#i don't have just one favorite episode

[this-is-a-love-story-isnt-it]

Farscape 25th Anniversary Countdown

Day 1: Favorite Episodes 1x17 - Through the Looking Glass

[egophiliac]

HELLOOOO HAVE YOU SEEN LILIA'S DORM CARD YETTTT

personally, what made me most gleeful about the update news is that the part 2 description implies that they forgot to invite Malleus to Lilia's farewell party. god yes rub that salt into the wound, Monday can't come soon enough

[guardian-angle22]

Tarlos Wedding Celebration Event [Week 5] -> favorite s2 moment(s)-> all the flirty banter

[devildom-moss]

F*cking Idiots (and Barbatos)

[Lucifer, Solomon, Barbatos, and MC watching the brothers doing something stupid]

MC: You’re all fucking idiots.

Solomon: Well, technically, you’re fucking idiots, so…

MC: And you’re one of the idiots I’m fucking, so what’s your point?

Solomon: No point, I’m happy just to be included.

Lucifer: Are you seriously grouping me in with the rest of them? 

MC: Listen, I’m stupid-sexual: either you’re an idiot I have sex with or you’re not and I don’t.

Lucifer: Understood. So I take it you aren’t fucking Simeon?

MC: You’ve seen that man with technology.

Lucifer: And Diavolo?

MC: Sheltered + childhood trauma = reckless, idiotic behavior.

Lucifer: Well, what about Barbatos?

Barbatos: MC said I was special.

Lucifer, staring at MC, betrayed: Excuse me?

MC: Barbatos is special.

[jellyfishdreams78]

Was talking with someone about mismag yesterday (they had just finished the first season and I'm up to date on S2) and they said that Jammer was the best "dumb jock" and I nearly imploded 😀😀 like what the f uck do you mean

[cyanide-sippy-cup]

Okay I'm just saying I haven't seen the new ep yet (I will like tomorrow) but like yknow, a Kryptonian attacks and Lex realizes none of his tech and weapons can do anything against this species so he decides to fight fire with fire aka Kryptonian with Kryptonian and ends up cloning Superman and we get Conner. Eh? Eh??

[noah-price]

@pscentral​ event 26: minimalism

SILICON VALLEY (2014 - 2019) TOP 10 RATED EPISODES ON IMDB insp (1, 2)

[pangzi]

can we just talk about how incredible wandee goodday is with their narrative devices though? the foreshadowing is incredible. there's symbolism everywhere. the oyeicher/yakdee juxtapositions are so good. even though their words and actions might contradict each other, everything gets spelled out for us so clearly, it's beautiful.

[mulders-too-large-shirt]

s4 episode 5 thoughts

i’m back. i’m back and i’m intrigued. because i'm reading the episode description, and if we get more mulder ex lore here, which the episode description makes it sound like we will, i am… not sure how i will feel on the subject. the term “reincarnation” makes it sound like whoever it was… died. did an ex of his die? and that is a lot of mulder marked by pain and suffering. and maybe i’m getting ahead of myself. but the writers KNOW we want our agents to smooch, so focusing on an ex might make me, the viewer, feel weird. i just need to get all these thoughts out in writing before we begin.

how is he gonna tell if someone is a reincarnated lover? or am i misunderstanding this entirely. 

only one way to find out

author’s note: oh my gosh…… nothing could have prepared me for this. at all. here i was thinking it was ex lore time, but it was past life time, and there are TEARS in my eyes.

(serious author's note: i ask for some grace in this episode recap. there may be some things i word poorly. i am familiar with the terminology used to describe DID, and did my best, but acknowledge that i may have come up short. please understand that this is intended to capture my live reactions to what i was seeing for the very first time. at times here, there are no reactions, just a sort of a nebulous recapping of what i saw because i was feeling So Many Things. so this one might be messy, and i hope that is okay. i don't understand what i am feeling, but i am feeling a Lot of it, and humbly ask for your patience in my clumsy wording as well as some helpful discussion on what just went down)

let us begin, i type as i sniff up some tears

we open with mulder in a field… is he reciting poetry? and looking very sad. 

wait, is he not actually reciting poetry and he just talks like that? while holding two pictures of old timey people. i’d guess civil war era.

okay. so now we jump right to the intro. that was quick. i’m still processing what we just saw because we were really dropped into that one with no context whatsoever.

federal agents break into a temple in tennessee. they’re looking for illegal firearms! and a guy named ephesian.

but mulder sees a window… and he is staring at it… walking out the door as if led by some sort of spiritual quest while scully yells his name and wonders wtf he’s doing. he is not responding to her at all, but she’s chasing after him because she is a good friend.

so he’s hearing things while scully is pulling her gun out, and it does appear that he found a trapdoor!

he busts in, and slaps some poison out of the hand of a woman who was taking sips, and then grabs the dude who i assume is the cult leader. whew… that was close

now they’re at some sort of meeting, listening to tapes, and skinner is here!!! hiiii skinner. everybody say hi skinner!

so, someone on the tape seems to be whistleblowing on this cult- the seven stars or something- saying that the leader is hurting children and stockpiling weapons. mulder looks incredibly pensive during all of this.

oh! someone refers to mulder as “our man spooky”, which is kind of hilarious, while complaining that the reports were weak. scully leans in and asks yeah, how did he know that? while the men are fighting.

and skinner yells KNOCK IT OFF!!!! because the folks at the compound were somehow able to hide all the evidence before they got there, and now they’re forced to hold ephesian and “his wives” on “BS charges”. so now the agents MUST find evidence of firearms and who the informant was NOW because they will try to get an arraignment fast.

woah. no pressure.

skinner comes over talk to mulder and scully- they must look into this ephesian fellow's claims of supernatural abilities. scully says he can use the book of revelations to manipulate his followers, but seems to suspect no real powers. 

they to talk to this ephesian fellow, who says he knew for 9 centuries that scully was coming, and starts going on about the bible, quoting stuff. very scary behavior.

mulder comes in with the fact check. jesus said that at smyrna, not about some church in tennessee! (his knowledge…. it always impresses me)

this dude is being super creepy, telling them to put aside their investigation “for your own souls”, because soon all unfaithful shall “be destroyed by God’s mighty men”. so this is some pretty standard cult rhetoric here. if you've studied religions, you've heard this one many times. it seems that ephesian thinks he and his people shall be the ones doing this violence. a tight zoom in on mulder’s troubled face as he quotes more scripture.

they have 6 wives to question, and mulder says to start with one in particular. interesting… i wonder why that one. is it because she was the one they caught ephesian with in the hidden area... or something more?

her name is melissa, and she says she’s 25 as she smokes a cigarette and dodges their questions. she’s been at the compound and married to ephesian for a year. 

mulder asks if it troubles her that ephesian has so many other wives, and she just recites scripture instead of answering. so scully comes in with the “i’d have a tough time if my husband had so many children with other women”. this seems to begin to get her to crack, as she tears up.

wait... it’s so wrong to hear scully call someone else, who isn't her sister, melissa :(

melissa she doesn’t have any children with ephesian yet... because he has to wait for God to tell him that the right soul is ready to be reincarnated, which is why his children are the most sacred members of the temple. naturally, of course /s

things get quiet when they ask if he had been hurting the children until melissa starts talking with a very different voice and set of mannerisms, and she no longer replies to the name melissa. so scully scrawls “multiple personality” in her loopy handwriting and passes it over to mulder. oh! is this sydney?

(at this point, i shall begin to refer to sydney with he/him pronouns, as this is what mulder does. normally i would stick to my journalistic integrity and keep reporting the things i wrote down incorrectly while watching the episode, but i'm trying to be very respectful- i hope you understand)

but mulder writes back to scully no, this is not a multiple personality case, it's a past life case! his handwriting is very blocky. to prove his point, he asks sydney who the current president is, and he responds that it is harry truman. ah. so, he's a few years off.

mulder claims that “somehow he just knew” sydney was melissa's past life, which doesn’t reveal a lot, but his eyes are very soulful and i want to hold his hand.

skinner says they need to find something to get this case moving forward, and mulder is like dude, we found sydney, the voice matched! i would agree with his judgement that this in fact a sizeable discovery.

mulder is saying that what they have seen matches the criteria of DID in the DSM4 (woah, need to look up when we switched to 5), but scully is saying that some people don’t even think it exists as a condition, and skinner thinks it could be a trap to buy more time for ephesian. so no one is in agreement here.

but mulder is going into his psychology expert mode and is making a very compelling case that this is an example of DID, particularly in the fact that sydney emerged when the topic of child abuse came up, which fulfilled the protector role. scully wants to know more before giving any sort of diagnosis, but she doesn't seem opposed to the hypothesis.

(skinner seems to fumble over which pronouns to use for each personality here)

skinner says to go ahead and take her back to the compound and see if it gets any results in prompting memories that could be useful to the investigation, but scully is mad at mulder! he didn’t even have the courage to tell skinner he thinks they're dealing with past lives here! mulder, who is usually so brave!!

he mumbles that skinner wouldn’t believe him. which is true.

woah, i don’t know how to interpret this line here, so i’ll just write it down for further analysis:

“i don’t believe that you feel responsible for those 50 lives. or melissa reidel. you are only responsible to yourself, mulder”

(is she saying he doesn’t care about those 50 people?? is she saying he has an ulterior motive? is she calling him a liar, and that he is using this case to gain support for his supernatural ideas?? is she calling him selfish? or is she trying to tell him that he can only be responsible for himself and control his own actions, that he cannot place the burden of saving everyone upon his shoulders? is she berating or reassuring him or both? does she think he isn't serious about the lives in danger?)

i can’t figure it out, but he gets up and leaves. (after watching the episode, i still can't figure it out- what did you think?)

so they take melissa back to the temple, and scully asks her to recall the painful memories so they can keep herself and others safe. it is very tense as she walks into a bedroom and sees many photos on the wall of ephesian and his wives. she knocks some of them over and starts crying.

scully still looks furious with mulder. it's as if she thinks his desire for supernatural entities to be proven comes ahead of his desire to save actual lives, and it's recalling her comparison to ahab during the conversation on the rock. she must feel that there is no time for this, that they need to get concrete answers right away or horrible things will happen; perhaps she thinks he isn't focused, is being fanciful. and i understand the pressure of a ticking clock, but after so long, this rift between them, it doesn't feel right.

oh my goodness, we see some horrific artwork on the wall by the kids at the temple. woah. shoutout to the set design team.

melissa is in the playroom sobbing, but asks why she is being called melissa. scully asks what she should call her, and that is how we meet lily. but lily isn’t there for very long before sydney comes back, saying to “leave the kid alone”. mulder says they can all be safe if they just are told where the guns are. then melissa seems to come back, and she goes back out the window where mulder was staring earlier!!! what does this window know?!?

and the score here is really pretty as she walks outside, scully following behind her. mulder is clearly unwell, though, and scully asks what is wrong, which he ignores and walks past her. typical him.

a new alter of melissa's seems to front, now with a southern accent, saying the guns are in a bunker. but… it’s the civil war she’s talking about. she was a nurse, looking for someone who was staying in tennessee. and she found that someone here, dead. then she was hidden in a bunker while the battle raged above her. it is very horrific, what she is describing.

she clarifies that she was there in november 1863, then turns to mulder and says “as were you”. he doesn’t seem shocked by this, but scully is, as this new southern belle proclaims “this is the field where i watched you die” OH!

(mulder, a confederate in a past life… this is deeply unfortunate)

mulder is trying to make a phone call to a hypnotist while they drive melissa back to the police station, but scully figures out he’s trying to do past life regression on her and says not to. and that her life is in shreds, and that is too much for her to handle. i hate to say it, but i agree with her. melissa has been through so much, and with such a tight deadline, i don't know if they have time for such a journey.

OH! mulder is angry. his voice is all growly as he yells “YOU WERE THERE, SCULLY! you saw it, you heard it, why can’t you feel it?” oh my gosh… the way he slammed his hand on the wheel... why can't she see it, it seems so obvious to him... how infuriating it must be...

scully asks why ephesian is a paranoid sociopath for claiming to be in greece years ago, but he isn’t for claiming to have died in that field……. damn…….

(idk what’s going on here between them exactly but i’m stressed. they are stressing me out)

(at this point, we begin a sequence in which i am so enraptured with what is going on, i have no reactions to all of the things i am seeing, and just recount them to you, with occasional interjections of "oh my god"- but i think if you've seen the episode, you get why it had this effect on me)

so they do get a therapist, who is talking to melissa. she begins to answer the therapist's questions about seeing anything upsetting at the compound, talking about a woman named elizabeth and her son scott, who came to live in the temple. and ephesian took the son away. but ephesian caught his mother visiting her son, and “the mighty men” beat her, which brings melissa to tears as she recounts this. and he hit the boy, calling him garbage, beating him.

scully looks very stressed in the background to hear all of this, but sydney is now fronting at this point, saying to leave melissa alone, and that the guns are in the bunkers… somewhere. where they are is a mystery, though.

scully leans down to mulder and says that maybe there is a map somewhere, but mulder says she knows where to find them. and at this she says “mulder…” in a very breathy fashion and i still can’t quite articulate what is going on between them…. but he’s going in.

he says it’s me, melissa, and asks her to go back to the field. “your eyes may have changed shade, but it cannot color the soul behind them”, she says. that they are only to meet in passing in this life. and she misses him. he just stared and stares, before his head falls into his hands

scully is trying to explain to him that this is a product of melissa's illness, and she can’t give any specifics- no names or locations, and they don’t have time to do this, because ephesian’s arraignment is in two hours.

“wouldn’t you, scully? wouldn’t anybody?” <- oh my god…. is he compelled by a terrible sense of duty or by his own curiosity? is she scared to watch him go down this path he cannot return from?

okay, so now he is going back into his past lives. this sequence is almost entirely a close up of his face, for minutes on end, which adds to the intensity. he's really panting as he remembers. “ghetto streets. shattered glass. bodies of the dead. a jewish woman. poland.” oh my god…… 

he says that he is samantha’s mother in this life; “in this life, she is my son”

his father is dead, and… HIS FATHER IS SCULLY? WHAT? i didn’t see that coming. she’s troubled by this, all of this, not just learning he believes her soul to have been his father before.

but he says that his father is waiting now for their souls to come back together, different, but always together, again and again, to learn.

and he is crying. he can’t go to his father. a gestapo man is there, and he is cancer man; “evil returns as evil, but love… souls mate eternal”. and his wife is melissa, who is taken away to the camps. and he’s crying, and scully is watching with great concern.

now, he’s rising above the field, near the bunker. and his sergeant is also dead, and “he is scully”, and we cut to her face of increasing sadness. sarah holds him, who is melissa. she is sarah kavanaugh, and he is sullivan biddle. she doesn’t know that he’s waiting for her, that they will live again. 

scully tries to ask if he sees any bunkers, but he keeps saying his soul is tired, and he wants to rest.

and this is devastating. it was if i was the one undergoing the hypnosis here. i couldn't look away, i couldn't react, i was so entirely absorbed and confused and busy feeling things.

scully is consulting a map in the town records to try and find this bunker where the weapons are stored, and then she looks up the names he mentioned. sure enough, they are in the county records. then she reaches for some photos, where she finds one of sullivan and sarah. 

a lot of things are being processed in her brain, so we might need to give her a minute. i think we can see some long-held systems of belief being challenged in her mind.

but she brings him back the photos of their past lives, even as she is telling him that ephesian is going to be released soon. why would she do this? to comfort him? to validate him without using words?

oh my god, mulder just called her “dana”. wait. hold on. oh my god, hold on.

“dana, if, um… early in the four years we’ve been working together… an event occurred that suggested or somebody told you that… we’d been friends together in other lifetimes- always- wouldn’t it have changed some of the ways we looked at one another?”

“even if i knew for certain, i wouldn’t change a day”

WAUGHHHHHHHH (ripping my clothes off in grief) WAOUGHHHHHH wouavhhhghhhh……… she wouldn’t change a day….

(and what event was it that he is referring to? is there a certain one...? am i forgetting something from early s1...? damn you, my obsessive note-taking impulses, for not kicking into gear until s2...)

“well… maybe that flukeman thing, i could have lived without that just fine” HDHJSNSME he smiles as she leaves….

(i had to google what that even was because i was like ??? but the flukeman was the season 2 sewer baby!!! for those of you who are going into this whole thing blind and also don't know what the fandom calls stuff! i think to me he was "baby sewer mermaid" or something along those lines... but now we know)

so now he and melissa are in the room together, trying to recall. she says she wants to believe (!!!), and he’s rubbing her hand, but ephesian comes in, saying it’s time to leave. so she rips the photo in half and leaves crying. 

does he know he was supposed to love her? is he mourning that he hasn't? is he wondering if he has time to?

mulder gets up, and leans his head against the wall. scully comes in to say that they are still searching for more bunkers as the temple people return to their home. there is a deep sense of grief.

ephesian seems suspicious. 

mulder is talking to skinner, saying that those in the temple believe that the FBI are the devil’s army, prophesied to be defeated by the armies of god. but ephesian must not really believe that, because he hid the weapons. mulder emphasizes that he may “deny himself”.

back at the compound, all the members are being called to worship. the music is getting scary, and guns are being pulled out. 

scully looks up some bible verses and realizes that ephesian is calling his members to the end of times, which gives skinner the go ahead to launch a raid.

back at the compound, the poison is being distributed to the members of the temple. and a few are shooting at the agents outside, and mulder and scully pull up as the sipping of the poison begins inside. 

NO! mulder puts his hands up and begins to walk into the compound!!!!! WHAT IS HE DOING!!! scully shouts out that he is dead. as we see inside there are piles and piles of bodies, including melissa.

but wait! is she still alive???? she’s getting up!!! 

but no! ephesian is still there watching her. giving her poison to take. mulder is running in as fast as he can, trying to figure out what is going on. and he finds the room full of the bodies while gregorian chanting is in the background. 

he finds melissa, with no pulse, holding onto the photo she had torn. 

scully sees him touching her arm, raising his eyes and crying. 

we end where we began, with him in the field, holding the pictures of his and melissa’s past lives. 

end episode. 

what…..

first thoughts: i don’t quite know what to make of this, but i can tell it is going to tear me apart for the rest of my life.

second and third thoughts are also variations of my first thought.

i feel so sad? to know that mulder has (or thinks he has) lived these horrific past lives, and that he is reunited with the same people over and over again, to learn and lose them. and that scully was there with all of them- but so was melissa, and he said that soulmates are eternal, so if that is true he lost his for this life. and he said he was so tired, so tired... how can he escape the eternal cycle of samsara?

and scully, watching all of this- what did she mean when she said that he wasn't responsible for anything but himself? was it an insult? was she begging him? what was she feeling when she heard him talk about her being there in his past? was she trying to hurt him in their conversation in the car? will they ever actually be able to see eye to eye? does she believe him? can she? how does hearing all of this shake her own faith?

can you have many soulmates that come with you again and again, just in different forms? so would his soulmates be scully, and his mother and father and sister, and this melissa figure? and what are the implications of losing a soulmate in this world? is that a life of feeling that something is missing, until death? do they shuffle roles, but come again and again? is that comforting or horrific? are we to believe him?

and that terrible, terrible ending, him finding the bodies... how are we supposed to interpret that? just more grief on top of already endless grief? or are we supposed to see the poetry moment as an answer to a question that provides relief, even if it is bittersweet?

why did he want to know so badly? was he driven by duty to save? duty to find the Truth? duty to protect his loved ones and seek cosmic answers? are these separate things, or are they all intertwined in him?

i'm... really going to have to think this one over. i would really appreciate hearing your thoughts, as well. i wish i had a solid interpretation. it was very serious and sad, and it was bittersweet but filled with grief. i once again echo my earlier request for fluff. but how do you go back to the way things were once he says she was with him in every life? how does scully rationalize that? what are they to each other?

i'm pondering. it feels like something has shifted. and you can't go back now, even if i can't pinpoint what it is that changed.

i want to go back to daydreaming about apple cider dates. but it feels like you can't, you know? huh.

[spawksstuff]

The De Completionist Checklist Part 12

1962

Note on the dates: I will mostly be going by when a show/movie was shot rather than its release date. Variety Magazine will be given first priority.

My score: 6 / 6 😊

Need To Find:  None

Favorite Movie: N/A

Favorite TV Shows: Bonanza – The Decision and Death Valley Days – Coffin for a Coward 

Favorite Quote: Death Valley Days - Coffin for a Coward -

“I said get in it. GET UP DALEY! Now get in the box. Think about the lid closing down over ya, and bein’ nailed tight, and the sound of mud hittin’ on top of the box. And you inside, dead.”

[crystalleoi]

5C

[carcarrot]

9 people i want to get to know better tagged by @bawnjourno thank you pal!!!!! 💖

last song: my baby must be a magician - the marvelettes

favorite color: purple!!!

currently watching: cheers (new) twin peaks (rewatch) night court (new) and movies every dayyy

sweet/savory/spicy: sweet!! if i don't have a sweet little treat i pass away actually

currently playing: not a gamer but im playing a game called august where i make it through every day of august

current obsession: the latest addition to my assortment of goofy guys, slowly collecting vintage clothing and books, even more slowly working on my film screenplay (and documentary idea. and tv show idea .), very very excited for my upcoming vacation to california for the 3rd time in a row! and if i ever repair the dvd drive on my laptop im gonna start making my own dvds of movies with embedded subtitles that dont already have them on a dvd release bc i cant hear!!!

tagging @footnoteinhistory @bicolumbo @starringvincentprice @mariocki @eddie-rifff @jefffreybeaumont @seaofreverie @jellojellyroll and @crystalblast !! no pressure if you dont wanna!

[transingthoseformers]

Okay upon further thought it would've been so fucking interesting to see how MECH regarded Shockwave.

Just... Imagine them meeting Shockwave by chance, that would be such a terrifying scene for them. He'd have opinions on their projects, morality varies based on how one is writing Shockwave, but just. Imagine that. This also fits for Hazard but this post is for more than just the tfp au

Like also consider how CYLAS was on the Nemesis from s2 ep19 to s3 ep8, so a fairly significant while. CYLAS fascinates me for so many reasons and I feel like it would've been so fucking interesting if Shockwave noticed the pretty obvious Frankensteined together technoorganic (which MECH must've done well enough for CYLAS to live as long as he did with relative ease compared to all the other things that could have happened)

[navree]

henry's first three wives and the mothers of his living children showing up as ghosts towards the end of his life represent the three facets of henry's life and the crimes he's committed within them.

catherine represents henry as a father and the sins he's committed against his children, as seen when she castigates him for mary's unwed status, which was not only a personal difficulty to her given the time period, but also what ended up causing issues in her reign. henry as a father is someone who deliberately puts himself over his children, to their detriment, like not marrying off mary because of the difficulties it would cause him, even though she wanted to be married, to have children, and likely needed that in order to help her not just politically but also personally. it's part of a broader trend of mistreatment that his children suffer at his hands, like mary being separated from her mother and unable to see her for years before she died, mary being made a servant, mary being threatened with execution for not conceding to his religious demands, murdering elizabeth's mother once she was no longer useful, letting elizabeth languish through no fault of her own at all, emotionally neglecting edward as a little boy and leaving him starved for companionship in spite of his love for him. catherine coming to him as a mother is highlighted more here not just because she was the mother of so many of henry's children, even if mary was the only one who lived, as well as the only of his first three queens who had any significant time to act as a mother to her child, but to specifically cast a judgment on him as a father and turn his sins in fatherhood back around to him, as the architect of so much of his children's sufferings.

anne represents henry as a monarch and all the wrongs he's done to his people, as seen when she deliberately brings up his judicial murder of her. the show portrays henry as wholeheartedly believing the allegations against anne, but he still is the one who went hunting for a reason to cast her aside, and likely wanted it done more quickly and with more permanence than his great matter with catherine, and the one who told cromwell to go fishing, well before cromwell lighted on adultery as a possible way to get rid of anne. henry as a monarch was someone who killed his subjects with impunity, oftentimes for no reason, and anne was not the first or last person he murdered using the justice system he controlled. anne is a broader representative of all the people that henry killed just to serve his own ambitions, often on trumped up charges or things that no ordinary person would think is worthy of execution: cromwell,margaret pole, the little pole boy, thomas more, cardinal fisher, what he would have done to wolsey if he hadn't killed himself, francis dereham, robert aske, the other forces in the pilgrimage of grace, etc, to say nothing of anne herself and her "co-conspirators". anne mentioning catherine howard also exemplifies this, that even though catherine was guilty of what she was killed for, it's not her fault for acting the way she'd always acted after she was thrust into the role of queen with zero preparation and with far too many expectations that henry deluded himself into thinking she could accomplish for him. anne's judgment here, as the most famous of henry's victims, and one who was vindicated in her innocence even during his lifetime, within a year of his murder of her, helps shine a spotlight on that, on how henry as a king was a cruel despot who caused so much suffering to the people he, as the monarch, is meant to protect, and that thousands of his subjects are dead and in the cold ground, like anne is, because of him and his own proclivities.

jane represents henry as a legacy and specifically as a failed dynast and how he ultimately did essentially lead to the end of the tudor dynasty, as seen when she reveals to him edward's ultimate fate. jane's main accusation against henry is that, through his actions, he's created the scenario that will lead to edward dying young before he can ensure his own succession. jane is the woman who gave henry what he wanted for close to twenty years by this point, a living son, and thus she is the one who points out that it was all for nothing. the son that henry killed so many people for, the son that led to henry cementing his legacy into what it was in his efforts to get him, the son whose delivery ultimately killed jane while she was barely into her thirties, were all for nothing. everything henry did to secure his dynasty was for nothing. henry's legacy is death and blood and the end of the tudor monarchy. his own reforms meant nothing, given not just elizabeth turning the country firmly to protestantism, but that if mary had lived longer/had heirs the country would have gone back to catholicism. and he is directly responsible for the tudors ending with his own daughter, as the way he behaved in his own marriages throughout her childhood, along with the consequences of not marrying mary and thus leading her to marrying philip of spain, are what determined elizabeth's decision not to marry and have heirs of her own body and end the tudor dynasty by giving the crown to james of scotland. jane coming to him as the one who gave him the attempt at legacy he's wanted for the entire show, that started the show, highlights the futility of that as she tells him it wasn't for anything and that his son will die before his own maturity and that his line does, ultimately, end with him.

henry as a father, as a monarch, as a legacy, is an abject failure, and at the end of his life, it is only fitting that the mother of the majority of his children including one of his most severely mistreated, the wife and subject he murdered to satisfy his own ends, and the woman who died birthing the son he wanted to cement his dynasty in history, are the ones to tell him so and let him know what his death really means in the annals of history.

[babykittenteach]

2023 in review! I made an effort to try more things and it worked mostly (at least for TV and movies). New things, new-to-me things, and new installments of old things all had characters to love even if I didn't necessarily feel fannish about them, and I'm hoping 2024 does, too.

[the-rat-eatery]

I love seeing two helluva boss critical posts one on top of the other that completely contradict each other. Like at least figure out who you dislike here-- both of them used the words 'victim blaming' in reference to both stolas and blitz but one was saying that blitz was the one doing it and the other one said it was stolas. Both of the posts were like-- I hate this show-- in the tags but then whyyy the fuckkk do you watch it??

The helluva boss fandom gets a bad rep because of people who don't even consider themselves part of it. I'm so done