#i feel alone i guess

[snazum]

never think about trying to sell or profit off your art. You will hate your art again. I try to never compare my art to other artist unless I want to learn how they do smth in their art, but I have to compare (or can't help but compare) when I'm thinking about selling my art. Who tf is going to buy my shit? I don't have great ideas or composition. I have a hard time making fully finished pieces (now a days), and focus much more on the personal side of art than the commercial.

Look, I like my art, I do, I enjoy my style and I'm content with where my art is at. But it isn't selling worthy ya know? Which I know cause I can't get commisions. But I also can't because I can't market myself, and people don't like to pay money. I was able to get requests, but that's because people like free shit. Idk, I would like people to put their money where their mouth is, but I also can't talk cause I can't We are all just broke as a society and cannot pay for commodities like this due to bills and price of living. Life sucks. Everything sucks. I'm trying to be positive I really am but I'm stressed out. And I want to complain. And there's nothing anyone can do about my issues but I'm gonna complain then go get a snack and watch youtube.

[papanowo]

i think dan should get to be a little weird too. as a treat

[stuckinapril]

megan thee stallion is the perfect example of unbothered energy. nicki has repeatedly vagueposted about her, gone on unhinged rants about her, gone so far as to mention her dead mother (such a classless low blow), threatened her on live, and has now released the tackiest diss track in history. and what has megan done? literally nothing. she straight up ignored her, aside from that one ig story where she posted herself laughing (which was perfect btw). she is the epitome of “i will not dignify that w a response.” i love it.

[buckleydiazmp4]

no but the thing is. they KISSED. on screen. it was a real scene, not deleted, not removed from a script, it HAPPENED in front of the world's eyes. and AND the actors are normal about it and the whole cast and crew is normal about it and it's not vague and it's IMPORTANT. no matter the rest of it and what came after it, it happened!!

[willczek-art]

NPMD Tarot - The Star

Others from the series: The Hierophant, The Lovers, The Devil, Strength, The World

A bit of symbolism under the cut, but I'm curious of other interpretations 👀✨

I matched The Star with Ruth based mostly on visuals and the reverse meaning (which among other things mentions feeling like everything is against you, which I thought fit her well).

Elements that represent hope, opportunities and shining bright from the original card are turned into foreshadowing of her death here.

Light - Her Moment, chance, ambitions and wants. The second she enters it, she's dead.

Background - theater seats, empty.

[coffeebanana]

having thoughts about the marinette and nathalie hug because like.

my god.

marinette's just had her world turned inside out

she's just a kid and how's she supposed to carry all this alone and what is she supposed to do and what does she tell adrien?

and then, suddenly, there's someone there to share the burden. an adult. someone who has a reputation for getting things done

so maybe, just this once, everything doesn't have to balance on marinette's shoulders alone

but it's nathalie--who, sure, adrien obviously cares about. but not someone marinette's at all close to. certainly not someone she probably thinks of as warm or parental or even very trustworthy. maybe marinette's even started to put the pieces together--if gabriel was monarch, then mayura must have been...??

those doubts seem insignificant when she actually sees nathalie

the last time marinette saw her, she was dying. and now marinette knows what gabriel wished for--at least some of it. she knows he did one good thing in the end. that he finally, to some degree, put adrien first

then another horrible truth dawns on marinette: nathalie doesn't know--of course she was aware gabriel was dying, but she still doesn't know he's dead

marinette's probably already thought up a hundred different ways she might break the news to adrien--even if she discarded them all just as quickly. she hasn't thought at all about breaking the news to nathalie

what's she supposed to say? however complicated things were in the end, gabriel was obviously someone nathalie cared about

marinette struggles to find the words, but nathalie just knows. she already suspected, because how would she be here if gabriel was as well? and now the truth's written all over marinette's face

it's not just marinette who needs that hug--though nathalie would probably never admit it, which is why it's marinette who's running to her

how many weeks has adrien been gushing to nathalie about marinette? about how she's so creative and strong and compassionate and full of love

and in that moment, nathalie understands

[phoenixyfriend]

Political ads: My opponent has jacked up taxes every year since he was elected!

Me: Which taxes? Income? Sales? Property? Business?

Political ads: I promise to hold the line on taxes!

Me: Which taxes? What government programs do those taxes contribute to? What gets cut if the lack of taxation causes a deficit?

Political ads: Think about the taxes!

Me: WHICH TAXES. WHICH TAXES ARE YOU TALKING ABOUT. TELL ME WHO'S ACTUALLY GETTING AFFECTED BY THESE TAXES YOU'RE SO CONCERNED WITH.

Reminder to always ask what it is that people aren't saying in these ads.

A lot of them want you to think that it is your personal taxes as a working-class person that they're talking about. But if it's taxes on the rich that they're "holding the line on," then they're using your desire to survive with a greater portion of your own income as fuel to keep the upper classes from paying their fair share.

I keep getting the same three or four political ads (half aren't even for the district I live in) and I'm frustrated that they use these transparent tactics and that there are probably people that don't have the time or background to take that moment to go 'what are they hoping I hear in this? What are they actually going to do?'

[aromantic-diaries]

Honestly I'm glad that the aro community is moving from "we still love our friends and family we're not heartless!" to "we don't need to make up for our lack of romantic attraction with other forms of love" because yeah, our platonic and/or familial relationships are not romance-lite or a substitute for romantic love and a lot of aros reject the idea of love altogether. So yeah fuck trying to appeal to alloromantic people with the whole "we swear we're normal" thing. I don't need to make sense to anyone

Either you accept me as I am whether you understand me or not or you leave me the fuck alone

[theorahsart]

"The drums rolled, and the crowds roared; and that, though no one knew it, was the end of the bright hope for a democratic Republic."

-R. R. Palmer, Twelve Who Ruled

[greenleaf4stuff]

The tragedy that is Adar mourning each of his fallen children, crying tears grief and sorrow, giving them a farewell when nobody else did, whereas he himself died without being given any of that – neither by his children, nor by other characters, nor the narrative/the show itself.

He stood by them when nobody else did, only for nobody to stand by *him* when he needed it most.

Oof.

[arsenicflame]

It's a time-honoured tradition- every time Sam comes across Izzy (and Ed) in their travels, he asks Izzy to marry him. And every time, Izzy turns him down.

At this point, Sam is asking more for the sake of it than any belief Izzy will ever say yes, a remnant of childhood dedication touched with 30 years of heartbreak and regret- though even now, a small part of him still holds out hope. Sam's promises have only got more extravagant over the years, from a job as his first mate, to a captaincy, a fleet at his command, a whole fucking island if that's what Izzy wants- but he knows it isn't though, not really. If Izzy was ever going to agree to marry him, to leave his life and go with Sam, it wouldn't be for anything Sam could offer him. Izzy never did care for flashy shows of wealth, for a ship or to be captain. The only thing that ever mattered to him was loyalty given, and loyalty shown in return. 

It all comes to a head after Stede left and came back, after Izzy lost a toe, lost his leg. Sam hasn't seen him since before things with Ed started to really slide off the rails, before stress permanently set into the lines of Izzy’s face. So, when he sees a dishevelled man with a hoof for a leg in a no-name port, he doesn't even consider the idea that he might know him. It's only when he turns towards him, and Sam catches a glance at those oh too familiar tattoos, he realises this is Izzy, his Izzy, that stands before him.

Knowing Izzy's discomfort with pity, he doesn't treat him any differently than he would in years gone by, positioning himself in Izzy's line of sight before approaching and sweeping him up into a bone crushing hug. 

“Israel-goddamn-Hands!” he exclaims, as Izzy grumbles back a begrudging “Samuel-fucking-Bellamy”, a tradition almost as old as their friendship itself. Izzy might not hug him back, but he can’t keep the corner of his mouth from twitching, just for a second.

(If Sam holds Izzy a little tighter and a little longer than usual, well. That's his business)

By the time Sam lets go, most of the crew has appeared in the town square, drawn in by the commotion. They may have given Izzy his leg and welcomed him as one of them, but still there’s an underlying tension, with nobody quite ready to set aside everything that happened before the Kraken. Seeing him cosying up to an unknown man sets everyone on edge, unsure whether to come to their first mate’s aid, or to assume that they've been betrayed once again.

When Ed sees that the yelling was Sam, his hand goes tense where it's held in Stede's. He knows the routine, has seen it more times than he can count, but as he watches them part he realises that this is the first time in a long time he's unsure of what Izzy's response will be.

Knowing that something’s different, knowing that Izzy's feeling vulnerable already, Sam doesn't go for the same flashy proposal he’s been giving for years. He doesn't promise Izzy the world, he doesn't cause a scene (or, any more of a scene than he already has, anyway). He looks at the fractured man in front of him, takes his face in his hands, and says the exact same thing to him he said when they were little more than boys. “Israel, I have to ask you. I know what you'll say, but I have to try. Come with me. Marry me and sail away with me. I'll keep you safe”

And Izzy… hesitates. He glances over at Ed, at Stede, and says to Sam “...We’re staying in port for a week. Ask me again then”

That's the moment Sam knows there is something deeply, horribly, wrong. He's not just looking at an Izzy who got seriously injured in a fight and is struggling to cope, this is something so much bigger than that- and that Ed has something to do with it. Izzy wouldn't even be considering leaving if he didn't. Whether it was negligence or something more sinister, Sam doesn't yet know, but he intends to find out.

[babymorte]

the feeling of being unwanted is strong today friends

[glacier--freeze]

Is there a keyboard enthusiast out there that can tell me what could POSSIBLY justify THIS price??

[ID: The online listing for Slimecicle's "slimy keyboard", a computer keyboard colored like green slime is dripping down it. The black keys have sparkles printed on them and the Escape key has Slimecicle's logo on it. The regular price is $210 but it's on sale for $185. End ID.]

[alish-artie]

I love the elevator cutscenes so much-

[cluescorner]

A Batman who kills people is a bad Batman. Except for Terry because he is my special boy. Terry can drown a man it's ok. He can literally shatter a woman it's fine.