#i miss this series so much. i just love love love these characters

[kyri45]

✨ShadowPeach Bio Parents Bio AU Q&A! 29/10✨

Welcome to the Q&A! A space where I can answer related or similar question about the Shadowpeach Bio Parents AU! If you submitted your ask anonimously, then you’ll have to check the whole post if it’s answered here, if it’s not, worry not! Your asks might have been used for a future comic or just in the queue~

@xyuki-iris ha chiesto: I LOVE YOU'RE ART ALSO GOOD FOOD But I have a what if What if Redson found Mk having a panic attack over something serious about him being Trans.

Ouch poor baby Red Son would totally support MK and try to calm him down

@ashmeertheimp ha chiesto: First of all your story is glorious and congrats on getting lmk at the very top. Second does Mk want to work on his relationship with Nuwa. I think Nuwa did truly love Mk but she also loved everyone else on earth equally. Mk has forgiven Mac who actually made an effort to hurt Mk (past mistakes) while Nuwa was opposed but still didn't stop Mk from not fixing the pillar of heaven.

I always felt like after S5 his relationship with Nuwa is similar to the one Steven had with Rose after S5 of SU. So it's- complicated

@audioandart ha chiesto: mayhaps a silly question, but towards the very start of the mk shadow peach stuff when mk first shadows into the wall. He says "why is everything *more* flat". Is this implying he already sees the world as 2d the way we do or am I perhaps missing something? 😅 (I love your work! Have a good day 🫰)

ahah yeah I was!!

@fake-anjel ha chiesto: Your comic makes me stay awake at night thinking of the next cap, making theories and making imaginary scenarios and imaginary gacha reactions to them for some reason. I was wondering... If Wukong and Macaque have a child (hypothetically, and by the biological way) wich one would be the oven for the bun? You have a fan from Brazil<3

Well, I would say Wukong, but here comes the question: a Stone Monkey, born from a stone, would be able to reproduce themself? There are no other like the four celestial primates and MK, so I would assume that they weren't able to- reproduce normally. Also if they would does it mean the womb is a stone as well???

@sollythesalt ha chiesto: Just asking if Wukong is trans do his female organs also count as part of his un-glamored form or does he stay with his male ones when he drops his glamour? Also what does his glamour include in your au just out of curiosity?

No under the glamour and shapeshift he still has female organs

@dandy-doodles ha chiesto: I'm VICIOUSLY consuming your comic rn - It actually came across my feed from a reblog. Never watched the show before. Loved the comic so much I binged the entire series and now I'm sat with the task of reading JTTW. This hyperfixation is your fault I love you for it. @ivoronical ha chiesto: Hi! I don’t know how tumblrs asks work because I’ve never used them before, but just wanted to say that your art is ✨fabulous✨ and you’re shadowpeach bio parents au has convinced me to rewatch the show entirely. It’s also made Macaque one of my favorite characters and because of that I am halfway through making a cosplay of him completely from scratch and I’m very excited to finish it:) Anyways I’ve rambled enough. Have a nice day!!! @starzz-twi ha chiesto: Can I just say how much I adore your art! It inspires so much that I might try drawing lmk again 🫶🫶🫶🫶 @artemismoorea03 ha chiesto: I hope you know that your Bio Parents AU fills every waking moment. I swear I only get on Tumblr anymore to see if you've posted something. I eat up any art you post regardless of what fandom it is and I just have to tell you that your art tastes like a blue raspberry icee (the best kind). I hope you're having a fantastic day ♡

AWWW TYSM TO ALL OF YOU!!!!

@sakuralotus03 ha chiesto: What will family gatherings be like now that MK has 4 parents? Like his birthday or end-of-year celebrations. I want to see more of the dynamics of the 4 parents interacting and talking about their one and only child.🐷🤓☀️🌙

oH CHAOTIC INDEED

Anonimo ha chiesto: How does it feel to be one of those artists that like 70% of the fandom knows about

wait is that a random number or???

Anonimo ha chiesto: Will we maybe see Macaque interact with Bai He or Mei?? (I'm starved of DarkHorse/EnderDragon/NightFlare Duo and Raspberry/Black Cat Duo) But I am interested if you might make them interact! :D Anyways, I love how your art got better by each comic, you can see the improvement from the slight sharpness of the shapes in the first comics and the now softer lines.

mmmmm I will maybe I'll do some small scenes

Anonimo ha chiesto: Past Wukong working out: I'ma get so strong. Ain't no one beating me Present Wukong working out: I'ma be so good at hugging my son and husband.

AWWWWWW WHAT A GOOD BABA!

Anonimo ha chiesto: Hello! I wanted to ask if we'll see just how sensitive Macaque's hearing is in your Au in a future comic maybe? Like... a thunderstorm happens or something when he's around FFM watching Mk and Wukong train or something that affects his hearing badly? But either way, love your art and style! :)

mmmm don't know if I have a scene planned for that...

Anonimo ha chiesto: Does Wukong and Macaque know about the other 2 Celstial Primates, Red-Hoarse Baboon and Lomg-Armed Gibbon, in your Bio Shadowpeach parents au?

I think so? In JTTW he knew so I would assume the same?

Anonimo ha chiesto: Will Macaque use his future vision at any time again in this comic? We now know in this Au he hasn't used it in years. But maybe will he use it again soon? I bet he won't but I still wanted to ask :)

not unless he is forced to

Anonimo ha chiesto: I’ve been listening to a song from a Pokémon movie: Always Safe by Cynthia, and I think of the Shadowpeach bioparents Au everytime

AWW that's beautiful the lyrics omg!!!

@notjustonefandom1 ha chiesto: So, I've been thinking about MK's staff. After he got it do you think he develops a habit of clasping his hands together, especiallywhen stressed or threatened? With the fluidity and energy he moves with, I think it would take a while for him yo find a chance to Summon the staff, especially if he isn't fast at it yet, so he just starts keeping his hands pressed together in preparation.

ooooohhh that's a cool idea!

Anonimo ha chiesto: Where does the Macaque has white fur head canon come from? I'm new to this fandom and I'm still learning things and I see it everywhere

I honestly have no idea but I guess either because Japanese Macaque are white furred or bc he died.

Anonimo ha chiesto: Ok so this may be a sensitive topic and definitely doesn't need to be answered so TW Did mk ever go through a depression thing after trying to die to save the universe in the last season in your au? A in like what if Wukong and Mac find out he used to SH?

hish. I'm not probably the right person to answer this. Probably he did had depression tendencies but didn't recognize them until someone pointed them out.

Anonimo ha chiesto: This ask os Going to be a little weird But Can I See Macaque Pining Wukong on the wall?In a Flirty way?(pretty Please?) I love Your Art so much!👑❤️‍🔥💎

Ouh.. *cleans forehead from sweat* is getting hot in here... maybe?

@autism-autobot ha chiesto: Wukong: OH BUDDHA, HE CALLED ME BABA!!!!! (SCREAMS WITH JOY) What DBK heard over the phone with his brother: OH andhdbrjjsm (feral monkey screeching)

Poor DBK gotta deal with the gossip now

@alastair-1205 ha chiesto: OMG THE MOST RECENT PART IM CRYING But I also love how Mac's first instinct is just grabbing Wukong and being like: "get out of hearing range before we freak out, get out of hearing range before we freak out, get out of-" you know? It's very funny but also builds on past comics since they woke MK up last time smth like this happened and I'm just !!!!!

GOTTA MAKE THE BABY SLEEP

@eerieqloss ha chiesto: OSISJJWJSJSJWWN OKAY WAIT SO IS MK GONNA START CALLING THEM MAMA AND BABA INSTEAD OF THEIR NAMES CONTINUALLY OR WAS IT JUST THAT ONE TIME

It wont be a one time!

Anonimo ha chiesto: I hope you are resting as you should Always remember to take your time, rest first, then work, ofc as far as possible 😅. I have a fun question (if you have the time ofc 👉🏻👈🏻): will we see Feral MK again? But you know, like another kind of "demonic learning" that maybe wukong or Mac will teach him to control or see that it's not bad as it looks

For now i want my baby to either be happy or traumatized not angry.

Anonimo ha chiesto: I feel like i remember you asking about happier shadowpeach songs for your playlist, but I can't find the post anymore. But if you're still looking, Livingston's new song Glow reminds me of them and also made me think about the eclipse scenes in the comic.

Several of Livingston's other songs also give me shadowpeach vibes, but I think about them so much that I might just be seeing them everywhere at this point.

Oooh true a lot of his song fits really well!!

Anonimo ha chiesto: This is the only instance where having a kid really did bring a couple together.

TRUE LMAO

Anonimo ha chiesto: Soo...Wukong and Mac in the DBK Palace I have a question in my mind!!!! Actually I hope you to see it and draw it.. if you don't wanna it's okay! What if DBK & PIF flirt with each other or smt like this u know in front of shadowpeach?! They will probably look to each other and then blushing hard

HAHAHHA poor souls they would totally think of wanting to kiss each other but can't because they are emotionally constipated.

[brian-in-finance]

🧵Outlander_Starz: Outlander is back and so is "Inside Outlander," your scoop on the behind-the-scenes magic that brings this magical series to life! ✨ Let's dive into the emotional premiere, "Unfinished Business," shall we?"

Returning to Lallybroch and the location of Midhope Castle where Outlander films wasn't just magical for the fans but for the cast as well. Sam Heughan says this was his favourite location from this second half of the season.

Going back to Lallybroch was a really big moment, for Jamie but also for Outlander. It's where we started. I have a lot of memories working there. One of my first days shooting in Season 1 was at Midhope at Lallybroch... so it was quite a special moment.

Actually, I'd never been in the actual castle because it's derelict. We were using the doorway. So, I actually got to go in this time and have a look inside, which was very special. — SAM HEUGHAN, JAMIE FRASER

🧵Outlander_Starz: Showrunner and Executive Producer Matthew B. Roberts said, "Bringing one of our main characters back into the show... Scotland... she's such a beauty.

You miss her when you're not there. I love when we can play Scotland for Scotland at any point. And that iconic driveway going up to Lallybroch, it always makes your heart beat a little faster."

🧵Outlander_Starz: Set Decorator Stuart Bryce, who has been on Outlander since the beginning, was nostalgic at recreating this set across decades: "New touches, like Mike Gunn's murals, were a great addition, but essentially we didn't have to change too much. We kept it as true as we could to the original Lallybroch.

The tapestries in the dining room had been in storage, and there were a few pieces missing, so finding the original plans and having to recreate them was a challenge."

🧵Outlander_Starz: For Production Designer Mike Gunn, now that we're seeing Lallybroch in 1739 as well as the 1770s and 1980s, it was important to instantly recognize Roger was in a different time. He came up with the idea that behind the incredible tapestries from Season 1, there were murals created in the time of Brian Fraser, hidden after Culloden, then discovered by Bree and Roger in the 80s.

Read more about how Mike used these murals to plant Easter Eggs about Jamie and the story of Outlander itself!

I developed this backstory that the murals depicted the Jacobite rising and fight for Scottish independence. By the time the 1770s came and the Jacobites had lost Culloden, that's when the tapestries were hidden... In the 1980s, the tapestries were taken off. That was the starting point.

Then I decided to weave in the story of Outlander...

The unicorn, which I decided to depict in all of the four images, was Jamie. And of course, Claire is going to come into that journey. The central mural above the fireplace with the unicorn and horse, that's the two of them in love. But the unicorn is depicted as having his struggles throughout. He's depicted fighting a mythical beast that you could say is Black Jack. — MIKE GUNN, PRODUCTION DESIGNER

🧵Outlander_Starz: Fans will be delighted to see Jamie and Claire staying in the Laird's bedroom again with the iconic blue wallpaper. Set Decorator Stuart Bryce says of this room: "There is something about that blue that makes people's skin look amazing and enhanced those early romantic scenes of Jamie and Claire.

When we came to put the room back together, though it was exactly the way it should have been, by some mystery, the room was bigger...something spooky happened there!"

Inside Unfinished Business • 1 of 1

Threads 🧵

Remember… you miss her when you're not there. I love when we can play Scotland for Scotland at any point. And that iconic driveway going up to Lallybroch, it always makes your heart beat a little faster. — Matthew B Roberts

[ir-abelas-vhenan]

I received a comment on one of my posts about how Solas and a romanced Lavellan aren't his most important or only relationship, and while I have been trying to work through the content we ARE given in the game (which is, unfortunately, mostly Solavellan focused and less expansive for Inquisitors who had a different relationship for him as far as I currently understand it) before moving on to other things I wish we'd gotten to see, I wanted to take a moment to emphasize that I do love and miss the connections forged in Inquisition. I look forward to seeing more posts delving into it once the initial torrent of emotions settles a bit.

I know that EVERYONE except Cole Greatly Disapproves at the end of Trespasser, but if Varric can overcome any grudge he had claim to against someone who (potentially) set in motion a series of events that killed his best friend, I like to think that even if we didn't get to see it in Veilguard, his other friends tried to help bring him home, too. Maybe in the form of helping out where they could, but at the very least through some meaningful little moments we could have gotten as codex entries (or can imagine for ourselves quite nicely).

My favorite is currently the possibility that in the skirmishes between agents of Fen'harel and the Inquisition (disbanded or not), little slips of paper get dropped/exchanged/found amidst the chaos.

Depending on your worldstate, Blackwall is potentially the king of "I made some REALLY bad mistakes, but exist as proof that with the right people around you, you can still do good." Solas admired him a great deal, and they had some of the best conversations in the game. I like to think he'd send letters both grand and impassioned as well as just short ones, maybe little updates on his life. "Helped an injured farmer repair his roof. Stayed for a fantastic meal. Never would have happened if I hadn't tried another way."

I know there was more to their relationship than chess, but I also would have loved if Bull and Solas exchanged a few more intellectual jabs through it. Solas wins, and wins, and wins, but I like to think that the closer we get to Varric finding him at the ritual, the more ground Bull eventually gains, until finally, panicked, Solas never sends an agent with his next move, and Bull knows he's faltering at the finish line.

And ofc I would have killed for absolutely any interstitial scene with a Cole who remained a spirit, arguably the character that understands Solas the most, talking to him in the Fade Prison. I think he really could have benefited from some compassion while he was busy manipulating Rook.

These are just my initial thoughts though. I know there's so much more that could be talked about (I'm still partial about a world in which Solas' worst nightmare in the form of Sera appears and for once they're on the same page because if he thought she annoyed him? Hoo boy is Elgarn'an even more susceptible).

Anyways. Yeah, I love Solavellan, but I love the entirety of his story and the relationships he formed, too.

[call-me-copycat]

BNHA Spoilers:

(Also this is just a complaint post, I'm not very good at explaining my thoughts so please don't try to argue :⁠-⁠( Feel free to add on thoughts but I can't argue )

I have to say I'm not too happy with the leaks, which is hard for someone like me to admit!

As an AceAro person, I was thrilled with the original ending and the fact that no ships were confirmed nor denied, because it left enough for the fans to work with while not shutting anyone down outright

I'm not really a fan of ships, I'll be honest, and I don't really like romance in anime (hard to avoid! I know!), but I never really saw anything wrong with people and their ships and whatnot, and I never minded analyzing some of them for some friends - it was all in good fun after all!

The pairs in the leaks felt like something out of character almost, it didn't feel very... Horikoshi Style I suppose

I do enjoy getting extra MHA content, I always always will, but it isn't a good feeling to me seeing these characters in this anime that focuses on motivation and inspiration and becoming Heroes eventually getting together and dating - I'm not sure, I guess it's the unfitting themes? Something about it unnerves me

I don't know, I've always been adverse to romance my whole life, I always preferred plot and writing instead of two characters getting together (if the plot and writing lead up to two characters getting together? I'm fine with that)

I've seen people saying Uraraka and Deku are canon and I have to say... I don't really feel comfortable with that

I can see it as cute, yes! But I feel that he didn't have as deep a relationship to her as he did with Bakugo (they're always themed around each other, and I found whatever relationship they have with each other very profound, as it ran very deep for a very long time)

Same goes with Toga and Uraraka - it happened over the course of the series, I got to see them learn and struggle together, I got to see them talk about their problems and desires and it felt overwhelmingly different than when it's Deku and Uraraka

I may be biased in the end, I have friends who ship Deku and Bakugo and I have friends who ship Uraraka and Toga, but I've seen some very informative takes that explain it a lot better than me why I think they're such good parallels to each other

I like that Deku and Uraraka are good motivators to each other, Uraraka inspired him in the beginning when he really needed it and he returned it to her as well - but I can't really see it as romantic? Then again, ignore that because I can't see anything in MHA as romantic

I dunno, I feel the romance really overtook the whole plot away from the ending and I'm devastated - that's all what everyone's talking about right now, no?

Deku and Uraraka

Denki and Jiro

The rumor of Bakugo being married (?)

Kinoko and Kuroiro are dating

That's not even all, there could be more that I easily missed

It feels very unsatisfactory, it makes it seem like Love was the entire meaning of the series My Hero Academia when it was not! I'm a big full-circle person, I would have adored a call-back! Something that alludes to the beginning of the series, like what they did with the cover

I want to see how Hero Society is, I want to see Deku and how he coped with the loss of OFA, I want to see Aizawa, I want to see Present Mic! How is he doing, I want to know if he's okay? Is Nezu still the principal? There are less demand for heroes since there aren't as many villains, I want to see that change and its effects! I want to hear more about Vigilante Heroes, and I want to see other Underground Heroes, I want to know more about the Quirk Doomsday Theory, and more about what the world was like when quirks first formed, and I would like to see Hisashi Midoriya! There's so much, see? I would rather talk about that and more over who's dating who ( ･᷄ὢ･᷅ )

It has its good moments, I will always love seeing the (former) class interact with each other, and I really liked seeing the new Hero Rankings, especially with some of the aged up designs for the characters - I can feel how much love Horikoshi has for these characters no matter what's going on in the series

I don't know, don't take me too seriously because I am a biased person after all - I've dropped one of my favorite book series as a kid because my favorite (the most competent) character died, and then every person in the book had gotten together with another person - it was a similar disappointment because it ignored the plot (it was a post-zombie apocalypse series) in favor of looking towards romance once more

Fairy Tail recently came out with their 100 Years Quest, and I know I dropped the anime early on as a kid (in favor of MHA ironically), but coming back to it only to see almost (if not) all characters together in a relationship, some with kids? I know, don't go near anime if you don't like the tropes, I've been told that before - I'm just complaining a little because I didn't expect to see it in MHA so I'm a little shocked

Nevertheless, I'm still looking forward to seeing the rest of the epilogue, I'm always a fan of Horikoshi even if I don't like some things (⁠；⁠^⁠ω⁠^⁠）. It's still a treat for me to get more MHA content, I love the art and I love being a part of the fandom -

I'm sure some time in the future I'll even miss the shipping wars that went on lol

[catrastophicsoul]

I'm going to raaaage here, but I need to let my frustration out.

I LOVE Arcane. Really. It's one of the series of my life. It's deep, the characters are amazing, the art style is so fucking cool.

I passed 3 loooong years waiting for the second season. And it's amazing, sure, but many things for me are.. Frustrating. The first act it's good, the second it's amazing, then the third... Just feel incomplete?

There's almost no dialogue in the second season. Imagine how WOW is going to be a deep, meaning conversation between Jinx and Vi (to understand each other's POV) , Vi and Caitlyn (they need one, a big one, to make amends), Ekko screaming truths in Caitlyn's FACE when she was lost in revenge? Feels like the ending will have soooo much more impact.

There's other things: Jinx's thinking that her DEATH is the key to her sister beeing happy??? Sevika without a fucking voice line in act 3? Zaun and Piltover being BFF with only a discourse by Jayce, not even a "I'm sorry for all the years we treated you guys like shit?"

And damn, I MISS the season 1 Vi. She's hot and badass in the second (impossible to not be, LOOK AT HER), but...did the show runners started to hating her, or what? Making her doing shit decisions (and not really explaining them), becoming a pretty much side character in her own show (the plot is about the sisters for fuuuuck saaaake), going into alcoholism, beeing humiliated by her own lack of actions, losing everyone. OMFG how washed you can turn a character???

They didn't even let her to be the one killing Maddie (c'mon, that would be fucking FUNNY).

Anyway, go on, watch Arcane. Is still a piece of art. With a veeeery frustrating, yet still good, second season. I really need the - obviously - scenes they cut out to make 40 minutes episodes.

[traintrainingmontage]

Yesssssss more delicious Jobey cooking! I also like a lot of what's been said here. I mentioned in my own Edward Appreciation Essay (intended solely to highlight what I think are Edward's good qualities, mind you; I didn't talk about what I think are his weaknesses there) that Edward is very big on helping engines who feel lonely and unsure of themselves. Those are feelings that he can empathize with deeply, so he likes to help others that he feels might be suffering through that as well. As stated here, he wants to help James feel more welcome. That said, he does so at the expense of Gordon's image. It's a kindness to James, sure, but not so much to Gordon, although I don't think Edward is necessarily intentionally saying this to hurt Gordon--it's to bolster James. It's just interesting to see how Edward's kindness manifests--it's not platitudes or inoffensive fluff. It's "real" in a way that speaks to people; kind, albeit not the kindest.

I mentioned in my previous Essay that Edward feels like an example of a "good Christian" and role model in the sense that he's big on turning the other cheek, being kind and giving, etc., which works great for kids. However, that's the surface layer, which makes sense given that the Railway Series is intended for all ages, including adults. The deeper layer is that I feel Edward is a realistic portrayal of what might be considered ideal behavior regarding how to deal with your colleagues, from the younger ones to the sucky ones. I don't think that Edward keeps grudges, but like Jobey said, he does remember slights. That's normal. That's human ("human"?). It's what you do with that knowledge that matters, and in Edward's case, he uses it to make others feel better (at least, a large majority of the time). However, that does have the consequence of reinforcing his own negative Gordon feelings, such that he misses Gordon's growth at times.

The idea that Edward connects with all of these other misfits, often on the basis of them being misfits, is so interesting. It adds more dimension to the fact that Gordon, while being a prototype, is still sort-of a misfit in our eyes, but to the engines, he's the most-wanted/most hoped-for engine out of all of them. That's got to sting on some level, especially for Edward, who was also built to be a beloved, celebrated Express engine and was tossed aside. That, plus the fact that Gordon acts so superior... as far as Edward can read, he's not lonely. In fact, he's half the reason Edward and the others do feel lonely/lowly (and itches at Edward's abandonment issues, but I've said that already), so Edward would rather keep his distance and not engage.

Gordon's character growth is honestly one of the most compelling NWR-related arcs to me. I love that he feels so strongly and deeply about things and comes to form alliances with even the tank engines, who were once totally below him. He's humbled, but he grows from those experiences.

All of this is to say that I really love this analysis so far. It's cool to step away from the TVS' influence and solely take a look at things from the books' perspective; there's quite a few interesting differences!

Gordon and Edward, Part 2

Hello and welcome back to "Jobey ruins beloved RWS characters for you, using the power of... the actual RWS text!" 😇

Part 1: Gordon, what's your damage? 😭 / The Doylist Reason / Rent. Free. 

Post 2 (this post): Edward's Defences / Gordon's Growth

Post 3 (upcoming post, link later): Collision / Uh… Cleanup Crew?

Edward's Defences

Pretty consistently, through the next 45 years, Edward (most conflict-avoidant engine ever built?) takes a four-pronged approach to dealing with Gordon and the threat he represents:

He keeps Gordon at a distance. He focuses on building connections with… Literally Everyone Else. Gordon is kept more than a good buffer's length away (and when they must be in close proximity things do tend to go south in a hurry).

He tries to never give Gordon a reaction, or any other ammo. Will not admit weakness or discomfort or upset. Difficult, because he has a transparent face when he's sad! And he's comfortable confiding in others! But he'll never, willingly, let Gordon see him bleed. 

Instead he treats Gordon very lightly. Adopts a sort of affectionate knowingness, which allows him to "laugh off" Gordon's more irritating or threatening qualities. 

He takes control of the narrative. He doesn't shy from telling humans the engines' business. He spreads stories (I'm not saying false stories) that counter Gordon's branding of himself as supreme and infallible. He also builds his own brand as reliable and sensible. 

Where do I get all this from? The text: 

"I've got some trucks to take home tomorrow," he told him. "If you take them instead, I'll push coaches in the Yard." (~1925)

We're less than one full book away from "now all three engines are great friends" and Edward is already shedded somewhere else, baby. That move was likely integral to developing those two new friendships with Henry and especially with Gordon… ironic but true. Hey, we know that the big engines seem to have only learned to appreciate Thomas after he left, too! And, of course, it gives Edward some space from all of the *waves hand vaguely* at the Big Shed. He doesn't like conflict (and Gordon is a conflict-generating machine). 

They both rested at the next station; Edward told James how Gordon had stuck on the hill, and he had had to push him up! (1925) 

Bro. Bro bro bro bro bro. I am pointing urgently. 

This bit is so telling. It's been two years since the events of EDO/E&G and Edward is already seen defining Gordon's whole brand as we now know it to newcomers. 

If it wasn't for that moment, I wouldn't insist with nearly as much confidence what I think then comes into focus as a clear fact: The early RWS itself is all evidence that Edward is winning the propaganda war, lol. Gordon's opinion of himself is a silly, endearing, limited point of view. Edward's opinion of himself is canon, bitches! 

Incredible stuff. 

This scene is a glimpse into the tactics that allowed Edward to eventually win this game (poor Gordon has no idea they're playing). Here he is laying the groundwork a good 20 years before the books about them were even published! And this is a good place to remind readers that, unlike in TVS where they make Gordon's hill problem a recurring gag, we only see Gordon stalling out there and requiring a banker's help once. In Christopher Awdry's Gordon the High Speed Engine, he also specifies that Gordon (who is about to have trouble on the hill again, in the 1980s) stuck before on this hill. "[O]nce." Once. 

This is not a habit of his. It was a one-off thing. It's only remembered at all because his superior attitude and his ignorance of the words "thank you" offended Edward so deeply that he kept the memory of this event alive for over 20 years, until the Thin Clergyman got the story in print. 

It's a bit messed up. 

It's more than a bit petty. 

It's so bloody funny. 

No, I don't think Edward is some consciously evil Machiavellian genius. He's neither vindictive nor that far-sighted. But he's resilient, and creative enough to instinctively change the rules of the game when otherwise they'd grind him into rust. And there is his characteristic kindness mixed up in all of this, too: He needs to find a way to welcome Gordon's presence in his life, so he finds a narrative that makes Gordon funny and lovable instead of a threat. He sees James is insecure, so he tells that story at least partly from real solidarity and empathy. It's not like he's trashing Gordon, either – there is no lie told, and James is not put off trying to "motor-mouth" his way into Gordon's good graces. I'd characterize it, not as trashing Gordon, more… injecting an element of realism into his growing legend ;) We see in the same book that Gordon is continuing in his superior attitude (which involves putting others down, even if it's a bit more indirectly than he did two books earlier) and that his attitude depresses and dejects newcomers like James. There is good, civic-minded reason to slyly undermine Gordon's branding of himself as all-powerful and invincible – it's not good for the railway as a whole if Gordon is allowed to lord over them all on his throne unchecked, the new engines forever overawed. It is kind of Edward to welcome James and give him a boost, it's genuinely useful for everyone that in the end James triumphs to seize the role of a darkhorse rival junior but trusted colleague of Gordon's. 

At the same time, while it's all justifiable and even beneficial, this action is also very useful in cementing Edward's own position. Let's just be clear-eyed about this. 

"Shall I help you, James?" called Edward. / "No, thank you," answered James, "I'll pull them myself." / "Good, don't let them beat you." (1925-6) 

Edward and James show a perfect understanding of each other in this moment – different though they may be, Don't let them beat you is a shared value. (Shared by a lot of engines, of course; probably a steam engine culture thing. Douglas says something similar in RWS after accidentally destroying the spiteful brakevan.) It applies here to trucks, but no doubt that's a value that motivates them in other areas, too. 

It's just worth remembering this, when it comes to Edward's stance re: Gordon. He's more subtle about it than James is. He sort of has to be (he cannot directly compete with Gordon, as James can). But he's still determined to not be beaten. 

Errr, but then Gordon triggers a chain of events that Edward could have never conceived of. The Fat Controller sends him to Tidmouth, Edward goes in with no idea what he's facing, and wham. We have the first of the two really severe strains on this relationship: 

Gordon came clanking past, hissing rudely[...] / "They all hiss me, Sir," answered Edward sadly. "They say 'Tender Engines don't shunt', and last night they said I had black wheels. I haven't, have I, Sir?" (~1927)

Two things to note here. This clash doesn't only represent Gordon's and Edward's differing views on what is proper to the dignity of an engine and what he owes to his railway. That's all The Author can see of it, of course… The Author being a human, and thus with a vested structural interest in vindicating Edward's point of view on this matter — and in mocking Gordon's view to scorn. This is why, so far as the book is concerned, Gordon and his two big-engine followers don't have a wheel to run on here. The Gordon position is portrayed as thoroughly unreasonable (even if, despite the narrative's best efforts, the text must admit that the Fat Controller does actually have to get a new tank engine – which was Gordon's demand all along!) 

Because of The Author's interest, there's no chance of any acknowledgment that the other tender engines' anger might have the slightest validity to it. However I think we are seeing another, parallel clash going down here:

Gordon naturally sees friendship as, well, as an Alliance. My friends are your friends and your enemies are my enemies. United we stand, together we fall. The problem is that while Edward is mild-mannered he's not a follower, like Henry and James – he has his own mind and he's not about to substitute Gordon's convictions for his own. Edward's idea of friendship is mutual sympathy and support. Emphasis here on mutual, because you just know that young Gordon was quite prepared to receive support (as his due!) but had trouble returning it. That's something Edward considers a serious insult… whereas his own idea of friendship simply has nothing to do with "how dare you cut the branch out from under me when I'm risking my tender leading collective action against management!" To Gordon that's a real betrayal. I suspect when Edward undercut his strike Gordon was genuinely hurt and felt a real righteous indignation – one that is never expressed in canon because to the Author there's nothing even slightly valid in Gordon's hurt. But canon (the Author, the railway, the whole institution of human society that made and employs these guys) does validate Edward's position that boasting and one-upmanship are hurtful, itself a sort of betrayal – which is a big problem, since for Gordon they're alarmingly close to a damn love language.

This is a position on which I feel no need to take sides. I know the Author's position. I think they just have irreconcilable values and that Gordon's values, while I don't share them, aren't just shit, either. I don't condone all his behavior here but I do think his idea of friendship is consistent over the course of the Wilbert books and that he would feel genuinely betrayed here. And if you've been betrayed then it makes sense that you are hurt and angry. 

What a mess. 

"Tender Engines do shunt, but all the same, you'd be happier in your own Yard." (~1927)

Guys, I'm telling ya, the Fat Controller knew what he was doing when he separated Edward from the other "great friends" after the events of TTRE. He knows. Letting Edward have distance from Gordon is policy. Pre-existing policy. Drafting Edward to Tidmouth was a last-ditch effort to avoid buying a tank engine but TFC is unsurprised when it takes less than one (1) day of proximity for Edward's "laugh 'im off" strategy to fail. Proximity causes the fragile Edward and Gordon relationship to collapse immediately – which inevitably means that it's Edward who gets hurt – and so Hatt is resigned to his new expenditure. Off to the engine orphanage. 

After Percy is brought in, Gordon et. al. are suitably punished, and equilibrium is restored, there is again a long period of relative peace between 2 and 4. And it's not because Gordon has lost his capability to be an asshat to others (see "Gordon's Whistle" and "Off the Rails" and "Duck Takes Charge" and – etc.) But Edward's defences are restored and he continues to reinforce them. Again in safety at his own station, he regains his ability to laugh knowingly and to gather intel for the oppo file: 

“It sounds like Gordon,” said Edward, “and it ought to be Gordon, but Gordon never whistles like that.” / It was Gordon. / … / He screamed through the station and disappeared. / “Well!!!” said Edward, looking at Henry. / “It isn’t wrong,” chuckled Henry, “but we just don’t do it,” and he told Edward what Gordon had said. (1935-6) 

After Henry's rebuild, there is a long "dark" period – end of Depression (including Gordon's rebuild) and WWII. During the course of the war the Thin Clergyman begins (and ends) his stint as publicity director for the NWR, and in 1945 TTRE is published. I reckon the focus on Edward, Henry, and Gordon reflects that this was a high-water mark in their friendship. The qualities and values that these three actually do have in common – duty, loyalty, determination – would have been at the forefront for those years. They would have faced a lot of very difficult days together, and together they got through them. The bond might have been heightened because frankly this is the sort of circumstance I can see them at their very best but the opposite being true for James, so there might have beena bit of "the old band getting back together" and re-bonding. In particular I can see Edward and Gordon during the war years learning to better appreciate the other's strengths. In 1945 you can easily imagine 'the three railway engines' looking ahead to a happy new era and genuinely believing that all their petty squabbles are in the past, they will never have problems between them again. 

Lmao. 

Well actually, of course, life goes on. By 1952 Gordon in particular is achieving brand-new levels of asshattery in the lead up to his ditch tourism. However, the interactions between him and Edward this year support my guess that this was a period of detente: 

“I won’t go, I won’t go,” grumbled Gordon. / “Don’t be silly, don’t be silly,” puffed Edward. (1952) 

This is their most obvious "tug-of-war" moment ever, but actually the stakes here are soooooo low lol. To me this is one of their cosiest and most comfortable interactions, actually. This is a rare case where they don't sound like stuffy, old-school, vaguely-to-explicitly dysfunctional colleagues. They just sound like siblings. For once they're being fairly frank with each other. 

Wait… what's this... for twice? 

1952 was a banner year for them, guys!

The engines in the Shed were excited and wondered who would pull the Royal Train. "I'm too old to pull important trains," said Edward sadly. / "I'm in disgrace," Gordon said gloomily. "The Fat Controller would never choose me." (1952) 

This is a remarkable moment in this dynamic. It's the only time Edward ever admits vulnerability in front of Gordon. Fascinating. 

I think it's extremely relevant here that Gordon has been in dire disgrace for what appears to be at least two months by this point. His status (though soon to be restored!) is currently nuked. Gordon's been in a very amiable frame of mind towards everyone. He has never been less of a threat.

It's also extremely probable that, even if this book was published first, this scene almost certainly takes place after EtBE. So earlier this same year where Gordon hits his lowest-ever status, Edward has hit his highest since Gordon arrived – the Fat Controller has overhauled him and Edward returned to an enthusiastic hero's welcome from the other engines. Everybody's drinking their respect Edward juice just then. 

So this is a very brief period where Edward does not seem to feel any need to keep a wall up around Gordon – nor the others. 

Now, with James and especially Henry, perhaps that wall never goes up again. But with Gordon, well. Let's just enjoy the moment. Presumably the whole royal visit prolonged this high point in their relationship even a bit longer. But it won't last. 

When Gordon and Henry heard about the accident, they laughed and laughed. "Fancy allowing cows to break his train! They wouldn't dare do that to us. We'd show them!" they boasted. / Edward pretended not to mind[.] (1952) 

Backtracking to earlier the same year. Gordon's acting an ass here – but not like the asshole of the tender engines' strike affair. We're back, not to insults, but to mere boasting. But... reminder that while Edward probably feels an insult keenly (he feels everything else keenly; why not this?), it's boasting that really seems to get under his paint.

I cannot overemphasize the line He pretended not to mind. 

Edward is not a pokerfaced engine! This is not natural behavior for him! He's the "why are you sad?" "hullo Edward, you look upset" "Where is Thomas??? peepipeeeep!!" guy. This is play-it-cool stuff is behavior he developed as a shield against Gordon. 

To be sure, we also see him employ it later this same book, this time against James: "Late again?" / Edward laughed, and James fumed away. The difference is – well, the need for the life-saving chase was pretty lucky, of course ;) but the real difference is that at the end of the affair James makes a real apology. As a result, the narrative tells us (doesn't show us, which is too bad, but I'm going to trust the telling), their old friendship is restored, strengthened even. Unfortunately making a real apology seems to be something completely beyond Gordon, at least at this point. And even if it wasn't, well, Edward never directly asks for one or complains about the behavior of the other engines to their faces. I don't know if Gordon is capable of apologizing to Henry either, but at least in that case Henry is going to be very loud and clear that he wants one. (This is probably at the bottom of the success of the 3+4 friendship. Gordon needs things spelled out for him – and Henry complains and grumbles without restraint, no Gordon will always be kept up to date on exactly where they stand.) Edward doesn't do that, perhaps can't do it because it violates his "never admit weakness in front of Gordon [or, in this one case, James]" defense mechanism. His remark referencing the "Old Iron" insult hints that he's ready for an apology – and James is able to take the hint and respond appropriately. Maybe that's why we've only ever seen Edward have to use the laughing pokerface strategy with James once, and we see him using it re: Gordon many times. 

Going back to "Cows." At the end of that story Edward needles Gordon the same way he later does James. Gordon responds, not so humbly and sincerely, but arguably a form of relationship repair happens: 

"Well, well, well!" chuckled Edward, "two big engines afraid of one cow!" / "Afraid – Rubbish," said Gordon huffily. We didn't want the poor thing to hurt herself by running against us. We stopped so as not to excite her. You see what I mean, my dear Edward." / "Yes, Gordon," said Edward gravely. / Gordon felt somehow that Edward "saw" only too well. (1952)

Well… they too are restored to their status quo. 

It's just that their postwar status quo is polite, passive-aggressive points-scoring. 

Now, at least it's civil! It sounds friendly. It sounds like there's mutual respect there. But...  

It's not enmity. But you might call them frenemies.

I also need to remind us that we are reading the above quote because it is in print. Post-war, there is a new factor playing in this dynamic, a nearly-invisible but probably incredibly important one: the Thin Clergyman keeps publishing one or two books about their goings-on, every damn year. His interviews and his publications have already stirred up all sorts of old history (notably Troublesome Engines came out like two years ago, so they got to re-live that pretty recently). But now the RWS has "caught up" to current events so the engines are having the interesting new experience of an account of their doings for the year coming out, like, right away. Everyone becomes famous, but this also means that the books (and The Author's take on them) are shaping more and more people's perceptions of these guys, who have enough foreign traffic on their railway in this era that they cannot be ignorant of this effect. You know what they say about fame: it takes already imperfect relationships, and makes 'em better! 😇 Wait, no, they definitely do not say that... There is no chance that this sort of meta "reality tv show" factor didn't affect their outlooks and relationships. 

Especially in a relationship like this. Where the Thin Clergyman's account of things heavily favors Edward, and rather severely trims Gordon's wheels. 

Ooooooooooooof. I don't even want to speculate about the details of how this play out, but just bear in mind that it's. there. 

Maybe it illuminates a lot of stuff going on in Duck and the Diesel. Including this… 

“[H]e told Edward what Gordon had said. / “Don’t take any notice,” soothed Edward, “he’s just jealous. He thinks no engine should be famous but him.” (1957) 

Erm. That's a pretty blunt assessment. Especially from an engine who usually has rose-colored glasses firmly attached. 

I've never heard Edward say anything negative before about… anything. Literally anything. Let alone an anyone. 

His prior remarks about Gordon always had the air of "haha… lol… Gordon, we love him of course 🙃…" There's no laugh here, no fondness, no attempt to soften things. 

Not that this bluntness is a bad thing, in and of itself. But if the goal of Edward's defences was initially to find a way to maintain a good relationship (and I think it sincerely was), then the last example, from DatDE, is a yellow flag. It's been over thirty goddamn years now, and Edward is not growing more accepting and comfortable with Gordon – the opposite, actually. I don't hear Edward being unfair to Gordon there, precisely, but I do seem to hear markedly less tolerance than before. 

And this is interesting, the hint that Edward is losing patience with Gordon. Because Gordon is actually engaged in a lot of self-improvement. 

Gordon's Growth 

He's been on a magical journey of character development, guys. 

And it started way before his book/1952. 

We see the little crocuses of Gordon's emerging awareness that Other Engines Have Something To Offer, Too almost from the get-go. I would count the fact that (back in 1923) it's Gordon who proposes that Henry is let out of the tunnel to try pulling his train. Which. Crazy idea, really. But even crazier because Gordon's been shown to have previously spent day upon day upon day whistling "Serves you riiiiiiiiight!" 

Honestly, this is yet another hint to me that Gordon comes across as way harsher than he means to. I almost called the above "openly taunting Henry." But honestly, given his immediate and unexplained turnaround by the end of the story… once again, I think Gordon was being judgey and blunt, but really had no idea that what he was doing was so hurtful. Or that other engines have, like, feelings. Real feelings. 

We see this pattern again and again. Gordon tells Edward "[I'll] be a splendid sight for you" and James "Ah well, we all have to begin somewhere, don't we? Run along now and fetch my coaches" and the two smaller engines, quite understandably, seem to say in their hearts oh my God, what an insufferable asshat. Meanwhile Gordon thinks he's being friendly. Or at least condescending (but, like, in the fun, benevolent way). Similarly, Gordon tells back-from-major-reconstructive-surgery Henry that he's been really letting the side down in, like, three different ways – and I bet if anyone had directly challenged him he would have sincerely been like "... What? What's the problem? I told him we were happy to have him back!" Even his spat with Henry that led to his boasting in "Off the Rails" began with what have may been genuinely mother-henning his friend. I would not be too shocked to learn that Gordon gets twinges of unease that he never examines every so often when he sees Henry with a train and has a subconscious flashback to their fears for Henry's life after the Kipper accident. Altogether, there seems to so often be a good and commendable instinct on Gordon's part – it's just that for the longest time he doesn't seem to have a clue about how to transmute those instincts into something that other engines are going to find legible. And then if he gets even slight pushback his good instincts collapse and he reverts to his childish "meee! meeeeeeee! 😤😤" instincts. 

It's a slow hard slog for him to learn how to Use His Words and Relate To Others, but we do get to see progress. And it starts early! He makes friends with James after James successfully takes the Express (1925-6) – and it's really quite a gracious overture. He, along with James, sympathises with Henry after the elephant incident (the Author, of course, explicitly denigrates this, suggests that it was purely a matter of politicking and scheming and that it would have been healthier to have mocked Henry, the way the proletariat should always be cutting each other down at the slightest opportunity, really sticking the boot in each other's neck gratis. But hell with that! Lmao. Catch me ever swallowing Management's narrative about how their striking workers banded together. Anyway, even if I granted for the sake of argument that Gordon was faking his sympathy, well, I mean. Gordon faking sympathy is still #Growth. Fake it till you make it!) He is also friendly and kind when he rescues Percy from the Big Bank of Earth – he indeed shows so much tact that he finds something to give Percy credit for, instead of saying (which would have been true) "This is all your fault, dumbass…" 

"Off the Rails" represents a bad week or so for him, but the incidents in the rest of Gordon's book don't show us a newly humbled Gordon – more just a recently re-humbled one. His behavior to James is perfectly in line with those previous incidents. His behavior to Thomas doesn't come out of nowhere either… although in that one Gordon is trialling some new material: 

“I’m sorry I was cheeky,” said Thomas. / “That’s all right, Thomas. You made me laugh. I like that. I’m in disgrace,” Gordon went on pathetically. “I feel very low.” (1952) 

We all see what's new here?

1) The Alliance. Now, Gordon putting words to it (and words that make it into the RWS) is new. The concept overall is not new; this seems to be a verbalization of an attitude that Gordon has adopted long ago. As I argued above, this is just Gordon's whole concept of friendship. It is worth pointing out, though, that he never before extended this concept to tank engines. (He could condescend to them. Not offer them alliance and equality, though. Therefore didn't get upset when Thomas didn't "understand" his concerns as A Tender Engine, either. There was no expectation of a pact. Not back then. It's only now that this changes.) 

As the next decade or so goes on, we're going to see that Gordon (and Henry) seem to continue extending this implicit alliance to every steam engine. (Diesels, after that whole disastrous introduction to them via the most devious of engines, are a sort of last barrier.) Think "We engines have our differences, but we'd never talk about them to the trucks." Think Gordon laughing with Stepney and Duck over their triumph with "the heavy train." Think of rallying around Donald and Douglas when they learn there is a threat of scrap. That concept of alliance that was once limited between the big engines (plus or minus Edward, depending) is now extended. It doesn't mean that there are never conflicts or clashes within the ranks, of course! But it does mean that there's a new attitude spreading on this railway. This book is where we see the first sign of Gordon spearheading it. I wouldn't say he gets credit for creating or implementing it all himself – but he does deserve credit in the sense that, if he had not whole-heartedly bought into this idea, it wouldn't have become entrenched on the main line. 

2) Vulnerability. I directed attention in the previous section to the way that Edward will not admit weakness in front of Gordon. Gordon has something similar… but worse. Until this point, Gordon would not admit vulnerability to anyone. At most would complain, or try to make some "objective" case as to why he is ill-used. 

That isn't what happens in this exchange. He doesn't make the slightest argument for himself, he doesn't object to being in disgrace. He simply owns, aloud, that it sucks. I feel very low. 

There are other indicators that this is not a one-off, that Gordon is simply coming to terms with the reality that he is, basically, a sensitive soul: 

One day Gordon saw [Sir Handel] shunting, and laughed. / “My Controller makes me shunt,” Sir Handel said sheepishly, “and take trucks to quarries too. I’m highly sprung, and I suffer dreadfully.” / “Our Controllers don’t understand our feelings,” sympathised Gordon. (195…5?) 

This isn't as vulnerable as the Thomas case – Gordon's not feeling Very Low in that moment, after all – but it is a fascinating moment. In a previous book, Sir Handel treated Gordon like they were equals, which left Gordon "speechless." As well it might! (We'll get back to that in a sec.) And now, when Gordon meets up with him again, he does have the upper wheel: He catches out Sir Handel not being so very express-enginey after all! But when he laughs, Sir Handel owns up to his embarrassment. And this is exactly how you get Gordon's best side. When you're vulnerable, he stops acting the bully, and he's sympathetic. Very similar to the case from "Percy Runs Away." But this time, Gordon seems to be going a half-step further than just claiming the role of benevolent patron. "Our Controllers don't understand our feelings." He really does cement Sir Handel's claim to equal fellowship. 

It's probably not mere politeness, though, that makes Gordon sympathize. He's revealing something important here about his inner life. When Gordon is seen as his most proud and demanding, Gordon is actually troubled and upset – putting up a very good thick front over it, though. 

We will see confirmation that he's a creature of Feels again in 1968, after he spends a whole page (that's a lot of time, in RWS-land) unable to express more than "I'm not happy" – which the other Tidmouth engines ignore or treat as a superficial complaint because, well, they just had no reason to think that Gordon would ever be like this: 

Gordon backed down on his train, hissing mournfully. / “Cheer up, Gordon!” said The Fat Controller. / “I can’t, Sir. The others say I’ve got boiler-ache, but I haven’t, Sir. I keep thinking about the Dreadful State of the World, Sir. Is it true, Sir, what the diesels say?” / “What do they say?” / “They boast that they’ve abolished Steam, Sir.” / “Yes, Gordon. It is true.” / “What, Sir! All my Doncaster brothers, drawn the same time as me?” (1968) 

*dramatic gesture* Gordon the “I Just Want a Little Goddamn Sympathy” Engine, ladies and gentlemen. 

Returning to our overall topic, this is an interesting similarity between Gordon and Edward. Despite their numerous and obvious differences, they both have a lot of Feelings – like, to the point where it’s a burden, and figuring out what to do with ‘em drives their respective character arcs. 

Being them, of course, they approach the problem from opposite directions, lol. Edward is basically toughening up, and starting to adopt the role of an elder/mentor (he does this a lot later than I gather people think he does, and in more limited circumstances. But you do gradually see him becoming less A Normal, Emotive Peer and more of A Sympathetic Listener, One Half Step Removed from Ordinary Engine Life, Giving and Not Asking For Support). Gordon has almost the reverse assignment. He's opening up, and gradually learning how to come down from his high horse and be on a level with others. 

Once Gordon learns how to use his words to express himself like a rational being, he starts being able to form much healthier bonds with others. (I didn’t say with everyone. And I didn’t say they were perfectly healthy. Just… healthier than some of his past bullshit, lol.) 

And, when Gordon gets the kind of support he needs, he becomes much less of a pain in the arse. This arc continues all the way through to the Christopher Awdry books. 

To the extent that, as of Main Line Engines, he IS still a pain in the ass… well, I think we can infer that he hasn’t yet got that support network quite in place. 

Ironically, ‘emotional support’ is a real strength of Edward’s. It’s something we’ve seen him lend generously to a laundry list of other engines… and something we never see him offer Gordon. 

For obvious reasons. Gordon burned him so many times before and (the key commonality, of course) Edward is sensitive, too. It’s always obvious that he feels things keenly and takes things hard. His character arc has a lot to do with channeling that sensitivity into action and learning to build more backbone. 

It's on a collision course with Gordon's character arc, which is about connecting with and owning his feelings and learning how to express them. 

We can see the crash coming in part to, again, the absence of what we see between them in this pre-60s era. Gordon has repeatedly proven that he can be a very good friend, when an engine is down (Percy, James, Thomas, Sir Handel). This is a great footing for Gordon to show his best and most generous side. 

Unfortunately Edward's entire strategy for dealing with Gordon since at least 1925 has been about NOT showing any weakness in front of him. A strategy he's followed with great success. 

So it's no surprise, that both characters are growing and developing, but that their relationship is growing more and more hollow. 

It's no surprise… but it is aggravating. 

And the thing that makes you want to tear your hair out the most? Gordon – Mr. Oblivious himself – has no idea anything's wrong.

And, honestly, watching Edward getting slyer and slyer about forever keeping Gordon squarely on the back foot is a joy… I’m so proud of him… even as part of me groans because, funny though this is, they could have had something even better. 

Let’s take a closer look at MLE. They’ve both spent decades now dosing on ‘character development.’ Unfortunately those arcs are on trajectory to criss-cross – and the smash-up happens here.

[floralcrematorium]

I'm not your friend or anything, damn

Belarus | Belgium | Czechia | Hungary | Liechtenstein | Monaco | Seychelles | Taiwan | Ukraine | Vietnam

[themyscirah]

Complaining abt Suicide Squad yet again but the fact that they have Waller exposing the alien community to space racist attacks and talking abt how she got to her position through deceit and being a terrible person and stuff is just. Ahsfiwueh JUST SAY YOU DONT KNOW WALLER.

Anyways literally the 3rd mission of the Squad ever (and the first framed as smth Waller picked and not orders from above) was the Squad discrediting and stopping a rogue vigilante who was only arresting POC and funneling white people into white supremacy groups (of which he was the most prominent member) in SUICIDE SQUAD #4. and it's explicitly framed as this mission being personal for Waller that she's hiding from the government bc its illegal like. Guys. Please why are we having her incite (space bc comics) racist attacks now

Also the whole "Amanda got her position through deceit and being a terrible person" NO. she KEPT her position through being shitty and playing complicated political games!!! She wasn't always that way like there is a difference and it is IMPORTANT ppl PLEASEEEE. In Secret Origins #14 we learn Amanda's backstory and she used to be a normal, caring person! Like even after she entered into working in government and politics she wasn't automatically morally bankrupt like please people. She was originally given control of the Squad by Reagan (*sigh* 80s comics...) to distract and get rid of her because she was so successful at pushing progressive social policy in Congress. Acting like she's this static pillar of evil is such a waste of her character and so fucking uninteresting and disrespectful to her arc it drives me MAD.

Like I am NOT saying Waller is all sunshine and rainbows, she fucking SUCKS (said w love <3) but like there's a human being there. It's a progression, she has a character arc like please, DC, please!!! They've fucked up Waller so bad and made her so opaque and uninteresting she can't even be the protagonist of her own story for fucks sake!

Like I don't know how many times I have to scream it until DC hears me or remembers but WALLER IS THE MAIN CHARACTER OF SUICIDE SQUAD. ITS HER BOOK. yet right now she's a cutout to be used as the villain wherever the writers please. Even in her book we get none of her perspective really displayed, no exploration of her thoughts with any kind of understanding of the role she traditionally has played and was made to play in the story.

[aroaessidhe]

2024 reads / storygraph

Road To Ruin

start of a postapocalyptic fantasy series set in an Asian-inspired desert world plagued by dangerous storms

follows a courier who transports romantic letters between a prince and princess, who helps the princess escape across the wastes towards the prince’s safe haven

but they’re pursued by bounty hunters, and accidentally uncover some ancient secrets. and also she’s in love with both of them

dinosaurs, magical motorbikes,

bi MC, start of polyam triad

[aerithisms]

overall a very weird dw season to me. i really like the middle 4 episodes, and thought the first 2 and last 2 were okay-to-bad. for only 8 episodes 50/50 isn't a bad track record but i think the season arc and character drama doesn't land so the season is less than the sum of its parts. much better than chibnall era, still not on the level of s1-10 dw and probably my least favourite rtd series. and yet i have hope!! bring on season 2 i want to see varada sethu

[my-fall-from-grace]

ok i know we all find out about camp jupiter later on and i know the books (son of neptune and mark of athena specifically) discuss this a little bit, but i can’t get over how unfair the greek camp is compared to the roman camp. it’s all i can think of when watching the show and thinking back to the original pjo series

the romans can grow old! they have legacies! they have a university, coffee shops, homes, a whole city to live in and fall in love and raise children and grow old!

on the other hand, camp half blood is for children. it’s a summer camp! some campers go home for the school year and just never come back because they have to choose between being “normal” and being safe - while the romans have schools. they have a life after their time in the legion! while greek demigods EXPECT to die young. you so very rarely seen anyone older than 22 that it’s even remarked upon in the books! and when you grow up and you want to live a life that is not in a summer camp, your only option is to join the human world and fear monster attacks. the romans have a city, a place you can live safely. the chances of a greek demigod living a long life are so minuscule, bc to be strong enough to defend yourself outside of camp and life that long, you need to be powerful and that immediately means you attract more monsters. the greek demigods were doomed from the start (it’s the narrative).

and yes ok i know that romans are child soldiers and pay for these “luxuries” through all their years of service - plus the gods are more involved with the greek demigods for sure - but i still find it so heartbreaking for the greek demigods. as i’m watching the show and i’m older and no longer the same age as these children, i’m just horrified by all these details i thought were cool. a summer camp is fun but you can’t live forever there, you’ll have to leave at some point in an effort to have a life and that’s most likely going to be what kills you. i feel like if the greeks knew of the romans earlier, then luke would have had so much more demigods joining his cause - and understandably so!

i wish there would have been more discussion of how ANGRY the greek demigods were that they had to live like that while the romans could grow old. i know they must have been tired at that point, even of being angry at the gods for yet another thing in the endless list, but i would have wanted to see more of that realisation. “they don’t really care about us.”

[phagodyke]

at its core dorohedoro is abt what if there was someone whose special interest was making gyoza and also someone else whose special interest was eating them. and they found each other in this crazy world to be besties <3

[courtesanofdeath]

The Five Wise Generals

[dragonsareawesome123]

If We Are lands the ending, it will probably end up being one of the best GMMTV QLs of 2024.

[sciderman]

hey sci.how do you get wades personality to a T! I desperately wanna make a comic but I’m worried I’ll fall short to his character.Any Tips?

oh bless you! i don't think there's any sort of guide to getting wade's character right - all the canon writers write him so, so differently - he really is the sort of character that can be anything the author needs him to be (for better or for worse)

i know i've received complaints over the years about how i portray wade - sometimes people think i make him too emotional, or what-have-you, but i think the biggest crime anyone can commit when writing wade is him not being funny. (i know, that's so, so subjective.) i think when wade falls short for me in the comics or in any characterisation it's usually down to me just not finding the jokes funny! i can kind of forgive anything at all, as long as it's funny.

i've seen a lot of more serious depictions of wade in fanfiction and it kind of throws me for a loop - he's a showman. he'll always be cracking a joke, and if he isn't, you're in trouble.

i think something i'm kind of obsessed with when writing wade is the intentionality behind his words and actions - he's kind of a master of deflection. i think i do love to see a hyper-competent wade, who only plays the part of the idiot because it's what the audience likes to see. he's never stupid, he's just unlucky. when things go wrong for him, it's not due to stupidity - it's either self-sabotage, or he's a victim of the narrative. i think that's where my depiction of wade differs from daddy nicieza's - i think daddy nicieza's wade is big stupid, most of the time.

himbo rights.

but even then, his wade isn't as big of an idiot as he acts. and a lot of it is an act. he's putting on a show. i love a wade wilson who's actually so much more intelligent than he lets show. a wade wilson who's perpetually holding all his cards to his chest because he doesn't want anyone to be able to pin him down or predict him.

all his cards. on terms of capability, and also his emotions. he's so calculated about what other people get to see of him, particularly when he's wearing the mask. (when he's out of the mask he has decidedly less control over what people see of him.)

i think there's a few things that turn me off from a deadpool characterisation - mostly when i see a wade that's too sugary (i think that's why i can't care very much for the most recent deadpool series) - wade always has demons to overcome. always. being heroic isn't something that comes naturally to him. it isn't something that comes naturally to anyone, but at least wade's honest about it.

i like to see a wade that's a jerk. because he is. he's always been. it's like, his first ever personality trait. he is a jerk. a selfish jerk. please, oh please god, do not forget that he's a selfish jerk. i really love portrayals of him that don't shy away from that, but make him endearing anyway. you really don't have to erase all the bad parts of a character to make them likeable. you really, really don't. those bad parts are the tasty bits. makes me keep coming back for more.

when i see a wade that is not a selfish jerk i am like "wha. whuh. who is that. that's not wade. that's not my son. why is he not spitting in my eye right now."

i kind of have to hate him just a little. that's like, the whole point. you're meant to love and hate wade simultaneously, all the time. anyone who loves wade knows this wholeheartedly. to love him is to hate him.

second to that, please don't ever make wade wilson a sexual predator. that's a real problem (hate that).

[furashuban]

Maybe it's because I haven't been in a great place emotionally and mentally this week but I genuinely can't stop looking at this frame and thinking about how much I wish I could be hugged and consoled by Johanna exactly like in this scene to the point of me tearing up is that weird or