#i mean he very much did still kill people there but yknow. comparatively

[miyukihoshizora]

Finished the Dragon Quest III remake.

That was damn good. Gameplay-wise, it's tried and true, and it has that added complexity in teambuilding that feels just right. I did feel like physical attacks were kind of worthless for most of the game, until the final boss gauntlet that kind of forced my mages to turn into Healall/Philosopher's Stone spammers. But hey, I didn't even scratch the surface of the vocation system, and I didn't even explore the postgame yet, I don't doubt it keeps getting more interesting.

Oh, also, the monster wrangler stuff? Fantastic addition. Like obviously the Monsters subseries exist because people love these little freaks, but I'm glad this is also a thing in the core series.

So, now, can I be a bitch about the story of a game that came out eight years before I was born?

Spoilers obviously.

I've always said Dragon Quest excels at episodic setpieces where Final Fantasy was better at big overarching narratives (with the exception of DQIX which I think nails both these aspects), and it remains true here, and it annoys be because it didn't have to be. I have problems with the way DQIII had all the pieces on the chessboard and still manage to land on the Go to jail space.

They went the extra mile to flesh out this game's narrative compared to the NES version, but at the same time, I feel like they were not committing hard enough to making this the deeper narrative about family and duty that it could have been.

It does everything right as a prequel to DQI and II. I know it's cliché but I adored that the entire last stretch of the game served to establish the rest of the Erdrick trilogy.

Highlight of the game for me were Ortega and his wife, they did all they could to sell us on the tragedy of that family, which is part of why I am mad this plotline "culminated" with Ortega's death. They didn't add anything about the price of saving the world being making our mother suffer the way our father did.

Heck, for a remake that loved to focus on our mother's sadness and the way her cheerfulness is just a facade, it SUCKS that she is still unnamed.

I really wish we spent more time establishing that killing Zoma would sever the connection between the two worlds, because that would have made a pretty straightforward confrontation with our cackling robed blue skinned weirdo, yknow, personal??

Zoma too I feel is definitely a missed opportunity. He stays a very stock big bad through the end, when I feel they should have made him a narrative foil to Ortega. Maybe have him interact with both him and the protag more, heck maybe have him seek a son of his own, work this into a story about letting the world / your kids evolve without you.

Akio Otsuka (at least I think that's him?) put his heart in this wonderfully threatening performance, I really wish it was for a villain that had more to do, to say, and to bring to the narrative.

Because, yeah, as it stands now, the game's story kind of rings hollow despite wanting to be so much more, and they really don't have the excuse of "This is a NES game" when the NES FF trilogy was Lord of the Rings in comparison. Heck, the DQIV DS remake fixed that thematic dissonance with Psaro, why couldn't this one do the same?

So yeah! I am mad that all our mother got for her troubles was three seconds of wistful staring at the window in the credits when that shit should be what the plot is about, but I loved this game, otherwise I wouldn't be disappointed in its underwhelming epilogue.

AT THE VERY LEAST. There's that postcredit scene that sets up Hargon as the next threat!! And it looks like he has reasonable reasons for wanting to rule the world and won't just be Cackling Robed Dude #78289999 again!! That means the I&II remake is probably giving us story divergences, maybe give a better reason for Malroth to exist at all, and I'm honestly looking forward to it.

[moononmyfloor]

Dashing Youth Ep 33-35 Commentary

Ep 1-10, Ep 11-16, Ep 17-21, Ep 22-25, Ep 26-32, Ep 36-40

Ep 33

This show stresses the fuck out of me now and not because it has entered its tragedy arc and 1. I enjoy well-done tragedies 2. I started watching this knowing it'll be tragedy anw

But because upcoming events feel just so superficial and I'm not convinced at all about why things weren't preventable. The wedding part was so sad and evoked so many emotions out of me precisely because I could see everyone gave their best fight and in the older gen's pov, their best reasonings for their inaction.

And now?? Many years have passed, Dingzhi has COMPLETELY let his guard down I mean bro if I was having a kid with emperor's runaway consort I'd move places like. every 2 yrs in the very least, Wenjun still trusts people too easily- girl you could've at least consulted the wise monk next door and trusted him to deliver the proper message to Dingzhi or SOMETHING idk, Dongjun seemed to have spent the entirety of those years high on alcohol and wifey and performance adrenaline in his immaculate cloudy mansion and equally unreal carriage, so much for trying to find and help out his missing bro before like, the very last moment.

It all just feels so juvenile and like the scriptwriters have given up because we all know what the ending is gonna be anyway, yknow? It's like they all actively waited for the disaster to hit them.

The only scene that I enjoyed in this ep:

(I'm trying to erase the sight of the scared and lonely young dad Dingzhi braving through the night forest with his baby to get their girl back, so traumatising)

Ep 34

Sikong Changfeng once again fights battles that are not his, while the actual people who need to be doing this are being preoccupied. He's the best boy.

Lei Mengsha also practices inaction but the kind where he will not stop a capable person from doing the right thing, therefore he is also a good boy.

Show ruined Wenjun's character once and forever with the bullshit attitude and reasoning she had in this ep. Girl, I fought tooth and nail to defend your rights and you severely let me down today.

I saw this discussion on Chinese bilibili (autotranslated, but you can understand the basic gist) and I think it explains the problem perfectly.

The problem was never that she was physically weak and comparatively naive. It was not about whether a girl in the exact same position as she did in today's episode would have done the same thing. It's just that the writers don't want her to.

And it's not just Wenjun, at this point of the story, stuff just happen one after the other just because they need to, before BoY.

Ep 35

Singlehandedly the most valid character of the show (not to mention the screenstealing acting, He Yu where have you been before my boy), Ye Dingzhi going berserk was so vicariously satisfying. Like everybody has lofty ambitions but since they are too weakass to accomplish them, they want this poor homebody to be their farm cow and do everything for them or what. Like wtf, enough is enough and everyone got what they deserved.

And if the scene of him killing everyone and taking over the throne wasn't satisfying enough, we get this:

It's the sheer lack of surprise, exhaustion and disappointment he delivers these lines for me. He never expected anything from the world since Day 1, he learnt the humans are shit since very young. He knew he couldn't trust anyone but himself to make his own existence better, let alone fix things for all the humanity. And sorry Dongjun, for all your idealistic speeches and displays, you've never done anything to really have Dingzhi value you as a true friend beyond mere childhood sentiments.

He's the most shunned ex-jianghu personality by the time of Blood of Youth, but in fact he's the most heroic of them ALL, not the much celebrated Lord Langya in my opinion. You call him selfish but what exactly have anyone else of his generation had done for the world out of their so-called selflessness?

He didn't have big ambitions, he simply

Stood up

for

himself.

And by that, he finally set things in motion to liberate the whole country of years of corrupted monarchy.

And I find that incredibly powerful and timeless and relatable for anyone across the whole world. If you don't fight for your rights, noone will. Someone needs to raise their voice first.

The accomplishments of Blood of Youth's generation wouldn't have been possible if not for the chain reaction he started imo, because as far as I can see noone else among the parents lifted a single finger let alone laying a foundation for the kids to work upon because they were all too busy looking at the bigger picture or whatever.

[aroace-poly-show]

Bsd anon again im gonna be here a few times im having many thoughts- but I think Sin Soukou is so freaking interesting, more interesting than even Soukou or their predecessors that I cant remember the name of (Mori and Fukuzawa) Its just- something about how different they are compared to either, how much that actually affects them, the difference between how they are turning out vs how the previous Soukous turned out, how despite everything, I don't think they ever actually will kill each other. I think its so interesting the change you see with the two, the affect they have on each other compared to the others-- its just so,, interesting- Also, question of the day. Do you think its good that Dazai changed from his Port Mafia ways? With the way he treats Atsushi vs Akutagawa specifically? Do you think there's similarity between the way he treats the two at all? I often find myself thinking about how despite Dazai being better as a person, and trying his hardest to not be a bad mentor, he still ends up giving bad ideals (Thats not the right word but I cant remember the word) to Atsushi. After an attack his slapped Atsushi and told him not to pity himself, despite the fact that he had just been shown some of his worst memories and accidently hurt people he saw as friends, some of the first friends in years. Its not punching him right in the face because he cant put up a shield, no where near that, but its still not a good thing to do. I can accept that Dazai has changed a lot since the port mafia but I think he still has a very long way to go, especially when it comes to being a mentor to both Atsushi and Akutagawa, even tho he seems to messing up a lot less w Atsushi thanhe did w Akutagawa But tbf the only reason I'm thinking about this is cause its always bothered me how Dazais treated Atsushis trauma as more of a,, annoyance than anything?? Like,, idk I'm rambling at its five am lmfao I should stop before I start going off on tangents

MY FUCKING LAPTOP SHUT DOWN AGAIN WHEN I HAD ALREADY WRITTEN SO MUCH GOD FUCKING DAMMIT

anyway hello again bsd anon :DDD

about shin soukoku, tbh i really like their dynamic a lot more than soukoku or mori and fukuzawa. not to say i don't like soukoku, if you couldn't tell by what i reblog so often i definitely like them (the same cannot rlly be said about mori and fukuzawa but that's another thing lol), but i really enjoy the sskk dynamic :D they have such cool effects on each other as people and they work so well together in fighting and like i mentioned i think their conflicting views of dazai is also rlly intersting and like hrgahgdhfkjs i like them a lot kjdfsj

then to answer your question, i do think it's good that dazai left the mafia, and i do think he's trying to be better. and he's definetely a lot better than he was in the mafia. i do think he's trying to be a better mentor. but like you said, he still isn't the best at it with atsushi. he's definetely doing a lot better with atsushi than he was with akutagawa, but yeah i do think he fucked up with that slap. atsushi's, yknow traumatized from when he rlly young and he literally just hurt people he cared about who also literally wouldn't fight back. like?? idk man i think there's many much better ways to deal with atsushi spiraling??? my dude??? though i guess dazai wouldn't have experience with it lmao

i get what you mean by it kinda feeling like dazai was treating atsushi's trauma as an annoyance. didn't really like it either. to be fair dazai didn't exactly have like. a good example what to actually do. sdkhfj,,,

he is definitely a better person now though. good for him lol

[pinkseas]

[parasocial bestie] GOOD MORNING ALY BESTIE i saw ur reblog about love and it had me feeling things,... like gosh that being how i want out of xiaolumi but like??? pettiness has me comparing to common fanon a Lot but aside the shit i love thinking that xiao and lumine's 'love' doesnt feel so much like love, but theres something that leads up to it almost endlessly.

i sorta always like to joke myself in the middle of thinking brainrot angst how lumine constantly rejects herself that she likes xiao due to events that had her going to that revelation, not bc she fears of his rejection but the realization this 'like' doesnt feel like it fits her true feelings to him, a genuineness that doesnt sound complete and certain. like somehow, shes compensating. i have a tendency to voice out lumine's thoughts more than xiao simply bc she's more expressive and solid on her choices, but this is the only matter that she really REALLY felt unsure bc of how rocky her relationship with xiao had been, and how rocky xiao is himself.

its something she's willing to face if it meant he can feel better abt his life, but then also came the fact she prolly does this to make herself better too in having someone to fill the gap where aether had been. and thats never enough, no one has the right shape to fit her brother no matter how close they are, and thats not an exception to xiao.

i did have a small excerpt in my head to express this when paimon joked about how close they'd been, and "Paimon would've thought you really liked him!"

and instead of a comical rebuttal the fairy would just hear something so out of lumine. like a realisation shes resigned into, that she couldnt so anything about it. "... I do like him, Pai. I really,... really like him." ("and it's my biggest mistake to think that.")

like yknow,... like god yknow how personal it felt to me as an aromantic that the word "like" just feels much STRONGER than "love", and doing it to lmi. and the matter to xiao himself is a completely different story, bc while lumine is viewed how much her impression to xiao as a friend held by distance had turned out more than that, for xiao its a developing curiosity he learns about her more and more without counting how important she is to him. that already goes without saying xiao still values her, but its not the centerpoint, because his arc is about being guided.

though it does, in the end, he realizes the curiosity is a sign he 'responds' to lumine's 'like'. and that unfolds in their very last scene together (that got me giggling crying so much since its his ideal ending)

bc to me its not a love story, it's a story of growth in feeling for both of them. like man,... bc in the end it still leads back to that op, that love is a feeling of home. so gentle and warm. and thats how it ends for them, to the very day lumine reunites with aether and they depart from teyvat, did they share goodbyes in an acceptance they replied to each other's... 'love', but not in a way people think. love is shaped in so many meanings, and theirs is only one of them. and this slow development aside their close friendship-to-qpr is so important to me yknow

I HOPE UR HAVING A GOOD NIGHT BESTIE !!!!!!!!!!!!!!!!!!!!!!!!!!

this is going to make me explode and die i hope you know. holy shit. holy SHIT. GODDDDDDDDDDDDD. i 100% understand like feeling stronger than love and i LOVE that in regards to this im so im so im so

ITS NOT A LOVE STORY ITS A STORY OF GROWTH REAL TRUE BASED THATS EXACTLY IT ohhhhhhh my God. bestie youre killing me im going to be thinking about this all fucking day im gonna fucking explode IM SOOOOOOOOOOOOOOOOO

[rivalcobalt]

Okay actually yknow what, I'm just gonna do this on here cause I've been agonizing over this for too long

Firstly to prove I'm not insane, and I guess to his credit, the author has mentioned ONS as an inspiration-slash-thing-with-similar-vibes on twitter (archived):

That said, I feel like this really undersells it. Like, you can argue about how much inspiration you can take from a work, and ONS itself takes insane amounts of shit from Devilman, but even still it feels very much like a different story, and not like... the entire first half of the book being largely what you'd get if you just ported the plot of S1 of ONS over into a YA novel with and then altered who the love interest was.

This is long enough already (talking like nearly 4 pages point form on google docs) so I'm just copying it over as is. I only read the book once, so honestly this may have even missed some things. I'd put more effort into this but honestly idk how many people are gonna see this anyways.

Tl;dr no fucking way did you just "watch this while editing"

The Flood || unnamed apocalypse virus

Man-made virus

Kills most of the human population (ons' explicitly kills off 90%, the Flood has killed near 9 billion (earth's population when it was released)/appears to be a comparable rate)

Intentionally caused by Angels cult/Hyakuya Sect + JIDA (revealed in manga/LNs only)

Angels cult || vampires:

Signaturely wear white robes/uniforms + capes

Ons vampires are associated with (fallen) angels

New Nazareth/Sanguinem (city for cult/vampires that protagonist escapes from)

Don't want any more of their kind made (Angels forcing Angel parents to drown their newborns, vampires noted to be generally opposed to making more vampires for unexplained reasons; iirc only progenitors are able to sire and they're supposed to get permission from the vampire council first)

Angels cult || Hyakuya Sect

Religious cult

Doing human (S)eraph experiments

Benji & Theo/Yuu & Mika are children of cult members who use them as test subjects

Causes virus on purpose (manga/LNs only)

Responsible for creating Graces/Horsemen of John (manga/LNs only)

Benji || Yuu:

Only successful version of the (S)eraph experiments

Not fully in control of powers yet/powers emerge over the course of the story

Child of Angels/Hyakuya Sect cult members

Brought to New Nazareth/Sanguinem under the age of 12 and lives there for 4-5 years before escaping

Grow up in New Nazareth/Sanguinem with Theo/Mika during those years

Important family member dies as they try to escape together

Son of cult members

Posesses (S)eraph abilities from being experimented on by cult

Joins ALC/JIDA in their front-line forces after escaping and being found by Nick/Guren

Seraph || seraphs (humans possessing seraph gene and have ability to turn into them)

Aim to wipe out humanity (but this can be controlled by protagonist with effort)

Very powerful

Created via human experimentation on children by the religious cult that caused the virus

Picture of Yuu in complete seraph form in ons tweet from author

Theo || Mika:

Curly/wavy blond hair and blue eyes

Protagonist's childhood best friend

In love with protagonist, debatably reciprocated

Child of Angels/Hyakuya Sect cult members

Grows up in New Nazareth/Sanguinem with protagonist, but didn't escape with them

Wants to get protagonist away from ALC/JIDA and live with them

Seen in whites of the vampires/Angels for the majority of the story

Remains affiliated with the vampires/Angels (Theo sides with Angels & Mika is turned)

Soldier for the Angels/vampires

Protagonist often recalls memories of being in the cult/vampire city together as children

Protagonist thinks of them as someone they'll never see again after escaping (Theo stayed with cult, Yuu thinks Mika is dead)

Mika is revealed to be the son of the first vampire, a fallen angel, meaning he's also an angel (manga only)

Other (S)eraph besides Benji/Yuu, but not a fully functional one (Theo injects himself with a failed version of Seraph, Mika's seraph gene is dormant)

Theo's angry outbursts may be based on Mika's anger (though who they lash out at is very different)

Theo's character differences from Mika are almost all traits commonly found in other characters also influenced by Ryou Asuka (betrays protagonist, parallel to protagonist due to similarities but on opposing sides of conflict) (not sure if author knew about Mika being heavily from Ryou or just subconsciously knew the archetype via consuming other anime/manga/JRPGs/etc or just a really funny coincidence)

Upon escaping New Nazareth/Sanginem, Benji's dad/Mika is killed

Nothing can be done to save them

Bleeding out as Benji/Yuu tries to save them as a specific similar imagery (plus I guess gaping hole wounds specifically mentioned (from being shot in the head/arm thrust through stomach respectively))

Specific memories of looking at a map together to plan their escape

Yuu/Benji is forced to keep running alone to the only way out (only bridge out of Acheson/only tunnel out of Sanguinem)

Cult is using human experiments to create humans with the seraph gene/martyrs to turn into Seraph

(S)eraphs aim to wipe out the rest of humanity

The name. Are you kidding me

Protagonist is the only fully successful experiment

Main character and childhood best friend are children of parents in cult

(In the end) main character and childhood best friend are both (S)eraph experiments

The way the Flood is killing Benji has similarities to Yuu in his incomplete seraph form

Dripping blood and black fluid (Yuu: from wings and left eye, right sclera filled with blood and left eye may have burst upon transforming, Benji: from wounds from Seraph decomposing him)

Spitting up black fluid

at a later incident, Yuu's seraph form is triggered by multiple organs rupturing. Benji's organs are liquefying inside him and coming up in chunks as part of the Seraph transformation

Theo's death after injecting himself with Dominion-12 focusing on his shot-through left eye looking like a black hole is similar to Yuu's left eye blacked out by anime gore censor circle in incomplete seraph form

Same type of post-apocalyptic setting: 

Plants beginning to cover over a wrecked city (only a few years after the virus broke out, so not super heavily overgrown yet)

Skyscrapers and concrete brutalist architecture specifically shown. Downtown core type of stuff

Graces || Horsemen of John

Created by Angels/Hyakuya Sect (result of Flood virus/called by 6th trumpet (seraph) of seraph experiments)

Beasts that kill humans, just to finish killing off the population

Can be called upon/created/controlled by (S)eraphs

Described as both horselike and spiderlike

Ribs protruding out of chest, fangs, mouths in unusual places, and I think wings (not sure about Graces on that one) are common traits

Picture of a Horseman included in author's tweet about ons

ALC || JIDA

Wear all black

Surviving humans outside of New Nazareth/Sanginem

Fight against Angels/vampires

Rescue Benji/Yuu after they escape New Nazareth/Sanguinem

Secretly aim to use Benji/Yuu's (S)eraph abilities for their own gain

The Watch || Shinoa Squad

ALC/JIDA Moon Demon Company front lines squad

Comprised of teenagers

Protagonist joins them after escaping New Nazareth/Sanguinem to fight back against the Angels/vampires

Cormack is debatably based on Kimizuki (red/pink hair, asshole personality, rare bits of kindness show through exterior (when Cormack prioritizes giving Benji his jacket to block smoke while ALC is on fire, but not nearly as nice of a guy under it all as Kimizuki)

Aisha is like… maybe bastardized Mitsuba if you just take her emotional outburst parts, but I might be reaching on that

Nick || Guren 

Leader of ALC & the Watch/Moon Demon Company (strongest section of front-line soldiers in JIDA)

Black hair & eyes (Guren's eyes are dark purple, but could be interpreted as stylized black)

Finds Benji/Yuu after their escape and brings them into their group

Nick is literally just Guren in personality if you age him down a few years and add autism and make him nicer under the exterior. Like even the way he talks and him being mentioned dramatically stomping his leg up on furniture during speeches 

Heading ALC/JIDA's intentions to use Benji/Yuu for their own gain

Dehumanizes protagonist yet also having a bit of affection towards them (more debatable for Guren, but he has some rare moments of being caring towards Yuu in a more older sibling/fatherly way)

Erin || Shinoa

Another leader within the ALC/JIDA (though Erin isn't a soldier/in the Watch)

Sympathetic towards Benji/Yuu, protests against Nick/Guren directly for how they treats them

Pastel pink/purple feminine aesthetic

Wears hair at least partly in braids

Benji & Theo's reunion in Reformation Faith Evangelical Church || Yuu & Mika's reunion on the battlefield in Shinjuku

Reunite at first major battle protagonist participates in, but not their first (iirc both only have one minor fight between joining ALC/JIDA squad and this one)

One approaches other from behind, other only realizes who they are a moment after turning around

On opposite sides as ALC/JIDA vs Angels/vampires

"[Name]? Is that you?"

Benji holds a knife to Theo's throat || Yuu stabs Mika through the chest

Theo/Mika went along to fight specifically to find Benji/Yuu

"Abandon everything and run away with me" || "I came here to follow you. I couldn't let the city take you alone. If it wants you, it has to take me too."

Theo/Mika wants to separate Benji/Yuu from the ALC/JIDA (but Mika has good reason, while Theo wants Benji to come back to the cult)

Forced to separate again at end of fight

Picture of Yuu stabbing Mika from this scene is also on ons tweet from author

In general, first half follows the escape from Sanguinem/New Nazareth leaving behind a dying family member who tried to escape with the protagonist but died to let them get away -> get found by JIDA/The Watch upon escape and rescued by Guren/Nick with the intention of using Yuu/Benji as a weapon against those he escaped from due to his nature as a human experiment -> join JIDA/The Watch, meet other members and the leader Guren/Nick -> do some missions with them -> reunite with previous friend-slash-love interest they had left behind (Mika/Theo) at first major battle as soldiers for opposing sides and are forced to part again progression, which isn't super unique but still very specific, and given everything else... yeah

This is by far not the first time an English work has copied a Japanese work and was praised for originality, but "gay trans YA novel rips off mediocre gay vampire shounen" has to be conceptually the funniest and yet there still seem to be 0 google results about it

[aurore-parle-de-ses-idees]

5 & 21 for est, and/or 45 & 17 for omaruin?

5. On an average day, what can be found in your character’s pockets? [est]

i already did pockets, but for stuff in her bag specifically, we've got: a bunch of rocks (some carved some not), a few chisels (the one she'd been using for several years pre-epic, one from moria that may or may not have some amount of mithril alloy in it, and one that's just a piece of sharp metal she picked up in isengard), a bunch of random papers squished up at the bottom (old ref sheets, a couple sketches, at least one shopping list, her letter from théodred), and a few other random sentimental things (star from radanir, probably the little grass crown horn made her before it falls apart completely)

21. If something tragic or negative happens to your character, do they believe they may have caused or deserved it, or are they quick to blame others? [est]

hm. she doesn't usually spend a lot of time on blame really, especially if there's an immediate crisis that needs dealt with (there are a few notable exceptions- in isengard there's not a ton to actually be done about anything for awhile, so she's got plenty of time to stew). causing, sometimes, deserving, not really. especially with a little bit of distance she can look at things and see how she may have caused some of it, though in the moment she's more likely to sit and brood a bit (or run). she doesn't really think much in terms of deserving though. there's things she wants and things that need done and things that have consequences, but it isn't usually about what she thinks she deserves

17. What was your character’s favorite toy as a child? [oma]

baby halthel :D i think he had a stuffed animal- something wolf or dog shaped maybe- that he loved a whole lot. kept it even after growing up a fair bit, though it didn't come to middle-earth with him

45. What does your character believe will happen to them after they die? Does this belief scare them? [oma]

oh this one is fun for him lol. when he does think about it, he thinks he's going to spend a very long time waiting. if he falls in battle or doing something noble, he thinks maybe it will earn him some form of grace- and that scares him more than a boring or ignoble death and a longer wait sometimes, because then he has to consider what exactly going back will mean and how he's going to deal with being here again, with talking to some of these people again- some of whom he hasn't seen in seven thousand years and more

[ooooo-mcyt]

Yknow what? I'd actually go so far as to say that, as much as ive seen it complained about, it's actually pretty hard to "UwU" or "Woobify" Grian within the context of yhs.

I mean. It's possible if you go really extreme with it, but it's hard.

Grian at his core is actually a primarily decent person most of the timeand is a primarily innocent party in most things. One who goes through a Lot.

If you really think about it Grian's moral compass isn't too far off normal basic human morality. He's often anxious and hesitant when faced with any involvement in criminal activity, he's frequently dismayed and offput by suggestions of violence (the less deserved the more dismay is expressed as well), he's disappointed and frustrated at seeing the people around him do fucked up things, he's almost always polite with a good head on his shoulders when faced with a kind or reasonable person. Even well into ts, long after first coming back to Japan, Grian is still incredibly uneasy and fidgety with the suggestion that he take part in violence, I mean, remember that time he, Taurtis, and Sam were tasked with killing Geode and Grian not only initially tried to refuse outright but then checked in shakily with the other two multiple times just to confirm if they were really going to kill someone. Grian's typically the character most likely in the entire series to be incredibly put off by and very hesitant about doing bad things (especially to people he's not one million percent certain deserve it).

And while one could argue that we can't really praise his moral compass for being hesitant about involving himself in crime/wrongdoing when he often ends up participating anyways. Actions speak louder than words and all. However I disagree. The fact that Grian vocally does not wish to be involved in this kind of thing and has proven to behave on the more reasonable and polite side when acting independently in relation to likewise level headed people....is Very important. In fact, in actual legal cases, oftentimes a factor in trying individuals is the question of whether they would commit the crime in question indepently or under normal circumstances. This is the basis for necessity, duress, and insanity pleas, amoung other's. People who would not act the way they did in a certain scenario under normal circumstances are often liable to be judged favourably in their actions. In fact, speaking of duress pleas, Grian's got a pretty solid one for a lot of his actions. The times Sam or Yuki held a knife to his throat or the times police threatened to kill him if he doesn't comply with orders or any alike incidents. In cases where duress isn't applicable to Grian's behaviour there are oftentimes incidents in which an outright case for violence in self defense can be made. In fact, most of Grian's circumstances leave him very viable to be judged sympathetically on a legal standpoint. The fact that he was a minor, the fact that he had no apparent history of violence or crime, the fact that he was in a severely abusive relationship with a criminal and entering said relationship marked the start of any sort of criminal behaviour from Grian, any criminal behaviour from Grian always being in a group setting never lead by himself, the fact that he always clearly and openly protests when pulled into these group settings, the duress and self defense pleas that are applicable to pretty much all incidents in which he does engage. Which are also all factors that can and should be accounted for on. a moral basis as well, obviously. And like, Grian has a reputation for being arrogant, cynical, and rude or whatever, but he's really not. He very rightfully calls out other people's horrible bullshit and makes snappy remarks towards his abuser but that's the opposite of a problem and Grian's proven himself more than capable of reasonable civility towards reasonable people. Grian just isn't the selfish arrogant disrespectful criminal that he's sometimes implied to be and in fact he's largely innocent- or absolvable, if you'd rather- in most of the things levied against him. Grian's not a literal saint giving to the needy and taking care of orphans in his spare time but he's a decent guy overall???

And hey, speaking of that super abusive relationship Grian landed in. Let's not forget the impact of that situation. Sam was undoubtedly abusive towards Grian. He threatened Grian's life various times, he basically told Grian he was nothing compared to Taurtis, he shoved plastic down Grian's throat and laughed when he choked, he got Grian locked up in solitary confinement through complete lies just because he thought it'd be entertaining I guess, he forced Grian to kiss an abnormally large amount of people against his will (some of these instances sam recorded despite being asked not to), he himself tried to make out with Grian without consent while Grian was sleeping in his own private room, he forcefully dressed Grian up in feminine cosplay meant to be ~attractive~ complete with fake breasts, he lied to Grian about the gender identity of someone Grian dated as a joke (his words) and lightly mocked Grian afterwards, he locked Grian in a basement for three days straight and it's unclear whether or not he was planning to let him out anytime soon, he dragged Grian into a closet with school staff despite Grian's very vocal distress and discomfort then scolded Grian for considering reported it when this staff member made uncomfortable comments on the outfit Sam had forced Grian into, Sam offered to give Grian to another guy who made a similar uncomfortable comment later on as part of some trade, he consistently dragged Grian against his will into criminal activity whether by threatening him, tricking him into participating, or just altogether falsely implicatng him, amoung Many other things. And every step of the way Sam did his best to completely gaslight Grian. He used every gaslighting technique in the book. Telling blatant lies (for example, "i would never stab taurtis", "you are taurtis", "grian's crazy and he stabbed taurtis"), he denies doing shit to Grian that Grian knows damn well he did ("i would never stab taurtis"). He hard projected his bs onto Grian (from blaming grian for 'making' sam do awful shit sam did to claiming grian actually fullstop did the awful shit sam did). He was just constantly trying to turn people against Grian (convincing yuki and taurtis to back him up in calling grian a bad manipulative friend and insisting he needed to apologize for 'making' sam horrifically abuse him. arriving in the police station and instantly without hesitation telling them grian was crazy and dangerous and pinning his own crimes on grian. having taurtis back him up and help scold grian for getting mad about being locked in the basement for days). Telling Grian he's crazy (taurtis incident again, solitary confinement incident, the time sam kissed grian without his consent while he slept and grian got mad). Telling everyone else that Grian's a manipulative liar (taurtis incident again, solitary confinement incident again). Yknow. Gaslighting. Sam was just so unbelievably abusive. In like. Every possible way. Which adds a LOT of trauma to Grian. That on top of his parents abandoning him as a little kid too because we couldn't leave it at severe abuse.

Grian's not a bad person. And he's certainly a very sympathetic person. Which is why it would be hard to woobify yhs Grian. It would be hard to make a very sympathetic very sad character egregiously sympathetic and sad. His whole arc is getting abandoned by his parents, going to visit his friends, and getting violently abused and forced into a multitude of disturbing activities against his will for an extended period of time.

One could argue that sure Grian isn't a bad person and sure Grian's got a pretty sad life, but certainly a lot of people are guilty of making Grian more helpless and scared and generally 'pathetic' than he is in canon.

To which I reply...not really?

Grian already doesn't have half the fight response people ascribe to him throughout the series. That was a whole other post but honestly Grian's response to traumatic situations is very frequently to cave to them and he's got a much stronger submissive streak than people often admit. I mean, Grian was asked to dress up as his best friend who just got stabbed "to make things less awkward and make me feel better" and he did it within ten seconds of being asked without the others even needing to threaten him at all. Grian does express quite a bit of despair, fear, and submissive tendency in canon when faced with dangerous or traumatic situations. And while it's possible to go a bit too far with that if you consistently leave out the token fight entirely, I see people swing way too far un the opposite direction way too often. There's a reason Grian never actually killed Sam in canon. There's a reason Grian never made a serious attempt to get him arrested for his crimes. There's a reason Grian never just left. When Sam found Grian after he ran out of the gym during the Taurtis incident? Grian didn't lunge for Sam. There was no serious altercation between the two. Grian scrambled back and tearfully babbled platitudes while shoving plastic down his own throat on command. And even beyond that, a lot of the interpretations accused of making Grian too helpless/scared/'pathetic' are works that involve Grian processing trauma years after the fact. Which. Even if Grian was the most aggressive on edge fighter in the history of trauma responses during the traumatic events? People don't process their trauma after the fact the same way they instinctively respond in the moment. Even if Grian never shed a tear throughout any of the traumatic ordeals he experienced, it would be far from unrealistic behaviour for him to still process after the fact by panicking and sobbing his eyes out regularly. Which, again, Grian wasn't even all that fight oriented while it was happening so panic and tears isn't even super far removed from his actual in the moment responses let alone processing after-responses. It's just. It's really hard to "UwU" Grian tbh. He's a decent person, he went through hell (his own words actually), and he was never even really very effectively aggressive when he did. And while it's possible to dip too far into that territory, far more often I see things swung egregiously far in the other direction.

[shotorozu]

I've been listening to Gas Gas Gas by MANUEL too much so now I have this idea, can I have Bakugou, Shinso and maybe Tokoyami with a s/o that is usually very sweet and chill but when they drive they go feral? like they will shout, challenge everyone to a race, yknow pure chaos

sweet and chill s/o that’s a feral driver

characters : bakugou katsuki, shinsou hitoshi, tokoyami fumikage

legend : [Y/N = your name] gender neutral reader, quirk’s not specific here, 18+ au because you need to be 18+ to drive in japan

fic type : headcanons [crack, theres one f bomb]

notes : i encourage safe driving! while yes— fast driving is such a breath of fresh air?? i don’t always want to be living in a constant state of fear when i get into a car lol (i did not proofread, will do that later)

»»————-　♡　————-««

bakugou katsuki

is he sorta chaotic when it comes to driving? yes— he most likely is

a very passive aggressive driver, which is different from being a reckless/aggressive driver

he knows that being an aggressive driver is bad, especially since you’re in the car

(but.. this is bakugou katsuki, what are you expecting??)

he’ll probably curse at people that don’t know what they’re doing on the road, or just.. slow pedestrians

he’ll be that person that’s like “OLD LADY! WALK FASTER DAMN IT” but if you ask him a question, he’ll be like

“what??” in such a calm voice, bc he’s such a simp for you

anyways— it’s your turn to drive, because he’s quite beat from the day’s work.

and usually, he’s the driver in the relationship— so he hasn’t really seen you drive before

until now that is

YOU’RE THE POLAR OPPOSITE OF YOUR USUAL SELF WHEN YOU’RE DRIVING

you have the aux cord because driving privileges— and you’re blasting loud music while you’re driving

you’re on the thinnest ice when it comes to the speeding limit— any further and you’re going to get a ticket

which isn’t ideal since katsuki’s tired okay??

he’ll be like “SHIT- SLOW DOWN Y/N! DO YOU WANNA KILL US BOTH??!”

he gets so close to passing out when he thinks you’re about to hit something with the car

i also headcanon that katsuki’s lowkey a car junkie?? tbh i won’t really elaborate on this rn

anyways, your driving privileges get snatched from you— and you only drive when you really need to from now on

because katsuki doesn’t want your cause of death to be because of a car :/ nor does he wanna die from a car

but! does he secretly like this side of you? yes he does. he’ll never admit how hot it is seeing you challenge people for races.

tokoyami fumikage

compared to the other two, he’s actually a good driver— and he’s pretty standard when it comes to driving

speeding? never heard of her.

but he will be blasting some music, so i hope you like mother mother

when it comes to who’s driving— the both of you guys take turns, but for obvious reasons, tokoyami drives more

when you drove the car for the first time, tokoyami and dark shadow were convinced that they were both going to die 💀

and they were also very shocked by the sudden turn of your personality— since you’re very.. sweet and chill (usually)

he’s tugging at the seat belt, as you go faster— cackling as you drive the car even faster

“s-songbird,” tokoyami stutters, and dark shadow is holding onto him at this point “s-slow down..!”

also very worried that you’ll go past the speeding limit, getting yourself in trouble 🗿

he’s practically saying his last words at this point, and you can only laugh as you arrive to your destination

please don’t challenge people to races— his soul will probably leave his body if you do that

eventually, he’ll get used to it. but he’ll make sure to buckle up beforehand— before things get too intense and chaotic.

then, he’ll grow to love this side of you— and he’ll be practically unfazed when the signs of you speeding start to grow.

shinsou hitoshi

he’s a mix of both of them tbh. when he’s agitated, he’ll be a little passive aggressive on the road

but there are times where you guys are just relaxing, while he drives the car.

okay but i’m a firm believer that he does the hand thing™️ in the car

YOU KNOW WHAT I MEAN WITH THIS

when it comes to who’s driving? you both also take turns, but surprise surprise!

you’re the one that drives more in the relationship. (not that he doesn’t drive)

when you offer to drive, shinsou will be like “hm, are you sure?” not that he doesn’t think you’ll know how to drive

but it’s because he wants to drive for you, y’know?

but you kindly reassure him that you want to drive.

BUT HE’S IN FOR A SURPRISE

you start blasting loud music, and before shinsou can say anything— you press on the gas

shinsou’s taken aback from the sudden feral personality of his sweet, and laid back s/o

(though it doesn’t really look like it)

he’s gripping on the dashboard, tugging at his seatbelt, it’s not very subtle—

and he can only watch in awe as you drive past things swiftly (but lowkey dangerously)

when you guys reach your destination, he’s just.. silent for a moment

he needs to process everything lol. any further and y’all could’ve gotten a speeding ticket

he’s not so concerned about the speeding ticket but he’s just thinking

wow, my s/o’s really hot

“you didn’t tell me that you were that kind of driver”

“oh?” you turn to him, unbuckling your seat belt “is that a problem?”

“no,” he smirks— “i surprisingly like it.”

and that’s how you get more turns when it comes to driving, but no— you still don’t have the aux cord.

that’s the cost of driving with such chaos

he’s very unfazed by your driving after the first time, he adapts to things like that pretty easily.

and he can only watch in admiration

he won’t stop you from racing anyone, but shinsou will definitely encourage you to be safe.

“wear your seatbelt, and don’t go over the speeding limit. have fun, kitten”

»»————-　♡　————-««

likes and reblogs are appreciated, thanks for reading!

i do not own bnha/mha and it’s characters. boku no hero academia/my hero academia belongs to horikoshi kohei. i only own the writing

do not plagiarize my work :))

[betawooper]

rating every demon fight in kny bc i can

non-biased, completely objective rating (more or less) of every significant demon fight in kny based on a number of factors, including:

cleverness of fighting tactics

placement in the story’s timeline

integration of character backstories

cohesive themes between characters

etc

by non-biased and objective i mean i’m not skewing the rating if a death felt fair or whatever

everything past where the anime ended will be under a read more so anime onlys who havent watched mugen train, youre safe lol

oh and i reread the manga like 20+ times (reread the latter arcs at least 40 times, haha hyperfixations am i right?) so be rest assured im not pulling these ratings out of my ass

also ill randomly be bolding certain phrases just to improve readability

anyways let’s gooooo

VS NEZUKO

[Image Description: Manga panel of Kamado Tanjirou and Nezuko. Tanjirou is fending her off by putting the axe handle in her mouth, keeping her from eating him. End Image Description.]

10/10

i like how realistic it is, because yeah tanjirou would react the way to he did with zero fighting skills against a demon

very clear why tanjirou is fighting nezuko and shows a bit of worldbuilding on how normal people react to their family becoming demons

always nice to see worldbuilding

giyuu is the perfect example of a seasoned demon slayer who’s good at his job, and he juxtaposes tanjirou very well in that aspect

my only complaint is not directly in this fight itself but how nezuko is handled throughout the story as a whole

like bro, it is literally never explained why nezuko is different from demons

could have been easily explained if maybe her family’s ghosts like slapped her hand every time she wanted to eat a person but nope

she’s just built different lol

so yeah youll see future ratings get points docked off bc nezuko unlocks some secret power with no prior explanation other than she angy >:3

VS TEMPLE DEMON

[Image Description: Manga panel of a demon. The demon has a sharp-nailed hand over his neck and there are four text bubbles around him saying “But a wound like this... will heal in no time! See? The bleeding already stopped!” End Image Description.]

10/10

may be more forgettable compared to like rui but still good

tanjirou did exceptionally well in this fight and his ability to think on his feet is once again beautifully illustrated here (trapping this dude’s head against the tree trunk with the axe)

very clever

again, establishes more demon worldbuilding regarding regeneration and still being able to move without their head

and the demons burning in the sunlight thing since nezuko wasn’t able to show that

the ending where tanjirou hesitates to kill the demon also serves to show his sympathetic nature towards demons that will last throughout the entirety of the first 60-ish chapters

:)

we’ll talk about what the hell happens to tanjirou after that

or not, it could honestly be its own post

VS HAND DEMON

[Image Description: Manga panel of a many-handed demon. He has six hands around him, three of them covering his mouth while he chuckles, two of them grabbing his cheeks, and one holding on to the top of his head. There are two text bubbles saying “That’s how many of Urokodaki’s students I have eaten! I’ve decided to kill all of his students!” End Image Description.]

10/10

ooooh probably the first big fight against a demon in the series

oh yeah not doing the two random demons tanjirou one shot in a single blow bc eh

anyways hand demon’s pretty goddamn scary, considering the fact that this is the 5th demon or whatever tanjirou has had to face so far

very nice way to show us how much tanjirou’s innate intuition and all his other random abilities (sense of smell, hard forehead) can come together and help him decapitate this guy

i liked the mini history with urokodaki this dude had and why he had beef with our favorite mentor figure, it establishes that urokodaki was in fact a super good demon slayer and its cool to see that actually shown

i also liked that small moment of compassion tanjirou gave this demon, staying consistent with tanjirou’s established kindness

the demon’s sad tale with killing his own brother very much humanizes him when all the reader has seen up to this point is that this guy is a monster who eats people

sets up the theme of demons just being humans but being victims of circumstance that unfortunately doesn’t hold up as well in arcs past mugen train

VS SWAMP DEMON

[Image Description: Manga panel of Kamado Tanjirou fighting off three horned demons as they appear from below. There is a spiky text bubble saying “Three of them!!!” End Image Description.]

10/10

not my most favorite fight but it still portrays everything alright and im not allowed to let my personal opinions mess with the rating so

i like how tanjirou mentioned the fact that he trained in conditions similar to the bog and explains how he pulled off the whirlpool form

using past experiences to aid him in the present, nice nice

tanjirou and nezuko dont quite work together very well but its yknow the first mission so ill chalk it up to simple inexperience

also the way the muzan curse thingie was hinted at here? fantastic way of showing that little bit of demon worldbuilding

...

oh god, it mentions nezuko being stronger than normal demons

ok its not a problem here per say since i can still suspend my disbelief, but later on it just becomes a glaring problem that gets worse over time

VS SUSAMARU AND YAHABA

[Image Description: Manga panels of Susamaru and Yahaba. The first one is a joyful Susamaru about to throw a temari ball. There is floating text saying “Is she one of Kibutsuji’s minions?!” The second image is an annoyed Yahaba, holding one of his eye-hands to cover himself. There are two text bubbles around him saying “My kimono got all dusty. Tch!” End Image Description.]

9/10

why dont these bitches have a good looking panel together dammit

anyways amazing entrance, the way yahaba used his hand eyes to track down tanjirou is really neat

the synergy yahaba and susamaru have is incredible, its awesome dude, they work extremely well together and it shows

tanjirou actually mixing his water breathing forms together is a god tier move and i absolutely love how he can show off his ability to think on his feet once again

establishing how yushiro’s bda works early on is really well done

establishing tamayo as a fugitive this early on is also super well done

not to get into spoiler territory but both these things pay off

how tamayo ended up defeating susamaru is literally awesome in so many ways

shows off both how smart she is by exploiting the muzan curse

and speaking of the muzan curse, we actually get to see what happens to demons who even say his name, back when it was hinted with the swamp demon

tamayo is amazing dude, and we get some real evidence of the horrible suffering demons go through if they even accidentally attempt to betray muzan :D

...

now heres what keeps this fight from being perfect

nezuko somehow grew stronger against susamaru’s temari

with no explanation

which could have been easily explained if tamayo was like “oh yeah the drug also boosts a demon’s strength temporarily”

but nope

god, i just dont like how gotouge handles nezuko’s power boosts throughout the series bc like i said before

no explanation is given anywhere

this is a huge issue, this isnt a pokemon game, you cant just kill demons and get exp at the end of every battle, level up, get some sweet stat bonuses and move on

(actually if gotouge established that this is how nezuko grew in power, than all my complaints about this would be gone, im not even joking)

anyways i get that nezuko is supposed to be “special” but thats too vague of a descriptor

how the hell is she special? ya gotta be more specific and stick with that explanation or that suspension of disbelief is going to disappear

VS TONGUE DEMON

[Image Description: Manga panel of a four-eyed demon with horns and a long tongue. He is crawling in an awkward position, one foot in front of his tilted head. There are two text bubbles around him saying “Heh, heh! I’ll slurpy slurp your brains out through you ear!” End Image Description.]

10/10

not much to say, showcases zenitsu’s true abilities really well

nicely done

VS HORNED DEMON

[Image Description: Manga panel of a big, single-horned demon. There are three text bubbles saying “You dodged! You’re awfully lively for a human! It’ll be a treat to carve away your flesh!” End Image Description.]

10/10

would have ignored this fight if not for the fact we havent seen inosuke fight before

it definitely shows how very fast-paced and wild inosuke is

no complaints here lol

VS KYOGAI

[Image Description: Manga panel of Kyogai, a demon with tsuzumi drums attached to his shoulders. There are four text bubbles around him saying “Why?! Why does everyone keep sneaking through my house? It’s so aggravating. It’s my prey! It’s my prey! Found in my territory!” End Image Description.]

10/10

establishes marechi blood pretty early on, once again expanding the worldbuilding of kny which is always cool

interesting terrain where it’s always shifting, tanjirou once again proves his ability to adapt really quickly by altering one of his forms to work with the turning room

(man, i wish the form mixing/form modification thing carried on throughout the rest of the story, but it really didnt which is just a shame)

the injuries tanjirou had prior to this mission actually affecting him was a nice touch

oh yeah, kyogai gives us more worldbuilding (which is always nice) regarding the 12 kizuki, and the aspect of him being cast out due to being weak shows a lot about muzan’s indifference towards his own demons if they arent strong

his backstory being a failed writer once again humanizes kyogai as a former human being and not just a monster

tanjirou shows his sympathy and compassion again by not stepping on his written work and complimenting his bda

well, tbh tanjirou’s actions kinda came out of nowhere but its a very minor thing and not enough to dock a point off, like it didnt affect the outcome of the fight that much if at all

(so if you see future battles where points are docked off for things not logically making sense, its bc whatever nonsensical concepts were integrated into the fight actually turned the tide of the battle and thats a big no-no)

very good fight and if you remember how kinda bad tanjirou was at accurately slicing the swamp demon, you can see that he’s already improved leaps and bounds

im so proud of him

VS MOTHER SPIDER DEMON

[Image Description: Manga panel of Kamado Tanjirou and the Mother Spider Demon. There is a light shining down from the top right on to the demon as Tanjirou slices her head off, rain following in his wake. There is floating text saying “Water Breathing: Fifth Form - Blessed Rain After the Drought!” around them. End Image Description.]

10/10

i mean does anyone disagree?

all the demon slayers getting their necks snapped by her threads was pretty horrific, probably more horrifying than anything else we have seen in the entire series if im gonna be honest

the death scene is probably the most beautiful one in the series

it reveals a water breathing form that we havent seen before thats the 5th form

as far as i know, no other breathing style has this merciful sword stroke so it shows a lot about the original water breather and what they might have been like

but enough about them, really the focus is on tanjirou bc this is like the best example by far of how kind and sympathetic he is to demons

dunno what else to say, its perfect

VS SON SPIDER DEMON

[Image Description: Manga panel of Agatsuma Zenitsu performing Thunder Breathing 1st Form: Sixfold on a spider-like demon. Zenitsu is crashing through the roof of a shed, and a zig-zag path is left behind. There are sound effects all over the panel, saying “Bam!” in large font. End Image Description.]

10/10

chose a picture without a huge spider on it bc i would like to not scare myself half to death

anyways extremely amazing fight, showcases zenitsu’s immense talent and skill, adapting the 1st form of thunder breathing to be a more versatile move

theres a moment where his backstory with kuwajima and kaigaku were revealed and his hidden insecurities are out in the open which is super nice and further develops a character weve only considered as comedic relief until now

the anime made the backstory scenes and the killing scene so much cooler

while there is no thematic connection between zenitsu and the demon, it really isnt necessary to keep this fight interesting

anyways another pretty much perfect fight

VS FATHER SPIDER DEMON

[Image Description: Manga panel of Kamado Tanjirou and Inosuke slashing at the Father Spider Demon. The demon has blocked Tanjirou’s sword with his arm, and Inosuke is slamming both his blades down on the demon’s other hand. End Image Description.]

10/10

again, not my most favorite fight but it does everything right

i do have to say it was excellent how gotouge hyped up the father spider demon to be the big bad, only just so the plot twist later takes the readers by surprise

nicely done

VS DAUGHTER SPIDER DEMON

[Image Description: Manga panel of Kochou Shinobu and the Daughter Spider Demon. Shinobu’s back is seen and her haori looks like a butterfly’s wings keeping her afloat as she holds her stinger blade out to the side. The demon looks surprised as blood gushes from her side, arm, shoulder, chest, neck, and forehead. There is floating text on the panel, saying “Insect Breathing - Butterfly Dance - Caprice!” End Image Description.]

10/10

first time weve seen shinobu and her fighting style

what i love most about this is how much it shows her true character, appearing as a carefree and naive individual so she seems underwhelming

then bam, reveals exactly how dangerous and uncaring she is of demons, listing out the specific ways she would torture the daughter spider demon in grotesque detail

her using poison to take demons by surprise is also super clever and brings back the worldbuilding established way earlier about wisteria being poisonous to demons

amazing integration of that concept

anyways this fight really encapsulates who shinobu is as a character and thats why it gets a perfect score

VS RUI

[Image Description: Manga panel of Rui holding his hand out directly towards the viewer. There are two text bubbles around him, saying “Give me your sister. If you hand her over quietly, I’ll spare your life.” End Image Description.]

8/10

not only is it a super scary fight but there is a deeper conflict between rui and tanjirou, what it means to be family

they are opposites in the sense that while tanjirou believes love is what makes a family, rui’s subconscious desperation for an unbreakable bond drives him to use fear to keep his “family” together

excellent juxtaposition of their values, and this is only further emphasized when rui expresses out loud what he was going to do to nezuko

i also like the symbolism regarding rui’s bda, how he uses threads or the “familial” bonds to cut up his fake family with it if they act out of turn or annoy him

super neat detail

alright what i dont like about this fight is nezuko (again)

mostly her unlocking her bda to turn the tide of the battle bc her mom was like “yo, wake up, your brother is going to be killed”

feels... forced ig

her bda in general is confusing and not consistent

man, i wish i could make a stronger argument for this but i do believe the problem stems from the fact that we dont ever know what nezuko is thinking, and what she thinks of tanjirou specifically

if she even cares for him as a sibling or if shes only going along with what her family is saying to her, things like that which would have been fixed if gotouge actually gave her thoughts some screen time

so the action feels pretty shallow

im also conflicted over tanjirou somehow remembering how dance of the fire god works

on one hand, hes using past information and applying it in the current setting so he doesnt die, which is understandable

but on the other hand, this was a teeny bit random?

i think what could have fixed this is if there was a scene in the beginning of the series where tanjirou was performing it himself, like practicing before he actually had to do it for new years

so that when the rui fight rolls around, it would have felt less like throwing dry spaghetti at a wall

but yeah

overall super good fight, giyuu ending up having to kill rui instead of tanjirou was super good in that tanjirou didnt become a pillar this early in the series and to show how strong giyuu is

there are some odd bits regarding the ultimate “beheading” of rui using nezuko and tanjirous supposed bonds but it doesnt kill the fight entirely so it deserves its pretty high score

***under read more is manga-only fights so beware***

VS ENMU

[Image Description: Manga panel of Enmu holding his hand out directly at the viewer, with a mouth on the back of it. There is floating text to the top right of Enmu that says “Whispers of Forced Unconscious Hypnosis!” End Image Description.]

9/10

id say this fight is definitely overshadowed by the dream stuff prior to this but its pretty good in its own right

enmu fusing with the train was kinda confusing, like when was it established that demons could fuse with objects?

this worldbuilding element doesnt even appear again so yeah thats why it loses a point

how the kmbk gang end up defeating enmu is pretty sweet though, tanjirou using dance of the fire god to sever the neck bone was really nice and shows that him using the breathing style in the rui fight wasnt a one time thing

while kyojuro’s role was smaller in this part, the next part makes up for it so i cant complain

anyways ye, almost perfect score but its pretty good

VS AKAZA (MUGEN TRAIN)

[Image Description: Manga panel of Akaza holding his hand out to the viewer’s left. There is a text bubble saying “Why don’t you become a demon?” End Image Description.]

10/10

this encounter is literally amazing okay?

after the crew kills the big bad, it seems like everything is fine

but plot twist, upper moon 3 appears out of nowhere

this is the first time the reader has seen an upper moon, let alone the 3rd/4th strongest demon in existence and the way gotouge handled this twist is fucking amazing

kyojuro’s death scene really shows just how human even the strongest pillars are against demons with incredible power

its just

amazing

VS OBI DEMON

[Image Description: Manga panels of the obi-like demon. The first image shows the obi hung in the air and strung over each other like decorations, with women-shaped patterns in its folds. The second image is Hashibira Inosuke fighting the Obi demon which now has lips and eyes. There is floating text in that panel saying “Breath of the Beast: Sixth Fang - Jagged Gnaw!!” End Image Description.]

10/10

on to red light district

this fight is admittedly super forgettable and not very interesting at least compared to the main fight with daki and gyutaro

but it wraps up the sub plot of the women and uzui’s wives going missing so it gets a perfect score for not messing that up

oh and it establishes the stretchy neck thing daki has going on which is very good

VS DAKI AND GYUTARO

[Image Description: Manga panel of Daki and Gyutaro. Daki is sitting on Gyutaro’s shoulders. There is a text bubble on the top right that says “The two of us are one, after all.” as well as floating text that reads “The power of the irregular siblings...!? Next issue lead color and the fight reaches its climax!!” End Image Description.]

8/10

love how this battle challenges tanjirou’s sympathy and kindness towards demons, just simply bc daki and gyutaro are horrible people

(too bad nothing came of this, which ill explain in the hantengu portion)

daki and gyutaro are very good villains and kept this fight super interesting from start to finish

uzui acting as a foil to gyutaro is nicely integrated and properly shown with how jealous gyutaro gets over seeing uzui’s perfect form and stature

tanjirou not only mixes forms but mixes breathing styles as well, which is so fucking awesome

(too bad it was only used like once throughout the entire series, its quite unfortunate)

the super high tension right after inosuke gets stabbed and tanjirou wakes up was expertly portrayed and handled, it felt like the kmbk gang and uzui were actually going to lose

super awesome

the tanjirou and gyutaro parallels are expertly portrayed, with how gyutaro taunts tanjirou over failing to protect his little sister, and the more visual thing where tanjirou imagined his own neck underneath his blade, that was super duper nice

the ending is extremely tense and emotionally gripping, gotouge did a really good job with that artistically too

the demon mark acquisition scene was surprisingly not frustrating, considering that it wasnt really explained prior to the battle

i do think it has to do with how it was explained later just exactly how they worked so its not just some random thing gotouge pulled out of their ass

so pretty good

/

what i dont like is nezuko and her full power demon form

first of all where the fuck did that come from? she just got angry and suddenly shes as powerful as an upper moon

like

how?

that doesnt make sense???

her extremely quick regeneration makes no sense

her ability to manipulate her blood’s properties makes no sense

and it doesnt even appear again so what was the point of that existing

none of this is even explained later which annoys me

that one part where tanjirou sings a lullaby to her to calm her down was alright ig but nezuko in this fight makes me extremely irritated and frustrated

just ugh

VS HANTENGU

[Image Description: Manga panel of Hantengu opening a shoji door. He is crawling inside, his hand in a gnarled, unnatural position. There is a text bubble saying “Eeeeeeek.” End Image Description.]

1/10

swordsmith village

this fight can go fuck itself /j

no but seriously it has so many problems that it would be shorter to name its redeeming qualities (which ill do later)

first off, the nezuko full power form thing again

i hate it so much with a passion

again, where did her ability to regenerate instantly even come from???? this is never explained, ever

and why did she cut herself on tanjirou’s sword anyway

did she somehow know that it was going to turn red if she burned it?

gotouge what the fuck, there is literally no reason why nezuko would do that and we cant even read her mind to see her thought process

gotouge hates nezuko, i swear

/

remember when i said uzui is meant to be a foil to gyutaro in the rld fight? its pretty obvious that those two are opposites, it was nicely done

... what the hell does mitsuri’s insecurities about strength have to do with whatever the fuck hantengu has going on (which is basically nothing)?

so no meaningful connection between mitsuri and hantengu

theres no meaningful connection between tanjirou and hantengu other than tanjirou getting pissed off for like the second time

also tanjirou’s thing with being kind and sympathetic to demons was entirely dropped at this point

but instead of it leading up to a corruption arc of some sorts, it just doesnt

like honestly if something actually came of that anger he exhibited in this arc and from red light district from this point forward story-wise, i would have counted this as an amazing writing decision

but it literally doesnt so who cares

(god, i really start to hate what happened to his character after this )

and genya’s revealed motivation also doesnt fit at all with hantengu’s thing, he’s not a foil, not a parallel, nothing, there is nothing

/

tanjirou being the catharsis for development for mitsuri and muichirou, who he has only talked to like twice

theres definitely a better way to handle those two’s developments without his help

like gotouge, you have a big cast of characters, use them lol

/

i want to kick hantengu in the face for being boring as fuck (at least his clones have cool looking weapons)

doesnt even have a proper backstory, just a single spread of him being blamed for shit as a human

like... thats it? this is upper moon 4 what the hell

/

theres no clever form mixing here at all (regarding tanjirou) which probably would have helped with foreshadowing the 13th form for dance of the fire god/sun breathing better

also gotouge established that as tanjirou’s thing and now he doesnt do that stuff anymore which sucks

/

oh hey remember when tanjirou actually learned how to do zenitsu’s speed boost thing?

if you didnt, i dont blame you bc it literally doesnt appear again, ever

you could argue that he adapted it into his “waltz flash” technique or whatever the fuck that is but the way it was integrated into this fight was like throwing dry spaghetti at a wall

which is just a shame bc its meant to be representative of how tanjirou and zenitsu are good pals but the way it was utilized is forgettable as hell

/

i absolutely loathe the crimson blade concept as a whole and im mentioning this now bc its going to come into play why future instances where this goddamn thing comes up again causes points to be lost

its inconsistent as fuck ill tell you that

/

at least some yoriichi stuff appeared here and not shoved into the final battle with everything else

so the yoriichi stuff later didnt come out of absolute nowhere

genya and mitsuri’s unique fighting styles expand the kny worldbuilding just a little more which is always nice

tanjirou got a cool sword out of this which would have been cooler if him and yoriichi had a deeper connection that was actually explored

but we didnt get shit so whatever

other people getting demon marks being revealed here is also okay so that again, the final battle isnt filled with absolutely everyone getting their marks at once

demon marks have their own slew of problems but its not as bad as the fucking crimson sword shit

god i hate the crimson sword shit

...

dude this section needs a tldr, even i cant sit and read through my shit

TL;DR - this fight sucks and crimson swords are bullshit (more on this later)

VS GYOKKO

[Image Description: Manga panel of Tokitou Muichirou and Gyokko. Muichirou is looking to the left while Gyokko is looking to the right, both with their backs to each other. There are mist clouds billowing in the foreground and background, as well as a slash mark going across Gyokko’s neck. End Image Description.]

7/10

this fight suffers from the same lack of cohesive themes through characters like the hantengu battle bc the antagonist is given nothing

but its better

we havent actually seen mui fight before so theres no consistencies that the reader has to keep track of for now

and there arent like 10 characters in the fight so this fight gets a lot of points just for being a lot more coherent

i do like that this fight shows just how good mui is that he can defeat an upper moon by himself

mui’s backstory is neat

gyokko’s bda is very interesting too

... thats pretty much it lol

ye, anyways not the best fight but not the worst fight either

VS KAIGAKU

[Image Description: Manga panel of Kaigaku holding the hilt of his blade with one hand. There is two text bubbles around him, saying “...As usual, you’re still shabby. It’s been a while, Zenitsu.” End Image Description.]

9/10

alright on to final battle arc

theres some good fights and then some really sucky ones, but this one was pretty incredible and very emotionally charged

theres a clear reason why zenitsu and kaigaku are battling each other (kai betrayed the corps and inadvertantly caused the only parental figure in zenitsu’s life to die, and zenitsu is rightfully pissed off about that)

the visual yin-yang symbolism is awesome too

zenitsu winning due to using the 7th form he created himself (which i have reason to believe was inspired by tanjirou) was the perfect ending to the fight, really couldnt ask for anything better and is a perfect example of how much of an effect tanjirou has had on zenitsu

the 7th form is what tanjirou’s waltz flash should have been lol

/

what keeps this fight from being absolutely perfect is lack of development prior to this conflict

(since the final battle arc is basically a culmination of all the hinted developments through the series, im going to actually factor in how much and how well these conflicts were foreshadowed)

anyways if we had actually seen zenitsu, kaigaku, and kuwajima actually interacting with each other and showing how they were essentially a family (not just through flashbacks), it would have made zenitsu placing the responsibility of killing kai onto himself a lot more tragic

but like, apart from brief flashbacks where zenitsu actually met kaigaku off screen and that one thing all the way back in natagumo where both kuwajima and kai were introduced, thats pretty much it in terms of thunder family development

so yeah its underdeveloped for sure

also one random thought, i personally think zenitsu should have gotten his demon mark in this fight, it would have been cool to see

VS AKAZA (INFINITY FORTRESS)

[Image Description: Manga panel of Akaza’s face. There are two text bubbles around him, saying “Okay, let’s get started. It’s time for the feast.” There is also floating text saying “The inspection of the strong has begun...” as well as a simple box on the lower left, denoting its the end of chapter 147. End Image Description.]

6/10

oh god please dont hate me for this

ill list the good things first how about that

this conflict was foreshadowed perfectly in mugen train, you bet the readers were expecting a tanjirou vs akaza battle after the death of kyojuro and gotouge delivered

akaza’s power is shown extremely well with how many close calls tanjirou and giyuu had while fighting him

akaza eventually giving up on his own volition was really nice and fit into the context of the battle very very well, like sure tanjirou and giyuu wouldnt understand why he gave up but us readers do know

akaza is a really good character and a good villain

/

now notice how im only mentioning akaza and not giyuu or tanjirou in the good aspects

bc those two are eh

no form mixing at all from either tanjirou and giyuu

i know i said form mixing was kind of tanjirou’s thing but you’d think giyuu would have gotten more creative with his moves once akaza said that he was getting predictable

(well he said he “ran out of water breathing forms” but same thing)

so its kinda bland lol

speaking of giyuu, his whole thing with his insecurities of being weak wasnt handled well (it was sort of immediately brushed off in pillar training, and its unclear what part of his character arc he was in)

like sure him announcing that he’s going to protect tanjirou is cool but it feels like he was haphazardly dropped into the tanjirou and akaza conflict

isnt he supposed to be both their foils? that wasnt really explored that well in this fight and theres no deep meaning behind him even being here just analyzing what he did in it

he could have been handled better or even given more focus is what im saying

the anatta state came out of nowhere, im sorry okay? just bc inosuke like barely hinted at not being able to sense grandma hisa bc she had no fighting spirit and tanjurou magically taught his son how to achieve this state doesnt mean it was properly integrated into the fight

if the anatta state was actually explored prior to this battle, i would have given it a pass but it just feels like a cheap and poorly developed trick to get around akaza’s technique development (which is overpowered as fuck might i add)

gotouge should have just given akaza a plausible weakness to his technique development instead, especially since they dont use or even mention the anatta state after this

the transparent world shit makes no sense but ill elaborate on that in the koku battle analysis

oh and this thing doesnt affect the score but why wasnt there a “yoriichi visage overlapping” moment when tanjirou was fighting akaza? hes an upper moon, he should have gotten those visions but he didnt

for some reason

anyways this battle was alright and has good set up but the middle and end parts didnt hold up as well bc random concepts were thrown at us without prior explanation or development

VS DOUMA

[Image Description: Manga panel of Douma licking Shinobu’s butterfly pin. There are two text bubbles around him saying “Anyway, tonight is a good night. Such fine feasts keep showing up one after another.” End Image Description.]

9/10

damn, such an amazing fight

the build up to this was properly foreshadowed

shinobu finally showing her true anger after hiding it for so long is amazing

douma is a super interesting character and fantastic villain

shinobu showing off her true power and determination against douma was sooooo nice

shinobu’s poisonous body plan is so clever and so interesting

if i was to rate the shinobu part of the fight alone, it would have gotten a 10/10 no question

the reason why its knocked down a point is because of the kanao and inosuke part

dont get me wrong, the way kanao is able to hold her own against douma by herself is pretty cool, how shes meant to parallel douma with their similar struggles surrounding human emotions and demonstrate how she has grown as a person, how she regains the ability to cry

that shit is cool, inosuke also getting in touch with his emotions after learning what happened to his mom was super neat as well

however

bc this battle takes place in the final arc with everything else, there wasnt proper build up regarding many things, the kotoha reveal especially

so inosuke feels kinda forced into the kanao shinobu and douma conflict, similar to how giyuu felt forced into the tanjirou and akaza conflict

its quite unfortunate bc if the kotoha stuff was actually explored prior to the confrontation, this “forced” feeling would have disappeared

i know some people have suggested that the douma fight should have just been its own arc, and i very much agree, it would have certainly helped fix this problem regarding inosuke and kotoha

last random thought, i wish shinobu, kanao, and inosuke got their demon marks

VS KOKUSHIBOU

[Image Description: Manga panel of Kokushibou looking directly at the viewer, holding the hilt of his blade as if he’s going to pull it out. There are text boxes around him saying “This... is Upper Moon One... He’s so different compared to the other Upper Moons. He looks so dignified and majestic.” The text boxes are narrated by Tokitou Muichirou. End Image Description.]

5/10

this fight is... mediocre

at least theres a more tangible connection between muichirou and kokushibou

even though that was handled kinda poorly

tbh there really was no point to revealing that mui is koku’s descendant like at all, it just had no significant bearing to the plot of the fight

sanemi’s backstory being here is... okay ig?

idk the whole shinazugawa conflict has fundamental problems that i just cant think of any other place to put it without changing the entirety of canon

the marechi blood concept coming back was nice though

genya is there

him getting his bda was cool and helped turn the tide of the battle in a satisfying way (before kicking the bucket but thats not the focus here)

gyomei is a hollow husk of a character who barely got anything at all

but his fighting style is extremely cool and conveys his immense power very well

oh and him and sanemi are amazing at working together, like better than giyuu and tanjirou, and better than kanao and inosuke

theyre that good yet pretty much nobody acknowledges it which is sad

koku himself is pretty interesting and pretty tragic, very nice villain

but everyone together?

gonna be honest but this is such a random collection of characters, there was basically no foreshadowing that these four were going to go up again kokushibou, they are not that connected very well

i know there was this one post that focused on the theme of family that was common in all 5 characters in the fight but its just not enough

it would have been more cohesive if gotouge emphasized gyomei, mui, sanemi, and genya being like different aspects of yoriichi coming together to kill kokushibou hundreds of years after yoriichi failed to kill him

lmao its not like the 4 of them defeated koku with the power of family or friendship, they just smacked him over and over with a flail, shot him with magical bullets, and stabbed a crimson sword into his abdomen

wouldnt have been too hard to switch over to koku’s pov and go “damn these bitches are like my stupid brother”

...

speaking of crimson swords

i fucking hate the crimson sword concept oh my god can i complain about it now? im gonna complain about it now

unlike demon marks, the crimson blades werent even given any proper conditions, you just hold the stupid thing hard enough and it somehow imbues it with magical properties with no logic behind those properties

what part of crimson swords completely destroys a demon’s body in an instant? even muzan didnt go through that process when he was almost killed by yoriichi so where in the goddamn fuck did it come from

it could be explained bc the sword was left in the same spot for a long time but this tactic doesnt even appear again in a meaningful way (didnt kill muzan when tanjirou and giyuu held the sword together) so what the fuck was the point of having this even exist

its so underdeveloped and confusing and i hate it

the transparent world stuff is also confusing as shit and its pretty much never explained how they work aside from the vague “close your mind” advice, like why did it exist, it did nothing to help the present day demon slayers

its just so... poorly integrated

yeah anyways this is around the same rating as the akaza fight but a little worse bc there wasnt that strong set up beforehand

VS KOKUSHIBOU (SENGOKU ERA)

[Image Description: Manga panel of a bag getting ripped open, pieces of a wooden flute tumbling out. End Image Description.]

10/10

easily 10/10

this fight shows the tragedy of kokushibou giving in to his envy and hatred, when yoriichi cries over seeing his own family commit terrible attrocities against the people he wanted to protect

and yoriichi dies, now carrying the fact that he couldnt even save his own brother from the influence of muzan on his conscious forever

what a sad ending for yoriichi

and after koku angrily slashes apart yoriichi’s corpse, having him find and keep the flute he gave to him when they were kids to the present day gives him a small shred of humanity in the midst of his monstrous anger

VS NAKIME

[Image Description: Manga panels of Nakime. The first one shows a low quality version of her playing her biwa. The second one is a close up of her eye. There are spiky text bubbles saying “It’s Upper Rank... 4!” End Image Description.]

0/10

no nakime backstory

not even a goddamn fight

forgettable

useless

VS MUZAN

[Image Description: Manga panel of Kibutsuji Muzan in his white-haired, mouth-covered form. There are text bubbles around him saying “Not a single one was of use to me. I will crush the demon hunters tonight. I’ll massacre them all right now.” End Image Description.]

1/10

._.

i have many complaints but ill try my best to not make this another hantengu rant section lol

first off, obanai deserved better

im serious, this poor dude was forgotten until pretty much the end when we finally get a backstory out of him

and then he died

what a waste of a potentially amazing character

mitsuri getting taken out early was ehhh

pretty sure someone else made a post about her supposedly being extremely strong but she was nerfed in this battle which i agree with

literally none of the pillars work together very well, like remember how i praised sanemi and gyomei for being super coordinated? lmao that doesnt exist anymore

you could say this is caused by desperation though and you wouldnt be wrong, its just boring to sit through

that causes issues bc this now basically requires the crimson sword and transparent world concepts to be there to spice things up

but in this fight, they do nothing in the long run (except for tanjirou using the crimson sword at the very very end)

youve already heard me talk about why those two things are super shittily integrated and i cant be bothered repeating myself so moving on

kanao, inosuke, and zenitsu

they... exist? they didnt do much tbh, which i guess is the point but like, now its boring again

nezuko could have been used as a potential way to raise the stakes and make things interesting again (like “ah shit, muzan might actually be unkillable if he gets nezuko but its okay bc shes not here- oh fuck shes here this is not good”)

but nothing came of her running off except confirmation that she became human again so whatever

uzui and shinjuro are useless, why werent they at the fight?

like they could have followed nezuko and contributed to the battle even a little but they just didnt and now theres literally no point to them appearing in this arc at all

wasted potential

tanjirou

i wish him going absolutely apeshit had actual substance behind it, like it being a part of his character arc or something

i remember having this one theory that he had a corruption arc (due to dropping his kindness thing towards demons) and i wanted this to be true so badly

but it doesnt exist

not with how the series ended

god

the only thing that saves this fight from being complete trash is tamayo’s poison thing being amazingly executed

and the part where everyone got blasted away, losing limbs and shit, that made things a little more interesting again

but thats it

VS MUZAN (SENGOKU ERA)

[Image Description: Manga panels of Kibutsuji Muzan, Tamayo, and Tsugikuni Yoriichi. The first one has Muzan and Tamayo, while the second one has Yoriichi pulling out his sword. There are text boxes saying “And the moment I met him, I understood that I was born into this world to defeat this man.” End Image Description.]

9/10

finally something good again

while short, that’s just the nature of all of yoriichi’s battles with demons

anyways pretty nice, theres a clear reason why this battle exists (shows the scenario that made the original breather get super close to defeating muzan in detail)

adding tamayo here was a nice touch

my only complaint is that it seemed extremely coincidental that yoriichi somehow developed a breathing style specifically countering muzan’s multiple organs without even knowing prior that he had all those brains and hearts floating around freely in his body

like thats kind of ridiculous, even for yoriichi whos supposed to be “blessed by the gods”

could just be me though

VS TANJIROU

[Image Description: Manga panels of Kamado Tanjirou in his demon form. The first image has his eyes closed. The second image has his eyes opened and the tumor on his face almost completely faded. There are text boxes around him saying “You will destroy the demon hunters in my stead.” End Image Description.]

1/10

hoo boy

ok first off, demon tanjirou lasted for 2 chapters

thats it

2 chapters

so thats already a problem

i am aware its meant to parallel the beginning of the series but also its ridiculous how completely vague and rushed this entire thing was

nezuko doesnt do shit through not just this battle but this entire arc which i already explained so not gonna go into it further

kanao magically having a demon cure on her made very little sense

the scene where tanjirou leaves muzan in purgatory is pretty but if you look at it in the context of everything else, its ambiguous and confusing

(if someone could explain it and see how it connects to the original theme of “demons just being victims of circumstance,” i would love to hear it)

/

actually you know what makes me so mad about this “fight” as a whole? there was so much potential to do more with this concept

and im not talking about him escaping and nezuko becoming a demon slayer roleswap au (even though its a pretty cool concept)

him becoming a demon could have been a metaphor for his lost kindness and sympathy towards demons halfway through the series

it could have been a punishment for letting his anger towards muzan cloud his judgement

it could have symbolized literally anything about him losing his humanity as he got stronger

but those three things are just scenarios from my head, they dont exist in this series just based off of what weve seen from these two chapters

its disappointing

the only thing keeping this from getting a 0 is the one part where inosuke couldnt chop off tanjirou’s head bc he cared about him too much

that at least shows inosuke had grown as a character

everything else is just meaningless and convoluted garbage and “convoluted” is not what you should be aiming for if this is supposed to be the ending of your series

IN SUMMARY

early kny is very good, later kny is questionable and the ending is just a mess of wasted potential and disappointment

i get why gotouge had to have the transparent world ability, crimson blade ability, and the demon marks appear before they all appeared on yoriichi but theyre all just so underdeveloped and terribly handled in the battles they are used, it makes me want to kick a wall

like lmao, i could literally think of so many ways they could have been properly integrated, hell, im even writing a whole goddamn rewrite using my ideas for these three things (link to that is in my pinned)

just, god

if you want to debate over these ratings, my ask box is open ig? idk

[faelapis]

so. while this was confirmed a year ago, new tweets by ian jq have reawakened the discourse about humans being the first intelligent life gems encountered. note intelligent life, not organic life. alien animals still died from previous invasions, but humans are the first intelligent creatures gems encountered. 

apparently, the party line on twitter (where nuance goes to die) is that it’s too “convenient” that humans are the first other intelligent species gems met.

i take a few issues with that assessment: 

a) “it was pink’s first colony, isn’t it convenient the diamond concerned with organic life owns the first planet populated by intelligent organics? wouldn’t they have died if any other diamond got them? isn’t that super lucky?”

no. we know rose/pink was very interested in organic life from before earth. she always thought aliens were cool, interesting, fun, and liked learning about them and keeping some as pets - such as the rainbow worms. we know she visited the others’ colonies, even if she doesn’t own them. she’s the only diamond who is simultaneously “selfish” enough to visit colonies up-close on a whim because it’s fun AND doesn’t see herself as too good to play with local organics.

so, then, why on earth (hah) wouldn’t she care if there had been intelligent life on any of the other planets? she didn’t fight for earth just because she “owned” it. she cared because she was able to form connections to humans... which she would have done regardless of which diamond’s colony it was. if anything, ownership is a hindrance to her usual romps, because blue & yellow expected her to stay put in her moon base. smile and wave. be a “leader”. 

b) “how is it realistic that humans are the first intelligent life gems have met?”

the SU universe as a whole is not a universe filled with life. it has been framed as cold, animalistic, overall lifeless, purposeless, and one in which you gaze at an empty sky and beg for an authority figure to give your life meaning. this works much, much better if life, especially intelligent life, is incredibly sparse. they are small flickers in a cold void. it adds to the feeling that both humans and gems feel of loneliness and pointlessness, where you create these intricate structures of organized almost-religion to feel devoted to a purpose. this existentialism, which we will explore further below, is a huge part of SU’s themes.

c) another theme - and this one is important - is that gems and humans have been treated as this mirror parallel of life, people, and society (tm) for the entire runtime of the show. hence, steven as the bridge. a bridge, usually, connects two sides, not five. they are more similar than they are different - to the point where you can use gemkind to comment on how humans are like, and see some of the horrors and tragedy of what humanity looks like “from the outside”. not once has there ever been implied to be any other intelligent species to disrupt this elegant, thematic dichotomy. ever. 

d) unlike fanon speculation, the show has always been very careful about never implying there were any previous rebellions. SU is not a star wars-esque universe populated with a million different intelligent species and cyclical rebellions + alliances between them. it is a big, cold, empty void, with tiny pockets of fragile life. which is part of why the connection between two alien species is so remarkable. it is the exception, not the rule.

e) many of us who looked at homeworld in a not-badfaith light already came to the conclusion that humans are probably the only intelligent life they’ve met. (based on what we know about the universe, its logic, the themes, the implications of other colonies, pink diamond’s personality, no other species ever bonded with enough to fight for, etc etc,)... and those of us who did, including myself, have (lovingly!!) compared the crystal gems to hippies or eco-terrorists. this 100% holds up to how homeworld gems generally, and the diamonds specifically, see them. 

this is why blue thinks a “solution” to pink being sad about the invasion is to create the zoo. it’s a petty conflict, from her perspective, of environmentalism vs conservationism. like how, if a capitalist is kinda sad about a rainforest being bulldozed, you might as well just take some pretty toucans and panthers and stick them in a zoo. they’re preserved for humans to enjoy. problem “solved”. it worked with the kyanite colony & rainbow worms, why not here?

this is part of why lapis accuses the CGs of not caring about gemkind. they put this silly little dirtball above gemkind, starting a war that hurt (”real”) people? 

this is also why pink, mocking the other diamonds, says “you wish to save these life-forms at the expense of our own? ha! don't be absurd!”. gemkind needs resources to create more gems. so, to the diamonds, of course that’s more important than Making The Bees and Monkeys Sad. they’re not even directly killing them, they’re just taking resources. it’s not “””their fault””” they need ‘em too, gems are more important. the same way, to us, humans are always the most important. many of us don’t give a damn about how we hurt animals.

f) it galls me that anything but the darkest possible interpretation, even when it makes perfect sense with what we know, is always seen as “convenient” by people who watched nostalgia critic once and think they’re now great media critics. i saw similar comments to jasper being brought back to life, even though it made perfect sense with what’s implied about the powers of the diamonds. most of that, too, was woven together by paying close attention to implication, not outright stated in a lore dump - but that doesn’t make it “convenient” in the bad way. it makes it the logical outcome of this world, if you paid attention.

like jasper coming back to life, it also told us something thematic about the diamonds’ absolute power over life & death. steven is kinda horrified, even if it’s a good thing, that things can ever be fixed. he still feels like he needs to be “punished”. he holds this toxic mindset that punishment is more important than healing, because of the pit of self-harm he’s fallen into... which is kind of how some people see the diamonds, and the world as a whole. 

even if things can get better, it doesn’t matter. at least not as much as punishing and distancing ourselves from the “bad people”. even though, actually, things CAN get better, and that’s more dependent on systemic change than it is on punishing “bad” individuals... that doesn’t fascinate them. it’s a fucked-up idea of “consequences” that is sadly prevalent in fandoms: they’d rather the world be doomed if they get to kill the bad people for it, than the world being slowly healed in this bittersweet way that includes everyone.

and i’m tired of that. on the whole, fiction is a reflection of this very dour, justice-oriented view of the world where we can only gain satisfaction from punishing the bad guys responsible. SU’s response to that is, that actually, just this once... no! the world gets better, and the “how” doesn’t revolve around individual punishment. it’s trying to heal everyone. 

g) it seems to me that for a substantial amount of people, “convenience” has less to do with the themes and logic of the world than it does with wanting canon to live up to their fanon image of homeworld and the diamonds. even if that means a ton of offscreen intelligent life dying Just for the sake of a 1-v-1 earth-vs-gems conflict, with no agency in the story. i don’t understand how that would make it better. all other life we’ve seen have been animals. pink was around for other colonies - even if she didn’t personally “own” them - yet didn’t care deeply enough to fight for them. because she couldn’t bond with worms the same way as humans. (yknow, unfortunately, for the worms :’<)

also, you don’t NEED other species of intelligent life to have been made extinct to still have a somewhat cynical interpretation of the diamonds’ intentions here. even if it makes the world less grimdark in praxis. it’s not enough to be aware of humans in the abstract, blue and yellow still won’t listen. you need to actually interact with humans in order to learn about / care for organics that don’t serve a purpose in your system. this was just the first chance gemkind had to do so. it makes sense that some would be curious, while others more jaded and dismissive, after encountering a universe mostly made of the lifeless & animals.

to give the other diamonds some credit, they’ve probably encountered plenty organic life, and thus have built up a bias that everyone but gemkind are aimless, animalistic life forms, and its up to them to give themselves purpose. why should humans be any different? oh wow, they live in groups? big whoop. so do ants. they build nests? so do birds. they babble? so do parrots and rainbow worms. they still serve no purpose. they still die if you breathe on them.

it’s only when blue meets greg - thousands of years later - that we see even the tiniest of cracks, in which blue is made aware of some level of emotional intelligence, but is still firmly entrenched in the view that he’s just a Slightly more advanced organic than others. like... puppies comforting you. she was surprised he could even do that much. this was a slow process for rose as well! 

but anyway, at the point of the war, to many gems, they are concerned first and foremost with gemkind. life matters because of your singular, gem-oriented “purpose”... but some gems, like pink, who never saw herself as a justified goddess, take the opposite approach. they don’t see themselves as “above” other life out of either lack of awareness of the capabilities of intelligent life forms or a self-appointed Higher Purpose. they’re curious, and then, willing to fight for life they can bond with, once they learn to love. 

which brings me to...

h) how a big theme of the show as a whole is selflessness vs selfishness. 

here, the crystal gems as a whole have actually been on the side of selfishness, from homeworld’s perspective. the end of gathering resources would mean they would no longer create more gems. which, to HW, is selfish. which... of course it is, if you think you’re the only intelligent life out there. 

the way homeworld gems express themselves is through an elaborate system of self-perpetuation and creation, in which the emergence of more gems is a higher purpose for the collective. the individual doesn’t matter. to them, the random creatures they find on other planets do not matter. they’re just organics.

humans matter to pink because she’s, like i said, curious about alien life, and less convinced about her own purpose... but also more personal, relationship-driven, and cares about what happens the specific individuals she subjectively bonds with, rather than prioritizing the overall “needs” of her species, like a good queen bee is “supposed” to do. 

homeworld thinks that no individual feelings - even a diamond’s - is more important than perpetuating of the system that gives their species meaning. most gems are happy to be shattered for that cause, because they’ve never formed those “selfish” relationships that makes life worth living without purpose. so actually, yes, this works with pink’s motivation, and blue and yellow not being as easily swayed works with theirs.

(all of this is extremely relevant to the arc steven has in “future”, btw. he needs a reason to be needed, purpose. and pearl’s arc, white diamond’s arc, jasper’s arc, etc etc - living for purpose vs living for relationships and selfish exploration of the self is a massive theme of the whole show!! at leaast if you pay attention to anything more subtle than merely “here’s a lore dump!”, which the show has always avoided. it’s more sublime than that. you, too, are supposed to only have a small, subjective understanding of the world, like steven does, which teaches you to value subjective perspectives. your purpose is not higher than the agency of others, and you shouldn’t control the world.)

i) it makes dramatic sense, actually, to center the conflict around the first time gems have met another species that stand a chance of understanding them! hence steven is a bridge. that’s a good basis for mirroring two species, a conflict that raises interesting questions about how we, too, see non-human life, the premium we place on emotional connection vs “purpose”, and how even when we learn to value humans that are different from us, we might still fuck around and bulldoze a rainforest, if it’s convenient and we can justify it internally. 

and again, it’s more logical. as we know it, the story went “long ago, gems took resources all over the universe, until pink found a species intelligent enough some of them learned to bond with on a deeper level than Cool Pet Worm”, NOT “long ago, gems zapped a bunch of intelligent species - which we will not mention ever, or give any agency in the story - and pink just ignored that, until she randomly decided humans were more important than all those, for no reason, even though she’d met countless intelligent species before”. 

the former makes more sense in ~every reading of canon, be it thematic, logical, personal, character-driven, etc~... except the one most favored by SU’s most badfaith of critics, which is that the only “logical” way for the story to go is one in which we can safely label the diamonds as inhumanly, unchangably bad, rather than having base assumptions, motivations and logics that aren’t so different from many non-dictator humans.

i think for some, they protest not because that makes more sense on a thematic, logical or character level, but simply because they want to. they’re USED to being fed that narrative satisfaction has to do with seeing the bad guys face comeuppance, in place of inclusive, welfare-oriented healing. faced with storytelling that rejects their view of justice while also openly being subjective, sublime, and loving of all of its characters, not just the “nice” ones, they see it as a “failure” to be what they’re used to. 

if the world CAN systemically heal in a way that includes people you personally don’t forgive, that must be a “flaw”. if those “bad guys” haven’t actually killed hundreds of intelligent species offscreen who have no chance to heal, that doesn’t fuel your justification for the most cynical interpretation of justice possible, so that, too, “must” be a “flaw”. if it’s framed as possible for them to work towards undoing their harm, that deprives you of the satisfaction of edgy punishment for unhealable hurt, so that, too, is of course a “flaw”. any world where healing is possible for everyone, and the perpetrators can contribute, must be a “flaw”, to a mind only concerned with the validity of vengeance. 

even when the story is perfectly candid that you’re personally allowed to be hurt and traumatized (like steven - and most characters, really), you’re still allowed to feel... you just can’t expect society as a whole to abandon its “inclusive healing” model and function on your logic; that your pain is solved by vengeance. it isn’t.

in short, cry about it. 

[makeit0utalive]

I’ve watched all the movies that the Silver Scream is based on so here’s my thoughts about the movies and how well the songs represent the movies they’re based on (I’m editing this as I go so sorry if this ends up being really long):

The Devil’s Rejects (Freak Flag): I wouldn’t call this movie scary, it’s really just weird and kinda gory. It’s interesting enough that I’m considering watching the other movies in the series, but this isn’t a movie I’d watch again. I’ll admit I was kinda expecting a bit of a different story considering the lyrics from the song, but I guess they still match up well enough.

The Crow (A Grave Mistake): Also wasn’t scary, but wow this movie was beautifully tragic. I’ve always thought A Grave Mistake was such a good song, and now I know the movie is just as good. I think the song really captured the tone of the movie. I would definitely watch this movie again sometime.

Halloween (Stabbing In The Dark): This movie spooked me. Definitely not one to watch all alone in a dark room (which is exactly what I did). Fuck Michael Myers tho because he killed a dog and that’s crossing the line. Anyway I think the song has a lot of lyrics that have a very…direct? meaning from the movie, like when I read the lyrics I know exactly where in the movie it comes from, which was kinda different from the previous songs I’ve talked about, as those had lyrics that either don’t directly correspond with the movie, or just weren’t obvious enough for me to figure out. Anyway yeah I probably won’t be watching this movie again because I don’t like being spooked, but the song is a bop.

Jaws (Rocking The Boat): Ok so this was a better movie than I was expecting? Not that I thought it would be bad just…I wasn’t expecting to like it so much. I’m really tempted to watch the sequels now. I knew Rocking The Boat made some references to past albums, but now that I understand the Jaws references on top of those, I love the song even more. Similar to Stabbing In The Dark now that I’ve watched the movie I can tell how well they did at incorporating parts of the movie into the song. Amazing song, amazing movie, just…great.

A Nightmare On Elm Street (The American Nightmare): First things first is that one of the fonts used at the beginning of the movie looked like the cousin of comic sans, so that kinda set the tone for me watching this. Y’all Freddy…Freddy be kinda wacko. Real crackhead energy yknow what I mean. This movie had a good balance between scary and weird. It wasn’t bad but it’s not one of those movies I would want to watch multiple times. I feel like the song maybe could have included a few more references from the movie, but it’s still really good. So overall, the movie wasn’t bad, but the song is still better in my opinion, or at least as much as you can compare a song and a movie.

The Shining (Enjoy Your Slay): I’ll be honest, I didn’t like this movie much. I was rather bored until the last like 20 minutes of the movie. I understand why it was so long and slightly dull, but still. I like the references made throughout the song. Although I didn’t enjoy the movie much, I think this is a song that knowing the context of the movie really helps with. I guess it could have been worse but, I don’t plan on watching this one again.

An American Werewolf In London (Love Bites): So this movie was…different. I found myself more scared by the undead people than by the werewolf. Those people were…yikes. I was expecting the movie to focus more on the love story between the werewolf and the nurse than it did. The movie ended rather abruptly, I was expecting just a little bit more but, it just stopped right there and that was it. I think Love Bites could have had more references from the movie to really represent the entire story and not just the relationship between the werewolf and nurse, but I guess it just depends on if the goal was to make a song about the movie itself or just that relationship. Movie was kinda odd overall, probably won’t be watching again, but Love Bites is still an amazing song that I will be revisiting often.

Saw (The Jig Is Up): Ok overall? A good movie. It wasn’t too long, I was interested the entire time, and I wasn’t expecting that twist at the end. Am I interested enough to watch the other movies in the series? Maybe, maybe not. I haven’t decided yet. The song makes for a pretty good representation of the movie, it maybe could have incorporated a few more things, but it does fine as is. A pretty good movie, a pretty good song, that’s all I’ve got to say about it.

Scream (Your Number’s Up): This is a really good horror movie in my opinion. Like the clues so obviously placed the killer as, well, the killer, but throughout the movie there were times that I thought maybe the killer was somebody else. The song is great, I’ve always loved it, however I’d never paid much attention to the lyrics until now, and I think it made me love the song even more. Like “I just buried Drew Barrymore” is so funny to me. Do I think the song could have included a few more movie references? Maybe, honestly I’m not sure. Anyway, love the song, movie was great, probably exceeded my expectations.

The Texas Chainsaw Massacre (SAVAGES): I know there’s the whole thing about horror movie characters being dumb, but oh do these characters take the cake. The entire plot of this movie revolves around the characters being idiots. Like I was literally getting angry at how stupid they were. As for the song, it isn’t bad, just kinda weak, and it definitely could have included some more references from the movie. But uh yeah this movie was…not good, the characters were terrible, the song is pretty nice though.

Friday The 13th (Thank God It’s Friday): Kinda glad I put this one off because I got to watch it on Friday the 13th. I really enjoyed this movie, and I definitely want to watch the other parts sometime. When I start watching sequels I’m very likely going to start with this series first. I’ve always loved the song, so like the others it’s nice to understand the references more. But, yeah, that’s it. Very good movie, would watch again.

Edward Scissorhands (The World In My Hands): This movie was so good. I just want to give Edward a hug. This song has always been one of my favorites ever since I first heard it. I think it’s a good representation of the movie, it has enough references and it has the same vibe of the movie: not exactly scary but like…a slight amount of gore I guess? This was just a really good movie with a really good song.

Silent Night Deadly Night (Merry Axe-Mas): I’ve always really liked this song for some reason, like it’s good but I didn’t have any particular reason for liking it so much, and so I have always been kinda excited to watch this movie. It’s not that this movie is bad, really, just…strange? for whatever reason? Idk, the fact that there’s multiple sequels just adds to the weirdness of this because…did we really need another one? Or FIVE MORE? I will not be watching the sequels, I don’t care if a scene from one of them becomes a meme, I don’t want to put myself through anymore. Overall the movie wasn’t bad, and the song does a good job of portraying it, but I’m just left wondering…was this movie really necessary.

IT (IT Is The End): WOW I put this movie off for such a long time. The only reason for that literally just being that it was so long, and long it was. So I watched the 1990 version, and it feels like there was stuff missing? Like I know about uh *that* scene that was left out, but I mean other things. I don’t know for sure though, as I haven’t read the book. It just seems like there was more content in the newer movies, but maybe some stuff was just added. Don’t know, doesn’t matter. So I’ve never looked at the lyrics for this song until now and all I can say is…there were a lot of lyrics I misheard. Song makes a lot more sense now! Anyway, the movie was long, but honestly it didn’t feel as long as it was, so I’d say it was pretty good, and the song is amazing, does a great job of representing the movie (although in the movie they said it came back every 30 years and the song says 27…not sure which one is correct there) and I already loved the song before but will definitely enjoy it even more now that I understand the lyrics…and know what the lyrics are.

And with that…I’ve finally watched all the movies for The Silver Scream. Holy shit that took a while.

[saioumaismyserotonin]

Teddy Bear: A Saiouma Fluff

If there was one thing Kokichi enjoyed about being a liar, it was the fact that he could hide anything from anyone. It was a good thing that he was such a great liar, because he had a secret that nobody knew about him. That secret was, that he still slept with a stuffed animal. 

It wasn't a big secret compared to what others secrets were, but it was a big secret to him. Kokichi had a reputation, he was the ultimate supreme leader for crying out loud! Kokichi thought about the secret as he read the invitation from Kaede once again. "Class slumber party tomorrow night in the gym! Boys and girls both invited. Come out for snacks, movies, and truth or dare!" 

Kokichi had to make a decision. He wanted to go, but at the same time he couldn't. Kokichi had never gotten to sleep without his stuffed animal, and he couldn't necessarily bring it with him, he would get made fun of. Kokichi thought more and more about it, then he realized. "Shumai!", He thought to himself. Now he absolutely couldn't bring his stuffed animal, knowing his crush would most likely find out about his secret. It would ruin any chance he had with the detective. 

Anxious, Kokichi rolled over on his side and looked at his small purple stuffed dinosaur. It was a gift from his parents before he started at Hope's Peak, it reminded him of home. Kokichi gave the dinosaur a tight squeeze before falling asleep. He needed a lot of rest before deciding what he would do about the slumber party.

The sun shined brightly on Kokichi's purple locks. Slowly, Kokichi stirred awake and realized that today was the day of his class slumber party. "Maybe I just shouldn't go...", Kokichi said to himself out loud. "But this could be the perfect opportunity to tell my beloved how I feel!", Kokichi stated to himself out loud. He had made up his mind, he was going to sleep at this slumber party and tell Shuichi how he felt without the stuffed animal. Though the slumber party wasn't until later, Kokichi got everything ready now. He gathered everything he may need for the night and paused for a second. He stared at the stuffed animal for a good minute, could he really sleep without it? He picked it up and inspected it, "I don't need it. I'm 17 years old!", he said to himself, before tossing the stuffed animal under his bed. After gathering his things, he placed it in a backpack near his door and started towards the dining hall. 

Eventually he got to the dining hall and was greeted by no one other than his favorite detective. "Kokichi! Good morning.", Shuichi said smiling. "Nihihi! Good morning Shumai~", Kokichi said, smiling brightly back at his beloved. "So, the slumber party is tonight.", Shuichi said, sounding slightly nervous. "Aaah, does my beloved want me to go so I can sleep with him?", Kokichi asked jokingly. "K-kokichi!", Shuichi replied, blushing. "Nihihi! I'll go just for you my beloved!", Kokichi said, walking away from Shuichi. "I did it! I finally told Saihara-Chan the truth!", Kokichi thought to himself, beaming. Kokichi eventually walked back to his room, excited for the night ahead of him.

A few hours passed and Kokichi went to the gym to help with preparations. They set up  separated sides for the boys and girls, and multiple snack stations. This slumber party was gonna be a night to remember for Kokichi, and others.

After about an hour, everything was prepared and it was time for the party to start. One after another everyone started piling into the gym, readying their sleeping bags and other night time necessities. Once everyone was settled in, they began to start their slumber party.

“Thank you so much to everyone who came! I’m so excited to spend this night with all of you!”, Kaede said as she smiled and clapped her hands together. Kokichi has never been close with Kaede sure, but seeing her happy did make him smile a bit. Kokichi looked around until he finally spotted his favorite detective.

“Saihara-Channn!”, Kokichi called out playfully with his hands behind his head. “Kokichi! I’m really glad to see that you’re here.”, Shuichi said smiling. “Nihihi, I never knew that the detective needed me to have a good time.”, Kokichi said slickly, though Shuichi was his beloved, he loved messing with him.

“I just thought it would be cool to...spend some time with you yknow?”, Shuichi mumbled blushing. “I love spending time with you too Shumai!”, Kokichi exclaimed, he was happy that he and Shuichi were having an actual conversation. Time passed, and they were ready to begin the first event of the night they would remember forever.

“Ok everyone first we’re gonna play a mobile game called among us!”, Kirumi said. Kirumi never played games a lot before, so getting to play among us was kind of a big deal for her. Considering the class only had 16 students, they decided to split 8 and 8. Group one including Shuichi, Miu, Kaede, Kaito, Kokichi, Himiko, and Tenko. Whilst the 2nd group was Korekiyo, Angie, Maki, Kirumi, Gonta, Ryoma, Rantaro, and Tsumugi.

“Alright everyone! Be sure to be nice and have fun!”, Kaede smiled. Soon the first game started and Kokichi was imposter. “Nihihi, this game knows me so well” Kokichi thought to himself before proceeding to play the game well. He killed Miu first of course, and then Kaito. Soon enough though, he was found out by his favorite detective. “Nihihi, such a great detective Shumai~”, Kokichi smiled. Though he wanted to win, he couldn’t stop his attraction from the detective seeing through all of his lies.

The night went on like normal, with fun truth or dare to interesting movies. Soon enough though, it was time to go to sleep.

“Ahhhh, goodnight everyone!”, Kaede yawned, she was tired after having so much fun with everyone. “Goodnight, Kaede!”, Shuichi said, he was very tired as well. “Shumai you’re really gonna sleep with that emo hat?!”, Kokichi asked teasingly. “Hahaha, then how about you hold onto it for me?”, Shuichi said smiling, placing the hat on the smaller boys’ head.

“Goodnight Kokichi.”, Shuichi yawned before finally falling asleep. Kokichi eventually tried to fall asleep as well, but when he tried, he had awful awful dreams.

Kokichi’s dream:

“As if you of all people could ever get me to love you!”, Shuichi yelled at Kokichi. “B-but Shumai-“, Kokichi started. “And enough with the stupid nicknames alright?? It’s so annoying”, Shuichi said cruelly. “I-I just thought you and I could b-be together!”, Kokichi exclaimed explaining himself. “Hah! No way!”, Shuichi laughed. “You’re alone, and you always will be.”, Shuichi finished, walking away from a hurt Kokichi.

Back to real life:

“No!”, Kokichi shouted, jolting awake. He looked around him to see Shuichi asleep next to him. “Just a dream..”, He thought to himself as he started looking around for his stuffed animal to help him get to sleep. “Where is it???”, Kokichi thought to himself anxiously, as he had never slept successfully without it. Kokichi then remembered that he had left it in his dorm. “Shit!!”, Kokichi thought. He knew that he wouldn’t be able to get to sleep without it, and that made him nervous. Kokichi stood up and walked outside of the gym and sat in the hallway outside. He felt anxious and afraid. What was he gonna do??

“I could just sleep in my dorm with it and come back in the morning”, Kokichi thought. “But what if someone wakes up and sees I’m gone??” Kokichi was so anxious he began crying and shaking. To make things worse, he didn’t have his dinosaur to calm him down.

Shuichi began to stir awake as he heard small sobs coming from outside the gym. He moved over to the right and saw that Kokichi was no longer next to him. “Kokichi?”, Shuichi mumbled out loud. He stood up and began to look for the small purple haired boy.

Kokichi heard footsteps approaching him as he turned around and saw the tall detective standing over him. “S-Shuichi!”, Kokichi exclaimed in shock, wiping his tears away. “Kokichi? What’s wrong?”, Shuichi said, kneeling down to be on level with Kokichi.

“Nihihi! It’s a lie!”, Kokichi joked. “Don’t worry about me, I was just seeing if my dear Saihara-Chan would worry about me~”, Kokichi said. “Kokichi...”, Shuichi said, growing slightly annoyed with Kokichi. “I know a lie when I see one, what happened?”, Shuichi asked sympathetically.

Kokichi was slightly shocked, did Shuichi really care about him? Could he trust Shuichi enough to tell him his secret?

“O-okay well...”, Kokichi started. “It’s kind of embarrassing.. so you better not laugh!”, Kokichi yelled. “I won’t Kokichi, I could never judge you.”, Shuichi smiled. “W-well it’s just, every night, I usually can’t sleep unless...”, Kokichi trailed off. “Unless..?”, Shuichi asked, being kind of confused.

“Unless I sleep with my stuffed animal! He’s a small purple dragon and his name is Panta, I normally can’t sleep without him.”, Kokichi said, blushing.

Shuichi couldn’t help but stare, he was so hopelessly in love with Kokichi and finding out about his stuffed animal just made him even cuter. “Kokichi...”, Shuichi said gently. “I understand if you think differently of me now okay?! Just... don’t tell anyone else. Okay?”, Kokichi said.

“Kokichi, I would never tell anyone your secret that you trusted me with.”, Shuichi said sympathetically. “However if you don’t mind me asking... Why does this dinosaur mean so much?”, Shuichi asked, trying to learn more about Kokichi.

“I-It just reminds me of home I guess... Back where nobody really hated me, and my lies weren’t as bad you know?”, Kokichi said, slightly embarrassed. Shuichi stared at Kokichi for a moment, as he slowly moved in and planted a gentle kiss on Kokichi’s lips.

“Shu-Shuichi!”, Kokichi exclaimed, slightly taken aback. “I’m sorry it’s just... you’re so adorable Ouma-Kun”, Shuichi said. “Here how about this”, Shuichi proposed. “I can be your dinosaur for the night.”, Shuichi said, smiling at Kokichi.

Kokichi was shocked, he was really offered the opportunity to sleep with his beloved, and he hadn’t laughed at his secret. “O-Okay.”, Kokichi shyly accepted.

The two went back to the gym and laid down on their sleeping bags they had set up earlier. Kokichi placed his face into Shuichi’s chest as Shuichi planted his chin on top of Kokichi’s head. “I-I love you Shuichi.”, Kokichi whispered as he drifted to sleep calmly. “I love you more.” Shuichi stated.

“My teddy bear”, Shuichi said smiling, as he finally fell asleep.

[transsexualhamlet]

tg anime vs manga *sighs*

i have the power of hyperfixation and anime on my side! AAAAAAAA

Ok now that we’ve gotten the sins of re post out of the way we need to discuss this. And I just feel that this needs to be covered because I can’t ever get away from constant discourse on this, mostly fueled by manga readers who feel entitled to always think they’re superior for reading the manga, that the manga is the only real canon, that it’s more complex or better, I’m so fucking tired of it. I am also a manga reader, and I tend to get like that sometimes too with many series (for example no. 6 and the promised neverland.) I get it. It can be really annoying to see something butchered on screen to what the original is, changed or represented differently or given a different message or simplified. But just. Some people like the anime and it’s not a goddamn holy war for y’all to fight. It only makes anime fans not want to read the thing even more yknow cause manga readers are pretentious assholes, and I am aware of this as one of them.

(again ok i’d like to mention i know this fandom is basically dead but a certain p*nterest is always like 4 years behind on fandoms so i keep fucking running into Discourse that’s like, still current, whenever i want old random ass content) (and youtube, why do i look at youtube comments, because I personally enjoy being offended? yeah probably)

And that brings me to the point of this anime vs manga. 

This is a lot harder to compare than a lot of other series, because there are just... so many more differences not just in the style and vibe but the story itself.

Disclaimer, I’ve never watched the anime for :re and i don’t intend to, because I honestly have no earthly clue how tf you can get from the highly diverged tokyo ghoul root A to re and make it make sense, and I don’t really want A ruined for me. So you can call me biased towards the manga in the case of re, i guess (which makes my eventual conclusion even more strong I’d say) Honestly I just see them as two completely different stories, the manga’s version connecting with re and A just like... ending there. So how we’re drawing the lines is basically tokyo ghoul A versus the manga and :re. God, I know this isn’t a fair fight because I already hate re so much, but I feel like the manga’s story is much more intertwined with :re than the anime’s is, so that’s what we’re going with.

oh god also another disclaimer this opinion is coming from the biggest fucking kanehide whore, you can disregard anything i say if you ship The Straights and/or do not care for my boi hide

To be honest, if I can take my own conclusions and liberties to the story, I like both versions, each have their pros and cons and kind of a conflicting message. They can’t really coexist. Usually I’d consume all versions and then create one consistent canon in my head for what I accept as the true events (for example my main owari no seraph, first season of the anime is canon but after that we only follow the manga since those can come together and make sense.) but it’s very hard to do that in tokyo ghoul, since I must confess... I really like root A. Like of course, it’s a lot different from the manga, but tbh I think it’s super valid. (unlike most Fans TM like this Fan TM who i’m sending this post to just to spite their singular Youtube Comment Section Discourse, yes I did write this post for you and many others like you) But the ideas that make up root A conflict a lot with the ones of the manga, so I just have to accept that they’re separate things and treat them as such.

Now to break it down so people can understand where I’m coming from I guess? God this is already so long here’s a read more

The Case for The Manga (including :re manga)

More Lore + Plot Shit: One of the main reasons that manga readers are pretentious little bitches is a valid reason, namely that, as is the case with most manga, there’s simply more to it than people can fit into an anime. (Although people need to understand that’s because,,, it’s simply a different medium, so it will have different pluses and minuses, such as for example a soundtrack, color, moving pictures,,, you know, all that. Anime onlys don’t say that the anime is better by stating these things that a manga won’t have... because they’re fucking obvious. So manga readers should stop acting like an anime is inherently sub-par for being less in depth, but we digress.) I can understand that reading the manga is kind of important for wanting to understand the lore (though there are like so many other reasons ppl might want to watch it other than to get the lore) and without the explanation of how all this came to be and how it works, everything tends to be really mysterious, confusing, and seemingly random. It’s really nice to know what’s all going on, of course, and stuff like the washuus, rize’s backstory, the explanation for like, kaneki in general, all that- if you’re looking for like, plot shit, manga is definitely your go to. But like, sometimes, you like, don’t actually care about those things.

Haise: Of course one of the most important things about well, including re is that I fucking love Haise. Like he is my favorite Kaneki. He’s just so wonderful, look at him in he glasses and he floofy hair and he striped pants and he energy boxers and he s p i c e and he MOM. And I really like how they took Kaneki’s character and developed it more with Haise, you can see his turnaround from innocent--> Emo--> Trying To Be Innocent Again But Failing and I think that’s really sweet tbh. I rejected that at first because I didn’t understand it but once I actually read re I thought it made a lot of sense and was a logical thing to do with his character. (though, uh, moving forward, after his hair changes again i disagree with it, haise 1.0 is a good take and i love him and i want the best for him) I could go on I’ve already written a post of what I think is wrong with :re so if you want to hear my take on kaneki’s 37 pokemon evolutions that’s in there

Good New Characters: And of course there are my favorite bitches such as quinx squad, oh my god, there was a terminal lack of dumbass squad vibes in the original and ishida fucking gave it to us, I love them, I love them with all my heart and I think that if I wasn’t attached to them I’d probably just cancel all of :re but like this is just my personal problem. God I love them. Ishida always pulls through with characters I’m now too attached to.

Vore Lmao:Ok like hear me out. I just get a laugh out of it every time the manga has to remind me of this little fucking fact. Like ok I just. Cannot get over it. It’s so serious about it too and like I realize it’s a serious deal but o h  m y  g o d

Ok and now that we’ve got that little rant over I do want to say that it is like actually really important past the “lmao that’s pretty gay” bit, like??? In some ways it’s more fitting than the anime because well, ishida’s point always seems to be “what would mentally and physically hurt kaneki the most right now” and does it because that’s who this bitch is. But it just?? Kind of makes a bit more sense for the storyline if we’re being picky here, it’s so,,, painfully on point? Like the entire reason he gave in to Being A Ghoul and all was so he could save his friends and shit (i actually do not remember if this was a thing in the manga but like? when he was being tortured and he like imagined hide being really mad at him and getting killed by jason and shit?) LIKE AND THEN HE GOES AND HAS TO BASICALLY BE THE PERPETRATOR OF THAT HIMSELF, FUCK, it’s a lose/lose situation of “don’t do the bad thing and watch your friends suffer” or “do the bad thing and watch your friends suffer but like, later” ishida please

The meaning of Hide being alive: Ok this is just me crying over chapter 75 still but like. Instead of in the anime, where hide’s point seems to be that instead of letting kaneki sacrifice anything more he’d be the one to give his life up and such, and save kaneki, in the anime tbh he just really wanted to be with kaneki right then?? and like ouch but understanding that in the manga he wasn’t just planning on dying and leaving kaneki to deal with it afterward he wanted to go on and continue to try to help the guy no matter the shit he had to go through, no matter if the dude just like forgot that he existed for two years and all- LIKE UH CAN WE TALK ABOUT HOW HIDE DOESN’T EVEN EXPECT ANY APOLOGY? like kaneki’s like “OH MY GOD I’M SUCH A TERRIBLE PERSON” and hide’s like lmao nah it’s cool i’m thriving- that his big motto was “live” rather than “peace out motherfuckers it’s been fun”. Cause. Fucking. Ishida. Can’t kill off characters well but like at least he made keeping this one alive justified. 

The D e t a i l s: Ok well I feel like this is something everyone knows but the anime is missing a lot of really,,, crunchy details that the manga throws in there, like, well, kaneki’s fucking,,, bones thing, and other assorted details, g o d like those are missable if you want to never understand half the memes but also like,,, sometimes you just gotta read that shit. It also like, makes more sense when you do but sometimes it’s just stupid things that aren’t important but are fucking hilarious.

The Flavor: In general I’d say the greatest difference between the anime and the manga is the general flavor of the thing, the vibe in the manga is a lot, to be frank, darker and grosser and bloodier than the anime, which is a lot more focused on being pretty and Tragic than “HOLY SHIT WTF” but like. That’s valid. With that comes it being a lot more, real, and although the art may not be as polished as the anime’s, sometimes that’s exactly what you need, and the really gritty sketchy shit that’s in the manga sometimes is exactly what it’s supposed to be for the manga. (in the anime, i’d say that the colored and polished style fits it better, so we’re good there.) It’s a lot more real, in the manga, when the anime hesitates to “go there” a lot (and well, sometimes that’s welcome, but sometimes it’s like y o u  g u y s  c o m e  o n  r e a l l y maybe i DID want to see that did you ever think of that)

So like, to sum it up i’d just like to say it’s more detailed, sharper and darker and is simply So Much. There is just More Content

The Case for Root A

ON THE OTHER HAND, (buckle up fuckers)

Depth of Emotion (that Ishida was too much of a pissbaby for): God like you know what I mean if you read the last post, we spent a whole episode on these gay fucks in root A, with backstory and dreams and drawn out suspense and emotion and GUYS LOOK AT THEM NO REALLY OH MY GOD YOU HAVE TO UNDERSTAND HOW IMPORTANT THIS IS whereas hide’s limelight in the manga is a whole... two pages, oh whoopee, and that’s mostly due to the fact of ishida putting himself in a spot of “oh fuck goddamn if i drew that in i’d get flagged for gay porn” but that’s his own fault, so he downplays the whole scene and really keeps it in the dark, whereas in this anime it’s understandably a lot less,,, like that, but how it plays out here is simply... really nice and makes you cry and shit, whereas in the manga I’d go “oh god oh damn oh fuck” *laughs my ass off because i really can’t take this seriously*. You get just... more here.

To elaborate on this, in the anime, as a gay fucking bastard, I can get practically an endless amount of content from episode twelve, and endlessly stew over all Those Things about it, every hard hitting line, the expressions, the music making it even sadder, the ways the VAs say the words, the cinematic beauty of the blood dripping on the floor and like how it’s supposed to make you think it’s kaneki’s, GOD I COULD FUCKING GO ON, but if we want to get that in the manga... 

we get three incredibly basic lines, a blackout, and then a “QUICK LET’S MOVE ON TO SOMETHING ELSE BEFORE ANYONE NOTICES THE IMPLICATIONS OF THAT HAHA”

So if we want to have more, we need to write it. (sadly) None of it is ever played out canonically so like,,, all we can do is infer and make shit up. It’s like, I am a writer so like that’s my whole job but I really would rather have more content, and have the content that’s there get to be emotional instead of *blank face* “this is plot that is happening, sadly” but like maybe it’s just bc i’m gay

Really Fucking Beautiful (aesthetically as well as story-wise): This kind of just goes hand in hand with the depth of emotion bit, and I think it can’t really compared to the manga here because I’m gay so I see pretty colors and cry so the anime is understandably appealing for me, but I’m also talking emotionally, yeah. There’s a lot of plotlines and implications of the story that are really well played out, I always love to watch the original because it does a very good job handling a lot of the harder topics and stuff that makes the whole thing worthwhile- like the whole point you’re supposed to see that the ghouls and humans are both just as monstrous when you break it down, that there are good and bad people on both sides, everyone just wants to live and feel good in their own life and perspective, everyone has reasons that justify their behaviour in their mind, sometimes you just can’t win no matter what, all that... they’re all really important messages and make the whole story, and they were handled much more delicately and with more expertise in the anime. 

It’s hard to pin down, but I feel like the manga was just based more on Fight Scenes Characters OoH Fake Science and kind of just gave kaneki infinite power ups after Trying Harder no offense, obviously those things were there and they were still very good in the manga it’s just sometimes they were cheapened a lot by ishida really not keeping track of what he’s trying to say with his story and sacrificing it a lot for “BUT WHAT IF KANEKI’S HAIR AND IDEALS CHANGED AGAIN” instead of making it a whole cohesive work. (and yes, I am VERY aware of your “well aCtuAlLy the hair represents his sanity” thing i know i know and i’m about to rip it to fucking shreds so)

Understandable Character Development And Staying True To It: Which brings me to this point, character development. This was another thing that was just... handled with more expertise in the anime, whoever was in charge of it. Mostly this has to do with Kaneki, since like, no offense but he’s the only one who ever gets much character development other than like, juuzou (asmr you only get character development if your hair color changes) oh and i guess there’s tsukiyama but he’s someone who shouldn’t have gotten character development. Touka gets character development only before re for some reason, and like tbh that’s kind of it. I do think Juuzou’s character development was valid, because well... it made sense? I complained about it before because I was like “well he just turns into spicy L” but i’ve since changed my opinion, he’s best boy. But Kaneki? They went way overboard with him in the manga, and generally? Calm tf down ishida.

Breaking it down, one of the main things that most of the tried and true manga stans seem to hate about the anime the most is Kaneki going over to Aogiri in root A. Since they’re much more acclimated to the manga, they don’t understand why he would do that (quoting a particular ‘probably made sense in the manga!’ yes i know that whole thing was poking fun at the show and i felt it lmao) and they just pin it to “ahaha he has now become Edgy for the fans ehehe time to make fun of him” and TO BE FAIR YOU’D BE COMPLETELY RIGHT. I love to make fun of Kaneki when he does his edgy bitch thing because that’s what he is. A basic edgy bitch who is just,,, such a main character. But like. He does actually have his reasons despite popular opinion and to be honest I think they’re a bit more valid than in the manga, where he’s just like “well I’ve been tortured, that was not pleasant and i kinda did a bad thing, let’s go back to anteiku but i’m just gonna Try Harder To Fight this time”. I can understand that, but like, it seems like in the manga every Character Development of kaneki is some form of “i will now be stronger” except for the singular “I will now be a different person” which, well, we’ll get to that. 

In the anime though, even if it seems like more of a basic edgy bitch move, it’s like?? It makes perfect sense to me, and to be honest more than the manga does? Obviously he doesn’t wanna be best bros with Aogiri, he realizes they’re all bad people who have done really terrible things, but the fact is he now sees himself as the same thing, he now understands their motives because in his mind he is also now Bad TM. His whole character development of being tortured was that peace wasn’t an option no matter how much he wanted it, he couldn’t live being a pacifist and the world was forcing him to give the “i am the only one that understands! we need to stop fighting!” bullshit up because there was no way to achieve it. He realized if he kept himself the way he was more people he loved would be hurt like they already had because he couldn’t, so he doesn’t just Decide To Become Stronger, he gives up his humanity. And that includes basically letting himself defend his own actions and try to do “the right thing”. 

Him then joining aogiri makes sense because well. They’re the people who are the strongest, who have the power, who are the same as he sees himself. He still wants to protect the people he loves, he just also realizes he can’t do it by working with them since he now understands that their more peaceful ways will by definition get them fucking killed. His understanding is flawed, of course. He’s not really right. But this is his understanding and from that it makes perfect sense for him to join up with aogiri and try to still do as much as possible from that standpoint, realizing that most likely the people he’s trying to protect will hate him for it. I think that makes sense to me, what do you not understand about it? (I also understand that may make some people mad because he’d Doing Bad Things but I point to you he’s so soft, remember when he was really nice to naki when he was literally the one who killed the guy naki was crying about? remember when he was doing a raid and he saw that guy hiding and he never mentioned it? remember like the seventy times he Cried TM, yeah he’s problematic obviously but if you want problematic I’ll point you to a certain fucking black reaper. Shironeki has nothing on that asshole.)

I think what Kaneki did in the manga was fine, but in general the anime (again) had more depth of understanding and emotion versus a steady Try Harder Get Stronger shonen deal, which, well, fair, but like, nah. Continuing why I think the anime dealt it better is the ending of A, which was a lot more well rounded then *kaneki gets stabbed and then there’s a lot of random plot shit going on in the background*. Here Kaneki then got to round out the end of his character development by realizing slowly through the second half of this season, him becoming a kakuja and then basically deciding like, not to

((kakuja kaneki was dealt with again different in the anime and manga because he basically stopped trying to use it in the anime bc he realized it was a bad fucking idea but this goes along with the ‘his character development of “i’m gonna do bad things for good reasons” --> “actually no wait that was a bad idea” was actually done in root A instead of being dragged out into :re and it’s appropriate for its own medium and the messages it’s trying to get across so manga loyalists hate it’ but we digress))

So in root A we got to see him actually develop and realize himself through the second half of the season starting with cochlea, his interactions with Amon, and ultimately through Hide, that he’d been doing the wrong thing by becoming more monstrous/fighting harder because what he did was ended up forgetting the most important thing, *smiles in gay* HIDE.(well, his humanity. yeah. i cite the terrible opening for root A with the fun ‘the hands taking off kaneki’s mask are hide’s’ bit.) He then remembered again why he wanted so bad to stop the war between humans and ghouls, he wanted to be able to live in peace and not have to be a monster- something that was not dealt with in the manga (though for understandable reasons of We Need To Fuck With Him In Re More, they then didn’t deliver on creating something like that later so I take this.)

That’s most of the difference between the original manga and anime, but I’d also like to discuss (briefly, I’ve already yelled about them) the ridiculous amount of hurdles ishida went through to fuck with kaneki in the manga, Of course there is the fact that well, the slower transition of his character does make some more sense for the manga because if you take :re into consideration, his eight billion character changes are more tolerable when they haven’t like, already happened before in the manga (just the anime). It makes more sense there for Haise to be tormented by past kaneki telling him He’s Too Weak because in the manga he hasn’t already had that development prior to “dying”, and he lost his memories still believing he had to be strong even if he did bad things, whereas in the anime it doesn’t track because at the end like i just said he kind of gives up his ghoulhood on purpose because he realizes that joining aogiri and fighting and shit was really wrong because, hide. So I can see why those character decisions were not made in the original when planning for :re, but... the fact remains that those previous decisions do not make up for how absolutely weak :re’s game ended up being with kaneki. 

So tldr this entire section, All the manga’s defense of how they handled Kaneki’s development is basically void because all those choices were buildup for development in :re which ishida then COMPLETELY fell down on. So the alternative is better.

And now comes my yelling about how exactly Ishida fucked it up: hair colors and kaneki’s 80 kanekis. If black is supposed to represent sane and white is supposed to represent insane or, whatever, i dunno, who tf thought black reaper kaneki was sane? Who tf would think kaneki in the end isn’t? I haven’t looked into this really, and I’d really love it if someone explained it to me the way ishida was going for bc I do not understand it. Like that tracks with Juuzou, and with Kaneki up to Haise Original, but they don’t really make a cohesive sense seeing as after Haise’s hair color changed again that whole deal kind of goes to shit. Not to mention... I just... they completely failed to make those character changes actually part of the story, I’m mostly complaining about black reaper haise, none of him makes any sense. What’s his deal? He wants to protect who he loves? Tracks with the ghouls but fun fact he abandoned his kids? He actually cared for them? What then, he wants to be the strongest as possible? Sure but then?? Why?? I don’t understand his motives at all.

We also didn’t get to see him get his memories back either, which I was actually very much looking forward to, it just,,, like all of a sudden he’s talking with eto about yoshimura and i’m like bruh when tf did that happen? It’s bad, and although chapter 74-76 is super valid, and his change back into white hair kaneki makes sense, I also have the complaint about how haise basically disappeared just like he was worried he would. I think that was bad and I’ve said that already, it doesn’t make sense, he just literally throws those entire two years away to go back to the way he was before he was with the CCG and just forgets everything he’s wanted for the last few years? Fiction logic test fucking failed, and you’ve also broken my heart. Love Haise. You got rid of him. I love kaneki too but like. Why don’t they just. Like. Merge. He is one whole complex person, not one and an imposter, god. 

This is a big negative for re and the manga, so automatically a positive for root A where I simply Do Not Have To Deal With That Bullshit and the character development actually makes sense. I can understand the decisions in the original manga could have set up for good development in :re, but they completely failed to deliver.

root a didn’t fast forward to re at the end god damn let us process this shit first before you try to connect it to something else: The thing with this point is that it’s really difficult to separate the original manga from the continuing story in :re because the thing intertwines so much and immediately moves us forward with a ton of plot points for the next part of the story before we’re done with this climax and the end of this story. Sometimes that’s ok and I can see doing that from an author’s perspective because you want people to continue reading your story instead of taking that as the end but it’s really annoying on a reader’s end, because I’m picky and I want to be able to just be able to enjoy my original canon without it like, metaphorically touching :re on a plate. It’s something that I don’t even do with my own longer stories, like for example I have like a trilogy of >100k fics that like, well i’m technically not done with them but like. 

People really like the first one because it’s more focused on a more popular ship and basic elements people like about the thing, and then by the second book it moves on to talk more about the plot and lore and brings in more secondary characters. And so I knew that a lot of the readers of the first one wouldn’t want to have to deal with a lot of the “oh well stuff is happening elsewhere that will effect stuff later!!!” random plot shit that none of my readers actually cared about. So I kept it to wrapping up the points of the first book and then leaving the introduction of new characters and plot for the people who actually wanted to read it. Ishida didn’t do that, and of course it’s within his right to like?? Want to promote the next series but I’d have enjoyed it more if we ended it at kaneki’s “death” and wrapping up the deals with the rest of the characters instead of quickly shoving in the beginning of seventy more plotlines before the book ends. Like honey I simply do not have the reading comprehension for that. In the anime we get something that... makes sense.

In the anime, however, it’s quite the opposite, for example the reveals like Eto=owl=takatsuki sen were pushed before that and they saved episode twelve for, well, the end bit. Like what was actually the ending. There were detriments to this I had to say (LIKE GUYS I GET IT HE’S CARRYING HIDE HE’S CARRYING HIM I GET IT YOU’VE BEEN DOING IT FOR HALF THE EPISODE NOW OK I UNDERSTAND CAN WE MOVE ON) But like, I prefer the concept of a simple idea with as much emotion squeezed out of it as possible to a ton of confusing and contradicting ideas that are touched on for a second before moving on. So the *cries for half an hour* ending was much more appealing to me, and I can keep that separate in my head from any of the ideas that :re creates, letting me pretend it doesnt exist and imagine that’s the end and there’s nothing else to worry about. If we want to move forward and hear more, then we can, but it isn’t necessary like it is with the manga.

No Bad Takes that are hard to pry apart from good plot and characters:This is basically the downsides of the new characters, which is well, if I had to make a whole ~keep reading~ post about how problematic everything in re was that does have to count as a downside. I love the new characters, but they also come intertwined with a thousand really bad takes on like, everything, and of course I can ignore it and just act as though they were written in like, to be perfectly honest, a non transphobic way, it’s a real downside when the original anime was pretty pain-free in the way of their takes on their characters. They fucked everyone up in re and I will not elaborate, we’ve talked about this, it’s just the anime, and which i mean season 1 and root A, don’t really have any bad takes I need to try to get rid of, it’s surprisingly something I have little complaint about at all and I ALWAYS have complaints.

Hide!!!!: Obviously, you can tell that a lot of my opinions are going to be hide based because he’s the only thing I ever think about. But we have to take into account just how... hide???? This goes a lot into the depth of emotion bit but it also offers the other side of the argument for Hide’s part in the :re manga, which well. Was mostly chapter 75 if we’re going to be perfectly honest here. He doesn’t get any other limelight. Even in the chapter where Kaneki meets him again he gets a whole what, three pages? In the manga, he has an extremely valid deal about basically, living, keeping going no matter what, and that is a fitting part for the manga, considering the rest of the points there ride more on Keep Fighting instead of Think About Your Emotions And Morals, but honestly chapter 75 was really valid. So why do I still think the anime’s version where he like (ok I don’t know about the re anime we’ve discussed this, i don’t even know how they choose to explain that) he like, dies in kaneki’s arms is better overall? Again, I would have totally accepted that deal if it was made a part of the story because it made me cry, it was super valid, and if they’d continued in that way I would have agreed with it completely over that. But the fact is again that they failed to deliver, and Hide got largely ignored, suffered so much with so little outcome. There was so much buildup and it was incredibly valid, but when the time came for them to meet again and basically show... why it was important that Hide lived in the end? 

They didn’t. They straight up didn’t. Kaneki’s like “oh sorry bro... glad you’re alive and all...” *goes off and fights* and like? Honestly? @everlastingspiral is right, if that’s all they’re gonna do with him what’s the point of keeping him alive? I love every single panel of him and I wouldn’t have read re if he didn’t, but hide gets absolutely NO payoff. For letting kaneki literally vore his entire mouth off, leaving him disfigured and unable to talk, then kind of disappearing for two years and doing seemingly nothing but trying to help kaneki even though he’d forgotten the guy existed, risks his life like a thousand fucking times, eventually gets back to him and the dude’s running a fucking anti-human organization, helps him like Not Be A Volitile Pile Of Flesh Anymore and then what should have been a very important moment of them meeting again gets completely overshadowed by touka and random plot shit and more fights and they barely interact, they don’t even hug or anything, they barely talk, and at the end hide is still there but to be honest he’s gotten absolutely no thanks for all he did and ishida acts at the end as though he’s done very well with hide and gives him a tiny bit at the end throwing in a tragic backstory for fun (which hot take he really didn’t fucking need on top of it all) and... there’s no real hint that Kaneki is better off with Hide there, even though there should be. In 75, in his dream, kaneki is sobbing and crying and all like i’m so lonely without you but when they actually meet each other again? “yo” “hey” “uh sorry about,,, the thing,,, you know” “nah man it’s ok” “let me talk about myself for a bit” “yes you always do do you want to hear what I’ve been up to” “not really” “that’s fine i’m only here to support you”

...So you can understand why I’ve gone a bit sour on that. If that’s all you’re going to give him? Hot take? Let him die. Hide deserves better. (and i will deliver that in writing, but for the purposes of canon.)

In the anime, however (not counting re again... although he still gets the short end of the stick just in the original manga too compared to the anime) he’s properly dealt with! he gets his proper limelight and he gets acknowledged for what he’s done thusfar in the story, which is already so much. Kaneki then realizes that, but it’s already too late (or it isn’t, and they like negotiate with the ccg and then they get to live happily ever after) either way he gets appreciated and he gets hurt, but it’s properly acknowledged. And after all that, after saving kaneki and getting him to the cafe and doing it all while bleeding the fuck out, he gets to spend that time with kaneki and die in kaneki’s arms. And frankly? That’s all I think he’s ever needed. It’s really poetic and pretty and brings kaneki’s character around full circle, and even if it’s overly sappy, cliche, drawn out... he gets the attention he’s due and he gets a fucking break. He wanted to show Kaneki he wanted to do something for him and save him instead of the other way around, but then HE GOT ACKNOWLEDGED FOR THAT, instead of just well, tirelessly working towards it forever and having to be content to be a background character with practically no value to Kaneki anymore.

Keeps The Same Vibe: The big thing about this is that with the manga and with re, shit just goes all over the place, and I feel like I’ve amply showed that already through this essay or whatever this is. Again about the consistency and the professionalism, It’s a concise story that makes more sense than the manga while also being simply neater and more deep, making sure all the points, themes and messages work together and make sense to create a cohesive deal even if it’s not as long. (the manga is like ishida had a TON of good ideas for an essay but then fleshed out the thing ten minutes before deadline and managed to completely lose what his original thesis was even if the thing was 10 pages long.) Basically. yeah. That kind of sums it up, my last point concerns the ending.

Not Cheap Ending: If you want to hear my take about how absolutely terrible re’s ending was, check out my The Many Sins Of Tokyo Ghoul :Re post, and we’ve discussed how the original’s manga ending was bad and well not really an ending, it just leaves you unfulfilled and takes you into “well I guess I have to start a whole nother sequel series ig...” but root A like? Actually ends it? If a reader didn’t know that there was any content after that, they could pretty much infer that hide’s death or almost death whatever you inferred out of that ending (again we’re ignoring re) allowed Kaneki to finish his character development and realize they needed to stop the war, which basically tracks with what’s going on in everyone else’s perspective- eto’s problem with the world because of what happened with everything, is basically like, all of aogiri, juuzou and shinohara, amon and akira and kaneki and they can realize all they have to do is just sit down and fucking stop it because none of them want to be fighting, hide is the catalyst for that because the CCG can see how Kaneki cares for him? And it’s so open ended that you could just like literally believe that and there’d be no way for that canon to tell you otherwise, or you could go onto re and whatever if you wanted to. I think that’s the best thing. 

In conclusion, both have valid points, and in general I’d say that the manga goes better with :re and the anime is better as a stand alone but if I had to choose overall, this particular anime is better (taking into account only seasons 1 and 2), for mostly the reasons of favoring a simpler story taken with much more care and depth versus a more complex story with many, MANY imperfect elements, and I am aware I will get shot on sight for this opinion. So sue me.

[lunatic-fandom-space]

Comparing RWBY and YGO DM: The Handling and Evolution of Themes

Hey! Its been a hot minute since I last posted anything RWBY-related but Im laying in my bed right now and Im sick and bored so I guess we're doing this. Today I will do my best to analyze what I percieve to be the main themes and messages of both of these shows, or more specifically, how theyre handled narratively. Im mostly focusing on that part because, while these series do have similar themes and messaging, they are still a few things in which they are wildly different. And with that, lets start with this essay-post-thing!

1. Theres something we need to adress first

Okay so, before we can really talk about this, theres something I feel the need to clarify here: Neither of these stories was "planned from the beginning".

Now, I dont think a story being planned from the beginning or not nesscessarily makes the story any better or worse by default, however, it is still important to acknowledge because the way the story is planned is going to affect every facet of it. Things are not going to be foreshadowed properly, things are gonna be set up only for nothing to come of it, the story might drastically change directions, characters might act differently, etc, etc.

And, this is bit off-topic but, it's much better to just admit that the story was not planned than trying to pretend that it was. Like, there are a lot of reasons why I tend to be so forgiving towards YGO even though its not very good, but one of them is definitely the fact that, as far as Im aware atleast, the guy who wrote it isnt pretending to have had this big master plan all along and neither is the fandom. With RWBY on the other hand... yeaaaah, its kinda the opposite. From what Ive seen of RWBYs fandom, there seems to be this pretty popular narrative that everything was planned even though it clearly wasnt. Thats pretty bad and honestly lowers my opinion of the writers so much more than if they would just admit to not having a proper plan.

Like, I initially consumed YGO like this: Yu-Gi-Oh Duel Monsters, Yu-Gi-Oh (aka Season 0), like, a quarter of the Yu-Gi-Oh manga (I still havent finished it)

In all three of these we have the character of Yami Yuugi, or just Yami. Broadly speaking, he is an ancient egyptian gamer spirit who lives in a magical puzzle that has not been solved for 3000 years until this highschooler named Yuugi Mutou comes along and solves it, thus setting him free and allowing him to possess Yuugi and have access to the vague magical powers of the puzzle.

In Duel Monsters he's perfectly fine most of time, morally speaking. There is an instance of him almost murdering a guy and its a bit unclear what exactly happens to those he mindcrushes but overall he's very much a pretty good guy. In Season 0 most of what he does is set up these games for bad people, where they will go insane no matter what they do. From how I understand this whole Shadow Game, Penalty Game stuff, if you lose a Shadow Game, you get violent and intense hallucinations and you will always cuz yknow, gamer spirit. But if you try to cheat, which most of the bad people do in this show, you get violent and intense hallucinations as a punishment.

Since the two anime are generally considered two different continuities, its perfectly fine that Yamis characterization is wildly different in both of them. But in the manga both of these characterizations appear, basically one after the other with no real arc or consequences, for that matter. Why is that? Simply put, someone thought it was a good idea to try to turn an episodic, very slice of life-y light-horror manga into a more traditional, more plot-driven battle shounen. From what Ive heard, it was apparently largely because of network interference or something, but the point is, it changed directions incredibly drastically with little planning and everyone knows this and I can understand that for the most part.

In RWBY we have the character of Blake Belladonna, who, in the first 3 volumes/seasons atleast, was this aloof, more toned down loner-type character with a pretty strong sense of justice. She's an in-universe marginilized racial minority and she clearly cares about racial injustice. The way its initially framed makes it seem like she had a very hard life and no stable support system, which is what eventually pushed her to join a Civil Rights group/Terrorist organization (good god, the Faunus subplot is so awful, I could write a whole essay about it but Im already de-railing rn so I'll just save that for later).

Then, in volumes 4-5 it turns out her father is actually like, the mayor or chief of this island-place called Menagerie and she grew up in this big mansion with multiple guards/servants. Oh and also, apparently "space is a commodity" on there, so theres that. She still retains large parts of her personality but she's kinda like, worse somehow I think. I cant really describe it in a meaningful way but I hope you get what Im saying anyway. Then in Volume 6 she confronted her emotional abuser Adam (sorry for not mentioning him sooner but yeah, he was like, her abusive boyfriend, which is something that a lot of people disagree with but I wont really say anything about it either way because I dont really feel any specific way) with her friend, Yang, and ended up killing him.

After all that, she pretty much lost the rest of her personality, as well as her arc about all the Faunus stuff. She just kinda became the meek, generically nice, recovering abuse victim. Why? Well, the actual reason is that they didnt plan out shit and are just kinda flying by the seat of their oversized clown-pants and if they and the fandom just admitted it, I would have less of an issue. I still wouldnt be as forgiving towards RWBY as I am towards YGO because the crux of the issue, for me, is just that I dont particulary like RWBY but also like. Do you really expect me to take MKEK seriously as writers after admitting to not have a timeline because iT wOuLd CaUsE pLoThOlEs?

However, since they want us to believe that everything was planned out from the beginning, the explaination would be.... Idk, they deliberately butchered one of their main characters?? Because.. they hate her?? Maybe????

So yeah, that was quite a detour however, I would like you to keep this mind going forward.

2. Themes of the Early Series'

First, what do mean by 'Early Series' for both of these shows respectively? Well, for YGO that would have to be Season 0 or if youre reading the manga, everything pre-Duelist Kingdom. Basically, the part of the series thats a episodic, very slice of life-y light-horror series.

For RWBY that would be the first three Volumes, also known as the Poser-Era. Back then it was just kinda an action series that took place at Anime Warrior Academy (also known as Beacon) with some pretty bare minimum worldbuilding, character-driven plots and developments but now its more of an epic high-fantasy story with more of an emphasis on plot as opposed to just action.

The themes and messages in Early YGO are kinda vague, very confusing to me and if you were to follow any of it literally that would be pretty bad. For now Im just gonna say the main themes are Friendship and Identity and mostly focus on the Identity aspect.

Now, it took me a little while to figure out RWBYs deal but I think the main themes for Volumes 1-3 are also Friendship and Heroism. Once again, I'll mostly focus on Heroism and touch on Friendship more briefly later.

I dont have much more to add to YGOs themes right now, so I'll briefly go over Heroism in RWBY.

In RWBYs setting there are these man-eating monsters called Grimm that have basically infected the planet. In order to deal with that, they have people called huntsmen and huntresses that kill them and protect people. Theyre trained at special academies like Beacon and go on missions there and stuff like that. Our four main characters, Ruby, Weiss, Blake and Yang, are training to become huntresses and one day they go on this mission to clean up a grimm infested city block with one of their teachers. Obviously, that takes a long time so they have to camp out in one of the empty houses. Weiss, Blake and Yang cant sleep because theyve been thinking about this question that their teacher asked them when they were fighting grimm: "Why do you want to become a huntress?"

They have a heart to heart and we find out about their motivations; Weiss wants to bring honour back to her family, Blake want to distance herself from the White Fang (that terrorist organization I mentioned earlier) and as an extension from Adam, Yang wants to have a life of adventure. They also talk about why Ruby wants to be a huntress and it turns out that she judt wants to help people. Unlike the others, she has no motivation besides that. We're meant to listen to that and look at her as a sort-of personification of Heroism: kind, but not naive, strong and most of all, selfless. The others on her team are not portayed as bad for not being like Ruby by any means but we are clearly meant to admire her the most out of all of them.

Okay, now comes the part Ive been looking forward to the most:

3. How did these themes evolve in the Modern Series'?

Alright, before we can really delve into the way they evolved in YGO I'll have to give you a brief summary of the character progression. At the start of DM, during the Duelist Kingdom arc, Yami Yuugi is just that; A darker Yuugi. Hes more confident, bolder, his voice is deeper, hes somehow taller, more ruthless, all that good stuff. Notably, he doesnt actually seem more skilled than Yuugi even at the start of this story, but he's still dependent on Yami. Yami on the other hand, has no identity of his own or even hints at one at this point. He's just The Other Yuugi.

Then during the Battle City arc, they find out that Yami was actually a pharao prior to being sealed in the puzzle, he just didnt know because of amnesia, I guess. So now they need to find out his real name and then send him to the afterlife because hes meant to be dead, but not before saving the world from being swallowed by darkness, which is also a thing they have to do now.

Then we finally get to the Memory World arc, where Yami, Yuugi and the rest of the gang astralproject to ancient egypt via puzzle magic. Yami is trying to figure out what the hell is going on and who all these familiar people are, while Yuugi & Co are trying their best to help him. Then some weird shit happens and it turns out that all of that is not just Yamis sealed away memories, but also a giant D&D Shadow Game that will destroy the world if Yami loses. So now theres Pharao!Yami who is still clueless on the metaphorical and literal playing field and Player!Yami, who is kinda controlling himself now? I guess?? Yamis opponent, The Spirit of The Ring, has something similar to that going on where hes both controlling and properly participating in the game. So Player!Yami is now fighting against Player!TSoTR, Pharao!Yami is now fighting against Thief King Bakura (who is like, the human, ancient egyptian version of the Ring Spirit) and Yuugi is now fighting against Yami Bakura (who is like, the human, modern japanese version of the Ring Spirit). Yuugi gets Yamis real name, he and the gang go over to Pharao!Yami and tell him his name, meanwhile Player!Yami is also somehow helping as well and they defeat the Ring Spirit, thus saving the world. Then they travel to modern Egypt, the Ceremonial Duel happens and Yuugi wins, sending Yami to the Afterlife where he can finally rest and that was the series!

I originally wanted to recount the stuff that was going on with the Ring Spirit and his host as well because they parallel eachother, but this summary is already far too long and I think youll get the point without me needing to explain any more.

My point here is, that the story went from being vaguely about Identity, maybe? to being very clearly about Self-Discovery and Learning to Be Independent. I think this is a very good way to evolve the messaging of your story. How does RWBY track on that?

Well, uh... its not great. I will acknowledge that they have tried to introduce new themes and ideas since, even though I wont really be talking about them in this post. But yeah, the whole Heroism thing really regressed.

Like, I didnt explicitly say it when I was explaining grimm earlier, but theyre not going away. The grimm have always been there and people who sign up to become huntsmen and huntresses are effectively signing up for a job that will never truly be done, no matter what they do. Characters like Ruby and even more minor ones like Phyrrah have shown us that that doesnt matter when youre a hero. No life isnt worth saving, no grimm isnt worth killing, no criminal isnt worth arresting. Then, in volume 6 they find out about Salem. Salem is the Big Bad of the show, shes immortal, controls the grimm and is supposed to be very powerful.

What do our heroes do? They give up. Sike! They were just mindcontrolled by monsters or some shit, of course they didnt give up their mission (which is to bring an Important Macguffin to a city called Atlas, sorry I didnt mention it)!

But then they arrive in Atlas (which is llike, a city thats floating over another city called Mantle) and yknow, they do some plot stuff thats not really important right now until the city gets invaded by Salem and this big grimm army she has.

What do our heroes do? Well, Ruby, Weiss, Blake and some side characters are chilling, drinking tea in a mansion and Yang and the B Team were actually trying to do something, but even those efforts seem incredibly minimal.

Oh wait, I also forgot to mention that Ironwood (a fairly minor, vaguely antagonistic character up until now) wanted to lift Atlas even higher to save Atleasian civilians from danger while leaving Mantle vulnerable to Salems invasion.

What would be the most heroic thing to do?

A) Let Ironwood lift Atlas, get as much support as they can down to Mantle and save as many Mantle civilians as they can from the invasion

B) Prevent Ironwood from lifting Atlas but then split up in order to protect both Atlas and Mantle civilians

C) Prevent Ironwood from lifting Atlas and then dont do anything else

Congrats! If you choose C, you think exactly like the writers!

And I just

This is so mindboggling to me, I feel like I shouldnt even have explain how this is bad. And like, it wouldve been so easy to actually make them seem herokc through their actions, to make it seem like they did try but no.

I have never seen a central theme be this botched, how in the world did they do that? Why did they think it was a good idea for Ruby "The Embodiment of Heroism" Rose to sit in a mansion doing nothing, no planning, no organizing just ..... God, how are they this bad? Like, this doesnt even have anything to do with it being planned in any way, this is just straight up incompetence

4. Very briefly touching on friendship

The friendship is awful and its not solely because they all have the same opinions. They barely interact with eachother outside their designated pairs which leads to it all feeling incredibly hollow. Theyre also practically indistingushable from one another now, which is a shame because it wasnt always like that. Like, I dont think the characters were that well-developed in earlier volumes but they were very well-characterized. But now we've gotten to a point where you can literally copy and paste one characters dialogue onto another and literally nothing changes, it really sucks.

5. Some closing words

Damn, this took way longer than I thought it would and now Im pretty exhausted. I have no idea how yall always write these but props to you! I feel like this ended up a bit rambly but overall, Im pretty proud.

Please let me know what you think of the points I brought up! Id also really appreciate some tips on how to get better at these longer posts because I am planning on writing more in the future (not the near future, probably but yknow).

Thats all I have to say for now, thanks for reading!

[irkenheretic]

Does Red have that one genetic disorder? What does it do to Irkens who do have it?

OOOHHH OKAY SO this is all gonna be headcanon stuff for ANX (watch me forget to tag the post as such lmao) so itll be canon divergent at points

so The Red Eye Thing, which has no formal name because why would irkens name it, is a linked gene between the gene that causes red eyes, and a genetic disorder that leaves an irken with a little extra chunk of chromosome in a sex cell that made them. (a sex cell is like, either the sperm or the egg, one of those) not an entire extra chromosome, that doesn’t happen among irkens, but a chunk.

you can’t have red eyes without having The Red Eye Thing, so yes red does have it! ^^

i just have to go on record and say that in ANX, irkens still reproduce naturally. they dont mate for fun or keep the young, but its still not artificial. smeets are also VERY IMPORTANT in irken society as they are seen as the future of the empire (like, assaulting a smeet is so universally hated that if someone is jailed for it they will 100% be killed before they ever stand trial. smeet assaulters are so hated that the control brains know this happens and they just let it happen)

so given how societally important smeets are, it tends to be Very Bad for Red Eyes that the main problem their genetic disorder gives them is infertility. theyre basically looked down upon societally because they’re unable to do a basic biological function that even smallers and defectives can do. 

i mentioned they also have hyperpigmented skin in my other ask, but im putting it here again anyway. skin colors from that hyperpigmentation can range from “dark, but still normal irken dark” to “i have never seen a skin color as dark as yours before holy fuck” these edits i did of red are what he looks like in ANX, and hes on the way far end of the spectrum- out of 100+ characters in ANX, some other Red Eyes, he’s the darkest one. the hyperpigmentation is a result of the extra chunk of chromosome lmao

also, Red Eyes have trouble detecting pheromones other irkens give off. this can be just dulled senses, or it can be a total lack of detection, like what Red has. (ur seeing a pattern arent u, red has a more “severe” case of his genetic disorder.)

the gene also causes developmental disorders which... aren’t exactly on a sliding scale per se? it’s kind of like autism where every Red Eye acts differently from each other that there’s no real “universal experience” for how this specific thing presents itself.

the red eye gene is passed on from parent to child, it won’t mutate and it can’t be carried- you either have it or you don’t. 

“but how can that be if they’re infertile!” i said infertile, not sterile. the reason Red Eyes are infertile is because, since the extra chromosome chunk was in a sex cell, at least 50% of their sex cells will be affected with the extra chunk, too. irkens have a biomechanism that purges cells with missing or extra chromosome parts (extra-chromosome irkens are relatively fine, missing-chromosome irkens are like, hatched with no brain or are stillhatches so good that thats... there) 

but since those cells are purged, that’s at least half of the fertile cells. of course if they have a more severe case, like red, it would be more than half. so it is moderatley hard to nigh impossible for Red Eyes to conceive or fertilize, depending on who it is. so since only Red Eyes can pass down The Red Eye Gene, and these bitches rarely have smeets, there’s only like.... one Red Eye per generation, maybe two.

(fun facts: there used to be more Red Eye family lines, but some idiot got it in his head that Red Eyes caused defectiveness and that most defect trials were a false positive so in order to save everyone he needed to kill all Red Eyes, so now there.... aren’t..... any more......) (yes the control brains crazy murdered that idiot. they hate him so much sometimes they go “hey remember the red eye genocide guy? what the fuck, right?”)

so tl;dnr: it’s a genetic disorder caused by an extra chunk of chromosome in either a sperm or egg that made the irken. it causes infertility, hyperpigmentation, low or no ability to detect irken pheromones, and a developmental disorder that presents differently in everyone that has it.

tl;dnr 2: irken down’s syndrome. 

under the cut im gonna go on about how society sees irkens with this condition (under the cut because.... sexual assault tw. also ableism tw)

Red Eyes are seen as... well... broken pieces of shit. before red was tallest, there WAS another Red Eye Tallest in recent history- tallest Zim. (NO RELATION to invader zim haha) zim becoming tallest made Red Eyes not be.... as hated, but there’s still this societal idea of “you are a broken piece of shit and your cells should have been purged.... buuuut if you do something above and beyond whatever it is your job is, we Might think you’re cool. also we probably won’t say this to your face but we’re thinking it really hard at you, and you KNOW we’re thinking it, so there’s no point in not saying it, but we still won’t so you cant claim we hate you. but make no mistake, we do.” so red just had, the BEST time growing up.

remember in my last ask, i said Red Eyes are liked a little too well sometimes? well... due to their infertility, they’re frequent targets for rape, especially in the military, since military irkens aren’t allowed to mate. nab a Red Eye and you can have all the fuck you want without any, er, evidence. red honestly was lucky he was constantly stickied to purple as an elite, otherwise Horrible Things could’ve happened.

was the general populace worried about a Red Eye tallest? yes. yes they were, back when it was tallest zim. they thought he’d be shit at it due to how “broken” he was. there was a LOT of public outcry, especially since zim was on the shorter side of tallests. they were ready to be all “see, Red Eyes are NOTHING,” until zim was actually an amazing tallest. he was so good the control brains liked him, and the only other modern tallest they actually liked was miyuki. he did great things for the empire, everyone loved him. when tallest red became tallest, everyone was much less worried. but they were still thinkin it, ya dig. 

is red related to tallest zim? yes, zim is red’s grandfather.

is red’s tendency to forget words a part of his developmental disorder? it could be, could not be. there’s not much of a sample size due to yknow, the genocide, so there’s no-one to compare his symptoms against. the disorder presents differently in everyone so even if red is the only living Red Eye with that symptom, doesnt mean its NOT a symptom ya dig? but im gonna word of god it and say yes it is

can you have the same chromosome thing without being a Red Eye? yes! in this ask i talk about spork having a learning disability- he has the same chromosome thing, it just gives him different symptoms because he doesnt have the specific instance that red eyes have.

can you have red eyes without the chromosome thing? no, the gene for red-colored eyes is stickied to the Extra Chunk gene, and unlike chromosome issues, which can happen to any irken, an irken will not randomly mutate a gene for red-colored eyes.

is the term “red eye” derogatory? it was EXTREMELY derogatory before tallest zim took power. now it’s just a general term for a red eyed irken, but... irkens will still use it in an insulting way. like... “queer” is the best parallel i can draw. used to be a slur, now is a general term, but some people still clearly use it as a slur against others. 

are red eyes called slurs? YES. they are targets for The Word. The Worst Word In The Irken Language, So Bad You Can’t Even Call It “The __ Word” Because It’s Too Close To Saying The Word. It Is Just, “The Word.” it used to be WAY worse before the genocide, simply because there were more of them. it decreased even more after tallest zim took power, but make no mistake, it’s still out there. also The Word translates out to “condemned obsolete bastard” with a side order of “the beginning of The Word sounds like im spitting on you and thats also exactly what it means.” its an awful slur its like if every human slur had an orgy

(was red called slurs growing up- YES.)

are Red Eyes defective? they can be! defectiveness is in the PAK, not in an irken��s biology. that’s why they’re called genetic disorders and not genetic defects, to separate them from the “we are going to execute you” defectiveness. they’re still scorned as if they are defective, though. sometimes theyre called “worse than defectives” as a jab at their infertility- like, even the empire’s worst can do that, ya dig? 

back in The Old Days, there was probably a mix of defective and non-defective Red Eyes. now they’re all defective by coincidence. 

[blackberryneximide]

I would love to see all of the WHF asks answered 👀

oh wow okay!! (also shoutout to @cluster-quartz​ for asking 🌿 which I’ll obviously be answering here <3)

(This post gets long so read it below the cut <3)

🌱. Rank the endings

I spent both Arthur’s and Ollie’s angry crying at them, but that’s like. not a BAD thing.... so probably Arthur at #1 for how much built into that ending (I am still furious at him for wrecking the mines like that though), Sally at #2 because thank fuck she’s alright and Gwen’s alright and it was great to see everything being calm and okay, and Ollie at #3 because even though one of the revelations really threw me off (I’d guessed about Margaret and Jack’s relation since act 1 and I was so ready to not get surprised), I just like Ollie less (i’m sorry dude ;-;.. I was here for Margaret...) Though I gotta say, that bit where Margaret's accent slips?? Oof. Hit me hard.

🌵. Rank the stories/characters

My character ranking (including DLCs) goes (from fav to least fav) Sally, Vicky, Roger, Arthur, Nick, Ollie. TBF, I really do love everyone, I haven't seen a nuanced cast I was this engaged in in forever, so while I can rank them, there really isn’t that much difference between tiers.

Stories?? oooh man that’s so much harder ;-; Sally and Arthur both at equal #1? and everyone else?? IDK? they’re all so well done? I love them all?

🌿. Opinion on Sparky!! (Arthur’s pet)

I completely forgot Sparky existed!! ;-; But I love geckos, so, I love Sparky too.

🍀. Opinion on the Kickstarter video

Obviously good enough to get me to back it? No but, I do remember absolutely being enamoured with Uncle Jack at the time as a result? Having just seen it again for the first time since, I love it! I think it sells the vibes perfectly and I love how rapidly the director messes up the tone and the lil 4th wall break to show the team at the end. Maybe I’m just used to watching really awful Kickstarter trailers these days, but I do love that one.

🍃. Fuck, Marry, Kill with Arthur, Sally & Ollie. Fuck Arthur, marry Sally, kill Ollie :3 (also i stg at this point i have to mention i don’t hate Ollie, i just like him less, so it completely fucks him voer for this sorta ranking lol)

🍄. Anton Verloc, smash or pass

I’m uh.. gonna leave y’all with the filename for one of my pieces of fanart and you can work it out uwu

💐. Favorite theory about the game

(EDIT: Oops i forgot to answer this one! ;-;) oh goodness, yknow, I’m not sure? At this point, I still struggle to remember what’s a theory and what’s canon, what with the way the game leaves all those lovely little plot holes for you to fill. I’m not even familiar with that many of the fan theories, I think, apart from my own - so on that note - my inbox is so very, very open to fan theories uwu

🌹. OTP!!

oh I lvoe too many ships!! that’s tough! I’m a big Roger x James fan, but Victoria x Prudence and Arthur x Sally all rank really highly for me as well ;-; Plus I’ve ended up being into Nick x just about anybody and shipping bobbies with half the town too :/

🥀. NOTP!!

sally x robert byng and sally x verloc treated as genuine ‘aren’t they nice together?’ ships can stay the hell away from me at all times :) I just want sally away from her abusers is all

🌷. BROTP!!

Sally and the Weird Sisters??? I haven't really thought too much about brotps for this game but I really enjoy their dynamic and I just want Sally to have more freinds ;-; ACTUALLY! Sally & Nick??? They get high together a lot and Nick plays his old awful songs that nobody else but him loves and that’s not an excellent brotp foundation idk what is

🌺. How did you find out about the game?

Not..sure? I think my mum may’ve found it and gone “hey, aren't you into weird British 60s things and also video games?”

🌸. Did you played the pre release of the game? Which one? From 1 to 10 how much do you think the game has improved?

I definitely played a pre story alpha build, and one of the builds when they’d just started implementing Arthur’s story. I think it’s improved massively - the earlier builds leaned so heavily on survival, which, even now, not a massive fan of. I remember wanting a lot more substance, it was mostly ‘Arthur running through a field’ simulator, peppered with the occasional event (Apparently the thing with the ghost of Arthur’s mum is still in the final build but I haven't encountered it since. I remember it being such a weird encounter, out in the middle of nowhere, and it just stuck with me.) But to put it on a scale? 10 outta 10 on improvements - thank fuck they went ‘ah. story.’

🌼. Percy & Arthur, Sally & Gwen or Ollie & Margaret?

Sally & Gwen!! BuuuUUt! I have a really really soft spot for Percy and Margaret ;-; I love that they’re only seen through memories, compared to Gwen, that we get such a weird, biased recollection. That Percy is only remembered when Arthur gets the right stimuli, and that Mags is remembered constantly, but always wrong. There’s such a great contrast in the fallibility of people’s narratives between all three of them?? I love it???

🌻. Have you listened to the game’s OST? Which song is your favorite?

YeSSSSS!! For Make Believes tracks - You’ll Never Change My Mind, though I’ve been listening to a lot of Cheer Up lately. :3 For the soundtrack - House of Curious Behaviours is my definite fav, though Lovely Day For It, Dead Chuffed and Brassed Off are all close favs :D

🌙. Favorite side character!

Prudence Holmes!! I got stupidly invested into Prudence’s narrative when chasing up some weird urban legend about being able to save her life in Act 1 (spoilers, you can't) I always enjoyed that you were, to quote the name of the achievement, hot on her heels, like there was a real chance you could bump into her while escaping.

⭐️. Opinions on the bobbies!!

I started off weirdly indifferent about them, but, y’know? That musical number? good for them! I think they’ve got some of the funniest dialogue too tbh...

🌟. Do you have a oc in the universe? If yes, show us!!

So while I may’ve written so much for my own take on the white bobby, he’s still technically, not my oc, BUT! His wife most certainly is! 

Her name’s Paula Bacon (sidenote - she’s got that surname bcus the white bobby appears to me ingame as ‘constable bacon.’ is that set or his name randomly generated? Whatever the answer is, his sharing a surname with Roger does mean I get to pretend they’re related somehow ) and she’s a really sweet, caring person, who I think, is more patient than the people around her deserve. She’s fairly attentive to her surroundings, and a natural curiosity means she’s often the first to put things together. Whether it’s classic British reservations, or her particular temperament, she’s always very conscious to conform and keep her head down though.

⚡️. Do you check the official We Happy Few website or their sub reddit frequently?

I’m on the subreddit at least a few times a week as u/neverlia :) I mostly seem to answer lore and gameplay queries haha

☁️. Do you have a favorite mission?

Church! Of! Simon! Says! that one gets so splendidly batshit that i can’t help but love it

☀️. Do you follow Compulsion Games on social media?

Yup :)