The way Data treats Spot is such a big proof of how much he feels... human feelings. And how he understands boundaries etc. Cats just *know* and Spot is treated so so well
Data treats his cat better than some humans treat theirs seriously
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Irondad fic ideas #139
NWH AU where Tony's been in a coma this whole time. He still is. But the world thinks he's dead.
One day, Rhodey is in some science place (maybe SI, maybe a community college where he was giving a speech?) and he sees this kid tinkering who looks exactly like Tony Stark. The teen Tony Stark from when he first met him at MIT. Even down to the mannerisms. He goes up and has a brief conversation with this stranger, just curious. Then he leaves.
Unbeknownst to the kid, Peter, Rhodey managed to grab something for a DNA test. The kid just looked too much like his best friend. Like seeing a ghost
When they analyze the DNA, they learn that this kid is in fact Tony's biological son
Rhodey goes back to find the kid, this time bringing Happy. Peter gets to have the super fun conversation where two people who should know him but don't tell him that the person he saw as a father was his actual father, only it's too late
They convince Peter to come with them eventually. And Peter gets the shock of his entire life
Over the next little while, at Tony's bedside, Peter gets to know Morgan (who he would've seen as a sister anyway but this is insane). He also gets reacquainted with Rhodey, Happy, and Pepper, who all admittedly find him a bit sus with how much he seems to know.
But...this is Tony's kid. His son. So they let him be there, let him talk to Tony and hold his hand.
Finally, finally, Tony wakes up.
And it turns out, being in a coma and thought dead by the entire world, including wizards, makes one exempt from certain magic
Bonus:
As he sits by Tony's bedside, Peter has to grapple with a lot of emotions. One of them is the realization that he was never actually related to Uncle Ben, which makes him feel like his uncle and aunt died for nothing
Pepper helps him through it. Even not knowing him the way she once did, she knows plenty about guilt complexes and chosen family. She assures Peter that he's still a Parker, no matter what, and that his aunt and uncle wouldn't have given him up for the world
Another thing Peter deals with is the fear of Tony waking up and not knowing him. It breaks his heart just thinking about it.
Cue THE most relieving hurt/comfort reunion ever imagined
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Obsessed with the POV choice in Imperial Radch as well, both because Leckie does some really wild stuff with how expansive the strict first-person is able to become due to the worldbuilding and who her narrator is, and because it's SO entangled with the central thematic concepts of identity. In the first book flashbacks when the narrator is still a warship, "I" can encompass so many things, and sometimes explicitly refers to different facets in the narration--is "I" Justice of Toren, or One Esk, or a specific segment, or Breq narrating from twenty years in the future? "I" isn't simple, isn't unified, and while this is most literal and obvious with Breq/One Esk/Justice of Toren and Anaander Mianaai's split factions it's true constantly throughout the work at every level of scope. Individual characters struggle with internal conflicts and hit their breaking points--what is it that makes someone decide they have to disobey orders and make a stand or they won't be themself anymore? How do you know who you are if you've been forcibly changed (Tisarwat) or if the world you knew has moved on and become unrecognizable (Seivarden)? How does a character on a colonized world navigate the split identity that comes from the pressure to assimilate to the dominant culture? And then there's the Radch writ large, all the Radchaai so deeply invested in the idea that there is only one true concept of Radchaai society, of civilization, but of course there isn't! It changes based on location and over time, and Breq muses that the Radchaai empire would be largely unrecognizable to the isolated sphere of the Radch itself. In these books, even if you aren't the last remnant of a destroyed spaceship and its legion of bodies, "I" is such a complicated concept and the narrative never lets you forget it.
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"Marsha?... 'Marsha, Marsha, Marsha!' 😜" ok Benson, we get it. Before your Ma got laid up at home you were a latchkey kid and regularly skipped class and sat at home watching reruns on TBS of The Brady Bunch and also probably other shows like The Munsters and The Beverly Hillbillies.
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