#i mean i know the actual reason for the guilt

[sturnioz]

shy!reader decides to show up at a frat house party after almost a week of radio silence.

꒰ part one ꒱ — ꒰ part two ꒱— ꒰ part three ꒱

you were telling the truth when you told kitty and nick that you were super busy. the timing of being swamped with classes and assignments, coupled with the betrayal and hurt of being isolated from the frat formal, actually worked in your favour. it provided a much-needed distraction.

your classes kept you somewhat sane. yet, the constant buzzing of your phone from chris became a source of anxiety, which made you eventually decide to put your phone on do not disturb.

you hated doing that to him—it felt hard and unkind—but you needed to focus. each time his name lit up the screen, guilt and frustration washed over you, but you knew you had to prioritise your studies.

it might seem hypocritical to say you had no time for distractions, especially since you still made time to meet up with kitty and nick for lunch. their company was a pleasant break from the weight of your responsibilities.

you even found yourself opening up about chris, wearing your heart on your sleeve as you shared the confusion and frustration you felt — letting them know that you struggle to articulate how difficult it is to figure out your emotions of what's right and wrong, especially since you weren't even officially dating him.

they listened to you patiently, letting you spill your thoughts while they threw in the occasional sarcastic remark about chris, and eventually, they gently nudged you toward the idea of talking to him.

after some hesitation, you agreed. deep down, you knew you had to. you're not a mean person; you don't have a mean bone in your body, and ignoring chris' calls and texts felt like the closest you'd ever come to being unkind. that realisation weighed heavy on you.

however, the thought of facing him made your stomach churn. the idea of seeing chris after having been 'mean' left you on edge, your heart racing at the possibilities. but, you reminded yourself that communication is essential, even when it feels so daunting.

talking to him felt like a long shot, but you were willing to take that leap.

friday afternoon arrives quicker than you initially anticipated, and your palms feel clammy as you walk beside your friend, heading toward the familiar frat house that's already overflowing with students, laughing, and the thumping bass of loud music.

as you approach the entrance, your lips part in surprise when some of the frat brothers notice you — their wide, goofy grins spread across their faces, and they wave at you drunkenly. you smile shyly in response, turning their waves with a small, but kind, gesture before your friend pulls you further into the house.

it doesn't take long for your eyes to land on chris. he's sprawled on the couch, man-spreading, a beer in one hand and a joint in the other. he's glancing up at a guy standing over him holding a wad of cash, and you watch as chris holds the joint between his lips before dipping his hand into his pocket, pulling out a baggie of colourful pills and handing it over in exchange for cash.

"where have y'beeeeen?" a voice jolts you from your thoughts, and you turn just in time to see nate approaching, his arms swinging wide as he embraces you in a drunken hug. his cheek smushes against yours, and you catch a whiff of alcohol and weed on his breath. "i felt like fuckin' hansel 'n gretal leavin' a trail of apples f'you to find your way back, kid."

his words making you giggle, and your friend steps in to help untangle you from nate's affectionate grip, causing him to huff dramatically as he leans into her, his arm wrapping around her waist instead.

"come on," your friend urges, trying to tug nate away from you. "let her go speak to chris."

"good luck... been a fuckin' asshole all week," nate murmurs with a drunken slur, and your smile begins to falter, a wave of unease washing over you. you know all too well that you're likely the reason for chris' mood. as nate stumbles backward, he turns his head, pointing at you with a grin, "m'serious about them apples! they're in the fridge f'you!"

as they move away, the laughter and music fade into the background, and you take a deep breath, preparing yourself for what's about to happen. your stomach swirls and churns with each step, the anticipation and anxiety building as you near chris, who remains unaware of your presence — too absorbed in taking a hit of his joint and counting the crumpled bills in his hand.

just as you're about to stand directly in front of him, his eyes flit up to meet yours. you give him a timid smile, hoping for a sliver of recognition or even warmth, but it falters and falls when he looks away, completely ignoring you.

the sting of his dismissal hits you like a brutal punch to the gut, and suddenly, you feel like you might be sick.

this wasn't how you had planned it in your head. you weren't supposed to be ignored... you were supposed to talk, to find some common ground, and hopefully, to be fine again.

your head is spinning, and your mind is clouded with confusion and hurt. the room starts to close in around you, the drunken students moving like a tidal wave, and you panic, your heart hammering against your chest.

in the midst of your spiralling, you catch sight of matt and kitty sitting on an armchair in the corner of the room, their eyes locked onto you. kitty pushes herself off of matt's lap, and matt follows closely behind, both seeming to make a beeline for you. but before you can even fully process their approach, your arm is suddenly caught in a tight grasp.

you're whisked away upstairs before you can even blink, the world around you blurring as you're pulled away from the chaos. panic surges through you, but gradually, a sense of relief washes over you when you're yanked into a familiar bedroom—chris' bedroom—and shock courses through you as you turn to see that it was him who brought you up here.

"relax," he grumbles, shutting the bedroom door behind you, which partially mutes the music from downstairs. "fuckin' dramatic for no reason."

even with his blunt, harsh words, there's an odd comfort in them, and you hate the realisation of how much you have missed him. the urge to suddenly hug him overwhelms you, but you hold back, wrapping your arms around yourself instead.

"nice of you to finally fuckin' show up," he continues, his gaze piercing as it drills into you, making you chew down on your plush bottom lip. he scoffs, shaking his head. "what? got nothin' to say? just—just gonna come here 'n show your face? all silent 'n shit?"

"i was busy," you respond, grasping at the same words you've been using all week, and the second scoff that escapes him makes you frown.

"right, right... 'cos it uh, didn't seem like you were busy when you were meetin' up with kitty and nick, yeah?"

"they met me for lunch on campus," you explain, your eyebrows furrowing a little. "i was still on campus.."

"what's your problem?" his question catches you off guard, and you blink, momentarily stunned. "like, what is goin' on? two weeks ago, you were fuckin' fine, and now you're ignorin' me? did i do somethin'?"

you take a deep breath, your eyes flitting to the side, searching for the right words before you murmur, "you didn't tell me about the formal."

"oh my god," your gaze snaps back to chris as he takes off his hat, raking his fingers through his tousled hair. a laugh of disbelief escapes his lips. "that—that's what this is about? 'cos... 'cos i didn't tell you about a fraternity formal that you have no interest in?"

you frown softly, "when did i—"

"kid, y'don't even like fuckin' frat parties, what makes you think you'd like a formal?" he huffs, rubbing at his jaw frustratingly. "y'wouldn't have even gone."

"it's the thought that counts," you reply, a bit more defensively than intended. you fidget on the spot, your fingers twisting together nervously as you try to steady your racing heart. "i... i would've liked to have been asked or something."

"yeah? so i could stand there 'n hear you say no?" chris shoots back, rolling his tongue across his teeth. "kid, i knew you would say no. that's why i didn't fuckin' ask — knew you wouldn't like that shit."

"but why didn't you tell me about it in the first place?" you feel the heat rising in your cheeks, that frustration and hurt bubbling to the surface as you swallow thickly. "is it because you was taking her?"

"not everythin' i do needs to be told t'you, kid," chris responds sharply, his tone cutting through the air like a knife. he then pulls a face, "her?"

"cherry." you whisper her name, trying to keep your voice steady despite the tight knot forming in your stomach.

"che—i didn't take cherry," he stares at you incredulously, his brows knitting together. "why the fuck would i take cherry? i went alone, dumbass."

his reaction catches you off guard, and you can't help but push. "but everyone saw you with her? and the photos?"

"yeah, she was there, but i didn't fuckin' take her — she was feignin' for them fuckin' pills, kid," The bluntness of his words strike you hard, and suddenly, embarrassment washes over you. you realise you had jumped to conclusions, just like everyone else, and you look down, biting your tongue as you desperately search for something to say.

silence stretches between you, thick and uncomfortable, and your gaze finds its way back to chris, who is already staring at you as if he's trying to decipher your thoughts. he tilts his head slightly, crossing his arms over his chest, a posture that feels confrontational.

"besides," he begins, his tone shifting to something more matter-of-fact, "shouldn't really matter to you who i go with, right? 'cos we're not datin', kid. we're just sleepin' together, yeah?"

his words hang in the air like a cold reminder, and you nod your head slowly in response.

"do y'wanna stop?" he asks suddenly.

you didn't expect that question, and your heart races. "what?"

"m'givin' you an out, kid.. d'you wanna stop?" his gaze is unwavering, searching your face for an answer, and you can sense the weight of the choice he's placing in front of you.

you think over his question for a moment, and you think hard, weighing the options. ending this arrangement with him would certainly be a lot less complicated, but the thought leaves you hallow.

chris has become the normal for you. he's apart of your routine, a presence that even though frustrates the hell out of you and makes you so confused, he also brings you an odd comfort and excitement. and not only are you experiencing new sexual things with him, you are enjoying the pleasures that come with it too.

"no," you answer softly, "no, not really."

"alright..." chris hums, and you watch as his shoulders seem to relax, his arms uncrossing from his chest at your response. he nods his head, licking his lips to wet them, before he asks, "you stayin' over or you plannin' on bein' busy again?"

your face heats up, your nose scrunching up and your lips forming into a small pout as your murmur. "i was serious about being busy..."

"yeah, okay, bun."

© STURNIOZ

[emmcfrxst]

I’m wondering how Laura would react if reader and OldMan!Logan got into a fight? Maybe they tried to keep it away from her but unfortunately the girls too much like her father and ends up hearing most of it.

Ugh and imagine if she saw Logan storming off not realizing that he left you in tears…

(I’m feeling extremely angsty tonight.)

TW: MENTIONS OF DEATH, TRAUMA, ILLNESS, UNHEALTHY COPING MECHANISMS, SUICIDAL IDEATIONS & GOD (I guess????) Set before Logan gets, as nonnie put it, chest-fucked, so during the period of time everyone��s trying to escape the fucking Reavers while figuring shit out. It got too long so it’s under the cut

You don’t argue that often with Logan— your relationship is solid and although communication was rocky at first, he’s made significant progress and is able to hold a serious conversation without immediately jumping back into his defense mechanisms (misguided anger, deflection and ultimately fleeing were his initial reactions when you tried establishing proper communication about feelings in the beginning). His progress, however, is rendered completely useless when the conversation is about his rapidly declining health; he’s immediately on the defensive, body going rigid and eyes going dark, jaw clenched so hard you’re afraid he might shatter it— he hates thinking about his newfound mortality, not necessarily because he’s afraid of death (it’s actually quite the opposite, he seeks death in a way, longing for the pain and the nightmares to just stop once and for all) but because he knows that dying means leaving you on your own and that’s something he can’t bear to think about— the guilt he feels at the thought of leaving you is immeasurable; it overwhelms him entirely because he knows that losing him would break you and it makes him feel physically ill to think about the consequences. So in true Logan fashion, he blows you off whenever you bring up your concerns, stating that he’s fine, and the anger he feels at himself and his body for failing him ends up being taken out on you through biting words he regrets as soon as they slip from his tongue.

“I’m the one who’s fuckin’ dying, for Christ’s sake, quit your fuckin’ yapping.” It’s a phrase he regrets uttering for multiple reasons: he hates being rude to you in any way, shape or form because you’re the last person who deserves to be subjected to his emotional constipation— you’ve taken all of his broken parts into your hands and pieced them back together with your unconditional love and unwavering patience, you’ve made him feel loved, you’ve made him feel alive, and most importantly, you’ve shown him that he doesn’t have to feel guilty or bitter about his existence. You’ve done so much for him throughout the years and he fucking hates himself for letting his emotions get the better of him like that. The other thing that bothers him deeply about his reaction is the verbal acknowledgment of his condition; it’s something that he somehow believes can be ignored, as if denying it could make it any less real. Acknowledging that he’s dying makes bile rise up his throat— it’s a bitter feeling, really, because he used to wish for death everyday before he met you, heart and mind torn to shreds from years of horrific abuse and unwavering violence; he even prayed to whatever God was out there, despite not being a believer, to just let him go, to free him of the chains of trauma that bound his psyche. His prayers were left unanswered, Logan only accumulating more trauma as the years went by— he can’t count how many times he’s cursed God for making him go through what he’s gone through, needing someone to blame and wishing for a way to end it all. Ironically, Logan’s immortality only seems to waver once he starts treasuring life; it feels like a stab in the back, a cruel joke orchestrated by God who finally decided to answer his prayers now that he wishes he could take them back. The feeling of betrayal only seems to further fuel Logan’s anger towards his illness, which, combined with the guilt he feels at the thought of leaving you alone, causes him to act out whenever you bring up the subject. You take offense in the words thrown at you, hurt by the reminder of his impending death and the way he navigates it, arguing back that you do this because you care about him, for fuck’s sake. Unfortunately, that only seems to make things worse, upsetting Logan further and bringing back years’ worth of feeling unworthy of your affections.

“That’s your fuckin’ problem bub. I told ya you shouldn’t waste your time with a man like me.” he physically winces as he utters those words, wishing he could unsee the way it makes your entire face crumble with despair— it’s a slap in the face, really, to be brought back to square one and have him reject you in this way. Logan flees before either of you can say anything else, slamming the front door behind him and walking in no particular direction until he feels like he can finally breathe again, leaving you in tears at home. Laura, although playing in her makeshift room at the time, hears the whole exchange as clear as day due to her enhanced senses, her fists clenching with rage when her ears pick up the sound of your stifled sobs. You feel her before you even hear her, your body tensing as a pair of small, skinny arms wrap around your middle, a head resting along your spine. After the initial alarm of feeling someone touching you, you can’t help but let out a watery laugh at just how easy it seemed for her to surprise you, turning around in Laura’s arms so you can look down at her. A frown is etched onto her features, lips puckered into an angry pout as she hugs you tighter, insulting Logan in spanish under her breath. It makes you laugh again, this time softly, your hand smoothing out her hair as you sniffle.

“I’m okay, Laura. I’m okay.” she glares up at you, unconvinced, giving you another squeeze and reluctantly allowing her features to relax when you gently run a fingertip across the furrow of her brows— despite not being together for long, you find that you’re able to soothe Laura quite easily; there is a connection between the two of you like you’ve never felt before, a bond that you feel like you were always destined to have. Your heart warms at the obvious way the child seems to care for you, wanting nothing more than to make all of her worries disappear.

“He made you cry.” her voice is so quiet that you almost miss it, a soft, indignant noise leaving her at the sight of your tear-stained cheeks. You sniffle again, free hand moving up to wipe at your eyes, the other caressing her hair lovingly.

“I know.” you don’t say that it’s okay because it’s not— Logan crossed a line that you thought had been worn down ages ago, and you’ll be damned before you ever teach Laura that hurtful words can be brushed aside so easily without an apology. It’s for her as much as for you; you’re aware that you deserve respect even when Logan is upset, and you’re not about to stomp down on your self-worth to coddle him when he’s done something wrong. He’ll apologize, you’re sure of it, but until that happens, you’re not going to pretend that his reaction was acceptable. It’s something you categorically refuse to do, and it’s one of the many reasons Logan fell in love with you in the first place. You know your worth.

“I’ll be okay soon.” you tell her honestly, leaning down to press a gentle kiss to the top of her head. She studies you for a moment longer before nodding her head, allowing you to lead her onto the couch where she curls up next to you.

You’re asleep by the time Logan starts walking back towards the house but Laura hears the crunching of sand and gravel under his shoes, quietly untangling herself from you and moving to the side of the door, frown back on her features. Logan barely has the time to pass the threshold before she’s on him, jumping onto his back like a feral animal and punching his shoulders repeatedly, growling when he grabs her and holds her still, visibly confused and irritated by her behavior.

“Don’t even think about it.” he warns her when she makes to bite the hand that holds her down, frowning down at her just as hard she does up to him. She struggles in his hold, trying to hit him again, making him grunt in pain.

“You made her cry, coño.” the words make Logan freeze in his tracks, eyes falling on your sleeping form on the couch, noting the way your eyes look reddened and the tear tracks on your cheeks. Nausea immediately strikes him like lightning, the expression on his face seeming to satisfy Laura as she stops struggling, frown still evident on her face. She sits up and watches silently once he lets her go, staying nearby to see the situation unfold.

You awake to a calloused hand gently running over the plane of your cheekbone, eyes opening to meet Logan’s remorseful ones. He’s sitting on the ground next to the couch, looming over you in a way that makes you feel safe like no one else ever could.

“Hey.” his voice is hoarse but soft, thumb swiping back and forth over your skin in a silent act of comfort. It makes you smile despite your grogginess, and you feel more than you hear Logan releasing a soft, relieved inhale through his nose.

“Hey.” you answer him just as softly, leaning into his touch and closing your eyes again, content to feel him again.

“I’m sorry.” the words sound heavy coming out of his mouth, a grim expression taking over his features as he wipes off the remnants of your earlier tears.

“I know.” you reply simply, turning your head to press a gentle kiss against the roughened palm of his hand. It makes him exhale shakily, shoulders squaring as he prepares himself for the discomfort of the following words.

“Didn’t mean to snap at you, baby. I just… I feel helpless, I guess, and it fuckin’ pisses me off. Never had to worry about dying and leaving you alone before.” he says the words slowly, trying to make the last sentence sound like a joke, tone falling flat. You can tell he’s uncomfortable with the discussion but he pushes through, causing you to feel a rush of sympathy— he’s trying, you know he’s trying, and that means something to you.

“I know. I feel helpless, too. But you have to remember that you’re not alone. Not anymore. And I’m not going anywhere. No matter what happens, it’s you and me until the end.” he laughs wetly at your words, nodding his head and swallowing thickly before speaking again.

“I know.” this time it’s his turn to provide reassurance, the two little words more than enough for the both of you. The feeling of his warm lips connecting with your forehead makes your eyes flutter shut, hand coming up to lay over the one he’s curled around the back of your neck.

“Kid’s kicked my ass for making you cry.” he mumbles against your skin, the amusement in his voice clear. It makes you snort in surprise, unaware that Laura had intervened before you woke up.

“Did she? Well, you kinda deserved it.” your answer is playful, tone devoid of its previous heaviness, your eyes meeting Laura’s over Logan’s shoulder for a brief moment before focusing on your lover once again.

“That I did.” he agrees simply, a soft, tender, apologetic smile on his face. You lean further into him when he kisses your nose, heart feeling lighter than it had in a while.

You were going to be okay.

[vanoodle]

Imagine you are a child and draw something with your crayons. Drawing it makes you really happy and at the end you get up and proudly show your drawing to your parents but you get no reaction.

Now imagine you're working on a project. You've made progress on it and you're so proud of it that you post it in the group chat you have with your friends. Again you get no reaction.

Then later you find out that one of your friends showed your project to another group chat you aren't in and said "Look at this, isn't it cool?" But for some reason, they didn't tell you they thought that. Wouldn't that hurt?

That, essentially, is what posting fanfic is. Or literally any kind of fanfwork that you post for the fandom to find.

Of course not all of these people who can see your fanwork are your friends, they're strangers a lot of the time but you're in the same fandom, the same community, so if feels similar. And so, when you post something to this "large friend group" called fandom, and you get no reaction, it feels like your friends (as in: fans of the same thing) not acknowledging the thing you made and wanted to share with them.

As for the writing vs posting part, I feel like many people mean "posting" when they say "writing" or a mix of the two. I have written quite a lot of fic that I have never posted. It sits on my hard drive and only I will ever get to see it. To other people however it will seem like I haven't written anything at all because they have no way of knowing that I made something.

Another part is whether or not I actually continue my fanfics. Many fanfics I have written for myself stop somewhere in the middle because I lose the drive to finish the story. If I were to post it and someone gives me a comment, this might give me the motivation to actually keep going with it.

Writing only for myself also makes me sloppy. I will no longer care about spelling or grammar or writing in a cohesive way. I'm only getting the thoughts out of my head and I can understand my own writing just fine, so why would I edit it? Why would I polish it?

The "write for yourself" argument has been made so so many times and while I understand that being guilt tripped into commenting doesn't feel nice and shouldn't be done, I also don't think that telling others to just "write for yourself" every time they express their desire for attention is that great of a move, either, and it bothers me each time I see it.

I DO write for myself, I LIKE writing for myself but I don't write for myself the way I will when I plan on posting something on AO3 to share it with others.

There's a genre of post that I see pretty frequently, which can overall be summed up as, "Modern fandom has a culture problem where fanfic authors are treated as content producers instead of community members and their fanfic is treated as a commodity to be consumed instead of a high-effort labor of love that deserves attention and compliments given directly to the author". I agree with 3/4ths of that. I find the part I disagree with very interesting, the same way I find a lot of writeblr interesting, because it's a perspective that I had to work very hard to actually understand.

Because the posts have such a warped view of what writing is and why we post our writing! They say that fanfic fights against the commodified internet we live in, but all they're doing is changing the currency of payment in this attention economy. Another way you can summarize about 70% of these posts is, "My payment for writing and posting my fanfiction is compliments, and if you do not give me those compliments you are not paying. If you give those compliments behind my back, or talk about them privately without giving them to me as well, then you are stealing from me." I don't want to put it like that, but a lot of these posts use words like 'deprive', as if the reader who enjoys the fic without commenting is withholding something from them that they deserve. They use the word engagement, and they do talk about how part of that engagement is just the joy of talking about AUs and ships with other people, but when people say that comments are their motivation to keep writing, what they mean is that validation is their motivation to keep writing. Which is compliments.

I understand that, because I understand that fanfic writers are not immune to the attention economy. But I don't understand how almost every one of these posts talk about how this lack of attention makes them stop writing - that this act of theft is killing their desire to write. I could understand this if they meant 'desire to POST fic' (I don't post fic I think zero people would read.), but they talk about how lack of payment stops them from writing at all.

IMHO, that is what creates a commodity from fic. People want to treat fic as art, but an artist makes art for themself. Art is made because we want to hold parts of skills and ourselves in our hands. If you won't make art if you get no payment, then you have devalued the art completely.

We think of AO3 as this unique site that's born entirely from passion and is filled with fics written for love of the game. But guilt-tripping posts that shame people for not commenting on a fic they enjoy, and that describe how there's no point in writing fic if it's not getting attention, are directly contributing towards the culture of treating fic like a commodity.

I also really want a fandom culture where the relationship between artist and reader is reciprocal, where it feels like a community, and where I get to talk about my fanfic with people. My favorite part of posting fanfic is rambling about it on my blog, because I can talk about my art all day and I love it when people stop and listen. But I love that because I love my own art. If you love your own art, then it'll always have value.

Also Google your username, just trust me, that's how you find The Secret Discussions. Someone made a TikTok fansong of me once. WHAT?

[margoshamangolord]

A BIG POST WHY TFA SENTINEL IS A GOOD CHARACTER WHILE STILL BEING A FUCKING PIECE OF SHIT

lots of thoughts under cut

I hated him like any tfa viewer is expected to, and i still do, because he's wrong oftenly and very fucking immature about his own actions, but it's just that fandom treats him like a simple flat cardboard designed for nagging the main characters, while he's not. Even people usually fond of discussing character depth just go "ew" at him, but i want to prove that he's not worse than even ratchet or bumblebee in terms of writing. His actions have depths, reasons and explanations. I do not want to excuse him in points where he actually fucked up, but i do want to remind that he's a character with a history and insecurities like others in tfa

I want to start off with the fact that while the hate he has inside the fandom is not really interesting, it is easily expected. He acts like a piece of shit and has a lot of negative traits (for example you have his attitude towards organics, and while you could kinda write it into being a reaction to Elita's 'death', it wouldn't be really valid, since Optimus was there too, he saw the same things as him, but he has no disgust towards humans)

The first thing i want to show would be this screenshot from the allspark almanac. It actually broke me when i saw it and prompted to write this because it brilliantly explains his whole character drama.

He feels guilty. He actually knows and admits he made a mistake and he is weighed down by it. He is fully and painfully aware of his stupidity in the situation.

But is he going to admit it? Is he going to apologise? Of course he's not. He cannot carry the weight of his guilt, but he cannot apologise and let himself be weak. So he made a vow.

He presses Optimus down and puts that weight on him because it's easier for him to stand straight reassuring himself that he's not at fault at all here. He feels that if he says sorry, then he'll be guilty forever and will never let go if he acknowledges it. He is guilty and he knows it, but he's immature and he does not want to think about it at all. He distracts himself with the rules and regulations.

"I did it, i fucked up trying to be something greater than i should, breaking rules. I'm never gonna wash it off, I'm guilty, but i must be better. If I don't make any more attempts at throwing over the rules, if I hold down others from doing so, i will be better, right?"

Rules are safety and comfort for him. Breaking rules and trying to be special is something he associates with Elita's death, and his thought process basically is "no rule breaking=no tragic accidents to be responsible for". He's confident that if he does everything by protocol, how he's told, then there will be no situation he would have to be blamed in. Of course he takes it to an extent. You oftenly see him obsessing over rules and regulations more oftenly than others — and now that makes sense.

The second thing would be his profile and Optimus's words about him. This text doesn't really serve us much important information, just a simple outside opinion on how he acts, except the first phrase.

"Sentinel means well, he really does."

As bizzare as it sounds, even Optimus, who he has a very sour relationship with, understands this. Sentinel actually means well — but it's just his experience and perception that really distort what comes out in the end. His "well" is very different from others' "well", but he definitely does not actually mean intentional harm in most occasions.

An unconcious goal that he most likely has is "do not let the elita incident happen again". It actually explains why he's trying to press down Optimus's ambitions and yells at young autobots about the importance of listening to the code. He may see himself in others.

Last is miscellaneous details. He actually covered Optimus and Elita when they were retreating — wouldn't do this if he was as selfish as creators want us to believe. He says he made a mistake in the almanac (when he was kinda being interviewed, he told the truth). Wouldn't really do that too. Most times he's been a dick to Optimus and his crew were him simply not believing immediate information without proof like he believes is the right way, like he's supposed to, and from his perspective he was genuinely sure he's doing the right thing

Conclusion

I would still slap him if i met him. But it doesn't mean that he should be rushed and avoided during discussion of character flaws and I'm tired of him just getting flatted down by the fandom as "mean and stupid do not touch". I want him to be taken seriously, and tbh finding out that he actually feels bad about archa seven is all it takes to be suddenly enlightened about the inner workings of his brain, because it connects all the dots.

And i would give all my money to see him canonically get a better development and more focus in the show. I would love if he accepted his wrongs, and if he had a genuinely honest conversation with Optimus. I really would.

[livelaughghoul]

Omg girl with honorary daddy I just meant all the hot elderlies that aren’t on the current grid but should defo be included. But ok here are my recommendations:

The current grid

+ Danny Ric ,Kimi Raikkonen, Sebastian Vettel, Mick Schumacher, Jenson Button, Nico Rosberg

Toto Wolf,

Peter Bonnington,

Daddy Stroll,

Fred Vasseur,

Adrian Newey 😭,

Helmut Marko 💀,

Christian Horner

And I think thar should be enough. I included some personal icks as well this should be so much fun

Here is my smash or pass for the current grid and members below, and my reasoning behind the answer. I hope you all know this is a judgment free zone, please…

Charles Leclerc: smash, but only because I feel like there is some sort of obligation to find this man incredibly attractive. Don’t get me wrong, he’s attractive in a conventional way, but he doesn’t necessarily do it for me.

Carlos Sainz: pass, but if it were his dad? Absolutely would smash this man’s dad. Honestly he’s too pretty for me, like I would ruin him and I don’t want that guilt.

Oscar Piastri: pass, only because I feel like we’re both way too introverted and it would just be weird. Plus I think seeing my hidden tattoos and piercings (I have my nipples and multiple genital piercings btw lol) would potentially give him a heart attack and I don’t want that heat.

Lando Norris: pass, honestly he does nothing for me. I’ve watched a few of Max’s streams (I actually like Max!) and I think mom friend mode would be activated and I’d just lecture him about taking care of himself because what the fuck do you mean you have the money to buy a car but not groceries? Are you dumb?

Max Verstappen: smash, but only because I find his attitude and general demeanor attractive, not necessarily him.

Sergio Perez: SMASH, SMASH, SMASH. No explanation needed.

Nico Hulkenberg: pass, he’s too pretty and honestly I would bad getting between the haasbands, like they’re end game for me.

Kevin Magnussen: ignore my answer above, because I’m absolutely smashing certified track terror Kevin.

Pierre Gasly: give me a few shots of tequila and I’ll smash, but otherwise it’s a pass.

Esteban Ocon: smash, he’s got a really nice voice and I love his accent specifically so like, it makes sense.

Alex Albon: pass, but only because I want the chance to see the animals on his apparent farm. Also let me pet your cats please and thank you.

Franco Colapinto: pass, I’m not a mother so it wouldn’t happen anyways. Also I feel like I’d end up in a similar situation to Lando where mom friend mode gets activated and im taking this grown man grocery shopping because what do you mean your fridge is fucking empty?

Logan Sargeant (yes I’m including him, fight me): pass, only because this is my literal son and I love him and want to protect him. I would die for him.

George Russell: smash, I could break this man and I think it would be fun.

Lewis Hamilton: smash, I think he could break me and it would be fun.

Fernando Alonso: SMASH, SO MUCH SMASHING MY DUDES. LIKE SO MUCH.

Lance Stroll: pass, again, he doesn’t do it for me but his dad certainly does.

Yuki Tsunoda: pass, he’s too just a little guy for me.

Liam Lawson: pass, I don’t like his attitude and I feel like I’d want to discuss why he feels the need to be so performative with how he presents himself and it would just be a lot.

Zhou Guanyu: pass, but only because I want to hang out with his cat and not him.

Valtteri Bottas: smash, feels natural and like it would be an experience nothing would be able to replicate, ever.

Daniel Ricciardo: SMASH, no hesitation. I love a slutty thigh tattoo. I’m a sucker for this man.

Kimi Raikkonen: yall know I’m smashing, this is obvious. I’m in love with this man.

Sebastian Vettel: I’m smashing, but I’m not super into it. I’m more here to talk about sustainability and figure out what I can do to assist. It’s not a fulfilling smash.

Mick Schumacher: he’s literally so pretty, like so pretty. I’m afraid it’s a pass though guy, like I think I would almost feel guilty?? Like he’s so pretty and I’m just a feral little swamp goblin?? It’s not fair.

Jenson Button: smashing, 100%. I feel like this needs no explanation.

Nico Rosberg: pass, but it’s like a really difficult pass.

Toto Wolff: fucking smash my dudes, like I am actively ruining my marriage at the chance to smash (this is a joke I love my husband very much). I’m beginning to realize there is a bit of theme in my answers…

Peter Bonnington: have you seen the size of this dudes chest? The size of his arms? Smash, I’d be crazy not to.

Daddy stroll: smash, absolutely. Honestly? Frothing at the mouth for him.

Fred Vasseur: NO ONE JUDGE ME. Smash, and I’m not proud of it.

Adrian Newey:….smash….swear to god yall better not judge me. He’s just really smart and I find that attractive!!

Helmut Marko: pass, but only because I’m pretty sure if he saw my nipple or clit piercings he would die and I don’t need that additional trauma, ya know?

Christian Horner: pass, he looks too squirrelly to me.

[acourtofthought]

After reading the series for the second time, I've come to really dislike the narrative that Feyre is a better friend to Lucien than he is to her. When that's just not the case.

He's helped her or tried to help her on multiple occasions, throughout the books. UTM, him trying to get Tamlin to let her train and be a part of things(which I honestly feels like it gets so overlooked because he was fighting with Tam using his words, instead of physically). Even when they left the Spring Court.

Meanwhile, Feyre used him in her plot to get back at Tamlin and with Ianthe. With no care at what would happen to him afterwards. The way she acts with him when it came to Elain(i mean I get it she wants to protect her sister. But Lucien has never once gave any reason to believe he would harm her or anyone else). And then in acofas, after the war was over and everyone was recovering and dealing with trauma, including Lucien, she makes fun of the one good he has in his life at the moment, the band of exiles.

I'm sorry but Lucien is a way better to Feyre than she is to him.

Ps. Sorry for my random rant/ask lol

I also do not agree with the narrative that Feyre was a better friend to Lucien than he was to her. I see so many people say, "but Lucien even admitted it!!" Lucien is a martyr. He literally feels responsible for Jesminda's death and doesn't blame the lesser fae in the Autumn Court for blaming him for Jesminda's death. We as the reader know there was nothing he could have done to stop Jesminda's death and he should not be carrying that guilt around though he does it anyway. Likewise, just because Lucien said what he did to Feyre it doesn't mean she was actually a better friend. If you really think over the series, when was Feyre ever a truly good friend to Lucien? She didn't bother going back to the room to check on him when she knew Tamlin used a pulse of power against him. She never bothered to ask him how HE was after what happened UTM. Feyre only focused on her trauma and while I can completely understand that, it's very one-sided for her to believe Lucien should have been responsible for helping her after UTM (more-so than he did) while she didn't bother helping him after UTM. They both experienced horrible things and I'd go as far to say that Lucien experienced horrible things for much longer than Feyre had. For all the times someone debates whether Lucien could have done more for Feyre, at the end of the day he never sought out to use Feyre. But at the end of the day Feyre did set out to use Lucien even knowing how abusive / dangerous Tamlin could be, even knowing that Ianthe had SA Lucien previously. At the end of the day Feyre and Rhys used Elain, his own mate, as a pawn to manipulate Lucien. I do think that as of SF they've begun rebuilding their friendship but I will never be convinced that throughout the series Feyre was a better friend to Lucien than he was to her.

[butchvamp]

Davrin's and Bellara's banters are so good it's a shame they don't actually let them have any of these conversations in cutscenes considering how much more it tells you about Davrin's character and also how interesting it would be for the both of them to discuss the gods, how they feel about them, and their difference of opinion. he does clearly feel a lot of fondness for the Dalish, even if he doesn't necessarily believe in the gods, and i don't know why they don't let him say this stuff during his quest when he goes to visit Eldrin or when he's talking about his purpose with the griffons and the Grey Wardens.

Bellara: What about the people? Davrin: I missed the sense of common purpose. A clan acting as one. Everywhere else, people were in it for themselves. Davrin: It's a reason I joined the Grey Wardens. Guess I needed that purpose again. The shared fight.

him discussing his time away from his clan and comparing his experiences with Bellara both as Dalish elves and as Grey Warden and Veil Jumper and bonding over their different perspectives and the things they have in common...

Davrin: I'll always be Dalish. That'll never change. The sight of an aravel still brings back memories.

also interesting they have him specifically say "I don't regret the life I've lived" when Bellara asks if he misses his clan (considering the entire game is about regrets), but he does remark that he wishes he could "do both." (why can't he? is he not still serving his clan as a Grey Warden? this game loves its false dichotomies. however, i do think this is just what he personally thinks, we just never get to ask him) he also goes on to say this:

Davrin: The thing about being Dalish-- I needed to see the rest of the world to understand why the Dalish part of it was so special.

compare that with his dialogue with Taash, where he just complains about the Dalish "doing the same thing all the time just because it was tradition." they also go back and forth and complain about the lessons they had to take as kids (Taash complaining about their Qunari lessons, Davrin complaining about the elves "always talking about the past." they love saying this about the specifically indigenous-coded elves lol) however, when he mentions honoring the hunt, Taash counters this and says it sounds interesting, and Davrin ends the dialogue by remarking "I didn't say I was the brightest kid."

back with Bellara, he then talks about what he took for granted before leaving, ominously states it was "...different," (since he is one of the few characters that actually brings up the discrimination elves face and comments about how the gods will make it worse and also lays into Solas about it, i assume that may be what he's vaguely referring to here), and then you get the dialogue about him joining the Grey Wardens— the world wasn’t what he thought it would be, and he needed to see good in people and have that shared purpose again... and perhaps he also wanted to find a place that wouldn't look down on him for being Dalish.

you get the barest slivers of this when you talk to him after Weisshaupt (before his quest pivots to just focusing on Assan) but this banter gives you so much more insight-- he talks about his purpose as a sharpened blade striking true, but it's also this shared fight with his fellow Grey Wardens that means so much to him... except they're all dead now, and he's not. he killed the archdemon, but he's still here, and they're not..... he also seems to carry some guilt about leaving his clan, implying that he "rejected them," and now he feels that he can never go back; i wish this was something we could discuss with him, considering he can potentially leave the griffons with the Dalish. Eldrin lives separately from the clan, but i think that could have been an interesting conversation, and also play a part in Davrin's grief after Weisshaupt (he feels like he can never go back to his clan, and now he doesn't even have Weisshaupt to go back to, either).

[atticsandwich]

SPOILERS FOR THE NEWER LESSONS IN NIGHTBRINGER - careful fellow followers of this blog <3

i love the current lessons so much actually because there is honestly so much underlying angst / potential for it! i doubt the devs will go that deeply into that direction and i don’t think it would translate well within the game anyway but just imagine mc getting more and more concerned about their own powers that also shape their relationship with everyone else… sure everyone loves mc but dia/barb and solomon have entire realms to protect and therefore wish to have mc on their side if push comes to shove (which has been a recurring topic in nb)… mc getting increasingly insecure / afraid that they’ll be seen as a tool / weapon first instead of a friend… i mean especially after being used as bait??? solomon showing his shady side again??? AAAH!!! THINK OF ALL THE POSSIBILITIES!!!

Yes yes YESSSS

also i love that we're given the option to be mad that the people mc loves are being used as "bait" to draw out their power. obey me has been very passive about how mc responds to situations sometimes that them being mad is a great thing!!

re: angst, yeah, i get you, they haven't really hit the mark on really leaning into angst yet, and although i doubt they'll hit this one, i still have high hopes about how it's going to conclude or how they'll handle the situation (the fact that they got teleported to babel + michael's texts to simeon makes me think raphael is FINALLY going to burst and let out all the emotions he's been bottling for literal millenia)

SPEAKING OF RAPHAEL. again, i love that tlhe's the side character focus on a season with the underlying fact of simeon's transformation to a demon - his reactions and avoidance of the situation, even though he's already made aware of it by michael, coupled with the fact that he still has hidden guilt over what happened during the celestial war....... MANNNNN IM SOO EXCITED FOR RAPHAEL DEVELOPMENT AND EXPOSITION..... hopefully this means mephisto and thirteen will also have their own time in the spotlight soon regarding glimpses of their backstories and developing realtionship with the cast (and mc in particular)

ON A SIDE NOTE. anyone else catch how barb reacts after solomon and mc chooses to keep the reason for mc's growing power a secret??? yeahhhhh he defo knows. dude raised solomon and is the demon of time, of course he'd know. knowing him, he probably just wants to see how it plays out, considering he's powerful enough to mitigate any real catastrophe from actually happening (hellooo he was literally contingency plan number 1 from the sf final) love the thought of him just going. heh. this'll be fun to watch :>

ANYWAYSSSSSS im gonna stop yapping now thank u for asking anon and for anyone reading my thoughts. granted i know a lot of these are very tip of the iceberg but i would rather not do a full dissertation on tumblr. knock knock tumblr staff can u add voice notes. no relation to me wanting to yap whatsoever................) (<- says the guy who made and posted an essay about celestial realm parallels to irl catholicism and power structure. WHATEVER!!!!!)

[dseval]

What are your thoughts of CrossDust? What dynamic you think they have?

Permission to yap about CrossDust??

Short answer: funny i like both of them they should kiss

...Long yapping ahead (there's yapping about my Murder Sans interpretation, then there's also CrossDust. It's long.)

I'd like to first clarify that my interpretation of Dust may be different compared to many (I think, at least). Since I base his character on the canon information from Ask-Dusttale and fangames— particularly Evan Streblow's Dusttale (if you don't know, it's the one with the psychotic HAHAHAHAHAHAHA and "We're gonna have a MAD time!")

I also slot in some headcanons (and self-projections, can't help it) and some character adjustments because I think canon Murder is extremely difficult to work with, especially in the context of shipping and anything else this fandom does with him in general.

But just the gist of it so you all don't have to read that much (I can go on for ten more paragraphs. I'm obsessed with this guy):

I'll use the names Murder and Dust interchangeably and within different contexts. I like to think Murder is a front that Dust puts on— an apathetic murderer who finds emotions difficult to feel, someone who always lies to get his way, a sociopath. While Dust is quiet, honest, and more contemplative. It's mostly Murder who interacts with others.

Murder and Dust aren't necessarily two different people. Ultimately, Dust directly influences Murder's choices, and Murder may disappear one day once Dust feels content.

His hallucinations aren't only Papyrus, he also hallucinates about others although Papyrus is the most often. And these hallucinations speak different things according to the state he's in. Murder's hallucinations would encourage him to hurt more. While Dust's would induce guilt.

Murder is a very focused person, not afraid to take the lead, and he hates it when nothing happens. Dust on the other hand is content just doing nothing.

Murder finds love absurd. Dust too, but he entertains the thought of it.

Murder and Dust both think words are silly, insincere, and can change meanings, so they are more action-oriented.

He's demisexual. That's a headcanon.

And if anyone has any different interpretation of Murder/Dust Sans, that is absolutely okay and amazing. Dusttale is a very hard AU to actually get into (all the informations are scattered). Plus, there is nothing wrong with fanon. I think it's great, I like fanon. I sometimes like fanon more than canon.

Now CrossDust.

For their general dynamic, I think it's very difficult for them to get together. They just go back and forth between something and nothing. They have like... The slowest of slow burns.

I'd like to implement the entire Underverse thing. Remember how Cross stole Classic's soul? Apparently, Sanses across different alternate timelines can share a memory. So Geno knows Cross stole 'his' soul. Killer also acknowledges this and says to XChara that they stole 'his' soul.

So technically to Murder/Dust— Cross also had stolen 'his' soul (And Murder would've had felt all Cross's pain while at it, too). I think Murder would find it hilarious that Cross brought literally every single innocent AU into his problem. Dust would feel like Cross's plans are ridiculous, but since it's XChara's plan, and XChara is the human, Dust wouldn't even question it.

In a way, they share SOULs once, even if indirectly. Murder/Dust knows probably a lot about Cross. But Cross didn't know who the hell this guy is. Either way, with that in mind. Murder probably didn't have a good first impression of Cross. Dust might empathize with him, since Cross also committed a genocide in order to 'make things better' which is also Dust's reasoning. Cross might learn about Murder's actions later— but cannot judge Murder/Dust for it.

They are very similar. Kindred souls in a way. They went through similar struggles but they turned out to be completely different people. Because Cross in his entire life is under control, while Murder acts on choice. Because Cross knows what he did is horrible and he'll carry that sin to the grave, while Murder justifies his actions.

Cross is too trusting (he doesn't trust easily now), too seeking for approval, he doesn't know what to do if no one orders him. Murder thinks he himself is enough, Murder thinks he is the hero, he doesn't need anyone else.

Cross thinks Murder is a bad person, an absolute jerk. Murder likes to toy with him, probably also uses Cross to his advantage. Murder can either try to hurt Cross, or will try to win his favour. But can Cross judge him? Not really, hell, I don't think Cross even noticed if Murder did manipulate him. Low-key toxic these two.

But then there's the private moments, the intimate moments where Dust shed the front that is Murder. Where Dust is sincere; he doesn't talk, but the way he gazes and acts towards Cross is honest. And although reluctant, maybe Cross desires to bring that side out of him more.

It's both difficult for them to trust. But eventually Dust will learn that Cross cannot lie— Dust will trust words again. Eventually Cross realizes that he's not the only one hurt, and he can find a home in others, he can choose to find a home.

Cross will find it frustrating how Dust shuts himself down. Dust would find it frustrating how hard Cross tries for him. But eventually, Dust would learn to no longer front himself up with Murder. Cross would need a signal from Dust that what he's doing is okay and perfect before they can advance further.

They'll care about one another.

Eventually, they'll trust each other.

In a relationship sense where they're both happy and recovered, though. I think both of them like cuddling. Dust still had a hard time with words, but he knows how much it means for Cross to have words of affirmations, so he would praise Cross a lot. Cross knows Dust is as restless as he is, so he makes sure they both have a full schedule with a lot of things to do.

All in all, they're comfortable with each other. And that's enough, really.

(i almost yapped for ten more paragraphs but I think this is enough for now sksksksk)

Dust Sans by Ask-Dusttale

Cross Sans, Underverse, & XTale by Jakei

Mentioned characters: Killer Sans (by Rahafwabas), Geno (by loverofpiggies/CrayonQueen)

[chromunist]

Long POSITIVE rant/analysis about Veilgards plot regarding Solas for me and anyone else bummed out by everyone saying the writing is bad!

SPOILERS

All that I wanted going into this game was to get to know solas as the dread wolf and get my big solavellan moment. The game delivered. This game is very much, by design, the dread wolf’s where inquisition is solas’. In inquisition he is hiding and allowed to be himself as a result, by the end of it you don't change his mind, but you make it so he no longer wants to tear down the veil, not on a personal level. Solas is sensitive, kind and wise. The dread wolf is cut throat, pragmatic and prideful. To save him you need to tap into the person from inquisition, not the god from veilgard.

The thing about solas’ mission is that on a pragmatic level he is right. Rip off the bandaid of these short mortal lives and generate a utopia of immortals. That's why pragmatism doesn’t save him. He needs to accept that on an emotional level, as a person, he doesn’t want to destroy this world, he doesn’t want to fight anymore, and he can never truly make his sacrifices mean something, he can never make any of it worth it because it will never feel worth it to him. He needs to choose to stop as a person not a god of rebellion or spirit of wisdom. Because no matter how much he didnt want to be a god, he acted like one and he can never be at peace while doing so. And no matter how much he wishes he was still a spirit, he’s not. Veilgard at the end of the day was about accepting that you will make choices you will regret, there will be uncomfortable consequences to your actions and there won't always be meaning in those consequences. You can choose to punish yourself forever (solas) or accept the uncomfortable truth that you can't punish yourself into peace and forgive yourself (rook).

The reason why one of you companions must die is so that you cannot be placed above solas. This is also why you must pick minrathous or treviso. You must walk a path like his, fight the war he fought and make the sacrifices he made. You cannot defeat solas or change him on the pretense of being better than him, of not being willing to make sacrifices like him, You MUST make sacrifices, You must put people who follow you into situations where you know they might die and when, not if, they do, you must live with the regret that comes with it.

Solas knew that eventually someone would die under your command and he waited for that moment because you would be faced with the same kind of regret as him and then you would be able to take his place. You don't get to act like you are better than him because you never abandoned anyone, you don't get to act like you are better than him because you never ordered someone to their likely demise. Because you did. You cant get solas to stop by making the claim that he is wrong and you are right, because he isn't. You’re the same. Rook is a foil to solas

The dinanshiral for him is continuing to walk the path that only makes him hate himself more. that he doesn’t feel good about or want to do. He wants to stop but he can no longer see the line between his pride and wisdom. He wants to keep walking it because he can't let go of the fight and accept that this is what all his sacrifices will amount to. He knows he will only hate himself more at the end of the journey but he thinks he deserves to feel all that guilt and shame if it means bringing about the utopia he imagines. He sees the regret and pain of making this ideal world as a burden only he can bear and therefore has a responsibility to take on. He fails if he doesn’t he is selfish if he doesn’t because the sacrifices hes made and the elves of now (in his eyes deluded by idealism) deserve the world he is trying to create

It’s not that solas can't accept he did bad things. He’s great at that actually. He can't accept that he did bad things and those things might never matter. He took risks and lost and there is no reward that can make him feel like it was worth it, but he's trying to make it feel worth it by continuing his plans. He cant accept that he acted like a god, created this deeply flawed world, and cant fix it. He sees himself as the only one who can save his people and cant accept the reality that he failed at preserving one thing he always wanted to preserve. After millennia of fighting and sacrificing for it, how does he just stop? Just because he wants to? That’s selfish. He can take the pain, he deserves it even. So why not keep going? He has to do it, someone else might get it wrong (haha).

Rook is freed because they listen to the people who love them, accept forgiveness from those they hurt, and the reality of their guilt. But choose not to hate themselves anyways.

You show him it's okay to stop. He's not failing. You make him accept his pain and his mistake. You mythal and the inquisitor give him the permission to end, to be forgiven so he can finally give himself the release from that ancient duty. The acceptance of the grim reality he wrought as real and permanent and he doesn’t need to honor those sacrifices because doing so will still never change the reality of how they make him feel. He finally gets to live as a hurt and flawed man, not a savior with the weight of the world on his shoulders. I think thats a beautiful and perfect ending for him, and the whole plot of veilgard is to build rook up into this dichotomy with him.

Solas pretty much says he made you into him, but he didn’t anticipate you’d be able to forgive yourself. Because forgiveness is something he cant imagine granting himself until the end, when he is met with genuine compassion and understanding by those he hurt.

[aeskairo]

This scene in the anime adds a lot of interesting stuff that wasn't in the manga.....

Ogata and Yuusaku goes to a brothel.

Ogata brings up the superstition in the army that virgins cannot be hit by bullets that Yuusaku is a virgin.

Yuusaku looks uncomfortable...

Ogata then points out that Flag Bearers have the highest death rate in the army, even more than regular soldiers, and that Yuusaku's job is to run to the enemy side totally unarmed and be the first to breach their ranks.

Yuusaku looks uncomfortable and sad....

He refuses to fuck the prostitutes and leaves.

Tsurumi comes in, and he plants the idea that this must be due to Yuusaku's virtue.

It must be because his highborn-legitimate-heir blood is so much better yours, Ogata. That's why he rejected you. He's just so much better. Pure Saint Yuusaku is made of different stuff, he's got virtue flowing through his veins.... unlike you, Ogata.

So this makes Ogata determine to prove him wrong....

And of course he does....

But the thing is, we don't know Yuusaku's actual reason.

Virtue is just speculation on Tsurumi's part as a means to manipulate Ogata......

But like..... When he's not being used to manipulate Ogata, Yuusaku is a person.

Like I actually wonder if his actual reason was self-preservation or fear instead.

Yuusaku has to lead the charge while being shot at. He can't show any signs of fear and need to motivate the men. He needs to keep running forward as the men right next to him are torn to shreds by artillery fire, and he has to stay cheerful and confident.

Ogata has become good at suppressing his guilt, but Yuusaku is just as good at suppressing his emotions if not more so.

He suppresses fear.....

(When not actively charging at the enemy, he has to remain cheerful confident and enthusiastic at all times. He's the mascot and he needs to motivate the men. So even when he's just chilling out at the military base, he still needs to be enthusiastic, happy about the war.

Yuusaku himself is probably a mess under his cheerful mask, in the same way that Ogata is a mess under his emotionless mask. BTW)

Like guys.......

Do you ever think about this 21-year-old kid trying to psych himself up and take deep breaths in his tent before picking up the flag and putting on his cheerful face?

He is the obligatory product of an arranged marriage.... trapped by the weight of expectations from a long line of military commanders.

Every week he has to charge head on into gunfire, cheerfully motivating others, while the men right next to him are getting blown up into meat bits.

I wonder if he's on drugs. Takes something to calm down before picking up the flag.

He has no armor, no bulletproof vest and no gun. He's not even allowed to draw his sword to defend himself. He can't stop being the flag bearer because of his father.

The only thing keeping him safe is the idea that virgins are immune to gunfire..... he literally doesn't have anything else.

So....I wonder if he refused to lose his virginity because it was the only thing he had.

Even if it was obviously bullshit superstition, he might have wanted it to be true.....at least a little...

I wonder if anyone has explored the idea that Yuusaku might feel as cursed with his birth as Ogata does.

[queer-geordie-nerd]

Man, why do I still feel weirdly guilty when I have to be off work when I’m in pain?

Yesterday, I could barely walk so I rang in sick, and ended up spending most of the day feeling bad about it because I know my colleague running the shift (who is also my friend) was really stretched and when I messaged her later in the day, she’d had a day from hell.

I know it’s not my fault that the company hasn’t staffed our shop adequately enough that one unexpected absence descends the whole place into chaos, but I still hate that I left her in the lurch.

And as much as I absolutely know that none of my colleagues actually think this, I always have this tiny voice in the back of my mind that won’t go away, saying that I’m a fraud, that there’s nothing really wrong with me, that I could manage if I really wanted.

[sharknark]

⬇️rant about a really good hengren (reverse renheng) fic i read. link at the bottom give it a whirl

i've never read a fic so well-catered to my tastes before in my life and the best part is that i was so caught off guard by how good it was cuz the tags and summary had me like "right this is some omegaverse-esque, rawr XD mating shit"

but from the very first paragraph i realized it wasn't just ao3-typical possessive mating shit it was (dare i say) IN CHARACTER possessive mating shit. underappreciated dan feng lore is the two hearts shit, duty expects him to smother his own empathy and perform cruelty obediently (and that being in his dragon form literally numbs his empathy towards mortals) but then it's flipped around and he's criticized for being too heartless

there aren't a great many english fics that take advantage of the 'numbed empathy' thing, so this fic using that to explore the toxic codependency that drove dan feng to making yingxing immortal in the first place is so!

dan feng's dragon heart prioritizing it's own indulgence and power, his human heart screaming against it for empathy and restraint, but both hearts united in this possessive adoration of yingxing... dan feng is possessive to the point of harming his partner, forcing them to take his affection, inherently contradictive to the protective impulse to see the other unhurt.

dan feng makes yingxing immortal in a really sketchy operation, despite knowing that yingxing is literally defined by his pride in being a short-life. he wants yingxing to be with him so badly that he does the one thing that would hurt yingxing the most, too blinded by possession, this sickly overbearing affection, to empathetically respect yingxing's death.

yingxing lived cramming every second he could into his craft and his goals precisely because he has so much less time than all the immortal species around him, but when he's forced into immortality, his hands are scarred and ruined past the point of ever crafting again. he suddenly has so much time, all this time he would've cherished as a mortal, but is totally useless to him now that his purpose for living and passion is gone.

so there being a scene in this fic where dan feng is moping "yingxing doesn't wanna fuck because he's glued to his workshop", being followed up with a scene of dan heng fucking blade while kissing his scarred hand and crying that he's "so sorry", yeah no shit asshole, his dragon heart got what it wanted, blade has all the time in the world to fuck and nothing competing for his now limitless attention and no one's happy about it.

as arrogant about being a short-life as yingxing was, it really is compensation for the discrimination he faced for it. other immortals looked down on him, so having dan feng, THE top dog, be so deeply enamored with him stirred his own toxic codependent urges. he was so desperate to have dan feng's eternal regard that he's willing to die for him (as in the sedition), his death being the force cementing his place in dan feng's heart forever.

so the fic having yingxing ruminate on this, that he had hoped for dan feng to love him even centuries after he inevitably died, only for the fic to end with:

yeah yingxing... you left an impression... he made you immortal.... everyone's upset by this

(that's what makes dan heng forgetting blade was ever yingxing to begin with all the more painful because, you went and turned him immortal and when it backfired horrifically you went on and fucking forgot, bitch i'd be pissed to the point of centuries long bloody pursuit of vengeance too.)

here's the fic go read it and leave kudos and a comment, technically porn but i got so invested in the character study that part barely registered. also yeah if you hadn't realized already super dead-dove:

blah blah "renheng is toxic" sorry that's why i like it

[loderlied]

i need you all to know that the main reason (besides a general hunger for attention) niles even accepts aldori’s call is because he got caught stealing his student’s work and passing it off as his own and his reputation as a teacher was obviously ruined. lmao

[theoutcastrogue]

@gyko:

"brought work and money to the people of undercity"

Right, like a boss. By which I mean like an employer (derogatory), not like a badass.

"he kept the enforcers out so that they could be left alone"

I think Vander also kept the Enforcers out, and in both cases this only lasted until their own children crossed over to Piltover and exploded things.

"made an actual army … all of these were the reason why the council even considered nehotiation with him, imagine if someone else was there… they would nof hesitate to go by brute force"

Oh, I agree they negotiated with him because he's the bigshot. But what made them weary was the stolen hextech (Jinx's work), not Silco's shimmer-warriors. They didn't even know that was a thing before Jayce and Vi's foray into the undercity. And after that, what prevented brute force was Jayce's guilt for killing a kid, and Mel's support of him in the council. Nobody said "oh no, Silco's dangerous, better talk to him instead of going there guns blazing". They said "we don't wanna go down there guns blazing, so we gotta talk to the man in charge, which is Silco". At least that's how I understood it.

"The only reason he was slower in his action was also the invention of hextech (which he did not predict)"

That's probably true. Hell of a timing, things could have been very different!

"we are shown time and time again that people of Zaun are willing to fight, its just that they don't have the means or the power of it. He worked to give them that."

Did he though? Are we shown that? We see addicts in the streets, and glorified security guards in the shimmer factory. Did we see a single shimmer-fueled freedom fighter? Scratch that, did we see a single freedom fighter of any kind under Silco's reign? IIRC all the fight talk happens before he takes charge. Some people definitely thought he would give them the means to fight. (One guy spat on an Enforcer, and next time we saw him he was in Silco's gang. Sevika seems to think that's always the plan. Etc.) But I never saw it happening.

To be clear, I don't think Silco was ever lying when he said his goal is Zaun's independence. He was completely sincere. I just think he went about it very badly, and while some of it was due to external factors and timing, most of it was due to him confusing means and ends.

A point about Silco's politics.

Silco somehow did the "nationalist noble" thing by reversing cause and effect. Traditionally, the local nobility (or the bigshots in any case, elders, landowners, rich fucks, warrior aristocracy, whatever's handy) of a subjugated region will happily champion nationalism in order to get rid of the overlords and rule in their place, while convincing the lower classes (and themselves, if they're not very smart and/or cynical) that they're on the same side.

Silco became the bigshot (heartwarming rags-to-riches story!) in order to champion nationalism. Obsessed with achieving power by any means, he used shimmer (and Vander's elimination) to establish the Chembarons [*] as the closest thing Zaun has to a local ruling class, separate from their Piltie overlords. Of course, it was more a mafia than a government – not that these two function that differently.

However, by viewing power as the necessary stepping stone to Zaun's independence, Silco completely lost the ball. Shimmer could have been a weapon, to be tactically employed in the veins of people who actually wanted to fight Piltover. Still extremely shady tbh, but clear in purpose. But that would require getting people to want to fight Piltover, and Silco seems to have… neglected that. Instead, he flooded the streets of Zaun with shimmer, the very place he was supposed to liberate, causing a hideous addiction epidemic (fastest way to kill a social movement btw), and only cared to weaponise it to wrestle more power for himself from other Zaunites. NOT from Piltover.

So something went extremely wrong there, and Silco ended up "an industrialist". The local strongman, the little big man, The Man, the Boss, the one the lower classes dread. For Ekko (whose assessments matter VERY much), he's the No 1 enemy and biggest threat to the well-being of his people, not because he's more powerful than the Council, but because he's closer, getting his hands dirty every hour at every corner. Whereas Piltover's systemic exploitation works from afar and in the background, and is often experienced as neglect rather than assault.

And THEN, Silco got to negotiate on behalf of Zaun because the Council went to him, after Jinx caused mayhem on her own. Jayce came waving a white flag, because he was also acting unilaterally. In short, through NONE of Silco's doing, Zaun's independence fell on his lap. And ironically he couldn't take it, because the price was his daughter.

Fantastic character btw (the depth, the pathos, the total lack of qualms) but damn. Some nationalist. Some liberator.

[*] It's unclear to me why there are several Chembarons when shimmer was basically commissioned by Silco, and therefore could be controlled solely by him. Did the others reverse-engineer it? Did he share? Did he need their facilities after his lab blew up? No idea.

[momokatzetzgo]

little brain: Lisa was executed because the church thought she was a witch for her advanced medicinal knowledge and her lax relationship with God. Her knowledge challenged the authority of the Church, so it killed her for it

Big Brain: Lisa was executed because she was Catholic not Orthodox