the opposite! She cares!! SO MUCH!!! She would burn the world down if it meant kissing Lenore one last time, to the point where her deepest fear is losing Lenore in the process of trying to protect her. All Annabel knows is using manipulation to gain the upper hand because simply being born a woman in the Victorian era she was so throughly disadvantaged by such a horribly misogynistic society that girlypop had to scrape together any form of control she could. Annabel wants so badly to protect Lenore but all she knows are her own methods of protecting herself, which involves plausibility deniability and facades and sometimes sheer cruelty, and that’s where the conflict arises. From the start Annabel assumed Lenore and her had the same understanding of this ‘fake enemies’ ploy going on but surprise surprise babygirl, not everyone is overthinking four parallel universes ahead like you do. This boils over into her lover having doubts on what’s real and what’s not, which then culminates into Lenore asking if Annabel is using her affections as empty currency to get what she wants, and Annabel’s first move to tell Lenore to fucken kill her????
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“To you alone, I have left myself completely defenseless.”
The drama of it all!! The shattered facade leading to exploding vulnerability of it all!! The dim sun sparking out into a heat death just to prove her sincerity of it all!!! The exposed innermost organs ripping out my heart with my bare hands and begging you, “Do you see it now? Do you see the way it beats for you and only you? Tell me you see it, tell me you see me…” of it all!!
Oh baby the way Annabel still retains this deep fear of Lenore not truly believing in the “only thing that’s real” to her, the way her lover’s ghost still lingers and haunts her and is then ripped up from her innermost psyche like a desecrated grave and given form by Ada’s power. The way, after all this time- and I mean all this time from Lenore’s constructed resurrection, to their relationship blossoming into a wedding, all the fucking way up to that bell tower scene, the fucken way Annabel still never truly let go of her fear that Lenore doesn’t see her, doesn’t see how she alone bashed through all of Annabel’s walls and made a home where her heart laid. I’m sure during their living relationship all the way until the wedding Annabel’s fears were greatly settled, but it’s the fucken way these panels implied that this wretched heartache never completely left Annabel’s guilt-wracked soul.
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I just know, okay I just KNOW, that even up until she was putting her wedding dress on Annabel still questioned if she even deserved this happy ending because she still feel phantoms of guilt fer this betrayal. This comic only furthers this implication of unabsolved guilt when it’s made clear as day that Annabel’s biggest fear is Lenore not believing in her love. And before anyone argues how Annabel can currently feel guilt fer betraying Lenore when she hasn’t recovered the memory yet, I’ll argue back that from the very beginning of the comic these two were inexplicably drawn to each other even when they had NO memories. Therefore, even if she doesn’t have the explicit memory, I highly doubt Annabel’s subconscious would ever let go of something as huge as deeply hurting the one person she truly cared about in such a wretched way.
Fuck, dude, I mean Annabel’s greatest fear wasn’t even Lenore dying- which was already a huge thing if y’all remember her tearstreaked, panicked, “What is left? If she’s not here, what’s the point?”- no her greatest is Lenore!!! Not!!! Believing!! Her!!! Like yeah losing Lenore physically definitely would’ve cut so deep even her bones would bear the scars, but losing Lenore in the form of the other woman walking the same ground as her but choosing to stay away?? Call her fucking selfish because some people would rather have their other half still be alive even if they’re not by their side, but Annabel ain’t one of them that’s fer sure. Babygirl has spent a lifetime perfecting the craft of deceiving others fer her own gain, but the ONE TIME she’s genuine her heart is to be called nothing more but empty??? Oh babbyyy that’s gotta fucken hurt.
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The thing is, I don’t think Annabel really loves herself all that much. I really don’t. A huge focus on self-preservation doesn’t necessarily mean one really loves themselves, and when we add the aforementioned guilt she carries? Plus, the fact that Annabel being forced to swallow down her anxiety attacks from a young age could easily lead to her having a rather sour view of her 'not normal' self? Yeah no yeah, I truly don’t think Annabel loves herself that much, if at all. So really, this line is adding immense insult to already grievous injury. Not only does Annabel deeply fear Lenore not believing her affections to be true, she also fears the New Yorker misconstruing her as nothing more but a shallow as hell, prissy, little pampered damsel, a role pretty much everyone else regulates her into whether she wants it or not (right from the beginning, before she even set her schemes in full effect, Annabel was already explaining, “Ada wanted a queen, so I gave her one”). Lenore, the only one Annabel had believed to ever really see her fer her, is now discrediting Annabel’s vulnerable affections AND seeing her as that unloving ice queen like everyone else?? Horrible terrible horrible!!! She may have a ribbon threatening to strangle her right now, but it’s clear that ghost!Lenore’s words are what truly cut her down to size. Y’all seeing that fucken pain in Annabel’s eyes? Her worst fear is just so… personal.
Which actually leads me to my next point, which is how just before Annabel’s worst fear is revealed in stark, horrifying detail, we see Prospero’s. Lemme just preface this by saying what Prospero went through is n o t any less terrible and is a super fucken mega valid fear/trauma, but let me cook y’all just hear me out. Prospero’s fear seems to be about medical malpractice and/or being conscious during a painful operation that likely went south (aka ‘oh shiiitttt he fucken DEAD-‘), and that’s fucking tragic as all hell. Yet, okay let me cook here, it’s more… I don’t want to say general, because that does NOT mean his fear is any less significant but it’s like. Way back when, death via medical bullshit was more or less fairly common, especially during wartimes (which is the era I headcanon Prospero to be from); meanwhile, Annabel’s fear is so uniquely hers, it’s borne of a culmination of specific experiences tied together by her relationship with Lenore.
By contrast of a more common fear vs something so deeply personal and specific to this one person- because it’s not just unrequited love, it’s being so vehemently denied and misunderstood by the ONE (1!) person who you wholeheartedly trusted in your entire life who also oops mega died on you- this distinction gives way to an almost more raw, more visceral feeling to Annabel’s fear sequence. Again!!! I am not undermining Prospero’s own trauma, I promise!!! But you have to admit that there’s something, from a narrative standpoint, that hits so much harder with how deeply personal Annabel’s fear is. The contrast is even more great when you look at how Prospero’s involved a buncha bloodied hands not really tied to any faces or even any indication of personhood like accessories, scars, etc etc. It could’ve been a group of anyone holding him down hurting him; on the flipside, Annabel is being restrained by one very specific person we see in full view. The faceless crowd who could’ve been anyone at anytime vs the lone perpetrator whose history you know like a second name. It’s just!!! So personal!!!
In conclusion, on the surface level, one would think a character so deeply ingrained in using deceptions and manipulation would have her greatest fear tie into having her true nature revealed to everyone she’d fooled, but then it turns out it’s the complete fucking opposite. What homegirl fears the most is her truest, innermost self not being believed and accepted by just one (1!) person. The way it’s framed is just so heartstabbingly personal, especially when you parallel it to a previous fear sequence just a few panels preceding it. This is it, your honor, this is Annabel’s deepest driving force broken down to its bare essentials. To hell with whatever reputation she’s carefully crafted! Who cares what anyone else thinks of her if she doesn’t believe her, if she doesn’t SEE her. Really, truly see her. Lenore is the defining point that Annabel has revolves around so wholeheartedly, and there’s no point to anything anymore if Annabel loses her. This crux of her character, OHHH BBAAABBYY it’s just so well done because we, as the audience, have been given clear evidence to build up this narrative of Annabel’s characterization fer so long now and to finally see it come together in a fiery explosion of lesbian angst with this latest chapter??? Gods, the writing of Nevermore will never not drive me absolutely insane in the membrane.
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shesmore-shoebill · 8 months ago
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still not over the sheer affection oozing off of both amanda and angela for their entire 2t1l yesterday. Looking at each other like 🥹🥰 spending the whole time. gushing about knowing each other well. SO excited to learn more about one another. using their friendship to puzzle things out. amanda was like "dont give me that look" to angela at one point . but actually i need them to BOTH stop looking at each other with so much damn affection
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goldensunset · 10 days ago
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the idea that you have followers that don't know about the kingdom hearts stuff is really funny to me. plot relevant mobile phone blast
you know how many people follow me for n harmonia alone? rip them. good thing i tag most things very carefully
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comingtoyoursenses · 12 days ago
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Sometimes I feel invalid using the word trauma because it's become such a buzzword for stupid people. This girl in my sociology class said learning about (in her words) 'stranger danger' traumatised her as a kid cus it was upsetting. Like girl I was molested and only knew it was wrong becus of education in elementary school. Sorry that it's uncomfortable for you to hear about other people's lives experiences but if we didn't talk about this to young people they wouldn't be able to have the wherewithal to help themselves. um and very small things to one person can be traumatizing to another but idk I just don't think that you hearing about how to be safe is traumatizing like how do you think it feels for kids in that situation. Like it's embarassing and shameful for me to think about the way that my childhood impacts me and has affected my thought processes and behaviours throughout my life. And ppl using it so frivolously makes me feel like they're not taking this seriously when it's been disruptive to a lot of facets in my life. And that just really hurts . Btw she wants to be a social worker
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cathymee · 2 months ago
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maybe it's to maintain a sense of tension & turmoil that would eventually reach an explosive peak, a sense of tug-of-war, a back-and-forth to hammer home the ideals they want to deliver and for the viewers to chew on, but although these arguments regarding hiroshi & his stance as a man torn between his loyalty for his country & the loyalty for his Filipino friends and lover is of course important, how they write these scenes & the points they present from this week alone is getting too repetitive...? literally the argument scenes from last night & tonight between adelina & hiroshi is basically the same; the ideas were the same, the dynamics were the same: the aggressive, radical adelina, bristling rage and fear over the injustices she's seen thus far, and the cautious, inspiriting hiroshi, all hopefulness and reassurance one moment as a lover, defensiveness and sternness as a japanese soldier in another. this debate will be ever-present ofc, it is one of the series' biggest conflicts, but it is unfortunately so easy to tell when it is a.) being pulled up as a main topic to move the plot along / be a necessary conflict for character development/introspection / be the conflict to deliver the morals & messages the writers want to send to their viewers, or b.) when it is being pulled up only for the drama and filler to pass the time. like watching the characters sit down to argue for 10 minutes, do other things for the plot for 2 minutes, then sit down again to argue for the next 20 minutes. lol.
#lots of things i wish they would soon improve but this 1 bothered me tonight..stopped watching halfway thru#these scenes would be like excellent breaks for when we need to take a breather to digest what's been going on#but at the slow pace they've set it it's just...nothing's been going on since like...4 days ago#except for eduardo's plot#it's just arguments..everywhere....all the time....over the same repetitive things#no progress nothing new to chew on despite there being drastic changes to their situation...? same vibes from the time they weren't occupie#yet lol. same dynamics mostly#only new points of debate is regarding hiroshi & his country vs friends conflict#& carmela being desperate to go back to comfort & luxury vs her family standing as firm as they could against the occupation#ahhh i am sooo not eloquent enough to express my full thoughts but like!!! fellow viewers if y'all r here u understand me right lmfoskadhsg#finding it hard to criticize bc i'm trying to make sense of where they r coming from#a.) seeing as unlike mcai this is a complete original story it's hard to see what direction they'd like to take it to#b.) fil shows really find it hard to break away from their normal formulas of family dramas & bastard children & love triangles :'))))#god the opportunity to tell a refreshing diff story but this is like gma show 67627627th but set in the japanese era....then mixed with 50%#of the mcai show feel#the editing the visuals the acting = good. 60% of the story line = can be compared to the hundreds of gma shows we've seen be4#anywy going off on a tangent...#c.) i can understand the slow pacing as them trying to establish the settings & the feel of that era so that the more intense tragedies-#later on would hit harder#but again. few scenes feel like they're dragging on for too long. some scenes & themes r too repetitive#need to see something differenttt something fresh something developing. something moving & feeling & connecting w/the audience#need to see more of the Philippines & the Filipino people in the 40s!! not the same afternoon prime drama shot in intramuros#need to see their messages staring into our souls instead of just being words uttered in tears#all this to say....flop era this week tbh sorry#EXCEPT FOR MAX COLLINS & HER LIKE. 3 MINS SCREEN TIME. MAX COLLINS I LOVE U QUEEN#rambles#pulang araw#putting this in the main tag i KNOW some ppl out there would feel the same & can explain this better lol i swear????
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devotedlystrangewizard · 7 months ago
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the school arc to me is so good because it drags ciel out of his position as a powerful figure and literally places him in the shoes of the person he could have been. the circus arc ALSO drags him out of his position as big bad queens watch dog/head of the phantomhive estate but the school arc feels like a mockery of a future that never was. this is what he could have been had his parents not died. and even then its NOT because he will never be that kid.
he never was.
#ramblings#incoherent beyond belief its 4 am#and im trying to avoid manga spoilers#might add a reblog with more coherent thoughts when i wake up but im off my meds so i cant promise anything#actually correction im being vague w the manga spoilers#manga readers know whats up#idk if there are any anime only ppl who havent been spoiled on The Plottwist Ever yet#but i figured there will be new fans and though im not tagging this it might still get seen so#cant WAIT to see our boy absolutely miserable in animation form should they recreate that arc LMAOOO#which ofc is after the germany arc so thats still a long time away#but STILL. itd be fun i need to see this young teenager lose his mind in color with sound#him relying on sebastian to do all his fag duties (sorry. dredge) so he can work his way up the social ladder#trying to gain power while simultaneously proving that he cant do anything but rely on others#hes always needed help in basically every way and he hasnt CHANGED he just got a demon to do it for him#he learns to lie and charm and cheat and all the while hes a fucking CHILD WHO STILL STRUGGLES WITH NORMAL THINGS#ciel is my little baby and i love him deeply no matter how much of a little bitch he can be#his helplessness isnt just 'oh he was raised in british high society' its also that he never got the chance to learn anything#which to elaborate on that id also have to go into manga territory. iykyk#like absolutely at this point he just refuses to learn how to do things he has a pet demon to do it for him#but.#hi the phantomhives backstory is killing me again its so late#both atlantic and the school arc are just setup for the Big Arc but theyre very good in their own right i SWEAR#also when i rewatched the circus arc a while back and i realised how some scenes were shot#the heavy foreshadowing that i didnt realise. yk. 7 years ago or however long its been since i first watched it#CRAZY#if you are new. to kuroshitsuji. and you havent read the manga. dear god. read the manga#ALSO GRELLE IN THAT ARC IS SO BEAUTIFUL & OTHELLO IS TRANSMASCULINE. OKAY GOODBYE
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farfaras · 10 months ago
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i was scrolling through tiktok when i got renee rapp's new song w megan, me and my cousin instinctively just started singing along, then froze, then gave each other side eye. scrolled past it and haven't mentioned it. the life of ur closeted local queer girl. everything makes me paranoid.
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tw1stedthicket · 1 month ago
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Super cute and fun and whimsical barista at the starbucks complimented my squishmallow so I joked with her about him how I thought he was a dragon but he's actually a little devil and she made a grabby gesture so i brought him close to her and she squished him with glee and then said I need to get an angel one on the opposite side, but for now I can make all the bad decisions I want and blame it on the devil, and nobody will blame me because he's so cute. Anyway i'm gonna think about her before i go to bed tonight
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lezabeththetheodoraimposter · 6 months ago
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bunny manders took “be gay do crime” a bit too seriously
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