#i kept meaning to rewatch this series and do it then

[focusonkayjay]

Wildly Wealthy Koreans (2); inspired by Crazy Rich Asians

Pairing: Jungkook x (f.) Reader

Genre/Tags: photographer/ filmmaker! jungkook, rich girl/ fashion designer! reader, established relationship, angst, fluff, potential smut

Word Count: 6.6k+

Series summary: When you invite your boyfriend, Jungkook, to accompany you to your brother's wedding in your hometown, Daegu, he’s overjoyed, eager to meet your family and experience a side of your life you’ve never shared with him. However, once he uncovers the truth about who you really are, he’s unable to grasp the full extent of your reality. The situation becomes even more complicated when a certain someone makes him feel profoundly unwelcome, leaving him to question not only your world, but also his place in it.

Disclaimer: This series is heavily inspired by the movie Crazy Rich Asians, with the storyline closely following the original film's plot. However, I wanted to reimagine it as a fanfiction, where Jungkook and OC take center stage as the main protagonists. While I’ve kept the core elements and themes from the movie, I’ve added my own touches here and there, such as altering certain character dynamics and incorporating a few original settings. Some scenes are directly inspired by the movie, and I’ve worked to recreate them in a way that it hopefully resonates with the fans of the movie. Hope you enjoy!!

Chapter Warnings: talks about culture, your mom is a meanie

A/N: literally fighting the urge to rewatch crazy rich asians right now omg. anyways, i'm having so much fun writing this because i love explaining every little thing in detail, and this series gives me so many opportunities to do so. let me know your thoughts <3

part 2

“I can’t believe this.” Jungkook breathes out, sinking into the plush comfort of Yoongi’s ridiculously soft mattress. He runs a hand through his hair, his mind racing as he tries to process everything he had found out during the eventful lunch he just had with Yoongi's family.

It feels like the ground beneath him has shifted. You’re not exactly who he thought you were. Not that he had preconceived notions about your life, but this? This was on an entirely different level. “I wonder why she never told me.” he mutters, more to himself than anyone else.

Yoongi chuckles from across the room as he pulls back the heavy, luxurious curtains, flooding the space with the warm afternoon light. His bedroom is just as opulent as the rest of the mansion... floor-to-ceiling windows, sleek modern furniture, and an aesthetic that screams understated wealth.

“I mean… maybe she didn’t want to show off.” Yoongi suggests casually, as if being from an ultra-rich family is something people hide every day. “Yeah… like you.” Jungkook points out, sitting up and gesturing around the room.

His eyes narrow as they take in every detail. “You never told me you were this...” he pauses, glancing pointedly at the chandelier hanging from the ceiling, the antique show piece on the side table, and the impossibly soft bedding beneath him “...rich.”

Yoongi smirks as he leans against the window frame, arms crossed. “What can I say? I’m humble like that.”

Jungkook groans, leaning back on the mattress as he throws an arm over his face. “My whole life is a lie. You’re telling me I’ve been surrounded by literal multimillionaires this whole time and I didn’t have a single clue?” His voice is half-frustrated, half-bewildered, and the wide-eyed expression on his face makes Yoongi snort with laughter.

“Come on, you’re being dramatic.” Yoongi teases, his tone light but with a knowing smirk. It’s almost laughable coming from him... the same guy who was practically losing his mind over you back in the dining room. “It’s really not that big of a deal.” he adds casually, as if he hadn’t been the one freaking out just moments ago.

“Not that big of a deal?” Jungkook echoes, sitting up with an incredulous look. “You live in a mansion. You drive a car that costs more than my entire apartment building. And now I find out my girlfriend is a part of one of the most powerful families in the country?” He shakes his head, rubbing his temples. “You’re right. Totally normal. Nothing to see here.”

Yoongi grins, clearly entertained by his friend’s over-the-top reaction. “You’re handling this surprisingly well.” he jokes. Jungkook shoots him a look. “I’m on the verge of an existential crisis, and you’re laughing at me.”

“Wouldn’t be the first time.” Yoongi says with a shrug, making Jungkook groan again.

“And now I can’t stop thinking about that damn tea party ceremony thing I have to go to, this evening.” Jungkook sighs, leaning forward and resting his elbows on his knees.

His fingers thread through his hair in frustration. “I don’t know what to expect after everything I’ve learned today.” He breathes out heavily, as though the weight of the world is pressing down on his shoulders.

“Don’t stress it.” Yoongi replies, his tone infuriatingly nonchalant as he leans back in his chair. He looks completely at ease, like Jungkook hadn’t just had his world turned upside down in the span of a few minutes.

Jungkook stares at him, exasperated. “How can I not? I don’t know if I’ll even be able to fit in. Everyone there will probably take one look at me and smell the filth on me. They’ll know right away that I’m a completely different breed compared to them.” he huffs, gesturing dramatically to make his point.

Yoongi stifles a laugh, shaking his head. “You’re being ridiculous.”

“Am I?” Jungkook counters, his tone sharp. “I’m just some regular guy. I grew up in a tiny apartment with my mom, eating instant ramen and working part-time jobs to get by. These people... your people... live in literal mansions and probably eat gold-flaked caviar for breakfast or something.” he rambles.

Yoongi finally bursts out laughing, the sound making Jungkook scowl even more. “Gold-flaked caviar? That’s a bit too much, even for us.” Yoongi teases, his voice dripping with amusement. “But seriously, You’re overthinking it.”

Jungkook shakes his head, his insecurities bubbling to the surface. “You don’t get it. I’m not like them. I don’t know the rules, or how to act, or what to say or how... how to dress. I’ll stick out like a sore thumb.” he says, covering his face as the stress surges through his veins.

"Well, since you brought it up... do you have an outfit for the evening?" Yoongi questions. Jungkook shrugs, a bit unsure. “Well, I have this simple suit. It’s... it's this black-”

“No way.” Yoongi interrupts, shaking his head in disbelief. “There’s no way you’re wearing a simple black suit to this thing.”

Jungkook blinks, taken aback. “What’s wrong with a simple black suit?” he asks, genuinely perplexed.

Yoongi clicks his tongue like a disappointed teacher, standing up from his seat. “This won’t do. Follow me.” he says briskly, already turning on his heels. Jungkook barely has time to react before Yoongi is leading him down the hall and into what can only be described as a dream closet.

The room is enormous, with racks of clothing neatly arranged by color and style. Spotlights illuminate the array of designer outfits, from tailored suits to silk shirts and everything in between.

Shelves line the walls, displaying polished leather shoes, neatly folded ties, and an impressive collection of watches. A faint, luxurious scent lingers in the air, and Jungkook can’t help but gape at the sheer extravagance of it all.

“Okay, let’s see.” Yoongi mutters, his sharp eyes scanning the racks like a man on a mission. He pulls out a prussian blue short coat with clean, sharp lines and a tailored fit. The material has a subtle texture that exudes luxury without being flashy. “This is so so sleek and I think this should be perfect for tonight.” he muses.

“Blue?” Jungkook raises an eyebrow. “You think that’s the move?”

Yoongi smirks. “I don't think... I know it is.” He sets the coat aside and grabs a light blue silky dress shirt, its soft sheen adding just the right amount of elegance. “This will add a little softness. Plus, it’s classy as hell.” he explains.

Before Jungkook can protest, Yoongi moves to another section, pulling out matching prussian blue trousers. “These match the coat...” he softly says, more to himself.

Yoongi then crouches down to the shoe shelf, grabbing a pair of sleek black loafers “And these... for your feet.” He stands back up and makes his way to the display of accessories.

“We’ll keep it simple...” he murmurs, looking around and a few seconds later, he picks out a delicate diamond brooch shaped like a flower. “This is gonna add just the right amount of sophistication without being too much.” he smiles, proud of himself for the fashion choices he's making.

“Try it on.” Yoongi orders, shoving the outfit into Jungkook’s arms.

Jungkook hesitates, still overwhelmed by how much thought Yoongi has put into this. “Isn’t this… a bit too much for a tea... party?”

“Not for this one.” Yoongi says matter-of-factly, leaning against the wall with his arms crossed. “Trust me, this is how you blend in while still making a statement.. you're gonna thank me for this.”

A few minutes later, Jungkook emerges from the dressing area, and Yoongi’s face lights up in approval, completely satisfied with his work.

The prussian blue coat fits Jungkook perfectly, accentuating his broad shoulders, while the silky light blue shirt adds a sophisticated edge. The trousers and polished loafers complete the look, and the diamond brooch glimmers subtly, tying everything together seamlessly. (jungkook's full outfit if u want to visualize it)

Yoongi whistles low, nodding. “Now that’s what I’m talking about. You look insanely good.” he claps. Jungkook glances at himself in the mirror, stunned by the transformation. “I look… fancy.” he mutters, running a hand down the soft fabric of the coat.

Yoongi smirks. “You look expensive. And that’s exactly the point.”

//

As the clock strikes 5, Jungkook’s phone buzzes with a message from you. It’s the address of the place he’s supposed to go. The pit in his stomach deepens as he reads it... nerves gnawing at him now that the event feels real and imminent.

He stands in Yoongi’s room, fidgeting with the cuffs of the silky dress shirt he's wearing, while Yoongi carefully styles his hair. After a few minutes of fussing, Yoongi steps back, his expression satisfied. “There.... perfect.” he quips with a smirk.

Jungkook sighs, taking in his reflection. He looks different... polished, refined, like someone who owns a portfolio full of stocks and leaves enormous tips at fancy restaurants without a second thought. He tilts his head, still processing the transformation.

“Let’s head out?” Yoongi suggests, and though still hesitant, Jungkook nods, grabbing his phone and wallet before following Yoongi downstairs.

When they step outside, the familiar luxury of Yoongi's estate greets him and he instantly notices that this time, Yoongi has opted for a different car... a sleek, deep-red Ferrari Roma. The polished exterior gleams under the fading daylight, and Jungkook can’t help but gawk. "This car looks like it belongs in a museum." he mutters, still trying to process Yoongi’s absurdly lavish lifestyle.

The same guard from earlier appears, carrying Jungkook’s luggage, which he efficiently loads into the the car's surprisingly spacious trunk. Yoongi slides into the driver’s seat, revving the engine, and the low, throaty hum fills the air.

Jungkook gets into the passenger seat, muttering under his breath, “I don’t think I’ll ever get used to this.”

Yoongi chuckles as he adjusts the rearview mirror. “You’re supposed to say, ‘Thank you, Yoongi, for giving me a taste of luxury.’” he jokes.

The ride to the address you’ve shared isn’t long, but with each passing kilometer, Jungkook grows more apprehensive. The city’s bustling streets fade away, replaced by quieter, tree-lined roads. And as the sun finally sets, the atmosphere feels secluded and serene, the kind of area reserved for only the wealthiest of the wealthy.

By the time they approach the destination, it’s almost completely dark, and the surroundings are cloaked in shadow. Eventually, the headlights illuminate a massive iron gate adorned with intricate designs, the kind that looks custom-made and costs more than an average car.

Tall stone pillars flank the gate, with elegant golden lettering engraved on plaques— 'The Kims' etched prominently.

The GPS pings, signaling they’ve arrived. Before Jungkook can say a word, the gates swing open automatically, revealing a long, winding driveway lined with towering, perfectly trimmed trees. A soft glow from decorative lanterns illuminates the path, casting an ethereal ambiance over the grounds.

“Is this a driveway or a runway?” Jungkook mutters as the car rolls forward. The sheer length of the driveway seems surreal and it takes them almost five minutes to reach the end.

When they finally arrive, Yoongi slams on the brakes, his jaw dropping. “Holy fuck…” he breathes, gripping the steering wheel tightly. His voice is barely above a whisper as he asks, “Are you seeing this?”

Jungkook stares, utterly gobsmacked. Before them stands an enormous mansion, more like a palace than a home. The architecture is a seamless blend of modern elegance and classic grandeur.

A sprawling facade of pristine white marble reflects the soft golden lights strategically placed along the perimeter. Massive glass windows stretch across the mansion, framed by intricate black ironwork.

A fountain stands proudly in the center of the circular driveway, water cascading gracefully in the glow of ambient lights. The front doors are enormous, crafted from dark wood and adorned with golden handles that look like they belong in a royal palace.

Behind the mansion, faint silhouettes of sprawling gardens and additional wings of the estate hint at just how vast this property is. Jungkook feels like he’s stepped into a movie. His voice is barely audible as he murmurs. “This… This is where Y/N lives?”

“Dude...” Yoongi says, still staring at the mansion. “I told you my place would be nothing compared to this.”

As Yoongi is still marveling at the house, his hands gripping the steering wheel like he’s afraid to blink and miss something, Jungkook’s gaze drifts beyond the car's window.

Near the expansive lawn and the grand entrance of the mansion, groups of people mingle, their laughter and chatter carried on the soft evening breeze. It’s all so overwhelming, but then his eyes land on you, and suddenly, the world seems to still.

You’re standing by the grand double doors, chatting with two women who appear equally elegant. But his focus is entirely on you. You’re dressed in a stunning emerald green gown that hugs your figure just right.

The strapless design accentuates your shoulders and collarbones, and the gown flows down in soft, silky waves, brushing against the floor with every slight movement. A string of delicate pearls adorns your chest, their soft sheen catching the light with each turn of your head.

Your hair is styled in a way that frames your face beautifully, soft tendrils brushing against your cheeks. The golden glow of the mansion’s lights reflects in your eyes, making them look like the night sky dotted with stars.

You smile at something one of the girls says, and that smile... it’s the kind that makes Jungkook’s heart skip a beat, the kind that could light up even the darkest of nights.

As he sits there in Yoongi’s car, rooted to his seat, he can’t help but take in your beauty. The way you carry yourself with such grace and confidence, as though you were born to belong in a setting as grand as this. Jungkook feels his throat tighten. How? How on earth had someone like him... ordinary, flawed, and a complete mess half the time, ever managed to end up with someone like you?

You’re perfect, he thinks, in every sense of the word. From the sparkle in your eyes to the way your laughter carries, soft and melodic, across the air. He feels a pang of disbelief, as though at any moment someone might tap him on the shoulder and tell him it’s all been a dream.

His hand clenches slightly against his knee as he leans back into the seat, still staring at you, unable to look away.

And like magic, your eyes meet his from across the expanse. It’s as though the crowd and the grandeur of the mansion fade into nothing, leaving just the two of you in your own world.

Your expression instantly lights up, a radiant smile spreading across your face. You excuse yourself from the two women without the slightest bit of hesitation, your steps purposeful as you make your way towards the car parked by the grand fountain.

“Oh my god, she’s coming… she’s coming here.” Jungkook mutters under his breath, panic and exhilaration twisting together in his chest. His words snap Yoongi out of his trance, but before Yoongi can even react, Jungkook is already out of the car.

“Baby... you made it.... Hi.” you say, your voice sweet and filled with warmth as you approach him. Without a second thought, you wrap your arms around him, pulling him into a tight hug. The faint scent of your perfume envelops him, soft and comforting, and for a moment, he’s too stunned to move.

Just seconds ago, Jungkook’s mind had been a mixture of nerves and doubts, the unfamiliar surroundings and the weight of everything he’d learned earlier still pressing on him. But now, as he feels your arms around him and the steady rhythm of your heartbeat against his chest, all of that melts away.

He exhales a breath he didn’t even realize he was holding, his arms instinctively wrapping around your waist, pulling you closer. In your embrace, the humoungous mansion, the status of those around him, and the intimidating luxury that surrounded him, no longer mattered. None of it.

Right here, right now, he feels safe. He feels like he belongs... not with the wealth, not with the prestige, but with you. It’s in the way your presence calms his racing heart, in the way your touch grounds him. With you, it feels like home.

And in that moment, he knows. No matter how out of place he might feel in this world of opulence, as long as he has you, he’ll always belong.

“Ahem.” Yoongi clears his throat, a playful glint in his eyes as he watches the two of you pull away from the hug. He stands by the side of the car, arms casually crossed, his lips curling into a teasing smirk. His gaze flicks between you and Jungkook, his eyebrows wiggling as if to silently ask... Are you going to introduce me, or what?

Jungkook’s eyes travel to Yoongi, and the subtle shift in his expression tells Yoongi that he’s caught on to the unspoken request. He gives a small, sheepish chuckle, the tension that had lingered before, now dissipating.

“Babe, this is Yoongi.” he says, his voice soft but genuine as he reaches out to encircle your waist again, his fingers lightly tracing the curve of your back. He turns his head to Yoongi with a grin. “And Yoongi… this is Y/n.”

You look at Yoongi, a warm and open smile immediately spreading across your face. You’ve only heard bits and pieces of stories about him from Jungkook, but you already have a good sense of his nature. “Yoongi, hi!” you greet him, your voice bubbling with kindness.

“Thank you so much for bringing him. I'm a little mad at you for stealing him away from me on his very first day here...” you tease, your eyes sparkling as you glance up at Jungkook. “But I still get it. I guess I’ll forgive you... only this time, though.”

Yoongi chuckles, genuinely amused by your playfulness. He raises his arms, giving a mock bow, and offers a teasing apology. “I apologize. But thank you for letting him come meet me. It was really nice catching up after all these years." he sincerely says.

You smile at the sentiment, inching closer to Jungkook as you move past the brief formality. The three of you stand for a moment, the evening breeze and the sound of the water splashing in the fountain, wrapping around you.

The conversation feels comfortable, like a warm, shared space where everyone is still figuring each other out but already enjoying the connections being made.

Then, with a sudden idea that seems to come naturally to you, you look up at Yoongi with a soft but insistent smile. “Why don’t you join us tonight? It’ll be fun.” you suggest, your tone light but sincere.

Yoongi looks like he’s about to refuse, his shoulders relaxing slightly as he opens his mouth to protest. “Oh, my god, no. It’s alright, really-”

You cut him off gently, your voice light with the promise of something easy and enjoyable. “Oh, come on. It’ll be amazing. Besides you're already here and I would feel like a horrible person if I just sent you away without an invitation. Plus, I'm pretty sure you'll find some you know in there.. so please, do come.”

Yoongi hesitates again, the pull of his curiosity and the warmth of your invitation winning him over. But deep down, he knows he’d be stupid to refuse. Why the hell wouldn’t he want to spend his evening at the Kim estate, soaking in the luxury and splendor?

“Well... if you insist…” Yoongi begins, finally giving in with a playful smirk. “I’d be honored to stay.”

Jungkook watches the exchange with a soft grin on his lips, his heart swelling with a quiet affection for you. In moments like these, it’s impossible not to marvel at how effortlessly you make everyone feel at ease.

Your ability to connect with anyone, to put people at ease with your calm demeanor and genuine interest, is one of the things he admires the most about you.

//

As the three of you enter the mansion, Jungkook’s eyes immediately widen at the sheer gloriousness of the place. The space is expansive, and the walls are adorned with elegant artwork, framed portraits, and intricate carvings that speak of a long history of wealth and taste.

The air smells faintly of fresh flowers and something warm, like vanilla, and the soft lighting gives the house an intimate yet sophisticated feel. He can’t help but be in awe, his footsteps slowing as he takes in the magnificent surroundings. From the grand chandeliers overhead to the tastefully arranged furniture, every corner is meticulously curated.

Suddenly, Yoongi is distracted by a familiar face in the crowd... a friend of his, evidently, who bumps into him as they walk into the entryway. "Yooooo...Yoongi, What are you doing here, dude?" the man beams, instantly dapping him up.

Yoongi’s expression shifts from casual to excited as he greets the man, and soon enough, they’re deep in conversation, his attention completely absorbed by the exchange.

Seizing the moment, you lean over to Jungkook and softly whisper. “Come on, let's leave Yoongi to catch up with his friend." you simply say.

Without giving him an opportunity to agree or protest, you take Jungkook’s hand and lead him up the grand staircase, the polished wooden steps creaking slightly beneath your heels.

The second floor seems even quieter than the first, with only the distant murmur of conversation from the living room and the lawn below. The hallway is empty, the walls lined with family portraits and antique furniture that speaks of both elegance and history.

As you walk down the long corridor, Jungkook follows quietly, his hand wrapped around yours, the warmth of your touch grounding him.

Glancing over your shoulder, you catch his gaze and flash him a playful, flirty smile. Then, with effortless grace, you turn to face him, continuing to walk backwards, your eyes never leaving his, a teasing glint dancing in them.

A comfortable silence settles between you two as your eyes take him in. He looks undeniably charming. The way the outfit fits him, accentuating his sharp features, makes your heart flutter in a way you didn’t expect.

Even though you’ve only been apart for a few hours, you’ve missed him deeply. Unable to find the right words, you let your gaze speak for you, your eyes lingering on him with warmth and admiration, as if memorizing every detail.

“Did I tell you how fucking gorgeous you look tonight?” Jungkook’s voice cuts through the stillness, and you can't help but giggle at the awe in his expression.

His eyes glint with admiration, the kind of look that makes your heart flutter in your chest. He’s not hiding his feelings, and it’s evident from the way he glances at you, his gaze tracing your figure as if trying to etch every detail into his mind.

You feel a spark ignite inside you at his words, but you manage a smile, keeping your composure as you look at him. “You don’t look too bad yourself.” you tease, your steps slowing as he steps closer, releasing your fingers from his hold as he places his hands on your waist, halting you in your tracks.

The corridor feels quieter now, the faint hum of distant chatter fading into the background as his presence fills the space. He pulls you closer, his dark eyes locking onto yours. “I missed you.” he murmurs, his voice low and earnest, his gaze flickering to your lips. And as though it’s second nature, he leans in, capturing your lips in a soft yet passionate kiss.

A smile curls on your lips as you kiss him back, the warmth of the moment sending a flurry of butterflies through you. You can’t understand how he always manages to have this effect on you, leaving you breathless and wanting more.

“I missed you too.” you whisper as he pulls away, your eyes catching the faint shimmer of your lip gloss now smudged on his lips.

Despite the intimate moment you’ve just shared, you can’t help but laugh softly. He tilts his head in slight confusion, his brow arching adorably. Without saying a word, you take his hand again, leading him forward down the corridor.

“Come on, I want to show you my room.” you say, your voice light and eager as you guide him further into the corridor.

Jungkook’s eyebrows raise in eagerness as you lead him further down the corridor, past several closed doors. The silence around you both feels almost comforting, as if this is a moment just for the two of you... away from the grandiose of the house and the people downstairs. You’re aware of the weight of the space around you, but in this moment, you’re only aware of him.

“I’ve lived in this house ever since I was a baby...” you continue, your voice quiet but soft, allowing a sense of nostalgia to seep in. “After moving out to New York, the one thing I missed the most was my room.” You look up at him, your smile deepening. “So... I really just... wanted to show it to you.”

Jungkook seems struck by your words, his curiosity piqued, but you don’t elaborate further. You can tell he’s fascinated by the house... he’s seen enough of it already to know it’s not just a regular mansion, but you’re careful not to make him feel overwhelmed.

You don’t want him to think you’re bragging or showing off, not when it comes to your family’s history or the house that’s been passed down for generations. It’s always been a part of you, but you’ve always hated the idea of people seeing you through the lens of privilege.

You’ve never been the type to flaunt it, but the quiet discomfort always lingers. The fear that people will think you’re trying to distance yourself from others or act like you’re somehow above them. It’s why you’ve never told Jungkook much about your background, not in the way some people might expect. You didn’t want him to misunderstand.

As you round a corner and approach your door, Jungkook glances at you, sensing that there’s something more beneath the surface of your words. He opens his mouth to ask, but you cut him off gently with a soft smile, knowing he’ll get to know everything in time.

For now, all that matters is this moment, and as you unlock the door to your room, you can’t help but feel an odd sense of calm. You’ve never shared this part of yourself with anyone before... not like this. But with him, it feels like you’re finally letting him see all of you.

As you switch the lights on, a soft glow fills the room, instantly giving it a warm, inviting ambiance. Jungkook takes a step inside, his gaze sweeping over the delicate details that make up the space. The walls are painted in a blush pink hue, accentuated by crown molding in a creamy white tone.

The furniture matches the aesthetic, with an elegant white queen sized bed and a quilted headboard adorned with tiny, pearl-like studs.

There’s a fluffy cream rug sprawled across the polished wooden floor, and a cozy armchair tucked into the corner beside a tall bookshelf that’s overflowing with colorful novels, fashion magazines and trinkets.

The vanity table by the window catches his attention, its surface sprinkled with makeup items, a small vase of fresh flowers, and neatly arranged bottles of perfume. Above it, a mirror framed with soft golden lights reflects the subtle shimmer of the space.

The walls are brought to life with framed posters of iconic bands and celebrities, each placed thoughtfully, as though telling a story. A string of Polaroid pictures hangs on the wall near the bed, giving the room a personal, nostalgic touch.

He notices little figurines of 'Hello Kitty' on a floating shelf and a small collection of plush toys sitting in a basket near the window seat. The room feels youthful and dreamy, like stepping into a snapshot of your childhood.

Jungkook takes it all in, pausing as his eyes land on the posters and the subtle quirks that reveal glimpses of your younger self. He can’t help but imagine you here as a teenager... probably sprawled out on the bed, reading or listening to music, daydreaming about the future. The thought makes him smile, a warm fondness settling in his chest.

His thoughts are interrupted as you walk over to the vanity and pick up a picture frame, holding it up with a soft smile. “That’s me...” you say, pointing to a baby in the photo. Jungkook steps closer, curious, and his eyes fall on a little version of you, chubby-cheeked and wide-eyed. “And that... is Tae.” you continue, pointing to a young toddler that's securely holding you in his tiny arms.

Jungkook chuckles softly, leaning in to get a better look. “You still look the same.” he chuckles, his gaze shifting between the picture and you. "And Taehyung looks like he’s already ready to fight anyone who gets near you." he adds.

You laugh, gently setting the frame back down. You glance at the photo one last time, feeling a small tug of nostalgia before turning to Jungkook, who’s still looking around, clearly charmed by this intimate glimpse into your past.

"Your room is beautiful." he finally says, his voice soft with admiration as his gaze takes in the delicate details surrounding him. He can't believe he's being shown this deeply personal part of your life, and it makes him feel incredibly special.

You step forward, wrapping your arms around his neck with a tender smile. "Thank you, baby. I'm so glad I could show it to you." you say, pressing a gentle kiss on his cheek.

Just as the moment seems perfect, your expression shifts like you've suddenly remembered something crucial. "Oh my god! wait... no way... I totally forgot!!" you exclaim, breaking away from him.

Jungkook is bewildered for what feels like the hundredth time today as you grab his hand and practically drag him out of the room and down the long corridor. He's still trying to process what’s happening when you lead him back downstairs. His eyes dart around, noticing the guests still lost in their conversations, oblivious to the two of you passing by.

"I told my mom I'd introduce you to her the minute you'd arrive but… I totally forgot!" you admit hurriedly, your voice tinged with a mix of excitement and guilt as you weave through the crowd.

The words hit Jungkook like a bolt of lightning, and his eyes widen in panic. Your mom? He was going to meet your mom? Right now? No warning, no preparation? He feels a surge of anxiety bubbling up in his chest.

"Wait... wait!" he halts abruptly, tugging your hand so you’re forced to turn around and look at him in confusion. "Babe, a warning would have been nice. I need to prepare myself for this moment... this is your mom we're talking about." he breathes out, clutching his chest dramatically.

You chuckle, brushing off his concerns with ease. "Oh, come on, Kook. She's just my mom. You'll be fine, I promise." you assure, gently tugging his hand again, urging him to follow you.

Reluctantly, Jungkook lets himself be led through a side door and into what appears to be the kitchen. As soon as he steps inside, he’s overwhelmed by the bustling atmosphere. The space is alive with activity... chefs moving in synchrony, slicing, plating, and perfecting dishes with meticulous attention to the tiniest details.

The scent of freshly baked bread mingles with the aroma of roasted meat and delicate spices, creating a sensory overload.

Jungkook’s gaze darts from one end of the kitchen to the other, trying to absorb everything at once. A massive spread of colorful dishes is being prepared on a long marble countertop, and he doesn’t even know where to focus. For a moment, he forgets his nerves as he marvels at the organized chaos around him.

"Stay with me." you murmur, squeezing his hand reassuringly. But Jungkook can’t help but think about how this might be the most intimidating moment of his life... meeting your mom in the middle of what feels like a five-star culinary operation.

You glance around the bustling kitchen, scanning the scene for your mom. It doesn’t take long before you spot her back as she leans slightly towards one of the chefs, gesturing animatedly while the chef nods thoughtfully, hanging on her every word.

There’s a commanding yet sophisticated presence about her, and the sight makes a smile creep onto your lips. Without hesitation, you tug Jungkook along, your excitement bubbling over. “Mama!!” you call out, your voice cutting through the hum of the kitchen.

At first, she doesn’t respond, too engrossed in giving precise instructions about something to the chef. You don’t mind, though because you know how focused she can get when she’s in her element.

As you approach her, you release Jungkook’s hand, letting him stand beside you as he instinctively straightens his coat, smoothing the fabric nervously.

Now only a few steps away, you finally stop, waiting patiently for her to finish her instructions. Jungkook stands a little stiffly next to you, his hands clasped in front of him as he watches the exchange, silently psyching himself up for what’s coming next.

Once she finishes instructing the chef, she finally turns around, her soft features lighting up with a smile when her eyes land on you. “Y/N.” she says warmly, acknowledging you.

Her appearance is effortlessly chic, exuding an aura of power and sophistication. Dressed in a sleek, wine colored dress paired with a delicate pearl necklace and stud earrings, she looks into your eyes.

Her posture is immaculate, shoulders back, chin high, and she carries herself with an air of unshakable authority. Her eyes... sharp and piercing, hold a fierceness that can make anyone squirm under her gaze.

She’s never been the one to smile easily, and even now, her expression holds a seriousness that makes Jungkook feel like he’s being sized up before he’s even said a word.

But when her eyes shift to Jungkook, her demeanor subtly changes. The faint smile that played on her lips moments ago falters, replaced by a look of mild disapproval.

One of her eyebrows arches as she takes in the man standing beside you, and Jungkook immediately feels the weight of her scrutiny. It’s clear from the way her gaze lingers that she’s not the least bit pleased to meet him.

“Mama, this is Jungkook.” you begin sweetly, your voice light and cheerful, as if trying to bridge the gap of tension. “I told you I was bringing him.” You smile at her, radiating warmth, but it’s met with a polite but distant smile from her, one that doesn’t quite reach her eyes. Jungkook isn’t blind to it, he can see the coldness lurking behind her expression.

“Hello.” she finally says, her tone neutral, devoid of warmth. Her words are carefully measured, making Jungkook feel like she’s already testing him.

He feels his heart rate spike, but he doesn’t let it show. With a deep breath, he bows at a perfect right angle, his voice steady as he speaks. “Hello, ma’am. I’m Jeon Jungkook.” He straightens up, his posture confident despite the nervous energy coursing through him.

He meets her fierce gaze head-on, determined to make a good impression, though her icy stare makes him feel like he’s being dissected.

You glance at Jungkook, noticing his effort, and squeeze his hand briefly before stepping closer to your mother, hoping to ease the tension.

She nods curtly as Jungkook introduces himself, her sharp eyes trailing over him from head to toe, as though she’s analyzing every detail.

"So, you're from New York?" she asks suddenly, her voice carrying an edge that makes Jungkook straighten his posture. The question catches him slightly off guard, but he quickly nods in acknowledgment.

"Yes, ma’am." he answers politely, his voice steady.

Your mother narrows her eyes slightly, a calculating look flashing across her face. "I'm sure you've noticed how different things are around here... in Korea." she says, her tone almost conversational, though there's an unmistakable undercurrent of something more. "Very different from your... western culture." she adds, the words laced with what feels like a taunt.

You shift uncomfortably, sensing the rising tension. Jungkook hesitates, unsure of how to respond, and you decide to step in. "Mama, he lived in Korea before he moved to New York..." you explain gently, trying to diffuse the situation. "I'm sure he knows how things are around here."

But your mother doesn't acknowledge your reassurance. Her piercing gaze stays fixed on Jungkook. "Your parents?" she asks next, one eyebrow raised, her expression unyielding.

Jungkook’s throat tightens as he answers, his tone polite but guarded. "My mom... she owns a café in New York." he replies, hoping to keep the answer straightforward.

Your mother’s expression barely changes, but Jungkook notices the faintest flicker of disapproval in her eyes. It’s subtle, but it cuts deep. "Ah... so it's only your mother, then?" she probes further, her voice calm but pointed.

You feel your stomach drop at her words, the implicit judgment in her tone impossible to miss. Your protective instincts kick in immediately, and before she can say anything more, you interject.

"Okay, Mama, that's enough interrogation for now..." you say, your voice cheerful but firm as you grab Jungkook’s hand. "We need to get going. Grandma is going to be here any minute now... and the party is going to start soon." you add.

Jungkook notices the way her eyes flick down to your intertwined hands, and her jaw tightens almost imperceptibly. She doesn’t say anything, though, merely nodding stiffly as she steps back.

Before the situation can escalate further, you tug Jungkook out of the kitchen and into the hallway. As soon as you’re out of your mother's sight, you stop and turn to him, your expression apologetic.

"I am so so so sorry for that." you say quickly, your eyes scanning his face. You can see how pale he looks, the color drained from his cheeks. The conversation clearly rattled him, and it breaks your heart.

"I don’t know why she was acting like that." you continue, your voice softening as you place a comforting hand on his cheek. "I’m really sorry, baby. That wasn’t fair to you."

Jungkook exhales slowly, feeling the warmth of your palm against his skin. He hates how unsettled he feels, the subtle but unmistakable judgment in your mother’s eyes still gnawing at him.

He’s not naive, he knows exactly what her words and looks implied. But he doesn’t want to burden you with his feelings, so he forces a small smile and shrugs.

"Please... don’t apologize." he says gently, his voice calm but distant. "She’s your mother. I get why she’d question me like that... I’m dating her daughter, after all." he reasons.

His attempt to brush it off doesn’t fool you, but you decide not to push him. Instead, you give his cheek a small caress, hoping to soothe him.

Sensing the heaviness lingering between you, Jungkook shifts the conversation. "Anyways... don’t we have a tea party to get to?" he asks with a soft laugh, trying to lighten the mood despite the war in his mind.

You know he’s deflecting, choosing not to dwell on the interaction with your mother. So you let him, offering him a gentle smile in return. "We do." you reply softly, squeezing his hand. "Come on, let’s go."

As Jungkook trails behind you, the weight in his chest feels almost suffocating, each step amplifying the unease swirling in his mind.

Three weeks... that’s how long he’s going to be here for. The thought echoes in his head, heavier with every repetition.

He doesn’t know how he’s going to endure it, not when your mother’s piercing gaze feels like it sees right through him, layered with unspoken judgments that cut deeper than words ever could.

The very idea looms ahead, an uphill battle he isn’t sure he’s equipped to fight, yet one he knows he cannot avoid.

<- part 1

taglist: @mirinaeii @taetaecatboy (lmk if u want to be added <3)

[no1ryomafan]

Yknow I can’t tell if this is happening more and more bc the general circles seem sick of arma bc it’s always in SRW-as petty as that whole thing is-or if this is just popping up more as years go on but I find it funny how people continually say “don’t watch arma as your first getter show, it’s confusing without any prior knowledge!” When like- you look at every other mecha imagawa has directed and it’s a stable of his to have a drastically altered setting from the original source, that your thrown into and doesn’t get shit explained to you so you have to figure it out as it goes along.

Like- he did this exact thing with giant robo even more confusing as he ripped a ton of characters from the authors other works, g gundam he said “what if I made Gundam a SUPER robot” so if you don’t know wtf the real robot is or know nothing about gundam that’s gonna be tonal whiplash and shin mazingers while a more traditional retelling first fucking ep is the ENDING. (Tetsujin the only one I can’t comment on here bc I know hardly anything about it since no one talks about it, but I’ll report back if it follows the same “Wtfness” bc I expect so) With arma even if he left after ep 3 and the rest of the changes (debateably) we’re added by Kawagoe, the first 3 eps are his standard story telling, especially given this was his third mecha project. Sure, someone may not know this if they never saw his other works or be informed similar director, but arma really isn’t a outline so I don’t get why it shows so much hostility if someone starts with it first.

Am I opposed to someone starting with the manga or any of the other Animes because they give better insight on the character? No, it’s all personal preference and anything else is just as a good starting point if not slightly better then arma. But I don’t like there should be a designated starting point when with getter the *only* thing someone needs to do in a specific order or way is what arcs of the manga to read-which even then, not the end of the world if someone stumble upon it via a later arc bc they can go back to read the rest if they find them-but the only anime they’ll need prior manga context to is arc since it’s outright a adaptation. Toei and all the ovas are their own thing, even if the latter takes elements of the manga.

Arma is no different from this and it’s really sad to see how it’s gatekeep like this as of late when it’s not actually “something you need a lot of experience in the franchise to understand” and more so “a effect of imagawas really specific method of story telling that is convoluted”.

[goldenempyrean]

Do you think you could write a fic where we’re sick and our work place makes us show up to work, knowing fully well we are sick because we tried to call in but they denied us. Anyways Nat ends up wondering where we are because she came back from a mission and sees that their are utensils and tupperware around and medication bottles and just in general clues that we weren’t feeling well, so she goes to find us because she wants to see us and make sure we’re fine. Only to walk in on one of our managers yelling at us (in a public area) because we were slacking off at “our job” (a task that they told us to do for them but it’s not in our job description) when we were simply putting our head in our hands for a few minutes because we didn’t feel well. Anyways Nat swoops in, saves the day, and the manager miraculously gets fired, and we somehow have a better job.

If you write this thank you :) and if you don’t it’s fine

Too Good To Me

〚 Notes - Hey anon! God, let's not talk about how long this was sitting in my inbox. I wrote this while rewatching supergirl so I may start getting some of my old Alex requests done soon! :D 〛

〚 Pairing - Natasha Romanoff x Reader 〛

〚 Summary - Your boss wont let you take a sick day from work. Natasha isn't going to be happy when she finds out. 〛

〚 Wordcount - 1620 〛

〘 Check Out My Masterlist! 〙

╚════════ ⋇⋆✦⋆⋇⋆✦⋆⋇ ════════╝

“Sorry Y/N, there’s nothing we can do. You’re just going have to suck it up and get yourself into work I’m afraid. We can’t afford any missing staff.” 

“But I-“ Your hoarse objection was rudely cut off by the call clicking off. You stared at your phone in disbelief, a sinking feeling of dread settling in your stomach. The fever was making you lightheaded, and every muscle in your body ached, but you had no choice. You had to go to work today. 

It was ridiculous honestly. Your boss knew you were sick, in fact the whole office was slowly coming down with whatever virus had been circulating. But it was coming to the end on the month meaning deadlines were approaching and it seemed meeting targets was more of a priority than employee wellbeing. 

Dragging yourself out of bed felt like an insurmountable task, but you managed to get dressed and somehow make your way to the office - the only thing keeping you upright was several more doses of DayQuil then the recommended standard. Even though it was short the walk from the parking lot to the front door left you breathless, and by the time you sat down at your desk, a cold sweat had broken out across your forehead. 

“Damn, you look awful.” One of your colleagues looked up over their desk at the sound of a series of sneezes you couldn’t quite hold back. They gave you a sympathetic glance and pulled out a packet of tissues and chucked them over. 

“Thanks,” You mumbled, catching the tissues clumsily. You wiped your nose and tried to focus on your computer screen, but the words blurred together, and your head throbbed with each keystroke. 

Meanwhile, Natasha had been having a fairly good day. Her mission had ended significantly earlier than she’d been expecting meaning she’d get to see you sooner. Of course, the two of you always kept in close contact whenever possible when she had to go on missions, but facetime was nowhere near as good as seeing you in person. 

Nat couldn't wait to surprise you. She had picked up some of your favourite takeout and decided to swing by the apartment. However, as soon as she stepped inside, her smile faded. 

The place was a mess. Not just a few stray cups or plates strewn about. The sink was piled up with unwashed pots. In the living room, the curtains were still pulled closed clouding the room in a dull haze. Meanwhile tissues and cough drop wrappers littered the coffee table amongst several half-empty medicine bottles. 

Nat felt her heart melt a little at the thought of you being sick and alone. Keeping her movements a little quieter now, she crept towards your shared room, pulling open the door carefully. Natasha had expected to see you curled up beneath the blankets, but she frowned and flicked on the light in surprise when all she saw was an empty, unmade bed. 

What the- wait, if you weren’t here then where were you? 

Hunched over, coughing miserably at your desk. That was where. Around midday, your manager approached you with a stack of papers, slamming them in front of you. “I need you to handle these reports. They need to be done by the end of the day,” He ordered, barely sparing a glance to look at you. 

“Sir, I’m really not feeling well,” You began, but he cut you off with a dismissive wave. 

“Not my problem. Just get it done.” He walked off, not willing to waste another moment on you. 

You stared blankly at the stack of papers, the text blurring in and out of focus. As time dragged on, you couldn’t stop yourself drifting in and out of a feverish haze, your productivity taking a swan dive. 

Every so often, you caught your colleagues shooting you concerned glances, but no one dared to speak up. Everyone was aware of the hostile nature of your manager, and no one dared to speak up incase that temper of his was thrown their way. 

Once an hour had passed, you could hardly keep your eyes open. You rested your head in your hands for just a moment, hoping to stave off the waves of dizziness. It was then that your manager reappeared, his face twisted with anger. 

“What do you think you’re doing? Slacking off again?” he barked, drawing the attention of the entire office. Heads turned, and conversations halted as everyone watched the scene unfold. 

“I-I’m just not feeling well,” you stammered, lifting your head to meet his furious gaze. Your vision swam, and you had to blink several times to focus. 

“Excuses! Always excuses with you! If you can’t handle the workload, maybe you should find another job!” 

“Excuse me, what exactly do you think you’re doing?” Natasha’s stern voice cut through the room like a knife. Everyone turned to see her standing in the centre of the room, her posture radiating quiet fury. 

“Scolding an incompetent employee,” Your manager blinked, momentarily taken aback. “And just who do you think you are?” 

“Natasha Romanoff.” She kept a quick pace as she walked towards him, her eyes narrowing, “The Black Widow, Superhero, Avenger and Wife.” 

Your manager's face drained of colour as Natasha's words sank in. He opened his mouth to argue, but no sound came out. The entire office watched in stunned silence as she closed the distance between them. 

Nat’s voice remained cold and steady. "If you have a problem with my spouse, you'll answer to me." She turned her attention to you when you ducked into your elbow was a stifled sneeze. 

“Bless you sweetheart,” She murmured softly, swiping a tissue from a box on a nearby desk and handing it to you, “Come on, get your things, we’re going home.” 

You stood shakily, relieved and grateful, but still a bit dazed at how Nat could even be here. The redhead wrapped an arm around your waist, steadying you as you stumbled. "Lean on me baby," She murmured gently. 

Nobody else said a word as the two of you made your way out the building. Once outside the fresh air hit your face, and you took a deep breath, feeling slightly more grounded. Natasha led you to her car, helping you into the passenger seat before getting in herself. 

"Thank you," You murmured, leaning back against the headrest before curling into your side with a harsh cough. 

"Don't mention it sweetheart,” She replied as starting the engine, but you didn’t miss the way her brow crinkled as at the sound of you, “I'm sorry your boss is such a dick. How are you feeling?” 

"Terrible," You mumbled, closing your eyes as you let your head rest against the cool glass window, “I’ve had a fever all day…. But you- you’re meant to be on a mission-“ Your voice was hoarse and cracked as you spoke. 

“I’m not surprised,” Nat raised a hand to your forehead before gently cupping your cheek, “And I finished my mission early, I swung by the apartment and well, you can guess the rest.” She kept one hand on the wheel and the other lightly resting on your knee as she drove. 

The rest of the drive was fairly quiet, Nat didn’t want to force you to talk, and it was obvious from the way your head kept periodically bobbing forward that you were exhausted.  

By the time she’d pulled up to the parking lot, you had dozed off against the window, small stuffy snores letting her know you were out for the count. Of course, it would’ve been easier to wake you, but she just didn’t have the heart. Instead, Nat carefully made her way to the passenger door, unbuckled your seatbelt and pulled you safely up into her arms. 

Trying her best to jostle you, Natasha carried you up towards the apartment, opening the door with ease and stepping inside. “Mm?” You gave a groggy mumble as you slowly blinked awake. 

“Shh, we’re home sweetheart.” Nat soothed you quietly, keeping her arm around your waist as she lowered you to be standing up by yourself. 

Your eyes slowly adjusted to the light in the room, and you made an audibly confused noise as you took in the surroundings. The place was spotless. The pots from earlier washed and stacked away. The stacks of tissues and wrappers had been thrown in the trash, the whole apartment looked fresh and clean - nothing compared to the absolute mess it had been several hours ago. 

“You cleaned? You didn’t have to-“ You began but 

Natasha cut you off with a gentle smile, her fingers brushing a stray hair from your forehead. “I wanted to,” she said softly. “You’ve been working hard and dealing with that jerk of a boss while feeling awful. You deserve to come home to a clean space.” 

You leaned into her touch, feeling a wave of gratitude and relief. "Thank you," You murmured again, your voice still raspy as you sniffled quietly. 

“Come on, let’s get you into bed.” Nat led you to the bedroom, her arm still securely around your waist. She helped you sit down on the edge of the bed, then knelt to untie your shoes, “Now you best believe I’ll have your manager fired for how he behaved earlier.” 

“You’re too good to me,” You murmured, watching her with tired eyes as you tried to hold back a yawn. 

“You’re my world Y/N,” she replied simply, slipping off your shoes and guiding you to lie down. She pulled the blankets up around you, tucking you in with care. “Now get some rest, you need it.” 

〖 Join My Taglist! 〗@sayah13 @mahalkitanova @romanoffskisser @scrambled-brain-eggs @natashamyl0ve @bloomingflowersthings @kathleenmikaelson @shamelessbearunknown @inluvwithfictionalwomen @citrussnz @fluffyblanketgecko @kljhsong @santana1437 @blackwidow-3 @asiangmrchk13 @lovelyy-moonlight @juiles @lots-of-pockets @sashawalker2 @natashamaximoff69 @observeowl @beholdagaywriter @widows201 @llovergirleraa @danveration @idkeithershawty @rainedontknow @poison-blackheart@loveshineslikethesky @somber-sapphic @lexasaurs634 @ahintofchaos @scarlettssub @wandanats-goodgirl @nuianced-tck-enby @maomaoincomming @anne-lister @rianlovelygirl @taliiiaasteria @swaqcenix @inluvwithfandom

[milkb0nny]

Hello. I saw the open request box and I didn’t know if you would be open to write something for Bjorn? Is he a character that you like? Do you have a favourite character from Series Vikings? I read a lot of your work and it’s so beautiful. Would you be able to write something about and obsessed Bjorn with reader and maybe some smuttyness ✨✨✨Mybe she joins him on the first trip to the Mediterranean 😍😍Andhe can see her from the ship across speaking to Floki and Helga ?

loyal dishonesty

Björn x neutral!reader

Björn: A man obsessing over you

Summary: Björn, who is known to be an adventurous and lustful lover, finally caught an endless desire: you. Though, how is he to portray his passion and admiration towards you?

Note: Thank you for your request! Björn is an... okay character. I rewatched the series so many times and with every rewatch I'm able to like him more. Still, he's far away from being a favorite. 😭 I love Ivar and Floki, as well as Helga and Torvi. Also - the smüt might be a little... Well, I usually don't write smüt. 🫠

Warnings: a little smüt, lustful behavior

Word Count: -

♡....━━━━━━━........ 𝐡𝐞𝐚𝐝𝐜𝐚𝐧𝐨𝐧𝐬 ........━━━━━━━....♡

⚜️ When Björn fell for you, his attention became laser-focused on you. The first spark emerged just like with other women, though with you he felt he couldn't reach you. You were different - hard to get yet playful. He's known for his ambition and drive, but when he's in love, that intensity is redirected towards his beloved. His mind desired you, his body burned for your touch and his eyes were always glued on your very beautiful features. Every decision he made was influenced by thoughts of you.

⚜️ He kindly offered you drinks, a lovely chat or a sweet tease to make him seem interesting. Your personality was not only captivating but making him obsessive. Björn's love manifested as a fierce protectiveness - and an unhealthy obsession with you. He was almost obsessive about keeping you safe, especially on the way to the Mediterranean Sea. He secretly checked on you - your health, your daily activities and your bonds with others.

⚜️ Although his history with cheating is well known, he's also a jealous person. He despised to view you with other men or women who glared at you with lust. Björn felt entitled to you as if he had owned the right to you. No one should come too close, no one should touch your precious body without his permission. Though you weren't his, he still kept barging in whenever a person insisted perverted intentions.

⚜️ Björn is not one who opens up. He prefers to be viewed as the strong provider, a fearless man and a good soldier. However everyone is vulnerable. Björn found himself in a difficult position: he wanted to be vulnerable to show you his honest love though he didn't want to lose his identity as a powerful man. Throughout your time together you watched the thick wall break into pieces little by little. You learned about his flaws, his emotional struggles and especially about his insufferable self esteem. Deep inside he was more insecure than you ever had anticipated. Nevertheless you loved him for sharing that with you which was another reason to never let you go. You knew things no one else was supposed to know. In order to keep his secrets hidden, he needed to make you his. His only.

⚜️ As Björn's love deepens, so does his desperation to hold onto it. Emotions crept up his mind he had never encountered before with anyone else. A strange feeling, robbing his thoughts at night. He fears losing you, his passion, more than anything else and is willing to go to extreme lengths to keep you by his side, even if it means sacrificing his own happiness or ambitions. You did not only entertain him, you showed him how true love looked like. The feeling of your warmth was unique and too worthy to ever let go of. Your embrace motivated him to fight for his ambitions but you also scared him. You could not only pass away during battle, but sicknesses also haunt people's lives. A constant bitter taste - one that made him into a loyal husband.

⚜️ His care showed through intimate times as well. Whenever you begged him for nightly adventures, he was more than ready to fulfill your desires. However, in the back of his foggy mind, he would always make sure you're comfortable. Scaring you or hurting you during such vulnerable actions frightened him. Even if his thrusts were rough and heavy, his hands kept softly petting your shoulders.

⚜️ His obsession with you came so far, that he never engages in positions where he can't see your face. Oh, how he adores your flushed red face, your closed eyes and the messy hair of yours. Björn was convinced he would miss out on your heavenly being if the two of you would not see each other during the deed.

⚜️ Björn is a master of seduction, and he loves to show his affection through physical intimacy. Whatever he lays his eyes on isn't safe from his flirtatious attempts. Especially with you he loved to take his time. Playfulness was a form of embracing his love: he would tease you, give you soft pecks and would tickle you only to hear you laugh. From tender caresses to steamy embraces, every touch is filled with desire and longing. He'll tease and flirt shamelessly, always keeping you on your toes with his witty banter and mischievous grin. After all, you were the one for him.

♡....━━━━━━━........ 𝐡𝐞𝐚𝐝𝐜𝐚𝐧𝐨𝐧𝐬 ........━━━━━━━....♡

[chipchopclipclop]

i just started rewatching soul eater for the first time since i was 15 and Stein is so much more interesting to me than he was then... what are ur soul eater thoughts chip if youre willing to share

i did not experience soul eater as a wee youth, the first time i watched (and then read it) was 4 years ago (give or take) so i do not have the beautifully tinged nostalgia for the series others might. i say this only bc it colours my thoughts of the series pretty well lmao.

the anime is alot better than the manga just by virture of bones' animation being incredible but also its like 40% less painfully fucking horny (though still is its shounen) and the way some of that plot goes in the second half is so fucking bad in the manga (though not all, but god). It's not like the anime gets rid of everything like that stupid ass argument black star has with maka still makes me want to murder him but ultimately i like the anime and its writing more. i think my minds canon is just a meld of parts i like from both lol.

ohkubo is also just on my top ten list of mangaka i need to actually kill like hes a solid #3 on the needs to die list. his designs and art improvement were fun to watch and i do love halloween world and his toony stuff, undeniably bangs, but you can really tell by the end where his transformation into horny moe artist came from. sometimes i see people shocked by this and soul eater not's existence and i have to think did we read the same fucking manga...??

sorry i needed to get my bitching out before talking about stein. i love stein. so many things wrong with him. he is 70% of the reason i got around to watching it and 95% of the reason i kept reading it. i think how expressive he is is alot of his charm, like he does alot of moe body language you might not expect of his type of chara.

hes #crazy and #madscientist and #edgy and #insaneasylum but also very silly and whimsical... kind of emblematic of the world of soul eater at large actually, this is also alot of the other characters appeal in this universe too (DEATH THE KID).

he's obsessive, hes empathetic, hes also sadistic, hes got a screw in his head, megane, fun with kids, perfect man. hes also got both an equal capacity for getting worse and better in him which can be fun to think about in either direction, and you've got characters that do influence him either way for that in the series. im also kind of remembering clicking the screw in his head is to help somewhat deal with his mental state actually, king of the disability aid...(?)

you can treat his character very seriously or lightheartedly, i think the writing in both versions maintains that balance well. It also makes everyone else who actually sticks around him somewhat deranged too (the fact he did surgery on spirit at school but spirit still interacts like pretty normally at work with him after meeting again. lmfao. THEY WENT DRINKING TOO) the fact he still calls spirit senpai also is so funny. its like 40% a dig at him but also 60% genuine. i hate gay people btw.

i like the thought that he was more stoic when he was younger but as he got older stopped trying to hide his eccentricities as much, and became more expressive lol. younger stein to me is a guy screaming in his head 247 but looking like 😐 while spirit stares at him trying to decipher what his eyelid twitching today means.

[mrinafria]

Night on the balcony, OG vs ALT Seon Jae

[tw: death/killing]

It's a given that OG Seon Jae was murdered by the taxi driver but I've always been more curious about the how of it, because it was never shown to us. I really thought they'd shed some light near the end of the series but oh well. I won't complain because I got the epic rom-com ending of all times. But I think we can all agree that they deliberately left so many things out to give us the cutest fluffiest ending known to mankind lol.

A couple things that clicked as I was rewatching the ALT 2023 episodes recently, *coughs* for the 19th or so time *coughs*. There's this scene:

You see Seon Jae struggling with the taxi driver, who is trying to sedate him using that hanky since the moment he barges in. Of course there's something on it, which happens to be:

In the 2009 timeline, Tae Sung's dad and his partner at work talk about how the Taxi Driver's modus operandi is using animal anesthetics on his victims. We'll come back to this shortly.

A couple things to remember:

1. OG Seon Jae was already physically unwell when we see him post-concert. It was most likely a panic attack (was it because he saw the taxi driver? We'll never know why T-T). It's very likely he took medicines to calm his nerves. Some of these anti-anxiety/nerve-calming medicines can have the same ingredients as anti-depressants based on my experience, and one of the things they do is make you slightly drowsy, as a consequence of relaxing your nerves [disclaimer: please remember this is just based on my own experience and opinions I've seen people share. Medically there might be more to it.]

2. OG Seon Jae did not jump off on his own (because he is Seon Jae). However, that doesn't necessarily mean he didn't have depression. Im Sol's incident and him blaming himself ALL through 15 years is enough for anyone to spiral into it. Whatever little we saw, there were telltale signs of it, so it is possible he was under medication in the OG timeline (BUT he didn't jump off the balcony).

3. Basically, he was not in the best frame of mind when we see him in 2023, lost in thoughts of Im Sol and their unexpected meeting on the bridge, and then checking up on her secretly, as she gets back to her apartment. I won't get into details because I promised myself this was not going to be another one of my OG Seon Jae eulogies.

He was basically preoccupied with other thoughts and physically not in a good shape to put up a fight. Heck, he didn't even bother to pick up the call from his agency CEO or react to the doorbell right away.

UNLIKE THE ALT 2023 SEON JAE.

4. ALT 2023 Seon Jae had met Im Sol without any of the guilt and pain of OG Seon Jae.

5. ALT 2023 was already "in a relationship" with Im Sol (*giggles*) when we see him in the hotel room.

6. Unlike his OG self, he never seemed to have any panic attacks/mental health issues. He confirmed it himself when Im Sol kept asking about medicines/depression. He longed for Im Sol, but he wasn't in anguish, torturing himself for 14 years over something that never happened in that timeline. So he is perfectly well and capable of not going down without some struggle or fight when the taxi driver attacks him.

Now, going back to animal anesthetics.

[Disclaimer: I'm no professional and this is just something I learned. If any of you have a professional opinion about it, please let me know!]

I initially wrote off the chloroform trope for OG Seon Jae because it's detectable during autopsy. And according to the news, nothing suspicious showed up in OG Seon Jae's autopsy except for medicines.

Some animal anesthetics, however, are undetectable in human bodies, unless you're conducting specific toxicology tests if you are suspicious of something other than chloroform. I assume nobody did this specifically because no signs of struggle were found, giving no reason to suspect the cause of his death (again, we'll never know the specifics of toxicology tests done for Seon Jae's autopsy -_-)

If this progression of thought is right, something like this might have unfolded in the OG 2023 timeline:

7. Similar to ALT 2023, the taxi driver breaks into Seon Jae's hotel room. Seon Jae probably tries to fight him but he's not able to because of ^^^1-3 reasons. Taxi driver sedates him comparatively easily.

8. Once Seon Jae is unconscious (wow it's difficult to type this because my brain won't stop playing out this scene), taxi driver fixes the room so no signs of struggle can be found later.

9. Once he is done, he takes Seon Jae and throws him off *okay breathe*

10. Seon Jae's eyes are shut when we see him underwater. He is likely unconscious because of the animal anesthetics so obviously he can't swim or save himself.

That's a lot of conjecture going on in here lol but this at least helps me not to overthink this anymore. The only thing that's still bugging me: Everyone is busy checking out what happened with Seon Jae, so it may be possible the Taxi Driver manages to sneak in to delete the cctv footage somehow, but I'm not convinced myself. Why do I have a feeling the script actually had a different plan with the whole OG Seon Jae incident thing, and they just edited ALL of the other stuff out to make it more romcom-y? Again, no complaints, I LOVE they made it more romcomy, but I've already rewatched the series so many times, it's very hard to pass off all these things as nothing when I see they were trying to form a connection underlying the main plot.

Anyway.

[daekya]

So… murder drones spoilers maybe??? Idk i have a lot of theories and i’ve just been repeatedly rewatching the series so infodumping on tumblr for the first time it is!!

Hahahahahahaahhaahahahahahahhahahaahahahaha

Ok, they had no business having an after-credits cliffhanger on the final episode but here we are so theory time.

In episode 5 we saw that Cyn was a worm-crab thingy, but used holograms to hide that and just look like the absolutely adorable worker drone she is.

She also did this in the gala, but we could see the tentacles and stuff when the lightning flashed because the hologram couldn’t compensate for that bc it was so quick

However, the hologram could still interact with the world, such as grabbing onto n’s arm or holding the teacup, probably due to some sort of puppetteering thing like when she was telling tessa to stay away from the gala.

While cyn and the solver may have been different entities originally, i think that cyn put more and more of herself into the solver, but in the combining of the two it brought out cyn’s anger at humanity and stuff. But still kept enough of her personality that she kept loving her siblings and wanted to keep them around. But she went kinda crazy with power the longer she had control of the solver and began the whole planet eating thing.

So now when uzi consumed the little black hole core she absorbed both the solver and cyn. And has the full power of the solver like cyn did. So she’s no longer posessed by the solver, she is the solver.

This brings us to the little end credits scene >:3

I think that uzi now has the whole worm thing going on like cyn did, and is using puppet stuff and holograms to keep her normal appearance. Because in the mirror uzi glitches like other holograms that the solver does, and you can see the projectors before uzi glitches back.

Her being like cyn was in the mansion —worm but also regular drone by using holograms and puppetteering— would explain why she glitches and we see the projectors. She is probably still more uzi than worm, but it would explain why she looks so distressed while looking in the mirror, because she might be worried it’s not quite her anymore. This could also mean that cyn is being supportive, telling her that she looks good in the sense that she’s doing a good job with the illusion.

I have no idea if any of this makes sense but maybe sometime in the future we’ll get an explanation. I also kinda wanna see the relationship between cyn and uzi now bc i stand by cyn being just a silly goober!

[meatballsu]

I have rewatched TADC many times recently and I come up with many interesting theories about Ragatha (My favorite) and I think it is great to share them here.

Theory: Ragtha is kinda on Caine’s side, or at least she is the person who always “giving”.

This isn’t intend to propose that Caine and Ragatha are “bad” or something. I’m not sure if anyone is watching the GenV series (Spoilers alert!)

and I think Ragatha is sorta a role like Kate that supports the Caine.

One thing is that when Caine is stopped by Pomni questioning about how do they leave, Ragatha immediately takes the question with a little stuttering opening, like she helps Caine when the AI is malfunctioned.

Another thing is she apologized to Pomni when glitching, says Pomni had a bad day, it looks like Ragatha took the responsibility that she should take care of the newbies.

I also noticed a very interesting detail about Ragatha's motion design. I collected all the clips of she approaching while people remaining steady. You know it usually means this person is a sacrificer in relationships.

Even when she is not in a good mood about Pomni's “abandon” . Ragatha still approaches and stands by her side.

This gives me the feeling that Caine may have demanded or asked her for help to care the new "sucker".

Additionally, the Kaufmo part also striked me a little. (It may turns out to be simply the pilot needs and my overthinking. But consider I have to wait for months to expect a new episode so why not brain storm.)

So Ragatha is the person who promts to check Kaufmo:

Ragatha: Oh, wait, we should go check on Kaufmo. And I'm pretty sure he'd like to meet Pomni.

While Kinger refuses the idea and says:

I think Kaufmo's gone insane. Last time I spoke with him, he was rambling endlessly about some exit.

After they went to the carpet, Ragatha mentioned that:

Well, we usually do, when we first arrive, but after a while you start to realize that you really can't leave and constantly chasing an unattainable goal will start driving you a bit crazy. And eventually you get to asking what the point of anything is and you completely lose sight of who you are and why you're even alive and when you reach your breaking point something really terrible can happen.

When she saw the abstracted Kaufmo and she stuttered that the creature might be the “terrible thing” refered to what she said before.

At this time I think we can assume that:

Ragatha knows the pursuing exits could drive people to the breaking point.

Ragatha knows people who breaks will happen terrible things.

Ragatha knows by Kinger (who is unresponisive but still noticed somthing wrong) that Kaufmo is unstable recently.

Ragatha knows what “abstract” is, and someone( people who came earlier than her or Caine) kept warnig/brainwashing her that “ Don’t overthink about exist or terrible thing gonna happen”.

Why Ragatha wants to take Pomni to go check on Kaufmo even she knows he is in a unstable situation?

I think it can be explained that:

She wants to form a stonger colleague relationship with Pomni by taking her to meet the used-to-be-frindely Kaufmo (who liked to tell jokes). or—

She wants to warn Pomni by letting her see “the terrible thing” to stop her from thinking about exit.

By going through all this points, I feel that Ragatha is the most positive on the concept about “No exist”. It looks like she tries hard to prove that there is no way out.

This point is also supported by Caine. And Ragatha hints in a non-obvious way through the pilot that Caine treats them with good intention:

The official site introduces the series with:

So nevertheless, I think Ragatha is still a trapped victim, and the pilot seems to show that she grows a bit Stockholm syndrome and stands by Caine’s side to defend her sanity. That's why she is described as the sweetest optimist.

ps:

I find Jax's different attitude is intersting when Ragatha and Kinger mentioned their daily routine:

Jax didn't comment on Ragatha explaining their useless sleep routine.

[perseidlion]

This is why streaming is dying.

I'm Canadian, and I used to watch Star Trek on Crave. Crave saved us for awhile from the fracturing of the streaming landscape because it stayed as an umbrella service for quite some time. I used to get Star Trek, HBO, WB shows, Starz, Sony stuff...basically Hulu + HBO + Paramount. That was actually worth it because for the same monthy fee I could get House of the Dragon, Star Trek and more.

But that wasn't going to last forever. When Paramount+ launched in Canada, Star Trek got taken off Crave. I'm a huge Star Trek fan but even I couldn't justify a FIFTH streaming service just for Trek.

So I waited until Discovery was finished. And then I binged it and season 4 of Lower Decks. And then I cancelled. I won't get it again until S3 of Strange New Worlds and Season 4 of Lower Decks are finished, then I'll binge and cancel again.

There is literally nothing else on P+ I want to watch. I looked, because if there was something I'd cancel Netflix for a bit. But it's all movies I've seen and don't want to rewatch, shows I already have access to on other streamers, or things I have no interest in.

When the networks were working together to put lots of tasty treats under one streamer, it was absolutely worth it. I'd pay $20 a month for Crave if HBO kept making good shows (instead of cancelling them, RIP Our Flag Means Death) and if P+ had lots of Trek (and...didn't keep cancelling those shows like they did Lower Decks and Discovery.) Between that and Trek that would mean I always had a show releasing on the platform that I wanted to watch.

As long as there isn't a steady diet of things that appeal to me, I WILL keep subscribing, binging, and cancelling. Churn is the reason these networks aren't profitable. But there is literally no incentive for me to NOT do that when the things I want to watch are scattered across 5-6 different streamers, each charging $15+ a month.

In trying to get their slice of the pie, the networks have guaranteed there isn't enough food on their buffet to keep people coming back for more.

It creates a vicious cycle. This fracturing means there's not enough budget to support the flagship shows/franchises. Then, they get cancelled and/or budget reduced. So they take away or vastly reduce the thing I want to watch the most.

PLUS none of the networks are nurturing the cult hits/franchises of the future. Shows that have the potential to be the reason I subscribe are being cut off at the knees after virtually no promotion.

I watch every new show like Dead Boy Detectives knowing there is a very high likelihood that this will be the only season I'll get to watch. So much potential is left on the table. If there were four or more shows like Dead Boy Detectives and Kaos getting ongoing commitments from Netflix I wouldn't even consider cancelling my subscription. Instead, I know that any show that isn't an immediate cultural moment is probably getting the axe, or getting two seasons, max. Especially if it's SF&F. Especially if it's queer.

We live in the world where even the critically-acclaimed and franchise-based House of the Dragon is getting truncated episode runs and reduced support.

Regardless of how you feel about how Game of Thrones ended, that franchise is a cultural juggernaut. House of the Dragon is legitimately good and packed with talent. The rough patches of Season 2 can be easily traced back to reduced budgets/cut episode run at the last minute that forced the production team to scramble and adapt.

Honestly. Is there anyone actually committing to their series other than FX, AMC, and Amazon with Rings of Power? Although RoP can also be considered a sunk cost fallacy since Amazon invested a SHIT TON into the IP and the series, so they need it to work. They also have a wobbly track record supporting other shows. (I will never forgive them for cancelling A Leage of Their Own.)

FX and AMC are the only networks that feel like they're actually supporting their content. And what do you get for that? Shogun, one of the best shows in recent memory. The show absolutely swept awards season (and rightfully so) and is now setting itself up to be a tentpole show in the mold of such classics of the historical fiction genre like Deadwood, The Tudors, and Rome.

Interview With the Vampire, is an AMC show which has a very active and passionate fandom eager for more of it and Anne Rice's Immortal Universe. This is a rare example of a new franchise (albeit based on an existing, well-know IP) is really finding its feet and its audience. The audience for it is not of the size of something like House of the Dragon, but AMC is feeding the audience it does have unapologetically, with queer camp horror full of messy, toxic relationships.

Then there's What We Do in the Shadows, which seems to be ending on its own terms this year. FX is a Disney subsidary which somehow manages to commit to the series it creates, which proves it can still be done.

I do hope that FX and AMC continues to support their weird and wonderful shows, and I hope they keep getting rewarded for it with high ratings and awards so that the rest of the networks will smarten up.

If we hadn't just come out of a golden age of streaming where every network was producing excellent TV, all of this heavy cancellation and fragmentation wouldn't be quite so devastating.

Entertainment seems like it's constantly in a feast or famine churn. Right now, we're careening toward famine, which is full of one-season shows, overextended franchises, flagship shows being cut/restrained and a whole lot of cheap dreck.

It's the reality TV heyday all over again and I hate it.

[msp9]

THIS IS MY LIKES AND DISLIKES OF CHAOS THEORY ⚠️Spoilers below cut⚠️

When i first finished this season, I too like some people, was skeptical about it. I get why some people say its bad, I just thought it was very different from cc. At points the characters didin't feel like themsleves, the way some of them were written and the designs gave me a real hard time to get used to them. Also i felt as if it was just too much to process at times so i rewatched it and my final answer is that its a good show the pacing is incredeble, the plot, the suspence and character development. i just had a hard time getting used to everything new? Ig. I'm still doubting whether its a 10 but sure thing is that it was a very good first season its a easy 9/10. So here are the thinks i liked abt it:

-THE WAY THEY POTRAYED EVERYONES TRAUMA/STRUGGLES , Sammy having anxiety, Yaz overcoming her ptsd, and KENJI. MY BOY. That must have been the best breakdown i've seen in animated series. Whoever wrote that scene. Wow. It was the best thing in the whole show honestly. His vision gtting blurry, having truble breathing. The panick. Wow. I CANNOT SAY THIS LOUD ENOUGH.

-Ben and Sammy duo? Hello? Im srry to say but you might just be better than Yaz and Ben duo. Idk i really loved them.

- "Benjamin."

- Showing Yaz is doing better. Despite her ongoing struggles, she has clearly grown and matured the last 6 years, and the way she calmed Sammy in the sinking van? Ig all those therapy sessions and college paid off. That scene is a clear illustration of the progress she has made. I mean sammy did say "i can tell shes still struggling" but there wasnt really a clear scene of her getting stuck in place as she used to. So my guess is that it was just Sammys anxiety and the fact that they didint talk much. Bc then Sammy was surprised how she kept herselve together. So yeah

-YASAMMY. NOTHING MORE TO ADD.

-UM SAMMYS CHARACTER?? HELLO? GLOW UP, CHARACTER DEVELOPMENT, i loved her sm. She moved up to my top 3.

And her anxiety? It was so well shown too

-the fight between Sammy and Yaz felt so natural and not at all forced. They both had valid points and in the end they did understand each other and were on the same page.

-Ben being Ben in almost every episode

- Yasmina's "boo."

-Brooklynns design?? Majestic to say the least.

- ingore what i said ealrier abt the acting out of character. They do remind themsleves they just grew

Well, all except Ben...

-Kenjis new voice actor, he did a real good job, as much as it doesn't sound like him, he really captured some emotional scenes very well.

- The robot lady. THEY REALLY SAID TAKE A WOMAN AND MAKE HER CREEPY ASF. I was genunanly creeped out. And the detail that at the ranch if u listen closesly u can hear the whistle. Hell nah that was scary.

-Benrius Ben and Darius friendship, okay actually u can't tell me u didint feel it too, the tention between ben and Darius cmon we all know what u are Ben stop making up girlfriends in Europe

-Brooklynn turning bad, or from what we are told worked for bad people ig. Personally as much as it shocked me, im sure theres a good reason as to why and i cant wait to hear more abt in season 2.

-I can now undertand what everyone meant in reviews saying "its more mature" not only in the more death and dinos but it woyud be kind of confusing for a younger audience to undertsand some stuff in this show.

-I really liked Daniels kon death, maybe it wasn't necesarry but im all in for that dark death scene.

-Lastly the comment Sammy makes when Ben asks how bumpy got pregnant, and the yazs smirk. Gurl i was suprised they added that but i loved it

Now, the things that i didint like and why:

- First of all, Darius being in love with brooklynn. I mean i get it but i also dont get it. In my opinion, there shouldn't have been a different reason as to why Darius was the most effected by her death. They were close and she died. Its okay to be really effected by someones death and not bc u liked them, and i also do believe that the reason for him not showing up the night she "died" should have been smth more serious. Then again i get it bc now he felt a lot more guilt bc it was for a not so important reason he didint show up and thats why he didint tell anyone. Well axtually it isnt that bad, but i just felt it was forced for the plot. This again could be bc i started to like kenlynn and now they turned the tables completly but sure.

-Brooklynns voice actor. I just couldn't connect her to brooklynn? She sounded a lot different, not a major bad thing it was just hard to get used to.

-Ben having a gf, or supposedly having one, u telling me this man has a gf:

I thought it funny but yk that man is a homosexual

- and lastly, Brooklynn being alive. This might sound bad but it made sense for her to die. And i was kinda lamed out that she wasnt dead. (Pls ironically enough, just weeks ago i begged for her to be alive.) But like the way everyone suffered bc of her death, going throught the 5 stages of grief, and the way the show was played. It just would have been better if she died, all those flashbacks, the emotional moments, i mean its not gonna be the same when i rewatch it bc i know shes alive. Anyways enough abt this.

Actually i have nothing more to add to my "bad stuff" list but i might come up with smth later. Bc i will be rewatchibg it obviously. Ig lastly i just wanted more episodes how dare they cutting the season of right there.

[2stepadmiral]

So every year or two, I go through a period of reconnecting with my high school Trekkie interests, rewatching some Star Trek clips, episodes, and movies, and during this particular period, I have to voice my main criticism of the reboot films: namely, the treatment of the Enterprise.

To be clear, I think the reboot Enterprise had a nice redesign. She looked very clean and futuristic while capturing the original design in broad strokes. The lens glare is certainly annoying, and it doesn’t have the same heart and retro feel as the original, but I feel they generally did a fairly decent job with the design. I’m talking about how she is treated throughout the films, namely, how she’s treated effectively like just another ship.

In the original series, the Enterprise has a certain heart coming across almost like a character in of herself. You get a clear feel from the characters that they consider the enterprise almost to be home, and Kirk and Scotty in particular see her almost like an actual woman, one who they cherish and will protect at all costs. This sentiment is magnified in the first three movies, particularly in the motion picture and in the search for Spock. When Kirk first sees the refit Enterprise, you can see how much he loves the ship, and when the Enterprise is plunging to her final resting place, the mourning on all of their faces, especially Kirk, makes this moment particularly powerful and truly hammer home that the Enterprise was a character in and of herself. The original Enterprise felt like a character fans had grown up with, and her destruction felt almost like the loss of an old friend. And at the end of the voyage home, when the crew has that last-minute surprise reveal of the Enterprise-A, the triumph and homecoming feeling is so clear that even the audience shares the sentiment, almost as if the character has been reborn.

The enterprise in the reboots was never portrayed this way. She was treated like just a ship, one that might’ve been nicer and fancier and more advanced than the others, but not really all that special beyond that. In the first movie, that’s acceptable, as the focus is on bringing together the crew and getting them where they need to be for the start of their journeys. The second one focuses more on the captaincy, and what it means to really earn that seat, so it’s excusable that this one focused more on Kirk and how seriously he took his responsibilities, though they could’ve put more emphasis on the ship as part of that arc. Yes, the ship almost crashing was an emotional scene, but that had everything to do with the characters aboard and nothing to do with the ship beyond it being the place where the characters were and it’s damage being the reason that they were about to die.

And then in the third one, they just blow up the ship in the first 30 minutes and try to portray it with the same sentimental weight as the destruction of the Enterprise in the search for Spock. Which would’ve been fine, if it weren’t for the fact that they spent the last two movies treating the enterprise like just a thing, just another tool in the characters belt. She had no heart, no soul, no feeling that she was a home, or that she was the thing that brought the crew together, and kept them together, the thing that made them a family. She was basically just a big car, there to get them from point A to point B and occasionally shoot at some bad guys, and then, we’re supposed to feel devastated when she goes down for the final time.

The reveal of a reboot version of the Enterprise A was a nice surprise, but it lacked the emotional payoff of the original version, largely because of how ordinary the first Enterprise had been in this timeline. You can’t really celebrate the revival of a lost character when the character was never really there to begin with. They might as well have put the crew on an entirely new ship, like maybe a rebooted version of the Excelsior, and it would’ve had the same basic impact.

My point is that classic trek, as well as the next generation and DS9, did an excellent job of portraying the dynamic between captain and ship to the point where the ship felt almost like a real character. And that worked really well. It made the crash of the Enterprise D in generations a shocking scene, and it made her surprise return in season 3 of Picard a heartfelt and deeply nostalgic scene (Even if I wanted the Enterprise E, sorry but she’s my favorite). It made the loss of the Defiant in season seven of DS9 a powerful and emotional moment. I haven’t watched a lot of Voyager, so I can’t comment on that, but I can say with decent confidence that they couldn’t have done worse than they did in the reboots.

[thestupidhelmet]

i remembered your posts about "one difference" fics and i was rewatching jackie and hyde scene on youtube and this just came to me: how would you have written them getting back together s7 eps 16/17 (it still annoys me the way they got back together)

Thank you both! 😊

(The pic of the second ask was sent a few months after the first.)

Of note is the fact Jackie and Hyde didn't reconcile in 7x17 in the original version of season 7. That reconciliation was added once season 8 was greenlit to give fans a few more J/H episodes before the rewritten S7 finale -- originally the series finale, where Hyde and Jackie get engaged -- that leaves the state of Jackie and Hyde's relationship as the cliffhanger (which was intended to be resolved far differently in S8, but the choice of replacement showrunners destroyed it and the end of the show).

My version of the reconciliation episode wouldn't allow for that finale cliffhanger. The following ficlet is one idea I have.

One Difference: Jackie and Hyde Reconcile In-Character

Jackie and Hyde sat in the basement together, him in his chair and her on the sofa. Kelso wanted to show Fez a new trick he learned from Betsy, but they had to go to the Formans' backyard for it.

"But Betsy is an infant," Fez said as they exited through the basement back door."

"Exactly," Kelso said like Fez didn't understand logic. They were gone.

Jackie (to Hyde): You're still here.

Hyde: Yup. That a problem?

Jackie: I'm just surprised. I've gotten used to you leaving me.

Hyde: Let's just watch TV.

Jackie: Sure ... maybe the Price Is Right is on.

Hyde bristled at the mention but kept his attention on the TV. His shades made watching the black-and white images tough, but what he heard was more aggravating.

Jackie: Why did you leave me so abruptly at the public access studio? You were really nice and supportive. I didn't expect that either --

Hyde: I said what I came to say. It was your time. Didn't want to take it.

Jackie placed her hand on her heart. "I was going on about how happy I was about being independent. You know how hard that's been for me, getting that confidence. But you went there to say something else, didn't you?"

Hyde was silent

"Didn't you?" Jackie repeated, but Hyde stayed silent. "Say it to me now."

Hyde shifted his weight in his chair. He might've been more open last week, but that time had past.

"This is our first date all over again." Jackie shook her head and focused on the TV.

"What're you talkin' about?"

"I told you I didn't feel anything after our kiss, and you lied and said you didn't either. You're still lying to me."

"And you're lyin' to me. About what you wanted to tell me at Grooves."

"How do you -- I mean, I did not ... damn." Jackie glanced down at her lap. "What's the point in telling you the truth? That's what you thought on our first date, isn't it? I didn't have feelings for you, so you had no reason to tell me you did have feelings for me."

Hyde exhaled a heavy breath. "Look, I wasn't gonna hijack your victory last week. You've been afraid of not bein' able to support yourself, not bein' a success -- all that crap -- and I get it 'cause I've had the same crap in my skull. What I wanted changed that day."

"Changed ... " Jackie stood and approached him. Her legs were inches from his knees.

Hyde pressed his back hard against the chair; her gaze burned through him. "Not in general, man. Just that day. I wanted you to feel good about yourself. Not us. You."

"Us?" Jackie said softly "Us?" she said louder. "What do you mean us?"

She was shouting now. Hyde winced at the volume but said, "I got intel you'll be pissed about me knowin'. I pushed for it 'cause I ... needed a guarantee before I -- would you back up a little?"

"No." She crossed her arms over her chest and, after a second, gasped. "Oh, my God, Fez blabbed! He told you I -- " She pressed her lips into a thin line. "Nope. I'm not gonna say it to you."

Hyde shrugged. "Then that's it, I guess."

"That's not it. You owe me."

"How do you figure?"

"You have a remarkably good memory. Use it."

Hyde clenched his jaw, but he went over major events in his and Jackie's relationship. The first time she said she loved him and didn't care if he said it back. She'd just needed him to know. The first and only time he said he loved her, not for her sake but because he was scared of losing her.

He'd never stopped being scared. That was his freaking problem. He couldn't commit to her beyond the moment since the moment was all that counted. He learned that truth from his mom and Bud's marriage -- but it was their truth. It didn't have to be his and Jackie's.

He removed his shades. "I love you. That's it."

"Okay, now I'm confused," Jackie said. "That's it what?"

"That's the only guarantee I can give: I love you."

She knotted her fingers together. "For ... for how long?"

"It's a guarantee, not a warranty. It doesn't run out."

"But you ran out on me after promising to go to the LoPPs party."

Hyde stood from his chair, and Jackie stepped back. "I ran away, man. All right? I ran away 'cause I saw us together in the future, and the only futures I know are divorce, prison, and death. That's what 'before life goes to crap' meant." He risked clasping her shoulder; she didn't flinch from his touch. "Nothin' to do with you. All me."

"But our future can be whatever we make it, Steven." She was pleading with him, and his chest ached. "I'm sorry."

"Huh?" His eyes had narrowed. She had to clarify before he filled in the gaps himself.

"Our. Us. We both forgot those words until today. I shouldn't have made you promise to go to another event you'd obviously hate."

She had to mean the LoPPs Christmas party. He held up his hand. "Hold on a sec. You didn't make me promise. I promised, and I broke it."

"You did what Michael used to to, say something to appease me because I was too controlling then go behind my back to get a sense of freedom. But you just played with toys, not another woman's -- toys."

He used ever but of willpower not to stroke her sad face. "Doesn't excuse that I was a dillhole. I hate bein' disrespected, but I disrespected you, man. You didn't deserve that. I could've sucked it up, but my head wasn't there. It was up my ass."

Jackie laughed a little. "And my head was up the LoPPs' asses. They're like a group filled with clones of my mom. 'Being single is a sign you're not good enough to get a man.' 'Marriage is the key to happiness, so get married as soon as possible.'"

"Those direct quotes?"

"Close enough." She grasped his hand. He left his fingers loose. "None of my time with you has felt like a waste. I'm just scared of how much I have to lose. I'd rather lose it now then let down my guard and lose it when I think I'm safe."

She was speaking his language, as she so often did. He tightened his grip on her hand. "You're safe. Actually safe. ... Am I?"

"Oh, God, Steven, yes!" She cradled his cheeks between her palms and kissed him. His lips tingled, and his insides grew warm after a frigid internal winter. He'd missed this sensation, missed her, for too long, but he withdrew from her mouth. "What?" she said. "What is it?"

"I'm not proposing any time soon. You've got to be cool with that if this, if we're gonna work."

"I don't need a proposal. I just need you."

He allowed himself the barest of smiles before kissing her back, this time full of the fiery adoration he felt for her. Her breaths sped from her nose, but she held onto his waist and matched his intensity.

They ended up on the basement's sofa, lost in each other, but a startling image reached his consciousness: him in a jewelry shop, buying an engagement ring. Jackie hadn't graduated high school yet. He was only nineteen, but just like they weren't Bud and Edna, they weren't Forman and Donna. They could get engaged and stay engaged for years. Marriage could wait until they were truly ready

In this moment, though, he and Jackie were reconnecting in every way. That was more than good enough for now. It destroyed his fear. He and Jackie were solid, and he trusted they'd do whatever was necessary to keep it that way.

[hadesknockedupintheunderworld]

You always have good things to say in your essays, so I am curious what your overall thoughts are on the Sonic Movie 3 trailer?

Ah, well, thank you! I'm glad that you like what I have to say🥺❤️

So, I originally watched the trailer quickly before I had to go to work. I think at that time my general thoughts overall were basically:

Team Sonic!!🥺💖

Every new installment they surprise me with just how sad and wet Agent Stone's eyes can get in the presence of Robotnik

Pop pop?! Gerald?? He's alive??

Ough parallels between movie sonic and movie shadow

...What if Movie Shadow made a connection with Tails and Knuckles over their individual struggles in finding home despite their pasts?

Movie!Knuckles wants Movie!Shadow so bad it makes him look stupid. I love how excited he is to fight him. Like they just took Sonic's initial onesided fixation on fighting Shadow from SA2 and gave it to Knuckles and I'm not complaining

They should make Shadow and Tails implied friends like the Tailstubes did. For me 👉👈

Wooo fat movie Robotnik!

Ajsjsjjsq I love how he just ripped Stone's shirt off and kept it for himself

The juxtaposition between Sonic and Knuckles here is hilarious to me. Knuckles insulting Sonic when he sees Shadow, right in front of Sonic. Sonic trying to tell Knuckles they should be reasoning with Shadow and Knuckles is like "Nope can't hear you I need to fight him!"

I wonder just how much they're gonna tie in the Knuckles tv show. I kinda hope Wade and the flames of disaster make an appearance at least

ㅤ

I did, however, rewatch the trailer for this ask, so if you'd like to see some more in depth thoughts on the trailer, I've put them under the cut

ㅤ

"Sonic, you've finally found your family."

This line is interesting to me simply because Tom says it, but it only shows Knuckles and Tails onscreen.

Now, personally, I think this series is perfectly capable of presenting a version of "family" that doesn't 100% mean the nuclear family dynamics. In other words, especially since images of Maddie and Tom weren't put onscreen during Tom's line, I like to think that harkens back to the wish Tom and Maddie expressed for Sonic back in movie 2 to find his squad (his team of best friends and wingment to grow up with). In essence, I personally do not believe this line means "oh Knuckles and Tails are your siblings now", especially since it would contradict that sentiment in movie 2 and (while I don't think Knuckles finds them family in a nuclear family way either) would be weird paired up with Knuckles calling the Whipple family "home" in the Knuckles series.

So yes. Family because they're friends, wingmen, comrades who have each other's backs and work together, not because they're siblings unified under one particular household.

Woo! I see the flames of disaster!! Nice to see tidbits of things carrying over from the Knuckles series

I am very interested in the shot of Tom uncovering the picture Sonic drew of himself and Long Claw.

I suspected back after movie 2 that we wouldn't be done talking about Long Claw. Of course this is true by default if they want to touch on the Echidna/Owl war stuff any more, which they have in every installment thus far, but I mostly mean in terms of how Sonic's past.

Personally, especially with Knuckles turning out to be the Iblis trigger after the Knuckles series, and those lines from Long Claw about Sonic potentially being hunted for his power (even though we yet have no evidence the Echidnas were hunting Sonic for any purpose), I still think there's a possibility of the movie universe touching more on Sonic and Long Claw for bigger reveals into the past (quite possibly into Sonic's origins??)

But at baseline of course we will be getting parallels from Sonic's past to Shadow's. So I'd say that how much we touch on Long Claw and Sonic's past in this movie and the importance of it will remain to be seen.

"I know it's not easy, but you didn't change who you are in here." "Yeah. In my lungs." "Or your heart."

(The following is partially a joke) Tonhon Chonlatee reference making it's way into Sonic movie 3??

Okay, so it seems to be that someone is still going to free Shadow on Prison Island? The visuals kind of suggest he just broke out, but that line from Commander Walters can also still suggest that someone breached the security (Ala SA2 Eggman) to facilitate the freeing of Shadow. In this case, I'm highly curious as to who will be doing it, and whether they will be present when Shadow exits the pod. Personally, after Movie 2 I hoped it would be Agent Stone, but we'll get our answer when the movie comes out.

WOW that shot of Shadow punching through the glass of his stasis pod is freaking EPIC. Definitely a fav scene of him in this trailer for me

TEAM SONIC MENTIONED! (Team Sonic is my favorite team, so movies 2 and 3 are wins from me in seeing team dynamics with them)

THEM CRUMBS🥺💖

I am a shameless sontails shipper and lover of Tails so this shot is everything to me

Okay, so earlier in the trailer we saw Team Sonic separately in places all over the world. Here I think at least one of these is to show them looking for someone like Shadow with intent to stop him (or to stop another threat at baseline). Also in the trailer we see a short clip of Sonic searching in a room with a flashlight.

My first thought on this is that during the course of the movie, Team Sonic's secondary objective (either self imposed or given by GUN) is to find out more about Shadow and his past. So this scene could be related to that.

My second thought is that this scene could also be Sonic taking a look for clues on the arc, though I'm not sold on this interpretation.

Third, at baseline, this is clearly a scene of searching for someone or something. No matter who it is though, I suspect the reason or room is related to either Ivo or Gerald in some form. Plus the fact that Sonic is searching most likely means he entered the scene with intent to search rather than spontaneously deciding this.

Finally, though I don't have many thoughts here. A figure can be seen in the background in the right of this clip. Since they are not also searching with a flash light, this could be a scene where we see Sonic caught in the act of what he's doing.

Commander Walters talks about how similar Sonic and Shadow's stories are during the clip of Sonic searching, Shadow in the pod while Maria stands outside of it, both pressing their palms to the glass.

While not necessarily a confirmation, this is why I believe that scene of Sonic searching is related to Shadow's past or possibly Gerald.

Also, unrelated, I really love that clip of Shadow smiling in the pod at Maria while they press their palms together over the glass. I'm completely normal about it (sarcasm)

"But where you found family and friends"

This line from Commander Walters is overlayed over shots of Tails (during "family") and Knuckles (during "friends"), a line which (like the earlier family line) I'm sure the loudest Sonic fans are making 1k note posts about.

Anyhow, I have two interpretations of the intent of this clip in the trailer, especially since it's another scene where they neglected to show Tom and Maddie in the mini montage

1. Where the scenes are cut is meant to associate Knuckles more strongly with "friends" and Tails more strongly with "family". In this case, "family" will be used in a found family/found home manner that does not denote in nuclear family with/siblings to. In any case, while Knuckles and Tails are both his friends and undoubtedly part of his squad, it remains that Knuckles and Tails do not have the same relationship to Sonic. Despite all being friends, we see at the beginning of the Knuckles series that Tails is comfortable living with Sonic and his textual adoptive parents, and that he doesn't have the same problems as Knuckles fitting in as Sonic's roommate. Likewise, based upon Movie 2's attachment to Sonic in particular and love of being considered Sonic's friend (with those moments in movie 2), combined with what we see at the beginning of the Knuckles series, it's clear to me that Tails' home is with Sonic and Sonic in specific. Tails is Sonic's friend who considers him his home, but while Knuckles is also his friend, he goes on a journey in the Knuckles series which was meant for him to find his own home (which he finds in the Whipple family). In other words, I'm saying that one interpretation of this clip is to denote the difference in strength of bond to and relationship Sonic has to members of his squad. Tails is his family, his best friend, and Sonic is part of Tails' home. Knuckles is his friend, squad member, ally, but he does not find home in Sonic.

2. The downfall of interpretation 1 is that it contradicts what I said about Sonic considering them both his family, his best friends, his squad earlier with the other family line. So interpretation 2 asserts that the whole friends and family line is meant to be applied to team Sonic. Again, especially with the absence of Tom and Maddie, I believe this is not in a nuclear family way, but as in "they are my friends, my squad, my family". As in, Sonic feels connected to these two and feels that they are family to him in the sense that they are important to him and a big part of his life. The family one chooses to stay connected to.

For the record, I'm also biased towards this interpretation of the family lines (not just because I don't personally like the alternative), but because every main character thus far has avoided ever labeling his relationship to Tails or Knuckles as inherently sibling like. Sonic movie 2 even had Maddie and Tom at the very end saying Sonic had found his squad and best friends for growing up, and the beginning of the Knuckles series has Sonic call the two his roommates, while Maddie treats the two more like other kids that live in the house than necessarily *her* kids. Then there's also the Knuckles series ending, where Knuckles calls the Whipple family his home, but the series purposely chooses not to make it clear what his role would be in a nuclear family dynamic, only that he's a part of it. All of that juxtaposed with the fact that Tom and Maddie were explicitly confirmed as Sonic's parents in movie 2 (and combined with the fact that it's not taboo in Eng Sonic media to consider Sonic and Tails as bros or media in general to confirm characters of the same sex as basically adoptive siblings to each other) tells me that those involved in these movies purposely choose to consider these characters family to each other in a way that doesn't conform to nuclear family dynamics and friends to each other as well. In other words, they have had every available opportunity (especially if Sega wanted it or approved it) to confirm this sort of relationship outright (and might I mention that Sonic being given explicit adoptive parents is more big in terms of the past mandates than someone like Tails being a bro (which has been let into eng media on occasion in the past)), and have not done so. They have not given any indication they will do so. And I feel that at this point after showing us good examples of canonically platonic relationships that are important without necessarily being sibling/nuclear family dynamics, it would be a waste to just go "yeah they're siblings" and call it a day, ripping the complexity out of it.

But that's just me.

Right after the clip I just mentioned, we see Team Sonic race each other, with Tom and Maddie starting the race.

Now I've already seen postings about how this shot is confirmation about how Tails and Knuckles are so siblings to Sonic.

Since I have my own post here, I just want to say that at very baseline I think that reasoning is incorrect. This is because the Knuckles series, again, explicitly confirmed Knuckles' home to be with the Whipple family, in contrast to how the beginning hammers in how he doesn't fit in with the Wachowski family or feel quite at home with them. They literally cannot be canonically siblings to each other if they haven't referred to each other this way and if one of the characters involved in the scene doesn't even consider this family in question his home. At best to me the association of this clip and the words about friends and family beforehand implies that Sonic considers these 4 all parts of his family in different ways (again, not necessarily with all 4 fitting into nuclear family dynamics). I don't endeavor to say Sonic sees Knuckles and Tails as siblings to him (in a situation where the feelings aren't exactly the same both ways) because, again, Sonic outright avoids considering them this way, and considers them his friends and roommates explicitly in the first episode of the Knuckles series.

Anyways anyways. I digress. The point of this clip.

At this time I'm thinking either this is a friendly race they've asked Tom and Maddie to intervene for (possible), or this is the start of the journey earlier when we see the trio at different places all over the world. In other words, it's possible they started their separate journeys around the world with a race, intending to beat each other to doing something with a friendly contest.

"Shadow found only pain, and loss"

I know how people have been talking about this set of clips, but at this time I do not believe the fire (aftermath of possible explosion) we see is the original event on the Arc resulting in Maria's death. Yeah, sure, the movie universe isn't 1 to 1 with canon, but I really do not feel like that scene is depicting the arc. This instead reads as a scene to me where Gerald and Shadow are going through a painful moment of loss in the present and being cornered by GUN for capture. It seems more like a scene that occurs partway through the movie as an event that happens rather than a flashback.

Take that with a grain of salt though. That's just my interpretation, and there's not a lot of proof to find to back up any particular one.

We've also heard rumors of time travel being involved, so it's also possible there's a plot bit involving saving Maria and reversing the hurt that way and it tragically failing? Don't know.

Also love the shot of Shadow looking at the cracked glass👌

S sorry just them again looking at each other and Sonic turning to Tails for guidance 🥺🥺💖

This entire mini clip means quite possibly a bit too much to me for a mere trailer but I love their dynamic

I have talked about it before but damn. Knuckles "He is much more impressive than the hedgehog I fought previously"

We literally see a shot of Shadow revealing himself, and then Knuckles starts talking about how impressive he is.

I know there were a lot of jokes made in the last couple years that Sonic would see Shadow and instantly be enamored, but oh how the turntables! In the end, in this trailer at least, it's actually Knuckles who becomes instantly enamored. One look and he's calling him impressive. One look, and he's already ignoring any direction on Sonic's part to perhaps de-escalate the situation by talking to Shadow, because Knuckles wants to fight Shadow so badly it makes him look stupid.

The way the interaction is done reads to me that Knuckles wants to get a go at tussling with Shadow either more than the stakes of the plan at hand, or would want to despite reality. In other words, even if Shadow "switches sides" so to speak successfully here, Knuckles would still want to fight him for personal reasons.

Of course right after this we get the subject of a billion jokes about how Shadow hates Tails so much in specific that he goes out of his way to beat him up.

Where is that meme image of the guy looking out the window holding his cigarette, just tired? (Rhetorical question)

I did not think it would be need to said but here.

If you watch the scene, Shadow kicking Tails is not presented as more important or targeted than anything else. First of all, it is within a sequence where we see him take down the members of Team Sonic one by one in a single blow. Second of all, Tails' is actually the least focused on in the trailer. Knuckles punching Shadow only for Shadow to (presumably) break his wrist is shown as a big thing (especially as a call back to the first big clash between Sonic and Knuckles that was advertised a lot for movie 2). Shadow going for Tails is something he literally cuts behind Sonic to do, which quickly segues into him grabbing Sonic and using his air shoes to boost them high into the air so he can slam Sonic down into the ground. Tails being kicked here is presented like something he had to do to get to Sonic, not him going out of his way to beat up Tails. Seriously. How can that even be true when Knuckles and Sonic get flashier and longer beat downs?

Anyways, all that aside, this scene is very neat. It's very clearly to set up the disparity in power between Team Sonic and Shadow the same way it did between Sonic and Knuckles in movie 2, with the framing this time presenting Shadow as a powerhouse unlike anything anyone has ever faced. In other words, combatting Shadow will be more of an ordeal than combatting Knuckles was.

The scene where Tails says "this is a bad idea" and Sonic goes "when has that ever stopped me".

It would be completely fine and dandy if this does turn out to be about the crew looking for Robotnik and deciding to join with him. Personally, I think this is one of those cases where a line from a movie is cut in the trailer to show that it's about something when it really has to do with something else.

Besides the fact that we just don't know when or how everyone will learn Robotnik is alive (since it's pretty well considered by the main characters that he died at the end of movie 2), I think with Tails outright opposing this and Sonic looking angry, this scene is referring to something potentially more risky and dangerous than joining forces with Ivo Robotnik. Depending on how epic the scene is, this could predate a major moment

But I'm excited to see the context regardless of what it turns out to be!

Sorry I know I said it earlier but WHOO fat Robotnik. Hollywood fatphobia aside, I'm honestly glad that Jim Carrey has been winning his battle of moving his character closer visually to Robotnik's canon design.

It's pretty clear by the "we" have visitors that Stone has been with Robotnik taking care of him at some point since the ending of Movie 2. I remember a lot of us assumed the battle in movie 2 did kill Robotnik but that Movie 3 would involve Stone bringing him back somehow. Either way, though I know this was technically dependent on whether Jim Carrey would return to this movie, I do feel vindicated for saying "Robotnik isn't gone for good since we didn't see a body and GUN didn't find one at the end of movie 2".

Agent Stone and his sad wet eyes

So to go into a lot of detail would require a proper essay post, so I'm going to try to make this section as short as possible.

Now, as far as I've gathered since movie 2, Stone's sad wet eyes appear in 1 of 3 instances.

1. When he misses Robonik so so dearly (as seen in the beginning of Movie 2)

2. When he is jealous and fears being replaced by someone else Robotnik chooses to hang out with and go on his missions for the evil plan with (as seen during the scenes where Robotnik has Knuckles with him in the Mean Bean in movie 2)

3. When Robotnik continues to change from the exact kind of slick, collected, confident, and fashionable guy we see in movie 1 in ways which Agent Stone would percieve as him "getting worse" (As seen in movie 2 where Stone sees Robotnik again for the first time, remarking that he looks different, and in the annoyance he gets in movie 2 when Robotnik leaves him out of his plans and continues to include Knuckles rather than consult or use him (Stone))

Now, clearly it is not option 1, given that he is fully aware of Robotnik's location and has clearly been watching over him.

I also do not believe it is number 2, for two reasons.

1. The context clues imply Robotnik has likely only been around Stone all this time. There's no one already living in this space for Stone to be jealous of.

2. We see Stone and his bike blocking the path between Team Sonic and Robotnik, and it's Stone who brings Team Sonic inside to appeal to him. Since it's implied Stone chose to let them in and doesn't seem annoyed when he announces their presence, he does not have the sad wet eyes because he's jealous of their connection to Robotnik in any way.

So this leaves us with option 3: Robotnik is changing further in ways that are messing with Stone, and Stone sees it as Robotnik beginning to "fall from greatness" so to speak.

And I think this interpretation is actually pretty clear. We don't see evidence of a struggle on Stone, so it's unlikely he seriously fought Team Sonic. Rather, it seems to me that they told him they wanted to appeal to Robotnik to get him to help with protecting the world, and they convinced Stone to let them see Robotnik because Stone hopes their involvement (or such a mission) will get Robotnik out of whatever his current rut is (with the state of his hair and stache and the mess in the place he's staying in, it's pretty clear he's in a depressive rut). Stone is sad to see Robotnik this way and hopes Team Sonic can fix it.

We are not actually done with Stone's sad wet eyes though, as he still has them during the scene Robotnik retreats to the bathroom for an outfit change (yes, the scene where he rips off Stone's shirt). It's also worth noting here that Stone still sounds sad during this scene.

So, this is where I take the time to talk MORE about Agent Stone in relation to Ivo Robotnik (but again without going too in detail and doing too much outright essaying). This bit is connected to the previous part, but I wanted to give it its own section since this has to do with my prediction for the future.

My theory? Stone may be set up for an eventual Dr. Starline parallel.

Let me explain a bit.

So, if you don't know who Doctor Starline is, he origates in the IDW Sonic comic adaptation. He is a very intelligent (and fashionable) scientist who holds great admiration for Robotnik, and is obsessed with him. From the beginning he'd put Robotnik on a pedestal and had wanted not only to be like him, but to be vital to him. Starline wanted to be a great help Robotnik to take over the world, and essentially superimposed himself into the position of Robotnik's number 2 (a position comparable to Stone's in the Sonic Movies, Snively in SATAM and the Archie comics, and Grimer's in the Fleetway comics). Over the course of Starline's time together with Robotnik as his self imposed number two, the two start out fairly strong only to clash more and more often as Robotnik expects a lackey who only does what he says, and Starline expects a partner who will listen to his advice. Tensions grow, Starline becomes more disillusioned in the genius and superiority of his hero, and finally, Starline takes it upon himself to be insubordinate. Believing that Eggman's plans are short sighted and destined to fail, he takes it upon himself to "fix things" by going behind Robotnik's back and bringing in the Zeti as (assumed) pawns. It is after this act where Starline decides he needs to save his hero from himself that Eggman tosses him to the side and fires him.

Now, it's worth mentioning that Eggman so easily tosses him aside because there is one thing Starline does not have in common with the other examples of Eggman's number two in other media. This is that they have the advantage of time spent with Eggman, allowing him to become attached to them enough that even smaller acts of insubordination aren't enough for him to fire them completely.

But in any case, Robotnik didn't completely reject Starline after this. He was of the mind that he'd be willing to take Starline back if Starline begged at his feet and apologized. However, since Starline had too much pride, he did not do this. Rather, he begins to believe that Robotnik still is a grand genius, just that he's short sighted and can never take over the world with how he handles the threat of Sonic. So, Starline takes it upon himself to take over the world for Eggman (since he believes he himself is smart enough to do so without falling into Eggman's folly), and then dreams of doing such a good job that it's Eggman who begs to he at his side, since Starline is hung up on Eggman's rejection and wants him to choose him.

So, what does this have to do with Stone?

Well, I have no doubt that Stone was a smart man from the start given his position related to the US gov and that he's been able to perfectly Robotnik's assistant. But you can also take Eggman's word for it as well, courtesy of the prequill comic (which takes place between movies 1 and 2)

It is also by this very comic that we know that Stone was the only man Robotnik trusted to enact his plans in his absense, and perhaps the only man he had ever shared the secrets of his manifesto.

And it's how we know that Stone undoubtedly undergoes major changes by movie 2 compared to movie 1. Not only does he have it in his mind that he is Robotnik's number 2, a man personally responsible for doing what Robotnik cannot with the mission of personally rebuilding Robotnik's glory, but this entire experience contains the purpose of molding Stone to be more like Robotnik himself.

Stone by movie 2 is more cunning and calculating in the way Robotnik is. He was given a personal mission to rebuild his master's former glory, and he throws his entire self into it. It is not a stretch to assume that Stone is saddened upon meeting Robotnik again in movie 2 because it did not match his expectations.

All in all, especially since he'd given Robotnik the tools for a makeover, I think from Stone's end he was expecting for Robotnik to return to him a man who has gone through an ordeal but maintains his style and greatness (essentially, looking like he did before), as a man of who would congratulate Stone on his work in his absense (praise him even), and take him at his side as they work together to enact Robotnik's world takeover plan.

But Stone's expectations are dashed as Robotnik arrives in a new fit, with a new stache, seemingly more mentally unstable than before (keep in mind, Robotnik's thing in movie 1 was that he was more intelligent and thought differently than everyone else, not that he was unstable. He was the kind of "genius who is written off as unstable but sees what no one else does", but since his involvement with Sonic HAS been seemingly less cool and collected and more unstable), and with a space echidna at his side. In the span of one meeting, Stone had the means to feel replaced and to feel as if Robotnik was falling short of his glory/falling from greatness as he's changed.

And then over the course of movie 2, though there are people who do Movie Ivo character study who'd agree that Robotnik does genuinely care about Stone, just is bad at showing it or doesn’t show it conventionally, it's pretty clear that Stone himself doesn't really see it. He doesn't feel valued. He doesn't even get to be used by Robotnik as he was in movie 1, actively on the road trip with him. Nope. Robotnik leaves him at the Mean Bean most of the movie.

And this is why Stone doesn't seem happy most of the movie. This is why it excites him so that Robotnik accepts him at the end of the movie and makes room for him as a vital helper.

What I assert, in essence, is that after the prequill comic, Stone can no longer just be okay in his role as he was before with little praise/acknowledgement, nor can he even he even take solace in the fact that Robotnik will always keep him around because he needs him.

So here's where the Starline parallel comes in. Now that Stone sees himself as a much more important figure in Robotnik's life, with a mission given to him by a version of Ivo who Stone could possibly see as "at his most sane" to make sure he succeeds and attains his former glory, I think he sees his number two role as less of a guaranteed thing and something he must fight to keep (this means stuff like putting himself out there at the end of movie 2 and begging to go with Robotnik, or taking it upon himself to find Robotnik after the battle and support him). And so, I suspect (especially with those shots we got in the trailer, Stone being sad at presenting Robotnik's current state, his potentially angrier faces as he's finally allowed to groom Robotnik and shave his hair, his continued sadness even as Robotnik has moved out of his rut) that we're going to see Robotnik to continue to take Stone's presence as his "sycophant" for granted, while Stone continues to become disillusioned with his idol and master.

I predict Stone will continue to become so disillusioned with Robotnik due to seeing him as a man falling from greatness and due to lack of acknowledgement and appreciation, that Stone will eventually turn on Robotnik. But not to stop him or to become better than him. No. I predict, Starline style, Stone will take it upon himself to restore Eggman to his former glory, to eventually go behind Eggman's back and enact his own plans, to attempt to take over the world for Robotnik, and to accomplish it all in such an amazing display that Robotnik has to express that he wants him around and to acknowledge him as a partner and to praise him.

At least, that could be the plan/setup. It would remain to be seen how these two characters resolve this event (essentially, in which ways this diverges from the parallel and the two inevitably come back together again). After all, no matter what ends up happening between Stone and Robotnik, I think something will need to give and change eventually, and the two will need to make their feelings/wishes...more clear to each other

But in the end, this is just my theory. I do not yet know how much of this will actually come to pass, but I hope it's food for thought for you all.

By the way, I too love the Stobotnik scenes in this trailer. We are eating good👌👌👌 However, it really is hard not to see that scene where Ivo rips Stone's shirt off as another moment where Stone doesn't feel appreciated. Ivo over here ripping off a man's shirt (gay. Sorry. The people are right when they asked if it was gay for him to just rip it off and then choose to wear it during the movie), and it's entirely possible the man in question thinks that this is proof that Robotnik doesn't think much of him in this state (even if Stone is clearly not going to keep him from doing what he wants here)

"When we're done, there won't be anything left"

Cool, so Shadow is actively planning on destroying the world here. Potentially to satisfy revenge.

Interesting. So the scene with the Chao mascots also looks like an ambush is happening, with Team Sonic specifically being targeted with missiles

"What did you do?" "What I had to."

Movie Sonic has his classic extremely angry face here too, so Shadow must have done something major. It's either world ending, or it put the lives of his family and friends in HUGE jeopardy (or both).

AND FINALLY. Gerald reveal

I cannot express the surprise I felt here. This scene shows us that Gerald is here in the present, not just a man who died 50 years ago by execution. So, possible time travel shenanigans or not, the fact that he's involved in the present conflict (perhaps with Shadow personally) is highly interesting and I'm excited to see where this goes.

Also, based on the layout of the room here, it's potentially possible that either this is the same room Sonic is searching earlier in the trailer, or that Gerald had multiple lab like living spaces he was jumping between over the years to stay under the radar, and that Team Sonic and Team Robotnik ended up finding Gerald while looking into clues on Shadow

ㅤ

And...done. Whew. Wow. I had a lot of thoughts so uh. I hope my ask satisfied your curiosity, flashonetwo. I also hope for anyone that read this far that you enjoyed it at least a little bit, and that your mind is running with thoughts of your own.

I'm beyond excited for this movie, and I genuinely can't wait to see what happens next. So here's to seeing how much we get right in the future, and here's to enjoying what we get!😊❤️

[auseyre]

Legacy is one of the major themes of KinnPorsche, and the show is brimming with examples. Physical legacies like the rings and the house, and so many psychological ones. Legacies of hate and love, of regret and trauma, of abuse, of honesty and deceit. 

We never get to meet papa T(though we get a pretty clear picture of what he was like), so that leaves Korn as the primary arbiter of legacy in the show. In one way or another, he directs almost all of it. And hey, it’s an outsider that wears a tattoo that says ‘there’s no legacy as rich as honesty’ because that sure as hell isn’t a Theerapanyakul motto. There are two specific legacies that I want to mention though. 

“Tragically, your worst enemies will always come from your own household.”

I’ve gushed before over the three sets of brothers and how they’ve defied the legacy of sibling hatred and harm that came before them when it would have been easy to do the opposite. I will always stan sibling love and I adore all three sets of relationships. But the rewatch made me actually delve more into that legacy. 

The first time I watched, I just assumed that Korn and Gun had always been in competition, always hated each other, and that was the legacy that got passed on to their sons, but I don’t think that’s true at all. I think at one time, Gun looked up to and admired his big brother. I think it was them and Nampheung against papa T... or at least Gun thought it was. Until the events at the Kittisiwasds house. 

When everything goes down, Gun isn’t angry, he’s in disbelief, he’s devastated by Korn’s actions, something that I don’t think would be true with the relationship we see between them now. Now, he knows his brother is a cold-hearted bastard. Tellingly, when he finds out Nampheung is alive, he is shocked back to the Gun he was then, not the cold, angry man he is most of the series. 

Korn crafted a new legacy that day, one of broken siblings, competition, distrust, and hatred between the main family and the minor one. And I think he did it deliberately to cover his ass. Who would ever believe a word that came out of the Gun we see against benevolent dictator Korn? Everything Gun said would look like jealousy. As long as Korn kept poking at Gun and the minor family with a stick, he never had to worry about any of them developing a relationship with his sons.

He never had to worry about Gun stumbling onto any information he shouldn’t about Nampheung, Porsche, and Chay. He never had to worry about any of his secrets coming out. Even Kinn didn’t really understand why his uncle hated his family... he thought it was a matter of money and power envy. And Korn wasn’t wrong. It barely took anything for Porsche and Vegas to stumble onto part of the truth, just a little communication.

The kind of communication that Korn spent years sowing distrust to prevent. (Porsche is sorry, not sorry to keep fucking up your shit, Korn.)

That means if you were to encounter the pressures these king snakes exert, your heart would fail to pump blood—that's how strong this is," 

Korn is a king snake. He holds on tight to everything he loves, and everything he hates with the same fervor, constricting until they can’t breathe, until their hearts can’t beat. His sons have learned this lesson well, flailing in his coils their whole lives. Khun is trapped in the house, with lots of toys and some playmates to keep him occupied. Kinn is trapped under the weight of family love and responsibility, and Kim is trapped on a barely visible leash, No matter how much freedom it seems he has, it’s still an illusion. It’s no surprise that they do their best to reject that legacy from Korn. They actively strive to be different from their father in the way that they handle relationships. 

Khun

 Kinn, 

And Kim all let go. 

We know it’s not easy. They all try to be stoic about it, Khun playing it off like he's not hurt, not missing his baby brother and leaving first, Kinn and his stiff upper lip, waiting until Porsche is gone before kicking at the handcuffs, the symbol of them tied together and Kim who tries to stifle all emotion, holding it in until he can’t any longer. We see the heartbreak and regret but they still let go. They will wish and want and ask, but they won’t be their father, won’t tie someone in ways they can’t escape, won’t hold them with lies and manipulation, won’t smother the thing they love until there’s barely any life left. 

There’s a line that Korn uses from the utterly fantastic, amazing fic Wings of a Butterfly https://archiveofourown.org/works/39799374

  .... “you can’t sharpen a blade with silk” and I think about it often okay, because the great irony of Korn’s legacy is that in some ways, Kinn modeled himself after the man Korn pretends to be, not the man he actually is. Yes, he’s more impulsive and irreverent — gifts from his mother as he’s told us, but the kindness, the gentleness, the guy that cares about his people, like Pete said, that’s all from the mask Korn wears. 

Korn spent a lot of years moving pieces on the chessboard, only for everybody else to wind up playing another game entirely. His sons won’t be like him, and his nephews won’t be like the man helped create (Porsche, Porchay, and Pete are sorry, not sorry to fuck up your shit, Korn). He may get to write history, but he won’t get to write the future. 

[funhouse-mirror-barbie]

The Decay of Complex Characters and Character Development in Helluva Boss (Stolas and Octavia’s Relationship: Part 2 of 2)

Part 1 here

I felt I had to make separate part just for “Seeing Stars” because my other post was getting way too long, and I wanted to really focus on the treatment of Stolas and Octavia’s by the writers.

Please know that this is JUST my opinion and not a personal attack on HB’s writers or creators. I’m talking and venting a bit about my personal frustrations with the series regarding what I perceive as being MAJOR plot holes and inconsistencies in the show’s writing.

As of right now—and I do want to acknowledge this could change, but as of right now—it largely seems like any character development Stolas may have gone through after “Loo Loo Land” has been completely tossed out the window.

I personally believe that the writers of Helluva Boss think that they are writing Stolas to be more complex, but he has yet to have to actually be held accountable for his actions, and for breaking his promises to Octavia.

And the way the writers present him has really come to bother me. So I wanted to talk more about it, and about how Stolas cannot become a well-written, complex, and engaging character until the writers let him actually be imperfect and complex.

To talk about this more in depth, I gotta go over the second episode that features Octavia, Season 2, Episode 2 of Helluva Boss—“Seeing Stars”

(TLDR at the end)

To start, “Seeing Stars” is narratively very similar to “Loo Loo Land”. By “very similar” I mean that it’s almost the exact same plot, but frustratingly more clunky. Here is an extremely short summary:

The main crux of the conflict in “Seeing Stars” is that Stolas forgot about a promise he made to Octavia to go see a meteor shower, and ends up neglecting her.

Specifically, he forgets because he is too busy yelling at Stella over the phone due to their contentious divorce. Octavia feels let down by her father again, and runs away to the human realm to see the meteor shower on her own.

Stolas and I.M.P. panic and go after her. Eventually Loona finds her and gives her a speech that essentially boils down to: “everyone’s got hardships and problems but Dads ESPECIALLY have problems. Your Dad is trying really hard right now. So that should count for something right?”

And that comforts Octavia in the moment. Octavia and Stolas reunite, he asks her why she ran away, and she tells him she was trying to see the meteor shower he promised to take her to. Stolas is horrified that he’d forgotten, starts to apologize, but Octavia cuts him off and tells him “it’s okay”, forgiving him.

I rewatched “Seeing Stars” before making this post to make sure I hadn’t misremembered any crucial plot points.

I thought I remembered that, at the very end of the episode, Stolas apologized to Octavia for breaking his promise and then she told him it was okay.

It turns out I had misremembered things, because the writers literally kept Stolas from saying sorry.

This leads to the main criticism I have of Stolas as a character, especially from a writing standpoint. The narrative does not allow for Stolas to ever truly be in the wrong, or for anyone, including Stolas, to fully acknowledge that he is in the wrong.

And I know that it’s easy to go “BUT LOOK! Octavia says “I know, Dad”! She KNOWS that Stolas is sorry.

That’s fair, but for me personally, I think an EARNEST and verbal apology is needed here to show that Stolas has grown.

I’m very lucky in that I have a good relationship with my parents, but that doesn’t mean we never fought or they never said or did things that hurt me.

I distinctly remember a time when my Mom was apologizing to me for something she did, I said “it’s okay” and she immediately replied “No, it’s not okay. I shouldn’t have done that. I’m sorry, and I hope you can forgive me”.

That really changed my perspective on conflict. I think a lot of people, including myself until then, consider “it’s okay” to be a form of saying “I forgive you”. And I’m not trying to police like…basic language and substitute words. But I DO strongly believe in taking responsibility for when you hurt someone.

In all honesty, I think this scene actually could have worked for Stolas’ character development if he had actually acknowledged that, “No, it’s not. It’s not okay that I broke my promise to you. I’m sorry, and I hope you can forgive me, but if you can’t right now, I understand.”

THAT, to me, shows character development. That would’ve shown that Stolas is, at the very least, trying to make an actual effort to change for the sake of Octavia.

Instead, though, SHE apologizes Stolas for running away to try and see the meteor shower that HE promised to take her to. And the writers refuse to even let Stolas say he’s sorry.

Let Stolas say he’s sorry, writers! Let Stolas be in the wrong!!! I promise it won’t make people hate his character!

I mean, jfc, just look at the fandom around Hazbin’s Valentino. That guy could not be more evil if he tried and a lot of fans can’t seem to get enough of him.

My other issue with the treatment of Octavia in this episode, SPECIFICALLY the speech that Loona gives Octavia near the end.

Because. Oof. There’s a lot to unpack. Firstly:

Maybe it’s just me, but I find the way the writers have Loona frame this situation as being really really weird. To be clear, I don’t think it starts off too badly. Everyone DOES have issues, and that can affect the way they act and treat others and make mistakes.

That said, dads are not inherently more messed up or dealing with more difficulties than anyone else.

Dads have issues the same as any other person, but they don’t get special privileges or passes because they’re dads. They’re responsible for themselves like every other person with issues and difficulties, and they’re still responsible for themselves and their mistakes.

It’s especially frustrating because the writers are using Stolas’ “issues” as a crutch to excuse their bad behavior. This happens a lot with writers trying to excuse or justify their character’s actions. The “issues” can be anything from a difficult childhood, relationship troubles or divorce, a traumatic experience, etc. but these things should never be used as a way to excuse a character’s every mistake and flaw.

Effective writing will use a character’s history to explain the reasons a character acts or behaves a certain way, not excuse that behavior. This leads to characters that the audience can become more invested in, and can form different opinions or interpretations about.

A really great example of this is Bojack Horseman, whose terrible upbringing and abuse definitely garner audience sympathy, but the writers never use this to as a justification for the Bojack’s behaviors. Bojack continually makes really terrible choices that hurt the people he cares about the most, and while we as the audience still sympathize with him to an extent, we still get frustrated with Bojack, and be disappointed by him.

The audience finally gets some catharsis from this frustration when Bojack is called out by his best friend Todd for this, after he finally breaks any remaining trust in their friendship with the following quote:

“You can’t keep doing this! You can’t keep doing shitty things, and then feel bad about yourself like that makes it okay! You need to be better! [Bojack apologizes and then continues to make excuses] …BoJack, stop. You are all the things that are wrong with you. It's not the alcohol, or the drugs, or any of the shitty things that happened in your career, or when you were a kid—It's you. Alright? It's you. Fuck, man. What else is there to say?”

In my opinion, Helluva Boss’ writers seem to be determined to write the exact opposite of this sentiment.

The writers frame Loona’s speech to Octavia as a heartwarming moment—a moment where Loona helps Octavia realize that Stolas cares about her and is trying his best, so Octavia should cut him some slack.

This is, quite frankly, a BAFFLING scene because Loona’s behavior for the ENTIRE EPISODE is her assaulting and yelling at her dad. Like, she has given Blitzø absolutely NO slack before this moment, and then doesn’t give him any in the scene DIRECTLY after this, where she assaults him again while he’s in the middle of apologizing to her.

Not only is it odd to have Loona tell Octavia all of this and then not act on it herself, but the whole scene really reads as the writers trying to sweep Octavia’s very valid and real feelings of hurt over her father’s neglect under the rug.

And look. Trying to be better can be important. Trying to change and be better IS worthy of being acknowledged. But at a certain point, as Todd points out to Bojack, you have to actually be better.

In part 1, I talked about how the end of “Looloo Land” had set things up for Stolas to start being more conscientious of Octavia’s feelings and needs. He took the first step of making amends with her, of listening to her and her concerns and fears.

“Seeing Stars” was an episode that could have shown him being better. But instead. Well.

In her speech to Octavia Loona says this:

And to be fair, Loona didn’t know what hijinks Stolas and Blitzø were getting up to in the city. She probably did think Stolas was looking for her.

…Except…he kind of wasn’t…

During the search for Octavia, Blitzø gets mistaken for a famous Hollywood actor, and he and Stolas are essentially kidnapped to be in a sitcom. When this first happens, Stolas is anxious, clearly upset that there search has been further impeded:

He’s scared that Octavia could be in danger, or hurt. Stolas seemingly wants to find her as soon as possible.

Well. Once they get to the Hollywood sitcom shoot, the following scenes happen:

STOLAS WHAT THE FUCK ARE YOU DOING???? YOU JUST SAID THAT YOU DIDNT HAVE TIME FOR THIS ??? BLITZØ DIDNT EVEN WANT TO PERFORM, AND YOU MADE HIM! WHY?!?! YOU DONT OWE THESE PEOPLE ANYTHING? THE TV PRODUCER EVEN LEFT THE ROOM BEFORE THE SHOW STARTED, NO ONE WAS KEEPING YOU THERE!!!

WHY ARE YOU INVESTED IN THIS AND WORRIED ABOUT THE AUDIENCE NOT LAUGHING?!?! STOLAS YOU LITERALLY JUST SAID YOUR DAUGHTER COULD BE IN DANGER IN THE VAN, WHY ARE YOU SUDDENLY SO CONCERNED WITH MAKING BLITZØ ACT IN THIS SITCOM???? STOLAS YOU DONT KNOW WHERE YOUR FUCKING DAUGHTER IS?!?!?

I just…I’m sorry, I just think this episode is so so clunky and so poorly written. I think it may be one of the episodes with the least consistent character writing.

The scene continues, Stolas gets distracted by how attractive he finds Blitzø, and Blitzø acts in the sitcom for so long that even Stolas looks bored and out of it.

At this point in the story, he doesn’t know where his daughter is, if she’s hurt, or in danger, or even why she ran away in the first place. But instead of that taking the absolute top priority for him, he takes time to watch Blitzø make bad jokes in a wig for the whole afternoon.

Stolas isn’t even the one to get them out of the Hollywood studio, Blitzø is. Blitzø has a panic attack about the thought of Loona being taken from him during the sitcom shoot, and that’s what sparks them escaping.

The two escape the studio and meet up with Octavia and Loona, and the episode ends with Octavia apologizing for running away, and Stolas not having to apologize to her for his mistakes because Octavia already knows he’s sorry.

In Part 1, I talked about how at the end of “Loo Loo Land”, the writers set up the building blocks for Stolas’s character development in regards to his relationship with Octavia. S1 E2 of Helluva Boss ends with Stolas listening to his daughter, realizing his actions hurt her, and acting like he’s going to start putting her first.

“Seeing Stars” undoes all of that development. Which wasn’t even that much character development in the first place. Just the kicking off point for Stolas’ growth as a character.

Reviewing this episode made me realize that Stolas’ character development may have actually regressed. He doesn’t keep his promise to Octavia, he starts flirting with Blitzø when he should be looking for her, and wastes valuable time fucking around with Blitzø on a sitcom set.

And listen, I KNOW that Blitzø got Loona to look for Octavia right after he and Stolas got kidnapped by the tv producers. But after they get out of the Van, WHY does Stolas just continue to go along with it? He was so concerned and scared for Via before, wouldn’t he want to get back to looking for her as soon as possible?? And have as many people as possible working on finding her???

Blitzø doesn’t even want to go on the sitcom and for some reason Stolas makes him! The tv producer had left the room at that point too, and Stolas is a DEMON PRINCE, no one was keeping them there!

Stolas gives the reason for Blitzø needing to perform to be “so they can get back to looking for Via” but they can just do that without having to be in the sitcom?

I think the writers might have written dramatic irony into the story without meaning to? Loona tells Octavia that “[Stolas is] down there. Looking for you”, but we as the audience know that’s not true. Stolas wasn’t looking for his daughter. He was watching Blitzø star in a bad sitcom for 5 hours.

This becomes extra frustrating and gut-wrenching for me when I think about Octavia right before Loona’s speech about how “dads are special and have it extra extra bad and try extra extra hard and that’s super important, even if they fuck up and hurt you”

This scene is absolutely heartbreaking to me. This is a 17 year old girl who has been repeatedly let down by one of the people she looked up to and relied upon the most, who rightfully feels abandoned and like she no longer has a home.

Specifically the line “Why does he hate [my mum] more than he loves me?” hits extra hard.

I don’t know what it’s like to have divorced parents, but I can imagine that anyone who has may have had this exact thought. Octavia needs support more now than ever, and keeps getting let down by the adults around her, and it just breaks my heart to see this young vulnerable girl not really have anyone who acknowledges that what Stolas did was hurtful. That it wasn’t okay, and that she’s allowed to be upset about it.

The reason she exists in the story isn’t to be her own person and to have character development of her own. She exists just to be Stolas’ daughter, and to forgive him for his wrongdoings and make him seem like a “good” person because even though he has issues, he still loves her! That makes him a good dad!

And I don’t know how Octavia is broadly accepted in the HB fandom, but I’ve heard that she may not be liked very well, and I don’t understand how anyone could see this scene and think she’s annoying or terrible.

Honestly, I would NOT be as frustrated and disappointed by the writing in this episode, if the writers and the fandom at large didn’t treat this episode like it had a heartwarming and satisfying resolution. If the writers treated Stolas as a complex person who is able to make mistakes, and who still really needs to own up to his actions and take responsibility for his broken promises, I would probably like him a lot more as a complex and nuanced character.

But the way the writers frame Stolas as being in the right, or being the victim, or being fully justified in all his actions isn’t just bad writing. It’s boring. Stolas is a boring character because the writers do not allow him to be in the wrong, to be morally ambiguous or dark, or to be called out or held accountable for his mistakes.

The writers MAY somehow undo the damage they already did in “Seeing Stars”, but given the way that the writers, show creators, and fandom go out of their way to excuse any morally grey, questionable, or harmful decisions Stolas makes, I’m not going to hold my breath.

TLDR:

-Despite Octavia being hurt by Stolas again, the writers refuse to put him in any situation where he’s held accountable for his mistakes

-The writers use Stolas’ “issues” to excuse away his bad behavior. And specify that Octavia should cut Stolas some slack because he’s a dad and being a dad is extra hard I guess?

-the framing of the episode acts like Stolas did everything in his power to look for Octavia when he clearly didn’t (he was goofing off with Blitzø)

-Stolas is ultimately uninteresting and not engaging as a character because the writers go out of their way to excuse his behavior and mistakes even when he’s in the wrong.

-Stolas cannot be a complex character if he is always absolved of the consequences of his actions and is not allowed by the writers to be better (in my opinion)

Also sidebar—WHY DID HE NOT CALL OCTAVIA ON HER PHONE!?!

In the VERY first episode of HB Stolas is LITERALLY INTRODUCED TO US by calling Blitzø on his phone and watching Blitzø in the human world from hell, without the use of his Grimoire!! HE HAS THE POWER TO DO THAT!!!

I was like, maybe Octavia didn’t have her phone for a SECOND before remembering that LOONA FINDS OCTAVIA BY LOOKING AT THE PICTURES SHES POSTING TO SOCIAL MEDIA WITH HER PHONE.

Like Stolas do you not know ur own daughters phone number. AND YOURE GIVING BLITZØ A HARD TIME ABOUT NOT KNOWING MOXXIE’S?? Also when Blitzø is in danger you can pinpoint his exact location, travel to the human world without the grimoire terrify and reveal your existence to MULTIPLE humans with absolute disregard for being discovered, but when your OWN DAUGHTER is missing and you have NO idea why or if she’s in danger, suddenly you have time to run around LA for a day getting into shenanigans???? She’s your DAUGHTER. No wonder she doesn’t think you care about her because I sure as hell don’t after that episode. Lord.

[pinkberrypocky]

How Kyoko Did What Mami Couldn’t

A long rambling series of thoughts about how kyoko and mami are more similar than they seem and how kyoko is the one who truly succeeds at it

So normally I think of Sayaka and Kyoko being the duo to think about, but upon this rewatch I noticed some interesting things about Mami. Mami’s role in the anime is essentially to show Madoka and Sayaka the ropes of being a magical girl and help them decide if they want to become magical girls themselves. However, there is a massive gap in this goal of hers/our perception of her role in the show and what she actually does in the anime. Mami tells Madoka and Sayaka that she wants them to know the stakes of becoming a magical girl before they decide if that’s something they are willing to go through in order to have a wish granted. On a surface level, this seems like exactly what she does. She takes them with her while she hunts and kills witches, she talks with them about potential wishes, and she even warns Sayaka about the possible complications of making a wish for someone else’s sake. However, in actuality she only encourages Madoka and Sayaka to become magical girls, all while sheltering them from the true weight of the profession, though this is likely not known even to her as she does so. She takes them into witch fights without ever warning them that this is a life or death scenario and she might not be able to protect them. Instead, she tells them that she’ll protect them and puts up a front that she is an unstoppable and untouchable object. But that obviously crashes down very quickly when she dies in front of them in the third episode. While telling Madoka and Sayaka that she is going to teach them what it is to be a magical girl, she effectively shelters them from the very things they need to be aware of in order to make an informed decision on whether or not to make a contract. 

I want to emphasize that I don’t think this is intentionally selfish, though it definitely is in function. Mami didn’t have a choice when she became a magical girl, it was make a contract and become a magical girl or die. So it makes sense that it’s important to her that Madoka and Sayaka make an informed decision before jumping into magical girlhood. So why doesn’t she? Why does she put active effort into making sure they don’t see the ugliest parts? Why does she put up a front that she isn’t affected by risking her life to fight witches? Because she was trying to give Madoka and Sayaka the protection that is so starkly absent from her own life. Mami has no close relatives, her parents died in the car accident that forced her to become a magical girl years ago. This means she has been on her own for a long time. And remember, all of the characters are middle schoolers. Mami had to grow up far too fast and so she tried to protect Madoka and Sayaka from this by sheltering them from the cold truth about being a magical girl. Not that I’m saying she kept explicit secrets, Mami died never knowing about the truth of the soul gems or the witches, but she kept the psychological effects and risk of serious physical harm from them, even though it was with good intentions. 

What’s wrong with that? I think we can all agree that these girls could all use a more active parental figure to protect them. So was Mami in the right for this? No. The issue with this is that it is starkly incompatible with the goal she expressed to Madoka and Sayaka, to teach them what it’s like to be a magical girl. Unfortunately, Madoka and Sayaka have already been pulled into this world and as such deserve to be informed about what that entails. Mami is incapable of doing this. But if Mami really wanted what was best for Madoka and Sayaka and to be a mentor to them, wouldn’t it make more sense for her to tell them the truth and then help them work through it? Yes, yes it would. But she can’t, because the real obstacle holding Mami Tomoe back from being 100% honest with Madoka and Sayaka is the fact that she is so deeply afraid of being alone. Mami has been alone since becoming a magical girl, both in the way that being a magical girl isolates all of them but also in that her family is dead. Mami has no one. So when Madoka and Sayaka enter the picture with the preassigned, by Kyubey, context that they might want to become magical girls, Mami is set on selling them the job. Because if Madoka and Sayaka become magical girls then she won’t be alone anymore, both in fighting witches and in life. So even though Mami has the surface level goal and knowledge of making sure Madoka and Sayaka know the truth, she has a much stronger goal hidden beneath the surface from even herself: to not have to be alone anymore. So in actuality, she doesn’t want Madoka and Sayaka to realize how horrible the job is, because if they did there’s no way they’d join her and she’d remain alone. Because of this goal that she herself isn’t aware of, she consequently presents a false narrative of what it is to be a magical girl, therefore putting Madoka and Sayaka in immense amounts of danger. 

Mami is a tragic character because what she wants to do is the opposite of what she does, and as soon as she reaches her goal she is killed at the height of her positivity. But that’s not to say that there isn’t a character who doesn’t do the work of explaining the truths of the magical girl world in an accurate and effective way in the series. But that girl isn’t Mami, it’s Kyoko. 

The moment in the show that sparked this whole train of thought for me was in the scene in episode nine right before Madoka and Kyoko confront witch Sayaka. Kyoko asks Madoka if she’s sure about coming with her, reminding her that she can’t say for sure that she can protect her and pointing out that she doesn’t even know if her plan will work. Madoka affirms that she wants to come along, and begins a bit of a monologue about how she’s never been able to help the magical girls since she is too scared to become one herself. Kyoko immediately tells Madoka that she’s one of the lucky ones, that if it’s not a life or death situation she shouldn’t even think about making a contract with Kyubey. Madoka pushes back on this but Kyoko holds firm, insisting that it’s not wrong for Madoka to enjoy her life and that there is no pressure or reason for her to become a magical girl. Whether or not Madoka is able to truly hear and internalize Kyoko’s words is separate, though based on the end of the show I think we all know that conversation did not encode, the fact of the matter is that Kyoko bore all the truths of the situation to Madoka. She didn’t pull any punches, and she didn’t shelter or protect Madoka from things that she thought might be too hard on her. 

This lack of sugar coating is really important to Kyoko’s character as a whole. Throughout the show she always speaks what she believes to be the truth, which is really all you can ask of her considering the earth shattering secrets Kyubey kept from all of them. You can see this a lot with Sayaka, who Kyoko tries time and time again to convince to change her ways to put more emphasis on herself. Kyoko knows that Sayaka is functioning as if the world follows her strictly constructed ideals, and she also knows that the world doesn’t. She used to think like Sayaka, but she was forced to face the truth that sometimes the world is horrible. Sometimes the people you love most hurt you. Sometimes a wish you made out of love only leads to pain. She tries countless times to convey this to Sayaka, which is exemplified most plainly in the scene in Kyoko’s father’s old church. She tosses Sayaka an apple, saying she has a long story to share with her, but Sayaka immediately throws the apple to the floor. The symbolism of apples cannot be ignored in this scene, especially considering the setting of the church and the nature of the story Kyoko shares with Sayaka. Sayaka rejecting the apple, the biblical symbol of knowledge, at the beginning of the scene shows her refusal to face the truth even when it is handed to her.So even while Kyoko failed to be heard, which is very reminiscent of her father and the nature of her wish and I plan to discuss further later on, she did not fail to convey the whole, brutal truth. Kyoko acts truly selflessly when she tries to get Madoka and Sayaka to understand the realities of being a magical girl, which is so interesting considering she is so adamant that she is a selfish person. All the other characters in the series want so badly to be selfless, but end up finding that in the end they are unable to get rid of that selfish part inside them. As I described earlier, Mami does this when she warps her portrayal of magical girl life, but it can also be seen in Sayaka who makes a wish to heal her crush’s incurable injury and ends up feeling cheated and jealous when he doesn’t recognize her. Sayaka sets out to be a magical girl like Mami was, and in this way she completes her goal. She strives endlessly, however hopelessly, to be selfless and eventually dies in the process. Sayaka suffers because no matter how hard she wants to be selfless she isn’t. Which isn’t to say she’s a bad person, very few people are capable of doing things that are 100% selfless, nevermind doing so all the time. But Kyoko, who is always saying how selfish she is, is the one who is able to be truly selfless by giving Madoka, and attempting to give Sayaka, the whole truth without any sugar coating so that they can make their own decisions based on what they want. Kyoko thinks she’s selfish because she doesn’t believe that fighting is something that should be done unless there is no other option, but it is actually this belief that allows her to selflessly present Madoka and Sayaka with the truth.