#i respect that completely

[sayaberry]

being completely and utterly normal about the bombshell that just dropped

[hillhomed]

minion mom

[somewhereincairparavel]

'i hate jason grace because he thought he was worthy enough to compete with percy' I'm sorry have y'all SEEN jason. this man defeated a TITAN without weapons and his bare hands to the point the titan wanted to rise from the UNDERWORLD with the help of a GODDESS to seek vengeance over him. I think we can cut him slack for having some well deserved self respect bc I'd brag too wtf

[lucabyte]

Different standards

[abandonshapes]

something about affection and not being able to let go etc idk

[fungi-maestro]

Happy tdov to fat trans people. 🏳️‍⚧️ Biggest thing that helped me as a trans kid was seeing older fat trans people. There were a lot of really irritating "advice" posts going around early in my time on the internet with a lot of misinformation in them, but one that I constantly saw (in addition to people claiming you should wear your pants rediculously low or only wear button ups) were posts saying you had to lose weight to transition. Can confidently confirm that is completely untrue. 👍

[lunarmochi]

"you have two hands" yes but what if i'm extremely jealous and selfish to a fault-

[divineandmajesticinone]

4 MINUTES (2024) I 1.03 "I didn't think you were like this. Like what? Like this..."

[poorly-drawn-mdzs]

Lan Wangji Goes To Lotus Pier AU: Part 2: Indocktrination

(Part 1, Part 3)

[pikp0kcas3]

The Hazbin Hotel fandom’s issue with accepting aromanticism and asexuality

Now that it is officially Aromantic Spectrum Awareness Week, I want to talk about this!

I find that, as an aroace myself, I am constantly grasping at good representation and coming up empty— it usually ends up in one of two ways.

One: the character is portrayed as emotionless, cold, and robotic in nature. It’s the question aromantic and/or asexual people are often asked: “Are you heartless?” The answer is no, of course, but general media makes it out to be the opposite.

Or two: Their lack of attraction is seen as something to “fix” because they “haven’t found the right one yet”, and they end up with a partner as a “happy ending”.

It frustrates me greatly because of how little people actually see aromanticism or asexuality as a true part of the LGBTQIA+ community.

So when I watched Hazbin Hotel, and I found out about Alastor being aroace, I was over the moon. I was on cloud nine. I also saw how his voice actor has looked up the term as an attempt to learn about aroaces, which makes me OVERJOYED?? Amir is truly a blessing, and I love that he’s proud to embody a character that’s part of our community. It’s so beautiful to finally have a proper character, a fan favorite at that, who just so happens to be aroace— and that’s another thing I love about this.

It’s never explicitly stated in the show (though it is stated in interviews), but it’s rather clear when you’re watching, isn’t it? Alastor’s aversion to any sort of sexual advancement, coupled with Rosie’s blatant “I know you’re an ace in the hole” comment sort of spell out his asexuality pretty clearly, as well as what side of the spectrum he falls upon. In addition, his Valentine’s day card was strictly platonic, which caters to his aromantic side. It feels so validating to finally be represented, to finally have a character in media who shares the same lack of interest in romance and sex as I do.

When I entered the fandom to look for more content, I kind of expected to see the same respect for Alastor’s orientation there too. But that… wasn’t the case? I am fully aware that aromanticism and asexuality are both spectrums— of course, aromantic and/or asexual people can enter those kinds of relationships. I’m not denying that and they belong in the community as much as anyone else on the spectrum.

But, the more I see the same line again and again and again, the more it feels like an excuse to just ship what you want.

Usually I don’t mind shipping? I’m often a firm believer in people shipping what they like as long as it’s harmless and they don’t go crazy over it. I also know for a fact that Viv doesn’t have a problem with people shipping her characters. They are fictional, after all.

But in this case, people are ignoring the very thing that makes Alastor a part of the aroace community! People are ignoring his lack of romantic or sexual attraction!

Is this not the same as changing a gay character’s orientation to suit a straight ship? If not, how so? I’m told that we are a part of this community, so why aren’t we being treated like it? Why is it so hard to accept the people on the end of the spectrum who aren’t interested?

Something I’ve been noticing throughout my life is that society has not exactly progressed very much on the idea of accepting asexual or aromantic identities. Maybe we have, a little, since the old days— but hell, people in “the old days”, which in truth wasn’t very long ago, believed that asexuality was a medical condition to be “fixed” by taking the right medication or having sex. That’s a pretty low bar to clear. And on the romance side, you’re seen as a “late bloomer” or “boring” if you don’t express interest. These days, being friends with someone is treated like a gateway to them possibly becoming a lover. Not getting married, not going on dates, not wanting a partner— it’s all treated like a crime when it’s not.

Maybe I’m selfish, or sensitive, or I’m butthurt over nothing, or I’m making it all about me. Maybe I’m gatekeeping or whatever the term is. But please, please, please, I just want an aroace character like me who simply is not interested in sex or romance.

And I want fandom to respect that. I admire the creations that fans make�� the art, the animatics, the writing and the character analysis. And I want people to keep creating because creation is indeed a beautiful thing.

But I really would like people to treat aroace identities like they’re important. Like it’s more than just a spectrum to get wiggle room to wrangle in another ship.

[tea-n-ink]

Homesickness is where the heart is

[unpersoniverse]

Skén:nen sá:sewh

as promised, here's Precious boy™ getting kissed by Precious wife™ because he deserves all the love in the world :cc

translation: Get home safe

[my-fancy-hat]

The process of creating is the active, constant question of the self, to question the extent of my capacities to convey a message worth of people's respect and admiration. To me, Look Back is a tale of self-reafirmation for Tatsuki Fujimoto. I'm aware it came out in the gap between part 1 and part 2 of the author's best seller, Chainsaw man, which makes this oneshot such an intimate soul-shaking story after what may be the pinnacle of his career. This made me question, why would he write this kind of story after CSM (and Fire Punch) anyways?

Through Fujino and Kyomoto's journey (which funnily, their names convined are Fuji-moto) we are put in the shoes of the stirring yet self-doubting mind of the creator: "why do you draw manga? why do you create?" is the question the protagonist has to find the answer for. Fujino navigate her life for her passion and pride as a talented story-teller artist, while Kyomoto does so for her love for art itself in a more reserved and personal way. Combined, I think they are the rope that pushes Fujimoto back and forth in his mind, the fear of the creator to tell a story worth of people's respect (Fujino) while being faithful to oneself (Kyomoto). Fujimoto knows there always will be an expectation, a mark above his head everytime someone is aware a new story has his signature, so it's understandable for anxiety to take the worst of you, the fear to be openly judged by the masses. So why do you even bother to get through that unpleasant thing? will I ever surpass what I made in my past projects? why do I keep creating? is this all I will ever be? the entire process is tiresome, boring, a never-ending task, I enjoy art better as a consumer anyways, so why?

If there's only one person who my art made their day better, made them smile or excited for what is coming next, then it was worth every single second I spend working on it.

It's a reafirmation to keep going. That I was born to live into this world for this sake, and I'm worthy to connect and receive this love. This is my place.

I deeply respect you for it, Tatsuki Fujimoto.

[starcurtain]

Hey! I apologize if this question has been asked before since it seems like a pretty obvious one, but where do you think the idea of Aventurine being a sex slave came from? Other than the obvious factor of it being something fun for the fandom to mess around with, I mean.

It's something I kind of took for granted as being true before playing his quest, but after finishing it I realized there wasn't really any indication. The only thing I can really think of is his master's comments about him having a good body. Is there anything in his behavior you can think of that would lead to this conclusion if it wasn't a popular fan interpretation already/kind of just an easy conclusion to reach with a slave character?

(also kind of related but what do you think of the idea that he sleeps around/with his clients to make deals? he's obviously willing to sexualize himself with the boob window, but that doesn't necessarily mean he goes further.)

As far as I can tell, the idea that Aventurine was involved in sexual slavery comes from three (maybe four) places:

First, the comment from the master about Aventurine's appearance. People were holding this comment up as refutable proof that Aventurine was used in sexual slavery on top of being tossed into the Hunger Games; however, the response from other players on this interpretation, especially the Chinese side of the fandom, was very mixed, with a lot of people pointing out that the context in the game probably meant the slave master was talking about Aventurine's ability to attract attention from fans watching the literal Sigonian Hunger Games, rather than having a direct sexual-slavery connotation.

Second, the comment from Sparkle about stripping naked and getting on his knees for Sunday. This one has way more implication in English than I think it might for an Eastern audience, actually. In English, this pretty much sounds like Sparkle saying Aventurine trades sexual favors for success in his gambles. However, I suspect the original intention in Chinese was more about humiliation. Western audiences don't have as much history with honor-based prostration, i.e. accepting corporal humiliation as a form of reconciliation that Eastern audiences might be more familiar with. And in any case, Sparkle is Sparkle. She probably just went for the lowest blow she could think of here.

Third, the general assumption that if Sigonian slaves were being chained, branded, beaten, sent to death matches, etc., it seems logical that they would also be taken advantage of in other ways. I honestly think this is probably the fairest take--many, many real slaves around the world faced (and still face!) sexual abuse, so if slaves from Sigonia were treated so poorly you could make them fight to the death for entertainment, it stands to reason they were probably also not safe from other forms of assault. We also have no idea what happened to Kakavasha in any of the years between his being a tiny child fleeing the massacre and then being purchased as a slave as a late-teens-early-twenties person. That's a very long time for a child to have to survive on their own on an extremely hostile planet and not face risks of all kinds or end up needing to do unspeakable things to survive. So I think this is at least not that far-fetched, although it's important to say there's nothing in the game that directly confirms this.

And fourth: I read a tweet semi-recently that stated that one of the Chinese (or maybe it was Japanese) names for a quest Aventurine was involved in was actually a reference to a book about a teenage sexual assault survivor. However, when I tried to verify this myself, I couldn't find any quest Aventurine was in that was based on a book about sexual assault in either English, Chinese, or Japanese. It's possible I just missed something, but I'm taking this one with a bit of a grain of salt currently, since I can't confirm it personally.

Regarding your other question, about whether I think Aventurine sleeps around to make deals...

I definitely think he does not, for one major reason.

First, I will admit that Aventurine is definitely willing to use his appearance to his advantage. This is pretty obvious. He wears incredibly flashy clothes, baths himself in cologne, overloads on glittering golden jewels, and absolutely calls attention to his appearance when working with clients.

We see him actively doing this in his Moment Among the Stars video, where he is clearly using his looks as an equal tool (to his wealth), to daze his target.

It's not an accident that he says things like "Use me as you wish," with all the explicit connotations preserved. The implication is there. However, unless he was absolutely backed into a corner, I think that implication is all it will ever be.

The reason I think this is that the devs go out of their way to give Aventurine three fairly noticeable physical behaviors in his in-game scenes:

For one, he has some of the most closed off body language of any character in the game.

Aventurine's default conversation pose is arms crossed directly and tightly in front of himself. This is like "Defensive Body Language 101." By crossing your arms, you put a symbolic barrier between yourself and the person you're speaking to, and also ensure that your hands are up and available in case you actually need to physically defend yourself.

Virtually all of Aventurine's conversations take place from this stance, no matter who he is speaking to (from the Trailblazer all the way to Topaz). He deliberately closes his pose off and tightens up his silhouette, which just sends a glaring "Don't touch me" message.

This closing off is also blatantly apparent when you compare it to the deliberately open poses he strikes while trying to make himself seem accessible to others (like tempting clients) or seem powerful (to intimidate):

Complementing this habit of closing himself off is a second noticeable aspect of his body language: He frequently avoids eye contact to the point that he even holds conversations while entirely facing away from the person he's speaking to.

I might be a bit lenient and say maybe he's doing this to on purpose to be mysterious, whoo~~ But... in all honestly, he just does this with everyone, even with Ratio while trying to talk about an actual important issue (wanting to look into Acheron's real identity). Hell, even the fake Aventurine does it to himself!

We can even say that wearing the rose-tinted glasses in the first place is another intentional barrier, one Aventurine deliberately removes in specific moments to give people the (false) impression that he's "letting them in" to his circle:

Now, this might be a bit more complicated in Aventurine's case, because eye contact has a whole extra meaning when eyes are the defining trait of your species and come with particularly challenging racial stereotypes. So it may be that Aventurine is simply used to conducting conversation while looking away to minimize racial prejudice against his eyes' unique appearance.

However, I'd also argue that the devs deliberately turned his entire model away in cutscene after cutscene to create a clear sense of being inaccessible, unapproachable, and unwilling to engage in the physical intimacy of standing closely, directly facing, and staring at his conversation partners.

While he faces away, he controls both the figurative and the literal direction of conversation, forcing people to keep their eyes on him while he is free to move as he pleases. Over and over again, it just says "I want to be the one in control. I'm not afraid to show my back to you, but you are not welcome to come near me."

And, in fact, that's a third aspect of his character's body language that I am sure the devs did not include accidentally: More so than other characters, many of Aventurine's conversations are conducted from weirdly far distances. Like, half the time he's talking, he's standing all the way on the opposite side of the room!

This habit of speaking from a-larger-than-normal distance is apparent in the first scene with Himeko...

And then in just about every other conversation too:

The bubble is twenty feet in every direction.

Like yes, he does approach and have conversations like a normal person... sometimes... But it is significantly more noticeable with Aventurine than with other characters that he often conducts whole conversations--even with his allies--from a distance. Just genuinely weirdly far apart.

Leaving space for Gaiathra, I guess.

And it's because these significant decisions were made with Aventurine's in-game body language that, when he deliberately alters his own behavior, it is instantaneously noticeable.

In 2.0, he closes the distance, the glasses come off, and he gets directly up in the Trailblazer's face.

It's uncomfortable not just because the player is suddenly being loomed over, but because this behavior has already been subconsciously established for the player as out of character for Aventurine.

The barriers the character himself was putting up are deliberately stripped away so that he can use physicality and demanding eye contact to intimidate his target. He has to reverse his own normal body language in order to come across as domineering (and, I guess if you're into that, appealing in a domineering manner).

And ummmm, just a tiny aside here because I can't resist:

This does mean that when the game goes out of its way to demonstrate Aventurine altering his own normal habit of distant and defensive body language, it is absolutely intentional.

Yes, this is a Ratiorine post in disguise. There literally isn't any other character in the game that Aventurine is shown being comfortable standing so close to and interacting with in this manner. This doesn't occur in every one of their scenes, but Ratio is the only character that this happens with repeatedly. It's not an accident that the devs literally added "They were walking side-by-side" as flavor text.

But look, I'll be fair: There's a great example of this in Aventurine's scene with Acheron too, where he closes the distance and attempts to make eye contact with her--seeking her guidance and closeness--and she is actually the one stepping away, speaking with her back turned, demonstrating her power and control (and issues with connection!) in that scene.

Anyway, this was a whole longggg tangent into analyzing Aventurine's body language, but my point is that, overall, the devs deliberately adjusted his model's actions in-game to give the impression of a person who clearly wants to be in control of every interaction he has with other people, who insists on distance over intimacy, and whose stances and habits suggest that he is significantly less accessible and open than his "Use me as you wish" motto might suggest.

Long story longer, I think that there is almost zero chance Aventurine is willingly ceding control over himself or the actions expected of him to anyone he isn't 100% comfortable with, and I think that using physical intimacy of any kind would be an absolute last resort for him. Frankly, he comes across as more likely to shoot himself in the foot than let someone he doesn't trust lay hands on him.

To me, he reads very much as "You may look, but you may not touch."

[naamahdarling]

I didn't get pics I didn't get pics my phone was in the bedroom charging but FANCY IS PLAYING WITH THEM. Not next TO them but INITIATING PLAY WITH THEM.

Not bitchily, not reluctantly, not with a short temper, not tolerating THEIR advances, but making her OWN advances! Inviting them in!!!!!! Even the detested Junie!

CRYINGGGGGG.

[gingermintpepper]

In my Zeus bag today so I'm just gonna put it out there that exactly none of the great Ancient Greek warrior-heroes stayed loyal and faithful and completely monogamous and yet none of them have their greatness questioned nor do we question why they had the cultural prominence that they did and still do.

Jason, the brilliant leader of the Argo, got cold feet when it came to Medea - already put off by some of her magic and then exiled from his birthland because of her political ploys, he took Creusa to bed and fully intended on marrying her despite not properly dissolving things with Medea.

Theseus was a fierce warrior and an incredibly talented king but he had a horrible temper and was almost fatally weak to women. This is the man who got imprisoned in the Underworld for trying to get a friend laid, the man who started the whole Attic War because he couldn't keep his legs closed.

And we cannot at all forget Heracles for whom a not inconsiderable amount of his joy in life was loving people then losing the people around him that he loved. Wives, children, serving boys, mentors, Heracles had a list of lovers - male and female - long enough to rival some gods and even after completing his labours and coming down to the end of his life, he did not have one wife but three.

And y'know what, just because he's a cultural darling, I'll put Achilles up here too because that man was a Theseus type where he was fantastic at the thing he was born to do (that is, fight whereas Theseus' was to rule) but that was not enough to eclipse his horrid temper and his weakness to young pretty things. This is the man that killed two of Apollo's sons because they wouldn't let him hit - Tenes because he refused to let Achilles have his sister and Troilus who refused Achilles so vehemently that he ran into Apollo's temple to avoid him and still couldn't escape.

All four of these men are still celebrated as great heroes and men. All four of these men are given the dignity of nuance, of having their flaws treated as just that, flaws which enrich their character and can be used to discuss the wider cultural point of what truly makes a hero heroic. All four of these men still have their legacies respected.

Why can that same mindset not be applied to Zeus? Zeus, who was a warrior-king raised in seclusion apart from his family. Zeus who must have learned to embrace the violence of thunder for every time he cried as a babe, the Corybantes would bang their shields to hide the sound. Zeus learned to be great because being good would not see the universe's affairs in its order.

The wonderful thing about sympathy is that we never run out of it. There's no rule stopping us from being sympathetic to multiple plights at once, there's no law that necessitate things always exist on the good-evil binary. Yes, Zeus sentenced Prometheus to sufferation in Tartarus for what (to us) seems like a cruel reason. Prometheus only wanted to help humans! But when you think about Prometheus' actions from a king's perspective, the narrative is completely different: Prometheus stole divine knowledge and gifted it to humans after Zeus explicitly told him not to. And this was after Prometheus cheated all the gods out of a huge portion of wealth by having humans keep the best part of a sacrifice's meat while the gods must delight themselves with bones, fat and skin. Yes, Zeus gave Persephone away to Hades without consulting Demeter but what king consults a woman who is not his wife about the arrangement of his daughter's marriage to another king? Yes, Zeus breaks the marriage vows he set with Hera despite his love of her but what is the Master of Fate if not its staunchest slave?

The nuance is there. Even in his most bizarre actions, the nuance and logic and reason is there. The Ancient Greeks weren't a daft people, they worshipped Zeus as their primary god for a reason and they did not associate him with half the vices modern audiences take issue with. Zeus was a father, a visitor, a protector, a fair judge of character, a guide for the lost, the arbiter of revenge for those that had been wronged, a pillar of strength for those who needed it and a shield to protect those who made their home among the biting snakes. His children were reflections of him, extensions of his will who acted both as his mercy and as his retribution, his brothers and sisters deferred to him because he was wise as well as powerful. Zeus didn't become king by accident and it is a damn shame he does not get more respect.