#i know different universe but do you unDERSTAND? do you SEE?
Explore tagged Tumblr posts
Text
in which i tell you about medieval timekeeping methods
ok we gotta start with BABYLONIAN TIME and SUNDIALS because this is the Foundation. this is what they used for thousands of years. pretty much every structure we have for understanding and conceptualizing time is based on The Movements Of The Universe - years, months, days, this is how we understand Time to pass. the sun and stars were used for keeping time since Always!!!! there were also multiple ways of keeping time with the Shadows of the sun, not just sundials, but also tablets to measure the length of shadows. And Such
BABYLONIAN TIME is twelve hours daylight, twelve hours nighttime. this makes very good sense considering Sundials, you just split the indicators into twelve parts. don't know why Twelve specifically other than that the babylonians liked it, but it is a very nice, divisible number, and its been kept as the base for all the hour keeping systems i've read about so far.
but yes this does mean that a babylonian hour does not have a set, static length like a modern hour does...! it changes with the seasons and the place, so a babylonian winter hour is different from, say, a winter hour in northern norway. it probably helps to be closer to the equator and reliable sunny weather.
until the invention of mechanical escapement clocks, babylonian time was The main, foundational understanding of timekeeping, BUT...!!!!!! the church put a spin on it. what the monasteries needed to keep time for was Prayer Times, which they had seven of and were based on the passion of the christ. so they signaled the Seven Canonical Hours, starting at sunrise, ending at sunset. church bells is also how people kept time, because you could hear them out in the fields. timekeeping was a bit of a wibbly wobbly art but accuracy wasn't That important.
the various methods used to keep time in addition to sundials included: the cock's crow, candles, hymns, incense, and water clocks. not hour glasses, as they were invented around the same time as mechanical clocks. isn't that wild!!!!!!!
WATER CLOCKS, also called clepsydra, are a diverse category of clocks ranging from a container with water dripping out of it at a steady pace, to complex hydraulic mechanisms with weights and stuff that i honestly have yet to grasp. the simple versions were used in classical greece + rome in the same way you'd use hourglasses, to keep track of speech time, watch time, et cetera. the islamic world + china were the ones to develop the complex water clocks. there's documentation of a water clock in gaza that had like, moving automata and stuff around year 500. there was a water driven astronomical clock in china around year 1000. water clocks made a comeback in europe around the 1100ds, and were getting more widespread use. like at least they work at night, unlike SOME dials
"mechanical clock" is a bit of a misnomer since water clocks were clearly also mechanical, and the exact time of invention of what we think of as mechanical clocks is Vague. the word "horologia" was used to refer to any kind of timekeeping device, including the noble rooster, so it's a bit of a semantic haze.
they had astrolabes, which Could be used to tell the time, but weren't used to do that in the daily life. scientists wanted to make an automated astrolabe for like, the Science, they just needed to invent the perpetuum mobile first and then combine them. obviously.
the missing piece for the MECHANICAL CLOCK was the escapement, the mechanism that regulates the time with which the gears turn. once they got this going, probably early 1300ds, they got the shows on the road. the shows being: the astronomical clock, and the public striking clock. these were considered different things, you see.
the astronomical clock is the Automated Astrolabe. it shows the movement of the sun and moon and stars and as a consequence, the Time. they had dials that people could read the time from, but they were generally considered objects of prestige and god's glory, kind of like cathedrals. they often had moving figures and such.
now, public clocks that mark the hours with sound, THAT'S a timekeeping device. they didn't even have clock faces at first, and it really is so interesting to think about how looking at a clock wasn't considered the main way to tell the time. these clocks seem to have originated in italian cities and spread from there, and this is where we get ITALIAN TIME.
to show babylonian time with a mechanical clock is impractical. the machinery is good at regular movement, to show babylonian hours you kind of need the astrolabe. so italian hours were static and unchanging in length. you had twenty four hours in a day, and the cut-off point was half an hour past sunset. that was the end of the twenty fourth hour, and a new calendar date begun.
of course, the time of the sunset keeps changing all the time As Well, so these clocks had to be adjusted for that Continuously. which was annoying but they still did it until the 17th century. this method was used in italy, bohemia, silesia and maybe poland? i'm unsure what they used outside these spaces at the time, if they stuck to the babylonian hours even with mechanical clocks and did complex maths about it.
at least the NUREMBERG CLOCK had its own take on it, even if it didn't spread beyond southern germany at all. they used babylonian hours, but instead of changing the length of an hour, they changed the amount. eight day hours and sixteen night hours in december, opposite in june. the tables needed for how many days with how many hours were very complex and annoying also.
the concept of starting a new calender day at midnight, and never needing to constantly adjust day hours or when the sunset begins, WAS known but only used for scientific and astronomical purposes. like that's such a weird way to split the day!!!!! twelve at MIDDAY?? WEIRD. some travellers noted that this was a very practical and elegant solution, though, but travel and far flung communication was still very slow, so mismatched timekeeping was more annoying than inconvenient. but anyway that's for the future to figure out
#clockblogging#HERE U GO. HERE IT IS#were it not for the language of this site i could've just copypasted this section of my thesis#maybe some is repetition from my other posts.#anyway source for all this is history of the hour by gerard van-dohrn rossum#long post
172 notes
·
View notes
Text
Darkness had never been a problem for Vi. She had grown up in it, embraced it as both a refuge and an ally in a world that gave her no quarter. But now, the darkness within her is different. It suffocates, ravenousâa beast that feeds on her deepest thoughts, on her obsession with you.
You are a glimmer in her shadowed world. At first, you seemed to bring a fragile light to her broken life. But that light didnât heal her; it didnât soothe. It was a spark that ignited everything she had left intact within herself. Vi knows this isnât love in its purest formâlove shouldnât hurt like this. It shouldnât burn through every fiber of her being. But what else can she call it when her entire existence revolves around you?
Sometimes, when sheâs alone, her mind drifts back to the past. She sees herself as the girl she used to beâa girl with hope, with unyielding morals, with a sense of justice that brought meaning to her chaos. Those images feel so distant now, as though they belong to someone else. But they werenât always this blurred. Vi remembers how she clung to that version of herself, struggling to reconcile her principles with the choices she made for you. Until one day, she stopped trying.
âLook at what Iâve become,â she thinks bitterly, staring at her hands, hardened by fights and scarred by the things sheâs done in your name. Her knuckles, always marked, tell stories of the lines sheâs crossed, of the faces sheâs struck simply for coming too close to you.
The first time she stepped over the line, it was almost accidentalâa punch thrown harder than it needed to be, a moment she couldnât take back. But the effect was instant: a surge of power mixed with a dizzying rush that left her trembling. After that, it became easier, darker. Each decision pulled her further away from the Vi who once vowed to protect Zaun, the Vi who believed in something greater than herself.
But itâs not the actions that haunt her the most. Itâs the constant thought, the unrelenting mantra she cannot silence: âI would let the world burn for you.â It plays in her mind like both a prayer and a curse. Because she would. Because she is. Every choice, every sacrifice, every boundary sheâs destroyed has been for you, and she knows sheâs losing herself in the process.
The darkness isnât just in her mindâit follows her like a living shadow. The nights are the worst. When silence fills the room, the endless hum of her thoughts becomes unbearable. Every shadow on the wall seems to mock her helplessness, her lack of control. She dreams of a world without you, where she might find freedom again, but those dreams are fleeting and bitter. Because even in her fantasies, your absence feels like an abyss she cannot escape.
She watches you from a distance, trying to understand how someone like you can hold so much power over her. Sometimes, your words confuse her. âYou donât have to do this,â you say, but the smile on your lips betrays the truth. You enjoy being the center of her universe, though youâd never admit it. And Vi, caught in the web of her own obsession, can no longer tell if what she feels for you is love or self-destruction masquerading as something else.
Vi fights it sometimes. In rare moments of clarity, she tries to reason with herself, to remember who she was before you. But even those memories are fading, because everything that came before now feels insignificant. She wonders if her obsession began as love or if it was always this destructive force wearing the mask of something pure. But it doesnât matter anymore. She doesnât know how to let you go, how to tear you from her chest without bleeding out completely.
Every time she looks at you, she feels that toxic mix of devotion and despair. You are her salvation and her damnation, the anchor keeping her afloat and the chain dragging her down. And Vi, so proud, so stubborn, doesnât know how to ask for help, how to admit that sheâs losing this battle within herself. That her love for you isnât saving herâitâs destroying her.
In her mind, the scenes replay: the faces of those who fell beneath her fists, the chances she missed to do what was right, the Vi she might have been if sheâd never met you. But those images fade quickly, consumed by the fire burning in her chest. âIt doesnât matter,â she tells herself, âas long as youâre with me.â
When she closes her eyes, she sees it all burning: Zaun, Piltover, the entire world consumed in flames. And at the heart of that inferno, there you areâuntouched, existing solely for her. The smell of smoke, the searing heat, the ash choking her lungs⊠all of it vanishes when her gaze lands on you. She knows thereâs no turning back. Her love for you is her undoing, and though it hurts, though it scorches her to the core, she wouldnât change it.
Sometimes, she imagines a different endingâone where she lets you go, where she finds redemption, where she becomes more than the chaos sheâs created for you. But those fantasies are fleeting. Because at the end of the day, the truth is she doesnât want to let you go. She canât.
This love has turned her into someone she barely recognizes. But if thatâs the price of having you, she will pay it without hesitation.
165 notes
·
View notes
Text
This article is going to make me disintegrate into a pile of cockroaches
Kind of refreshing
I donât know whether to laugh or scream
1. What universe does this writer live in where itâs the UNCOMMON outcome for the male platonic soulmate protagonists to REMAIN platonic friends, to the point of it being a breath of fresh air to see two close male characters NOT declare their romantic love for each other or kiss or fuck by the end of the show
2. How do I get there
3. I understand some folks would like to see different kinds of fan content, but that doesnât mean mlm shippers need to make less mlm content, and alsoâI cannot believe I have to say thisâthe fanbase â the canon show. A fanbase âdominated byâ (as if weâre some brutish occupying force thrust upon a ravaged underclass rather thanâŠyou knowâŠsome marginalized folks having fun with fictional characters?) mlm shippers does not mean the show itself is dominated by canon mlm couples.
4. Did you know you can skew toxic masculinity, model kindness and emotional honesty between men, AND canonize a gay relationship AT THE SAME TIME? :)
5. Oh, they canât be GAY because then thatâd reinforce the belief that kindness and emotional honesty makes you gay?
6. Question! :)) If the problemâŠis that boys are so terrified of being perceived as gay that theyâd rather impale themselves upon the javelin of toxic masculinityâŠWHY is the solution always âshow boys that love and vulnerability donât make you one of those gross fags youâre so scared ofâ instead of. I donât know. âBEING GAY ISNâT BAD. BEING GAY IS NORMAL. YOU DONâT HAVE TO BE AFRAID OF BEING GAY.â If boys donât think being gay makes you a horrific little freak of natureâŠmaybe theyâll be less scared to perform actions which might cause someoneâa gay friend; a homophobic classmate; a random bystanderâto perceive them as gay. Because SOMEONE will always make Assumptions. People are nosy. Some people are even staunchly, happily bigoted, regardless of how many male platonic soulmates they see Not Kiss on TV. Crazy, I know! đ€Ș
7. This writer doesnât mean any harm, but their article feels like another pebble in a landslide of faux-progressivism (AKA homophobia in a rainbow hat). The implication that a brotherly relationship would better SeRVe sOciEty, or be the more TRANSGRESSIVE (??????) choice (against the overwhelming tidal wave of canon gay protagonists in fantasy shows, presumably)âŠmakes me feelâŠSO supported as a queer person :)))! Thanks for shielding me from that hail-of-bullets canon gay romantic love, Arcane. Keep fighting the good fight!! đ«Ą
168 notes
·
View notes
Text
These Violent Delights
Chapter 17 - Maybe Tomorrow Is a Better Day
Summary: Poly 141 x fem!reader, a/b/o alternate universe 8.6k words. If you had to spend sometime recovering anywhere the Scottish highlands are not a bad place.
CW: MDNI +18 explicit content. a/b/o alternative universe, a/b/o dynamics, typical a/b/o universe tropes (nesting), hurt/comfort, nightmares, PTSD, mental health, sex, anal sex, oral (m receiving), handjob, fingering.Â
AN: With Christmas coming up updates might be a bit slower.. sorry :/
Previous - masterlist - next AO3
Enjoy <3
1 week laterÂ
You like Scotland. Johnnyâs house is nice: thereâs a pond out front, and itâs about a kilometre or so from a loch. Itâs cold, but you donât mind. You like spending time outside. You like that there are no walls around youâwell other than the back garden, but Johnny says itâs to keep the wildlife off his plants.  Thereâs nothing planted now though, since itâs not the right time of year. Too cold.Â
No base walls though, no guards or strangers. You could leave anytime you want. The house is isolated and surrounded by open fields and sparse forests. Itâs different from Washington; the trees are different, the smells, the noises, even the grass. You wake early most days when the morning fog is heavy in the air and dew coats the grass.Â
You like having alone time. You wake just as the sun is coming up. You make yourself tea and sit out in the back garden watching the sun rise until someone else gets up. Usually itâs John first. He always wakes up early. He smiles at you from the kitchen and then goes for a run.Â
Then Simon and Johnny are usually next. They come out to sit with you but not for too long. As soon as John is back Simon goes for a run. You feel bad. You remember Kyle telling you that John insisted on there always being an alpha in the house.
You donât understand why. There is no chemical anymore, no more people who will ever be exposed. With Dr. Piper gone, thereâs never going to be a cure either. That makes you feel bad. You know how badly they wanted a cure.Â
This morning feels particularly cold. Thereâs frost on the ground and you can see your breath in the air. You donât really care, letting the tea warm your body. This time itâs Johnny whoâs up first. He spies you from the kitchen, smiling, then comes out with a mug in his hands.
âItâs going to start getting really cold soon. You might have to take your tea inside so you donât get sick.â He smiles, sitting down across the table from you. You donât care how cold it gets, you like the freedom of being outside.
âI like the cold,â you say while taking a sip of your tea.
âYou haven't made a nest yet,â Johnny says as a matter of fact. You donât know what to say. You havenât felt ready yet. Youâre worried if you make a nest it might get destroyed. You had left behind the last nest you made.Â
âI guess I havenât really thought about it,â you say. Thatâs a lie, though: you have. Thereâs a space in the living room by the fireplace under a window. You want to be near the massive floor to ceiling bookcase. Thereâs an ottoman there now but you would move it. Maybe you do need to build a nest. Maybe it will help.Â
âWell, me and Simon were thinking about going to town later. If you want to come we could look for some things?âÂ
âSure,â you say. Johnny raises his eyebrows. You havenât left the confines of the house or the back yard. Maybe he expected you to say no and he was going to have to convince you. You wanted to say no. You already feel like youâre regretting it. You like the solitude of Johnnyâs house; it's secluded, quiet and away from anything or anyone.
You try to remember how far away the nearest town is, but you really have no idea. You look into the kitchen and see John moving around. He looks up and smiles, like he always does. You look back down, gripping your cup tighter.Â
âHave you spoken to John yet?â Johnny asks. Your eyes flick up to him and you bring the mug to your lips. You donât want to talk to him. Youâre not ready yet. The hairs stand up on the back of your neck. You miss him. Just thinking about him makes a knot form in your stomach.Â
Itâs your job to keep the threads tight, itâs your job to keep the bonds strong. You miss John, but youâre just not ready.Â
âI will, itâs just hard.â You take another big gulp of tea, letting it warm your throat. He looks at you pressing his lips together like he wants to say something but he doesnât.Â
âHe misses you,â he says after a few seconds. It makes you feel guilty. Youâre being a bad omega. You should just push your feelings to the side and be there for him. Itâs not like you had a choice with Professor Hale.Â
You stand up, ignoring Johnnyâs attempts at apologies as you head back into the kitchen. John is still standing there, leaning against the sink. You place your mug on the kitchen island. You look up at him. His eyes never leave you as he brings his mug to his mouth.Â
You open your mouth stepping forward like you want to say something. You donât know what to say. Youâre not ready to forgive him yet. Images of Dr. Piper's blooded face flood into your head.Â
He did that. He could have stopped her.Â
He could have stopped her.Â
You storm out of the room down the hall up the stairs. You donât know why it makes you so angry. You just want to run.Â
âYou alright?â Simon asks as you almost bump into him in the hallway.Â
âIâm fine,â you snap. Your head is pounding as you look around, and youâre confused for a second looking for your room. Simon steps closer to you, his hand landing on your shoulder.Â
âHey, itâs okay,â he says, squeezing your shoulder. You snap back to reality looking at him. Heâs frowning at you. You nod and turn to your room. You close the door behind you rushing over to the window to breathe in the cold morning air.Â
Thereâs a knock at the door snapping you out of your daze.
âIâm fine,â you call back. There's a shakiness to your voice. Youâre not ready yet.
The door opens anyway. You know itâs Simon, he only opens it a crack.
âYou wanna leave the door open a bit. These doors are old, could get stuck and then weâll have to break you out,â Simon says. You smile. You know that's not the real reason. None of them will admit the real reason though.Â
âThank you,â you say, then hear him moving away. His scent wafts into the room, filling your nose with gunpowder and the ground after rain. He did that on purpose, for you. He does such a good job at protecting his scent.Â
You step away from the window sitting down on your bed. You look at Piperâs scarf tied to the bed head. It barely smells of her anymore. You run your fingers over it and it makes you upset. You look away.Â
Now you wish you had a nest.
You donât even realise how long it has been or how late it is until Johnny knocks at your room door. You finish the last page of the book you're reading and get up, your limbs stiff from being curled up in the rocking chair.Â
âHey, ready to leave?â he asks as you open the door. You nod, picking your jacket up from the back of the door.
âHow did you like the book?â he asks, as you walk down the stairs.Â
âIt was okay.â You look down at it, some kind of romance book you picked for the pretty house on the cover. It just made you miss John. Maybe you need to stay away from those kinds of books for a while. You hang your jacket over the bannister and go into the living room to put the book away.Â
When you walk in you see John and Kyle on the sofa, Johnâs arm is thrown round the back with Kyle angled slightly towards him. They both smile at you as you walk past the TV in silence to put the book back on the shelf.Â
âGoing down town?â Kyle asks. You nod trying your best to keep your eyes away from John. Kyle stands up reaching into his pocket and handing you something. You walk over to accept it. Itâs a piece of folded up paper.Â
âShopping list.â He smiles. You nod back at him and head for the door to leave.Â
âHave fun,â John says. You freeze, turning back to look at him. Heâs smiling. You press your lips together and nod back at him before walking through the door.Â
The room is empty again. John waits till he hears the front door close before getting up. Kyle follows him as John looks out the window watching everyone get into the car. Kyle opens the front door watching as the lights come on and they start to drive away.
John comes behind Kyle as they watch the car leave. He slips his hands around his waist pulling him up against him.Â
âI could have gone instead of Simon,â Kyle says. John just hums, pressing his face into Kyle's neck, breathing him in.Â
âI wanted to spend some time with you,â John says as Kyle turns in his arms. He keeps his hands on Kyleâs waist pressing his fingers into his soft skin.Â
âYouâve done such a good job taking care of the omega, you deserve someone taking care of you,â John says leaning in and planting his lips on Kyleâs. It doesnât take long for him to sink into the kiss letting his hands run up Johnâs shirt.Â
John pulls him inside without breaking away from the kiss, closing the door behind them. Kyle is already getting needy, rubbing his thumbs over Johnâs nipples, who moans into his mouth. Kyle drags his tongue across Johns as his heels hit the bottom step.Â
âCâmon,â John says, breaking away so he can lead Kyle up the stairs. They make their way into the master bedroom. John hoped he would be sharing this bed with you. Instead it feels empty at night.Â
Kyle presses past him making his way over to sit on the edge of the bed. John smiles walking over, his hand comes up to brush Kyleâs cheek.Â
âItâs been too long. Iâm sorry Iâve been so busy,â John says, running his hands over Kyle's head. Kyle's arms come up to Johnâs waist, he presses his fingers into his skin.Â
âItâs okay, I know things havenât been easy,â Kyle says, running his hands back up Priceâs shirt.
âI should have made time,â he says, grabbing the back of his shirt and pulling it over his head.Â
âYouâre making time now, that's what matters.â Kyle kisses his stomach, dipping his thumbs past John's waistband. He moves his hand to the front of Johnâs pants as he cups Kyle's face.
Kyle unbuckles Johnâs pants, undoing the button and letting them fall down. Kyle hums running his hand over Johnâs hardened cock, mapping it out over the fabric.Â
âIâm supposed to be taking care of you,â he says, pulling Kyleâs face up to look at him.Â
âYeah, youâll get a turn,â Kyle smiles. Without moving his eyes he pulls Johnâs boxers down letting his cock spring free. John lets out a sigh looking down at Kyle who moves his hands to grip around his member. He rolls his thumb over the head, making John twitch in his hands.
Kyle doesnât wait for long, his eyes going shiny and his mouth filling with saliva. He wets his lips, taking John in his mouth. Kyle hums as he takes him all the way to the hilt. It makes Johnâs head tip back letting out his own moan as he throbs in Kyleâs mouth.
âIâve missed your lips, your mouth. Christ, we should have done this sooner,â John breathes, his cock hardening, forcing Kyle to slow down. Kyle just hums. John looks down at him. His arms have wrapped around his waist. His nails dragging up and down his back make goosebumps rise on his body.
John lets himself relax, spreading his legs slightly while Kyleâs tongue presses hard, running up and down the underside of his cock. John moans, his hand moving to the top of Kyleâs head. He canât help gently pushing on his head making sure he takes him all the way. His hand moves down his head to his neck, his fingers pressing into the sensitive skin. Kyle moans causing John to groan as the smell of vanilla fills the room.
Kyle pulls off him, saliva dripping down his chin. John sighs smiling as his hand comes around to cup his chin letting his thumb smear the saliva across Kyle's lips.Â
âOn the bed,â he orders, his voice rumbling. Kyle nods, pulling his shirt over his head before turning and crawling up on the bed. John runs his hands over Kyle's body as he turns lying flat on his back.
John bends down, unclipping Kyle's belt and buttons, grabbing his waistband, pulling the rest of his clothes off and throwing them over the chaise longue in the room. Kyleâs cock springs up. Heâs wet, swollen, tip shiny with precum.Â
âFuckinâ gorgeous ainât you,â John says, running his hand up Kyle's body leaning over him. He takes his time pinching his nipples, letting his hands map out each muscle and scar. The further down he gets the more kisses he leaves on Kyleâs skin, sucking on his sensitive spots leaving his mark.Â
John reaches Kyleâs cock rubbing his thumb over the tip spreading the precum down his shaft.Â
âSo perfect, so pretty,â John says, pumping Kyle's cock causing him to tip his head back moaning out Johnâs name. âThatâs it, keep making those pretty little noises and I'll make you feel good. Youâve worked so hard, you deserve to feel good.âÂ
âAnything for you, sir,â Kyle breathes, already sounding blissed out as John moves to kneel between his legs. He presses his thumb under the head of his cock, pulling his foreskin back and pressing his lips against his swollen tip.
John takes Kyle all the way making sure to wet the whole length, his chin resting on Kyleâs balls. It feels good having Kyle in his mouth. Itâs a familiar feeling, something John can relax into, letting his guard down completely.Â
The smell of vanilla fills the air, Kyleâs moans getting louder. Each one makes Johnâs cock twitch. Heâs getting impatient. He needs to be inside Kyle, feel him tightening sround his dick, fucking him deep and long. Thatâs what he needs right now, a good hard fuck to clear his head.
He pulls his mouth off of Kyle looking over at his head still thrown back on the bed, his hands bunching the bedding.Â
âTurn over,â John says, gripping Kyleâs waist to flip him. Kyle shuffles up the bed reaching over to the bedside table drawer. John was already gathering up saliva in his mouth as Kyle hands him a bottle of lube. Â
âReady for everything, huh?â John asks, throwing it down on the bed next to him, he wants to work him open some first, pressing his fingers in his mouth wetting them. Kyle hums, pressing his ass in the air, almost like you do when youâre presenting for him. It makes the hairs stand on the back of his neck. He pushes the thought of you away. Heâs spending time with Kyle now.
âOpen up for me,â John says, pressing his fingers against Kyle's hole. John works his fingers in, a moan rising from Kyle as he grips the bedding. John curls his fingers hitting the soft spot that makes Kyle press his face deeper into the bed.Â
The beautiful moans make Johnâs cock throb as he works Kyle open letting his palm slam against Kyleâs skin.Â
âYou can take one more,â John says, pressing his lips on Kyleâs back teasing him with a third finger.
âSirââÂ
âCome on Kyle, you can take it,â John says, his voice grumbling from the back of his throat. Itâs almost an order. An order Kyle follows, relaxing so John can press another finger into him. Kyle moans, almost screaming into the bedding as John speeds up.Â
John reaches over and picks up the bottle of lube popping open the cap with one hand. He canât wait any longer; he needs to feel Kyle clenching around his cock milking him until thereâs nothing left. John takes his hand out using it to squirt lube over his cock smearing it around before lining himself up.Â
âSuch a good boy,â John breathes as he eases into him, letting out a satisfied moan to match Kyle. â Oh fuckââ John breathes shifting on his knees so heâs in a better position. Kyleâs hands are still gripping the sheets, his head turned to the side, eyes squeezed shut.Â
The smell of vanilla is thick in the air. Theyâll have to open a window when theyâre done. For now John doesnât care, he slowly starts to buck his hips letting Kyle get used to him for a few thrusts. Then he reaches around his waist finding his cock and running his hand down the length.Â
With the way Kyle is reacting to his body Johnâs not quite sure how long heâs going to last. He lets himself relax though only focusing on Kyle and his sweet moans, his incoherent babbling as John pumps his length.Â
He wants to see Kyle, wants to look into his eyes when he cums.Â
âTurn over for me,â John says, pulling out as he hears Kyle groan in protest. He turns over laying on his back spreading his legs. John steps off the bed hooking his arms under Kyleâs knees and pulling him to the edge.
John presses back up against Kyle's hole letting his tip tease him while he gets comfortable.Â
âLook so pretty down there for me,â John says, his scent thick in the air. So is Kyle's, and it's making John's head spin. Kyle barely responds, humming something incoherent as he looks up at John. His eyes are glossy, his lips wet and puffy. John leans over and kisses him sucking on his bottom lip before standing back up again.Â
He presses into Kyle watching as he arches his back. Johnâs hand presses on his abdomen pushing him down before wrapping his hand around Kyleâs cock. This time he quickly speeds up trying to match his thrusts with pumping Kyleâs dick. Johnâs hand is smeared in precum, adding the wet sounds mixed with their moaning.
Kyle's hand lazily comes on his chest brushing his nipples making him clench around John. It feels like fireworks. John groans, tipping his head back trying to focus on not cumming so quickly. He wants to stretch this out for as long as he can.Â
Kyle is pulling on his nipples, squeezing them before running his thumb over them.Â
âClose,â Kyle stutters, back arching. John squeezes the base of his cock, running his thumb over his balls.Â
âAlready?â John teases, slowing down his thrusts. He watches as more precum drips down his hand. âCâmon you can take it, a little longer.â Johnâs voice is low, the air filling with the smell of leather as he slowly builds up speed.Â
Kyle looks up at him, and John can see the glint in his eyes. He leans over and his free hand comes up to rub Kyleâs cheek. Kyle turns his head kissing it, trying to suck on his fingers in a desperate attempt to get John to let him cum.
âWait,â he says suddenly as he sits up in the bed wrapping his arms around John.Â
âIâm supposed to be taking care of you,â John smiles as Kyle pulls off of him and scoots further into the bed patting for John to join him. John lays down letting his head sink into the pillows, his hand gently stroking himself as he watches Kyle who swings his legs over John straddling his waist.Â
âEasy there, soldier,â John coos, running his hands over Kyle's thighs, squeezing them. Kyle reaches around grabbing Johnâs cock angling himself then guiding John into him. Johnâs head tips back into the pillows as they both shuffle their bodies getting comfortable.Â
âSuch a big strong alpha taking care of the pack,â Kyle says with a cheeky grin on his face, running his fingers up Johnâs chest as he bounces up and down on his cock. John looks up at him. Thereâs a twinkle in his eye. Shivers run up and down his body. His cock twitches, and Kyle clenches around him.
âChrist,â John breathes closing his eyes as the hairs stand up on the back of his neck. The scent of leather fills the air as John and Kyle chase the peak. Johnâs fingers dig into Kyleâs thighs gripping him tightly. Kyle pumps his cock with each bounce, and suddenly his movements become uneven, more desperate.
âFuck sirââ Kyle calls Johnâs name as he cums, thick ropes shooting across Johnâs chest. John cums a few seconds later forcing Kyle down onto him as he fills him up, each throb causing him to grunt as he tries to normalise his breathing.
Kyle's eyes open and he looks down at John smiling.Â
âLike being called a strong alpha?â Kyle asks, raising an eyebrow. John chuckles, shaking his head. Kyle leans down to kiss him, then he sits back up bracing his hands on Johnâs chest like heâs about to get off him.Â
âNo, youâre not done yet,â John says, running his hands up Kyleâs thighs.Â
âWant to go again old man?â Kyle teases, getting up anyway to move next to John. Kyle hums, tracing his fingers across Johnâs abdomen, feeling John shiver under his touch until his hand makes its way to Johnâs cock.Â
âYeah, I could go again.âÂ
Kyle smiles.Â
Youâre driven to a small town about an hour from the house. The whole place looks picturesque: cobblestone roads and massive stone brick buildings. Itâs almost like something out of a fairy tale. The whole town is surrounded by long fields and evergreen woods.Â
As you drive down the main road you can see shops on both sides. Thereâs a carpark at the end of the road and a massive building with colourful windows and a huge bell on the top. Simon parks and you all get out. Your eyes are drawn to everything. Thereâs a cafe right next to the carpark with massive curved wooden windows that look hundreds of years old.
You end up grabbing Johnny's arm as he leads you round to the main street where the shops are. Thereâs a post office and various other shops, anything from clothes stores to what look like furniture stores. At the end of the street there is another fountain and a modern looking building with two entrances: one says NHS the other Tesco. The seemingly never ending gloom that hangs over the Scottish sky seems warm and cosy now with the shop lights spilling out onto the road. There are no cars, just people, dogs. You can hear music coming out from the cafe, gentle tunes that add to the atmosphere. Itâs beautiful.Â
âWhere do you want to go first?â Johnny asks as you stop on the corner of the main street. You look up at him still trying to take it all in. He smiles at you, tipping his head. You squeeze his arm looking back down the road. There are a few people around: a group waiting at the bus stop, a woman with a stroller and a group of older ladies at the cafe.
âI donât know,â you say. Everywhere, you want to go everywhere.
âThereâs a book shop or we could go to the charity shop to see if we can find anything for your nest.â You look back down the street.Â
âThe book store,â you say. Johnnyâs arm comes around your waist as he guides you down the road.Â
âIâll go to Tesco,â Simon says as Johnny stops outside what you assume is the book store. Youâre looking in the windows while they chat, not paying attention, your eyes drawn over the books displayed on stands.Â
âCâmon lass, thereâs more inside,â Johnny says, his hand gently pushing you in. Youâre not sure what to even look for. You take a deep breath in. The place smells of books. The smell of ink and paper fills your nose. Itâs a comforting smell. That's what you loved about the books in the bunker. It was one of the only places that didnât smell sterile or full of chemicals.Â
The place is dimly lit with orange lighting and dark wood bookshelves. It makes the whole place feel cosy. You walk over to one of the shelves running your fingers over the spines reading the names. Thereâs a sign at the top that reads âmysteryâ. You look for colours and names that stick out to you. You would buy the whole store if you could.
âWhat kind of things do you like?â Johnny asks.Â
âI like fantasy, with worlds I can lose myself in. I like nature and exploration,â you say, pulling out a book and thumbing through its perfect, untouched pages. You donât even realise Johnny has left your side until he comes back with a pile of books in his hands.Â
âGot you some classics.â He shows you enthusiastically. You put the book in your hands back and take a look. The Lion and the Witch in the Wardrobe and Lord of The Rings.Â
âThereâs a lion in the wardrobe?â you ask, frowning at the book cover with some kids hugging a lion on it.Â
âThereâs a whole world in the wardrobe,â he winks. You smile nodding at him. You look back over to the shelf picking out a few more that seem interesting before going to pay. Johnny makes small talk with the man behind the counter.Â
They talk so fast you almost canât keep up with what theyâre saying, their accents so thick it almost sounds like theyâre speaking another language. You listen on in awe offering to carry the bag as you leave. Johnny wonât have it though, acting like the bag is suddenly the heaviest thing on the planet.Â
You let him carry it and cross the road over to the charity shop. He walks you through to the back where there is furniture, pillows and blankets. You spot a fluffy looking blanket with animals printed on it. You pick it up along with a white fluffy pillow.
âI have some blankets at home, ones my mum and gran made. I could find them when we get back if you want?â he asks. You turn to look at him. You still have the blankets from the journey over.Â
âYou donât have to, theyâre your blankets,â you say squeezing the pillow.Â
âItâs fine, theyâre begging to be used for something.â He smiles, and you nod at him smiling back.Â
This time when you pay it's a woman, an older woman but youâre convinced Johnny will flirt with anyone. When you step back outside itâs darker and there are lights strung up in the street. The place looks even more picturesque than when you were driving out here. You can see that the tops of the lamp posts are covered in massive green leaves with red berries.
âItâs really pretty,â you say, smiling, looking up at the lights.Â
âYeah, almost Christmas,â John says as he walks you back towards the car.Â
âIâve heard about that. The professor would always bring me a gift.âÂ
âA good gift?â Johnny asks. You nod.
âIt was usually a book, it was the only time he would ever be nice to me or give me gifts.âÂ
âNot even on your birthday?â Johnny asks, sounding shocked.Â
âNo, that was always an important busy day.â You sigh, swallowing the lump forming in your throat.Â
âWhy?â Johnny asks as you cross the road over to the carpark. You suddenly feel a chill. You donât really want to talk about it.Â
âOh you know, lots of tests, lots of surgeries. Itâs always the same, a long painful day.â You let out a sigh bringing your arms around your chest as you walk over to the car. Simon is already there putting bags into the boot.Â
âDo you ever want to talk about it?â Johnny asks, stopping suddenly. You stop and turn to look at him.Â
âWhat do you mean?â you ask frowning. He tips his head coming over to grab your hand.
âYou know, about what you went through in the bunker,â he says. You shake your head. Dr. Piper tried to get you to talk about it sometimes but you never really wanted to. She said now you were out of the bunker it would be good for you but you had no idea where to start.Â
What would you even say? Would they even care?
âI don't know if I want to,â you say. He smiles at you squeezing your hand.Â
âThat's okay, but if you ever want to talk you know where we are,â he says walking back towards the car. You squeeze his hand back. This has been a good trip.Â
âGot everything?â Simon asks as Johnny places the bags in the back next to the food Simon has. You canât help sneaking a look. You love watching Kyle cook. Sometimes he lets you help, but you think he just likes the company more. You nod, smiling at Simon as he closes the door.Â
âJohn!?â You hear someone shout. It makes the hair stand up on the back of your neck and you turn around with Johnny and Simon.Â
âJohn MacTavish is that you?â the man asks as he walks towards you. Johnny steps forward. Heâs big, old, with scruffy clothes and a bright green beanie and scarf. Â
âHenry, what are you doing out this time of day?â Johnny says, opening his arms for the man. The smell of alcohol hits your nose, you can tell the man is unsteady on his feet.Â
âWho are your friends?â he slurs, trying to force himself past Johnny who moves his body blocking him. Youâre suddenly nervous and you reach out gripping Simonâs jacket. He turns to look down at you as Johnny tries his best to move the stranger away.Â
âCâmon,â Simon encourages you, guiding you into the car. Heâs projecting his scent; it makes your head spin as he opens the back door and you climb in. As soon as youâre sat down you turn to look out the back at Johnny who has his hand on the guy's shoulder smiling at him.Â
âWhat books did you get?â Simon asks, pulling your attention to him and you turn watching him turn the engine on. Your mind goes blank. He turns to look at you.
âBooks, yeah. The lion in the wardrobe,â you say but the name doesnât sound right.
â The Lion, the Witch, and the Wardrobe ?â Simon asks. You nod. Johnny comes around the front of the car getting into the passenger seat. It makes you jump and you grip your seat-belt pulling it on.Â
âWhoâs your friend?â Simon asks Johnny.Â
âHenry, local. You know the sort, kicked him out the pub for the landlady a few times.â Johnny shrugs. Simon hums as he drives the car out the car park. Johnny turns to look at you.
âHad a good trip?â He asks, smiling.Â
âYeah. I think I'm ready to make a nest,â you say smiling at him.
Johnâs laid up in the bed, the window open behind him. The cold breeze makes him shiver. The smell of vanilla and leather is almost completely gone now. All that fills the room now is the smell of the forest and the scent of Kyleâs beta.
Kyle pulls the duvet further over them, running his fingers across Johnâs chest under the bedding as theyâre curled up next to each other.Â
âShe wants to forgive you,â Kyle says after a while. John turns to look at him. âSheâs struggling without you. She thinks she can hide it but she can't.âÂ
âWhat do you mean?â John asks. Kyle sighs, moving his hand down to Johnâs stomach.
âShe calls out for you in her sleep. I heard her talking to Johnny, she misses you. You claimed her, sheâs your omega, that will never go away,â Kyle says, John sighs.
âIâm giving her space.âÂ
âSheâs grieving but maybe some forced proximity would do you both some good.âÂ
âI donât want to push her.âÂ
âItâs been almost a month. She needs you, and I know you need her.â John smiles at his words.Â
âDonât think youâre so subtle either, Cap. I see the way you act when sheâs around or not around,â Kyle teases.
âOh yeah,â John scoffs.
âYeah, how you always sit so sheâs in your peripheral. How your body language changes when sheâs upset or happy. I bet you donât even realise it,â Kyle explains chuckling.
âMaybe Iâm getting soppy.âÂ
âYouâve always been soppy, sir,â Kyle says, propping himself up on his arm, running his hand down his abdomen. John smiles at him hearing the car pull back up outside the house. Kyle tenses propping himself up in bed. John puts his hand on Kyle's chest pushing him down.Â
âEasy, take a nap. Iâll wake you up later,â John says, kissing his forehead.Â
âShe needs us,â Kyle says, sighing.
âShe has Johnny and Simon. She'll be fine for a few hours. You need the rest,â John says, moving out of the bed to dress himself. He goes over to the window at the far end of the room. He can see Simon opening to boot to the car as you get out.Â
Youâre smiling as Johnny tells you something, his arm already finding its way round your waist. It warms Johnâs heart seeing you smile. Itâs the first time heâs seen you smile in weeks.  Â
You walk in just as John is making his way down the stairs, your nostrils flare as the smell of leather fills your nose. Your eyes lock onto him, and a warmth builds deep in you. Youâre just staring at him. He smiles at you.
âPrice, a word?â Simon says as you blink swallowing the unbelievable amount of saliva that formed in your mouth. John nods, walking past you and following Simon into the kitchen. You can feel your cheeks burning as you take a step to the stairs.Â
âHere, your books and blankets. Iâll put the ones we have in the living room,â Johnny says. You nod heading up the stairs. John's door is locked; you canât help walking up to it and taking a deep breath in. You can smell the lingering scent of vanilla and leather. You close your eyes breathing it.Â
It makes your head feel fuzzy, the burn in your core is almost an ache. You miss him. You want to be mad at him a little longer. Or maybe you donât, maybe itâs time to move on. You turn walking into your room. You put the bags down going over to Piperâs scarf you have tied to the bed head.Â
You run your fingers over it. You can barely smell her scent on it anymore. Maybe it really is time to move on. The burn in your core is replaced by a heavy feeling in your chest.Â
Youâre not quite ready yet.
Later after dinner when everyone has gone to their rooms you decide you want to build your nest. You sneak out of your room as soon as you hear the last door close. The only person who keeps their room door open is John. Maybe itâs a soldier thing, or maybe itâs an open invitation for you, whenever youâre ready.Â
Either way there is no light coming out of the room. You try really hard to listen around. You canât remember which floorboards creak and this house is old. Youâre gripping blankets and pillows in your hands. You squeeze them against your chest as you slowly tip-toe down to the ground floor. All the lights are off and the building is dark.
When you make your way into the living room you see the pile of older looking blankets, on the ottoman exactly where you want to build your nest. You empty your arms onto the floor. You have to move the thing first. Luckily itâs on wheels and itâs not heavy. You pull it out of its place looking at the bare corner of the room.
You pick up the blankets off the ottoman. Theyâre thick and beautifully embroidered with flowers and animals. They had a musty smell to them but they smell homely. You put them down then sink to your knees reaching behind you to bring the rest of the blankets and pillows you bought around.Â
You start to arrange things, the thick blankets first. The wooden floor is cold; you'll need a good bottom layer. You put the pillows down in the corner. It doesnât feel right. It needs more. Youâre already rearranging, spreading out the blankets more, fluffing the pillows even taking the extra ones from the sofa.
You feel like youâve been working on it for ages, but each time you arrange it it still doesnât feel right. It feels like an empty nest. Suddenly youâre distracted by a door opening. The door to the kitchen is open and you can see the rest of the lights come on.
You hold your breath craning your head to see into the kitchen. It's John he reaches up taking a glass out and you hear the sink. You look back at your nest, picking up another blanket and running your hand over it. You like the purple flowers on it. You hold it in your hand as you go over to the window above your nest.
You pull the curtain back and open the window. Itâs cold, almost too cold. You can smell nature though letting the breeze make you shiver. You look out into the dark, closing your eyes and breathing it in. You can smell the woods, the damp ground, you can hear the lapping of the pond and the sound of creatures in the woods.Â
âYou okay?â The sudden noise makes you jump. You turn, seeing John standing in the doorway with a glass of water in his hand. Youâre just staring at him squeezing the blanket in your hands like youâre clinging on to it for dear life.Â
âI didnât mean to scare you,â he says, holding his hand up. He looks down at the pile of blankets and pillows. He stands outside the door. He knows better than to come in while youâre making your nest. You canât keep avoiding him. It's been weeks, longer, since youâve really been around him.Â
âYou didnât scare me,â you say, kneeling back down. His eyes follow you as you put the blanket down and pick up another pillow.
âIt means you feel safe right?â he asks like he doesnât know. You nod, pressing the pillows before turning to look up at him.Â
âI thought if the weather was nice tomorrow we could all go see the loch?â he asks. You do want to see the loch. You havenât really been in the mood to do much.Â
âYeah, that sounds like a good idea,â you say, running your hand over the fluffy blue blanket. Itâs almost perfect.Â
âYou know if there is anything you need you just have to ask,â John says. You smile. You donât know why youâre sick of people telling you that.
âI know, thank you,â you say looking up at him. Thereâs a burn there, a throb in your heart. You miss him. You miss him just holding you. You want him to hold you and tell you everything is going to be okay.Â
Itâs going to be okay. You have to believe that.Â
John stands there in the doorway watching you as you mess with your nest. Itâs not going to be perfect, not until you have something from each of your pack, just like the nest you left in the US. It makes you feel sick knowing that nest will have been destroyed.
John lets out a sigh and you look over at him. He smiles at you, keeping his distance.Â
âItâs late, you should sleep soon,â he says. You nod looking out the window at the night sky. The sky is so clear and dark you can see constellations spread above you. You feel like you could fall asleep forever under those skies.Â
âI will,â you say nodding at him. You watch him leave. He turns walking back through the kitchen. Your nest is as good as itâs going to get for now. You pick up one of the handmaid blankets pulling it over your shoulders before climbing into the nest.Â
You feel safe here and as soon as you can make it smell of your pack it will be perfect.Â
You close your eyes. Youâll make it perfect.Â
..
You wake to Kyle standing over you, his hand pressing on your shoulder. Heâs smiling with a cup of tea in his hands. You sit up wiping the drool off the side of your face. Your body is stiff, and your muscles feel heavy. You slept well, and you feel good. He hands you the cup of tea.Â
âYou made a nest,â he says, going to sit over on the sofa, picking up the remote and turning the TV on. You stand up wrapping the blanket around you and going to sit next to him. You take a sip of tea then put it down on the coffee table.  Â
âYeah, it felt right.â You smile. He lays his arm round the back of the sofa. You look at him. His head turns to you as he takes a sip of the tea. You lean up against him, and his arm rests over your shoulder.Â
âJohn thought we could take a trip to the loch today,â Kyle says.Â
âYeah, that would be nice. I would like to see it.âÂ
âWeâll take the car.âÂ
âI donât mind walking,â you say looking up at him. He looks down at you and nods. You really donât mind spending time in nature. Johnny walks into the room next with coffee in his hands. He looks over and sees the nest and smiles at you sitting down next to you.Â
You sit there for a few minutes between them while you watch the news play on the TV. You look over at your nest. You do feel safe here, with all of them. Even John.Â
âWould you two ever want to have sex with me?â you ask out of the blue before you can stop yourself. They both turn to you, looking between each other as they take in what you said. You regret it almost immediately, wishing you could take it back.Â
âIâm sorry, I donât know what came over me.â You lean up reaching over for your mug of tea.Â
âWould you want to have sex with one of us?â Johnny asks. You turn to look at him. Heâs giving you a choice. You never really thought you had one. They would all get a go eventually at least that is what you thought would happen.Â
Would John share you around just like the Professor did?
âI wouldnât mind,â you say feeling embarrassed, sipping your tea to try and hide the redness in your face. âI mean Iâve never had a choice.â
âWhat do you mean?â Kyle asks.Â
âProfessor Hale, he would invite his friends to be with me during my heats. Sometimes. Itâs normal for an alpha to share their omega in a pack. At least that's what I was told.â You sigh, taking another sip of tea. Kyle's hand comes to rub the top of your back.Â
âIâm so sorry,â Kyle says.Â
âWhy?â You frown at him. He looks over at Johnny, his mouth hanging open.
âYou donât have to do anything you donât want to do,â Johnny says, his hand landing on your thigh and squeezing it.Â
âWhat made you ask?â Kyle says his hand rubbing your back.Â
âI donât know.â That's a lie; you do. You let out a sigh. âI know youâre all together. I thought it was just normal pack behaviour, but then I remembered youâve only been exposed to the chemical recently.âÂ
âItâs normal for packs to all be, together with each other?â Johnny asks.
âDr. Piper would be better at explaining it but yeah, if the alpha was okay with it of course.â You hang your head still feeling embarrassed. You canât even remember what the original question was. You finish your tea reaching over and putting it on the coffee table.Â
âDo you want to talk to John about it?âÂ
âNo. Just forget it,â you say. Johnny starts to talk but the door opens. Simon steps in.
âPrice said itâs going to rain later. If we want to go to the loch it has to be soon.â Simon's eyes crease as he looks around you all. You get up, he steps aside for you and you head up the stairs. When you get to your room you change into the fluffiest, comfiest clothes you can find.Â
What if youâve ruined it all now? You should have not said anything. Why did you even bring it up? Because you miss John? Now youâre being silly. You should just talk to him. You catch Piper's scarf out the corner of your eye.Â
No, not yet. It just doesnât feel right.
When you make it back down to the hall, Johnny and Kyle are already standing with their coats on.Â
âYou sure you want to walk lass?â Johnny asks. You frown at him. Â
âI thought you said it was close.â
âIt is but itâs cold today,â he says.Â
âI like the cold.â You smile, zipping your coat up. Johnny grumbles. Simon and John come out of the kitchen.Â
âSoap, you can drive there in case we get caught in the rain.â He throws keys at Johnny who catches it and his expression changes. He seems happy about that. You follow him out with Kyle whose hand finds yours leading you past the pond to a dirt path.Â
The walk is shorter than you expected. You cut through some woodland then follow an unmarked road for the rest of the way. Itâs gloomy, the sun hidden by the darkening clouds. Thereâs fields with sheep which have colourful spots on them. Kyle talks the whole way, about how nice it is to be back in the calm countryside, how you would love a bunch of cities he lists off.Â
You hear John and Simon behind you the whole way. They talk too but you donât listen, your focus only on Kyle and taking in the countryside. You squeeze his hand now and again so he knows you're listening.Â
It is cold. You can see your breath again but you donât care. The walk is nice and youâre excited to see the loch. Itâs been on your mind ever since you got here. You would see it in your dreams or what you imagined it would look like. It always looked like the little lake John would take you to on the base.Â
This is way bigger. Youâre almost skipping as you can see it through the tree line. You spot Johnny leaning against the car as you walk around letting go of Kyle's hand and speeding your pace to get to the edge of the water.Â
The loch is massive. It goes as far as you can see. Itâs almost like an ocean. There are waves too lapping up on the stony shore. Johnny comes behind you as you bend down picking up an almost perfectly round stone.
âWhat do you think?â he asks, his arm wrapping around your shoulder.Â
âItâs beautiful,â you smile. You throw the stone letting it splash in the water.Â
âWatch this,â Kyle says, throwing a stone but instead of splashing it bounces across the water. You gasp.Â
âHow did you do that!?â you ask enthusiastically. He bends down picking up another stone and does the same thing. This time it travels further before plopping into the water. Â
âPff, heâs showing off, watch this,â Johnny says, his arm leaving you as he does the same but with 2 stones at the same time.Â
âNo fair you had all your life to practice,â Kyle huffs. You canât help but laugh. You havenât laughed in what feels like forever. It's not even that funny, it just feels right. The noise almost sounds wrong, but it feels good, you let yourself laugh.
âTeach me,â you say, bending down and picking up a stone. As you stand back up to look across the lake you see white blobs slowly falling down, theyâre picked up by the breeze and swirl around in the air. Confused, you look up at the sky, the clouds are sheets of white gloomy and swollen. You look down at the stone in your hand, the fluffy white blobs falling on your hand and disappearing.Â
Itâs snow. Youâve never seen snow before.Â
You look up at Kyle smiling, the tufts laying on his hair. Then you look up at Johnny. He has the biggest grin on his face you think youâve ever seen. You turn back to look at Simon and John standing a few metres behind you. John is smiling, a cigar between his fingers. Simonâs standing with his hands in his pockets.Â
You let out a breath clenching your fist around the stone in your palm. You walk over to them. Your heart is thumping in your chest as you listen to the satisfying crunch of stones under your feet. The snow is coming down faster now and thicker. Are you really ready to do this?
âDo you know how to do that?â you ask them, sticking your hand out with the stone still in your palm. They look between each other.Â
âSkipping stones? Yeah,â Simon says.Â
âBet you couldnât beat me!â Johnny calls from behind. Simon tips his head letting out a sigh, taking the stone out of your hand walking past you. You look up at John who takes the cigar out his mouth. You smile at him. Youâre still standing there as you hear more stones splashing on the water.Â
âThank you,â you say, watching the snow fall on his hat.Â
âYou donât have to thank me.â He smiles.Â
âYes I do.â You hang your head for a second feeling heat rush to your cheeks. You look back up at him and heâs still smiling. His expression is soft. You breathe in his scent letting out a long sigh.Â
âWant to judge who wins?â he asks, nodding behind you looking over your shoulder. You nod, turning back to see the three of them with their backs to you both, hands filled with stones flicking them over the water one by one.Â
Johnâs hand rests on the top of your back. Maybe it is time to move on.
Dividers by Plum98 & gild-ui Beta reader and editor - rememberwren
#call of duty#fanfic#cod#ao3 fanfic#ao3#kyle gaz garrick#john soap mactavish#john price#simon ghost riley#ghost cod#taskforce 141#poly 141 x reader#task force 141#141 x reader#tf 141#poly 141#cod 141#johnny soap mactavish#captain john price#john price x you#john price x reader#john price smut#johnny soap mctavish x reader#johnny soap mctavish x you#kyle gaz x reader#kyle gaz smut#kyle gaz x you#simon ghost riley x reader#simon riley x reader#simon riley x you
79 notes
·
View notes
Note
hi, hello!! i absolutely adore your deep dive series into the aaa episodes, and i was wondering if you could/would feel like expanding further into agathaâs guilt towards wanda and all the emotion she shows in the first episode, when she sees wandaâs corpse? the way agnes seems to value human life is especially interesting to me, considering how much agatha has killed (and i understand agnes is a character in whatâs supposed to be a very stereotypical detective series, but i remember how you said agnes is in some ways agatha at her most transparent). anyways, i thought iâd try to pick your brain a little more on the subject, because your takes are very interesting to me!
Hi hello to you, thank you for stopping by! And also thank you for your interesting question, consider my brain officially picked. I'm gonna ramble QUITE a bit because I want to talk about Agatha and misogyny first (as requested by @leoleolovesdc ) but hold in there, I'll get to wanda too.
To get to the point directly, I think that Agatha's actions are steeped in internalized misogyny, and I think it's something she inherited from her mother and the salemites. It's actually pretty common for marginalized communities or individuals to turn against their own and replicate the patterns of the oppressor, looking to ease their self-hatred or for outside acceptance or a sense of control. Think for example about super conservative wives voting against their best interests, think about all the homophobia and biphobia and transphobia and acephobia (etcetera etcetera ad infinitum) in the queer community.
The persecution of witches was essentially a war on a kind of womanhood that went against imposed gender norms. Witches (in the marvel universe and in real life) were more often than not women who lived independently, who knew herbs, who didn't marry, who worked as midwives etc. And talking about the salemites specifically and the way they treated Agatha: they did to Agatha what the external world did to them, they replicated a pattern. They targeted the odd one out, the woman in their group who was the most different, and called her evil and essentially tried to burn her at the stake.
We don't know a thing about evanora, but I would BET that a lot of her hatred stems from her own internalized misogyny / agatha being born female, and I honestly wonder if Agatha would have found it harder to love a daughter the same way she does Nicky or Billy, without any of her internalized bias kicking in. Since she was a kid Agatha had been hurt and persecuted by other witches, she's pretty much wired to mistrust and hate them. And it gets even more muddled and complicated because she hates witches but loves witchcraft, she hates women but is sexually and romantically attracted to them. She yearns to belong, but she ends up torturing and killing her own community. She allies with people like that disgusting prick who violated Jen.
Enter Wanda, who is essentially Agatha 2.0: she was born doomed by the narrative or, to say it like evanora, she was born evil. Evanora would have had a FIELD DAY with Wanda. The Scarlet Witch? The destroyer of universes? She would have tried to kill her on the spot. There is A LOT Agatha instinctively hates in Wanda, she's a woman, she's a witch, she's dangerous. Agatha does what the salemites did to her and what men did to witches: she replicates a pattern. She punishes Wanda for being too alone and too different and complicated and scary. And yes Agatha is doing it to get her hands on chaos magic and all that comes with that, but this is all the baggage she brings in.
There's the other side of the coin: Agatha hates women and witches, Agatha loves women and witches, and Agatha hates and loves Wanda. She's been essentially killing and running away for the past two centuries, refusing to dwell on the consequences of her actions, but we know that she is no unfeeling psychopath, that's just a role she plays. We know all her actions weigh on her. With Wanda that sense of guilt is even stronger because Wanda is not a random witch she kills and abandons in the woods, she has to live with her and witness all of Wanda's pain up close, how lonely she is, how scared she is, the grief of losing Pietro and Vision, it's all there to torment Agatha. She cannot be a child about it, she can't close her eyes and cover her ears and go lalala until it's over, she has to take it all in order to get what she wants. And what's worse, Wanda is so similar to her that Agatha can picture exactly what she's feeling down to her bones, that's empathy to the max. And she goes through with her plan and does horrible things to Wanda anyway.
Knowing Agatha like we know her now, I'm convinced that her guilt about Wanda is especially hard to deal with, but Agatha has always refused to deal with any of her inner struggles, so Wanda just goes on the pile together with all the painful and complicated feelings she's pointedly ignoring, and which are not haunting her at all, thank you very much!
Except when she's Agnes, because all the feeling are still there but she doesn't know where they come from. I'd say that more than transparent Agnes is unfiltered, she doesn't know she should censor her struggles like Agatha does. Based on Agnes, we can plainly see what the biggest issues on her Inner Pile of Shit and Sorrow are: grief over Nicky's loss, anger and yearning for Rio, extreme loneliness, and guilt over those she hurt, with a particular emphasis on Wanda.
#asks#agatha all along#wandavision#agatha harkness#wanda maximoff#character study#oh boy this one took a life of its own#do you want monster essays?#do you want to witness me go on and on and on and on and on anout silly comicbook characters?#say no more
40 notes
·
View notes
Note
Hiiiiii I love your blog and your writing so much.
I know you have a hc that Sevika is bilingual, can you elaborate on that? Who taught her Spanish? Did she grow up speaking it? Does she do that thing where she forgets the English word for something and has to make up something to describe it? Does she say things in Spanish when people ask her to tell them something knowing they donât speak Spanish so she can go âwhat, I told you already?â
Also I would die if she referred to me as âmi mujerâ đđđ
Thank you, have a great day!
Hello, anon! Thank you for the kind words đ
So, yeah I think I mentioned this in a random throwaway Sevika headcanon post and haven't ever elaborated on this. But yes...
One of my headcanons for Sevika is that she is trilingual, and that stems from her family. First and foremost, I don't play League and I don't know shit about League lore outside of the bits of research I did to write for some Sevika stuff. I do see that League lore is incredibly detailed and expansive (which is fascinating to me) but there's still a lot that hasn't been explained from what I can tell? It looks like there are multiple languages that exist in Runeterra, which makes sense considering how many sentient races and ethnic groups there are. So let's talk about that for a second so you can understand my thought process on this. Walk with me here.
First off, this is, of course, a fantasy universe so the concept of languages and the countries they come from don't exist in that universe in the same way they do here. For example, there is no country called Spain, and therefore, there is no language called Spanish. So how does that work in my head? Easy. Use an existing language as a proxy for a fantasy one ÂŻ\_(ă)_/ÂŻ I mean...are the characters speaking English in Arcane? Clearly no, because Germanic languages and the countries they derive from don't exist. They're speaking whatever local language exists in that universe. I figured why not add some other IRL languages for flavor? So with that being said, this is where we get to another headcanon.
If we're going by ethnic background, I like to imagine Sevika as Afro-Latino from her father's side and South Asian through her mother. Why? Her VA, Amirah Vann, is Afro-Latina (African American father and Puerto Rican mother) and speaks fluent Spanish. Sevika's name appears to be Indian in origin and I mean...like look at her lol. She is clearly meant to be, in our world, South Asian, most likely Indian. I obviously do not know what region of Runeterra this ethnic background would translate to. Maybe Shurima???
Given that background (and the bit of trivia about her VA), that's how I came up with her being trilingual. Learned all three languages growing up in the home. "Spanish" from her father, and a third language I haven't decided yet (Hindi? Urdu? Sanskrit? Punjabi? Don't know yet, need to research) from her mother.
Why? Well...why not lol. Truthfully, I thought it'd be interesting to make up some additional reasons why she's so fit to be Silco's right hand. Piltover and Zaun are port cities, and being port cities, you're going to come across a lot of people from a lot of different cultures who speak a lot of different languages. Basically the idea here is that Silco chose her as his second because of a variety of factors:
Multilingual, helps with gaining trust and securing deals
Trusted patron at The Last Drop
Same end goal of liberating Zaun
Loyalty
Can hold her own if shit goes south
Intimidating (she's fucking huge and can beat your ass)
Good at reading people
Surprisingly good at negotiation when she does bother speaking
And now that we know that Sevika herself was the one handling the majority of the deals (she said so herself in Season 2), I like this headcanon even more lmfao. Like here's an excerpt from an unreleased piece of writing I did that mentioned it:
The downside here ofc is that I, personally, only speak one language lol. I took Japanese in high school for 4 years and can't remember much except how to read hiragana and katakana (should have studied more!). I am absolutely going to have a lot of blindspots when it comes to things that only bilingual folks or folks who speak more than one language experience, and that is something that would be worth doing a bit more research on. Quirks like the ones you mentioned are things I forget that people experience đ
That is a bit long so sorry for that, but I hope this answers your questions well.
Keep in mind: these are just headcanons. That's it. This is for fun. If you think something different, then do you!
taglist: @gaudesstuff @archangeldyke-all @abitohoney @sexysapphicshopowner @iamaboringrattat
@ash-fall7 @the-anonmaton @peanutbutterprincess @thesevi0lentdelights @kylorey25
#Arcane#Sevika#Sevika headcanon#headcanon: sevika#sorry this isn't an actual fic but this does give some context for HCs I include in my Sevika fics
29 notes
·
View notes
Text
JLPT N5 - ăăŠăă [Part 1]
ăăŠăă is a grammar point that is very very important in Japanese. The âăăŠâ part represents a verb in the ㊠form. The âăăâ part is the verb ăă, which will change to different forms (for example ăăŸăăă or ăŸă).
ăăŠăă actually appears in several levels of the JLPTs - from N5 all the way to N2! As for the N5 level, there are 2 main ways that you will see it used. In this post letâs look at one of them!
First, here is your vocabulary.
ăRepeated Actionsă
First letâs look at how ăăŠăă is used with repeated actions. These actions are mostly physical.
= I climb Mt. Fuji every year.
Notice the two highlighted words, æŻćčŽ and ç»ăŁăŠ. If æŻćčŽ werenât there you would almost always translate ç»ăŁăŠăăŸă as âam climbingâ. However, because æŻćčŽ expresses repetition, it forces us to translate ç»ăŁăŠăăŸă as âclimbâ.
= Traffic accidents happen on this street often.
è”·ăă is a verb that can mean âto wake upâ or âto occurâ. If sentence #2 didnât have the word ăă it would be understandable to translate è”·ăăŠăăŸă as âare occurringâ. However because of the ăăwe understand that there is repetition and so we go with the âoccurâ translation instead.
= Well you see, Dad has been going to China for work once a month since last year.
This time the word / phrase that expresses repetition is æŻæïŒć meaning âonce a monthâ. This tells us that èĄăŁăŠă is âgoesâ instead of âis goingâ. Also, the ă in the helping verb ăă can be dropped, making èĄăŁăŠă a more casual way of saying èĄăŁăŠăă. It also works for ăăŸă so that èĄăŁăŠăŸă is more casual than saying èĄăŁăŠăăŸăă
Finally, take a look at the nuance section. This ăă§ă is actually a different JLPT grammar point. The gist is that itâs used when you want to answer a question with extra details that you think the listener/reader wants to know. The ă is a shortened version of the particle ăź.
ăOccupation or Social Positionă
ăăŠăă is also used to talk about someoneâs occupation or social position.
= Taiki teaches Japanese at a Thai university.
There is no period of repetition stated outright, but we understand that teaching is a job that you do over and over. Thus, you should use æăăŠăăŸă instead of æăăŸăă
= Aya is a trading company manager.
In this case, the ăăŠăăŸă simply means âisâ or âhas the position ofâ.
= My little brother studies European history at a German university.
This last example is a good one to remember. Most times, if you say ććŒ·ăăŠăăŸă it will mean âcurrently studyingâ. However when it comes to being a student, the translation shifts to âstudies (for an extended period of time)â. Actions that can be interpreted either way (like studying) will sometimes have time words / phrases like ä» (now) or 2ă3æé (for a few hours). That tells you that it is an action in progress. Other than those kinds of phrases, usually the meaning will be repetitive.
ăConclusionă
So there you have it! The first ăăŠăă is associated with repeated actions, occupations, or positions in society or work. Itâs fairly easy to figure out if the sentence is talking about an occupation or a position. For repeated actions, the key is to look for words / phrases that express repetition and remember that they cause you to use the ăăŠăă version of your verb. With that, you should be fine!
Rice & Peace,
â AL
đđŸ
#japanese#japanese studyblr#japanese grammar#japanese language#æ„æŹèȘ#isshonihongo#jlpt#jlpt n5#äžç·æ„æŹèȘ#ăăŠăă
35 notes
·
View notes
Note
So I just saw wicked and I desperately need something with Fiyero having his sights set not on Glinda but Glindaâs brother y/n
Y/N Upland always knew that he was different. From a young age, he realized that he didn't fit in with the rest of his family, and not just because he was attracted more to boys than girls. When he was born, Y/N was given the rare gift of ice and snow, bringing great promise to the Upland name.
His mother and father tried to turn his talent into something that would make Y/N think he was better than the rest of the people of Oz, but Y/N didn't want that. He just wanted to be normal. That's why he made himself scarce as much as possible. He dressed in normal clothing and he preferred to be alone, instead of playing with other children his age. Then came Galinda, the pride and joy of the Uplands. Galinda was beautiful and had a certain way of getting whatever she wanted, whenever she wanted. The biggest difference between Y/N and his sister⊠he chose books. She chose looks, and it was certainly working out better for Galinda than Y/N.
She was beloved by all in Gillikin Country. The one everyone thought would succeed, whereas Y/N, would be the first ever person to disgrace his family as the âUpland Freak of Nature.â And maybe they were right. To an extent. The cost of powers always came with a price, and even though Y/N was powerful, he was very bad at controlling them. It was one of the mainâif not the most important -- reason to attend Shiz University to gain a better understanding of his powers, and how to properly control them. Unsurprisingly, Galinda was also majoring in sorcery.
That's how he and Galinda arrived on a pink boat to Shiz University, Galinda practically bouncing with excitement. Her pink outfit was pressed and crisp as her nails. âOh, Y/N! I simply can't wait to attend Madame Morrible's sorcery seminar. I just know I'm going to ace it.â She flashed pretty white teeth that hurt Y/Nâs eyes. He pulled his sparkly blue cape over his shoulders. âI'm sure you will, and maybe, just maybe, you'll be able to help me with this.â He made a small snowflake dance on the palm of his hand before closing it.
âOf course, brosicle.â Galinda laughed.
Once they were close enough to the school, Galinda stood on the back of the boat and sat down on her luggage, looking like a queen on her throne. A few students in blue and brown uniforms waved to them as Galinda waved back. Y/N looked down at the water until they were docked. Stepping off the boat, Galinda and her ten thousand pieces of luggage were greeted by their mother and father at the docks.
âOh, we're so proud of you!â Their father said, as he and their mother gave Galinda kisses. âThank you. I love you. Just remember, it's not goodbye. It's farewell.â Galinda told them.
âWe love you.â Their mother said, finally taking notice of Y/N. âOh, and you too, sweetie. You'll be good. Probably not as good as your sister, but good enough.â She said.
âWow. Thank you, mother. Your words of reassurance melt my heart.â Y/N said, tone sarcastic.
Arduenna Upland looks at his son. âYou make sure to look after Galinda, Y/N. See to it that she's comfortable, and well taken care of.â
âOf course, father. I wouldn't dream of disappointing you and mother again for the what? Sixtieth time?â He said.
âJust don't do anything to make trouble.â Arudeena said. He looks at Galinda and smiles with happiness and pride. âHave all your kisses? And you will write?â
âYes. I love you. Sad time. Miss you already.â Galinda said.
âPopsicle board the boat.â Y/N said.
âThey are going to miss me so much.â
âUs.â
âRight. That's what I said. Us.â Galinda said.
âŠ
âAttention, students! It is my honor to announce that Fiyero Tigelaar of Winkie country will be filling out our student body. Having transferred from the Royal Winkie Academy. Please help him feel welcome. Without making direct eye contact.â
That's how Y/N and all of the student body at Shiz found themselves in the courtyard by the fountain, waiting for some spoiled Prince from Winkie country. Y/N to suppress the urge to roll his eyes as the Prince rode in on a horse. A blue horse. How original. Lines of male and female suitors were watching as the Fiyero walked passed, his black boots echoing against the ground. Some winked at him, while others twirled their hair in hopes of catching the Princeâs attention. He seemed unbothered.
Fiyero had light brown hair with blonde streaks on it. He wore a tailored navy blue suit with golden trimmings. He headed towards the bulletin board and asked a gawking male student to move as a faculty member checked out his ass. Y/N rolled his eyes from his position across from where Fiyero was. He has been studying with Madame Morrible and another student named Elphaba. He was currently reading a book about the history of ice magic in Oz as he watched Galinda swipe a book from a nearby student, and tried to pretend to be uninterested.
âAre you looking for something?â Galinda asked. She flips her blonde hair dramatically. âOrâŠsomeone?â
âNo, I wasâŠâ Fiyero starts, but stops when his eyes look past Galinda and looked at Y/N.
Y/N frowns. Why was Prince McDimples looking at him like that?
âSorryâŠwhat was I doing?â Fiyero asked.
âHow would I know?â Galinda shrugged.
âMaybe it was that young man over there.â Fiyero smiles in Y/Nâs direction. Galinda follows his gaze and frowns. âThat's Y/N. My brother.â
âBrother you say? Well, I fancy I should meet him as well, don't you agree?â
âI guess.â Galinda pouted as Fiyero had eyes for Y/N, but her.
#x male reader#male reader insert#male x male#fiyero tigelaar#wicked#wicked 2024#fiyero tigelaar x reader#jonathan bailey#bi#gay#lbgtq
26 notes
·
View notes
Text
đáŁĘïčđđĄđ đđ«đąđ đĄđđđŹđ đŹđ©đšđïč
ă
€Û«ă
€ Ë ÛȘËđČïčsynopsis!! bokuto needs a tutor for his astronomy class, and what better person to do that than you? . ă
€ Ëă
€ă
€Û«ă
€ Ëౚ cw!! timeskip! b. kotaro x astronomy tutor! reader, sfw  ïč â note!!  i thought of this and just had to write it down omg probably my fav i have so many more ideas for this once i finish part 2 of my atsumu seriesౚ wc!! 2.8k Â Ë ÛȘËđČ mood!! series playlist
The campus library was supposed to be your sanctuaryâ a quiet haven where the soft rustle of pages and the hum of fluorescent lights allowed your thoughts to stretch as vast as the stars you studied.
But today, peace shattered the moment he arrived.
Bokuto Kotaro stormed in like a supernova, all bright energy and booming voice, waving his crumpled astronomy work like a flag of surrender.
âHey, hey, hey! Youâre the tutor, right?" he asked, his grin wide and unbothered by the dozen glares aimed his way.
You stared at him, momentarily speechless, wondering how anyone could radiate that much energy this early in the morning. It barely cracked eleven AM.
Under normal circumstances, you'd have never stepped five feet in the owl-headed boy's vicinity, but for the extra credit in your classes, you would.
Bokutos coach had come to you, requesting you tutor Boktuo on astronomy as you were the only one available and the only one who excelled in the university's astronomy course. In return, he promised hed twist a few strings to get you some extra credit, and after a few moments of debating you accepted, it couldn't have been that bad right?
Wrong.
"Bokuto-san, this is a library," You reminded him, subtly looking around at all the faces watching Bokuto's rather bright form.
Bokuto blinked at you, his grin faltering for only a second before bouncing back as if the concept of an 'indoor voice' simply didnât exist in his world.
He leaned closer, lowering his voice ever so slightly, "Right, right, sorry!" he whispered, though it was still loud enough to earn a second wave of shushing from a nearby table.
"I just got so excited! I mean, how cool is this? Studying stars? Like, actual stars!" He punctuated his sentence with a dramatic gesture that sent his crumpled papers fluttering to the ground.
You sighed, already feeling the beginning of a headache, "Bokuto-san, I donât think you understandâ"
"No, no, I get it!" he cut in, crouching to scoop up his fallen notes.
"This is serious business, Iâm totally ready to learn, youâre, like, my last hope before the coach makes me sit out for the rest of the season, "He looked up at you then, his golden eyes wide and genuine, and for a moment, you almost believed he meant it.
Almost.
"Then maybe start by sitting down... quietly," you said, gesturing to the chair across from you.
Bokuto saluted, far too enthusiastically for a library, and flopped into the seat with enough force to make the table rattle, causing you pinched the bridge of your nose.
This is going to be a long semester.
Bokuto leaned forward, practically vibrating with excitement, as he spread his crumpled papers across the table like some sort of battlefield strategist, "Okay, so I was looking at the syllabusâ well, kindaâ and I think I get it, stars are, like, really far away, right? But also super hot? Like... the sun, but not?"
You stared at him, trying to decipher if that was a question, a statement, or a Bokuto-ism youâd just have to get used to, "Thatâs... technically correct, Bokuto-san, butâ"
"See? Iâm not totally hopeless!" He beamed, leaning back with almost contagious confidence, "Coach was all, âYouâve gotta study harder,â and I was like, âDonât worry, Iâve totally got this!â And thenâ"
"Bokuto-san," you cut in, resisting the urge to bang your head on the table, "Do you even have your textbook?"
His grin faltered, "...Doesn't a syllabus count?"
Did he really just ask that? Where even was his bag? Why would he sign up for astronomy if he didn't even know the difference between a textbook and a syllabus?
You sighed, long and deep, feeling your patience wear thinner by the second, "No, Bokuto-san, a syllabus does not count, weâre going to need to start at square one,"
Bokuto straightened in his chair, slapping his hands on the table with a determined glint in his eye, "Alright, teach me! Iâm ready!"
You raised an eyebrow, glancing pointedly at the other students in the library who were now watching him like a particularly loud wildlife documentary.
"Quietly, Bokuto-san, this is still a library," you muttered, before pulling out your notebook.
He immediately dropped his voice to an exaggerated whisper, "Right, right! Quiet stars! Got it,"
You pressed your lips together, stifling a laugh despite yourself.
You took a deep breath and opened your notebook, flipping to the diagrams youâd drawn for the last exam, "Alright, Bokuto-san, letâs start simple, can you name the three main types of stars?"
Bokuto leaned over the table, squinting at your neatly labeled chart like it was written in another language, "Uh... big, medium, and small?"
You blinked, "Thatâs not even remotely close,"
He scratched his head, looking sheepish, "Okay, okay, give me a hint! Is one of them... shiny?"
You bit back a groan, tapping your pen against the table.
"Theyâre all shiny, thatâs kind of their thing, letâs try this instead," You pointed to the diagram.
"The three types are massive stars, intermediate stars, and low-mass stars, think of it like volleyball playersâ each type has a different role and lifespan depending on how much âenergyâ they have."
Bokutoâs eyes lit up, "Ohhh, like an ace versus a libero! Okay, okay, I get it now! So... low-mass stars would be like liberos? They donât get the spotlight, but they last a long time?"
You blinked, surprised, "Actually... thatâs a decent analogy, I think,"
"See? Iâm a genius!" He declared, earning another round of glares from the surrounding tables. He shrank a little under the scrutiny but quickly recovered, leaning in closer, "Alright, hit me with another one!"
Bokuto had only taken astronomy because he thought it'd be an easy class, he saw stars all the time, in movies, and outside; even the lights in the gym looked like stars! So how hard could it have been?
What he wasn't prepared for was needing to name them off the top of his head, and he never even understood the whole constellation thing, they all looked the same! He just could never see it no matter how long he stared at the sky, and he was starting to believe it was some inside joke he wasn't apart of.
Encouraged by his enthusiasm, you turned the page to a diagram of the life cycle of a star.
"Okay. This is how a star evolves over time. It starts as a nebulaâbasically a giant cloud of gas and dust, and from there, depending on its mass, it can become a protostar, then a main-sequence star, and eventually..."
Bokutoâs hand shot up like he was in a classroom, "Ooh! Ooh! Does it explode?!"
You stared at him, caught off guard, "...Yes, some stars do end their lives in a supernova,"
âI knew it!" He grinned like heâd just won the lottery, "Stars are like aces! They go out with a bang!"
You couldnât help the small laugh that escaped, "Thatâs... one way to put it, I guess,"
Bokuto was definitely a creative person you'd give him that much.
For the next hour, you worked through more diagrams and explanations, occasionally pausing to translate the material into volleyball metaphors when Bokuto started zoning out. To your surprise, he was actually listeningâ though his 'notes' consisted of doodles of stars with dramatic eyebrows and stick-figure volleyball players labeled 'supernova aces.'
Despite the silly drawings instead of words, the notes actually made sense, like he was keeping up and actually processing what you were saying, for the most part, it was as if he just needed the right way of studying, and that way was comparing things to volleyballâ something you had no clue about.
When the session finally ended, Bokuto leaned back in his chair, stretching his arms behind his head with a satisfied sigh.
"Man, that wasnât so bad!" Bokuto said, his grin as wide as ever, "I mean, I still donât totally get why stars have lifecycles or whatever, but that thing about red giants being, like, the blockers of the universe? That stuck!"
You arched an eyebrow, packing up your notebook, "You do realize blockers donât explode into planetary nebulae, right?"
He waved a hand dismissively, "Details, details, the point is, Iâm totally gonna ace this next quiz, the coach is gonna be so impressed!"
You paused, glancing at his scribbled mess of notes, amidst the chaotic drawings and exaggerated labels, there was a strange kind of logicâ one that only Bokuto seemed to understand, yet seemingly effective if he actually understood.
"Well, if this... masterpiece helps you remember the material, I guess thatâs what matters," you said, sliding your bag over your shoulder.
"Exactly!" he declared, shooting up from his seat with enough force to make the table rattle, he held out his fist toward you, his grin practically glowing, "Thanks! Youâre the best tutor ever!"
You blinked at his outstretched hand, momentarily caught off guard by the unexpected gesture. Hesitantly, you raised your fist and bumped it against his, feeling the warmth of his enthusiasm seep into you.
"Just donât forget everything we covered the second you step out of this library, Bokuto-san," You replied, trying to sound stern but failing to hide the small smile tugging at your lips.
"No way! Iâm locked in now," He said, tapping the side of his head, "Itâs all up here, supernova aces, red blockers, all of it,"
You shook your head, suppressing a laugh, "Iâll see you tomorrow then, donât forget your textbook,"
As you turned to leave, Bokuto called after you, his voice loud enough to earn another round of glares, you lost count at this point, "See ya, donât miss me too much!"
Bokuto smiled widely, his papers in hand, he felt like he could really pass this class with your help, and he couldn't wait till tomorrow to show you that he in fact did not forget everything you've explained to him. He liked studying with you, you were patient, sort of, in your own way!
You rolled your eyes but couldnât help the warmth spreading in your chest.
This is going to be a long semester.
But this time, the idea didnât seem so bad.
You stepped into your dorm room with a small content sigh, replaying the memories of hours ago a small smile made its way onto your face, you were glad your roommate had been spending more time at her boyfriends apartment.
Boyfriend, the word itself grossed you out.
You could never imagine yourself having a boyfriend right now, you were just too focused on college and your major, You neither had the time nor the patience required to handle the responsibilities of a relationship.
Throwing your bag onto your desk you headed for your closet, wanting to change into something comfier before you began your late-night studying.
As you plopped onto your bed you felt your phone buzz, the screen illuminating your face as you read the notification.
unknown number: hey!!
you: hello?
unkown number: its me, bokuto!!
A smile appeared on your face as you bit your lip to try and suppress it.
you: how'd you get my number? and why are you texting so late bokuto-san?
bokuto-san: details details, anyway! do you have a window in your dorm??!111!!!111!11
you: yes bokuto-san, its mandatory...
bokuto-san: face time me !!!!
With a sigh you clicked on his contact and dialed his number, what could possibly be so important that he needed to call you so late? And why were you entertaining it?
Within an instant he picked up, the sight of bokuto filling the entire screen, a wide grin evident on his features.
"What did you need Bokuto-san?" You asked, propping the phone up on your nightstand while you sat on your bed.
"Your pajamas are cute! We should get matching ones!" He blurted out, you were wearing dark blue pajama pants that had stars littered on them.
The compliment made a blush rise to your cheeks, but you wouldn't let it distract you, "Bokuto-san," You said sternly.
"So serious all the time! Anyways, go to your window!" He said, and from what you could see in his background he seemed to be moving around.
With a sigh, you picked the phone up and walked to your window, "Now what?" You questioned, looking out to make sure he wasn't climbing it or something, you wouldn't put anything past this guy.
You heard him laugh, "Now open your window and tell me how to find this Orion guy!"
You smiled fondly, one of your favorite constellations was Orion, "Alright, Bokuto-san, but only for a little," You firmly said.
You opened your window and peeked your head out a bit, feeling the cold breeze hit your skin and sent a shiver down your spine.
"Cold, huh?" You heard Bokuto say, in a much calmer tone.
"Yeah," You stared up at the sky, looking for Orion's belt, "You ready Bokuto-san?"
Your gaze shifted back down to your phone, seeing Bokuto on his back in the grass, his eyes were looking past the phone and into the sky intently, the only thing illuminating his face was the moon and the subtle yellow light of an estrayed college sidewalk light.
"Yeah," He said focused, though his eyes beamed with excitement.
"Alright," You said, gently smiling as you redirected your focus onto the sky, "Youâre gonna want to look for three stars in a straight line, theyâre not super bright, but once you see them it's hard to unsee them," You explained as simple as you could, already finding Orion's belt once again.
Bokuto squinted, his brow furrowing as he scanned the dark expanse above."Uh⊠wait, wait! I think I got it!" He said enthusiastically, "Is it that one?" He pointed, seemingly forgetting you were on the phone.
"Bokuto-san, I'm not with you," You said with a soft giggle.
âOh, right!" Bokuto laughed, the sound was sheepish but warm."Okay, okay, so, uh... describe it again? I think Iâm close!"
You smiled, shaking your head,"Alright, focus on the three stars in a straight line, theyâre pretty evenly spaced, and theyâre just below a really bright starâ Betelgeuse, can you see that one?"
âBetel-juice, yeah, I remember from earlier!" He said, his voice brimming with excitement. You heard the faint rustle of grass through the phone as he shifted around.
"Alright, I see the bright one, now... oh! I see them!"
"Really?" You asked, grinning, almost as excited as he was.
Almost.
"Yeah! Three stars, right? In a row? Thatâs it, isnât it?" His voice was so loud and triumphant, it was hard not to laugh.
Bokuto couldn't believe what he was seeing, he actually saw a constellation, it wasn't just an inside joke between people in his class, it wasn't some myth, it was real! And you helped him see it, you're the reason he doesn't feel so left out anymore.
You laughed tenderly, "Yes, thatâs it, congratulations, Bokuto-san, youâve officially found Orionâs Belt."
"This is so cool!" He exclaimed, his voice practically vibrating with excitement.
"It really is," You say, happy he feels as excited as you were when you found your first constellation. "If you look north a little you'll see two brighter stars, those represent his shoulders, and if you look south of his belt you'll find his feet,"
After a few moments of silence, he spoke up, "Man, itâs way cooler when you actually know what youâre looking at, whatâs next? Are there more belts? Like a whole star wardrobe?" He asked enthusiastically.
You couldnât help but laugh again, shaking your head. "Not quite, but thereâs plenty more to see, first, you might want to take a moment to just enjoy Orion,"
There was a pause, and when Bokuto spoke again, his voice was softer, almost a whisper. "This is actually kind of amazing,"
You looked down at your phone screen, and you noticed Bokutos eyes were glazed over in awe, adorning his cheeks was a pinkish tint.
"You're amazing," Bokuto said, turning his direction towards his phone screen, watching as a smile tugged at your lips. His tone was still the same soft voice, a contrast to his usual theatrical self.
He was telling the truth, Bokuto found you amazing, how you knew so much about the stars, something he wouldn't have even thought twice about before meeting you or before he signed up for the class. He was glad he did, he was glad he was failing the class because if he wasn't, he wouldn't be on the phone with you, lying in the grass and staring at the stars.
And just like that, he couldn't help but think that maybe, just maybe, the stars didn't seem so distant anymore.
navigation !
© đđđđđđđđđđđđđđ đđđđ â please don't copy, translate, or post any of my work without my permission !
#haikyuu#haikyuu x reader#haikyuu ৠ.á#haikyuu fluff#fluff ৠ.á#astronomy#bokuto kotaro#bokuto koutarou#bokuto x reader#bokuto kotaro x reader#bokuto koutarou x reader#x reader#bokuto fluff#bokuto kotaro fluff
31 notes
·
View notes
Text
Body vs Soul vs Consciousness
Warning: This is an explanation based on my personal understanding of the difference and connection between the 3. This is only meant to be seen as a study you can use for shifting and not as direct advice on it.
So⊠shifting, am I right? The one thing that saves and/or betters our lives and yet might be hard to achieve.
So I decided to make this little thing about how they are a part of us.
Letâs begin with the body and go from there.
The body is the very physical you, the âvesselâ. It is what lets you experience what you feel and do. Thatâs why it needs to be maintained and the likes. Like a robot, if you will. Itâs battery is itâs energy storage, and it can be aquired by consuming something(in our case, food, in theirs, energy) or taking certain breaks to properly process things(in our case, sleep). It has itâs own cooling system, itâs control centre, etc. Itâs what lets your soul interact more directly with certain things.
The soul is what you are as one person in one reality. It is what has emotions, what makes it possible to feel happy, sad, angry or the likes. It decides what the body does. You donât feel when your stomach digests something, you donât feel each and every muscle tense and untense to make your hand raise or your foot move, and your soul is what makes it possible to pilot the body. The soul is tied to only the reality it inhabits, none other, and it is only meant to experience one. Lives in that reality however, it can experience as many as possible, and itâs existence is dictated by your own beliefs. If you believe in Heaven and Hell, you go to one of them. If you believe youâll just roam the Earth until the end of time, you will.
The consciousness is the very essence of existence, of every single one of us. Like in that theory that we are the universe experiencing itself, but a little to the left. It canât be classified as something. It doesnât feel, it doesnât see, it doesnât move, it has no name. It just is. It is the very core of what we are, what some of us called a âhigher selfâ a few years ago because we didnât understand what we are.
When we shift, the consciousness doesnât change. We are it. What changes is the vessel(the body) and the soul. Thatâs what is hard about shifting to so many of us, why it takes hours or minutes, but it still takes time. We change the very person we are in everything but consciousness and memories(maybe, not too sure about that one). We choose what we look like, what our name is, our personality, based on the knowledge we have from another reality we experienced. Like an AI. It canât paint a flower if it has never seen one or held a brush. Itâs what fascinates me about this stuff so much. Humanity has played god to the point all answers are in front of it, but I digress.
What I mean to say right now is: It takes a while because we have to disconnect from one soul to another, from one set of emotions to another. Maybe here youâre angry, but that reality youâre going to? Youâre feeling peaceful right now. I myself have shifted hundreds of times, I do it quite a few times on the daily. I sense or feel snippets of that reality I want to be aware in, but snap out of it because I am still in tune with the feelings and senses in the reality I want to leave.
I hope this little study Iâve aquired through the power of overthinking helps you, and I will remind you again that this is NOT direct advice on shifting. It is meant to explain the layers of what you are in order for YOU to put the pieces of your journey together on your own, as it is a personal one.
Let me know if there is anything unclear and Iâll be happy to explain or fix it.
Happy shifting!
#reality shifting#shifting#shifting community#shiftblr#anti shifters dni#shifting realities#shifting mindset#law of assumption#loa#shifting motivation#shifting advice#shifting study#you are the god of your own reality
22 notes
·
View notes
Text
Vicious's stance shifted to a moved into relaxed one as Koh talked, clearly appreciating the information and honesty. Oh of course fucking legendary/guardians/pokemon he did not want to deal with decided to interact with him. He was starting to wonder if he had a second curse on him for more punishment. Did the universe decide the policy he made after the whole Onion mess of do not mess with legendaries despite the whole thing not being its fault, and decided to make them like him or something??? Or did they sense something was different or off about him compared to normal people?
Yeah, that was something to think about later, preferably with a bottle of hard liquor in hand, glass was not needed for that line of thought.
"I don't know a lot of dead people, thankfully." he mused out loud, as he tried to get his thoughts straightened out. he didn't most dead people he knew he never bothered to learn their names, given his line of work, which was completely understandable in his books.
At Bulu's power, he raised a brow, staring at Koh to see if the other was serious or not. Judging by his explaining and reaction to explaining he was. "I'll keep that in mind, but I'm good at keeping impulses and desires under control, bonus for working in a job that requires you to be rational most of the time. Thank you for telling me, hopefully, we won't run into more."
Apparently, you couldn't track or sense a Pokemon if they were in human form. Well, at least someone with Vicious's talent level at least, but that wasn't important now.
No, what was important was for Koko to explain what might happen in the other temples... hopefully nothing would happen if Koko was around when Vic visited. Granted Lele clearly didn't care if Koko was there or not. Oh, and Bulu certainly does not care what Koko thinks and just does whatever he thinks would be fun.
... Well, at least Fini respects him... somewhat.
"Uh... Well, usually the Tapus don't randomly interact with people randomly like this."
Keyword being usually. Especially since Koko was randomly interacting with a man he just met right now.
"Well, Tapu Fini likes to keep to herself more than the others. Though, if a fog starts rolling in, don't be surprised if you start seeing dead people you know. As for Tapu Bulu... uh, how do I say this. Tapu Bulu is a fertility god, so if you start feeling really, really horny, you know why."
Ugh, it's always embarrassing to explain this to strangers no matter how many centuries pass.
51 notes
·
View notes
Text
universal sound auâągender-integrated 100bg
house fire
authors note: hi! writing this kind of au is new for me so i hope its alright. massive s/o to ww2 rpf is fine discord server for being so lovely and encouraging <3 bare bones run down: halona is a ball turret gunner, elowyn is a pilot + lesbian who was involved with tatty back on base and has been projecting missing her onto halona :p and cj was a navigator.
cj is *not* dead, while all this is going on she's a train evading via the comet line. which of course crank nor anyone else has a way of knowing.
---
Crank took a breath in before he knocked on the library door, the quiet murmur of conversation coming through from the other side.
When a few seconds went by without any movement he opened the door himself. Brady was seated in the far corner, his back slightly hunched over a stack of papers that sprawled across the table. Halona was pressed shoulder to shoulder next to him, leaning into his space to tell him something he couldn't quite hear- but whatever it was made Brady laugh under his breath. He tilted his head to look at her, eyes soft.
Better Clark sent me than Elowyn, Crank thought to no one.
Brady reached toward Halonaâs hair, his fingers ghosting near her face before Crank cleared his throat, loud and pointed. Both of them jolted like theyâd been burned.
Turning his head towards him, Brady sucked in his bottom lip.
"Hm?"
"Colonel Clark wants to run us through some escape stuff,"
Halona gathered her things and stood with a soft, Thanks Crank as she brushed past without meeting his eyes. But Brady didnât move. He just stared at the table in front of him, shoulders tight.
It chipped at his patience.
"Come on, lover boy," Crank muttered, turning back and giving the door frame a pat. "weâve got more important things to do."
"You're acting like El." Brady finally said as he pushed in his chair and stood, budging past Crank- shoulder pushing against his side hard enough that he had feeling it was intentional.
Crank paused for a beat before he followed him, boots brushing against the dust collecting on the floor. "And how am I doin' that?" He called out after him, edge of his voice biting at Brady's heels.
He could sense him rolling his eyes without seeing his face, tone annoyed. "By acting like the sky's gonna fall if I look at Hallie one way or another."
Crank inhaled, flexing his fingers at his side, knuckles aching to be popped. It was more complicated than that- for Elowyn of all people especially. But the root of the way her eyes narrowed at the two of them made enough sense to him. Johnny had never been good at compartmentalizing. And distractions were a liability, now more than ever.
Halona was a good girl; he'd seen enough of her around CJ to know that. He had more faith in her to not get distracted than he did Brady.
It was only the secondary reason that he felt like he could understand the way Elowyn's face twisted every time Brady's hand lingered on her friend's back- and every time he designated himself the one to swipe at the grime that managed to collect itself on the edges of the band-aid patched over her eye.
It made him miss having someone- miss CJ- so much it made his chest ache.
"Thereâs a whole lot to do around here without you trippinâ over yourself about her. Weâve got more important things to worry about." He said with a gesture at nothing. "El's right about that much."
"Elâs just pissy âcause sheâs jealous." Brady cut in, words sounding somewhat practiced as his tone dropped. "Halona knows it, and so does everyone else with a brain in their skull."
"Doesnât mean sheâs wrong," Crank mumbled, jaw feeling tight as he pushed open the door to the bunk room. Brady was so close behind him he could feel his breath on his neck.
"Yeah and you'd be singing a real different tune if CJ was here." He said, loud as he pushed past him into the room.
Crank froze where he stood in the doorway, suddenly feeling lightheaded. The girls had known from the beginning, and he had a hunch Croz did too if for no other reason than navigator proximity.
But not anyone else, Brady least of all. When he blinked and found his bearings, there was a proud grin tugging at Johnny's mouth.
"The hell 's that supposed to mean?"
Brady didn't miss a beat, stepping back towards him. "You know what it means, you were screwing her." he said, edging on shouting. "And you," He continued, jabbing his finger almost right into his face "wouldn't be acting like we all oughta' take celibacy vows in here if she showed up tomorrow."
Crankâs face burned, and he could sense everyone's eyes on him even when he didn't find he had the gall to look back. Settling for the safest bet he looked away from Brady at where Elowyn was sitting on the edge of her bunk, gaze flicking between the two of them, impassive. Halona had sat herself down at by her feet, looking up at her with one side of her cheek sucked in. Elowyn leaned down to say something in her ear.
Brady scoffed, expectant, and Crank felt like his strings had been cut.
"You know what- go fuck yourself," he spat as he stepped to him, enough that Brady dropped his finger away. "Or go screw Hallie, don't need my bles-"
Before he could even finish the sentence, Brady lunged, his fist meeting Crank's jaw with a crack.
All the air was sucked out of the room at once and Crank staggered back, blood rushing to his mouth. He wiped his lips with the back of his hand, tasting copper as he stumbled to keep his footing. Who he was pretty sure was Bucky came over to haul him up by one arm, barking something at Brady that felt like white noise to his ears.
When he looked at Elowyn again her face had hardened, and it looked like she might say something, but the words never came.
"You think you got everything out of your system there boys?" Colonel Clark said as he walked out from where he'd been in the corner of the room, brows furrowed with his arms crossed over his chest. He clapped a hand on Brady's shoulder and motioned for him to go stand where he'd just come from- as far away from Crank as he was going to get in the small space.
Hearing Elowyn's voice, low and urgent pulled his attention back to her and when he looked over, she had shimmied out of her bunk to sit next to Halona on the floor. Halona looked back at him when he figured that she could sense his staring, lips pressed in a thin line- wet glint in her eye that wasn't bandaged.
Crank swallowed, guilt settling his gut like a stone. If CJ was here, he thought, she would've killed him for making Hallie cry. She'd about knocked a RAF prick on his ass over much less.
Every move he made feeling forced, mechanical, he made himself sit in the empty chair next to Buck at the table, furling and unfurling his fingers around nothing.
"Just this place talking." Buck had taken up saying to all of them.
Crank found himself wishing this place would just shut it if it didn't have a damn thing useful to say, or an MIA navigator to spit out through the fence.
#universal sound au#halona dove#elowyn kirkland#charles cruikshank#john brady#halona x brady#cj x crank#cj howard#mota#masters of the air
17 notes
·
View notes
Text
Mystique being Marvel's Sherlock Holmes is going to be the number 1 reason I get committed.
#y'all don't underSTAND#I made Shawn twelve years ago. I named him Badger after the Honey badger don't give a fuck cuz he doesn't give a fuck#shawn's OTHER PARENT. IS. SHERLOCK HOLMES.#and hhhhhhhh the badger in marvel is the sssssssssson offffffff#i know different universe but do you unDERSTAND? do you SEE?#i'm that meme if the manic man and the strings and the papers everywhere#BUT YOU DON'T UNDERSTANDDDD THE TWELVE YEARS OF CONTENT THAT IS ACTUALLY. CANON. ADJACENT??¿?¿¿¿???#out of consultations ;; ooc#ignore me I am. frothing at the mouth. i am RABID
8 notes
·
View notes
Text
my gendered experience growing up as an intersex person was overwhelmingly defined by my responses and resistance to everything that got me labeled as a failure: failure to quickly get a gender assigned at birth, failure to go through a normal puberty and grow up into a woman, failure at meeting the standards for "complete womanhood" because of my intersex sex traits, and yet simultaneously failing to ever be acknowledged as a "real man" and being treated as a threat when I expressed I wanted to transition.
before i realized i was a man and came out as trans, the ways that girlhood was denied to me was very often humiliating and painful. locker rooms filled with other girls were a frequent source of shame. there were many big and small ways that i was told that my intersex body made me insufficient, incomplete, broken. i was forced onto estrogen, forced into shaving my body hair, and was constantly being told to change myself to better fit this mystical idea of a "normal woman." and even though I ultimately ended up becoming a man, the denial of girlhood was painful.
but i think that these things would have been even more difficult to navigate as an intersex girl if on top of everything I already said, i was having to cope with the denial of my girlhood while i was forced into boys locker rooms. if my doctors were forcing me onto testosterone hrt and refusing to even discuss estrogen, if all my legal paperwork had "M" on it and was a logistical nightmare to change, if every support group for my intersex variation labeled it as a "men's support group," if the LGBTQ community spaces i tried to join were misogynistic towards me often to the point of exile, if my self determination as an intersex girl was denied in most spaces of my life, and on and on and on. while listing all these things out i also don't want to make it seem like it's all about suffering and pain--so much of transition for me has been about joy in my self determination and how much it feels like a reclamation of autonomy to decide what I want my body and self to be like--i know this is an experience i share with so many of my trans intersex friends.
as an person who was AFAB, although there were many ways that trying to grow up as an intersex girl were a painful, logistical nightmare, many times and places that i was excluded from woman's spaces, etc. however, there was a simultaneous affirmation that i was right to strive for that in the first place. which is logic rooted in some fucked up compulsory dyadism, but also which would have made some things slightly easier or even possible at all if i had wanted to embrace being an intersex girl within this fucked up system.
pretty much every time i've seen people on tumblr talking about "afab transfems" in an intersex context, people seem happy to collapse these experiences and act like there's no meaningful distinction or point in distinguishing between different types of intersex embodiment. it seems incredibly extractive, to be perfectly honest with you--taking terms already used by a community to make meaning of their experiences and to expand and dilute that term enough that it means something pretty different than the original.
it's making me think about the concept of epistemic injustice, which is a term coined by Miranda Fricker to describe oppression related to knowledge, communication, and making meaning of the world. There's two subtypes of epistemic injustice: testimonial injustice and hermeneutical injustice. Testimonial injustice refers to the dynamic where marginalized people are labeled as not credible, excluded from conversations, and their testimony and knowledge is labeled as unreliable, even when they're the ones who are experts and have first hand experience of what people are talking about. (this is why i probably won't make this post rebloggable--i've noticed this pattern on tumblr many times where trans men speaking about transmisogyny get lots of notes and are given a lot of grace, where trans women are silenced, attacked for not having perfect wording, and otherwise delegitimized.)
the second type is called hermeneutical injustice. it describes how marginalized people are denied the right to make sense of the experiences in their own lives. this can look like preventing people from building community, terminology, a political understanding of themselves, and the interpretive resources needed to process how you live in the world.
this is a form of injustice that I think almost all intersex people are very familiar with--we are denied community and interpretive resources to the point that we're told we don't even exist, that intersex isn't a real word, and so many more examples that leave us isolated and with very few options for understanding what we're collectively experiencing. as an intersex person i really intimately understand how frustrating, confusing, and painful it is to not have words for your experiences, your identity, your life.
so it makes me really sad and pissed off when it seems like intersex people seem to be replicating this exact same type of epistemic injustice towards transfems and specifically towards intersex transfems. pretty much every time recently i see people talking about "afab transfems" they're doing so in a way that seems to deny that trans women even have the right to make sense of their own experiences in the world. there seems to be this mindset that these political frameworks, these interpretive resources that transfems have built up are just up for grabs for anyone. and then on top of that has come with it a lot of cruel, hateful language and direct attacks towards many intersex transfems who are facing so much harassment right now.
an important value to me is this idea of reciprocity as a foundation for solidarity. to me reciprocity means that we're prioritizing the ways we care for each other, we're thinking about how we can uplift each other, and we're watching out for extractive or exploitative patterns where one group is constantly expected to be in "solidarity" with another group without getting the same respect and care back toward them. i think that there could be so many ways that intersex people of all genders could share our overlapping experiences and actually be in true, meaningful solidarity with each other, but i barely ever actually see that happen on tumblr. and that pisses me off, because i do think that there's so much we have in common that we could celebrate and support each other with. i feel so much kinship with so, so many of my trans intersex friends, and ways where i see our lives converge. but i don't think that can happen in an environment where there's no acknowledgment of the ways that our experiences will sometimes (often) differ from each other, and the ways that we have unique needs.
another frustration i've had based on this most recent couple months of transmisogynistic intersex posting on tumblr is how intersex people have been mostly ignoring intersex community resources and devaluing the existing intersex terminology that people created to try to meet our needs. so much of what i've seen people describing on tumblr seems to really line up with the term ipsogender. Ipsogender is a term coined by an intersex sociologist Cary Gabriel Costello, and is used to describe intersex people whose gender matches the gender they were medically assigned at birth, but who might not feel like cis or trans fits them, might experience dysphoria, and who might feel like they've ended up transitioning medically or socially in some ways. this is a word that exists that an intersex person put time into coining because they wanted other intersex people to feel seen, embraced, and have ways of understanding themselves and communicating to others, and that's something that's super meaningful to me! and yet, i've rarely seen anyone reference it, and also seen multiple people making fun of it in other spaces online.
there's also intergender, which is another intersex specific gender term used to describe when your gender is inseparable from your intersex traits, and that your intersex identity is intertwined with your gender identity in some way. some people just identify as intergender, others use it as an adjective and exist as an intergender man or woman. intersex terminology like this is really important to me, especially because we're so often denied the right to make sense of our own experiences.
i think ultimately what i wanted to say with this post is just that when i think about intersex community, some of the most important values of intersex community for me are solidarity, care for each other, and affirming our right to define our own existence. and i don't think that can happen in a community where people are acting in extractive ways, harassing and attacking their fellow community members, and being dismissive of the realities of other intersex people's lives.
#personal#actuallyintersex#intersex#actually intersex#transmisogyny tw#this post is not going to be rebloggable for now but if any intersex mutuals want to reblog it i might turn reblogs on#this just feels like an intersex conversation in a way i would prefer not to do with an audience of spectators.#also a tangent: i do understand that agab is not a body descriptor. i think that agabs are a form of curative violence perpetuated onto us#this is something i've been consistent about expressing for years. if you go back to old posts you'll see that there's many times i've said#over the years that agab is messy. that i know people who were assigned one gender at birth and another gender as a toddler#who identify as cis and trans and a million other things. i understand that and im not interested in denying their existence#so. don't take this as a universal statement from me about every single instance of âamab transmanâ or âafab transfem.â but rather in the#context of the current dynamic i'm seeing on tumblr of widespread transmisogynistic harassment#that i think much of the way people are talking about this is exploitative and harmful#also i've made many posts before talking about how like. many things would change and become intelligble in a less compulsorly dyadic world#but we aren't there yet. and so there are many terms that are still meaningful and relevant for us right now#and as always: i am one intersex person with one perspective i like to hear from other intersex people including intersex people#who think differently from me
578 notes
·
View notes
Note
thank you for the response!! i was finding that a lot of fans takes on twitter were based in expectation bias when their headcannons were not fulfilled. in other words, certain criticisms didnât come from a place of objectivity and dissecting the story, but from a place of things not going the way they wanted after being knee deep in fanfics for 3 years. so i truly appreciate and really agree with your takes.
i think the show would have really benefited from a third season, or at the very least another act. i understand the writers want to explore other parts of the league universe but it felt unfair to rush this plot and these characters to get there. lack of commitment to the characters and their stories couldnât be more true.
caitlynâs arc HURT. she was such a likeable character in s1 and she feels totally different this season. i can see how some of her redemption is cultivated through actions but i donât think it was nearly enough. she owed vi an apology and their needed to be very obvious remorse. there wasnât nearly enough for the scale of her actions in acts 1/2. to me, caitlynâs line to jinx âno amount of good deadâs can ever undo our crimesâ kind of feels like the writers wrote that line to excuse themselves from having to write anything that would actually redeem her. donât even get me started on her inability to see how wrong it was to push the enforcer role on vi⊠any previous anti classist/anti police brutality messaging from s1 were not addressed at all in s2. they turned the piltover/zaun conflict into a both sides thing where instead caitlynâs redemption could have been a really great time to highlight and talk about those issues again this season.
i agree on all fronts about vi. her relationship with both caitlyn and jinx was handled so poorly i donât even know where to start. the writers totally lost sight of the plot (two sisters) and totally neglected the aspects that made caitvi so special. their trust and communication and willingness to learn and understand is what drove the story forward and served as a way highlight the piltover/zaun injustices. i was shocked by vi becoming an enforcer, but her letting cait gas the undercity with no objections was such a betrayal to her and EVERYTHING her character stands for. we finally had a mainstream butch character who is just knocked down time and time again. vi loves hard and protects her family and to me it ultimately felt like she was punished for having too big of a heart. i wish they treated her character more tenderly, and youâre right, more agency would have been a really great way to do that.
i feel the same about jinx. her character was mistreated and wasnât handled with the care she deserved. i thought we may be getting somewhere with isha and her stepping into the role zaun needs her in. but it was torn away just as quickly as it was given to us and i canât really think of a reason why this benefited the story?
a lengthy reply on my part as well but i really appreciate your opinion and thoughts!
as soon as i finished s2 of arcane i knew i wanted to hear your takes on it. any opinions as to how they handled caitlynâs arc, viâs story, and the development of s2? i would love to hear anything you have to say about this season!!
also - the end of this season has me scouring Ao3 for some fics to fill the void. have you had any recent one shot or fic ideas now that the show has ended? iâve been dying for a hurt/comfort and really soft sex type of story for cait and vi. maybe something where cait is taking care of vi after the events of 206? lord knows they could both use the comfort and vi deserves to be loved and taken care of. i know you would write that beautifully.
or if you have any recs for fics along those lines? đ
as always, thanks for your incredible work both inside and outside of fandoms! love hearing from you! <3
Omg hiii! I appreciate that you care what I think haha!
Let me preface this by saying that the criticisms I have for the writing of s2 does not take away the love I have for this show and what it's done for animation as a medium.
Now, with that said...
S2 was a mess.
I said this on twitter, but I think the writers had a lot of ambition â too much ambition â for the amount of episodes they had to wrap this story up cohesively. This AMAZING show suffered because of corporate greed and not having enough time to flesh out character arcs and plots from s1. I think it started off promising. I was really excited to see how they would handle the Zaun/Piltover conflict, Vi's journey toward healing and forgiving herself for her past mistakes, Jinx's descent and then return as a hero, as well as Caitlyn's descent and redemption arc.
Instead we got... that.
There's one word that keeps twirling around in my head: commitment.
The writers lacked commitment (and a diverse writing room) to properly handle the Piltover/Zaun conflict. S1 had such a good starting point, whereas in S2 it's like they diverged from the path and forgot the finish line existed. Sitting Sevika at a table with her oppressors who will most likely tune her out and outvote her on everything is NOT a solution. Why not a complete overhaul of the council? Make it an even split? Instead it's the same people who never gave a fuck in the first place, and Sevika, who helped get half of the population of Zaun hooked on shimmer in the first place. Like what???
They failed to commit to Caitlyn's villain/dictator era. When episode 3 happened, I was skeptical about how they would handle it. And after watching the entire season, I had every right to feel that way. They make her so unapologetic and blasé about gassing Zaunites and letting Ambessa unlawfully arrest people. That's not my Cait from season 1. Does grief change people? Absolutely! But once it settles, you should be able to look back on what you've done and feel remorseful. Cait's lack of remorse was jarring. Her inability to apologize or outwardly own up to everything she did was OOC. You know what could've been the perfect moment for that? When Jayce gathered Piltover and Zaun in that room and she was standing right across from them. Why not have Sevika or Scar call her ass out and hold her feet to the fire? Lay out the facts of what her grief looked like to the innocent people of Zaun who had nothing to do with it? That would've been the perfect time for her to say something.
They failed to commit to Jinx and her story as a whole. At its core, this show was centered around two sisters growing up impoverished and oppressed, constantly separated, but always finding their way back to each other. Jinx is such a heartbreaking character used for trauma porn. Episode 6 fucked me up so badly but I THOUGHT it would lead to something big for her character. Like her stepping into this unwilling hero role and working with Ekko to lead Zaun into a better future like the one Ekko saw in episode 7. BUT LOL NOPE. Instead she's suicidal and self harming while her sister is fucking the oppressor in a prison cell. DA FUCK?
And lastly they failed Vi's character in every possible way. From putting on the badge in the first place to not exploring the depth of her character. She's basically a passenger in s2. Has no agency. Used as a punching bag (literally). And treated as an afterthought. I'm so pissed. There should've been a lot of conflict in act 1 between her and Cait. You mean to tell me Vi, who HATES enforcers. would willingly let her situationship gas her people? Fuck no. Absolutely not. It does not make sense, narratively speaking. Her ending did not make me hopeful. Even if Jinx is alive and moving on from Vi to "break the cycle" that does nothing for Vi's character. She is without family once again, and I fear it would lead to an unhealthy codependent relationship with Cait. Like she'll never be able to voice opposing thoughts or feelings without fear of Cait leaving her AGAIN.
As for the Caitvi relationship. This is tough. On one hand, I was happy to see a lesbian s*x scene in animation for an awarded television show. But on a heavier hand, it rings hollow after everything I've said. Much like the Piltover/Zaun story, Caitvi had a good starting point in season 1. I did have my issues with it because, as a Black woman, seeing someone oppressed get with a cop does nothing for me. But I wanted to give them the benefit of the doubt because I believed the writers knew what they were doing. But I was wrong again. CaitVi is unfortunately one of the weakest points of S2. The writers did not COMMIT to their conflict. It's barely glossed over and then Caitlyn gets rewarded with s*x. And this is why I could never commit to them as a couple. At least not in canon. I liked them in s1 and the idea of what they could've been to each other in s2. And it looks like I'm going to have to find that elsewhere, unfortunately.
Overall, it all comes back to what I said in the beginning: lack of time, a diverse writing room, and corporate greed. I'm disappointed, but unfortunately not surprised. I hope the writers can learn from their mistakes moving forward.
As for fanfiction, I have actually not read any yet! So I don't have any recommendations for you. I need some for myself! I'll get back to you if I find any good ones.
Sorry for the lengthy post! I really just needed to get this all out and I feel so much better.
49 notes
·
View notes
Text
As much as I adore conlangs, I really like how the Imperial Radch books handle language. The book is entirely in English but you're constantly aware that you're reading a "translation," both of the Radchaai language Breq speaks as default, and also the various other languages she encounters. We don't hear the words but we hear her fretting about terms of address (the beloathed gendering on Nilt) and concepts that do or don't translate (Awn switching out of Radchaai when she needs a language where "citizen," "civilized," and "Radchaai person" aren't all the same word) and noting people's registers and accents. The snatches of lyrics we hear don't scan or rhyme--even, and this is what sells it to me, the real-world songs with English lyrics, which get the same "literal translation" style as everything else--because we aren't hearing the actual words, we're hearing Breq's understanding of what they mean. I think it's a cool way to acknowledge linguistic complexity and some of the difficulties of multilingual/multicultural communication, which of course becomes a larger theme when we get to the plot with the Presgar Translators.
#imperial radch#also a great example of the 'you don't have to be Tolkien' phenomenon#if you want to think about linguistic differences by building all the languages in your setting#and being able to explain what those differences are through actual texts in the language in question#that's AWESOME#but it's not the only way to do it#it's also interesting because of course this style only works in book form#everyone's speaking different languages but in a written account they're all 'translated' for you#but of course if it was a TV series they would all have to be speaking a language the audience understands#(or you *would* have to go wild with conlangs)#and i think that's really cool as well--#how for a series where song is so central we don't actually hear any of the actual in-universe words or any of the music#it's all been filtered#and again you know this is happening but seeing the examples of how real songs--the shape hymns and 'L'homme Arme'--are presented#makes you a lot more viscerally aware of how limited your perspective is#it's good#ann leckie i love you
2K notes
·
View notes