#honestly its not even as bad as it used to be

[hatsukeii]

think fast / childhood bsf!tsukshima kei x reader

genre(s): childhood best friends x soulmates???? past lives and normal people by sally rooney coded im a sally rooney MEATRIDER!! angsty, gut-wrenching longing, bittersweet / hopeful ending so it's not all bad!! nostalgia is going to carry this fic so hard it's going to be a fun, fun time...

warning(s): eventual smut!! all characters are aged up to 21!!MDNI (at least up until the observatory)!! wrap it before you tap it!! (sorry kids), female leaning anatomy because smut but pronouns are gn all throughout and honestly you could read it as gn anyways:)) dead dad warning (my dad is NOT dead this was just convenient to kick off the thing), i fw the timeline of the world??? pretend flip phones were still in use in like 2012 or something idk

wc: ~6.3k

tldr; time has a way of reminding Kei of its presence, and its escape. you are the reminder it has been sending to him for six years.

Fate: A power believed to cause and control all events, so that one cannot change or determine the way things will happen. 

It is a sunny afternoon when you step foot into Sendai, Miyagi. A beautiful day of golden warmth beaming onto petals of pink, red, and white, wrapped in coffee-stained newspapers and tied together with a spool of twine. The bouquet lies on browning grass, a contemptible reminder of the time that has passed since your last appearance here, six years ago, and you crouch down to the ground. Now face to face with the engraving of a full name on a slab of polished granite, you hesitate. Your father lived in a language that you can no longer speak, died in a country you no longer call your home. When you whisper blessings and apologies at the gravestone in broken Japanese and slurred syllables, you sound like a stranger. A stranger who sits in a graveyard at noon, with nothing but a bouquet from the nearby florist in hand, and a promise, stuttered out in half-decent Japanese, to return again the next year. 

When a second bouquet falls to the ground behind you, and you turn around, Tsukishima Kei thinks this is what English speakers like you would call fate. He’s a little taller now, and bulkier too, and you have to crane your head higher than you remember just to meet his eyes. You don’t recognise the glasses he dons anymore, the black rectangles from his teenage years swapped out for rounded squares and silver frames. But he has a towel in his hand, a towel that has his initials poorly stitched into the corner with red string. You wonder if the matching one he made you, eleven years ago, is collecting dust somewhere in your dormitory, halfway across the world. 

“You’re back.”

“It’s been a while, Kei.”

You can no longer differentiate Japanese syllables clearly, and your statement jumbles into nonsense in your head. Kei hears the English woven into your accent in the way you roll your tongue like foreigners do, and in the odd intonations that don’t exist in your mother tongue. You don’t even remember your father’s dislike for white flowers. London has truly done a number on you. 

“Why? Why now?”

You bite your nail, a persistent habit that Kei frowns at. He picks up his flowers, and steps towards the gravestone, just close enough for your knee to brush against him for a moment. The bouquet in his hand is wrapped in plastic and filled with red and pink, the white from your own sticking out like a sore thumb when he places his flowers gently on the grass beside yours. He tosses the towel in his hand, opening it up against his palm, and you take it from him. If you cannot get the language right, or the flowers, this is the least you can do. Cobwebs stick to the fabric as you sweep at the granite slab, watching soot and dust fall to the grass. The curves and dips of the gravestone are familiar once again, and you dig the towel into every nook and cranny. You feel Kei’s body shift, before his knee is touching yours and his face is finally level with your peripheral vision. He glances at you, waiting. His knees bounce in anticipation. 

“Never had the chance, college has been a lot.”

Your phone rings as you finish cleaning. The ringtone is familiar, unchanged from when you used to have a flip phone, in fact. Kei hums along to the jingle for the four seconds that the call is left unanswered, before it cuts off into a flurry of English. He catches something about research, and a thesis, his shabby English unable to fill in any more than that. He’s never known you were interested in research, let alone what it is that you’re researching. All he’s known is your aspiration of becoming a librarian when you were six, and his promise to borrow books from you for the museum that he swore he would one day work at. Now, he works at the museum, sorts antique scripts and yellowed books into cabinets and display shelves. He does not borrow books from you. Now, you talk, but nothing makes sense to him.

You end the call, mumbling foreign curses as you shove your phone back into your pocket. Clicking your tongue, you turn to Kei, who stares at the flowers on the ground. He pushes his glasses up when they slide down his nose, and you resist the familiar urge to nag him about buying the right frames for his face. 

“Yeah, college has been mostly phone calls like that.”

He nods, a half-hearted chuckle huffing from his nose. He’s forgotten what it’s like to sit at a graveyard with somebody else, the annual reminder of a lonely death replaced by another this year as you dust off his towel, and drop it onto his thigh. He swipes it from his leg, folding it into quarters and sliding it into his pocket. 

“So you choose to come now, without a word? Not even a heads up? Six years after leaving?” Kei’s voice rises at each question, the same way it did six years ago when you broke the news of leaving Japan to him. This hurts him to ask, that much you can still recognise.

“I would have come sooner if I had the chance. I’ve missed everyone so much.”

You pluck a petal from a white flower in your bouquet, then another, until all that remains is the naked bulb, and scatter them onto the ground beside you. Perhaps the next person that’s been buried under six feet of dirt used to have a liking for them. Kei remains unmoving, throat bobbing as he swallows thickly. His knee stops bouncing. 

“How long will you stay for?”

“Today, then Friday and Saturday too. Flight back is Sunday night.”

Six years of waiting, and this is what it amounts to. A weekend and a bit. Despite that, Kei still thinks this must be fate, in all the languages that it exists in. Six years of life, and love, and hurt, all to be condensed into four measly days. Yet as Kei pushes himself off the ground, dusting his trousers off, he still thinks that this unlikely, yet conveniently timed visit must be the answer to his pleas for your return. That this must be some heavenly reward, good karma for visiting your father’s grave annually on your behalf. You watch him turn to leave, and he calls out to you as he walks away from your father’s grave. 

“Everyone’s at Hinata’s old place tomorrow. You should come by if you can.”

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Change: to replace (something) with something else, especially something of the same kind that is newer or better; substitute one thing for (another).

All it takes is one coincidental exchange of panicked glances at the first throw up of the night for you and Kei to leave together. Hinata slurs a drunken farewell, tries to embrace you as you slip your sneakers on at the door, and you make a note to yourself that you really do not miss most of the people here, spare for the volleyball team. Kei waits at the door, holding it open for when you finally shake Hinata off of your back, and step through. The night is chilly, the warmth in your skin from the indoor heating system emanating into the midnight air. You kick rocks along the pavement as you walk, scattering pigeons that remain awake and active at this time, and Kei smiles at your antics. You still hate birds, and you still remember the trick he taught you when you were nine for chasing away pigeons that flocked around you for food. 

“Who are you staying with?”

“My mom’s.”

The road leads the two of you to a high school. Kei has not come back to Karasuno since graduation. You squint in the dark, scanning the school, and you don’t recognise the new building that stands in place of the old auditorium. He watches you crouch at the plaque next to the front gate, tracing the letters engraved on it with the pad of your thumb. Some part of him blames Karasuno for being a bad place to you, the other parts blame himself for not being good enough to outweigh it.

“It’s changed.”

“Everything has.”

You rattle the locked entrance, the chain and padlock hitting against cold metal. It won’t open, so you look up through the gap of the gate. Six years ago, on that rooftop, was where you stood over a cold lunch box and emptied convenience store drinks, back against the wire fence, saying to Kei, I’m leaving tomorrow. On that day, you had packed yakisoba for his lunch, and nothing for yourself. He could barely respond to your announcement, only dropping his chopsticks and asking you, why? You told him something along the lines of being an expat, and a better school for what you wanted, all in the fluent Japanese you once spoke. Nothing made sense to him anyways. 

When you turn back to him, his hands are in the pockets of his jacket, and his nose is red from the cold air. You stand beside him, staring aimlessly at Karasuno from outside its barriers. 

“Do you still play volleyball?” 

“Yeah, Sendai Frogs.”

You hum, and then wonder why you only asked tonight, and why you’re surprised. He shrugs, clouds of white puffing from his mouth when he breathes out. He tries to blow a wisp of hair away from his face, and you suddenly realise that his hair has grown too, along with his height. It fails, and he tries again. You reach up to swipe at his bangs, before running your fingers backwards through his hair. It parts itself as you lift your hands from his head, and falls into place neatly. A cold breeze whizzes by, and undoes your work, sending strands of gold into his face once again. You snicker a little.

“You know, you could ask my mom to trim it for you like she used to.”

“Nah, I prefer this.”

It isn’t until you turn to look at him properly that you see how much time has passed. He likes his hair longer these days, the choppy hairdo of his teenage years now nothing but an old preference, and you wonder if he is still a loyal customer of your mother’s salon. When he pulls his hands from his pockets and blows hot air into them, calluses line the bases of his fingers, the blisters of his high school years hardened by trials of time and effort. There are bags under his eyes, eyes that are now a little rounder, and softer too. When he speaks, monotone and tired, you realise his snarkiness has dissipated into general frustration. You stare until his eyes dart to you, and turn away quickly, ashamed. Leaving Karasuno has taken your hand and led you to a purpose that you never knew you were capable of. You wonder what the hell it has done to Tsukishima Kei. 

“It looks good.”

He breathes in sharply, then exhales with a huff, shoulders relaxing as he stuffs his hands back into his pockets. You suddenly realise that your fingers have gone numb from the cold of the night, fingertips tingling like a million frost-bitten needles poking into your skin. You also stuff your hands into your pockets, rubbing your fingers against each other to generate some heat. Then, Kei’s looping his arm around yours, and pulling you away from Karasuno High School. He keeps on his straight path, and you stumble along behind his leaping steps. When you round a corner, the night breeze grows into something less imperturbable, and more vicious, pushing the two of you forward from behind in slashes of cold. The sea is near. 

“Is this the beach we used to go to?”

“You still remember it.”

He drags you down a flight of stairs to Fukanuma Beach, and the misty sea air rushes to your head. When he leads you to the shoreline, you hesitate. The sea has been off limits since the two of you were five, a regulation put in place in remembrance of the Great Sendai Earthquake. An earthquake that saw Kei and yourself hunched beneath the same table in the middle of class, huddled next to each other as you cried for your parents. Now, in your final years of college, as the water slips beneath the soles of his shoes, pushing and receding in layers of aqua and bubbles of white, it seems that time has slipped by just as easily too. Time, that saw the fading of the earthquake’s devastation, despite the loss of thousands, including your father. Time, that frayed the string connecting yourself to Kei as you moved through life halfway across the world from Japan. Time, that passes through you like sand spilling between your fingers on a beach you once thought you knew, but has changed like the unprohibited water that seems to push further up into the shore at each tidal wave. 

“They lifted the ban?”

“A few months ago, yeah.”

You step into the next wave that fizzles into foam, and the water crashes into the toe of your shoes. Crouching, you push mounds of wet sand into a cylinder, flattening the top and pushing divots in equal intervals. Kei joins, moulding shorter ones beside your own and drawing windows into the side. You finish, and he stands, smiling at the creation. You cover the top, afraid he will stomp on it, a trademark of Kei’s whenever you built sandcastles with him in childhood. Instead, he laughs, and walks further into the water. When you get up to join him, the hems of his trousers are soaked, shoes also covered in a sheen of wetness. You hop over the castle, and the next wave that comes sends its foundations crumbling back into the sea. 

“We used to do that. You’d destroy it every time.”

Kei chuckles, and looks back to see the half destroyed castle. Clicking his tongue, he returns to the rubble, and you watch his hands push mounds of sand towards what is left standing. 

“I’d always build a better one for you afterwards though.”

He dusts his hands off when he finishes, and the waves fizzle out just before they hit the two-tiered sandcastle. You sniff, holding your arms close to your chest. When Kei looks up, he feels like the summer of being seven years old again, smiling at you with his missing front tooth when you sniffle and laugh at the improved castle he’s put together for you. Now, it is winter. He only grins with the corners of his lips. You only sniff because it’s cold. 

“Kei.”

“Yeah?”

“It’s really been a while. How have you been?”

He steps over the castle towards you, careful not to break it. Your hair blows in your face from the beach breeze and your eyes squint from the sand that flies into the air, and Kei takes it all in when you’re face to face with him. When he opens his mouth, some selfish part of him thinks about casting his words into shackles of regret, so heavy that they weigh you down and keep you in Japan, in Sendai, on this beach, somewhere close to him.

“Do you want to stay the night? Like you used to?”

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Nostalgia: A sentimental longing, or wistful yearning for a return to or of some past period or irrecoverable condition.

Kei does not take you to his family house. He leads you up stairs that make no sense, and hallways that stretch on forever, until you finally reach his flat. He wipes his shoes on the doormat, throws his keys into a glass bowl upon entry, and hangs his jacket on a hook mounted to his front door instead of the coathanger that used to stand beside it. You look around, searching for the shells you once collected in a jar for his tenth birthday. When your eyes land on a jar filled with conches and cowries, you let go of a breath you were unaware of holding. They sit on the top of his bookshelf, above textbooks and file organisers. A knot forms in your throat at the realisation that the jar sits alone in its compartment, with nothing beside it. You’ve done the same to the jazz vinyl Kei gifted you at the airport before your departure. You don’t realise that he’s disappeared somewhere as you stare at the shells, until a shirt and a pair of shorts are thrown into your chest. He stands at the entrance to a hallway, donning sweatpants and an old hoodie, one that’s clearly a size too small. The pocket is lousily sewn on, a result of a mishap that occurred when you had borrowed it once. He doesn’t know that you spent the night learning to sew fabric just to fix it.

“Change. It’ll be more comfortable.”

You scurry through the hallway to his bathroom, pulling the shirt and shorts on hastily, before balling up your clothes and returning to the living room. Kei sits at his couch, now bound in leather instead of fabric, and clicks at the television. You join beside him, legs splaying across his own subconsciously. He doesn’t move. He stops at a movie, one you’ve seen hundreds of times before at his old house. It drones on in the background as he watches in silence, his arms now draped over your knees. The first time he watched this movie, it was in his old home, cross-legged on the carpeted ground with you on the couch behind him. Your hands used to press into his shoulders from above, shake them whenever your favourite scenes came on, squeeze them when you laughed until tears rolled from your eyes. Now that his new flat lacks a rug, he’s willing to settle with your legs on his own. Flashing lights illuminate the dark room in sequences that you can still recall perfectly from memory. He watches the movie. You watch him. 

“Have you been doing good, Kei?”

Turning to you, he pushes his glasses up into his hair, leaning further back. You shuffle closer, legs bending as your shoulder digs into the leather couch. A strand of blond falls into his face, and you lift his glasses to tuck it back, before smoothing your hands over his mess of hair, combing and pushing with your fingertips.The words from the television melt into gibberish when he hums in satisfaction, what is unspoken between you two is more glaring than ever.

“I’ve been okay.” He cuts off, then finds himself thinking of what to tell you first, amongst the recollections of life that rush through his head. “Started working at the museum a couple years ago.” He wishes that you still remember the building, where the marble floors squeaked beneath your slippers, and glass panels lined the walls, hiding away treasures and artefacts that have withstood centuries, maybe even eons of erosion and weathering.

You nod, mind filling with the many museum visits you had with him there. He’s always liked the dinosaurs more than the shells. When you breathe out a chuckle, he knows you’re recalling the time he almost pissed himself at a life-sized, moving tyrannosaurus rex model. 

“What about you?”

“Research. I’ve been doing research about…” you sign in the air, searching for the Japanese words that have slipped from your mind. Surrendering, you whip your phone out, searching for a translation. 

“Archaeology?”

“Yeah, that. No more librarian dreams for me. More dinosaurs, though.”

A smile finds its way onto Kei’s face, one that softens his cheeks and flattens his eyes into crescents. He wonders if amongst the silver plaques and digital displays, your work is engraved in there somewhere. If each time he explains something to some bright-eyed child, who scuttles around the museum as you and him once did, he is unknowingly speaking in your language, translated until he can decipher the thoughts that run through your mind in your research, your memories, your dreams too. 

“Maybe it’s in the museum somewhere. I’m willing to bet.”

“I hope it is.”

Your conversation fizzles back into silence, and the characters on the television do too. The two on the screen sit in a field, mere inches apart. The two of you look at each other, your knees now leaned into Kei’s chest and one of his arms draped along the back of the couch. When he pulls his glasses back to his eyes, and studies you all over again, it hits him that you really haven’t changed all that much, even after your six year separation. Six years older, with the exhaustion of a functioning adult, but you still gnaw on your cheeks, and tilt your head as you ask questions. Six years apart, and you are still you, who taught him to build sandcastles, and introduced him to his favourite movie, and fixed his hair whenever it stuck up in stubborn peaks of gold. When you let your eyes close, and drop your head onto his shoulder, you wait for lost time to tick backwards, until you’re on the rooftop with him once again. In this version of time, you blush when you tell him that you’ve chosen to stay in Japan instead. Pushing your head further into the crook of his neck, Kei’s chin reaches over to rest on the top of your crown. The credits of the movie roll in the background, and you mumble into the skin of his pulse. 

“Can you take me there? I’ve missed it.” Your words send vibrations down his spine, sending his head into a frenzy as he pushes his hands against the couch harder. 

“The museum?” It will be closed for the weekend, but Kei nods anyway. He’s sure he can find his way in through the back. Maybe he’ll take you to the fossils again, let you run your fingers along smooth amber and stone engravings. Perhaps he could show you the new exhibitions, ones that you won’t miss this time, as you have for the past six years. For now, he thinks he will let you sleep on his shoulder, listen to your soft snores, tremble at every hot breath that fans onto his neck. 

The credits roll to the end, and come to a stop. Kei removes his arm from the couch to grab the remote from his coffee table. He rewinds the movie to the start.

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思慕 [しぼ, shibo]: yearning; deep longing, especially when accompanied by tenderness or sadness.

On the final night of your stay, you learn that Kei still giggles when he breaks rules, as he drags you through the back entrance of the closed museum. He maneuvers through hallways of antique paintings and repurposed junk, slips into dark stairwells illuminated by the flashlight of his phone, traps your wrist between his fingers and chuckles to himself, shaking his head as he takes you higher, and higher, and higher. You’ve lost count of how many flights of stairs have gone by when he taps his keycard against a sensor by a backdoor, and pushes it open. The museum observatory, once a mess of bamboo scaffolding and green covers, now allows silver moonlight through its glass dome, boasting billions of iridescent stars nestled in a blanket of hazy midnight. A decade of your anticipation has resulted in a circular space, hundreds of plush recliners lining the circumference of the room, and you wonder how many eyes have watched the stars from those seats before you ever had the chance to. When Kei leads you further into the observatory, you step foot onto the north star plastered on the ground in the centre of the room, where nothing but a telescope remains in a ten-foot radius. He takes a spot on the ground, back pressed against the cushioned edge of a seat.

“I figured this is the best spot. Better than any of the seats, actually.” He plants his feet on the ground, bending his knees and spreading them just wide enough for you to sit in between. You cross your legs, wagging them up and down as your hands hold your shins, and he lowers his legs, stretching them out in front of him. Leaning back, your spine hits a spot between his ribs, the same way it did when you were thirteen, and fourteen, and fifteen, staring at stars from the grass of his backyard. You pity the visitors that have yet to discover the simplicity of stargazing from the ground, hands pushed into the ground for stability, dirt and moisture seeping into the fabric of clothing. Pushing further into him, his breathing is heavy against your back, chest rising in rhythmic ups and downs. For what feels like hours, you sit in silence, eyes trained on your fingers that pick and fiddle. At the realisation that you haven’t looked at the stars in years, something bubbles in your stomach, pervasive, relentless. When you finally loll your head backwards to fall on his shoulder, and the tip of Kei’s nose grazes your cheekbone, you wonder how long he has not looked at the stars for as well. 

“Why’d you stop calling?” His sudden question sends a haze rushing into your head.

You swallow thickly. If the passage of time were a sin, you’d burden it with all your explanations. Telling him that now would seem like some lousy excuse.

“It stopped going to your line a year after I left.” You pause, searching for the right words to use amidst the sea of Japanese and English that you must now sort out. “I only stopped trying after another month, the voicemail just said your number was no longer in use.” 

Kei wishes he could dig his fingers into his chest and rip his heart out. If only he hadn’t stupidly broken his phone that night, five years ago during volleyball practice. If only he had checked his pockets before entering the court, just as he has done hundreds of times before. If only he had this, if only he had that, he might just torment himself for the rest of his life. His breath hitches, shoulder freezing rigid. Time does not differentiate between the knowing and oblivious. It slips and leaks beneath the noses of all that it encompasses, and it is but the cautious few that know to grab it, and join in on its journey. He knows now that he is not one of them, not after he’s cursed at the passage of time over and over and over for his own blunder.

“I broke my phone in a game. Got a new one so the number changed as well, fuck me.”

You laugh dryly into the empty observatory. The occasional twinkling of the stars above do nothing to make his explanation any easier. You think you’ll blame it all on doomed fate that you’ve spent five years trying to find somebody that felt the same as Kei did, to no avail. Blame it on cursed luck that you’ve clawed and grabbed at anything familiar enough, archaeology, jazz vinyls, old DVDs of the movie shared between two, all to remind yourself that he too, was once within grasp. You say nothing, because you don’t see a reason to. Instead, you push your head into his neck, drown in the scent of his cologne, ease yourself into his now grown body. You don’t see him wipe a hand across his mouth, then rub his eyes with pinched fingers. 

When Kei decides to speak again, it is what feels like another hour later. He’s readjusted his posture about fifty times by now, arms removed from the ground and draped over your shoulders. The sensation of your hair against his skin is suddenly more prominent than ever when your hands find his own, holding them closer to yourself.

“If I didn’t find you at the grave, would you have looked for me?” His question is heavy, weighing his chest down as the words leave his throat in a hesitant cluster. You turn to look at him, and your eyes linger on his own when you squeeze his hands once, twice, then a third time. 

“I’ve been looking for five years. Nobody else could take me home.” Your heart rushes to your mouth at your confession, and the bob of Kei’s throat does not go unnoticed. One of his hands comes up to hold your shoulder, pushing it towards himself until your body twists, rubbing against his. You let go of him, pressing your fingers into the ground between his legs instead, and he breathes out shakily, his windpipe suddenly cleared of its uncertainty.

“You’re leaving tomorrow.”

“Yes, I am.”

His fingers slide down to grab your wrist, before going numb completely. His unoccupied hand peels itself from the floor and settles on the side of your waist. Your mouth goes dry when Kei breathes, hot and heavy, his eyes travelling to every inch of you. A bout of heat rushes from his chest to his head, and his legs, and his arms too. The air between the two of you is thick, and it sends your head into a feverish blur. The ground collapses beneath your knees as they shift to press into the floor, and you come face to face with Tsukishima Kei, who prefers his hair parted in bangs on the sides of his face, and wears silver frames instead of black ones. Tsukishima Kei, who has been visiting your father’s grave on your behalf for six years, and still plays volleyball even in his adulthood. Tsukishima Kei, whose eyes are finally finished with their ventures across your figure, that is pushed up against him on the ground of an observatory, and is learning whatever he can about you when his fingers tighten around your wrists and he kisses you without a warning. 

Once, at the young, innocent age of seven, Tsukishima Kei kissed you in this museum. You had run a little too fast, stepped on your loose laces and fallen onto the ground face first. You sulked at a bench facing some random painting of melting clocks, red dots scattered across a purple patch right beneath your eye. When he kneeled in front of you to grab your face, and pressed his lips onto the bruise for a fraction of a second, he must have kissed the pain away, mending the leaking capillaries beneath your skin as he separated from your cheeks with a pop. Now, he pulls against your wrists to push himself closer, traps you in the embrace of his legs around the back of your thighs, wheezes and stutters against your lips at the lack of oxygen in his lungs. His head is running in circles instead of straight paths, and everything is spinning. When your hands reach to grab at his shirt, and palm at his chest, he pulls away only to rip his glasses off and toss them to the ground. Beneath the glow of the moon from above, everything but your flushed cheeks and swollen lips is a blur. You take half a breath in, before it is interrupted by Kei’s palms pulling you in by the sides of your neck, and his mouth on yours again. At seven years old, he ripped bruising pain away from your face with a kiss. At twenty-one, he forces his pain, and grief, and regret rushing into your heart by pushing himself against you, fingers tangling themselves into your hair as he kisses you, desperate, almost distressed. Every tug at your lips is a confession left unspoken, every time Kei opens his mouth apologies spill out into you in choked groans and sighs. At the sensation of his hand leaving your neck, your arm searches for him aimlessly, before he’s palming at you through your pants. He swallows your sudden gasp, and your fingers grip his wrist until your knuckles go white. 

“Did you ever like me?” You can do nothing but choke out a question against his lips, one you’ve pondered about, day in and day out, since your departure from Japan.

By the way that Kei nods frantically, you’re certain that this is what six years of separation has amounted to. 

Sparing no time, your fingers tug at the hem of his boxers, pulling them down just enough to release himself from the fabric constraints. He does the same, hands roaming until they find the waistband of your pants to push them down, fingers tugging your underwear to the side with a flick. He grabs you by the waist beneath your shirt, yanks your body towards him until something feels right and he can’t help but let out a trembling sigh into your shoulder. And when you finally begin to sink yourself onto him, agonisingly slow, you wish that you had never left Japan in the first place. Your eyes roll to the back of your head, and you wish that you could spend the rest of your life in this observatory with Kei, your hands wrapped around the back of his sweat-slicked neck. 

When he pulls you down to push further, more pervasively, you fall into him, head hanging over his shoulder and arms squeezing around his neck. His inexperienced hands rock you back and forth against his hips, pulling a flurry of gasps and moans from your throat. He lets himself learn how you taste when his teeth tug at the hem of your shirt, pulling it down to expose your bare shoulder. His lips latch onto your collarbone, biting and sucking a trail of red marks up to the side of your neck. You shudder at his advances, and he studies the way your walls flutter around him, the erratic pulses that draw stars around his head, how your nails dig into his shoulders, and send his mind into a senseless orbit. 

When he pushes and pulls at you a little harder, you whimper his name into his ear, reduced to nothing but a babbling mess that nibbles at his neck and kisses up his jaw feverishly. First friend, first kiss, first love. The notion that this is another first that Tsukishima Kei has brought upon you sends your mind spiralling. He should have been your first prom date, first roommate, first dance too. If only you hadn’t left him first. You push your head off his shoulder, hands moving to hold his face instead. A wave of pleasure washes over you when his palm presses against your stomach, and you hang your head low again, a shaky sigh released from your chest. 

When you look up, there are tears in Kei’s eyes. He rolls his head back onto the plush seat behind him, hands lifting you off himself fully, just to push you back onto him again. You collapse into his body, palms pressing against his heaving chest. 

“I- fuck! I fucking loved you! I still do!” He speaks it into the glass ceiling as one hand reaches for his face. He wipes his palm across his eyes, only for more tears to form. They are uncontrollable, relentless as he turns his head away from you. He isn’t sure how he will live again tomorrow, not when he’s finally come to a reckoning with the pang in his chest at every thought of you. He thinks he could die the second you step onto that flight back to London, ripped away from him once again. The reality that he cannot stay buried inside you for any longer than the next couple of minutes haunts him to no end, the idea of being separated from you a second time unbearable to even imagine. When he turns back to see you, head on his chest and fingers gripping the fabric of his shirt, he decides that reality can wait until he’s finished with you. 

“I love you too- shit, Kei! I never stopped!”

You rut against his hips senselessly now, chasing some unfamiliar high as your vision fades to black and you scream his name until your throat goes hoarse. Kei barely gives you time to breathe, before he’s coming undone from right beneath you, shuddering and groaning as you relax against his body and go limp. He holds you against him, one hand pushing your head against his chest and the other wrapped around your back. He tucks your damp hair behind your ears, places kisses along your temple so he can hear the hums of satisfaction that sound from your curled lips. 

“Can you stay forever?” He mumbles into your hair, and you turn to press your ear against his chest. His heart pounds as he pushes his cheek into the crown of your head, and your hands crawl up his chest to wrap around his neck. When he looks up through the glass ceiling, the stars have not moved one bit.

“I’ll find you again, wherever you are.”

Time may slip away from Tsukishima Kei like petals that fall off the buds of flowers, water that seeps beneath the soles of his sneakers, stardust that hovers above the atmosphere. Yet he has learned that it has a way of always coming back to remind him of its presence, and its escape. You are the reminder that it has been sending to him for six years.

author's note:

ERM! never writing nsfw again that's for sure but this piece defs had some stuff that i was very, VERY proud of coming up with!! sorry to my minor moots who probably won't read this in its entirety bc of the big MDNI warning... but I honestly don't know how to feel about this piece as a whole... i was super excited to write it but i think i got a little impatient towards the end esp since im always writing at like 3am LOL but i hope you guys liked it anyways!!! i tried really hard to make the dynamic work and i hope it did!!!!!

also ps they exchange numbers again js a little extra bonus that i didn’t get to put into the actual thing

anyways tags!!

@staraxiaa @chuuya-brainrot @akaakeis @laughingfcx @writingsofanomnivore @t0rchknight @bailey-reeds @wyrcan @hiraethwa @fiannee @catsoupki @anonymity-222 @wishi-selfships @kuroppiii

ok love u guys thank u for being patient

[cindersnows]

i think as viewers we find it easy to sit back and judge each character until their motivations are explained to us in detail like with purple and king and chosen. even with victim its fairly easy to guess a portion of why she is doing this. and that's partially because avam is just made to be like that so all audiences can understand it and why the characters do what they do, and also partially because it's a little difficult to do more subtle storytelling when you can only express character feelings through their body language (and the body language has to be fairly exaggerated so that everyone can understand how the character is feeling).

so then as a result when we see green falling deep into the hole of social media it's easy to scoff and judge and say come on green, do better. we see it as him just getting too cocky again- look at green with his ego and his need to seem cool, he's sucking up to people again so he can get validation. and people understand that, they're even comparing his arc to purple, but they're forgetting to actually see things from his point of view.

like yeah. green was mean to yellow! and that was a kind of assholey thing to do, agreeing with people when they say yellow didn't do much. but like people do stupid shit all the time, especially to get approval. green hearting mean comments wasn't him on his villain arc, he probably barely thought about it. haven't you ever done anything without thinking or made a joke in bad taste. honestly it's a little ironic how quick people were to jump on him when he did something kind of mean, it reminded me of actual cancel culture! fascinating shit. we really are a part of the story.

anyways green started off as the weakest. he tries his best to be good at other things, first building, then music, but for some reason whenever he does well in something his friends get jealous or upset. (he pours himself into that thing and unintentionally ignore s or snaps at his friends--- its a repeating pattern at this point). it's mostly because their competitive spirit, something which is seen in a lighthearted manner but has gotten them killed or hurt on multiple occasions and i feel like they're going to have to address that at some point. whenever green sets boundaries, they're ignored, even if cg think they're just acting in the greater good.

hell, even purple, we've barely seen them interact after s3- who's to say purple wouldn't just scoff at him as well? she's already not very experienced with actual friendships (based on the way they just expected green to brush the betrayal off in parkour, they acted more like it was a small disagreement than a full on issue), so he may just assume this is how friends are.

basically the point of this is to say, no one ever celebrates his success. obviously he's competitive with his friends too, but having been at the bottom of the group from the start, he's visibly very insecure about this stuff, and having people attempt to kick him down during every success he gets (which he works very hard for) will lead to him needing validation from elsewhere. clearly, social media is supposed to give him this.

but like someone in the community pointed out, now he's appealing to hundreds of thousands of people instead of just 5 or 6. the praise is awesome, but seeing that people still have criticism of him just makes him throw himself into his work even more. it also probably functions as a form of escapism for him; he's so busy working, editing, writing, he barely even notices that his friends are avoiding him. it's possible he's purposely using youtube as a way to ignore his gut. anyways, blue's still willing to hang out and record with him, so what's the issue? (it's not as if blue is the least confrontational of the cg lol)

i have. been in this exact position. the moment you make anything, you're looking straight at the numbers. it becomes what you think of in the morning and during the creation process. you're skimming comments for keywords--- good, bad, more, less, etc. you listen even when you don't mean to. yeah maybe the guy was a little mean about one of my friends but ultimately it's just constructive criticism! it's not like she'll see this anyway. it's fine.

and yeah green needs to stop being so obsessive but i think he deserves to break down first. like what ash said--- he expresses his negative emotions the least out of everyone, he barely takes breaks, it's going to come crashing down. and i think when cg confront him about his behaviour he deserves to yell at them for the way he gets treated. it really hurts when all you are is the butt of the joke even when they mean it in a lighthearted way. if the arc just ends with green being knocked down a peg as usual, i will be very fucking upset because he's literally already at the bottom of the ladder, what more do you want?

[fleshengine]

What happened to your friend does sound awful, but it doesn't sound like something that's actually unique to trans women. Someone making false claims after a bad breakup and people believing claims of victimization are fairly normal occurrences across the board, especially since people do generally believe it's praxis to believe all victims immediately. The fact that your friends came around in a matter of days is a better than average result.

Hi Velvet, I think this is the second or third time you've come on to one of my posts where I talked about transmisogyny and tagged it as such. Those posts don't get a ton of traction, do you just like... patrol the transmisogyny tag or something?

Anyway I do not feel a need to clarrify myself to you. But I will add that there were a lot of details that I didn't add to the post, stuff I will not be discussing, that solidifies my belief that it was an example of transmisogyny. I'm not at liberty to talk about some of it, and for the rest I honestly just do not care enough to defend myself to you. I lived my life and you read a rant about it.

That aside, do you know how many transfems I know who have been made out to be rapists/mentally ill after they broke up with their partners? Do you want me to list all the normal occurences across the board that have made me personally terrified to show others intimacy? Why is it that when someone says "that trans girl is a rapist!" people believe her but when trans girls say "we keep getting called rapists, this sucks" we get people like you telling us that it's normal to be made out into a charicature and systematically cut off from your entire social group?

Now that I've got that out of the way, let's dig into your word choice.

"What happened to your friend" this voice is so passive it's going 45 in a 50. "What that guy did to your friend" is much more direct and active, that's a sentence fragment that drinks orange juice with its breakfast. I probably would've accepted "what was done to your friend" because even though it's passive it still emphasizes that someone did something wrong. But you didn't even do that. Instead you completely removed the idea of fault from the equation, no one did it, nothing caused it, it was divine intervention that my friend nearly lost their entire support network.

"does sound awful" it doesn't sound like anything. It is awful, through and through. I hate the man that did it even though my friend has forgiven him.

"better than average result" average what? Messy breakup or transfem targetting rumor mill? It was a better than average result, I can attest to the average and it's not good. I'm glad I was there to sway people back to reality.

Moving on, you only addressed one of the two things I mentioned. I said "break up with a trans woman and unperson her" and "unperson any trans woman who's minorly annoying." You completely skipped the whole "a guy tried to tell people I was a gaslighter because I asked him to stop calling my friend a sociopath" bit. The post wasn't even saying that what happened was specifically transmisogynistic (it was), I was literally just talking about how stuff I was hearing mapped onto my life.

I also find it interesting, how you put this in an ask instead of a reblog. A reblog puts whatever I said on your account, an account I've heard you regularly use to support transmisogynists. I'm happy to talk to you more, genuinely I like to argue and you seem interesting enough. But I want what I say on your account. I'm not going to respond to another ask or reblog on this one until you reblog the original. Here I even got you a link.

[nekohime19]

AITA for punching my girlfriend in the face?

(Part two of the previous post!! Let's go! Love writing funny looney toons style things like that. It's still Wukong POV.)

I didn't expect to get that much answers 😅. Anyway, thanks for the wisdom.

For those who didn’t see my last post (AITA for sleeping with the guy my girlfriend is cheating on me with) : I have a girlfriend (Venom) who cheated on me with another guy (Six). So out of pettiness I went to see Six. I learned he wasn't aware of my existence and was getting played too. We bonded, got wasted and kinda slept together.

Here are my answers to all your comments :

LaZen :

NTA, thought you definitely need to break up with her like yesterday, cheating is not cool and poor six who was the side dish :c its going to be awkward but six and you need to talk with a nice breakfast about what you two want to do now, revenge? Just a one night thing? Or get to know each other, wich i think is going to be the latter since both of you were getting along, the guy just got to town, maybe show him around as friends?

OP response :

Yeah, I think it's due time I confront Venom, even if I really don't want to. Idk, guess she's been with me for a long time so it's somehow scary to move on. I honestly don't know what I want with Six. I've never been interested in guys before? And maybe he only got pulled by the mood? Anyway, you're right, we do need to talk. Idk if I can make breakfast but, hey, burned egg aren't THAT bad.

Lagt :

Anyway not the asshole, maybe a stupid move but at that point why even bother coming back together if you two were already broke up? Like it feels like she couldn't decide

NTA

OP response :

😬 You're really calling me out with that one. Venom and I do have a pretty weird way to settle things. Guess I just got used to the constant breaking up and getting back together.

Sakurabloom_26 :

NTA, OP it doesn’t matter the reason, she cheated on you and played Six for a fool by making him her AP.

It wasn’t ok that you slept with her AP before breaking up with her (especially since the two of you were drunk), but considering you both were played for fools, I can’t blame you for shooting your shot.

As for what to do, wait for Six to wake up and decide on how the two of you are going to catch Venom in the act and then dump her.

Regarding Six, I’d take it slow, offer to be his friend and if you think there’s a genuine connection there, ask him out on a date (something simple like a coffee date, or a picnic), but be sure to assure him that if he doesn’t feel the same way that you still want to be friends (you both sound like you just need someone to genuinely be there for each other, so awkward emotions shouldn’t mean that your friendship has to end 😌)

Best of luck to you OP, I’m rooting for you 😊

OP response :

Yeaaah, wine really got into our heads and maybe we shouldn't have slept together. Honestly, being friends with Six doesn't sound bad. I’ve never been interested in guys before so it's pretty new. The thing is I don't know if I felt like that because of the mood or because of genuine feelings? Taking it slow might be better, especially since we're both kinda still with Venom at the moment?? Thanks!

Mystsong :

NTA, you were cheated on by Venom and Six had no clue what is or was going on. Not sure it was a good idea for you and Six to sleep together but you were also both impaired by alcohol so you both weren't thinking at the time. I'd definitely stay away from Venom and take things slow and steady with Six and see if there's something there. Also please be careful with Venom I've heard of some ex boyfriends/ex girlfriends doing some crazy things when they get mad at their exes or to keep control of their exes...and she sounds dangerous to do that. Also getting advice from some friends and family like your successor, Bud, might also be a good idea especially if you want to get proof of what Venom is up to and has been doing. Hope this helps you out. (Hugs sent)

OP response :

The things alcohol makes you do. Talking it out with Six might be for the best, idk if he'll want to see me again though? Guess I'll just have to ask. Maybe we can just be friends for now until we figure it out. Venom can be intense, yeah. I wouldn't put it past her to pull some shit like that. I don't want to involve Bud in this mess though, he's not really aware of me and Venom and he has enough problems because of me. (Hugs received)

Sag3mint :

Honestly wondering what Venom's reaction will be. Anger probably. 🤔

But once she realises that the reason why you and Six met is because of her, oh boy...... 🤭 That's gonna be massive blow to her ego.

OP response :

Oh boy, she's not gonna be happy that her bf and her side bf are getting it on together. This is gonna be a nuke field to travel through.

Halfdeadhalfpaniced :

Oh she’s definitely not going to take it well but technically none of this would have happened and you two would never have met if she didn’t cheat first. Honestly OP? He’s probably not the only one she’s ever cheated on you with and might not even be the only other person she’s currently seeing.

OP response :

It hurts to think about that, I hope she didn't… But I can't be certain.

Littleguy-dot-io :

nta.. you seemed to be doing yall a favor. venom. seems kinda like a bitch??? like bro.... pick a struggle. anyways sorry she did that to yall both but break with her

OP response :

At this point, Yeaaah, both Six and I really need to break up with her.

Furornocturna :

Okay, a LOT to unpack here, but I’ll try my best to give you some advice you desperately need.

Overall consensus? ESH.

Let me elaborate before you dismiss me outright.

Venom clearly sucks the worst here for cheating and stringing you and Six along.

You weren’t wrong for wanting revenge (I would too) and you weren’t wrong to tell Six about the situation (probably should have done it sober tho), but the two of you cheating on her back with each other… while admittedly a little hilarious as an outsider hearing this story secondhand, that doesn’t do either of you favors here. Not only did you sink to her level, but now the situation is messier than before that you now have to deal with when she finds out (which she will). You are going to have to confront Venom to end things with her, OP. Because that’s what you need to do.

From the looks of it, she checked out of the relationship three months ago, and the love there on your end was gone after you found out she was cheating, plus was likely already heading in that direction with the other background you gave on how things have been. And Six doesn’t deserve to be the side piece to her either.

First and foremost, you and Six both need to break things off with Venom (and deal with the fallout that comes with, as I have little doubt she’ll take the news well) before you proceed with anything else with whatever it is you want to do with each other. Which, despite the rather unorthodox circumstances, it appears that you two really hit it off.

But if this is something you want to pursue, platonically, romantically, or whatever else, you need to sort out yourself. You mentioned questioning your sexuality at the end of your post, so you’ll want to figure things out there before jumping headlong into another relationship. More than that, if you really like Six in any form, the last thing you want to do here is make him think he’s just a rebound. He was also hurt by Venom too. And make sure Six isn’t just rebounding on you either. You both really need to communicate on your wants, needs, feelings, etc, and how you want to proceed.

I hope things work out for you and Six. It really sucked that this happened (Venom cheating on you two, not you two finding each other), and I hope you both can recover from this and come out happier.

ALSO

Since you mentioned Venom causing city-wide damage in the past and how she’s caused issues with your successor, I worry both Bud and the city might also become casualties if Venom decides to retaliate against you and Six for breaking up with her/finding out her cheating. Don’t let them get caught up in the crossfire of this.

Make your next moves carefully, and you’ll get through this with the least amount of hassle.

Hope this helps!

OP response :

Honestly, I do feel kinda bad for sleeping with Six because of Venom. Even if I'm really angry and some petty part of me thinks she deserves it, I didn't intend for things to turn out like that. Things with Six just… spiraled, the alcohol didn't make it better. Not the first time wine makes me do stupid things. But, somehow, I don't regret it?? I definitely need to confront Venom and I sure as hell don't intend to keep dating her after this. Things will be messy and, you're right, I do need to watch out for her reaction and make sure things don't get out of control. I don't know how things will go with Six. Tbh, I don't know what I'm feeling for sure either, everything is kind of a mess right now? But right, talk, we need to talk.

Sorry if I made a mistake on you guys names, 😅.

And sooo, I have an update 👀

AITA for punching my girlfriend in the face?

After that night with Six I got up and tried to make breakfast. You know, something nice to set a nice mood. Problem is idk how to cook (I usually eat hair, it's a mystic monkey thing) sooo my attempt failed miserably and I ended up with a black goo that was supposed to be eggs.

I just settled for fruits. Like Six should like fruits, no ?? He's a monkey. So I prepared a nice basket and waited.

I was kinda nervous.

Which was very unlike me. I'm not a nervous guy. But I never did hook-ups before, not with a guy, and not with my girlfriend's secret side boyfriend much less. It was a messed up situation tbh and I felt guilty for what I did (somehow it kinda felt I cheated on Venom??), angry at Venom and also excited to see Six again.

Six woke up after a few minutes, he looked ruffled and very much like he spent the night having fun in the sheet (I'm proud of that tbh). He froze when he saw me. Dear in the headlight froze and we stared at each other for a long minute before I managed to awkwardly gesture towards the basket.

Six sat down and nibbled on some mangoes. Our conversation kinda went like this :

Me : “so, last night was… ?”

Six : “... A lot.”

Me : “Yeah… Huh, what do you wanna do?”

Six : “Don't know… Guess I'm just gonna keep my distance a bit.”

Me : “From Venom?”

Six : “Yeah…”

Me : “How about we confront her together?”

Honestly I said that because I didn't really want to confront Venom alone. She could be intense at times and, well, it was perhaps better to do it with everyone directly involved present.

But before Six could reply, Bud barged in.

Now, I'm not the best at keeping track of time but I usually know when Bud is coming. But with the whole situation it just slipped by me. The three of us froze and Bud's mouth fell open… For context, the marks of what we did last night were still very visible so it wasn't hard for Bud to connect the dots.

Now, Bud knows I'm with someone but I never told him of Venom. The main reason is because Venom is more on the “bad guy team” and doesn't think that kindly of Bud. Moreover, Bud has been the cause of a lot of arguments between Venom and I and I didn't want him to be involved with an angry Venom. I just didn't want things to get complicated and thought it was simpler to separate my love life from my mentor life. Maybe I was also a bit scared of how Bud was gonna react to me dating a “bad guy”.

Maybe that's why Bud's first reaction was to be excited and rush to Six, rambling about how he's finally able to meet my partner. I'm not blaming Bud for thinking this but Gods above it was so awkward.

If I said that Six wasn't my boyfriend, then Bud was going to think I'm cheating on my true partner (Venom)... Which is kinda the truth?? Somehow???

I honestly didn't know what to do and, at this point, I was feeling a lot of different emotions. I didn't want Bud's image of me to be tarnished but I didn't want to lie to him either about the situation. Six, who looked quite overwhelmed as well, didn't outrightly reject Bud's claim but clearly didn't agree with it either. He just… excused himself and took the opportunity to leave. Which I can understand. Dealing with Bud isn't his responsibility and he just learned he was a side piece yesterday, he probably needed some time to cool off and think clearly about what happened.

He smiled at me before leaving so I assumed that he's not that upset with me.

Gods that smile.

I avoided Bud's questions after this and put the subject to rest. Neither confirming or denying anything. I just told him we'd talk about it later. It's not like I didn’t want to confide in Bud, but I didn't want to drag him into this mess, he has enough already on his plate.

So now, fast-forward to three days after that incident. I took a lot of tests on the internet to know if I'm actually bi ?? I questioned a lot about myself, my own sexuality, and what I wanted to do with Six and Venom.

Six and I decided to meet again and clarify things. Mainly about what we wanted to do with Venom and how we should confront her. He came to my mountain and we sat down around some fruits, trying to figure out this whole mess and how we should go about it now. Honestly, both of us agreed we should break up for good with Venom. But we weren't sure if we should tell her about our lil “fun in the sheet”. Venom can have an explosive temper at times (she did destroy half of the city) so we didn't want to anger her more than necessary. I know I may be TA for wanting to keep my “kinda cheating” with Six a secret but at this point I just wanted to be done with Venom and not give her any more reasons to put the city or Bud in danger. It was a moment where both of us were emotionally vulnerable, and waisted. It wasn't wise, especially given the context, but I did insist that I didn't regret it. I really felt like we had a connection that night. However, before Six could reply, I saw Venom stomping down this way with an enraged look.

We both panicked. The marks of our night together were still somewhat visible and both of us didn't want to aggravate Venom more than she already was. In hindsight, maybe it was kind of a stupid move and would seem even more suspicious to Venom, but I pushed Six in the nearest cabinet. He looked livid so I just told him it wasn't the right moment yet and that I'd deal with her for now. I quickly applied some glamors to hide any marks and waited for Venom to arrive (for context, glamors is kind of like magic make-up).

She was furious. She paced and accused me of cheating on her. I pried a little for information and it turns out she overheard Bud talk about my male partner and, yeah, things spiraled down from there.

So my soon-to-be ex was ransacking the house in search of my supposed side piece and I was just nervously standing in front of the cabinet with Six inside. She approached the cabinet and was ready to throw hands. In a moment of sheer panic and instinctual reaction to years of fighting demons, I punched her in the face, not enough to truly do some damage (I can pack a mean punch) but enough to knock her out.

So now Venom is passed out on the floor and I'm feeling very guilty and Six is still inside the cabinet, I'm typing this with the speed of light.

Should I just tie her up???

So AITA??

AND WHAT DO I DO????

[galaxgay]

okay i keep thinking about this and it keeps making me laugh.

Spoilers for S2 Arcane (from trailers/teasers i didnt see any of the leaks)

So they show Vi in the ring, knocking that guys metal jaw off right? Okay imagine it from the guys point of view:

Like

You are a big ass fucking guy. You're HUGE. You are an absolute unit of a human being and you've taken the few people who haven't taken your size and stature as a warning, and pummeled them into the ground. You're honestly terrifying and you're proud of that. You're a big scary macho man.

You work for the biggest drug dealer in your city and you're obviously the muscle and thats easy. Again, you're huge. Today, your boss has decided to make an example of an old rival and suddenly you're up against like... a 14 y/o wearing some janky metal gaunlets.

And sure shes got 14 y/o pent up anger but you're like "you gotta be fucking with me. This twirp? What are ur tin cans gonna do? Look at me Im HUGE" and so you strike first because whats a fuckin kid gonna do?

But she blocks your punch and then? SHE DECKS YOU SQUARE IN THE JAW AND KNOCKS YOU OUT COLD WITH ONE HIT.

Its embarrassing but adrenaline is one hell of a drug and she had some crazy powerful gauntlets. You let it go. at least youre alive.

A few years later in prison? Shes there and shes there with you. And shes STILL PISSED and she wants everyone to know not to fuck with her so she find the biggest guy (you- because again, ur huge) and She marches right up to you and fucking WRECKS YOUR SHIT AGAIN WITH NO GAUNTLETS.

She's fucked you up so bad in both your encounters you have to get your entire. jaw. replaced. with metal and its humiliating. But now? ur sick. You look even more menacing and now its your gimmick- the man with the metal jaw. And ur using that terrifying aura in a boxing ring and you're killing it.

And then one day- shes fucking back. by some evil strike of karmic luck, shes in the ring with you and somehow shes shredded and EVEN ANGRIER THAN SHE WAS BEFORE. You think its literally impossible to get as angry and blood thirsty as this girl has but finally you think, today we settle this score. But you know what she does?

She fucking knocks your cool metal jaw CLEAN OFF YOUR BODY WITH ONE HIT. A G A I N.

if the city wasnt lawless, I'd sue.

This dude is literally Acrane's "cabbage merchant" but instead of cabbages its his fuckin jaw.

[babyboybuckley]

Like I get it uterus I'm also very glad I'm not pregnant but holy shit can u tone it down a notch

[supermassivebutthole]

things in the twilight script that made me laugh

[front-facing-pokemon]

[bacchuschucklefuck]

love thinking kipperlilly spends her afterlife looking for lucy in a familiar forest

[thegreatyin]

oh, so when other people indulge in their special interests and find joy in their hobbies it's "joyful" and "whimsical" and "autism swag", but when i, mr veils,

[tomwambsmilk]

fr tho @staff why are you trying to make tumblr more like other sites why are you destroying your niche in the market please there have got to be ways to make tumblr more accessible to new users without sacrificing the very things that your existing userbase loves

[u5an5]

Theory: The Clone X was not Cody like some people think or even Fives (I know he's been dead for a very long time but so was Boba Fett and look where we are. Plus, Echo was supposed to be certainly dead too; making him Winter Soldier-esque storyline wouldn't be that surprising) or not even Slick.

((Also, now that we've seen his face devoid of any tattoos or scars I think first two takes are definitely not applicable anymore; they wouldn't put that much effort to make him unrecognizable))

Back to the point: In my opinion, The Clone X was none other than...

Fox.

Now let me explain.

Who else, other than X, was loyal to the law and justice dictated by it over any moral or ethic code?

Fox.

Who else was portrayed with such single-minded focus on hunting down traitors of the government he served, regardless of what it was?

Fox.

Who else could know not only Coruscant so well but also identify Rex like they knew each other?

He already was a remarkably successful tracker of traitors, why not make him more efficient by pointing them out for him?

Good soldiers follow orders, after all.

[lenaboskow]

hi how are you my anti posts (and the majority of others') are because tommy's racist and misogynistic, not because he made one questionable comment (except for when it happened). they're because he tells buck to enjoy it while it lasts and makes a closet joke in front of buck's best friend that he's not out to. they're because he disregards buck's relationship with bobby and tells him his father is still alive. they're because he can't be bothered to dress up for the party buck planned despite knowing that if he got called into work, he'd have to change anyway. they're because he treated hen and chim like shit when they started at the 118 and never properly apologized, proven by the fact that they didn't bother to keep in contact after working together for a decade. they're because no matter what you might think of the deleted henren and tommy scene, it doesn't take away from the fact that tommy doesn't care about whether or not the most important people in buck's life approves of him (because we all know it matters to buck), and he intentionally avoided answering whether or not his intentions are honorable. i could go on and on and on, but i think you get the point. not one thing tommy ever did can be viewed as positive. go ahead, name something. you'd be wrong

[whiskey-tango-matcha]

not to brag, but my therapist told me today that i did incredible during our emdr session, which means i get an A for the day in therapy, something that is both normal to want and possible to achieve 🙂‍↕️😌

[umblrspectrum]

mspaint is so fun when i've got no fucking idea what im doing

[motherforthefamicom]

redrew an oc thing from last year :3