#i know its an analogy but

[kurosagileo]

i think my fave bit of lore dropped this chapter is that most humans are allergic to demons

[mynnthia]

was talking with a friend about how some of dunmeshi fаndom misunderstands kabru's initial feelings towards laios.

to sum up kabru's situation via a self-contained modernized metaphor:

kabru is like a guy who lost his entire family in a highly traumatic car accident. years later he joins a discord server and takes note of laios, another server member who seems interesting, so they start chatting. then laios reveals his special interest and favorite movie of all time is David Cronenberg's Crash (1996), and invites kabru to go watch a demolition derby with him

[voidheartkisses]

Narinder and Shamura angst

[mistxmood]

its hilarious the amount of people basically going "im not reading the great gatsby" going around

[Image Description: The first drawing has two Bill Ciphers interacting with one another. One has a harrowed expression, pointing feverishly at a diagram titled: Your Mission. The context is partly blocked up by Bill's body, but it details a list on how he would take over the world and then the third dimension with the reader's assistant, as his co-leader. All that he's spouting is "Yap" repeatedly. The other Bill Cipher, more lax and a little annoyed, is sitting with his legs crossed and a hand behind his metaphorical head. His other hand is mouthing along with the first Bill Cipher's speech.]

[The second drawing has Bill Cipher standing in the middle of the image, hands raised with a quizzical, bewildered look on him. Bold text borders him from the top and bottom. The top scowls, "Aren't you all treasure hunters?" The bottom text orders, "Start digging."]

[The last drawing has Bill Cipher, still in the middle of the image, except now his expression has uplifted into pure delight and mischief. In his hand, pushed out to the viewer, is the PDF cover of The Great Gatsby by F. Scott Fitzgerald. The text, from the top, coos, "You want to know." The bottom text emphasizes, drawing out the syllables, "So bad." End image description.]

[s0fter-sin]

the 141 recovering brainwashed!soap but he’s just a shell of his former self; never speaking, never moving without orders. he never even blinks; just stares straight ahead with his unnatural green eyes.

empty.

but ghost can't accept that.

price and gaz can't stand watching ghost torture himself day after day; visiting soap in his cell for hours at a time, trying anything he can think of to bring back his sergeant.

he shows him pictures of the 141 but soap thinks he's being given targets and moves to eliminate them before ghost stops him. he brings him his journal, tries to trigger his innermost thoughts and feelings he never shared with any of them, but after he reads it, soap summarises it like he's giving a mission briefing. impersonal.

cold.

it's late when ghost finally calls it; low and defeated after another long day of being stared at with eyes that don't see him. he isn't thinking when he pulls his mask off and harshly scrubs over his face, grinding his palm into his eye.

"don't worry, johnny; we're still fixin' each other's problems," he promises, little more than a whisper as he tries to summon the energy to leave johnny behind. again.

he pushes himself to his feet, his hand on the door handle when-

"what's my problem?"

ghost freezes, something like grief - something achingly closer to hope - chilling him. he slowly turns and though soap is still starring ahead, there's a faint light in his altered green eyes.

"the mask," he forces out. "take it off."

he knows there's no way to remove the mask - the muzzle - from his sergeant's face. it's too high-tech, even for them; the biometric scanner too advanced for any bypass they know of.

it's just another way he's failed him; bringing him home still bound in their enemy's chains.

soap- jolts; a sharp, almost painful looking flinch jerking his body.

"show my face?" and his voice has changed; no longer the monotone delivery that's haunted ghost's every waking moment.

it's smaller. uncertain. recollection of a memory half-destroyed.

"yes, johnny," he breathes.

soap moves unprompted for the first time since they found him; running his finger along the edge of the muzzle where his skin bulges from the pressure, half-visible scars hidden beneath the harsh metal.

"ugly," he murmurs.

ghost immediately shakes his head, almost stumbling back to the table; haphazardly throwing his mask on it. "quite the opposite," he insists.

it doesn't matter if he has no lower jaw left at all; johnny could never be ugly in his eyes.

agonisingly slowly, soap's eyes shift to the mask. he takes in the balaclava and hard shell skull like for all the times he's looked at it since his rescue, he never truly saw it. his lids fall in less of a blink and more stage curtains closing; slow, heavy, requiring effort and no small amount of strength to open once more

"good... to see you again..." he trails off, his hand shifting up to the top of his shaved head; nails digging unforgivingly into his scalp

"simon," ghost finishes for him; that horrid grieving hope tearing at his heart

soap's fingers flex and a drop of blood trails down his forehead, over the ridge of his nose to catch on the muzzle. "s-simon..."

his nails dig deeper, the drop falling to the table just to be followed by more and ghost aches to stop him but he's terrified to interrupt him. terrified to lose him now when he's so close to something.

soap's bloodied nails scratch down the crown of his head, following the line of his stolen mohawk until they come to rest on the back of the muzzle and ghost's heart drops.

they can’t get it off.

they can't get it off and he doesn't know how to explain that to soap; doesn't know if he can stomach watching soap pull at the monstrosity holding him captive, the inevitable bloodbath as the edges cut into his skin.

"show my face," soap repeats.

"johnny..." ghost begins weakly, reaching out to him but he doesn't know how, doesn't know if he even should-

the muzzle clatters onto the table.

the biometrics they couldn't bypass, the fingerprint they needed that they were so sure belonged to makarov.

it belonged to soap.

how cruel to torture him with freedom he didn't understand he could take; didn't even understand he could want.

just the kind of sick game makarov loves.

ghost doesn't know what's louder; his heart pounding in his ears or the long, uninhibited breath soap takes.

his eyes fall shut as he leans his head back with it, the blood still dripping down his face as he straightens through his exhale. his lower jaw is a mess of scars where he fought against the previous iterations of the muzzle, the corners of his lips cut through and cracked.

but the green in his eyes is duller; that light sparking brighter as blue struggles to break through the glow.

ghost's never seen anything so beautiful.

"good to see you again, johnny."

[aspiring-prototype]

Seeing all these posts on the DCA's bday and the 21st of September got me making this thing.

*sensibly chuckles to self*

Happy Reveal-versary to Sun & Moon and happy 21st Sept!

@crabsnpersimmons , thank you for the advice!

[riaki]

hii! yk that trend on tiktok where the girl asks her man to name a woman and gets suspicious when he says a name beside hers? i would like to request that with gojo please! thanksss

name a woman | satoru gojo x f!reader thanks for ur req! here u go <3 slightly different from what u asked but i hope it works | cw fem reader + petnames, slightly suggestive, he's kinda a scumbag lol

it's a lazy saturday afternoon when you get betrayed by your boyfriend.

you're sitting at the round table on the patio of satoru's place; you always forget just how rich his parents are whenever you're around him. if not for that stupidly expensive cologne he wears and that one time you happened to see the price tag on the new pair of sunglasses he bought himself, you would've been blissfully unaware. after all, for a rich kid, he's pretty grounded. at least, when he isn't tooting his own horn.

but being here on the gojo estate, it hits you in the face like a ton of bricks; forces you to accept the fact that your boyfriend is loaded.

the breeze is gentle as it runs through your hair, but satoru's absentminded touch as he drums his fingers along your arm is more than you could ever ask for. it's the little things like this; habits of his that make you love him all the more. the way he'll throw his arms around your neck and latch onto to give you a big hug from behind, or carry you around like you're a little kid when you're worn out and you can't feel your feet from a day's worth of walking.

there's seven empty juice boxes littered across the table and a half-empty one in your hand; the paper straw is already folding in on itself, which makes it much harder to get any of the remnants at the bottom of the carton. at least the drink is nice and sweet; refreshing lime on a sunny day.

"why did they stop giving these things plastic straws? it's so soggy now," you complained, shifting in your seat as you shook the juice box. it did not relent, or give up any of its juice. you make a face, and you could swear it makes one back.

satoru glances up at you, tearing his attention away from his phone as a small grin appears on his lips. "don't you know? it's good for the environment. obviously, you're not in tune with nature like i am." he snickers, adjusting his shades on the bridge of his nose before turning his attention back to the screen between his fingers, withdrawing the hand that was on your arm to form a cushion for his chin on the crook of his elbow.

"oh, [name], [name]! you're hurting us! woe be upon thy and thou foul plastic tomfoolery." your dignified lover puts his phone down, straightening up to wave his arms about as if he's one of those inflatables you see in front of car dealerships. you think he's trying to be a tree, but you're not entirely sure. "hear that? the plants are calling you," he grins, pausing his arm waves to nudge you in the shoulder.

"stop doing that, satoru. you look stupid. the maids will think you've lost it," you chuckled, kicking his leg in jest as you leaned back in your seat and took another sip from the juice box.

"you're one to talk." he scoffs, and you glare at him, giving him a pointed look. he just giggles, sticking his tongue out before making a grab at your juice box. you swipe it out of his reach before he can wiggle his fingers any closer, and the way his expression falls an apple from a tree makes a laugh bubble from your throat. unlike the apple, it's not gravity that's pulled him down; you never indulge him, because you like making him chase. he enjoys it— he thinks it's good that you're playful. but it's annoying when he's thirsty and it's not his fault those juice boxes are so damn small.

"toru, i have a question for you. answer well and the rest of this is yours," you said, shifting in your seat to cross your legs and face him, propping the juice box on your knee. there's not much inside, but you know he'll scavenge for every last drop, like he's some raccoon. it's cute, you think.

he perks up immediately, turning his phone off and mirroring your position in his own seat; his limbs are slightly too long and too lanky to fit proportionately in the seat, but he doesn't seem to mind when his knee bumps against yours.

"yes? what is it, my sweetpea?" he grins, enjoying the sour expression on your face. it seems the lime juice has worked its way into your system.

you scowl. "sweetpea? what kind of nickname is that?" it's cute, though, so you don't say anything more. you stare at him for a moment, taking in his features; the wide smirk on his lips, the way his hair gently ruffles around his face like passing clouds.

you sigh; resigned, as you roll your eyes.

"name a woman."

"...what?"

he tilts his head to the side, staring at you through his lashes, an inquisitive squint that makes him look a lot like a white cat.

you laugh a little, and his grin widens. "you heard me. name a woman. any; the first that comes to your mind."

he hums in acknowledgement, making a show out of tapping his chin with a finger in deep thought, a mock pensive expression twisting his lips down before he looks at you again, a teasing glint in his azure eyes that gives you a terrible sense of foreboding.

"kuroki meisa."

...

now it's your turn to ask. "what?"

he shrugs, a shit-eating grin on his face yet again as he tilts his shades down to give you a look that he knows will get you bothered.

"you heard me, princess. i named a woman. the first that comes to my brilliant mind, right? now how about giving me that juice box—" he starts, reaching forward and leaning in his seat to make another grab at the box perched on your knee. you yank it away from him just in time; his fists close around cool air and he groans loudly.

"you're no fun." he pouts, biting the inside of his cheek.

"satoru! who the hell is kuroki meisa? you were supposed to say me! or your mom, at least. or shoko." you glared at him, turning your nose up and refusing to acknowledge him as he pouts and crosses his arms over his chest like some petulant child who got his ipad confiscated.

"i did what you told me to do! you can't be mad at me for that." he protests, squirming in his seat.

a lightbulb goes off in your head; normally, that'd be a good thing, but the way you're gritting your teeth so hard he thinks your jaw might crack doesn't bode well. "wait, don't tell me. is she another one of those models? satoru, i swear—" you start, but he cuts you off hastily, making a mad grab at the juice box and coming out successful and surprisingly unscathed.

"she is." he says sheepishly, toying with the sad paper straw before attempting to take a sip. he struggles, but eventually you hear the tell tale sign of liquid moving up the hollow straw. you're too busy seething to notice, though.

"gojo." you say his surname, and he flinches a little, an overwhelming sense of icy dread sinking its claws into his shoulders as his grin turns into one of nervous panic. it's familiar; the one he experienced when you'd found one of your missing bras in the drawer compartment underneath his king sized mattress (that he always complains about feeling ten times emptier without you in it).

"yes, my sweet?" satoru's about to face you when something hits him square in the face— with all malicious intent and cutting cardboard corners. seven juice boxes on the table plus one half-filled one has now become six on the table, a half-filled in his hand, and another on the floor. you're glaring daggers at him, still posed to strike in your chair. he rubs his cheek, grinding his teeth together and grumbling before he looks at you again with an extremely disappointed expression on his face. "the plants, baby! if they didn't already dislike you, they sure do now." he huffs. but with the way you're looking at him, he wouldn't put it past you to throw the table at him next.

"give me my juice box back, you brat." you hiss, and he laughs, staring down at you like you're some cute little zoo animal. he wants to dote on you; he can't help it! you're so adorable, with your cheeks all red and your bottom lip sticking out in a little endearing pout. he wants nothing more than to drop the juice box, drag you onto his lap and squish your pretty face until you start complaining and stop him with a kiss.

satoru knows he won't get anywhere if you're still pissed at him, though, so he at least has to try and make amends.

"aww, don't worry, baby! you're the only woman i think of when i—"

"that's enough out of you, traitor."

satoru just grins and finishes off the juice box, relishing in the look of mild anguish on your face as you watch the cardboard crinkle inward like some black hole sucked it in; a telltale sign of what was half-filled a moment ago becoming completely empty; a dry well that was once your reservoir of life. you retreat back into your seat, hugging your knees to your chest and putting on your best, heart-tugging frown. it doesn't take long for satoru to notice when you do, and he immediately melts, tossing the juice box aside to the poor plants and leaning forward to cup your cheek in his palm.

"what's wrong, love? you know i only did it to see you upset," he chuckles, and you can't help but smile before remembering you're supposed to be pissed.

"that was the last juice box, satoru. and i'm still thirsty. and a little hungry." you sighed, rubbing your forehead. you felt a little guilty. "but it's okay."

satoru sighs, before pulling away and standing up, stretching his arms and cracking his back with exaggerated movements, like he's making letters out of his body.

"alr-ight! up with you, then. let's go to the market." he grins, lending you a hand and nudging your foot with his. you stare up at him with those sweet big eyes, and he feels himself melt a little.

"are you sure? they're expensive—“

"shut it, sweetpea. it's all on me. how does katsu sound?"

your face lights up, and so does his. after all, he'd do anything for his sweet girl— no model could ever compare to the very sun of his life; the brightest star in his sky.

not proofread i hope we’re not surprised my (riaki) stuff. don't repost and/or plagiarize !

[scificrows]

The feed ID doesn’t need to say anything other than what everyone else’s says, just name, gender, and…” She trailed off. She was looking at me and I was looking at her. - Martha Wells, Fugitive Telemetry (The Murderbot art I used is the official cover art from the French edition of ASR)

[stardust-moth]

In order to fully understand why it was so hard for Mike to express how deeply he loves El, and why his speech at the end of season 4 was one of the biggest, most important moments for his entire character, we need to look at not just who Mike is as a person, but also everything that has happened since he met her.

Every single time he opens up his heart to her, something horrible happens to her or she's taken away from him almost immediately afterwards.

1x08; he's an awkward little ball of feelings that are way too big for a boy so young. He makes a nervous attempt at confessing and asking her out on a date; when he can't find words that she'll understand, swoops in for a kiss instead. She lights up immediately and smiles. It's a brief moment of hope and pure happiness. Maybe they can have some semblance of a normal life and be normal kids after this is all over.

Minutes later, all hell breaks loose-- they're almost shot, El pushes herself too far until she can barely move, she's almost taken away by the Bad Men, the Demogorgon appears, and she uses the very last of her strength to sacrifice herself to save him and their friends.

He has to watch helplessly as she disappears.

He spends a year caught between believing she's dead and hoping she's still out there somewhere (but if she is alive then why won't she talk to him anymore...?). Kept silent under threat by the lab, he can't confide in anyone or even acknowledge her existence, not with anyone except those involved... but everyone else is keen on moving on and pretending it never happened. He can find some solidarity in Will, at least, who is in a similar kind of emotional turmoil... but it's not the same and it's not enough.

2x9; he is finally reunited with El, and she runs into his arms like she missed him too. She tells him that all those nights he called out to her, she heard him; she was there reciprocating his feelings the whole time.

In a burst of emotions that he's been forced to suppress for an entire year, he lashes out at the reason they've been kept apart (Hopper), screaming and sobbing. It's a massive catharsis for him, and for once an adult is understanding enough to hold him and not punish him for it.

Minutes later, she is going to go headfirst into a pit of monsters, the place where Mike had just firsthand witnessed dozens of people (if not more) get ripped to shreds only hours earlier, and she is going to attempt to close the Gate-- a feat that he knows may take every ounce of her power, just like last time. He cries. He can't lose her again. She promises he won't, and before she can seal that promise with a kiss, they're pulled apart again.

He has to watch helplessly as she drives away.

3x1; all seems to be okay now. He and El are happily together, and he feels comfortable enough to be playful, romantic, and intimate with her. It's the most emotionally open we've ever seen Mike thus far.

For reasons he can't understand (bc there's no way Hopper explained himself beyond "I'm in charge so do as I say or else"), Hopper is angry about it and threatens to never allow him to see her again: the one thing he fears most.

He panics big time and fucks it up in the process by lying to her. During a frantic attempt to apologize while also abiding by Hopper's rules, he runs into her at the mall. He panics again-- if anyone finds her here, and knows that he was here too, it's all over, and Hopper surely won't hear reason. El dumps him cold on the spot, spurred on by Max and her rebellious attitude (and without any context of course). He isn't given much opportunity to respond. He knows he's in the wrong for lying to her, so what could he even say...?

He has to watch helplessly as she drives away.

It's a hard blow, and he retreats back into himself, unable to get any joy out of playing D&D (which he clearly hasn't lost interest in), back to the deadpan sarcasm and accidentally snapping a little too harshly at anyone whom he feels would take El's place.

3x6; no one seems to understand the danger El is putting herself in. Everyone is berating him for worrying about her safety. He's seen firsthand what these monsters do to people, he's seen firsthand how El pushes her abilities too far. No one is listening.

The words "I love her and I can't lose her again" burst out in his desperation, perhaps before he's even had a chance to realize how deep those feelings run, despite whatever protective walls he's tried to build around his heart to keep it from getting broken again.

Soon after, all hell breaks loose. El is nearly killed several times over, her leg is ripped open, she pushes herself so hard that she breaks herself and loses her powers completely. Her father is taken from her. She's shattered by all of this, and there's absolutely nothing he could do or say to make it better.

She tells him that when he admitted he loves her, she heard him, and indeed she loves him, too... But now she's leaving.

He has to watch helplessly as she drives away.

4x1; they've been apart for a few months, and write letters back and forth to each other. El's letters paint a picture of an ideal new life: she and the Byers family are doing well; she's starting school and it's going well; she's made new friends, she likes her new home, everything is going well. She seems to be thriving. She sounds happy, maybe even happier than she had been living in Hawkins. Maybe Max was right, maybe she's better off being her own person without him, and maybe the respectful thing to do is step back... It's a small insecurity that creeps up subconsciously. In his replies he holds back, afraid of clinging too hard.

Though there's little logic in it, he's afraid that if he tells her he loves her again, another disaster might strike and this lovely happy life she's finally found might get taken from her. After all, that's what always seems to happen when he does.

4x2; after months of waiting, they can finally see each other again. He wears her favorite colors, picks a handful of flowers for her, and falls happily back into step with how they used to be. Soon that same day, however, reality becomes clear and the facade crumbles. People he was told were her friends show up to torment and publicly humiliate her. She had been lying. She isn't happy here, she hasn't healed, she is right at the edge of a breaking point that he doesn't see coming at all. He can't believe she would lie to him, she's not the kind of person to lie... especially not about something like bullying, something that she was always so understanding about with him.

On that logicless subconscious level, he wonders if it's all his fault-- he should have known somehow, he should have been there for her. She protected him from his bullies, he should have protected her from hers. He tries to come to her rescue. She runs away from him.

He's helpless to save her, again.

4x3; after a night to process everything that happened-- and deciding that the betrayal he feels from her lying to him is nothing compared to the turmoil she must be going through right now-- Mike approaches her in the gentlest way possible, wanting to listen and trying to understand. El, however, isn't receptive at all to his attempts at reassurance. She is at an all-time low, she's given up. She believes she is unlovable, irredeemable, a monster, just a thing that doesn't even have those superhuman abilities to compensate anymore. Mike can't believe what he's hearing-- doesn't she know that she's always been so much more than her powers? She's always been so much more than what she lacks in quote-unquote "normalcy"... None of those things matter, they have absolutely no bearing on whether she's worthy of being loved, because he loves her, completely regardless of any of these things. He always has...

El starts flinging his restrained words back at him, the products of his insecurity and trauma-induced fear. That fear takes hold yet again, and he stumbles, afraid of saying too much or not enough, because surely both could result in pushing her away-- she's retreating, hearing none of it; nothing he tries to say consoles her.

Moments later, local police come knocking. She's taken away in cuffs, and she's so broken inside that she won't even look at him when he chases the police car down the street and promises he'll get her out somehow...

Once again, he has to watch helplessly as she drives away.

4x8/4x9; after days of driving through the heat and dryness of southwest desert, having narrowly escaped being shot at with military-grade assault rifles, witnessing the death of and burying a man whose last words were that El is in danger... After watching dozens of people get mowed down by a sniper in a helicopter, and watching that same helicopter be smashed into the ground in a ball of flames...

There she is. Just as powerful and beautiful and alive as she's ever been. When he runs to her and embraces her, she looks at him like she can't believe he's real. She's beaming a smile right from her soul and it's like all the insecurity and self-doubt that have plagued them both just vanish from existence now that they're in each other's arms again.

Like always, however, the universe comes crashing down soon after. Max is marked for a gruesome death and all of Hawkins is in danger. They're miles away and helpless, and the only possible way for El to save everyone is if she goes in alone. She's stronger than ever, but so is her foe. Once again, she descends to face all the demons of hell on her own, and Mike can't do anything.

She's losing. She's choking. She's dying. He's helpless.

He must be cursed. He must be. Being with her, loving her, allowing himself to admit he loves her, it always brings only pain and suffering and loss. His heart is so full that it's aching, it's bursting out of his chest, and he can't contain it any longer.

She's going to die and it's going to be all his fault, because he fell in love, and it's cursed her.

Just before it all crumbles into utter despair, the earnest support from his oldest and dearest friend-- one who's always shared and understood his feelings of helplessness-- sparks a light of hope in him: "You're the Heart." You're not helpless. You can save her.

The words that come spilling out of Mike's mouth are truer than any he's ever dared to speak before, and it's the most terrified he's ever been, but he has enough courage for this moment. Despite all of the fears that have been building, stifling, choking him to death for years-- fears that the light of his life will inevitably disappear again, and there's nothing he can do to stop it-- despite it all, he pours out his heart to her.

He loves her. He's always loved her. He loves everything she ever was, is, and could be. He can't imagine a world without her in it. She saved him, in every way a person can be saved. And he needs her to live. He believes in her.

And it works. It's music to her ears.

[rexscanonwife]

My toxic trait is thinking I'd be just fine in an encounter with a T-Rex cause they're so big it'd be easy to take cover or hide and squeeze yourself somewhere it couldn't get you 🤔 provided there's lots of places to hide! What about you?

EDIT: PLS RB OR REPLY AND TELL ME WHY U THINK SO 🫶💖🫶💖🫶💖

[cynopoe]

Dog kiss

Full image under the cut - GORE 🔞

[carnivalcarriondiscarded]

Got another song that could fit laughingstock! it's called "Somethin' stupid" by Frank Sinatra :)!

WAILING FUCK ITS SO

[clanwarrior-tumbly]

One thing I haven't seen anyone mention about Z-2512 (Analog Horror Christmas Tree) is that cookies and milk are also in its containment room

Maybe it's used to neutralize its effects?

[willyhoos]

Q: WHAT TOPS THE FOOD CHAIN? A: HUMANS

[envy-of-the-apple]

omg idk if anyone had this epiphany yet but gojo's eyes and geto's eyes (at least in the manga) correlate to their birthstone:

gojo (blue eyes) - tanzanite

geto (purple eyes) - amethyst

that's so fascinating

[wonderful-time-in-the-multiverse]

Hey

What's your favorite analog horror?

Mine are these!

⬇️