#i need to diversify my mains | Explore Tumblr Posts and Blogs

liketolaugh-writes · 2 months

Text

Bruce looking past the fact that (recently adopted) Danny is a powerhouse and recognizing that he has other skills also. <3

Danny is a STEM kid and just as brilliant as his sister, you cannot convince me otherwise

Danny gave Bruce the handwritten list of powers in the morning. Bruce stared at it over his cup of coffee, then gave Danny a flat, somewhat disbelieving look. Danny shrugged sheepishly, rubbing the back of his neck.

“Sorry,” he said, perching on one of the stools. “I can point out the ones I don’t use if you just want to work on the ones I do. At least I have an idea of what needs improving with those.” Alfred gave him a cup of coffee and a plate of bacon and French toast, and Danny smiled at him. “Thanks, Alfred.”

“We’ll have to prioritize your training,” Bruce allowed after a moment, frowning down at the paper. Dick leaned over to look and whistled. “But all of these will be addressed eventually. You should have at least a moderate grasp of every tool at your disposal.” He looked up. “You intended to work in the lab today, correct?”

Danny nodded, playing with a strip of bacon. “I’ll probably spend most of today making a big batch of phaseproof coating,” he said. “Then I can experiment with mixing it with paint and maybe coat some of your spare weapons in it? That should work for the bo staff and escrima sticks, maybe a set of brass knuckles. But I’ll need to make a different solution for the edged weapons.” His mind wandered, thinking of how he could adapt what he knew of the Bats’ gear to work against ghosts.

“Who’re the brass knuckles for?” Dick asked, raising an eyebrow at Danny. Danny flushed and shrugged.

“Batman,” he said. “You don’t really use a weapon, right?” Bruce grunted. “But phaseproof cloth isn’t something my parents ever really figured out. I can work on it, maybe, but I thought brass knuckles would be an okay compromise for now.”

“Hn.”

“Good thinking,” Dick praised with a smile. “It’ll be easy to add to the utility belt too. Should we ghostproof my main set or a spare?”

“The main, I think, if you’re okay with it,” Danny said, tilting his head thoughtfully. “You probably won’t even notice. But the edged weapons should all be spares. Ecto-treated metal tends to glow.”

“Not great for stealth,” Dick nodded. “Whatever you think is best, baby spook. We have the resources.”

“You’re hyper-specialized,” Bruce noted without inflection, sipping from his coffee. Danny winced.

“Sorry,” he muttered. It was easy to forget that all this was pretty useless outside of Amity Park. Bruce shook his head.

“It’s not a problem. But we’ll need to diversify your skillset. Your talent for chemistry and engineering should expand beyond ectoscience alone.” He studied Danny contemplatively. “Higher education might be beneficial, perhaps a PhD.”

Danny’s eyes went wide. “What? I’m barely passing high school!”

“I had Casper High send over your transcripts,” Bruce said. Danny flinched. “You had a B+ average in middle school, with a particular bent for math and science. You also participated in several advanced extracurriculars, including a junior astronaut program, space camp, and competitive robotics. Further, you clearly have a comprehensive understanding of your parents’ work, which eludes both the Justice League engineers and JL Dark. You had these talents prior to acquiring your powers, and it would be a waste to discard them in favor of your raw combat ability.”

Danny stared at Bruce, open-mouthed and speechless. He couldn’t remember the last time he’d considered even the possibility that he could have a future outside of his hero career.

“…Do you think I could do that and be a superhero?” he managed after a minute, quieter than he’d meant to.

Bruce nodded sharply. “Most Justice League heroes maintain a career outside of heroics,” he reminded Danny, without even sounding like he thought Danny was an idiot for asking. “Aside from myself, there is also a Pulitzer prize-winning journalist, a museum curator, a forensic scientist, and a fighter pilot.”

Danny had known that on some level, but it had always seemed unreal. Practically a myth. “When am I going back to school?” he asked, hardly able to believe that he was suddenly looking forward to it.

“At the beginning of next semester,” Bruce said. “Your parents’ trial should be completed by then. I assume you don’t want to be announced publicly until that happens.” Danny shook his head fervently. “You may need to complete some make-up classes online, but we can discuss that next week.”

“Thanks,” Danny said sincerely. He was talking about a lot more than his re-enrollment.

#dc x dp #dcxdp #bruce wayne #danny fenton #dick grayson #my writing #danny phantom #dc #dcu

1K notes · View notes

alphajocklover · 5 days

Text

InstaJock: Going Viral

**Hey! This is my entry for @occamstfs Viral Transformation Challenge. Congrats on getting 2,000 followers, and thank you for beta reading this and helping me edit it. I hope I can get to 2,000 followers myself one day! For those who are new to my stories, this does connect to the plot established in my blog, but the concept is simple enough you should be able to follow along even if you don't usually read my stuff! I hope you all enjoy!**

When I talk about the InstaJock App Phenomenon – which I seem to do a lot. What is this, the 17th InstaJock related post? I need to diversify more – I usually talk about the transformation aspects and not the app itself. That’s partially because the transformation is the most interesting and hottest part, but it’s also because I haven’t been able to take a good look at the app. Even with all the protective spells and equipment I have, I can’t use a phone with InstaJock on it for very long without getting an urge to set up an account.

Until now.

With some help from the devilishly handsome (and literally devilish) Nick, I’ve been able to get my hands on some better equipment and better explore the app. I was able to spend a couple hours on it before I needed to quit, and actually got some very interesting information, mainly about how the app works post-transformation. I had always assumed that once a user got transformed into a jock, they’d ignore the app from then on unless they wanted to change someone. I was very, very wrong, not just about that but about the purpose of the app itself. It’s not just for making people into jocks: it’s for finding the best ones.

The app generally works like any other social media app, with its members posting about their interests. It’s set up is a lot like Instagram, where pictures and videos are the main format used for posting, but what really makes it different from other social media apps is the content. You can probably guess what an app full of buff cocky jocks looks like, but I’ll confirm it for you: the app is a thirst trap paradise.

The entire app is stuffed with half naked – and sometimes fully naked – photos of buff jocks, ones of all different kinds. If you can think up a jock related stereotype, they have a full hashtag dedicated to it. Just buff jocks playing sports, flexing and making out with other hot people, for as far. I know that doesn’t sound too different from normal social media apps, as most have a healthy NSFW side, but the posts have more in common then just showing jocks. Each and every post, every one that I saw, mentioned a Master. Some were talking about how they were getting pumped up at the gym for Master, some were talking about how they loved being jocks and were so glad Master had found them, and some were literally begging for Master to notice them, often wantonly describing how they’d debase themselves and be the sluttiest jock ever, all for him. Everyone on the app would post at least once a day about this mysterious Master. It doesn’t seem to matter if the jock is a dom, a sub, a top, a bottom, in a relationship, single, gay or even straight, all of them wanted this mysterious unnamed master – so much so they seemed to completely change personalities whenever he is mentioned. It seems instaJock has an additional side effect I didn’t know about till now: complete and utter devotion to their Master.

It took me a while, and some covert interviewing of a number of jocks in their DMs, but I think I figured out what's happening. The Jocks aren’t just posting for fun, they’re competing with each other. InstaJock isn’t really a social media app, it’s a sort of ranking app. Every day the jocks log on, post a picture of themselves with a caption somehow related to their Master, and leave likes on some of the other posts, usually the ones they find hot. If a jock’s post gets enough likes though, they get what every jock wants, what all of them are trying to get. They get to Go Viral.

Going Viral on IntsaJock isn’t like going viral on a regular app. It essentially means you’ve gotten enough likes, been reposted enough times, and have become popular enough on the site… that Master has noticed you. That's what the social media part of the app is really for. It’s just a way for Master’s jocks to organize themselves so only the hottest ones show up on his feed. If he really likes you, he’ll do more than just look too. Soon that Jock will disappear from his regular life, never to be seen again, whisked away to become a part of Master’s personal harem. This entire time the app has been about one thing: creating lovestruck sex slaves for the man who created InstaJock.

Like most actual social media apps, InstaJock jumps from one thing to another, and what's viral is always changing. But there are two tags that are always trending on InstaJock. The first, and most popular, is #JockMaster, which is only ever used by this mysterious Master when he makes a post. I’ve seen his account. He never shows his face on it, but from what little of his body that makes it into the photos, he’s… enchanting. As much as I hate to admit it, seeing just a bit of that creep almost made me drool. He usually only posts a couple times a week, as opposed to the jock who posts daily, but everything he posts goes viral on the app in moments. I’ll admit, there's something about his posts that is just… hypnotic. I almost set up an account after seeing one myself, and probably would have if Nick wasn’t there to stop me.

The other tag that's always trending is… more interesting, at least to me. It’s #MastersBoyfriend. It’s another tag used only by Master, and one he uses whenever he posts a picture of one particular member of his harem.

Whenever he posts pictures… of my Uncle John.

I finally know who took my Uncle. I know who this Master is. I suspected it was him for a while, but now I’m sure. The man who made InstaJock and the man who turned my Uncle into a slutty buff himbo are one in the same. I finally have proof.

So now what?

**The identity of the person behind InstaJock AND the person behind my Uncle's transformation and kidnapping has finally been revealed! Been working up to this for a long time, and I'm glad to keep this story moving forward! Hope you liked it as much as I do! Thank you to @occamstfs once again for being absolutely awesome and inspiring!**

#muscle growth tf #muscle tf #jock tf #jock transformation #jockification #nerd to jock #instajock tf #occam2000 #The Master TF

263 notes · View notes

ranticore · 8 months

Text

I wanted to keep drawing some pern dragon stuff because I'm now writing a full AU set in weyr but I didn't want to put this stuff on my main blog or patreon due to it being basically for my own reference, though i felt others would like it too! so here is My Take On Dragon Wings By Type...

It's no secret I love drawing bird wings and prefer them a lot over traditional dragon wings. Growing up, I read the pern books featuring cover art of dragonfly-like wings with lots of little translucent panels, which I always loved. So I thought I'd try to nail down some wing shapes & structures by blending those two things i like together. I am aware dragons fly by telekinesis but I prefer a more realistic type of creature design so I will be choosing to ignore that fact. I do not care about strict canon compliance but I do like to keep some of that framework there as well, for fun.

The wing is made up of three main sails, as well as a propatagium sail (in front of the elbow). They are relatively polymorphic and can expand or contract to an extent to change the shape of the wing in response to flight demands, like the wing of an airliner. The trailing edge can expand and the slots between the spars of the 1st wingsail can deepen or become shallower (where those are a feature). The main structural matrix is opaque, while the membranous 'sails' are translucent and let light through like stained glass. These are a bilayer of membrane with air sandwiched between, which forms part of the air sac & respiratory system.

It makes sense for the original engineers of dragons to diversify dragon wing types by colour so that when fighting Thread, there's a dragon for every conceivable aerial job.

[individual descriptions under the cut]

Queens have the longest wings, though the largest bronzes can rival them for surface area. Gold wings are high endurance - a queen can fly further than any other dragon in active level flight, leaving even the swiftest bronzes behind if they can't muster up the energy reserves to catch her. She is an effective flier at all elevations and can pass very low over terrain without issue as well; she is an expert at taking advantage of the ground effect, where extra lift is generated within one half of a wingspan above land. This way, she can pass low below the main wings fighting Thread to catch any stragglers without expending too much energy. However, she is not very agile and may need a bit of a run-up or cliff-edge to get airborne.

Bronzes are suited for command positions during Threadfall, rising highest and maintaining that altitude effortlessly by soaring on thermals. From this vantage point they can easily survey the wings of riders below and make tactical decisions to direct the tide of battle. They have the size and stamina to chase queens, but might find it difficult to keep up on the flat, so they continually select for fitter hatchlings as only the best manage to mate. It takes a very clever and agile bronze to catch a green, if they are so inclined.

Browns are swift, highly agile, and the fastest vertical fliers, ideal for diving through the Thread mass from top to bottom while the other types pass horizontally. During earlier Passes, browns were capable of using their speed to catch queens, but as queen & bronze endurance gradually increased, browns struggle to keep up if they haven't managed to immediately catch their mate in the starting scrum, which is unlikely due to the bulkier bronze dragons being able to shove the browns aside.

Blues are fast on the flat and nicely manoeuvrable, with enough endurance to last a full Threadfall. Good all-rounders with a characteristic vertical take-off, they work best in the horizontal plane in battle but really they can do a little bit of everything. They often beat browns to catch greens, being very precise in flight and almost as manoeuvrable as their green mates.

Greens make up for their low stamina with their extreme manoeuvrability. Their short and elliptical wings let them turn on a dime, hover, and even fly backwards if they are sufficiently skilled. They have the fastest wingbeats, flying with a distinct thrumming sound. Of all the types they are least likely to be hit by a stray Thread, but they tire easily on the flat and have no soaring ability at all, often tapping out midway through battle in favour of replacements. In battle, greens excel at catching odd and skewed clumps of Thread that don't fall as predicted, or ones that are missed by the other riders. Green mating flights are a whole different beast to gold mating flights, where extreme aerial acrobatics are favoured instead of endurance and altitude, and these flights may be over within seconds. You need to be able to withstand a Lot of G-force to be a green rider.

#dragonriders of pern #hi it's me again. this is my sketch dump blog (very new)#pernese dragon #pern

402 notes · View notes

44ants · 4 months

Text

An Avid Listener

DBH Conner/ F!Reader One Shot

Sort of Yandere?

My first one shot! (I believe that's what it's called anyway. Or is it an imagine?) I'm currently hyper-fixated on DBH so I need to get it out of my system. This is pretty much just slapped together and not planned out at all.

"What are you listening to?"

"Can't you just fucking leave me alone? I'm trying to get this report written so I can leave!" Gavin whined exasperated. He glared at Conner from the corner of his eye. He desperately tried to shield the right side of his face with his hand, hoping the android would take the hint and leave.

"I'm trying to diversify my music choices. It was recommended to me that I ask others what they like to discover my own preferences. If you tell me, I'll leave you alone." Conner negotiated, rubbing his hands together before politely holding them behind his back. He hoped to look innocent and endearing to achieve his goal.

"Why the hell do you even want to listen to music? It's meant to provoke emotion! You know? To make you feel things?" Gavin wasn't even sure why he was entertaining the conversation at this point. What good was arguing with him if he always had a comeback locked and loaded?

"That's exactly what I'm hoping to achieve." He countered and cocked his head.

"I'm not even listening to music. It's a podcast."

"I have not listened to any podcasts yet. What is it about?"

He decided it was best to just give up and slammed his phone down on the desk. Conner leaned over and read what was on the screen: 'Myrtoalett'. It translated to 'Bog Toilet' in Swedish and the cover was of a crucified fetus. "Interesting. I'll come back to you and give you my feedback once I've finished listening." He turned to head back to his own desk conjoined with Hank's who was currently passed out in his chair.

"Please don't." Gavin murmured, "And good luck! There's, like, 400 episodes!"

Skimming roughly through articles and the basic summary of the podcast, he found that it was a talk show that covered serial killers, murders, and the paranormal. There were three hosts: Jeremy Tompson, Elias Rask, and Y/N. He decided he'd listen once he made it home with Hank.

To say the least, Conner was hooked. Every free moment he had that didn't require his full attention was spent listening to Myrtoalett. He struggled with finding the humor in some of the hosts' jokes and found some conversations a little too vulgar and distasteful, but actually paying attention to details of old cases despite already having a vast knowledge of them was very addicting to him. It brought a strange amount of satisfaction to him to anticipate where the case would go next and hearing every little disgusting detail of how serial killers enacted their murders. He took enjoyment in ignoring any previous knowledge he had about axe murderers or famous killers and just immersing himself in the stories. The comradery amongst the hosts was amusing as well, but mostly he found his enjoyment in the podcast from listening to this Y/N girl. There were three distinct roles between the hosts. Jeremy was the main host, went into the episodes with no previous knowledge about the topics, and forced the others to elaborate by asking questions. Elias provided the most comedic relief and went into in-depth conspiracy theory rants. Y/N was the main researcher. She seemingly spent weeks researching the topics they spoke about and mainly talked the most. He admired the dedication she had to finding each and every detail, no matter how minuscule. Conner thought she'd make a good detective and her story telling skills enraptured him. Her voice was soothing no matter how gruesome the topic and perfectly dictated the feelings you should have. Oh? The final victim of the Toy Box Killer is escaping? He felt like he was on the edge of his seat. A soldier is retelling his experiences from the Edwood Experiments? He was horrified. Police were describing what the inside of Ed Kemper's house was like? He was intrigued. JonBenet Ramsey's father discovered her corpse? There needed to be justice! This was exactly what he was looking for in discovering new media! Finding something that would evoke new emotions for him to discover since his deviancy.

It wasn't just her story telling that intrigued him, but the fact that she gave out such little details about her life compared to the other hosts. Rarely did she indulge the listeners in personal aspects of her life. It irritated him to no end to listen to Jeremy and Elias speak about their upbringings or what serial killers were from their state and knowing nothing about Y/N! He couldn't help himself but to look into her more. There was nothing wrong with that, right? She was a celebrity! Their podcast had a pretty big following. It was only natural that there would be so much information about her on the internet! It wasn't a crime to have access to what everyone else did! Looking into her criminal record using his access from DPD wasn't wrong either. With how much knowledge she had about criminals, it was possible that she herself was a criminal! There was nothing wrong with just making sure she wasn't! It was his job to keep people safe and ask questions when necessary. It didn't help that she was the only female on the show and was often compared to the female victims of murderers! He needed to keep what tabs he could on her and make sure fans didn't get any funny ideas! It wasn't smart for them to put thoughts like that into people's heads.

It wasn't long before his life revolved around the podcast. It wasn't long before he had listened through each and every episode and consumed every piece of media he could find about it. It wasn't long until he felt absolutely empty waiting for a new episode to be released. One episode a week wasn't enough for him. What was supposed to keep him occupied besides the one hour of entertainment he got on Saturdays. What was he supposed to do when they took breaks for holidays and vacations? Relistening to old episodes was the only thing he could do. What was he supposed to feel if Y/N wasn't there to tell him what to feel?

The longer he spent obsessed with the show, the more his emotions became twisted. His sick fascination with serial killers only deepened. It wasn't sick, right? He wasn't the one making a whole show about it! He wasn't the one talking about people who built entire structures and hotels to rape and kill victims! He wasn't the one that made jokes about Y/N being trapped in a basement, all tied up, being forced to have things done to her without her consent. He didn't have those thoughts. He didn't have those feelings of excitement and thrill at the idea of holding her down and having complete control over her. He didn't.

He didn't fantasize about being the one to save her from a murderer or a kidnapper. He didn't.

He didn't think about finding where she lived and going to her house. He didn't

He didn't think about finding out her schedule and 'accidentally' running into her at the coffee shop she loved. He didn't.

He didn't think about the best ways to impress her.

He didn't daydream about her every waking moment.

He didn't think about what it'd feel like to hold her lovingly.

He didn't think about what she'd feel like in his arms. Writhing and screaming.

He didn't.

#dbh #connor dbh x reader #dbh connor #dbh rk800 #yandere connor #yandere rk800 #obsessive connor #obsessive connor dbh #detroit become human #connor #connor rk800

75 notes · View notes

volleypearlfan · 1 year

Text

Where are the teenage/YA cartoons?

Recently, two cartoons that were slated to be on Cartoon Network, Unicorn: Warriors Eternal and My Adventures With Superman, are now going to be on Adult Swim.

To me, this move makes no sense. These shows could have diversified Cartoon Network’s very barebones lineup, but they were shoved to Adult Swim. I sorta understand Unicorn, as it is dark (but definitely not on the same level as Primal, one of Genndy Tartakovsky’s other shows), but My Adventures with Superman? That show seems pretty innocuous. It has a bright color palette and doesn’t seem similar to Harley Quinn or the later seasons of Young Justice.

This reminds me of the desperate need there is for teen/YA-oriented western cartoons. In western animation, there are three primary audiences:

Preschoolers; anything rated TV-Y, shown on PBS Kids, Nick Jr, Disney Junior, or Cartoonito. Example: Doc McStuffins.

Big kids/elementary school crowd; anything rated TV-Y7, can be seen on Nickelodeon, Cartoon Network, and Disney Channel. Example: The Amazing World of Gumball.

Adult; anything rated TV-14 or TV-MA, seen on Adult Swim, Comedy Central, or the prime time Fox lineup. Example: Rick and Morty.

That’s it. Despite what the rating of TV-14 might lead you to believe, the stuff on Animation Domination or Adult Swim isn’t targeted to teenagers, obviously.

This leaves teenagers in a weird spot when it comes to watching cartoons (western ones, that is. They definitely watch anime). They tend to stick with big kids and/or adult cartoons, like Avatar. With all of the heavy subject matter it and Korra tackle, they definitely feel more like teenage cartoons, especially since they were inspired by anime.

I bring up anime because they have clearly defined demographics, including teenagers. They have manga/anime for teenage boys, shonen (Naruto, One Piece, Dragon Ball Z), and teenage girls, shojo (Fruits Basket, Kamisama Kiss, Yona of the Dawn).

Shojo anime (except Sailor Moon) pretty much never air on American TV, but when shonen anime are exported here, they end up on Adult Swim’s Toonami block. For example, Demon Slayer aired on Toonami (they had to stop airing it because it got too expensive), and in America, the Mugen Train movie was rated R. This despite Demon Slayer being aimed at teenagers, and also being enjoyed by small children in Japan. They even had a Japanese Happy Meal promotion that ran alongside Pretty Cure, a show that actually is aimed at small children (kodomomuke).

With America’s teenagers flocking to anime, I believe that the American animation industry should keep up with the times and try to capitalize on the teenage demographic instead of shoehorning shows to be for elementary schoolers or adults.

Here are some western cartoons I believe could be classified as YA/teenage shows:

Avatar and Korra, as mentioned above.

Most cartoons aired on MTV, such as Daria, Beavis and Butthead, and Clone High. It helps that MTV itself was aimed at teenagers. Aeon Flux is an exception however, as it is clearly for adults. They’re often shoehorned into the category of “adult animation,” but their subject matter is more appealing to teens.

6teen. It’s right there in the title! Canada knows what’s up.

Total Drama, another Canadian cartoon. I know that they made the younger-skewing DramaRama spin-off because teenagers weren’t watching cartoons anymore, but now that the main show is coming back, it will definitely be aimed at teenagers again.

Sym Bionic Titan, yet another Tartakovsky show, pretty much is a teen/YA show, minus swearing. If I remember correctly, it aired on Toonami for a little while.

Regular Show. The most obvious example of a YA cartoon disguised as a kids cartoon.

Infinity Train. Never forget that it was cancelled because “no child entry point.”

As Told By Ginger is essentially a teen drama in animated form.

Invader Zim - Nickelodeon asked Johnson Vasquez to make a show directed towards older audiences, got exactly what they wanted (most of the viewership was from teens and adults, especially of the shops-at-Hot Topic variety) and cancelled it anyway.

Arcane is technically an adult series, but League of Legends is rated T by the ESRB, so I’m putting it in the teen/YA category (there IS a distinction between ‘young adult’ and ‘adult’)

I highly doubt that the likes of Nickelodeon will add a teenage animation block to their lineup (and TeenNick is nothing but iCarly reruns), but I hope that streaming services will start capitalizing on the YA demographic for western animation. Bee and Puppycat is a good start, featuring relatable young adult situations while technically being watchable for all ages. At least Unicorn is gonna air on ACME Night, which isn’t too late in the evening (currently, the block starts at 5:30 EST). And with Clone High and the aforementioned Total Drama making a comeback, I’m holding out hope for more YA animation.

#long post #animation #western animation #cartoons #ya #my adventures with Superman #unicorn warriors eternal #adult swim #Toonami #6teen #daria #infinity train #as told by ginger #acme night #my animation essays

566 notes · View notes

madara-fate · 5 months

Note

I don't want to be a asshole or anything, but I really struggle with the notion of a 'well-written female character' that people have been shoving down our throats in recent years. Nowadays, for a female character to be considered 'well-written,' she must either primarily fit the 'badass femme fatale' archetype - almost invulnerable with its derivatives - or be a 'masculine woman’.

Oddly enough, these are also the two most popular types of women in fiction right now (lol).

How is what we are doing today inherently different from before?

We have taken female characters out of the tropes that imprisoned them... to fundamentally lock them into other stereotypical tropes that we refuse to let them out of again. These types of characters are often praised as examples of quality female representation, but is that really the case?

I'm not saying they are bad, far from it. But that shouldn't be all there is, that's my complaint about it. And people should also stop passing this off as 'representation' when most of these characters are far too unrealistic to even come close. They are amazing, yes, they are icons to admire because they are truly impressive for the most part, but I challenge anyone to say they are relatable. And that's fine because they're not even supposed to be in the first place.

Fiction should have these types of women because it's fiction, but it should also make room for other types of female characters. The diversity of roles for women is terribly limited, and honestly, I can't really say it's entirely the media's fault.

Is it really too much to ask for diversified female characters?

I would also like to see more realistic women. There are some, yes, but not many, and strangely these types of characters tend to be labeled as poorly written and then completely rewritten by their fandom to fit their idealized version of what a 'good female character' should be.

The funny thing about this is that people don't even realize that with this kind of behavior, they are perpetuating stereotypes that ironically they are trying to break. Some realize it but prefer to absolve themselves by blaming the media/authors they accuse of poorly writing women, largely in order to justify the disgusting and relatively hypocritical behaviors they have towards certain female characters.

This is particularly evident in Sakura's case; the hatred people have for her is just pathological at this point, further exacerbated by mass effect. Many fans blame Kishimoto for « writing her poorly », which they believe is their main issue with her character. The fact is when you look at the situation as a whole, this excuse doesn't even hold up. The things she is condemned for cannot be solely attributed to her; some of the other most popular characters in this franchise exhibit the same characteristics and sometimes even worse than anything she has shown before, but for some reason, she is the only character in this series who is so vilified because of it. When it comes to others, most fans make excuses for them, except you can't judge a character for something they did while turning a blind eye or even worse, praise another for doing exactly the same thing; it's a blatant double standard and it's not objective at all.

Her character isn't perfect; she is horribly underused and since she occupies the position of tritagonist aka heroine, it stands out more than others who, although also sidelined, are only supporting characters. That's the main problem I've always had with Kishimoto's writing about her, but apart from that, I really can't find much bad to say about her character. Again, I'm not saying she's perfect; far from it, but that's what makes her interesting. Sakura's role was to bring a more human side to this series; that was her job. She was never supposed to be like her teammates; Sakura was meant to stay on a human scale because she was created for that.

That's the beauty of her character.

Changing that is changing her very essence, what makes her who she is, and that's what this fandom does; they rewrite her by using the excuse of 'poor writing' as a kind of defensive flag and eliminate from her character everything that makes her, well... her.

Mabel, (a character from the show Gravity Falls) is another case of a rather strange fandom. She is literally 13 years old and yet her character at the time (and even today) has sparked such waves of hatred that those who hadn't watched the show could believe she's the she-Devil incarnate when she... just acts her age. She is, however, an adorable child. She is eccentric, good-hearted, quite prone to blunders, but that's also what makes her endearing. However, the way some talk about her is just... revolting.

To hear them, being a pre-adolescent in fiction and behaving as such is a crime. Like Sakura, she also suffers from a rewriting of her character - although it doesn't manifest in the same way - and from what I've noticed, sometimes it's not even done consciously.

Another thing I've noticed is that they are not the only type of characters to benefit from this treatment from fandoms. Even female characters meeting their 'writing standards' sometimes have these problems. Just look at Diana (Wonder Woman), and how some - many - of her fans have transformed her. She went from the epitome of feminism, meaning a woman treating everyone as equals regardless of their gender, believing in justice and doing her best to uphold it into a lame and arrogant fanon version of herself who hates men, thinks she's superior to them, believes girls are the best thing in the world and no man can surpass them - apparently their version of feminism.

People need to understand that just as we can't please everyone, not all characters can suit everyone's tastes, which is normal. They should focus more on what suits them and ignore what doesn't instead of trying to adapt characters that are not their cup of tea to their personal tastes.

Really.

This crap is why there are so many fanon versions of 'strong and feminist women,' not because their canon version is 'poorly written,' but because they are not written according to their tastes.

On the rare occasions when we actually have unusual characters, different from what we're used to seeing, the fandom takes it upon itself to ruin that by transforming them, thus ruining their characterization.

God only knows how much I have my own issues with the current film industry - and some authors in general - but I acknowledge that they at least make the effort to try in certain aspects, whereas fans don't even try. They tend to blame everyone but themselves because they refuse to accept that they are also part of the problem. So yes, the media is certainly crappy in some ways, but the fandom with their obsession with wanting to "fix" every work or character that doesn't suit them, makes it even crappier. They standardize everyone.

I it's all well and good to reblog/like posts criticizing fandom spaces and their treatment of fictional characters, but maybe it would be wise to actually apply what you claim to agree with, and not selectively.

This is a subject I didn't really intend to address on Tumblr, but I couldn't help myself after coming across one of your requests where you were talking about the writing of female characters in Naruto. As someone who is currently writing a thesis on media-fandom dynamics, this syndrome of 'good/bad writing' is one of the points I address, which prompted me to express my opinion.

Anyway, I hope I'm not bothering you with my overly long essay; I tend to talk way too much when a subject is close to my heart.

I'll be honest - When I first saw the length of your ask, I was just like "holy shit", and my first thought was to just read it and give a generic "yeah I agree" answer at the end. However, this was a very good read and I pretty much agreed with most, if not all of what you said. So it ultimately made me want to give my thoughts on a few specific things you mentioned which resonated with me.

Yep, I made a similar point during this post where I discussed a YouTube video about how Nobara (JJK) is apparently what Sakura (Naruto) was supposed to be, and I went into detail about how utterly flawed their reasoning was.

As much as I understand why people want women to have more diverse roles and not be reduced to the 'dumb blonde,' the 'damsel in distress,' or the 'walking love interest' as before, I also think that what we have today does just as much of a disservice to female representation as years ago. How is what we are doing today inherently different from before? We have taken female characters out of the tropes that imprisoned them... to fundamentally lock them into other stereotypical tropes that we refuse to let them out of again. These types of characters are often praised as examples of quality female representation, but is that really the case?

Yep, the feminist, boss babe archetype is dominating now. It's even seeped into the Marvel movies, which is a component of why they have tanked recently. It hasn't improved their character depth, and it often just seems as though the writers these days care more about racial diversity, LGBTQ representation, and their skewed idea of "female empowerment", rather than creating plots which are actually engaging and make sense.

I would like to see more weak women because it is not necessary to be traditionally strong to be valid. I want to see crazy people, psychopaths, eccentrics, but also sweet, shy, calm characters. I would like to see more women make mistakes without needing a tragic past to justify them. I would also like to see more realistic women. There are some, yes, but not many, and strangely these types of characters tend to be labeled as poorly written and then completely rewritten by their fandom to fit their idealized version of what a 'good female character' should be.

This part above resonated with me a lot.

The most uncomfortably accurate examples I have in mind are Mabel Pines and Sakura Haruno; just look at the hate these two receive to realize that a majority of the public can't handle female characters whose behavior is more human than extraordinary. The funny thing about this is that people don't even realize that with this kind of behavior, they are perpetuating stereotypes that ironically they are trying to break. Some realize it but prefer to absolve themselves by blaming the media/authors they accuse of poorly writing women, largely in order to justify the disgusting and relatively hypocritical behaviors they have towards certain female characters.

This is a very interesting point.

💯

It's as I always say - Sakura and or/SasuSaku are the exceptions to everything.

That is the reason why I even created this meme for myself, because I found myself saying this so often in response to Sakura being the only one getting hated on for things other characters have exhibited.

That reminds me of how often I see people describe themselves as Sakura fans, and then they proceed to criticise the fuck out of her (mainly due to her relationship with Sasuke and how it goes against all of their "boss babe" ideals of how apparently strong and independent women don't need no man!). And so I'm just like, how are you a Sakura fan then? If they had their way with Sakura's character, she would be unrecognisable to her canon self. They don't like Sakura, they like the idea of what they wanted her to be.

I don't watch Gravity Falls so I know nothing about the situation, but I can imagine what you're talking about.

Yep, that's essentially what recent feminism has devolved into, there's a lot of misandry involved in modern feminism, which is a shame because that doesn't align with its core principles.

The manner in which you articulated your opinions was very good, so I'm not surprised you're writing a thesis on this, I can tell how passionate you are about this topic. If you haven't done so already, you should consider starting your own blog or something similar as a hobby, I can tell you'd excel if the above is anything to go by 👍

#Sakura Haruno #Mabel Pines

67 notes · View notes

inklessletter · 8 months

Text

I posted this on X, and I feel kind of disloyal not saying anything in here, since I feel Tumblr as my main online residence.

I would like to expand here, where I feel safest, if you let me.

As I said, I'm not a writer. Not a talented one, at least. Maybe I could be if I work hard enough, but I have little free time and I have to diversify it since I've got plenty going on. I don't have like, the busiest life, but I work full-time and I have a little family, and friends, a dog and a house to keep. And when I'm not doing all of that, among all my personal individual hobbies, drawing is what takes most time.

And drawing--well, I can't draw a fanart without romanticizing the process. There is no fanart without a back story that I've got in my mind, that I always fall in love way too deep with it, and always have the intention to put into words, but English is hard for a non native speaker, and even harder for a impatient perfectionist. So it takes a lot of time and I am never satisfied with the results, which is massively disheartening.

So after more than a year making this fandom my home, and with, idk, twenty, thirty fanarts, that means that there are twenty or thirty stories that I've got safely and preciously stored in my heart that I barely shared with anyone.

I mean full fanfics, from beginning to end, maybe with a few loose strands that needs revisiting, but overall, completed stories. And I know I'm biased here, telling you that I love them, and maybe they're not good, but I do love them. I'm a romantic. Some of them explore the concept of home, or tropes like "the one that got away", or the survivor guilt, or keeping the balance between being who you are and acknowledging that you're wrong and rewiring some things. Some are just funny AUs, fluff or smut (I can't write smut for SHIT), some more basic, some not. Some are not even steddie.

But I love all of them, and I can't write them and they're dying with me.

So I've been thinking for a while, that maybe there is a writer out there that wants something to write but can't find inspiration, or a theme to talk about and if that's de case, and you feel like it, you can DM to me, that I will give you the whole idea, everything that I worked on and pass it on, so you can have an idea to work with.

It feels so silly being so absurdly emotional with this, since, well, it's just stories, I guess, about things and people that don't exist, and maybe they're not even good or worth to work on because it may be better works out there that treat those subjects more brilliantly, but I love them and they're important to me and if I don't do this, they're dying with me and I think that maybe those silly ideas deserve a chance.

So, well, yeah, if you are a fic writer that is looking for something to write about, you can reach me. Maybe we can help each other out.

Thank you for taking the time to read all this nonsense 💖

#inklessletter #fanfiction #fanfic

78 notes · View notes

slavghoul · 1 year

Text

Big news for Ghost this week, with the release of their brand new EP of covers, Phantomime, this Friday May 19th, and two days later, the launch of an eight-date French tour. Frontman Tobias Forge tells us more about the creation of this record, as well as his future projects and the few unforeseen events that have come his way...

I guess you must be very busy with the promotion of Ghost these last few days here in Paris, but have you planned any time for yourself, like a vinyl shopping session for example?

Yes, I have, but it's really just a hobby for me: whenever I go somewhere I go to record shops, it's kind of my own relaxation. As far as promotion goes, these few days are indeed quite productive with a busy schedule, but it's actually quite nice to sit here, watching what's going on around me, at least it's more pleasant than doing a day of interviews locked up in four walls. I'm more of a stimulus kind of person, so when I have a phone call with someone I play Playstation at the same time, so I can concentrate on something while I'm talking. My whole life has always been a bit like that, listening to a record at home with the TV on.

You're releasing an EP of five covers on which you cover Television, The Stranglers, Genesis, Iron Maiden and even Tina Turner. How do you choose the songs for the covers on your EPs? Are they songs that meant a lot to you, that you listened to a lot when you were young, or are you looking for lyrics or a theme corresponding to the Ghost universe with references to religion for example?

It's a little bit of all of that at the same time! But the main criterion, what counts the most for me, is really the lyrics. From the rhymes used to the existential, philosophical or biblical themes. Of course, we could have fun covering "Disco Inferno" and try to put our own spin on it, but I think we need to be able to add a little something to it. I actually like to take songs that are written in a different way to my own, so I'm always trying to find songs that I couldn't have written myself. If I opened a restaurant tomorrow, I would have to find different dishes to enrich and diversify my menu. It's also a way for me to learn, to experiment. Besides, the exercise of reworking is always interesting, and sometimes it works, other times it doesn't.

Does this mean that you have considered other covers than these five titles?

Yes, I did. And the covers that didn't work just don't appear on this record! My original idea was to do a whole album of covers. And I had to take half of the songs off, because five of them didn't really fit with what we wanted to do with them, or they didn't sound like they were finished.

For example, I recorded a Rush track, but I felt I wasn't adding anything to the song. Not to say that other bands are flawed, but I just think that Rush's music is too perfect. There is nothing to improve, nothing to emphasize or accentuate, no nuance to add this or that contrast to. I felt like I was playing Rush just like a lot of teenage boys do, and nothing more. I'm not implying that girls don't like Rush, of course, but you know, there's that old joke that Rush is a teenage boys band. In any case, I felt that my version was going to be a bit too redundant to the original song.

Then there were other songs that made it to the quarter finals, if I may say so [laughs], that we dropped because there was too much to improve on, or the overall quality was not good. I can have a really good idea on paper, and then listen to the piece and think it doesn't work very well, or it's not entertaining enough.

How did the recording of the EP go?

The demos of all these covers were made at the same time as the recording of Impera. The producer of the album told us that he didn't want to deal with covers. That's fine, and it's true that it doesn't pay to do covers. We had just come out of the Impera recording session and we were exhausted. It was very hard, after all it's often said that the fifth album is particularly difficult. We had quite a lot of ambitions for this record, it took a lot of time and energy, and when it was finished, my engineer Martin and I went back to the studio, with the idea of recording another album.

But once we'd recorded those demos, I realised that there were some things that weren't quite right and that we had to take out. We kept those five songs. Five rock songs, full stop. Keeping things simple, easy, and even for the recording: it was good to remember that not everything is as difficult as the album we just finished. This EP is ultimately something spontaneous, simple, and having the demos already made it easier for us. Anyway, I had a lot of fun making it, from the recording to the mix, the atmosphere was quite happy.

You can feel this on the EP, this lightness and a feeling of fluidity. Without it being too basic, because there is a serious work on the arrangements and the atmospheres, which sound very Ghost by the way.

I'm glad to hear that, because that's exactly what I was looking for: to convey that lightness without the final product sounding half-baked, if I can say that! What I mean is that when you go into the studio for an album, you're 110%, whereas for an EP, with only covers, it's normal to be 100%. But I didn't want the difference to be felt between the two, like between the first Star Wars and the 1978 Star Wars Christmas Special! [Laughs]

It's been a year to the day since the Impera album was released. How do you look back on this fifth album, which marked a turning point in Ghost's rise?

In a way I feel relief, because this album has fulfilled its mission, the one it was supposed to fulfill. I don't want to fool the fans into thinking that it's all about magic and believing in it and so on. You have to be pragmatic and think about the results you got with the album. Of course, with every new album you are convinced that it is the best, but after the release you have to see what it does on stage. It's only by seeing how well that performance worked that you can tell if that album is good or not, in the end. Today, one year after the release, I can say that Impera holds up well. What has distorted our perception a little bit is what happened on the side.

You mean what happened with "Mary On A Cross", a track released on a 2-track EP in 2019 but which went viral last year on TikTok?

Yeah, when it came out, it kind of messed up our album cycle. It wasn't a problem per se, but it's just that we didn't plan for it at all, it kind of got in the way. And the label panicked and said "What are we going to do?!" I told them we weren't going to do anything. It was already out of our control, already naturally present on TikTok, what could we do? As we didn't want to damage the Impera promo, but we didn't want to lose the song "Mary On A Cross" either, we did the bare minimum, but our priority was really to get back to what we wanted to do as soon as possible at that point, which was to focus on our Impera. And then, from a pragmatic and slightly cynical point of view, we didn't want our historical fans to think that we were going to stop everything to please these newcomers who discovered the band via TikTok.

As far as Impera is concerned, I only realised today that it was an anniversary. Looking back, I can see that the cycle that started with this album, from its release to the tours, has been one of the most important in the history of Ghost, and that's really great. Now we're preparing for the next tour, which will start at your place [the Re-Imperatour kicks off this Sunday, May 21st in Rouen], and there are future projects that we're trying to work on. It's been a year since the record came out, but really it's been two years since the recording, and now it's time to move on to the next thing... things will start moving in the autumn, I hope.

Are you talking about the sixth Ghost album?

Yes, that famous sixth album, as difficult to make as the fifth! I've already started working on it, and after the tours this year it will be time to go into the studio for that.

So for me, the goal is to manage all these things at the same time without losing sight of these goals and next steps. So of course I'm happy that there are lots of new fans coming through TikTok. And I also welcome those who don't like the TikTok track but discover the rest of our discography and join us. But the most important thing is really to stay on our trajectory, and not to stray from the path we've set for ourselves. We have to make sure that we don't forget our mission, just because someone says they like fucking gnocchi better when we serve sushi. [Laughs]

What you're saying here is a bit like what you were telling us earlier, when you were talking about your care in planning things and having a vision for the band.

Exactly, it's very important for me. Being an artist is not just about aesthetics, it's about many other things. I've always been interested in the holistic approach, in this more global vision of things. To use the image of the restaurant business that I used earlier: I like to cook, but I also like books, people, interior design. In fact it's a collection of many things, and they're all important, almost in equal measure. Some rock or pop artists, or even actors, have been able to break through almost by accident, but that's not usually how it works. You have to work a lot, but above all you have to make a lot of decisions yourself, otherwise others will make them for you, and it will be done in an unthinking way, without a long term vision. It's impossible for me, as a control freak, to consider that! [Laughs]

#the band ghost #tobias forge #interview

215 notes · View notes

mostlysignssomeportents · 11 months

Text

A link-clump demands a linkdump

Cometh the weekend, cometh the linkdump. My daily-ish newsletter includes a section called "Hey look at this," with three short links per day, but sometimes those links get backed up and I need to clean house. Here's the eight previous installments:

https://pluralistic.net/tag/linkdump/

The country code top level domain (ccTLD) for the Caribbean island nation of Anguilla is .ai, and that's turned into millions of dollars worth of royalties as "entrepreneurs" scramble to sprinkle some buzzword-compliant AI stuff on their businesses in the most superficial way possible:

https://arstechnica.com/information-technology/2023/08/ai-fever-turns-anguillas-ai-domain-into-a-digital-gold-mine/

All told, .ai domain royalties will account for about ten percent of the country's GDP.

It's actually kind of nice to see Anguilla finding some internet money at long last. Back in the 1990s, when I was a freelance web developer, I got hired to work on the investor website for a publicly traded internet casino based in Anguilla that was a scammy disaster in every conceivable way. The company had been conceived of by people who inherited a modestly successful chain of print-shops and decided to diversify by buying a dormant penny mining stock and relaunching it as an online casino.

But of course, online casinos were illegal nearly everywhere. Not in Anguilla – or at least, that's what the founders told us – which is why they located their servers there, despite the lack of broadband or, indeed, reliable electricity at their data-center. At a certain point, the whole thing started to whiff of a stock swindle, a pump-and-dump where they'd sell off shares in that ex-mining stock to people who knew even less about the internet than they did and skedaddle. I got out, and lost track of them, and a search for their names and business today turns up nothing so I assume that it flamed out before it could ruin any retail investors' lives.

Anguilla is a British Overseas Territory, one of those former British colonies that was drained and then given "independence" by paternalistic imperial administrators half a world away. The country's main industries are tourism and "finance" – which is to say, it's a pearl in the globe-spanning necklace of tax- and corporate-crime-havens the UK established around the world so its most vicious criminals – the hereditary aristocracy – can continue to use Britain's roads and exploit its educated workforce without paying any taxes.

This is the "finance curse," and there are tiny, struggling nations all around the world that live under it. Nick Shaxson dubbed them "Treasure Islands" in his outstanding book of the same name:

https://us.macmillan.com/books/9780230341722/treasureislands

I can't imagine that the AI bubble will last forever – anything that can't go on forever eventually stops – and when it does, those .ai domain royalties will dry up. But until then, I salute Anguilla, which has at last found the internet riches that I played a small part in bringing to it in the previous century.

The AI bubble is indeed overdue for a popping, but while the market remains gripped by irrational exuberance, there's lots of weird stuff happening around the edges. Take Inject My PDF, which embeds repeating blocks of invisible text into your resume:

https://kai-greshake.de/posts/inject-my-pdf/

The text is tuned to make resume-sorting Large Language Models identify you as the ideal candidate for the job. It'll even trick the summarizer function into spitting out text that does not appear in any human-readable form on your CV.

Embedding weird stuff into resumes is a hacker tradition. I first encountered it at the Chaos Communications Congress in 2012, when Ang Cui used it as an example in his stellar "Print Me If You Dare" talk:

https://www.youtube.com/watch?v=njVv7J2azY8

Cui figured out that one way to update the software of a printer was to embed an invisible Postscript instruction in a document that basically said, "everything after this is a firmware update." Then he came up with 100 lines of perl that he hid in documents with names like cv.pdf that would flash the printer when they ran, causing it to probe your LAN for vulnerable PCs and take them over, opening a reverse-shell to his command-and-control server in the cloud. Compromised printers would then refuse to apply future updates from their owners, but would pretend to install them and even update their version numbers to give verisimilitude to the ruse. The only way to exorcise these haunted printers was to send 'em to the landfill. Good times!

Printers are still a dumpster fire, and it's not solely about the intrinsic difficulty of computer security. After all, printer manufacturers have devoted enormous resources to hardening their products against their owners, making it progressively harder to use third-party ink. They're super perverse about it, too – they send "security updates" to your printer that update the printer's security against you – run these updates and your printer downgrades itself by refusing to use the ink you chose for it:

https://www.eff.org/deeplinks/2020/11/ink-stained-wretches-battle-soul-digital-freedom-taking-place-inside-your-printer

It's a reminder that what a monopolist thinks of as "security" isn't what you think of as security. Oftentimes, their security is antithetical to your security. That was the case with Web Environment Integrity, a plan by Google to make your phone rat you out to advertisers' servers, revealing any adblocking modifications you might have installed so that ad-serving companies could refuse to talk to you:

https://pluralistic.net/2023/08/02/self-incrimination/#wei-bai-bai

WEI is now dead, thanks to a lot of hueing and crying by people like us:

https://www.theregister.com/2023/11/02/google_abandons_web_environment_integrity/

But the dream of securing Google against its own users lives on. Youtube has embarked on an aggressive campaign of refusing to show videos to people running ad-blockers, triggering an arms-race of ad-blocker-blockers and ad-blocker-blocker-blockers:

https://www.scientificamerican.com/article/where-will-the-ad-versus-ad-blocker-arms-race-end/

The folks behind Ublock Origin are racing to keep up with Google's engineers' countermeasures, and there's a single-serving website called "Is uBlock Origin updated to the last Anti-Adblocker YouTube script?" that will give you a realtime, one-word status update:

https://drhyperion451.github.io/does-uBO-bypass-yt/

One in four web users has an ad-blocker, a stat that Doc Searls pithily summarizes as "the biggest boycott in world history":

https://doc.searls.com/2015/09/28/beyond-ad-blocking-the-biggest-boycott-in-human-history/

Zero app users have ad-blockers. That's not because ad-blocking an app is harder than ad-blocking the web – it's because reverse-engineering an app triggers liability under IP laws like Section 1201 of the Digital Millenium Copyright Act, which can put you away for 5 years for a first offense. That's what I mean when I say that "IP is anything that lets a company control its customers, critics or competitors:

https://locusmag.com/2020/09/cory-doctorow-ip/

I predicted that apps would open up all kinds of opportunities for abusive, monopolistic conduct back in 2010, and I'm experiencing a mix of sadness and smugness (I assume there's a German word for this emotion) at being so thoroughly vindicated by history:

https://memex.craphound.com/2010/04/01/why-i-wont-buy-an-ipad-and-think-you-shouldnt-either/

The more control a company can exert over its customers, the worse it will be tempted to treat them. These systems of control shift the balance of power within companies, making it harder for internal factions that defend product quality and customer interests to win against the enshittifiers:

https://pluralistic.net/2023/07/28/microincentives-and-enshittification/

The result has been a Great Enshittening, with platforms of all description shifting value from their customers and users to their shareholders, making everything palpably worse. The only bright side is that this has created the political will to do something about it, sparking a wave of bold, muscular antitrust action all over the world.

The Google antitrust case is certainly the most important corporate lawsuit of the century (so far), but Judge Amit Mehta's deference to Google's demands for secrecy has kept the case out of the headlines. I mean, Sam Bankman-Fried is a psychopathic thief, but even so, his trial does not deserve its vastly greater prominence, though, if you haven't heard yet, he's been convicted and will face decades in prison after he exhausts his appeals:

https://newsletter.mollywhite.net/p/sam-bankman-fried-guilty-on-all-charges

The secrecy around Google's trial has relaxed somewhat, and the trickle of revelations emerging from the cracks in the courthouse are fascinating. For the first time, we're able to get a concrete sense of which queries are the most lucrative for Google:

https://www.theverge.com/2023/11/1/23941766/google-antitrust-trial-search-queries-ad-money

The list comes from 2018, but it's still wild. As David Pierce writes in The Verge, the top twenty includes three iPhone-related terms, five insurance queries, and the rest are overshadowed by searches for customer service info for monopolistic services like Xfinity, Uber and Hulu.

All-in-all, we're living through a hell of a moment for piercing the corporate veil. Maybe it's the problem of maintaining secrecy within large companies, or maybe the the rampant mistreatment of even senior executives has led to more leaks and whistleblowing. Either way, we all owe a debt of gratitude to the anonymous leaker who revealed the unbelievable pettiness of former HBO president of programming Casey Bloys, who ordered his underlings to create an army of sock-puppet Twitter accounts to harass TV and movie critics who panned HBO's shows:

https://www.rollingstone.com/tv-movies/tv-movie-features/hbo-casey-bloys-secret-twitter-trolls-tv-critics-leaked-texts-lawsuit-the-idol-1234867722/

These trolling attempts were pathetic, even by the standards of thick-fingered corporate execs. Like, accusing critics who panned the shitty-ass Perry Mason reboot of disrespecting veterans because the fictional Mason's back-story had him storming the beach on D-Day.

The pushback against corporate bullying is everywhere, and of course, the vanguard is the labor movement. Did you hear that the UAW won their strike against the auto-makers, scoring raises for all workers based on the increases in the companies' CEO pay? The UAW isn't done, either! Their incredible new leader, Shawn Fain, has called for a general strike in 2028:

https://www.404media.co/uaw-calls-on-workers-to-line-up-massive-general-strike-for-2028-to-defeat-billionaire-class/

The massive victory for unionized auto-workers has thrown a spotlight on the terrible working conditions and pay for workers at Tesla, a criminal company that has no compunctions about violating labor law to prevent its workers from exercising their legal rights. Over in Sweden, union workers are teaching Tesla a lesson. After the company tried its illegal union-busting playbook on Tesla service centers, the unionized dock-workers issued an ultimatum: respect your workers or face a blockade at Sweden's ports that would block any Tesla from being unloaded into the EU's fifth largest Tesla market:

https://www.wired.com/story/tesla-sweden-strike/

Of course, the real solution to Teslas – and every other kind of car – is to redesign our cities for public transit, walking and cycling, making cars the exception for deliveries, accessibility and other necessities. Transitioning to EVs will make a big dent in the climate emergency, but it won't make our streets any safer – and they keep getting deadlier.

Last summer, my dear old pal Ted Kulczycky got in touch with me to tell me that Talking Heads were going to be all present in public for the first time since the band's breakup, as part of the debut of the newly remastered print of Stop Making Sense, the greatest concert movie of all time. Even better, the show would be in Toronto, my hometown, where Ted and I went to high-school together, at TIFF.

Ted is the only person I know who is more obsessed with Talking Heads than I am, and he started working on tickets for the show while I starting pricing plane tickets. And then, the unthinkable happened: Ted's wife, Serah, got in touch to say that Ted had been run over by a car while getting off of a streetcar, that he was severely injured, and would require multiple surgeries.

But this was Ted, so of course he was still planning to see the show. And he did, getting a day-pass from the hospital and showing up looking like someone from a Kids In The Hall sketch who'd been made up to look like someone who'd been run over by a car:

https://www.flickr.com/photos/doctorow/53182440282/

In his Globe and Mail article about Ted's experience, Brad Wheeler describes how the whole hospital rallied around Ted to make it possible for him to get to the movie:

https://www.theglobeandmail.com/arts/music/article-how-a-talking-heads-superfan-found-healing-with-the-concert-film-stop/

He also mentions that Ted is working on a book and podcast about Stop Making Sense. I visited Ted in the hospital the day after the gig and we talked about the book and it sounds amazing. Also? The movie was incredible. See it in Imax.

That heartwarming tale of healing through big suits is a pretty good place to wrap up this linkdump, but I want to call your attention to just one more thing before I go: Robin Sloan's Snarkmarket piece about blogging and "stock and flow":

https://snarkmarket.com/2010/4890/

Sloan makes the excellent case that for writers, having a "flow" of short, quick posts builds the audience for a "stock" of longer, more synthetic pieces like books. This has certainly been my experience, but I think it's only part of the story – there are good, non-mercenary reasons for writers to do a lot of "flow." As I wrote in my 2021 essay, "The Memex Method," turning your commonplace book into a database – AKA "blogging" – makes you write better notes to yourself because you know others will see them:

https://pluralistic.net/2021/05/09/the-memex-method/

This, in turn, creates a supersaturated, subconscious solution of fragments that are just waiting to nucleate and crystallize into full-blown novels and nonfiction books and other "stock." That's how I came out of lockdown with nine new books. The next one is The Lost Cause, a hopepunk science fiction novel about the climate whose early fans include Naomi Klein, Rebecca Solnit, Bill McKibben and Kim Stanley Robinson. It's out on November 14:

https://us.macmillan.com/books/9781250865939/the-lost-cause

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/11/05/variegated/#nein

137 notes · View notes

gothicprep · 11 months

Text

so, apparently marvel is in disarray. ahead of the marvels coming out this weekend, variety dropped a bomb on the studio's somewhat dire state of affairs, as the franchise has hit its first real rough patch since the release of iron man 15 years ago. among the issues: jonathan majors, whose domestic violence arrest continues to hang over marvel's plans to make his character the thanos-like heavy for the next sequence of movies, the weak box office projections for the marvels (which some have said is tracking lower than recent bombs like the flash), the unending flood of hashtag content on disney plus which is overwhelming audiences who are finding it harder to keep up with the interlocking stories that have served marvel so well over the years, shoddy visual effects, spiraling budgets such as the reported $25mil an episode for she-hulk, a show that looked terrible because of the shoddy effects work aforementioned, behind the scenes chaos as kevin feige works to slash budgets and kill projects that aren't coming together. one movie at risk is the forthcoming blade reboot with mahershala ali, which has gone through rewrite after rewrite including reportedly one draft in which blade was the fourth lead in, quote, "a narrative led by women and filled with life lessons".

that last line has provided a lot of laughs for people like jay gothicprep, and critics who insist that marvel's efforts to diversify the lineup have led to much of this disaster, indicative of disney's overall failure with things like indiana jones and the dial of destiny or animated projects like strange world or lightyear. while this is potentially true (i guess, it's possible) it doesn't seem true because this certainly wasn't the case when black panther and captain marvel were both cracking the billion dollar mark a few years ago. rather it just seems, more simply, that marvel has run its course. marvel was hit by a double-whammy of endings. the thanos storyline that'd dominated the first ten or so years of the project came to an end. at the same time, the pandemic began and disney plus started flooding the zone with content, creating a natural break point for audiences that had no desire to watch hours of tv to understand 1.5 plot points in whatever the next movie that's coming out is.

this preamble is getting kind of long, and i have a lot more to say, so i'm going to continue to thought dump about this under a cut.

first of all, i'm still laughing like a week later at the women led life lessons description. no one has disputed that it happened. that description is the funniest thing i've ever read in a trade industry report possibly ever. what in the hell, my friends. did a writer even talk to a producer about what blade was? it's a movie about a guy with a sword who kills vampires! it's pretty straighforward! that sounds like something i want to see! there were three of them already, and two of them were pretty good!

anyway, i think you can take that incredibly ridiculous description of a draft that maybe wasn't the main draft – this movie has been through tons of writers and directors – and see some of the real problems with marvel's creative direction, which is that they've stopped making movies that highlight the core concepts of their characters. there are other problems as well, but when's the last time they put out a movie that was like, "iron man. he's a guy in a metal suit and he fights a bad guy." or "spider man. it's a guy in a spider suit with spider powers. he's got girlfriend problems and he fights crime around manhattan and maybe there's dr octopus." they don't do that. their recent stretch of movies have all been these impenetrable multiverse stuff with ties to tv series that you haven't seen and maybe won't ever see. there was a whole 25 minute section in black panther 2 that was setting up armor wars and ironheart. and like. who needs that sequence, which was boring and looked like total garbage? and now armor wars is being redeveloped lol. they've just departed from a lot of the core concepts that powered their earlier films.

they have some other problems. they've leaned into a slate of characters that is not all that well-known or inherently super popular, even for marvel being able to deliver on making billion dollar films out of guardians of the galaxy and such. maybe with the exception of spider man, which they don't get a full cut from because sony owns the actual movie rights. then there's the fact that the streaming series, by all accounts, aren't great but you *feel* like you need to have seen them. they're all real big problems. marvel needs to go back to making movies that are named after a character who's a superhero with a clear concept. guy with spider powers fights crime in his neighborhood. even though those movies got kind of repetitive, they did well enough because they didn't stray too far from the character concept.

i think, too, as a viewer, when you have a studio churning out so much stuff that's not good, you get the impression that the superhero industry feels entitled to your time and entitled to your money while not delivering.

this summer also represents an interesting counterpoint to what's happened with marvel and dc. the sheer amount of stuff that you devote every waking minute to keeping track of the damn things got exhausting and made movies stop feeling like events. this summer we've had barbenheimer and the eras tour, and those have been both big events and felt exciting. barbie was a chance to be campy, oppenheimer was a chance to see something serious and cinematic, the eras tour was exciting for fans of taylor swift who couldn't afford to spend $3k on taylor swift. and they felt this way because they were all unlike anything you'd seen at the movies in recent years. they had a high standard of quality, and going, it genuinely felt like people were there because they wanted to be, not because they were being force marched by a cultural behemoth to be there. you can't summon that same kind of energy for a marvel movie when it both feels obligatory and you expect it to be bad.

it also feels like there's a certain contempt for the audience where it concerns quality problems. i mean, i don't think that this is the intention. marvel isn't saying "we can deliver this stuff that's garbage and people will see it anyway". but one of the things i thought was the most damning about that variety story was the fact that, on some of the marvel tv shows, the final effects were inserted after the shows were released. so if you watched the show on opening night, you probably didn't see the final effects work. the arrogance involved in that is insane. it speaks to a total vanished pride in putting out a good product.

even some of marvel's better regarded films were heavily edited and heavily worked on right until the end, in part because kevin feige would come in and fix things, so stuff would have to get reworked. that's why effects deadlines were super tight and people were always crunching at the very end of this. there was that incredible quote from sam raimi from a couple months before the second doctor strange came out where he was like, "i think it's done but i'm not sure. marvel, they work on their movies until the very end." the director didn't even know if his own movie was locked or not because he clearly wasn't the one making the decisions about what the final print would look like.

that can work if you're making two movies a year and have a supervisor that comes in during the process and says, "i need you to redo this, in this way". but when you stretch that out to three movies a year, plus god knows how many episodes of television, there's no way to do that and make it a high quality product.

an instructive lesson comes from the book "disneywar", which chronicles michael eisner's time at disney. and one of the things in this book was the development and deployment of "who wants to be a millionaire" in america. bob iger is head of abc at this time. the guys making this show do it for a week. audiences love it. it's putting up huge numbers. everybody is excited. it's crushing it in the ratings. and the people who made it wanted to keep doing special week or two week long engagements that people would show up for. and iger was like, "no. i want this every week, three times a week, forever." and audiences got burnt out on it quickly, because it was something that only really worked as a special that ran for a week and disappeared for a few months. that's what the disney plus strategy feels like with marvel.

#i love watching movies with my friends

65 notes · View notes

pinkeoni · 1 year

Text

The Perception of Will Both In & Out of the Show

Right now I'm working on a whole post dedicated to looking at how Hawkins views Will, and something that I've noticed is how this in-universe perception is reflective of how the audience views him as a character.

Will the Crybaby vs. Will the Villain

tl;dr for a post I haven't even posted yet, but my assertion is that generally the town has two modes for how they see Will, prey or predator. He's either the sensitive, weak "fairy" who is assumed to be the target of violence based on these qualities, or he is the predatory "Zombie Boy" who is going to spread death and disease to the rest of the town.

Many of the critiques levied against Will's character from fans after season four was "all he does is cry!"

And in the same breath, after it was revealed that Will was going to be the focus for next season, the claim about Will's character was "he's going to be the villain!"

So Will is both the overly sensitive crybaby and at the same time, somehow going to be the villain of the final season.

I do think that GA opinion is actually more diversified then people give it credit for, so it would be inaccurate of me to say that this is widely agreed upon amongst fans of the show, although both of these statements, especially that of Will’s villain arc, did go around enough to be mentioned in articles about the season.

Starting with Will's sensitivity, it is one of his character traits. It's important enough for Joyce to mention this when describing him in episode one. Noah often gives Will really big reactions with weepy eyes and a quivering lip— he's a feeler!

Some push back against this critique of character, especially on here, was sometimes met with “But Will doesn’t cry that much! He’s tough! Look at this scene he knows how to shoot a gun!” which is kind of missing the point. It’s not that Will isn’t soft and sensitive, it’s that being soft and sensitive isn’t a problem.

The villain!Will claim, while maybe a fun idea for fanon material, seems to grossly mischaracterize him. Will, from the constant mistreatment he has faced, will turn vengeful and join Vecna to become a villain alongside him. You mean the same Will Byers who told D’Artagnan that he wasn’t going to hurt him? That Will Byers is going to seek revenge?

I don’t think that any of these takes are intentionally trying to be this way, but there is a subconscious undertone of homophobia coming from both of them. It’s a bad thing for Will to be soft and emotional, but he’s also going to become the vindictive “big bad.” The prey or the predator.

There seems to be a refusal from some fans to view Will in a hero role

This I can’t really fault them much for. I had a good back and forth with an anon awhile ago who stated that if the audience does not perceive the story as being Will's or Will as a main character, then this is a pitfall from the show. Which I agreed with. If the show is failing to communicate something, then this is a fault of the writing of the show. (I did, however, offer a counter argument to a claim they made saying that the show did not offer any substantial proof of this at all, in which I said that Will being the center in the first season was a good piece of evidence among some others)

I should note that I say "hero" but I don't mean this in a masculine way, just that Will is going to be the one to save the day, be that in his own way. He doesn't need to "man up" in order to be the hero.

El, for good reason, is seen as the hero of the story. If the next season is supposed to revolve around Will now, then he must either be A) A victim that El needs to save or B) A villain that El needs to defeat. (I made a post about El and Will's roles next season here)

This isn't always brought up, but a lot of the times the love triangle is talked about in relation to this because it goes along with the underlying homophobia. If Will is the focus next season and he is also the hero then there's an implication that he may be successful in "getting the guy" so to speak, just going off of typical narrative tropes. If El is the hero and Will is either the victim or villain then he either A) is saved by El and, out of gratefulness to her, is able to accept that that he won't have Mike and is able to accept the two being together (which wouldn't make sense considering this is the position he is already in) or B) El defeats the evil gay boy who is after her man, putting him in his place. These people can't seem to wrap their head around the possibility of Will getting the love interest in the end and El, still important to the main plot, ending up solo and it being a positive for both characters.

The problem with villain!Will especially is that, along with the fact that it relies on a mischaracterization of Will, is that there has to come a point where the villain has to lose and be put in their place in order for the hero to succeed. I see even fans of Will claiming that they want Will to have a villain arc because of everything that he's gone through. And yeah, Will has been through a lot and he has been treated unfairly by people around him, but he can't have a triumphant ending if he is the villain of the story.

I guess it has to do with framing. In simplified terms, Will, in some way, tries to fight for a better life for himself. If Will is the villain then he must learn to be complacent with the life he already has. If he is the hero, however, then he deserves and gets to earn this better life. If Will is the victim who is saved by El then he must learn to be grateful to her. Neither make sense for a story where Will is supposed to come of age. He has to be the hero and he also has to be one to save himself.

I want to say again that I'm not trying to use hero in a masculine sense, wherein I'm picturing a Conan the Barbarian or Rambo-esque buff!byers fighting in the Upside Down, but rather I just mean using his qualities that others deem weak as his strength. Will is the hero, just in his own way. @therainscene had a really great addition to a similar post I made while I was drafting this one. To quote a genius mind—

It's wild that Will is seen as weak, because he's the toughest motherfucker in the show -- not in spite of being soft and sensitive, but because of it. Being a sensitive gay boy in 1980's America is playing life on hard mode: he's punished for refusing to conform to traditional masculinity, both in-universe and by the audience, and his response is to doggedly continue refusing to conform. He's crying and throwing up the whole time he's doing it but he just keeps on doing it.

#sorry this is such a long one without pictures this time i just felt like rambling #will byers #stranger things #robin rambles

97 notes · View notes