#honestly the only thing that tells you he’s gay at this point is his fucking flare for the dramatic

[fanonsupremecy]

Mickey they could never make me hate you. Even WHEN you were the dirtiest white boy in America. V THAT MAY BE TRUE but he's also soooo pretty so he gets a pass cuz he's so babyboy and babygirl and an angel that deserved so better like fucking love and compassion and pride and adoration from his fucking shithead father. (if you can't tell I'm on my season 2 shit) honestly he was so much more dirty white boy tm in season 1 tho...

”I came out for you, you piece of shit”

YES YOU DID MICKEY. YES THE FUCK YOU DID.

[oxydiane]

we talk a lot about how sasuke and naruto are so crazy about each other but there’s never enough attention on how the rest of the naruto cast Also thinks they are two fucking lunatics. like we are not alone on this. you have jiraiya telling naruto he needs to not go and chase a mf who tried to snatch his heart out his ribcage and naruto is like no i’d rather be a fucking moron for the rest of my life honestly. you have naruto leaving a mission and saying sory i cannot stay i need to go home and wait for sasuke and the fucking platypus looks at him ???? like he even had me confused where are you goin g to wait? ? why are you saying that like sasuke is coming back the fuck did i miss??? you have the kage summit arc which is just a whole bucket of ice being dropped onto you because you come in and immediately get slapped in the face by naruto letting himself be beat up because he won’t tell them where sasuke is??? like he has any fucking idea where sasuke is. and sai tries to make him come to his senses like naruto??? naruto WHAT ARE U DOING. it’s so bad they need an intervention. right after that naruto faces the raikage and gets on his knees saying i know my almost boyfriend almost killed your brother but i promise it wasn’t on purpose he was just being silly please don’t put a bounty on his head a war will literally ensue. and like. there’s LAYERS to this. 1. even RAIKAGE is like BOY what are you doing. STAND UP. 2. at this point you can count the people who like sasuke on the fingers of one hand like WHO is gonna start a war over him… naruto out there moving a war against a whole country by himself over his bf ok you go girl i guess. after this it gets even worse like gaara has to go up to him and be like SASUKE DOWSNT CARE ABOUT YOU. HE DOES NOT WANT YOU. and naruto just slaps his hand away in front of his family like rude?????? ignoring anything it is hilariouuusssss and then sai is like sorry. sakura lied to you they are actually off to kill sasuke and naruto gets a panic attack so severe he passes out. like i am not joking it was so bad his friends tried to kill sasuke behind his back. and then naruto escapes bedriddenment (is that a word?) after passing out from his panic attack to run and make sure NOBODY kills sasuke. like he’s on a RUSH leaping those trees he’s a boy on a mission. then after he gets there he’s like kakashi DO NOT TOUCH HIM. they launch themselves at each other bla bla gay monologues did you see what was in my heart and then. and then naruto is like. wait sasuke. and sasuke waits like sorry that’s such a little thing but it’s so funny to me like sasuke was just acting a lil murderous crazy manic wtv but naruto told him to wait and he waits. ok good boyfriend. anyways moving on naruto is like do you get it sasuke. if we fight again we will BOTH DIE! (everybody gets a ?????? bubble) i am the only one who can shoulder all that hatred. i will CARRY THE BURDEN OF YOUR HATRED AND WE WILL DIE TOGETHER! and . absolutely Everybody in that room just goes ???????????? what the FUCK is he TALKING ABKHT. everybody except sasuke. sasuke smirks and he’s like sure. they just talked about dying together and meeting each other in a different life where they’ll be free of their burdens and they’re just Fine and all ok smiling at each other and everyone is so fucking confused. like the entire supporting cast is with us side eyeing sasuke and naruto and thinking what in the everloving FUCK is WRONG WITH YOU????????

[tartarusknight]

I want more platonic stobin and bisexualy disaster Steve and gay disaster Eddie in my life. So I wrote some :)

Steve wanted to scream as he tried the handle again. "Steve. Steve!" Robin pulled him away from the door. "They aren't opening the door, and you're just gonna break the handle. Keith already hates your guts. Don't make it worse." She pointed out, weirdly calm about all of this. "Plus, it's not like we don't share space normally." She says and sinks down to the floor, tugging him down with her.

Steve looked at the door, "Why can't they accept that we're only ever going to be platonic?" He asks and runs a ran through his hair. He was sick of this. Of the comments and the teasing. It stresses him out.

They kept pushing the two of them together, and Steve was worried that it could mess up what friendship he had with Robin. Because Steve's used to messing up and hurting someone, and he really doesn't want to hurt Robin. He has nightmares of outing her by accident and ruining her life. It terrifies him.

"Steve, come on, it's okay. It's just a stupid bathroom. We've shared a bathroom stall. This is bigger than that." She jokes, and he pulls his knees up to his chest.

"I can't do this, Rob." He admits and watches her freeze. Her walls climbed up like he said something really stupid. "I'm sorry, but I'm just-"

She cuts him off, "I get it. You don't want to deal with the backlash of being a lesbian's friend." She says, and he blinks.

"What? No! I don't want to say the wrong thing. I get bitchy when I'm annoyed and I'm easily annoyed when I'm stressed. And I'm stressed! So I don't - I can't be the one to out you. I can't mess that up for you." He says, and it's nice to finally admit his fears.

Robin blinks at him, "That's what- Steve, that's what bothers you about all this?"

Steve nods, "I mess up everything I touch. I can't do that to you, I won't do that to you. Honestly, you should probably find better friends. One who thinks with his brai-"

"Shut up." Robin snaps, and he stops speaking. Looking at her with wide eyes. "You can't talk about my best friend that way. I won't let you," She states.

"You're best friend?"

Her eyes soften, "yeah dingus. Who else would be my best friend? We're soulmates," She decides, and he's confused because she sounds like she means it. "Platonic, with a capital p, soulmates."

He swallows back a ball of emotion, "even if all the kids I babysit-"

"Mother."

"Babysit," he stresses, and she smiles. "Try to get us together at every opportunity and won't believe that we aren't in love. Or that I'm in love with you at the least. I think you're better off because you call me dingus more than my name," he mused.

Robin sighed, "I won't say that it's not annoying. But I'm used to dodging questions about boys, and this way... with you, I have someone to be myself with. That's more important to me than some stupid preteens who think locking us in a bathroom would get us together."

Steve smiles, "last time we shared a bathroom did go pretty well, honestly." She knocked her knee into his. He glanced over at the door. "Do you think they'll give up?"

Robin snorts, "Dustin's more invested in your love life than you are. I don't think he'll give up unless you're dating someone else or the truth comes out."

Steve sighed, chewing his lower lip until something clicked in his head. "What If I come out?"

Robin blinked, "you- what?"

Steve nodded, "I mean I like both but I could just say I favor guys." He shrugs, "it's not like they could disprove it since it's mostly true."

Robin stared at him, "Steve... since when did you- what? Steve oh my god," She shifted onto her knees and slammed into him. "Since fucking when! Why didn't you ever tell me!"

Steve raised an eyebrow, "what do you mean since when? I literally point out hot guys all the time! When we watched watched Rocky Horror, I said Tim Curry was sexy!"

She shook his shoulders, "you did no such thing! You ask if I also think a guy is hot and you said- oh." It clicks for her and she falls back on her ass. She covers her face, "holy shit."

Steve smirks, "holy shit."

A giggle escapes her lips, "you so have a type."

"Shut up," he groans.

But before they can really dig into it, there's a loud knock on the door. "We're gonna open the door in 5, 4, 3, 2, 1!" The door swings in a Dustin's hand is over his eyes like he's gonna be scarred at the sight of them.

"We're literally just sitting on the floor Henderson. Not having freaky bathroom sex," Steve rolls his eyes and stands, Robin following suit.

Dustin looks upset like he expect his plan to work. "I don't get it." Steve ruffles his hair as he passes the kid. Robin lets out a small laugh as she stretches her limbs like she had been stuck in there for more than just 15 minutes. Steve turns, and she locks eyes with him, a silent question.

"Kid, I've said this a million times, but I'll say it one more time." He glances at the other kids that had either always been there or gotten here at some point since he'd been locked into the bathroom. "Robin and I will never date. She and I have no romantic feelings for each other. And if you pull this shit when we're at work again, I'll kill you."

"It's not like it was hard to figure out how to check someone out," Max shrugged and Steve huffed at her nonchalant grin from behind the counter.

Steve ushers the kids out from behind the counter before taking his normal spot, looking around at the empty store. Robin moves and bumps shoulders with him. "Platonic feelings only." She gestures between them.

Dustin groan, "I just don't get why!"

Steve glances at Robin, "because I'm too gay for her." He states and everyone goes quiet. "Honestly boobies are so high school." He winks at Robin who looks at him like he's bravely stupid.

"Wait but you dated Nancy?" Mike questioned arms over his chest.

Steve rolled his eyes, "so? I am more picky on who I date. Doesn't matter the gender. Robin doesn't tick my boxes."

"But she should!" Dustin complains and Robin groans.

But then Steve sees someone in the windows, heading towards the doors to Family video. "My type is more," and he just gestures just as the door dings to call their attention to the newcomer.

Eddie Munson glances at the kids and then at Steve. "Sheepies," he says. Eyebrows raised in confusion at the eyes on him. Eddie glanced at Steve, "Harrington, you break the kids?" He asks as all the kids continue to stare at him as he moves to the horror section.

Steve waves his hand, like he can brush off the confusion. "Nah, they're just shocked that I'm not completely in love with Birdie over here."

Everyone's jaw is on the floor as Steve leans his arms on the counter, not even bothering to hide the way he checks Eddie out when the man looks away. "Right," Eddie sighs and grabs a movie. "Well, not everyone's type is jocks." Eddie teases slightly, having warmed up to Steve little by little when Steve picks the kids up from Hellfire.

Steve takes the movie from Eddie, giving him his one free movie he gets for the week and hands it back to Eddie without charging him. "I'll win ya over." He winks, and Eddie's eyes go a little wide.

Eyes glanced around like he could ask if anyone else saw that. "Um, well, yeah, how-how much for the-"

"Consider it on me." Steve waved his hand and then leaned more into Eddie's space, "I haven't seen this one yet."

Eddie swallows, "You should check it out. It's, uh, pretty good."

Steve smiles, "I'm shit with horror, maybe if I had someone to hold my hand through it." He sighs overdramatically, then snaps, "Oh, I know! If you're not busy we could watch it together. I mean, it seems like a scary metalhead like yourself would be capable of holding my hand through the jump scares."

Eddie's eyes are blinking rapidly, "it's for the boys." He says, looking lost. Steve frowns, and Eddie jumps into action, "But I could-" He stops himself and groans. "I've got to- plans- fuck-" He stumbles and practically smacks into the door in his rush to leave family video.

Steve sighs and leans his head down on the counter. Robin pats his back, "I miss my whiteboard." She sighs and he looks up to glare at her.

[frigidwife]

did i misread the arun/maitre stuff or was that whole thing designed for armand's gratification, not louis'? the "armand was a sex slave ofc he's good in bed" take is crass imo, but also misses the point? louis is the one bartering w desire now for his own (& claudia's) survival. he's the one adopting a fake persona & going through the motions to appease a partner who threatens him. if the sex is mid it's not bc armand lacks "technical skill" or w/e it's bc he doesn't care abt louis' pleasure, agency, or even his waning interest so long as he toes the line. & yes 2 things can be true, sexual chemistry can co-exist w abuse/coercion. but if l0umand's sex was fire the show didn't convey that? in the closest we get to a sex scene (ep6) louis was grimly disengaged & armand was midway through scripting his lynching. i doubt the writers did this by accident?

yeah exactly exactly …people literally do seem to think it was by accident😭 the takes when episode six aired that were like “you guys just aren’t ready to see gay men who are switches in a bdsm relationship” Like woah this isn’t found fucking footage This is a constructed narrative with deliberate framing 😭😭😭 and they reallyyyy wanted that narrative to be l/a romance and it’s simply not . WHICH is why the service-oriented “””””””wife guy””””” fan characterization of armand pisses me off so much like neither armand’s control nor his “submission” are for louis’s benefit and it’s a huge and obvious lie he tells (for the control; i don’t even think Armand pretends the roleplay is for louis’s benefit people just ran with that) that anything he does makes louis happy. Or honestly even the idea that he wants to make louis happy and just doesn’t know how lets armand off the hook . It’s killing me actually we’re literally given a scene w armand w big wet eyes saying it was love about the events leading to louis’s lynching, in the episode after we see him torture louis and then erase it from his memory. and now i have to see 9 million posts like It was love guys it was loveee armand just didn’t knowwwww any better bc he was born in a cardboard box and only knew cults 🥺 No it was strategic from the start his veneer of generosity is so fucking transparent !!

[steviewashere]

What's A Boy in Love Supposed To Do?

Rating: Teen and Up CW: Biphobia, Eddie Being Kind of an Asshole at First, Use of the Word Queer (But not as a Slur) Tags: Post-Canon, Angst, Hopeful Ending, Aware of Own Bisexuality Steve Harrington, Gay Eddie Munson, Angry Steve Harrington, Pre-Steve Harrington/Eddie Munson, Temporary Unrequited Love/Feeligns, Rejection, (But not completely because Eddie doesn't know how he feels yet), Steve Harrington Loves Eddie Munson, Confident Steve Harrington, Bitchy Steve Harrington, (And he deserves to be here), Eddie Munson Being an Idiot, Eddie Munson Figuring Things Out, Eddie Munson Has a Crush on Steve Harrington, (But He's Not in Love Yet), Mild Resolve, Dialogue Heavy, Author is Bisexual For @steddieangstyaugust Day 24 Prompt: "Go, see if I care." Title from "Oh l'amour" by Erasure

🏳️‍🌈—————🏳️‍🌈 “As flattered as I am, Steve, I don’t want to be somebody’s experiment.”

He blinks at Eddie. Rigid to the cushion he sits on. It’s an instantaneous reaction: the flush of his cheeks, the pull to his lips, the narrowing of his eyes. A rage, he doesn’t think he’s felt since Jonathan Byers and his camera, begins to fill him. Can feel it low in the pit of his stomach and pulsing in the center of his forehead.

The gall of this asshole, Steve thinks, I can’t believe this shit.

Steve clicks his tongue on the back of his teeth. “Excuse me?” he asks thinly, “what the hell are you talking about?” His hands lay on his knees and squeeze harshly, fingernails digging through the denim of his jeans.

Eddie’s mouth twists. A sharp breath shoots through his nose. He looks away from Steve’s face, shrugging. “I mean,” he says slowly, “I mean…you like girls, Steve. This could just be a fluke. Like a…like maybe you should put more thought into this.”

Can’t help himself, Steve scoffs loudly. “Genuinely, Eddie, what the fuck are you talking about? I come out to you, I tell you that I like you, and you—what—turn this around as if I’m stupid about my feelings?”

“I guess?” Eddie answers, honest in a way Steve thinks he shouldn’t be. “You’re just…you’re confused. You’ve got some wires crossed or something. Maybe it’s just because I share some features with Nancy. But you don’t like me, Steve. Not really.”

He’s honestly not sure how to respond to that. Part of him is wilted. Part of him is alive with fury and flames, with tension, and unease. This feeling through him is the thing he doesn’t know. Steve falls back into his seat on the sofa, arms crossed over his chest, and avoiding all of Eddie he’d be able to see.

“Can’t believe this,” Steve mutters, “can’t believe you’re treating me like this, too. Why does everybody think that.”

“What do you”—

“I’ve been to queer bars, y’know,” he explains bitterly, “been in there searching for people who catch my eye. Because, get this if you can, I’m not a picky person.” Steve glares daggers at Eddie. “Because, and if you can believe me on this, I know what I want. Surprising, I know. But you wouldn’t know that because you treat me like everybody does—like I’m some brainless fucking low-life who only knows how to use his dick and bat his eyes.

“I go out and tell these people at the bars that I’m bisexual. That I’m into guys, that I’m into girls. Tell ‘em that, yeah, I only have experience getting in bed with a girl. But it’s not like I’m not interested in that aspect with guys, too—I just haven’t had the chance, you understand me on that, I’m sure.” And that maybe hits a little too hard; knowing that Eddie’s gay and that his experience with sex is very limited. He continues, though, “Yet, as soon as I try and explain myself, I get pushed away. I get looked at all weird. One time, a guy told me I wasn’t queer enough to be with him. Like…what the fuck does that even mean?”

“Steve, I”—

He points a finger in Eddie’s face, hand shaking and palm sweating. “Don’t interrupt me. You came out to me and I listened all the way through; you get to hear me out, too.” Steve huffs. Draws his hand back towards his lap, immediately going to his habit of picking at his fingers. Trying to allocate the nerves he has, the ones that were so intense a few moments ago. “How queer do I have to be to want to kiss a guy?” he speaks rhetorically and quietly, “how queer do I have to be to appreciate the way they smile at me? Or…or how queer do I have to be to want to hold your hand, Eddie? Seriously. What’s it gonna take? Is it ‘experimenting’ if I know that I want it? Is it ‘experimenting’ if I know how much I already love you?

“Because I do, if you can believe that. I fell in love with you before I really had the words. And I fell in love with you before I came to the realization that I like guys, too. But I know my own feelings. I’ve been in love before, I think I can understand that part of me.” He looks down at his hands in his lap, eyes burning, throat stinging, and face flushing hot. “I wish I didn’t have to explain something I already know. But I guess I will for however long people question the authenticity of my sexuality. Including you, I guess.”

The room fills with tense silence after that. Air so hot and so thick, he can feel it heavy on his shoulders, weighing him further and further, and making him sink deep into the cushion underneath him.

Sure, this isn’t the first time he’s been rejected. Nancy did. Robin did. Now Eddie is. He’s been rejected by guys at the bars and clubs. Maybe he doesn’t have the whole knowledge or ‘etiquette’ to this yet, but that doesn’t mean he doesn’t want to learn. He wants to call a guy his baby, hook his finger into their belt loop, drag them into a dark corner and kiss them soundly and breathlessly. Wants to take a guy home at the end of the night and hold his hand as they figure out each other’s bodies. Kiss him in the morning, if the guy sticks around. Wants to relish in the scratch of facial hair on his sensitive skin.

He could see himself with men, that’s the thing. He knows that in his fantasies—whether it be imagining himself with the men in the centerfolds of gay magazines, or the daydreams of being in love with Freddie Mercury—that he’s completely comfortable with the thought of being with a man. Loves the thought of it so much, that he finally realized he wanted that with Eddie especially. Because a night-in with Eddie, watching a movie, arm around his back, cushioning his cheek on Eddie’s shoulder, kissing each other slow and soft—all of that sounds like heaven, a dream that could animate and he could make real.

On the couch, distance between them, Steve’s never felt so far away from a dream of his. Even that initial daydream with Nancy sounds more probable than falling in love with Eddie slowly and surely. He sort of, really, hates that.

“Steve,” Eddie breathes. “I don’t know what to say.”

An apology might be nice, Steve sourly thinks. He just shrugs, though. “I don’t know what I want you to say, so,” he states quietly.

Out of the corner of his eye, he can see Eddie give one sharp nod. “This is…a lot to take in. I should just leave.”

Of course. Run away, Eds. Run away like you always do. “Go. See if I care,” Steve murmurs. Face at his lap still, tears ready to spill down his cheeks. A part of him thinks that he’ll never see Eddie again. He doesn’t want that. But maybe���maybe it’s for the best? It’s the one thing he doesn’t know.

Eddie stands up, walks towards the door, but stops in the doorway to the living room. He raps his knuckles on the doorframe. Steve can’t help but look up. “I accept you,” Eddie says quietly, “even if it’s too easy to say or too easy to hear, but I do. Just let me have a little bit of time to think about your confession, Steve. I think I feel the same, but I want to be confident like you. I don’t want to hurt you again.”

He inhales slowly and lets out a soft breath through his mouth. Steve wants a better apology, but one thing at a time, he supposes. It was hard when he figured things out for himself; it’s harder to hold a grudge against somebody doing the exact same thing. “If you find out you feel the same,” Steve says hopefully, “can we hold hands?”

“Stevie, when I’m confident about how I feel, we can do whatever you want. I’ll be back, I promise. I’ll have better words and a better apology, too.” He lets go of the doorframe, where he rested his hand after knocking on it. But before he can leave, he looks Steve directly in the eyes. Says, “And there’s no such thing as ‘queer enough’. You’re perfect as-is, Steve. I’m just stupid. And those other guys are complete assholes for not even attempting to get their heads out of their asses and go out with you.

“You deserve the world. And I want to give that to you.”

“Let’s cool off first.”

Eddie nods again, smiles small, and Steve returns it. “Yeah, we should do that,” he whispers. Lets out a deep sigh. Softly, “Take care of yourself tonight, okay? I’m sorry for…I’m sorry for being an ignorant pile of shit. I’m gonna do better, no matter how long it takes to prove myself to you.”

After that, Eddie lets himself out. And Steve lets him leave, doesn’t chase after him, even when every part of him panics about letting Eddie get away. But this is for the better, he thinks. Knows that not everything works itself better overnight. It’s a start, though. Not a satisfying one, but it’s the beginning of something.

🏳️‍🌈—————🏳️‍🌈

[qqueenofhades]

Good Omens Season 2: Some Thoughts (and also Screaming)

First, /screams

Second, obligatory disclaimer that this meta contains MAJOR SPOILERS for all six episodes. If you somehow have managed to remain virginally unspoiled, look away now, scroll past, or add "good omens s2" and "good omens spoilers" to your block list, as those are the tags I have been using for all posts and reblogs.

Third, /screams more

Okay okay okay. Deep breaths.

Anyway, so, uh, how about all that, huh? First, the good thing about the tone of the season overall was that it felt considerably darker and more adult, in a good way. We didn't have the precocious kiddies, the kitsch and literally-comphet Anathema and Newt, the so-clever narration, etc. All that was gone, which makes sense when you consider that a) the end of last season saw them reboot into an entirely new universe, and b) the fact that God has gone silent is, in fact, a major plot point for the season. We don't have Her slyly telling us the story, or indeed anything, and everyone is left to make their own judgments and take their own actions. Which, obviously, gets them into a lot of trouble, especially when Metatron (the Voice of God, aka someone acting in the belief that they're speaking for God and therefore doing terrible harm) swoops in with the ultimate buzzkill at the end of episode 6. But we'll get to that.

The downside was that the main, present-day plot (hiding Gabriel in the bookshop and trying to get Nina and Maggie to fall in love) was fairly thin, felt stretched out and at times weirdly paced, and otherwise existed mostly to get us to That Ending and the setup for season 3. But the ending was so damn good (if obviously, very painful) that I can't be TOO mad, not least because we spent six episodes with them just making absolutely no pretense about the whole thing being as incredibly homosexual as possible. I'll be honest: I did not think they were going to actually, explicitly go there. Neil Gaiman has been so consistent about "your interpretations are valid and you're welcome to read it however you want, but the only canon is what's on screen," which I think is frankly a good thing (not least since the Neil GAYman Cinematic Universe is consistently very, very good to us queers), that I just... didn't quite think they'd pull the trigger. Sir Terry is dead and can't have active input, this is based on a book published 30 years ago, maybe they didn't want to make it LIKE THAT... etc. I certainly hoped, but I didn't really think they would.

Uh. Well.

As I said in my various semi-coherent liveblog posts, I honestly don't think there was a single straight person in the entire season, among both major and background characters. Aziraphale/Crowley and Maggie/Nina are the obvious paralleling couples, but Beelzebub (using "they" pronouns and addressed as "Lord" despite presenting as femme/femme-adjacent) is clearly nonbinary and therefore also queer, and the countless gay/queer side characters were just /chefs kiss. From Job's son making a sassy pass at Aziraphale, to the random Scottish goon with Grindr on his phone (which he then gives to Aziraphale, because what is subtlety), to the interracial couple with the trans spouse at the Pride and Prejudice ball, there was just a lot of casual, unremarked, non-story-critical queer representation visible at every turn. It's like the NGCU saw the bigots wailing about Sandman season 1 being extremely gay and went CHALLENGE ACCEPTED, LET'S MAKE GOOD OMENS 2 EVEN MORE GAY.

God bless.

Obviously, Jon Hamm as Amnesia!Gabriel stole the show (he was SO fucking funny) and it was also incredibly fun to watch Miranda Richardson repurposed as a scheming demon. Nina Sosanya also reappeared as Nina the coffee shop owner, which leads us into the Maggie-and-Nina subplot. They're obviously, wildly, incredibly clearly an analogue for Aziraphale and Crowley themselves, but they're also each, crucially, a mix of both. On the surface, Maggie is Aziraphale: the plump, blonde, earnest, sweet-natured one owning a slightly dated book music shop and somewhat clueless about emotional nuances, while Nina is (also on the surface) Crowley, the hard-edged dark loner who doesn't want to open herself up to people or be spotted caring. But emotionally, Maggie is Crowley: the one openly pining, clearly besotted, only wanting to hang around their crush and do whatever they can to make themselves useful, while Nina is Aziraphale. Interested but reticent, attracted but conflicted, trapped in an abusive relationship with a demanding offscreen "lover" (Lindsay/Heaven) who tries to constantly control and shame them without ever offering much, if anything in return. By the end, they bring themselves around to what Maggie/Crowley are offering, but by then, well. We've got a lot more problems on our hands.

As I also said in my earlier posts, this entire thing has always been a metaphor for religion, queerness, and what religion -- especially abusive, fundamentalist, organized religion -- does to queer people, but they really cranked the FUCK out of that metaphor this season. Aziraphale is guilt-tripped, controlled, and shamed for his attraction to Crowley at every turn. He is torn between his imagined duty to Heaven, in all its ignorant, uncaring, bureaucratic, gratuitously cruel system that he still insists on seeing the best in because he can't bear the alternative, and the chaotic and sometimes grey but genuinely more good morality that Crowley offers him. (Can I just say, we were explicitly shown that the two of them together doing "just a little miracle" are more powerful than Heaven AND Hell combined.) And at the end, he's told that the only way he can be with Crowley -- what Metatron explicitly blackmails him with -- is if they both go back to heaven, submit themselves to the cruel system again and give up everything that has made them who they are: their home in London, their human friends, their reliance on each other, their independence, their own ways of doing things. You can be queer in this (religious) framework, but only the limited, watered-down, controlled, controllable, constantly-under-supervision kind of queer, which relies on both you and your lover "converting" back to the true faith. And if you don't cooperate, they will literally kidnap you, lie to you, manipulate you, take you from your soulmate, and force you right back into doing the one thing (destroying the world) that you never, ever wanted to do in the first place, because in their minds, that is still better than this. It's for your own good.

Ouch.

And the thing is: that's why the ending a) hits so hard and b) is so fucking painful, because of course Aziraphale agrees. He has no conception of being able to defy Heaven on his own; he has always, always needed Crowley for that. In the flashbacks, when Aziraphale is faced with an order from Heaven that he desperately does not want to carry out (such as letting all Job's children get killed), he still relies completely on Crowley to "outsmart the rules" and find a better way. Crowley is A Crafty Demon; that's what he does, and so Aziraphale rationalizes it to himself that therefore that must be fine. Even in season 1, when he really didn't want the Apocalypse to happen but initially thought it was his duty as a good Heaven footsoldier, he relied on Crowley to talk him out of it and allow him to do what he really wants instead. That's their whole dynamic in a nutshell, as exemplified in that scene in episode 2, where Crowley tempts Aziraphale with the "pleasures of the flesh" while sprawled on his back in Ravish Me mode like the giant walking gay disaster that he is. (Sorry, buddy. That beard. Can't do it.) Everything that Aziraphale's existence is, that makes him who he is, that he loves and cherishes the most (in this case, food and wine) comes from Crowley. Everything else is just background noise.

Throughout the season, what we see is Aziraphale increasingly coming around to the fantasy of being with Crowley. He's coy and flirty; he talks about "our car" and expects Crowley will let him (which he does); he wants to have a Jane Austen ball and for them to dance together (oh my heart); he even thinks, at the crucial moment, that the best way for them to be together is to go back to heaven just like they were in the beginning, once more perfect angels, as if those entire six thousand years of struggle and grief and pining and separation and falling didn't happen. And Crowley -- poor, poor, brave, devoted, heartbroken Crowley -- has just heard for the first time in said six thousand years that actually telling the person you love how you feel is an option. Maggie and Nina tell them point-blank that their whole stupid plan failed because people aren't chess pieces who can be moved and automatically achieve the desired result. And of course this gobsmacks the dearest and dumbest Ineffable Husbands, because they can't conceive of anything else. People are chess pieces in the Great War of Heaven and Hell; Aziraphale and Crowley themselves are chess pieces who have been desperately trying to get out of being moved by external forces, but that doesn't change the fact that that's what they are. They don't have volition or agency aside from that which they can sneak for themselves in brief and stolen moments. That's it.

Until, well. It's not it. They discover that this whole would-be war is actually an elaborate ruse to cover up another angel-demon romance, that of Gabriel and Beelzebub. (I'll be honest, I'm 99% sure they did this storyline because they saw the fans crackshipping them, but I appreciate a fictional narrative that values and incorporates its fans' input, rather than trying to constantly "trick" or "outsmart" them or "do what they don't expect.") And Gabriel and Beelzebub get to be together, but only by leaving their world forever. They have to desert their homes, their structures, even their own identities, and never return. And Crowley and Aziraphale are so rooted in their "precious, perfect, fragile" life in their little corner of Soho, with their bookshop and their Bentley and their dining at the Ritz (which they didn't get to do in the end because METATRON /shakes fist), that that just doesn't work. Neither of them can conceive of doing that. So Aziraphale thinks "go back to heaven and try to make the terrible system do some good and take what we can in terms of being together" and Crowley just... pours out his heart. He's ready to fucking propose. He barely stops himself from saying something to the effect of "I want to spend eternity with you." He begs, he pleads with Aziraphale to go away not in the literal sense, but the emotional/metaphysical: to finally break this toxic dependence on Heaven and tell them once and for all where to stick it. And because he is desperate to make Aziraphale understand, he finally throws all caution to the winds and recklessly, desperately, adoringly kisses him, the one thing he's wanted to do for ages and...

Gets. Shot. Down.

Ugghhhhh. I'm suffering all over again. Aziraphale wants him, hungers for it, for them, and yet he's been so abused and so conditioned by Heaven (he's still blithely repeating to Crowley's face that "Hell are the bad guys!") that he just cannot accept that kind of desperate, blind, limitless, lawless affection. He even forgives Crowley for this "transgression," just to really twist the knife, and Crowley just can't take it, can't face up to how terribly this has all gone up in flames, after he went to heaven trying to find the answer for Gabriel's situation. Gabriel, who he fucking hates. Gabriel, who tried to kill the angelic being he loves (and for which Crowley has transparently never forgiven him). And yet at one pouty puppy-eyed look from Aziraphale and a warning that whoever is harboring Gabriel might be in danger, Crowley leaps headlong into the Bentley again and rushes to the rescue while "Good Old Fashioned Lover Boy" is blaring. He stoutly protects Gabriel; he does a miracle to disguise him; he lets him have hot chocolate and stay in the bookshop; he guards him from the literal demonic horde outside. All because of Aziraphale. That's it. And then, it still doesn't work. Not only that, Gabriel's absence and decision to forego Armageddon gives Heaven the one tool they finally need to take Aziraphale away from him.

I repeat: Ugghhhhhhhh.

(In a good way. Ngl, I love this angst. This is the kind of angst my brain Thrives on, the Thematic Parallel Romantic Character Arc kind. Nom nom nom. But also: AGONY.)

I also need to talk about Aziraphale driving the Bentley, aside from the obvious metaphor of him being in Crowley's home while Crowley is in his. Last season, we had the "you go too fast for me, Crowley" scene with them sitting in said Bentley, which was Aziraphale saying he's not ready for a relationship. In this season, as noted above, we see Aziraphale increasingly embracing the potential fantasy of being with Crowley. But here's the catch: when he's in the Bentley this time, driving it, setting the pace, acclimating to the idea, he's driving his own idea of what the Bentley/his relationship with Crowley is. It's not the real thing. He plays classical music; he supplies himself sweets; he turns it yellow; he drives too slow. Crowley calls him in another old-married-couple snitfit to complain that Aziraphale's messed it up, but what Aziraphale has actually messed up (or will, by the end of the season) is far more consequential than just a car. He's changed the entire shape of their relationship to the one he thinks can make it work, and it just doesn't. It has to be them -- "we could have been... Us" -- or it's not even close to the truth. It's not worth their time.

I repeat: Ouch.

Speaking of the writers validating fan theories, I know we all picked up and screamed about on Crowley's idea of Peak Romance Guaranteed To Fall In Love being sheltering from rain and gazing into each other's eyes, which confirms that that poor bastard was indeed ass-over-teakettle gone as soon as he met Aziraphale (again) in Eden. I also need to talk about the 1941 redux, because wow. This time, the danger comes from Hell, which we see being its usual self: gleefully, pointlessly cruel, pettily backbiting, dirty, sniping, tedious, endless, determined to mindlessly destroy because They're The Bad Guys and they like it. So they blackmail, spy on, miracle-block, illicitly photograph, and try to prove that Aziraphale and Crowley are secretly a couple, right after Aziraphale himself has just had the Light From Heaven realization that he's in love (which we all also picked up on in s1). They're forcibly outing them (to speak of more Religious Queer Trauma) in order to break them up/get them into trouble with their authorities/families. Aziraphale and Crowley manage to escape it mostly by dumb luck, but Crowley having an altogether freakout, hands shaking, barely able to actually point the gun at Aziraphale even in the knowledge that it's supposed to be fake, is just... wow. He can't even fathom the idea of ever trying to destroy him in earnest, especially when he knows on some level that Aziraphale also finally just realized his own feelings. So I just need to --

/screams

Anyway, Aziraphale's entire arc this season is doing what he thinks is the right thing and then inadvertently causing harm and damage as a result. In the Edinburgh flashbacks (live slug reaction of me: SEAN BIGGERSTAFF???!!) he tries to stop Elspeth from stealing bodies and gets Morag killed and Crowley drinking the laudanum to save him (though that part with David Tennant just riffing left and right, using his natural Scottish accent, and being Tiny Crowley/Huge Crowley was hilarious). He invites his neighbors to a Pride and Prejudice ball and makes them all the target for demonic attack. And of course the Job episode: Aziraphale, horrified at Heaven's callous cruelty, desperate not to get Job's children killed, willing to go along with Crowley's tricks to save them somehow, tempted by Crowley to do the fucknasty with their angel bits eat some food and decide that he likes it. As mentioned, the whole thing about God being silent this season is a major thematic choice. The only time we see/hear God is Her communing with Job from afar. Aziraphale enviously imagines the answers he must be getting (he's not, he's baffled and perplexed), while Crowley longs beyond words to even have the opportunity to ask the question: why? Why do this? Why is this your plan?

And of course, this absence culminates in the Metatron, the Voice of God, the person arrogantly claiming that they're speaking for God and know exactly what Heaven wants, being able to seize Aziraphale by the short hairs and absolutely fuck him over. Gabriel is gone/decommissioned/eloping with Beelzebub, so Heaven needs a Supreme Leader (God apparently is no longer a factor in the equation). And what this Supreme Leader needs to do is finally unleash the Apocalypse that Gabriel decided to pass on (the Second Coming). Aziraphale needs to be punished, taken away from Crowley's influence/love, and put back under Heaven's explicit control, so Metatron spots a great opportunity to do all three at once. It's not an accident that the exact tool he uses to get Aziraphale to agree is "now you can actually be with Crowley!" Aziraphale and Crowley have been trying so hard to hide out from their respective Head Offices, but now all at once, there's this seemingly miraculous opportunity for them not to have to do that anymore! They can be together! They can be sanctioned by Heaven! They can give up all this hiding and sneaking around and lying! Isn't that better?

... As long as, of course, they give up absolutely everything that makes them who they are. No big deal. Minor catch. Probably nothing.

Metatron doesn't let Aziraphale have time to escape, or think it over, or reflect, or anything. He pressures Aziraphale to come with him immediately, or be once more subject to Heaven's implicit wrath/destruction/judgment. Believe me, Aziraphale already KNOWS he's made a huge mistake, as soon as he hears what Metatron really wants: bringing him back to unleash the Apocalypse that Aziraphale and Crowley have given up literally everything to prevent. He doesn't need time to reflect. By the time my man is in that elevator, he's well aware of what a catastrophic misjudgment he's made, and yet --

Aziraphale needs this. He has, as noted, literally always relied on Crowley outsmarting Heaven's cruel orders in order to prevent himself from having to do them. He's relied on Crowley rescuing him ("rescuing me makes him so happy," WELL BUB, IT'S BECAUSE YOU ALWAYS NEED IT). He admits to Crowley's face that "I need you!" He hates Heaven's sadistic meanness, but he has absolutely no framework, in and of himself, to defy it. When the rubber hits the road, he will crumple and try to go along with it, and now he's been put in a position where he's going to have to stand up, defy Heaven, and make the break once and for all BY HIMSELF. He doesn't have Crowley around to do it for him, he has no support, he is going to arrive in Heaven and be shuttled straight off to the Apocalypse 2.0 War Room. The only way he gets out of this is if he actively stands up, if he chooses himself and Crowley and their life, and he has to.

The thing is:

Aziraphale has lived his entire eternal existence Looking Up. Up is the direction of Goodness and Heaven. Up is where Angels go. Up is where Aziraphale comes from and where Demons and Hell are not. But now he's going Up, in a position to take over the whole shebang, and it's the last thing he wants.

So he's going to have to come back Down.

He's going to have to Fall. He's going to have to get back Below at all costs. He's going to have to finally, once and for all, understand what led Crowley to make the choice to leave Heaven and never come back. It's only then that they can possibly be together on any kind of conscious, equal, deliberate footing, claim their own agency, reject Heaven AND Hell, and try to really earn that South Downs cottage and that happy-ever-after, and it's gonna hurt so good.

Now if you will excuse me, /screams

[absolutehomosexuals]

Whenever people claim "[origin characters] show attraction to all genders", they often point to Astarion's party banter.

Which leaves us pretty confused because, if anything, it shows he has no clue what he's doing with women.

He's known to be this skilled seducer – the fantasy equivalent of a prostitute and, canonically, his pimp's favourite – yet his advances towards female companions come off as clumsy.

We've always chalked it up to him being a snarky little shit, with a touch of stereotypical gay man attitude¹, but the implications of it being genuine are terrifying.

As far as we know, Astarion gathered prey for at least two centuries, and he only ever talks about his male victims: Sebastian and the so-called darling boy were his only sincere relationships. 

If you romance him, he justifies his initial manipulation by saying he only ever seduces people he's genuinely attracted to.

Couple that with the fact we never hear about any women, can it really be a coincidence on his writer’s part?

All we’re saying is, he probably didn't pick up his victims by calling them "a pretty flower", which unironically sounds like someone's first attempt at flirting in a lifetime.

We're even more appalled when people claim he flirted with Lae'zel (who he briefly teased and later implied he wasn't actually interested in, when she asked him why he hasn't tried to "bed" her yet) or Karlach (he seems to sympathize with her quite a bit due to their shared slavery trauma, offering to show her the Upper City when she implies she's never been – didn't come off as sexual at all, honestly).

If anything, his comments towards Wyll sound way more sexually-charged, going as far as to say he was the man Astarion dreamed to marry when he was younger.

And we know Wyll is the furthest thing from his current type, given his approval options.

A history of successfully, and famously, hitting on men coupled with overly-friendly, borderline exuberant interactions with women... wonder what subculture that reminds us of!

Hint: it's gay male subculture.

We also tend to forget Astarion's perception  of his own sexuality is extremely screwed, because centuries of repeated sexual abuse will do that to you.

He's canonically riding that post-escape wave of mania and engaging in sexually risky behaviour (e.g the foursome with the drow twins at Sharess' Caress) + putting on an "open minded, experienced lover" façade (e.g justifying the MC upon being cheated on with Mizora and allowing them to sleep with Halsin to make up for the lack of sex in their relationship).

To put it gracefully: he fucks his way in and out of situations, exchanging sex with favours/protection is second nature to him at this point.

He's forcefully trying to reclaim his sexuality, biting off more than he can chew and re-traumatizing himself in the attempt: what's a little flirting with women to make sure his new allies are on his good side, after all? He surely can't be violated more than he already has been.

What's the damage in agreeing to sleep with a heart-broken Lae'zel at the tiefling party, at this point? It's the perfect manipulation, laid out for him on a silver plate. Also, we know from his confession scene that Astarion's first sexual proposal to Tav was indeed a form of manipulation: he admits that the initial reason why he pursued the player was to seek the protection of someone stronger and to make sure that the party won't kick him out. So, in the instance of Tav refusing him (the only option that triggers the scene between him and Lae'zel), it's only logical that he'd run in the arms of the next best thing, which in this case is Lae'zel, a great warrior that's eager to find a partner for the night.

And when she claims he performed flawlessly? That's the same thing the narrator tells you during the Sharess' Caress scene, only to reveal he's dissociated into oblivion.

Of course Larian didn't want to restrict players' options by locking certain romances, but we’re sorry to announce… he's still not beating the allegations.

¹ Being visibly gay = not being perceived as a threat by women, thus taking liberties such as sarcastic "flirting" towards female acquaintances.

Karlach refers to him as "fancy-boy" if she's in your party while recruiting him, so he is perceived that way in canon.

We can also see Gale being uncomfortable around him at first, especially when Astarion tries to strike up a conversation through party banter, for seemingly no reason – which seems like a pretty clear hint to us.

[louisferrignojr]

*deep breath*

the thing is. the fucking thing is.

it's not unrealistic for someone to not dig deeper into their queer identity beyond what they know to be true, which might be "yeah i might be attracted to people of the same gender but i dont have time to get into that right now 'cause life is complicated and i'm in a relationship/i'm not interested in dating right now anyway so what does it matter"

(same goes for figuring out your gender identity. exhibit A:

[image description: a tweet by shaka (@/ScaredAsian) that says, “im probably nonbinary but i have a job so idrc about that rn”. In plain text, it says, “I’m probably nonbinary but I have a job so I don’t really care about that right now.” /end id])

but this doesn't work for evan buckley

who had his little freakout on his first date with tommy and went to talk to his sister who literally told him "now you're more than an ally" and that maybe he's not sure of his feelings but he'll figure them out. (sidenote: she should have said identity instead of feelings. but whatever.)

who has been in a relationship with his boyfriend for six months

who has been known to go on research binges because he has a curious mind and loves learning. tommy's sarcastic "oh good, you found a substack" tells us everything we need to know, y'all.

who has at least one very close queer friend and co-worker, hen fucking wilson; and one friend/acquaintance who is a queer man (we don't know how much he sees josh outside of visiting maddie at dispatch, and like, that one time he hang out with him and maddie and chimney, so it's a little bit up to fanon to decide if they're friend-friends but at the end of the day it is a trusted person and an openly gay man. i mean, we saw how josh stood up for tommy, and schooled the fuck out of buck. finally, a conversation about being queer between two canonically queer characters! only took 8 seasons, huh! i digress.)

and have i mentioned he's been dating his boyfriend for six months? like, if he was ever to have a conversation about being queer... tommy is right there. tommy opened up about his own experience figuring out his sexuality and coming out on their very first date and moreover reassured buck it's okay if he's feeling a little tense about them being out on a date in a public place.

point being: there are people in his life who would be more than happy to talk to him about his newfound identity outside of his relationship with tommy.

taking all of these things into consideration: it's not only inconsistent with the character they have established, but the timeline of it is also really fucking messed up.

and more than that: any faith i may have had in this show to handle a delicate matter like a character exploring their newfound sexuality has flown out the window. they broke the audience's trust with 8x06. i'm not interested in seeing how they're going to move this story forward, because 8x06 was such a particular fuck up, beginning to end, wrt the bucktommy storyline.

and honestly? knowing the format 911 follows, as a network procedural: this is not the right medium to tell this story, at this point in the timeline, because it has become way more complicated than it would have been in s7, immediately following buck's bisexual awakening.

tldr: the premise is sound but the execution is so bad it's practically unsalvageable within the scope of the show (but very manageable in fanfiction, where you can dwell in the character's headspace and dig into what goes on beyond the things they say and do. godspeed, everyone <3)

partly inspired by @firehose118's tags on their post and partly like, being queer. source: dude trust me

[hazshit-hotel-hater]

Sloppy Arackniss Redesign (?)

Before I get into this, clarifying, I SAY SLURS IN THIS!!! I CAN RECLAIM SAID SLURS!!! That is all thank you. I kiss boys and love men. Carry on.

Arackniss’s design is bound to change drastically sometime eventually but atm this is just what im doing. My main problem is how he just looks exactly like angel but black. I know thats originally what the whole thing is and they’re opposites but it’s just kinda boring now. Angel is an entirely different character at this point now and Arackniss’s design should accommodate the changes while still being a bit similar looking. I want him to still look very similar to Angel in specific ways like that stupidass headshape but not because of a sibling thing. Honestly when the two were alive they hardly looked anything alike I’m 100% sure of that. Antonio (Arackniss) had black hair and much broader features and was relatively tall and kind of bulky while Anthony & Molly had light blonde hair and more subtle and soft round features and basically one of the only ways to tell them apart aside from personality was Anthony having polycoria and having bloodshot eyes pretty often.

Arackniss hardly looks how he did when he was alive anymore and has taken on many more features of Angel because of his deep rooted rivalry with his brother. I assume hating your middle-child brother that literally got named after you only to have him overdose and kill himself before actually doing anything with his life is enough to stir up more than a little bit of inner turmoil. These guys probably beat each other up OFTEN. Antonio was the first born son and dealt with so much shit before these other guys even were born and when they did show up, Anthony was named after him because their parents honestly just got lazy, and even though Molly didn’t have the name Molly yet, she was still treated like a golden child even though she contributed next to nothing to the family business which yeah that helped her in the long run but to Antonio that’s his number one priority in life. Appeasing his family is what keeps his brain running. And with that, seeing this random kid show up, get named after you, and be treated so much more leniently than you were AND he’s practically your problem because youre 15 hes like fucking 3 years old and your parents are busy all of the goddamn time AND when you DIE you take on the traits of this stupid fucking kid. He has a horrid case of eldest child syndrome and probably some insane identity issues.

This isn’t to say his hatred is only directed at Anthony either, he definitely has his issues with Molly as well, but she kept more to herself and even if she followed Anthony nonstop she was copying what Anthony was doing instead of what he was doing. Copying is the highest form of flattery but flattery gets annoying when everyone cares about the younger “better behaved” version of you. This is one of the biggest reasons Arackniss berates Angel now and in the past. Even though they havent spoken in years, Arackniss still holds Angel to the status of “faggot” because that was practically the only thing he was “worse” than him at. It was the biggest dirt he had on Angel possible to the point that became a genuine used name for him as Anthony “the fag” Benetti. Finding out your angel of a brother is gay during a time where it’s heavily frowned upon, especially by your own family is like a gold mine.

Arackniss is NOT a good person if you couldn’t somehow tell already. He’s homophobic, has a masculinity and classism problem, has little to no regard for other’s well being, and a bunch of other shit. For as distressed as he was over Anthony’s death, a lot of it was because it left their family even more dysfunctional. To him it was Anthony abandoning everyone because they weren’t worth enough to keep him going and then in return he continues to be praised and talked about so wonderfully as if he never did anything wrong “just because he’s dead”.

Thats just BEFORE Arackniss died too! AFTER dying shit got even worse to the extent he ended up even getting disowned! How fun!! This part delves more into Husk and his backstory as well which I think I may save for another time, but these guys know each other and have a lot of beef and also simultaneously are kind of chill in an odd way? By the way, Angel also has the big neck puff, he just shaves it because he doesn’t like the look and like association from trauma

[patchofgrey]

Welcome to Part One of my head cannons for my OTP:

Nejiten Head cannons; Part two , Part 3

Tenten Head Cannons | Neji Head Cannons | Nejiten Family Head cannons

I have a few head cannons for these two that I wanna throw out there; Writing these two for like 10 years has made me realized that no matter what situation they are in (if writing in character) they are the idealistic couple. Sure, they argue and fumble the bag sometimes, but their dynamic is FIERCE. You cannot tell me that his most trusted friend, partner, and balanced scale IS NOT IDEAL? These are my head cannons that I base my stories on while writing them in character (which took a long time to do honestly, writing in character with characters who are not fully developed is hard as fuck. But you take whatever crumbs you get.)

Plus, I would’ve changed a bunch of things in this anime but that’s besides the point

😤

Follow me on my delulu because it’s the only solulu:

1. Neji started liking Tenten prior to the second round fights of the chunnin exams. It started as admiring her skills, but grew to an emotional level as time went on. He asked her specifically to train with him because he felt that she was able to keep up and offer him a challenge in a realm he was not skilled in; weapon handling and evasion. This is going off of the fact that in one of the video games, Tenten had beat both Neji and Lee in evasion training, which in my mind, means that Neji saw Tenten for her skills and held her in very high regard even if she got clapped by Temari (which he didn’t fault her for! It was a bad match up). While they trained, Tenten would push conversation with him to the point where they started talking about their personal lives and led to Tenten finding out about the curse mark, his father, and his blind spot. Tenten had shared her deep insecurities about never being able to match up to them, or to be good enough to be like Lady Tsunade (especially after she fumbled the medical ninja training). To that, Neji ensured her that she was a great match up to himself and Lee; which is why he asked her to help train him in the first place. Since then, Neji has made it his priority to ensure that Tenten did not fall into a deep depression and would always praise her with the “you are good enough as you are.” He would shower her with subtle affection by buying her sweets when she was in a bad mood and spending some of his days off with her. In fact, it wasn’t until Gai-sensei had pointed out that Neji was attached to her, and was doting on her to make sure she kept a smile on her face. Neji would roll his eyes (as most 13-14 whatever’s they were) but kept at it well into their late teens.

2. Tenten is oblivious as fuck to Neji’s affection. I used this a lot in my Sleepless Nights fic, and sprinkled it in for some oneshots as well as hinted at it in Frequency. Tenten is an over thinker and can get inside her own head very easily. She thinks Neji is just being a good friend; arguably, she considers him a best friend since they are with each other all the time. She’s been so focused on her work that she never even considered the possibility that Neji liked her in anything past a friend. To be fair, Neji doesn’t seem like the type to make it obvious when he likes someone. And we’re about to get into that…

3. Neji is awkward as hell when it comes to anything emotion related but his love languages are Acts of Service and Gift Giving. Neji is alright with quality time, but he is a protector before anything else. I see Neji more as a “how can I help?” Or “Let me know if you need me.” He probably also gets snapped at by Tenten when he instinctively helps her and does things for her without asking if she needs help. She very much “I can do it myself” type of girl. Like I said before, he dotes on Tenten by buying her sweets and things she likes, I wouldn’t be surprised if he followed her around different weapons shops while they were on missions and helping her add to her enormous weapons collection. We also saw the acts of service come out of him when he shadowed Hinata (which was really sweet honestly. It showed his softer side and he maybe felt a bit guilty for treating her like garbage after his father died and was trying to make it up to her).

4. Tenten started realizing her feelings when they retook the chunnin exams. C’mon we all saw the look on home girl’s face when Fuu grabbed Neji’s hand and asked him to be her friend. It screamed LET GO OF MY MAN. Tenten hasn’t seen or experienced Neji interacting with other girls besides herself and Hinata (excluding Sakura and Ino who they were all friends with, but only interacted with on occasion). She didn’t like the idea of Neji getting attention from other girls.

5. Both are the jealous type. I know, I didn’t think Neji would be either, but it makes sense to me; Why would she be with anyone else other than him? Was he not her best friend? Who they shared all their deep dark feelings and secrets with? How dare someone else look at her partner in such a way? How dare they talk to her like that in front of him! For Tenten I don’t see it running extremely deep, but maybe a touch of it like stated above.

6. Lee was in on it. He absolutely knew. There’s no way Lee is so oblivious to his rival’s feelings. Especially since Gai has VERY loose lips. I wouldn’t be surprised it Lee was there when Gai had pointed out Neji’s affections for Tenten when they were gennin. Lee wanted them to be together and wanted to see them happy; Neji found comfort in knowing Tenten was alright. Tenten found comfort in Neji by trusting him with her feelings and not being harshly judged for it. I can see Lee purposefully hanging back and watching the two of them spar.

7. Neji only genuinely smiles around Tenten. Sure, he would offer a small smile of a smirk most of the time. But, around her he can actually pull his guard down and feel happy. He does offer small smiles and half smiles around Hinata and Naruto, however those big cheesing moments are usually kept in the presence of his bunheadded teammate.

8. Neji struggles to keep his feelings towards Tenten in check. He feels as though he doesn’t want to ruin their deeply rooted friendship and tends to keep a straight face when they are with a group. Tenten-again being oblivious- thinks he is just being an egotistical jerk around everyone when he’s not really like that when they are alone. He keeps some physical distance towards her as well unless they are fighting together, to prevent any mistakes and obvious signs of his affections. Perhaps he’s not into PDA either.

9. They argue. A lot. But it never ends in them feeling unheard or disrespected; these two have strong personalities and are very opinionated anyway.

10. Neji confided in Hinata about his feelings on Tenten, and Hinata promised to keep it a secret. (more on that in part 2 of my headcannons)

11. Neji tries to encourage Tenten to use her Taijutsu skills for close combat more. There’s a post circulating right now about how Tenten’s close combat abilities surpassed everyone but her team’s. I wouldn’t be surprised if Tenten felt discouraged by the fact that both boys on her team were already close range fighters and struggled with her gifts of long range fighting; she overthinks and puts herself into a box. Neji probably has attempted to strictly train with her (think Shippuuden…17-18 years old?) on her taijustu so she could gain some confidence. In fact, he has brought up to her that she would have beat Temari years ago if she would’ve show cases her taijustu abilities.

12. Their fighting style is more like a dance in flow. Tenten is very flexible and since her and Neji have been training since they were gennin, it would only make sense that they are so insynch with each other it almost look graceful.

I have more but imma stop there lol. I have ideas on how they first kissed, slept with each other all that stuff; how he would’ve proposed; It’ll be a very long post especially if I get into the whole “if Neji survived the war” which I do have a fanfiction on right now 👀 look at my pinned post for the link.

Thank you for joining me in my delulu 🫡 Here's part two, and Part three

[columboposting]

I say this as a certified gwen cooper stan and defender and lover etc etc so if i see anyone in my replies coming for my girl its on sight. But it is honestly completely batshit insane to me the way seasons 1 and 2 of torchwood consistently do this thing where on-screen development or depiction of Jack and Ianto’s romantic relationship is directly preceded by a category five Gwen and Jack Unresolved Sexual Tension event. Like, Jack propositioning Ianto over Suzie’s corpse comes right after a scene where Jack and Gwen make moon eyes at each other from across the Hub; in Kiss Kiss Bang Bang Jack only asks Ianto out on a date after a failed attempt to woo Gwen; in Reset, Martha’s conversation with Ianto about getting him and Jack a red UNIT hat comes after her convo with Gwen where both of them are like “man we must be the only two people in the world who havent been with Jack.” The obviously most insane example is in Something Borrowed when Gwen and Jack dance together extremely intimately AT GWEN’S WEDDING and Ianto literally has to WALK OVER to take Jack off Gwen’s hands. (If I missed any more examples please tell me because i feel like I did. Also Fwiw not every Janto scene follows a Gwack UST event, though by the same turn not every Gwack UST event is followed by a Janto scene. But I think there’s enough here for it to be a pattern.). So there’s this consistent thing where we see Jack make moon eyes at Gwen and only going to Ianto after this fails to result in anything substantial. This creates the impression that Ianto is Jack’s second choice for a partner, and that Gwen is his first.

You could argue that this pattern constitutes Jack choosing Ianto over Gwen, but… I dunno. The obstacle that consistently stops Jack from pursuing Gwen further in the scenes I’m talking about is not his commitment to Ianto but Gwen’s commitment to Rhys. (If you want an example of TW S1/2 actually showing Jack choose Ianto over Gwen I’d point at End of Days: Gwen metaphorically awakens Jack by kissing his corpse (he doesn’t seem to object but Gwen is obviously the one initiating), and then Jack immediately runs off to make out with Ianto. Compare with, say, Kiss Kiss Bang Bang, where Jack tries to initiate with Gwen, gets cock-blocked by her engagement ring, and subsequently asks Ianto out. You see the difference?

To set my cards on the table I am obsessed with Jack and Gwen’s straightbait situationship, and I think it is completely fine and cool and entertaining, actually, for Jack and Gwen UST to coexist with canon Janto (Jack is from the Free Love century and has two hands; meanwhile it baffles me that people get on Gwen’s ass for the crime of (checks notes) being into Jack Fucking Harkness, as if being attracted to him is not completely normal and understandable), HOWEVER the show’s scene to scene editing CONSISTENTLY gives the impression that Jack would choose Gwen over Ianto if given the opportunity. So for all that I think a lot of Gwen hate is like, people being unfairly mad at Gwen for “getting in the way” of a gay ship that, per the show’s writing, she never actively interferes with or disapproves of and is generally shown to support, the way the show uses the language of editing does actually kind of value Jack’s hypothetical straight relationship with Gwen over his existing gay relationship with Ianto in a way that frankly fucking sucks. I have no idea whether or not this was intentional or whose fault it is (if I had to blame anyone I’d blame the writers involved and the editors involved, but tv production is complicated and this is a systemic problem that would be difficult to identify if you’re only looking at one episode at a time) but whatever happened its like. A lowkey homophobic element of an otherwise mostly queer-friendly show. Literally what were they thinking.

[reiimicxii]

All Subtext I Could Find for Hamilton and Laurens' Relationship in Hamilton: The Musical

Since you guys asked for it, here it is!!

By the way, I've only gotten these details via being hyperfocused/staring at Laurens and Hamilton mostly throughout the musical's Act 1. Also overanalyzing their actions.

Again, Lin could've made this relationship more explicit, but he chose not to. They could've had a song, a SINGULAR SONG, but nothing? Just some light subtext that could be interpreted as platonic? Okay. I'll play your game.

If the ship was better intergrated in the story, maybe if there was a song explaining their relationship, or, literally anything Laurens-centric, I'd gurantee Laurens wouldn't be as UwU turtle boy twinkified by the fandom, honestly.

Because there's barely any OFFICIAL lams content in the musical to nimble on, I shall provide it myself by overanalyzing content. That is what I (try to) do best, after all. And this ship has been taking over my brain.

Also if there was any subtext that I missed, do let me know! I shall reblog if there's any more.

Alexander Hamilton

- When the cast are giving Hamilton his stuff, and Laurens gives his bag, a mild gay stare is at large.

(Detail!: Eliza gives him his coat, Angelica gives him his book, Laurens gives him his bag. Very specific character choices, I've gotta say)

(Side note: I've seen someone say Laurens mouths "Me? I loved him", but I don't exactly know if that's true or not, since he's in the dark)

My Shot

- (ESPECIALLY NOTICEABLE IN THE PRO-SHOT) Laurens checks him out a bit as Hamilton sings "These New York City streets get colder, I shoulder (...)"

- When Laurens sings his verse "You, and I, do or die (...)" he touches Hamilton's shoulder and gay-ass staring ensues.

- "Laurens I like you a lot"

(Laurens giggles a bit and acts embarrassed at that lol)

- Laurens says "Let's get this guy infront of a crowd" SO INTIMATELY like... compared to the studio album.... 🏳️‍🌈 (?)

- Just before Laurens shouts "Everybody sing!" He and Hamilton had a little shoulder-to-shoulder moment

Story of Tonight

- The gays do gays. That's all I have to say. You all know about the amount of gay stares and shoulder touches in this song.

- Also how they walk away together??

Right Hand Man

- During the final "Here comes the general!" Laurens and Hamilton do the "handshake thing", only noticed it just now.

Helpless

- After Hamilton tells Eliza "Swear to God you'll never feel so (...)" He and Laurens fucking come in CLOSE and Laurens congratulates him. And then gazes at him from afar before clapping then leaving. Jealous much?

- God, lemme just say, when Laurens and Angelica come down the aisle during the wedding they look so miserable...

Satisfied

- Laurens is like "Alright, alright, stop kissing infront of me mfs!!!"

- During the rewind part, Angelica, Laurens, and Eliza momentarily all stay in the light AT THE SAME TIME, the light Angelica was standing in.

(Side note: I am of the opinion that John Laurens should've sang Satisfied, yet I know that Satisfied was sort-of meant to be a female solo)

(2nd side note: Laurens could've gotten batshit drunk because his lover is getting married)

Story of Tonight (Reprise)

- When Laurens sings "But I've seen wonders great and small" he points at Hamilton. Didn't know Alex had such a small dick.

- Laurens clinging onto Hamilton and staring mindlessly at that man during the entire beginning portion of the song before Burr came in

- Also when they sing "Something you will never see again" Laurens gives Hamilton a sorta "I know I'm gonna die later lol" glance.

Stay Alive

- When Laurens sings "And everyday's a test of our camraderie and bravery" they do the "handshake thing" (which i think is a metaphor for queerness, or something like that)

- The transition from Stay Alive to Ten Duel Commandments ("Laurens, do not throw away your shot"), do I even need to say anything? ALSO THEY WERE IN A PINK LIGHT. (While yes, it is light, it classifies as pink)

CORRECTION: it was a purple pink-ish light, my bad

Ten Duel Commandments

- Of course, the bitches are gay af.

- Burr and Lee have a normal handshake during the seconds part, but Laurens and Hamilton do the "handshake thing" instead

Meet Me Inside

- During the beginning, the two share a hug and gazing. Also, "I'm satisfied!" being said by Laurens.

Laurens' Interlude / Tomorrow There'll Be More of Us

- Dead gay staring/pining ensues. Also, the fact that in the final version, Eliza doesn't even specify the letter came from South Carolina, yet Hamilton immediately assumes it's from Laurens...

Thank you for hearing my rambling, I have joined the fandom late, yes.

[warning-boredom-causes-daydreams]

I've been thinking.

Why is Nico, the most anti-social child ever, canonically closest with the most other characters.

Like, Hazel, his sister, he's kissed on the forehead and she's kissed him on the cheek. Like he doesn't give super touchy feely vibes, but still that happened so obviously they're really close.

Jason, first person to know he was gay (even if it was because that bitch cupid outed him), and stayed really good friends.

Percy, who took on the burden of the prophecy willingly to protect Nico. And Nico despite his confusion on his feelings still went out of his way to protect Percy multiple times.

Reyna, basically his big sister and like best friend.

Will, his fucking boyfriend who he went to Tartarus (for the 2nd time) with.

Coach Hedge, who obviously cared a lot about him throughout their journey to get the Athena Parthenos back.

Mr.D, who literally only likes Nico and his own kids and thats it.

I think Apollo really likes him (tho honestly I can't remember if thats actually canon or not).

And he's pretty close with Hades all things considered. I mean its canon that he hung out (or hangs out I can't remember) in his dads palace because he told Bob about how Percy was a hero, and Hades gave him Jules Albert, and tells him stuff all the time.

Like...he's always considered so gloomy and had a whole crisis in The Blood of Olympus about how he has no friends and doesn't belong at camp and how can Will not hate him. But like...no one else is as close with as many people as he is besides Percy (who we love but he's the main character so I'm not sure he counts for this).

Annabeth had Luke and Thalia, Percy (obviously), and Piper. And then Luke died and Thalia joined the hunters.

Hazel has Frank and Nico and kind of Leo

Jason has Piper and Leo

Leo has Piper, Calypso and Jason

Piper has Annabeth, Jason, and Leo

Grover has Percy, Annabeth, and Juniper

Like I could keep going but you get the point.

Nico, buddy....you're not alone....open your eyes kid.

[findafight]

On the one-sided harringrove post- I feel it becomes infinitely funnier with bi steve. He likes men, just not Billy. Never Billy.

Oh yeah. When Billy fiiiirst comes to school with his music blaring Steve is head over heels for Nancy, so he might register that the guy with the Camaro and loud music has a good ass, but then billy opens his mouth and Steve is like "oh, no ass can make up for that personality." And continues with his life.

Just. Okay I like to project just a liiiiittle on Steve with him just. Not realizing his attraction to men isn't a straight thing. Like. Of course all straight people feel that way, you just kinda ignore it or don't do anything about it. So Steve is half way between being comfortable in his sexuality and being closeted to himself because buddy used Hawkeye Pierce as the blueprint of straightness.

So Billy is out here, wallowing in self hatred and internalized homophobia, hating Steve and wanting Steve and hating that he wants Steve and wishing Steve would pay attention to him enough for a hate fuck he can cry about later, and it's all very angsty. All the while Steve is just actually completely fine with thinking a dude is hot he's just got standards that include "not racist" "doesn't try to beat up kids" "hasn't made me blackout from head trauma"

Wait. Oh no. I feel an au coming on. Shit. Au where post S2 Robin hears piano coming from the band room after hours and is her curious self going "I must see who is this mysterious genius" and it's Steve. They get to talking and hanging out and all of a sudden Robin thinks they are actually good friends. Best friends. Somehow.

Cue them going to a band party together. Someone spikes their drinks with waayyyy more than they were expecting so they are blasted. Robin has to go pee but does not want to go alone so she drags Steve into the bathroom with her and makes him face away. He's like haha Woah you really had to pee. And she goes shut upppp and washes her hands but sits across from him. Steve smiles at her and gives her his speech about how amazing she is and how glad he is to be her friend (it is like March '85 so he is still not ready to get back out into dating yet). Robin tells him about Tammy. They sing. Someone slams the door open and kicks them out of the bathroom because there's a fuckin line.

They lay on the grass outside and look at the sky. Steve like. Caaaaasually mentions once having thought he was gonna marry Tommy when he was six and then realizing you just didn't do anything about those feelings and Robin's gotta shoot up going WHAT!! WHAAAT? Because it sounded like Steve coming out to her? Right after?? She came out to him??

And Steve is like yeah. Like you don't really have to? Easier to ignore it and flirt with girls who I like or think are hot. And poor Robin's brain is melting she's like please Steve I'm really drunk are you telling me you sometimes want to kiss boys? And he's like yes, obviously, everyone does. Just like everyone also wants to sometimes kiss girls. Except lesbians I guess who only want to kiss girls? And gay guys only want to kiss guy? Yeah that makes sense and straight people don't care but go for the opposite ya know?

Robin is like NO!! And calms down some and says "okay I'm telling you this because you are my friend and you just told me almost the same thing. Steve. I like girls and only like girls. That not a straight thing"

"yeah. You've said."

"but I am ninety nine percent positive that just because you like girls doesn't mean you're straight because you also like boys."

"what"

"yeah dude, I do not think this is a heterosexual experience you're describing. I'm not an expert but. Yeah.

"oh. Huh."

"yep."

"I definitely thought it was."

"your brain is so weird I'm still kind of obsessed with you."

"haha. Honestly I'm kind of obsessed with you. This is wild."

"well. At least I know you're stuck with me."

"ohhh nooooo whatever will I do with my best friend always around..."

ANYWAYS THE ACTUAL POINT OF THIS is not in fact the stobin. It's actually that

Sometime probably in may, when Steve is ready to be on the dating scene again, he gets with Eddie. Robin is happy for him but also so mad because he went from "probably shouldn't act gay even tho everyone feels a little gay sometimes" to "hey Robin what would you say if I said I got a boyfriend?" In less than two months. How does he have straight AND gay game. That's not fair.

Steddie getting together is a non event. Eddie is still like ewww sports and yet somehow he made out with Steve Harrington and the next day Steve asked if he wanted to get milkshakes and throw rocks into the quarry to see the splashes. Eddie must restrain himself from thinking it's a date because he knows it's not but it'd also be the perfect date (Eddie is a simple man)

At the end of the night steve kissed his cheek and says "I had a really great time..."

Eddie just blurted "hey do you want to be my boyfriend?"

To which Steve perks up like "yes! I'd like that!"

And Eddie didn't actually think he'd get that far so he was like "neat!! See you tomorrow!" before slamming the door in Steve's face.

So they're dating and Eddie disparages sports but Steve is like haha aw you don't like watching me play? Which is sooo mean to Eddie because obviously?? He likes?? Watching his boyfriend??? Run around in tiny shorts and sometimes shirtless?? He has to reevaluate some things he supposes.

All while this is happening Billy is still on his Greatest Homoerotic Rivals shtick with Steve. Eddie notices and is like to dude...what is with Billy? And Steve just sighs. Says Billy is weird and obsessed with him and glares all the time. It's a whole thing. Billy is pissed because what is Steve, his epic rival, doing hanging around some random band geek, his sister's bitchass friends, and maybe the local dealer.

Alright. Grad happens. Yay Steve! Poor Eddie. They go to some party , hang out with people, sell some drugs, etc. Billy is unfortunately also at this party, and is like. Lazer eyes boring into Steve's back. Very annoying. At some point, he sees Steve slip away and is like this is my chance so he follows him.

Howmever he comes across Steve, his epic and totally heterosexual rival, making out with Eddie the freak Munson.

And listen this is a scary thing to be caught inna town like Hawkins, but that's not the point of this post.

So Billy goes "what the hell?"

They turn around. Billy is still spluttering.

"what are you-why would you-- with him?!" He says.

Steve raises his eyebrows, alllll cocky confidence. He smirks a bit. Drawls. "Well, yeah. I like cock, billy. Just not yours."

Because the point of this post is that Steve is a bitch.

Thank you.

[nivasichakano]

The Phone Call — Bonus content for Driven

(For @hellonurseriri)

In Driven, Gale and Astarion are two rival Formula 1 drivers who've become teammates.

This phone call takes place at some point during the week leading up to Monaco.

🏎️ “And the amount of coffee he drinks! Everywhere we go it’s always-” Gale puts on a clunky French accent. “-un expresso, s'il vous plaît, un expresso, s'il vous plaît! Everywhere!”

Morena hears the flick of the switch on a hotel room kettle as Gale makes what is no doubt his eighth tea of the morning. 

“Honestly! He pretends it doesn’t affect him but I swear to god the man is wired half the time. I think…”

A pause.

“I think Astarion pretends a lot of things don’t affect him, you know? Like Jeddah, the other week. I could tell he was furious that Thorm overtook us both. I tried to explain to him, as the more experienced driver, that you can’t let these things get to you — I mean, it was me who lost the podium place, it didn’t really make any difference to Astarion’s race at all! — but he just stared at me and walked off.

"Or like the trip we got taken on to Osaka- I sent you pictures, didn’t I? The cherry blossoms? It was beautiful. I don’t mind admitting that I was quite moved by it. And I could see when I was watching him that Astarion had tears in his eyes. But when he saw me looking, he just scoffed and said the whole place smelled like over-expensive perfume! The ingratitude! He’s unbelievable.

"He is quite funny though, we were doing this stupid social media video in Jeddah and he turned up wearing the most lurid rainbow t-shirt — of course, you know, it’s illegal to be gay there — and, when the interviewer asked if he was excited about the race, he said he was looking forward to having a ‘gay old time!’. I thought that was rather admirable of him. I’m- I’m assuming maybe he’s gay, or- or bisexual or something? I’ve only ever heard of him dating women but… But this is what I’m talking about, I feel like he’d never tell me, you know? Not that he has to come out to me or anything, if he doesn’t want to. I just mean that I wish he’d be a bit more honest with me sometimes. Instead, all I get is ‘Hey, GC! You’re looking fucking decrepit this week!’. Ridiculous man…”

Morena chuckles. “GC?"

“Ah,” There’s another pause. “It’s- that’s just a stupid nickname he’s come up with for me. I don’t even- Anyway, sorry, I'm blabbing. How are you, mum?"

“I’m fine thanks, love,” Morena replies, before asking innocently: “So how’s Astarion finding it now that you're training together?”

She stifles her laugh as her son’s voice rings out again on the other end of the line.

“Oh, don’t even get me started! He keeps complaining he can hear my knees creaking! And then the other day-”

Morena listens as she makes her own cup of tea, smiling and shaking her head.

🏎️

Read Driven on AO3!

[plasmabull]

Question/idea about yautja's

A little thing: Okay, so it's eppy time for me, so my spelling won't be that well, but I will try my hardest for ya'll, I kinda just went on a rant at the end? But it's not like a bad rant, idk i was just being kinda gay for Ta'kaul😔. Now to the real thing

Read below _________________________________________

Okay, we all agree that yautja's purr, right? But, do you think it depends on the yautja and age? For example: a pup might chip and yip, and maybe their purr sounds that of a kitten, and maybe for a young blood, it sounds like an adult cat? But the thing I'm really thinking about is older yautja's, like leaders, and I forget the word for the one that leads the clan(please tell me in the comments if you know) Like do you think they purr like larger cat's? (Lions, tiger, etc.) Or, do you think they bellow like gators? Like imagine it(I'm going to use Ta'kaul in this example, it make it easier, and this would technically count as a one-shot and more knowledge about him): you're laying on Ta'kaul's chest, basically using his pecs as pillows, and then you hear a low....purr? No, that's more like a bellow, but not only can you hear that shit, you can FEEL that. His arms are acting as a weighted half blanket, and his bellow is like some sort of odd but comforting message, and, not to mention, he's a huge fucking furnace.

I mean, doesn't that sound like really nice?! Like, I want a giant lizard man as a furnace and weighted blanket, even though I know he's gonna crush me. I think I might have lost my point.....honestly idk, I just the idea of different yautja's have there own purr that makes them, them. It's kinda cute.

But now I must sleep