#i just have so many feelings about this show ok

[oneverydelululemon]

Ok, so first of all, THANK YOU, @endomentendo , for introducing me to Waitress: The Musical, it's a wonderful masterpiece!

Second of all, I think Dawn and Ogie's relationship perfectly shows how I imagine Showtime to look like (the wholesome kind, at least). That includes not just Never Ever Getting Rid of Me, but also When He Sees Me and Love You Like a Table. Dawn's fear of ruining any relationship despite craving love, her need for control and predictability that she finds in the facts and figures, not feelings; her fear of being vulnerable and open to the future stopping her from getting to attached, the overthinking, the anxiety, the catastrophizing; it all fits Pomni so much. Not only that, but Dawn's looks awfully remind me of some human designs of Pomni I've seen, it's precisely how I imagine her looking!

And Ogie's just Caine to a T! Him being so open and unapologetic about his love for Dawn, the goofy dances and awkward, but somehow still adorable charm; him trying to get Dawn out of her comfort zone, to show her he's sticking around.

And the wedding! It's adorable! Ok, since I can't draw for the life of me I'll have to use words, so bear with me!

Picture this: when Caine says I love you like a table, he materializes a table and Pomni starts laughing. He picks her up, still singing, and gently puts her on the table after twirling her in the air for a bit; then as he sings how he can hold anything she puts on him, he rolls his sleeves and lifts up the entire table from underneath, surpising Pomni. Holding her like this, he shoots up into the sky. As he continues to sing about how strong and stable he is, he watches Pomni from below the table in adoration. She stares back from above, completely calm. The table doesn't wobble at all, and she knows he won't let her fall. They fly for a bit until Caine suddenly poofs the table out of existence, making Pomni freefall into his arms. He gently lowers her back down, twirling her yet again. They don't break eye contact at all.

To conclude, I'm so happy I found a few songs that describe my vision of Showtime perfectly, not just Wonderland!Showtime, but also many other AU's I've seen! I think it could represent their dynamic even if it's platonic!

So once again thank you Endo (and anyone else who read all of this), and sorry for the rant <3

Have you thought about doing any tadc showtime headcanons for both digital wonderland and the magnus circus au?

Wonderland showtime: Chatter gains focus

Chatter and Pomni are basically the song: never ever getting rid of me. (Then again it’s the same for og showtime)

TMA SHOWTIME: Gaslighting hunting

Feel free to ask more cause I love em!

[marchofmistria]

Hi, I saw that your requests were open and I was wondering if you could make HC for when the farmer comes home all wrecked after a day at the mines (both bachelors and bachelorettes, if thats ok)

Hi there, thank you for sending :) Super fun to write for the bachelorettes as well as the bachelors <3 I'm writing these as established relationship HCs!

March

March can't help but worry about you each time you go to the times, no matter how nonchalant he tries to act or how many times he tells himself that you've been fine each time before.

Before you go, he'll always lecture you a bit and tell you to be careful (even though, he feels, this lecture goes ignored every time).

Without you asking, he'll spend time forging armor and swords that are strong and can provide a great deal of protection. You're clearly grateful for it, and it gives him peace of mind that you're wearing something he made so he's sure the quality is as good as possible.

If you're not back by a certain time, he'll go looking for you himself (even when, most of the time you're just fine).

The anxiety isn't totally unwarranted. There was a time once where he found you passed out in the mines, badly injured and attracting attention from monsters even in your unconscious state. He carried you all the way to Valen and had trouble sleeping for a day or two afterwards, even though Valen revived you no problem.

Sometimes March will insist on accompanying you from the start, claiming that he doesn't trust you to protect himself. You know not to take this as a blow to your defensive skills, but rather as proof of his deep love and care for you.

On the days you come home tired, he'll order you to go rest in bed and will wordlessly take care of you, whether that means cooking you dinner or washing off your sore body in the bath. He'll act annoyed, but you know that he doesn't mind at all taking care of you.

Ryis

Ryis worries about you when you spend late nights in the mines, but is also completely confident in your defensive skills. He knows that you're very strong, perhaps stronger than he would be down there.

He'd insist, however, that you pack food with you in case you grow exhausted down there.

He'd also make sure that you're wearing the best protection you could be. He'd probably call in a favor or two from March to give you the best equipment money could buy, just as an extra precaution.

He's always very excited and grateful when you bring home a trove of material or fascinating objects from your time down in the mines. He'd be interested to learn about all the materials that occur naturally down below, as well as the animal (monster) life living down there. Especially as Ryis would probably have little interest in going down there himself.

Ryis is less of a worrier than some others may be, but he'd definitely insist you be home by a certain time just so he could have total peace of mind and so that you two could spend the night together.

He'd definitely pamper you when you've had an exhausting day, whether that be from your time in the mines or from any other tasks you've had to complete throughout the day.

His care for you would definitely include nightly massages of your sore muscles. His idea of a perfect night is spent together in the bath with you, and then hanging out late into the night working on something relaxing like birdhouses, or even watching a movie together before falling asleep.

Hayden

One of the things Hayden loves and respects about you is your strength. He has plenty of it too, but is always deeply impressed by your ability to balance your work on the farm with your exploration of the mines.

He encourages your interests, and wants to give you as much time as possible to explore if that's what you feel like doing that day. He shows this encouragement by offering to take care of things on the farm on days when you want to go mining.

He hopes that'll take away some of your exhaustion, and he's more than happy to take care of you in that way. Any extra time spent with your animals is a happy day for him!

Hayden would care to make sure you're eating well before you go expending all that energy. He'll make lots of delicious food straight from the produce you've grown from the farm, and from the products donated by your animals.

Hayden wouldn't worry too much about your exploration in the mines, seeing how strong you are and how well you can handle yourself. He's just ready to get you home by the end of the night.

Hayden helps you recover by making sure you're well fed and well rested each day, without exception. If that means letting you sleep in a bit longer the next day and taking some of the load off your shoulders, he does it without a second thought.

Seeing his smiling face when you get home from a long day is enough to replenish some of your energy instantly. All Hayden cares about is that you're enjoying your days to the fullest in Mistria.

Balor

At first, Balor is more than supportive of your journeys down to the mines. After all, that's where you can find the rarest and most lucrative things for him to pawn off in the Capital!

It's also where you found a majority of the gifts that won his heart in the first place. It seemed like you were the only other person who appreciated these rare items to the same level he did, and he got so excited talking about it with you.

But once your relationship gets serious and progresses farther than just a business partnership, he starts to hate the days when you go down to the mines.

You always come back all scratched up and often injured, although usually not severely. Even so, he can't help but worry himself silly.

Yes, he's still excited when you come and happily show him all the wonderful things you've uncovered there that day. But he sure does wish there was another way to go about it.

He tries to persuade you to stop going down there, much to your surprise at first. You thought that he lived for these incredible finds. But he tells you that seeing you hurt isn't worth any amount of money.

He pays March a hefty sum to make you the best equipment and stocks you up with food each time you go. He can never get to sleep until he knows you're back home safe and have had your injuries healed.

He'll spend the rest of the night checking you to make sure you're really okay, and pampering you in every way possible. He wants you to know how grateful he is that you put yourself in danger on behalf of your mutual financial wellbeing. And he'll always have a special gift for you as an extra thank you.

Eiland

One thing that Eiland loves about you is your shared interest in all things archeological. The idea that there was someone as excited as him to explore the mysteries of the minds makes him deeply happy.

In fact, he's so excited and eager to find out what's down there that he doesn't really think of the extent of the danger. To be fair, he doesn't know that the mines are infected with a slew of monsters until you tell him.

When you first start returning to him after a day in the mines, you can spend hours discussing what you saw down there and going through all the evidence and artifacts you came across. Because you're equally excited as he is, he doesn't notice at first that you've injured yourself.

It's only after he sees you wincing in pain that he questions what happened, and then he feels terrible that he didn't notice it at first! When you confess to him all that's living down there, he instantly says that the mines must be closed off again.

Yes, he is deeply interested in what can be found down there. But the safety of the residents of Mistria are paramount. And you, as the person he cares about most in the world, take priority above all of that.

He feels a bit more reassured when you tell him that closing the mines is out of the question, that your injuries are not severe at all, and that on the contrary you absolutely love going down there. He's excited too, but just much more weary about your adventures now.

He'll stay late at the museum on nights when you decide to go into the mines, ready to meet you first thing once you exit. He has bottles of tonic to help you heal ready, as well as scores of delicious desserts to eat while talking over what you found that day. He's super eager, but will always prioritize your health over all else.

Valen

Valen doesn't stop being your doctor when she becomes your partner, and your health and safety are always her first priority. She knows she's not supposed to have any biases towards certain patients, but how could she not when she loves you so much?

Because of this, she really attempts to insist you stop going down to the mines. She knows that you find it fun and interesting, but she still doesn't fully understand. You make very decent money between the two of you, so it's not because of that.

She truly finds it difficult to understand why you don't prioritize your own health, especially with someone who worries so much about you waiting for you. But after discussing it, she concedes that she must let you enjoy your own interests and be there to support however she can.

You do agree to compromise on not staying out too late, as she cannot sleep at all until you're back home safe and your injuries are all tended to. Before you go, she prepares strong concoctions with her panacea to heal up most of your injuries instantly as soon as you're home.

On one occasion, when your injuries weren't mild and you had to stay overnight in the doctor's office, she didn't sleep a wink with worry for you. Even though she rationally understood that you'd be just fine in a few days, and of course trusted her own skills in taking care of you, her concern for you is overwhelming.

Most times, however, you're just fine and she's at home lovingly waiting for your return. She'll feed you a healthy dinner and run you a bath with salts to help soothe your aching muscles.

She'll always pack tonics to take with you as well, free of charge of course. You're incredibly grateful to have such a caring partner.

Juniper

Juniper tries really hard to act like she doesn't care what you're doing all day. She's still getting used to the idea of having a partner and showing vulnerability and care towards them.

She does care, really. It hurts her ego a tiny bit when she concedes to the fact that she does care. But at the same time, she can't do well at hiding her worry when you come home injured.

When you come back from the minds and show her everything you found, her interest is piqued. You consider it an enormous accomplishment the first time you gift her a crystal rose you found on one of the lower floors, telling her that she was the first thing you thought of when you saw the flower for the first time, and see her actually blush.

She can't even pretend to act proud at your "tribute." She's genuinely happy and flustered, and you consider that a win.

When you do come home hurt, she'll silently bring you into the bath house. Undressing you and then herself, she'll climb into the bath with you for a long soak.

That may include a massage as well, if you've caught her in a good mood or won her over that day with your gestures of affection via gifts from the mines. You can really get her if you tell her that you put yourself in harms way for her. She loves to feel like you put a lot of thought into her happiness.

She's not unaccustomed to flattery or worship, sure. But the real love, devotion, and attention she feels from you is new. And she's going to take steps to make sure the feeling is mutual.

Reina

Reina admires how strong you are, and how self-sufficient. But at the end of the day, she's still a big sister and being caring is her defining quality. She can't help but worry when you put yourself in danger.

She doesn't try to talk you out of it. She knows that there's no use in that. But she will do whatever she can to make your endeavors as safe as possible.

She insists of filling your bag with as much delicious food as you can carry without becoming over-encumbered. She'll cook all your favorites so you'll be more inclined to eat them as soon as your energy starts to wane in the mines.

You can always expect the same when you get back to her as well. She doesn't take no for an answer when it comes to you eating properly, even when you tell her that you've already eaten all the delicious things she packed for you during your excursion.

After you're well-fed and warmed up, you two like to relax the rest of the evening by the warm fire of the Inn, talking into the night and even sharing a warm Hot Toddy if you really need to wind down.

She's always interested to hear about everything you do each day, especially including what you do in the mines. She finds it fascinating, especially as that sort of stuff doesn't usually appeal to her. She's more than happy to listen to your tales rather than go do those things herself.

She'll often share your stories and brag of your strength and bravery to everyone who will listen when patronizing the Inn. She's proud to have such a strong and fearless partner.

Adeline

Adeline is a worrier by nature. She needs to have things under control as much as possible, and the fact that her partner is so fearless can be a difficult adjustment for her.

She knows that she needs to let you have your own hobbies. She also knows that she invited you to Mistria as an adventurer, so she can't go back on her word now.

Even so, she wishes you'd do just a little less adventuring now that you've found a home in the village. She doesn't tell you this directly, but also can't hide how stressed she gets when you're down there and she doesn't know how you're faring.

She makes you promise to be back by a certain time each night, and is upset if you ever miss that curfew. She knows that she can't boss you around like that, but you're willing to oblige her knowing how much stress she's already balancing and how much she cares about your well-being.

She does know what it's like to have someone deeply interesting in exploring, and is happy that her brother has a friend to discuss these things with now. She engages in the conversation and does find it interesting, especially if you're the one telling about it rather than Eiland. You just have a much more... engaging way of talking on the subject.

One thing that she will agree with you on is that the items you're able to find in the mines can be helpful to some of the townsfolk around Mistria. Whenever someone needs an item that may be hard to obtain, she admires the fact that you're quick to jump in and help (even if that means putting yourself in harms way). She loves that about you.

As soon as you're back home, she's making sure that you're well-rested in the most comfortable home, with the most comfortable pajamas and all the luxuries she can afford. If you're injured, she's happy to go to any lengths to make sure you get everything you need. It's the least she can do to prove how much she cares for you.

Celine

Celine is always terrified whenever you tell her you're going down to the mines. She can't imagine facing all those scary monsters and risking getting hurt! The worry is apparent on her face every time.

She knows that you're strong and more than capable, but she's scared for you nonetheless. One of the few times you see her act sternly is when she makes you promise that you'll avoid trouble there as much as possible and be home at a reasonable time.

It doesn't help that Dell encourages you completely. Opposite of what would usually be expected, Celine is worried that Dell is a bad influence on you and spurs you on into danger.

Celine tries to be supportive, but is always ready to take care of you whenever you come home from a long day in the mines. Her cottage is stock piled with medicines from Valen, delicious food cooked either by herself or by Reina, and a warm bed for you to rest in.

She cannot lie, though. Whenever you bring her a new rare plant or flower from the mines, she is so excited that she nearly forgets her reservations.

She'll spend hours reading about the fauna in her Codex Mistria, taking precious care of this wonderful gift you've given her. Her appreciation is apparent, and this incredible gift is almost worth letting you go down to the mines.

In any case, she's always excited to have you back home and will go above and beyond in taking care of you when youi're exhausted or even hurt.

[atlasrayz]

Ok hi time to rant abt hazbin/helluva because i will forever be upset about the outcome of those shows.

Indie animation has been on a rise lately, with so many different amazing shows being available on youtube.

I watched the hazbin hotel pilot around the time it came out, and it really interested me. The characters seemed interesting and the premise wasnt really something you see often. I was excited.

I kept up with Viv's work and got into helluva boss. I thought it had some good jokes and the bits of lore we got made me want to keep watching. However, the premise of literally every episode is the same. A bad ex or a bad dad. Its a formula, and it shows up in Hazbin too.

Viv has some obsession with daddy issues, and problems with characterising her women characters. Charlie is the *main character* of Hazbin Hotel, but she has literally no growth or development. Millie also falls victim to this.

The one episode where she actually gets some attention feels... wrong? It felt like they were mischaracterising Moxxie so that they can fabricate conflict between Moxxie and Millie. Moxxie loves his wife, and he has literally never once been shown or implied that he would try to upstage her. Yeah, he's definitely got some inferiority going on, hes constantly being belittled by Blitz. Hes the show's punching bag, but i feel like it had never been implied that he hated himself more than he loved his wife. I hate that episode with a burning passion because how tf are you going to mischaracterise your own fucking characters.

I hate the way they did Lucifer. He should NOT have been some wacky, silly guy who just doesnt know how to reach out to his daughter. He's not bad! He's just anxious UwU. His entire character is irritating. Having a wacky fun character is fine, i love characters like that, but Lucifer shouldn't have been that character.

In the pilot, it was implied that Lucifer hangs over Charlie and his influence puts a lot of pressure on her, but then we meet him and hes just. A guy. Who doesnt talk to his daughter a lot. Which makes absolutely no sense. You could argue that they retconned a lot from the pilot, which, yeah, its all new voice actors so, sure. But then, why wouldnt they remake it in some way, in any way?

Not to mention that all the characters feel flat. Even in Helluva. In Helluva we get filler and backstory, but even then the characters dont change or grow. Quite literally the only good thing out of Helluva is Fizz. His arc and story is the only one that actually breaks from the formula of bad ex bad dad and his character actually changes from the lessons in the episode. I love Fizz for pretty much that reason alone.

Moxxie and Biltz have an episode where they promise to be nicer to eachother *and then they fucking don't?* They stay the *exact same* towards each other. If you're going to do that, then don't make a story based show. Make one of those slice of life, 10 minute episodes combined into one 20 minute episode that shows no growth, and is just there to be fun. Those shows arent bad, they just have a different purpose.

I've been so upset with the results of Hazbin Hotel. The pacing is awful, the characters have no time to change or grow, and their dynamics just arent interesting. It sucks because I saw a world where this indie show got on amazon prime (!!) And was amazing and did amazing things and set the stage for other indie shows to finally get big and then all we got was poorly written, rushed slop that feels like a huge kick in the teeth to anyone who cared about the show. Or, at least, it did to me.

[fangsandfeels]

>Ok but he doesn't. He thinks he does. He thinks he has Rook all pinned down. It's why he doesn't expect Rook to escape the Prison of Regret but Rook does. Solas is convinced that all of his manipulation to get Rook to drown in regret is enough to keep them trapped in that prison. In his pride, he doesn't expect Rook to escape. He once again doesn't expect Rook to see through his final betrayal about the veil. He also doesn't expect Rook to have enough cards by the end to stop him (which is conditional based on what you do in the game)

I don't think that Varric was thinking that far ahead when he was hiring Rook. Hiring someone who can make decisions during high-risk situations and face the outcome is logical - you know that this person has the resilience necessary and won't back away from a challenging task.

However, to hire them because they're unpredictable and can potentially outsmart or outwit Solas? I don't think they were aiming that high or planning that far ahead. They just needed reliable people to hopefully intercept Solas before he sets his plans in motion.

Also, it's not uncommon for Solas to underestimate people. He woke up and decided that the beings living after the Veil deserved to go extinct because he saw them as terminally disabled due to their disconnect from the Fade - and only later was he forced to acknowledge them as people, which didn't dissuade him from his goals, just made him feel bad about what he was going to do.

He had flawed opinions about dwarves, Qunari, humans - and he still has them, but recognizes the Inquisitor as "one of the good ones" on High Approval. So, his pride has always been his weakness and the reason for his hubris.

The Inquisitor would have gotten out of the Prison of Regret, just like many other determined and strong personalities Solas knew personally - because they made as many, if not even more hard decisions as Rook did, and they didn't let regret stop them.

>Cassandra also spent time in the Hunterhorn Mountains north of Orlais, where she worked to rebuild the Seekers. For a time, the new Seekers remained reclusive, showing no interest in worldly affairs and working to a purpose few outside their order could guess.

"For a time" doesn't necessarily mean "for entire 10 years". Also, Seekers seeming reclusive and working to a purpose few outside their order could guess makes sense in the context of the Trespasser - if Cassandra decided to use the Seekers to assist the Inquisitor with searching for Solas, she isn't going to tell everyone and their mother about it.

Nobody knows what exactly Seekers are working on because nobody needs to know. Cassandra did learn a lot, and she learned how to be subtle. At least, had she been included in the plot of the Veilguard, there wouldn't have been any disconnect between the epilogue and her actions.

As for her not showing up in Southern Thedas due to political reasons, it would have been understandable, especially if there was a particularly intense geopolitical situation (I'm elaborating on this in the final paragraphs below). However, since Solas could be anywhere because of the Eluvians, she still can help in the regions she can go to.

>With Corypheus gone there is a power vacuum. A cult of fanatics don't just say "oh well, guess we'll go home now." According to Tevinter Nights (which the franchise being a mixed-media franchise has it's own problems), while a lot distanced themselves from the Venatori there were still a good number of loyalists who remained active. This leads to Aelia trying to fill in that role. She does gain a decent amount of support for it. Even when she's "captured" she has enough sway to escape prison and cause problems. Why? Because the Venatori's ideology is appealing to a lot of people in Tevinter even if they don't directly associate with the cult. However, with her "failure" we have another power vacuum present - so why is it "lazy writing" to have the emergence of another powerful mage that speaks like Corypheus and offer power similarly to what he did fill that?

First of all, yes, telling the story of the game in bits of other media is a horrible practice. Not all people are going to read them - so, it should be explained in the game. Not just by codex entries, but by the characters. I had no clue who Aelia was and why she was bad news - and Neve's vague explanations didn't make it any clearer.

Second, without Corypheus the Venatori lost their competitive differentiation, so to speak- their ideology wasn't any different from the general ideology of Tevinter, just a tad more honest and aggressive.

Yes, Tevinter is obsessed with the idea of its supremacy. Yes, it believes it deserves to rule the world and is working towards this goal.

Venatori are just too loud and messy about it, especially without an ancient god/demigod backing them up. So, if the Venatori can't serve the Tevinter's cause meaningfully or at least fall in line, the Tevinter's power would have either dismantled them (either forcefully or by destroying them from inside), just so they would stop causing so much ruckus and getting unwanted attention.

Alternatively, Tevinter would have exploited their zeal and fanaticism (for instance, encouraging their unethical magic research or even agreeing to finance their search for magisters like Corypheus) because despite being absolutely despicable Tevinter isn't stupid and it knows an opportunity when it sees one.

What I mean to say is that the game tries to show that the Venatori are the main reason why Tevinter is corrupt and not getting any better instead of showcasing how deep the problem goes and how it's much more complicated than "defeating a group of bad guys with an evil name"

>The supremacist ideology of the Venatori embody everything you're saying here. The examples you're giving are all part of the supremacist mindset. Hedonistic and power-obsessed ruling class? Yep. "Slavery is bad" and "we should treat non-mages as people" Those two concepts are directly against the supremacists ideology. We also do get some notes from Dorian doing just that Veilguard. The Venatori isn't just one shade of ugly, it's the embodiment of everything wrong in Tevinter. It's the supremacist ideology given form.

Then why make such a focus on the Venatori if the entire Tevinter is built on the ideas of supremacy? Why?

By making the Venatori solo bad guys of Tevinter, the writers washed their hands off the entire corrupt system of Tevinter established in the previous games - see, guys, magisters aren't that bad and the entire Tevinter society doesn't need a wake-up call, it were the Venatori all along. The Venatori are bad, Tevinter nobles practice slavery just because they're misunderstood and confused, and I guess Danarius, Hadriana, and all the slavers from Tevinter you had met before were just the Venatori in trench coats.

The reason why Tevinter refused to acknowledge the Venatori in the Inquisition was because of their cultish obsession with Corypheus and unsubtle aggressiveness, which didn't look good for their long-term ambitions and plotting.

It would have made more sense if the Venatori either became an official ruling party by the events of Veilguard (no coup needed) because a) they didn't meet any resistance from Senate or the people of Tevinter, b) they brought proof of ancient magisters actually existing, which gave magisters a huge ego boost and added quasireligious delusions to the Tevinter's program, c) Par-Vollen officially started its invasion (like it was promised in the previous games) by attacking Antiva, giving Tevinter the opportunity to be more active and aggressive (infiltrating Antiva by offering it "protection" from the Qunari, reintegrating Kirkwall under the guise of defensive measures), preying on the neighbor's desperation and vulnerability to its influence.

But instead, they're shown as that malicious cult that is officially opposed and rejected as if Tevinter somehow had an issue with their philosophy.

>Varric is the one tasked with forming a small team. It's his responsibility to form that team and onboard people and vet them. With the way it's framed in "The Missing" Varric had full authority to bring on whoever. He didn't need approval. They kept in touch via Charter and sent correspondence to the Inquisitor but there wasn't any need for approval.

That's the problem, especially considering that the group was going against Solas with his immense abilities and his network of spies. Bringing on whoever is dangerous. There should be at least reporting to the Inquisitor about new recruits because otherwise Varric had been putting himself in a stab-me-in-the-back situation for Solas' spies all that time.

>Given Varric's line to Neve at the beginning, Varric is upfront with the information: "I also told you he was an ancient elven god." Whether the person believes them is dependent on the person. Rook has been tracking Solas with Varric for a year or so. I think by now they've witnessed enough to believe Varric's information.

Having the information doesn't mean being prepared to face Solas - a guy who has been manipulating and doing psychological warfare long before the the Veil. Also, Varric gives a very one-sided perspective on Solas because he only knows him as his former ally. The Inquisitor gets to know a lot more about Solas - after all, they're the one he rants to during his High Approval scene at the balcony, they're the one he subtly confirms his chosen course of action with, they're the one who sees him leave after the Orb is broken, and they're the one to meet him again in the Trespasser. Varric doesn't have this information, he didn't see that side of Solas, so whatever information he gives to Rook is incomplete. Rook doesn't know what they're dealing with. Moreover, Rook doesn't need to know that Solas is sentimental - Rook needs to know that Solas is very good at lying and deceiving people and that he is ruthless.

It all could have been addressed within prologue dialogues, but all we got was Rook asking "So, when we find this Solas...then what?" - which sounded as if Rook joined the group just yesterday. As a result, Rook sounds woefully unprepared.

>You think they wouldn't let that stop them. I think they're smart enough to not continue to play an active part if any information they get or send off is information Solas is spoon feeding them. If their continued involvement would cause more harm then good then yea, I think they would take a step back. I think they would hand off the reigns to others.

The problem is: who are these others? The entire "there is a real elven god walking around and he wants to destroy the Veil" story is very hard to explain to anyone who hadn't been around during the events of the Trespasser. Dismissive and derogatory attitude towards the elven culture aside, people don't respond to the "gods are among us" claims well without proof. It's not the Blight, which is super hard to ignore. It's something new - and it's so challenging to everyone's religious ideas that engaging new allies would have required some thoughtful wording and messaging.

There is a reason the guys who believed that Andraste reincarnated into a dragon were considered lunatics in the DA:O. To find others who can handle Solas (while knowing what he is and bracing themselves for a tough challenge) would take time and effort - meanwhile, both Leliana and Josephine have the burden of knowing the threat, knowing it's coming. I can't honestly imagine them sitting on their hands and hoping that the Inquisitor finds someone.

Now, there could have been a wonderful way to keep them busy and not as involved without making it look odd. For instance, if Par Vollen officially declared war and started invading Rivain and Antiva.

In that case, Josephine would be fully committed to doing whatever she can for her country, while Leliana's presence will be crucial for a) the morale and safety (if Divine), b) working against Ben-Hassrath and gathering intel (if Sister Nightingale).

>They do find new allies through their journey.

We don't see them in the game.

>They do find people who have ample knowledge of magic and ancient history.

We don't see them in the game.

>This idea also continues to play out in Veilguard. We find someone who has connections.

There is only Neve who is more of a investigative journalist/freedom fighter who never dealt with gods, ancient magic or anything like that. She herself admits that she is way over her head.

>We find someone who has ample knowledge of the fade since that's what Solas was directly trying to manipulate.

Aside from Emmrich, there is nobody else available - and Rook employs him after Varric is out of commission, leaving Rook desperate for help and clues because they have nothing. That's the issue: there are no tangible results after the 10 years of search. Rook starts from the ground zero - even though they aren't supposed to.

>I do not think it implicitly means what you've interpreted it to. I think that's how you interpreted that and I think that's a valid interpretation of it. Unfortunately that's not where they took it. That's also now how I interpreted it. I think a lot of the fandom interpreted this in different ways and that leads to disappointment if their interpretation wasn't correct. I think that's what's happening to you here. I don't think Bioware not catering to your interpretation means "they don't care." or anything like that. I think it's just that what you predicted or assumed based on the information provided ended up being incorrect. Other people predicted it correctly. If anything this just means that the marketing team could have done better at setting expectations and making sure everyone was on the same page.

From my point of view, there are things that are meant to be interpreted differently by players, and that are part of worldbuilding that isn't up for interpretation. For example, the Warden can be absolutely merciless and cruel in their decisions - and their motivations depend on the player's interpretation (trauma, anger due to oppression, refusal to be kind to the world that screwed them over, simple assholery). Similarly, the Warden can be heroic and selfless - why are they like that is still up to the player's interpretation. However, the end goal doesn't change: Kill the Archdemon. It doesn't matter how evil or how kind the Warden is as long as they get the job done. They become the Hero of Ferelden regardless.

All the threats created or hinted at were never up to interpretation. Blights are extremely dangerous. The Mage-Templar war caused massive destructive disruptions across the Andrastian regions, leaving mages and templars particularly vulnerable to exploitation. The death of the Divine led to hysteria and massive crisis of faith, while the Breach and the rise of Corypheus led to the emergence of the Venatori and red lyrium zombies. And the characters always responded accordingly to the threats -- either because of their rank and calling or due to them having exclusive understanding of the problem and needing to be in the loop.

The ending of Trespasser implied that Leliana and Cassandra were sticking around, working with Inquisitor and following the Inquisitor's decisions (and certainly taking note of how easily Solas infiltrated their networks). For them to just bow out without any explanation or reason isn't the problem of interpretation - the game didn't deliver its own buildup.

>But Bioware can't just make whatever they want. Bioware is owned by EA (not just published through them. OWNED by them). Bioware has to pay people to make the games. They need to get the funding and approval from EA to do so. This means that no matter how passionate the team is, there's only so much they can do and EA gets a huge say in what that is. EA who explicitly stated earlier AFTER BG3 released that they don't think single player story based games are worth investing in. WHICH IS INSANE TO ME. EA had them start developing the game one way. EA had them change development midway. EA had them remove all multiplayer pieces. EA cut funding to Bioware forcing them to make cuts in staff.

I admit, I don't know whether it was Bioware or EA who decided to completely dunk on the elves and their entire arc in the Veilguard, make a clown show out of Qunari, destroy Loghain as a character and erase nearly the entire Southern Thedas - and then naively hope for Dragon Age series to get the next game.

I don't know whether it was the Bioware's love ruined by the EA (which definitely played the part in it because I know how soulless and greedy management can fuck up the production) or Bioware writing it all out of spite and then releasing the artbook so people could pay $75 to see the content and the story that never happened and will never happen.

The outcome is the same: there is no reason for me to give them money. If Bioware can no longer make it's own creative choices, I will no longer buy its games because it means rewarding EA for its abhorrent practices.

There is no point in believing in Bioware anymore and support it because if this is where EA is taking it, I'd rather let my favorite series die and be put to rest than see them twisted into the parody of their former selves.

I understand your point, but IMHO, the problem of Veilguard isn't that it's not perfect - it has been actively hurt by the choices and management, which is why it's the pale shadow of what it was supposed to be.

Moreover, I don't even know what the writing team thinks because they either lump reasonable criticism together with elon musk fanboys whining, which is downright insulting or carefully pat themselves on the back for the job done. I understand that EA may have made them sign some kind of BS contract that doesn't allow them to speak ill of EA and its decisions for 100 years or so, but even refraining from comments would have sent the message.

Right now, both behaviors create an impression as it's the players fault for having expectations and wanting the proper final of their story, instead of just consuming the content.

And that's just sad.

Bioware writing team has a comfy, sheltered life and it shows

I'm sorry, but how come that the only people Inquisitor sent to look for Solas were Varric and Harding? How come that the only people recruited in 10 years of pursuing Solas were Neve and Rook? Do the writers understand that this is NOT how a serious effort looks like?

What about Leliana? Divine or not, she is still Sister Nightingale with an immense spywork. You'd think she won't mobilize everything she has to track Solas and his followers?

What about Josephine? What, she decided "nah, I'm done" and didn't use any of her diplomatic talents and connections to let the Inquisitor's agents have access, permissions or information they need?

What about Dorian? As a political figure, you'd think he will be the first Minrathous contact for the Inquisitor allies, the one arranging things and providing insights?

What about Cassandra and her Seekers? Isn't she interested in stopping another world-ending threat?

What about Sera and her sabotaging potential? If she organized the group of people for performing vigilante acts, people who are her eyes and ears, how come nobody from her group is helping with the effort?

I get it why Varric takes part in it - he knew Solas, the Inquisitor trusts him and his judgement, but for the game to imply that all the responsibility was lumped on Varric's shoulders is fucking disgraceful. I get it writers, Varric is popular character, and you would use him as bait to your heart's content, but the context you've created implies that Varric might have been the only one to take the threat seriously, while the Inquisitor and the rest were doing God knows what.

Varric should have been handing the Rook information on all the contacts they can recruit, all the useful agents, all the people to work with, not tell them to ask Neve because she might know someone because detective (Neve is a good character, but the fact that people who were supposed to spend 10 years chasing Solas look up to her for finding them contacts is appalling).

"Oh, but all these people were in the previous parts and we don't want to mention previous parts because muh new players" - well, you shot yourselves in the foot. Maybe, just maybe, you should have AT LEAST cared more about the choices made in DAI.

Congrats.

[xxmisukii]

Oh boy…. being a Jayvik shipper is hard (especially on twitter)

I can understand if people see them as platonic, romantic,… but brothers? When I and my sister heard that ppl see them as brothers, we looked at each other with disgust (we’re not the only one). And everytime I see post on tik tok or twitter that is aimed for shippers, there is ALWAYS at least one comment that says “oh but they’re like brothers” (if u see them like that, then ok it’s your opinion idc, but if you proceed to argue about it NON STOP with the shippers, calling them stupid and delusional, then something’s wrong with you, if you can’t even respect someone’s opinion)

AND they always use these same arguments whenever they can:

Argument numero uno: “but Jayce said he’s like his brother”

like yeah we get it, he said it, but what was the last time he called him that ? In season 1.

He stopped calling him that after.

(And it happens in real life too, you can change how you see someone after some time)

Number 2 “but writters said they aren’t canon”

when did they said that? (I’m genuinely asking)

and so what? it’s not illegal to ship characters even when the creators says it’s not canon. go argue about it with some animators, music creators, voice actors,… because they ship it too (btw same thing happened with Luca)

Also did they forgot about concept of “shipping”?? it doesn’t matter if they end up together or not. Ppl shipped Elsa and Jack Frost, FFS

If Jayvik was heterosexual pair, no one would fvcking deny it, everyone would say that they’re romantic and more than friends (I know this argument is used a lot, but it’s the reality)

Argument number 3: “Men nowadays can’t be just friends”

Yeah sure, but girls and boys always have to be something more than friends, right?

(The homophobia is loud)

The reason why many ppl ship it, is because they have good chemistry, dynamic, lore, etc. and not because they’re both dudes

If the creators want them to be just a friends, then they should interpret in the show more

If you can’t live with the fact that ppl ship two male characters, then don’t interact, easy

(Anyway this is all, sorry about this long rant, but I’m tired hearing the same things EVERY.DAMN.TIME😀 these ppl make me feel like shi sometimes)

[amateurmasksmith]

Orbits Merging

A/N: Inspired by @radioactive-dazey <3

Warnings: none, they’re just stupid. (ok it’s more accurate to say they’re just scared to disturb the status quo, but anygay-)

“I- I don’t- know,” Virgil sighed, frustrated. “I don’t know.”

Logan hummed. “May I,” he asked, “take a figurative crack at it?”

Virgil nodded and gestured accedingly.

Logan shifted the blanket on his lap to free his hands, and adjusted his glasses. “My… feelings, are…”

He sighed slightly, and his eyes shifted - dancing through the middle distance, as if he might read a more objective answer written on Thomas’ blinds across from them.

“…Complex.” He settled on.

Logan sighed more heavily this time, dropping his gaze to the blanket the two of them shared.

“Apologies, this is…” he said, clearing his throat.

Virgil lightly elbowed him. “You’re good,” he said, “I don’t get… this, either.”

“It’s like-“ Logan started again, haltingly.

“Are you familiar with,” he concentrated a moment before conjuring a sheet of paper, “this memetic format?”

He passed the page to Virgil, which showed a speech bubble on the left, with the phrase “I love you” scrawled inside it - Pointing to a stylized outline of a human head on the right, which had the ‘gesturing at a conspiracy board’ meme pasted into it.

Virgil snorted. “Yeah, that’s… yup.”

“It's… accurate,” Logan conceded, referring to the three-word phrase while fidgeting with the edge of the blanket, “It accomplishes the intended purpose.”

“But,” he continued, “It’s nowhere near the actual, complex, thoughts and feelings I have for you.”

He stood up, dropping his side of the blanket, and began to pace the living room while gesturing. “And yet! And yet! Despite knowing this, I still have tremendous difficulty describing them - I can only make progress through their negatives!”

“…Negatives?” Virgil asked.

Logan turned, pausing his pacing to momentarily face him. “Or- or, opposites - by focusing on what they aren’t, rather than what they are.”

“Oh.” Virgil said, realizing. “Like, it’s definitely not… romantic-” They both made a sound of disgust.

“-But it’s…” Virgil trailed off.

Logan sat down gently. “…It’s not …quite your standard platonic either.”

He sighed. “In many ways, I am glad telepathy does not exist,” Logan stated. “But this would certainly be an exception.”

Virgil helped Logan re-cover himself with the blanket.

“Yeah, it’s… hard. Not being able to… fully express what you mean.” He said, scratching the back of his neck as he searched for the words. “There’s… always something, some idea, some nuance, left out - Just because… brains are…”

Virgil thought for a moment.

“Bigger on the inside.”

And he could see the gears turning, Logan’s expression lifting as his eyes lit up with understanding.

“Precisely!” Logan said with a genuine smile.

Virgil couldn’t help but feel warm, a smile of his own growing as he broke eye contact.

A comfortable silence settled over them.

A few minutes passed, and Virgil wondered if he should put on the movie.

He looked over, and was just about to ask, when he noticed Logan was fidgeting with the blanket while staring off into space, holding a subtly stiff posture.

Logan was nervous.

He was just about to ask what was wrong, when Logan zoned back in, and noticed Virgil staring.

“I- I’m sorry, I zoned out for a moment.” Logan said. “Did you need something, Virgil?”

“No! No, I-” he stuttered, taken aback by the sudden question. “You just seemed nervous… You ok?”

Logan looked away. “I… have a question.”

“Shoot.”

“But- I’m…” Logan paused.

Virgil put his hand on Logan’s arm encouragingly.

Logan continued, “I’m concerned…” He took a breath. “I’m… afraid… that asking will… interfere.”

“Interfere?”

“Like a quantum superposition. Observation… interferes.”

“You… and you don’t want to change things?” Virgil asked, barely daring to breathe.

Logan’s eyes were glued to the floor in front of them.

“It’s… complex,” he said. “It’s not that I don’t want change… it’s more so that… the possible game-states are… far too open for my liking.”

It was now Virgil’s turn to fidget. “It’s the uncertainty.” Virgil twisted his hoodie string around and over and through his fingers. “If you make the wrong move… it’s game over.”

”And yet,” Logan acknowledged, “you can’t stop playing.”

“Yeah.”

Silence settled over them once more, though this one was more high-strung.

Each sat hyper aware of the other - Neither daring to move, neither daring to speak.

“I-“ “Do-“ they both started.

“Shit, sorry-” “No, no - Please, go ahead.”

Several beats.

Logan was looking at him.

Virgil’s breathing quickened as his mind raced for something, anything to say.

“DoyouknowwhataQPRis?” he blurted out before quickly shutting his mouth in surprise.

Logan blinked.

Virgil blinked.

Virgil began panicking internally.

“I-” Logan inhaled as if he’d forgotten to breathe, and summoned an index card with a familiar pink-and-yellow flag glued to the back.

He flipped it over to re-read the definition, and Virgil couldn’t help but notice how worn the card was.

“Yes, I- I do. I am familiar with the term.”

“C-cool. D’you-” he stuttered.

He cleared his throat. God, this was torture.

Virgil looked up as Logan wordlessly passed him the card.

“I- I know the definition, L, I-”

But then he read it.

In the margin, scribbled in a haphazard version of Logan’s usual neat handwriting:

‘Should tell Virgil??’

He looked back at Logan, and couldn’t help the grin that pushed its way up onto his face as the weight eased off of his chest.

“I- Yeah! God, yeah- I- I’d love to.”

Logan, for a moment, attempted to fight off his own smile - but shortly abandoned the effort, and returned Virgil’s grin.

“I… I am relieved,” Logan finally managed, posture comparatively much more relaxed.

Virgil scooted closer, and Logan leaned forward to allow him to put his arm behind his back in a couch-bound half-hug as the day’s fatigue finally set in.

Logan summoned the remote before asking Virgil, “While establishing boundaries in new relationships is very important, I-” he paused to yawn.

“Excuse me- Would it be alright with you if we postponed that discussion until tomorrow?” Logan stifled another yawn before continuing, “It’s been… an exhausting day.”

Virgil was leaning on Logan’s shoulder, already half-asleep - completely spent from the long day, and the emotional stress. He blinked slowly. “Yeah, that-” Virge yawned.

“Now you got me doing it,” he said. “Sorry, yeah, that sounds… it sounds good.”

“Excellent.”

Logan woke the television screen, and lowered the volume.

As he started the movie, he whispered over his shoulder, “I love you, Virge,” and leaned back against the couch.

A sleepy mumble returned, “Love you too, L.”

They both fell asleep before the opening credits finished.

[noblechaton]

idk like on some level. sure. mutual hate on a thing can be fun. there's plenty of stuff I poke fun at with my friends - but that's to ourselves, typically in private conversations where fans of such things won't see em, and I've gone out of my way in the near decade (maybe over at this point? eugh) of my fandom of this show to kinda be aware of any of my more negative posts, not tagging them or at least not spamming them

yet with ml there seems to be this constant effort from some to go out of their way to remind you "Erm, but the show is bad??" and it's like. ok. that's how ya feel, whatever, totally fine to think that way, but then they keep going, they go to every post they see - fanart, fic, casual shitposts, anywhere ppl are having fun, anything that doesn't also say the show is bad, and remind you that they think it's bad. they run 6 salt blogs dedicated to characters they've hated for near half a decade from a show they've maybe hated for even longer and sometimes haven't even seen the last few seasons of, all to continue to spout this constant stream of "Show....bad" negativity with no further goal than to, seemingly, try and ruin it for someone else, and to me that sorta thing is just like. what are we doing here man. what the fuck are you

be critical of the show, that's totally fine! I don't love every aspect of it, I'm sure even the biggest bugheads would have something to point out as a flaw or issue they have with it. but this seemingly endless wave of ppl going on and on about how bad they think the show is, how they carry that as if it's objective fact, how they believe everyone in the cast except Marinette or Adrien (or even sometimes like, I dunno, Lila) should be thrown in a meat grinder and make sure that you know they believe such a thing, repeating it so many times as if they want you to believe it, too, and it's just like. why? what's so wrong about others enjoying a silly lil cartoon show?

and ultimately to me it's just like. fuckin' buzz off lmao. I don't give a flying fuck what anyone else thinks of the show - my taste in media and my feelings toward the media I consume are the objectively correct ones, after all!

you can't make a single fucking post about miraculous ladybug on this site without someone thinking their opinions about how ML Is A Bad Show are wanted or appropriate

[averlym]

fairest of the fair

[pepperpixel]

Some inside job art! Mostly just trying to figure out how to draw these two

[dynamitekansai]

THE USOS REUNITE WWE SMACKDOWN (OCTOBER 25, 2024)

[bonetrousledbones]

Can you tell us your the reasons for why you like Papyrus? (I’m sure you’ve did this before xd, but I always enjoyed rambles about Papyrus. Hope you’re well!)

oh it is 100% his whole loneliness thing. growing up i was a chronic friend group hopper all the way from kindergarten to 8th grade and then by high school that didn't work anymore so i just kinda didn't have any genuine friends for basically that entire 4 years. so hyperfixating so hard on a character who's basically completely centered around that struggle helped me feel a bit less hopeless about it. the funny thing is i think pre-undertale papyrus actually had more friends than i did back then but like its the little things

that's why this fic that i'm gonna plug again hit me so hard tbh. shit sucks when you're trying so so hard to be friendly and engage in other people and then you get to a point where you have to realize they're not at all interested in returning the favor, even if they're not overtly rude about it or anything, they just don't care to get to know you any deeper than surface level convenience and it gets real hard to not let yourself get angsty about it lmao

i do think that while sometimes i wish i hadn't been given such free internet access as a kid i'm still really lucky that i was able to be exposed to undertale when i was. it's such a unapologetically hopeful game that i'm sure it absolutely impacted the way that i think about things today in terms of optimism and the ability to turn bad situations around, and papyrus plays a huuuge part of that entire message. if it weren't for him, i'm honestly not sure if i would've had the drive to keep trying to connect with other people even when it didn't work for so long.

so tl;dr thank you funny little skeleton man for constantly reminding me that making friends is still possible even when your demeanor is frankly weird as fuck. sometimes you just gotta keep truckin until you find your people even if it takes a while

[nebulouscoffee]

"My name is Nyota. I'm the communications officer, I- I was born in Kenya- I used to have a cat, named Kamili. My first memory is watching my dad play the piano. I'm real."

Okay but I was wholly unprepared for how much it would mean to me to see more of Uhura's African identity actually being canonised by this show. The "I'm real" especially got to me; just a throwaway line but it really made me think of the Ben Sisko/Benny Russell parallels! Nyota, born in the 23rd century, is exactly the sort of person Benny Russell dreamed could exist in the future. She is real! She exists!

[kemihaydeestantonva]

You wanna know the very moment Helluva Boss absolutely gripped me

Because I have a feeling it's probably not what you'd expect

It was this moment right here

Like I know this episode has been dissected to death but I don't care I need to gush

This exact part of the trip sequence was the very moment I knew this show was going to be something special.

Like yes, the show up until now was funny, but for me it's ALWAYS about the subtext and substance, and the fact that there's SO much to read into in the trip sequence was what told me that this show actually cares about the character's inner worlds and what it means to their relationships.

Like breaking this down, Moxxie is a huge musical theatre nut, but has a lot of self esteem issues. His inner world is so vivid and colourful, and it's EXTREMELY telling that he sees Blitzø as essentially the Phantom from Phantom of the Opera - a tortured soul who is gentle underneath but refuses to let anybody close. He's unknowable to Moxxie at the point, an enigma, but also somebody that Moxxie holds in high regard.

And Blitzø, oh Blitzø. It's so easy to hate this little bastard in the early episodes, (and honestly in future ones too because he IS a jerk) but we can now see inside his mind and it's an absolute mess. There's no substance to it whatsoever, it's all grey muck.

The people in it constantly morphing from one shape to another, and the goop they produce stick to him and weigh him down. We don't know why these characters in particular are tormenting him yet but we can sense that they left deep impressions on his mind and sense of self worth.

Moxxie speaking to him the way he does, taunting him with "crack open a dictionary sometime" is a CLEAR dig at something we HAVE been shown many times before now but never paid much attention to - Blitzø is almost completely illiterate. He can barely read or spell. He clearly comes from poverty.

To him, Moxxie is this well-spoken, well-read guy who seemingly likes "sophisticated" things like theatre and opera, and it makes him feel like an idiot. It explains so much of why he's so mean to Moxxie in particular. I happened to make a mental note of how bad Blitzø's spelling was and this was the moment I went AH, this show has a BUNCH of stuff brewing beneath the surface!! Omg!

And then there's this literal stairway to heaven, and as the feathers touch it, all the goop and grime is wiped clean! And at the top is Stolas, this otherworldly, untouchable being. The way he's willingly climbing the stairs, but then also shackled and pulled up - he wants Stolas, wants to feel close to him, but also sees Stolas as something so far above him that he could never truly be equal or worthy of his love. He's only a toy, a plaything, that's all he'll ever be good enough for, and when Stolas comes in for real later you can SEE it in his face!

This sense of awe and infatuation, but also deep discomfort at feeling this way towards him.

When Stolas goes in for the kiss there's this tiny moment where Blitzø flinches like "oh no this is getting too intimate for my comfort" and pulls his feathers, taking control and turning the moment into something purely sexual rather than emotional.

THAT'S character exploration. I eat this stuff ALL the way up, and this episode shot Blitzø all the way up to the favourite character slot, and informed how I view all his scenes moving forward. This show has faults but ultimately it has so much to say and I FUCKING LOVE THAT. I'm obsesseddddd

[delphiniumpacificguinevere]

Gosh, this is gonna be a long story… I mean really long…

Absolutely starting with T.H.White’s the once and future king. My parents were like changing working places in different countries all the time and so my siblings and I were usually went to international schools which were taught in English, u know, global language, and international schools in all countries teach in English. So back to about 7 one of my teachers (a very sweet British lady) gave me that White’s novel and I was just so into it. But then I’m started to focus on other stuffs and did not think about Arthurian for years.

The when I was like 13 or something(can’t remember lol) my family moved to the UK and my school was like spending the whole year teaching Le Morte D’ Arthur in Literature class, but what’s the most important for me is that, they adapted the book into a stage play (not a big one, just school show) and selected performers from among the students. Yes, and I have been chosen to cast Guinevere. (I still don’t know why my teacher choose me a new coming student and English is like my 3rd or 5th language, maybe just eney menny miny moe ur gonna be Guinevere in this show lol). I was under huge pressure but also very grateful for the trust so I was like “I’m gonna do this beyond just ok, come hell or high water”. I made the whole year absorbing all Arthurian sources as much as I could and I spent most of my time learning about Gwen (Obviously). I feel like I started to have a strong and deep emotion connection to the Camelot Queen and by the end of the show I felt like I wanted to cry so badly, I was so attached to Guinevere (it was really embarrassing i still can’t figure out what’s wrong with myself lol).

Yeah, I think this is where I really started to get into the Arthurian legend, I even think that liking it was the reason I chose to stay in the UK. (Yup, my parents have since happily gone on to work in other countries, but I said I don't want to wander around, I’m gonna stay here plz let me stay) Gosh, it's so convenient that if you live in the UK if you see a certain location of interest for Arthurian you can just go there and check it out…

btw my sister is also quite into Arthuriana (well, under my influence), but she’s pretty stick to Arthur & Guinevere, so every time u know when i say “aww i feel like Guincelot and even MordGuin is cute” she’s like “damn u…” lol, sisterhood<3

Plz ignore this part:

And thanks for the Isles of Britain to “adopt” me lol, feels like I'd be more likely to call the UK my home rather than others, as although I've lived in many countries (thanks to my parents? I guess I should be thankful? But I actually don’t really think so) I haven't grown attached to any of them probably because none of them have I lived for time long enough (even those where my ancestors came from, how to say this, like my lineage). Being mixed race identity crisis has always been a thing, even exacerbated by changing residence all the time in my childhood, so it really feels good to have a place a country to be called home u know… Seriously, in that way, Arthurian legend has changed my life (my saviour) (this sounds really really weird I know…)

Yeah i just yapped too much, ignore me plz… but this question just brought so many precious memories to me🥹… thx 4 this question for just be brought up🥺

arthuriana fandom. what was your FIRST introduction to arthuriana im v curious,,, like was it a book a movie word of mouth etc etc

[pardonmydelays]

huh

[simcardiac-arrested]

no actually I’d like to hear your thoughts on the isat ending

Like i said it felt really tropey and by that i meant that it’s just Everything Good Happens forever and…..that’s it ? like idk we were building up to this huge catharsis sort of thing and then we got to it and it was so sudden and not a good payoff and just kind of nothingburger of an ending . the fact that everyone just forgives siffrin bothers me, or at least the fact that they don’t confront them about the shit they’ve said and done. call me a mental illness villainizer but i think if you’re a fucking asshole and doing the most insensitive things to the people you care about then hey, i think those ppl have a right to fucking tell you off for it. likeeee idk being at your lowest point …… not an excuse …. not feeling it chief ……. like sure the message is to move past your mistakes or whatever but ? that doesn’t mean just getting away with it ??? and i just really don’t understand Why everyone forgives him. honestly at the end of the day the ending is just one problem, the root of which are the characters. everyone feels like trope cardboard cutouts. oh, this is the smart one. this is the smol bean. this is the himbo. and they all care for each other btw. Did u hear that? they all care for each other. we’re not really going to explain to you why these people are so close or what they went through together but just trust me man they’re sooo found famy. like …. okay. i’ve played 30 hours of this game and not once did i buy that any of the characters really cared about each other. like??? why???? You’re telling me everyone super cares about siffrin even though they barely know them?? you’re telling me siffrin cares about everyone sooo much even though he never even bothered to find out their problems before ? Wat ? and this just breaks the ending more because literally whyyy do these people care about him so bad. and then it’s just whyyy does siffrin Have to tell them anything he doesn’t even seem to know them that well. everyone feels like colleagues and Just Friends at best. and so the ending just seems really forced. like it was written by that type of tumblr user who’s always talking about aww why does the found family have to break up after the end of the journey :( which is like fiiiiine. i guess. but u guys know that u have to build up to it right?? you can’t just tell me they’re Family Members(tm) 102829 times and that they super care about each other source: trust. you can’t just do that and then expect me to believe it ….. It feels unearned. the ending feels unearned and i don’ttttt understand what i’m supposed to take away from it . that it’s ok to fuck people up because you’re traumatized and insecure?? that you have to talk about your deepest problems with people you barely know??? i just dont know. Like i said if im being honest the problems with this game’s writing are more than just the ending, it just stands out so much because there’s a lot of build up and then just …… That