#holy macabre art
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#artists on tumblr#ai artwork#dark fantasy#“All That Remains”#a darker mystery#holy macabre art#holy relics
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can they take me too?
#photography#black and white photography#black and white#bwphotography#goth#gothic#gothcore#goth aesthetic#gothic aesthetic#dark core gothique#goth vibes#gothique#gothic architecture#hands#hand#art#ghost#ghostcore#ghouls#spooky#spirit#holy spirit#dark#darkore#eerie#eeriecore#macabre#dark art#creepy#horror art
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" Holy Cow "
Acrylic on Canvas
Size 40 x 30
#Holy cow#vaxolang#vaxo lang#vaxo art#creepy art#contemporary art#contemporary artist#acrylic painting#creepy#horror art#dark art#horror#macabre art#macabre#macabre artist
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Yoshitaka Amano: Holy Night (Seiya) :: 聖夜 (1995)
#Yoshitaka Amano#Holy Night#Seiya#聖夜#art#illustrations#japan#gothic#macabre#sleep#sleepcore#gold#1995
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"I have so many bodies in me--if you look close enough, you could almost mistake me for a massacre."
#THIS TOOK SO FUCKING LONG HOLY SHIT#quote is from Birthright by George Abraham#dr mccoy#clover mccoy#dr clover mccoy#scp 963#amuletverse#scp#scp foundation#scp art#scp fanart#scp fandom#surreal#surreal art#body horror#body horror art#surrealist art#creepy#macabre#digital art#digital painting#digital artist#digital illustration#illustration#artists on tumblr#my art#art from the void#undescribed
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what's the meaning behind your username?
It's a reference to the Holy Innocents' cemetery in Paris ("Saints Innocents" in French).
It doesn't exist anymore but it used to be the biggest cemetery in Paris until it was closed in 1786 because of its insalubrity. It was created during the early Middle Ages and became a very popular place for Parisians. The cemetery attracted members of the the clerk, merchants, artists, writers, tramps, thieves, prostitutes, etc. It welcomed appropriately 2 millions bodies between its creation in the Middle Ages and its final shut down in the end of the 18th century. Various monuments and artworks decorated the place, including the arcades of its ossuaries. It was officially shut down after the cave wall of a wine merchant nearby collapsed due to the weight of all of the bodies resting there.
I learned about the Holy Innocents' cemetery thanks to my favorite book Perfume: the Story of a Murderer by Patrick Süskind since the main character Jean-Baptiste Grenouille was born and dies in the cemetery. ☠️
#france#paris#history#art#18th century#middle ages#cemetery#holy innocents' cemetery#macabre#macabre art#danse macabre#renaissance art#spooky#ask
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everybody get in line to give him a pat on the head & a human skull to gnosh on
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HOUSE OF THE HOLY
It’s a scary thing, being apart from yourself— being a tool. Have you ever been possessed? I’m guessing not. Most haven’t. And they can thank their lucky stars for that.
I have though.
I’ve felt the suffocating grip of something closing around my mind, squeezing it until every last ounce of me was gone. I've felt the horror of knowing I'm not alone. The horror of knowing I might never be alone again.
Three days after I turned six, my life turned into confetti. It tore itself into little pieces, each less recognizable than the last. That night, my foster parents locked me in the attic. They told me that a monster was coming to eat me— a werewolf.
“We’ll let you out in an hour,” they laughed. “If there’s anything left to let out.”
It wasn’t real. Of course it wasn’t real. The whole thing was just a twisted power play, a means to scare me into obeying their overbearing rules. I was young, though. Naive. And the thing about being young and naive is sometimes you say and do things that you live to regret, and I’d done exactly that.
I’d confided in them my greatest fear: men that turned into beasts. Werewolves.
I gave them my vulnerability, openness. They gave me psychological warfare.
Betrayal cuts deep, but the betrayal of a parent— the person meant to protect you when the whole world turns its back on you— that cuts deeper than skin.
Those scars don’t fade.
I spent my first minutes in the attic screaming and crying, beating my fist against the door. They answered this with a volley of threats, beginning and ending with three hours standing in the corner, balanced on my tippy-toes, if I so much as dared to open that hatch.
“You deserve this,” Papa Joey told me. “You knew damn well to keep your eyes closed during that Sunday prayer, but you opened em’ anyway. You embarrassed us. Humiliated us, not just in front of the church, but Father Andrews too. People are gonna think we don’t know how to raise a child, or that we can’t keep a little boy in line. You think that’s funny? You think that’s fair to us?”
“Shame on you,” Mama Sharon said.
They weren’t lying— at least, not about me opening my eyes. I was a distractible child. Later, I’d be diagnosed with attention deficit disorder, so what was I supposed to do? That didn’t matter to them, though.
In their eyes, not only had I disrespected the law of the house, I’d disrespected the law of the Lord. That made punishing me easy. Necessary. It made punishing me an act of God.
“Do I really have to stay up here a whole hour?” I whimpered, gazing warily across the sea of darkness. The light in the attic hadn’t worked for as long as I’d lived there.
“That depends,” Mama Sharon replied. “If the werewolf gets you first, you might only be in there for ten or twenty minutes.”
“Who knows?” Papa Joey called as they left down the hallway. “You might just get lucky."
They descended the steps, chuckling to themselves.
The thought of opening the hatch and slipping out of there crossed my mind. It crossed my mind over and over again, as a matter of fact, but I knew it wouldn’t be worth it. As scared as I was, I’d lived with Mama and Papa for eight months by then, and I knew well what kind of punishment they were capable of doling out.
For this, I’d be in the corner for certain. On my tippy toes.
If they saw me resting my feet— even for a moment, they’d get out the wooden board with the nails in it. They’d slip that under my heels. I’d been there before.
I never, ever wanted to be there again.
So I did my best to swallow my fear. I took a deep breath and braced myself against the nightmare of the attic. “I’m not afraid of you!” I said to the shadows. “I’m a monster too, you know!”
It was a lie. I was no more a monster than I was an astronaut, or a dinosaur. I was just a scrawny kid who missed his mom, sitting in an attic that seemed to press upon you from all sides. But it was all that I had. See, the only thing I knew capable of harming a werewolf was a silver bullet, and I was fresh out of those, so I went with the next best thing: convincing the werewolf I wasn’t prey.
I began my punishment sitting near the hatch. It seemed the safest option, and vibrating with adrenaline and panic, safety was at the top of my mind. I waited silently, eyes closed, heart fluttering, listening for a growl or howl to meet my ears, for the sounds of my doom to rush out and greet me. But they never did.
Once I’d made it ten minutes without being eaten, I started to calm down. Maybe there weren’t any monsters up there, after all. Maybe I was just afraid of the dark. If that was the case, then that was a problem I could solve.
The broken lightswitch was far beyond my ability to repair, but I knew for a fact there were a couple of flashlights laying around here somewhere. I’d used them while helping Papa Joey put out mouse traps. Trouble was, there was enough junk in the attic to fill a small museum, so finding which teetering box those flashlights were in might take some time.
Still, time was one of the few things not in short supply up there.
Closing my eyes, I took a breath, steeling myself against the darkness ahead. Then I stepped off. Into the unknown.
My footsteps groaned as I crept through the attic. Much of my movement consisted of stumbling around blindly, holding my arms out like Frankenstein’s monster and praying I didn’t encounter anything with fur. A few steps into my journey I bumped into something. My heart jumped, but it was just an old table.
I felt its surface, figuring if there was a flashlight up here then it was probably somewhere on th—
Eight tiny legs skittered across my hand. I flailed, falling backward and knocking the spider off of my skin. Heart pounding, I sat there and caught my breath.
“You’re kidding, Franky!” The television echoed from below the floorboards. “Keep that up, and you won’t just be outta a job— you’ll be out of a wife!” A laugh track kicked in, joined by Mama Sharon shrieking in amusement and clapping her hands. From the sounds of it, they were watching their favorite sitcom again. I’d never seen it since I wasn’t allowed to watch TV, but I always wondered if it was as funny as they made it seem.
“It’s not.”
I jumped, startled by the voice. “What?”
“You deaf, kid? I said it’s not. It ain’t that funny.”
My heart struck my ribcage like a hammer. No, no, no. This wasn’t happening. It’s just the dark, that’s all. There’s nothing to be afraid of in the dark because I’m all alone and there’s no such thing as monsters and it’s just the TV that I’m hearing and—
“You’re not alone, kid. And I ain’t Will or Grace, either.”
I scrambled backward, away from the voice as quickly as I could. Too quickly. My head found the downward slope of the attic’s roof and hit it with a crack. Pain exploded across my skull. “Stay back,” I groaned, my vision swimming. “If you don’t I’ll—”
“You’ll do nothing!” the voice sneered.
“I—I’m a werewolf,” I warned, my voice shaking with counterfeit authority. “Stay back. It’s a full moon tonight and—”
“Ain’t no full moon, and you ain’t no werewolf.”
Something thumped a short way from me, and my mouth went dry. Another thump. Thump. Thump. Thump. The floorboards trembled. My eyes swiveled to the thin square of light that outlined the attic hatch. It was rattling. Somebody was knocking on it from below.
“You breaking things up there?” Poppa Joey shouted. “You better not be! Any more banging around and you can forget the werewolf. I’ll come up there and beat your ass myself!”
Even then, I could hear the voice whispering all around me, moving around the attic like an unholy breeze. “Please,” I said quietly, making myself small in the corner. “There’s something up here! I need you.”
“You think I’m stupid, boy?”
My mouth trembled, my entire body quaked. I recognized the tone in Papa Joey’s voice.
“I asked you a fucking question, didn’t I?” he bellowed. “Answer me when I speak to you!”
“N-no sir,” I said, tears welling in my eyes. “I don’t think you’re stupid, Papa.”
“Then why are you lying to me?” Something struck the bottom of the hatch and made it jump violently— his fist. “You just earned yourself another half hour up there. Keep up this shitty behavior and I’ll show you some shitty behavior of my own. Understand?”
I whimpered.
“DO YOU FUCKING UNDERSTAND?”
“Yes sir!” I called, doing my best to keep the tears in my eyes. “Yes sir, I understand sir!”
“Good,” he muttered. His footsteps faded as he made his way back downstairs.
“What’s he broken?” I heard my Mama ask at the bottom of the steps.
“Nothing,” Papa said, raising his voice so I could hear. “If he doesn’t want me breaking something of his, it’ll stay that way. Lord knows I’ll start with the teeth. Ain’t nothing out of the ordinary about a young boy missing a tooth.”
Laughter rang out around the attic. “You’re not safe here,” the voice said, right beside me. “Not safe here at all.”
I recoiled, terrified, but careful not to make a sound. The voice sounded low, raspy and inhuman. It sounded hungry. “Please,” I said. “Leave me alone. I wasn’t kidding about being a werewolf you know.”
“Do you want to be safe?” the voice hissed, slithering all around me like a cockroach on my skin. “I can make you safe. I can make all this pain go away. Doesn’t that sound… nice? Just say the word and poof, you’re home free, back with dear mommy.”
“What word?” I said, confused.
The voice tutted in my ears, as if it were on both sides of me at once. “Oh, don’t play coy. You know the word. The one you say kneeling beside your bed every night, praying to the big cheese in the sky.”
“Amen?”
“Amen?” More laughter, this time sardonic, mocking. “Give me a fucking break, kiddo. I mean the other word, the one you whimper with tears in your eyes and fear in your heart— afraid Mama and Papa might hear you say it out loud.”
A terrible feeling was beginning to take hold in my gut. The voice sounded suddenly so much worse than a simple werewolf. It sounded sinister. Like it was manipulating me. Testing me. “I don’t have tears in my eyes when I pray,” I said defiantly. “I don’t know what you’re talking about!”
The voice — whatever it was — stepped forward then, and the entire attic rattled against its weight. Dust drifted down from the rafters. Floorboards shuddered.
It was loud.
Too loud.
“The fuck did I just tell you, boy?” Papa Joey hollered from below. “So help me God, if I have to get up from this couch you’re gonna wish there really was a lock on that fucking hatch!”
I slammed my eyes shut. “Go away,” I said quietly. “Please, whatever you are, just go away.”
“No.”
It took another step forward, and the attic shook again. This time, the frame of the house trembled with it, rumbling as it braced itself against the monster inside.
“I’m not playing around,” Papa growled from below, and this time his voice was different. Something had wormed its way inside of it. Something dangerous. Deadly. “One more time, boy. Try me one more time and I swear to you that it’ll be the last...”
“He’s mad,” I whimpered, clutching my hands to my ears. “He’s really mad and he’s gonna think it’s me. Please, you’ve got to stop. You’ve got to go!”
"I'm not going anywhere,” the voice whispered. “You're stuck with me."
My heart fell. My world was practically spinning, the situation had spiraled so far outside of my control and I knew that no matter what, once the television episode was over Papa Joey would come up here and show me just how angry he was.
“What's this?” the voice asked, bemused. A sound met my ears; dull and low, like a cardboard box sliding off of a wooden table.
My heart froze.
“Looks expensive.”
"No! Don't—"
My plea was cut short, interrupted by a symphony of shattered glass. A half-second later and another box tipped. Something tumbled out of it, obnoxious and heavy, rolling across the creaky floor like a bowling ball.
"I'm going to make you believe," the voice hissed. "No matter what it takes."
I sat, paralyzed with fear, waiting to hear Papa shout my name and tell me that was the last straw. But I didn’t hear anything. I didn’t hear Papa yelling, or Mama either. I didn’t even hear the television.
Something snapped from below. “... nothing in him this fucking belt won’t fix!”
Footsteps thundered up the stairs.
“Why are you doing this?” I shrieked into the darkness. “Why are you making them hurt me?” Tears poured from my eyes as I trembled in the corner, taking deep, heaving breaths as I prepared myself for the discipline I was soon to receive. For the pain.
“I’m trying to teach you a lesson!” the voice cackled. “Now say the word, boyo! Say the word or you’ll beg for it later, beaten and bruised!”
“No!” I shouted, shaking my head furiously. Tears stained my cheeks. “I know what you are! I know what evil monsters like you do, but I’m a good kid and I pray every night so just leave me alone!”
A fist pounded against the underside of the hatch. Then it rattled, like somebody was pulling on the handle, trying to get it open, but it wouldn’t budge. “Get your hands off the hatch!” Papa Joey roared.
“Say the word,” the voice hissed.
I plugged my ears, curling into a ball. “No! Just me alone and go away.”
“Do it now, before he gets you! He sounds so angry!”
Mama’s voice joined the chaos below. “What’s he done now, Joey? Locked himself up there?”
The hatch rattled, and I heard Joey grunt. “What’s it look like, Sharon?”
“Well just leave him there, then! If he wants to stay up there with the werewolves he can stay there all weekend if he pleases.”
"No he damn well can't, Sharon!" Papa shouted. "I've got valuable things in those boxes and the little shitstain's destroying them!" Joey heaved and the attic hatch squealed, sounding as though he were pulling against it with his entire weight.
“Running out of time,” the voice said, up against my ear. “Tick tock. Say the word, or you’ll pay for this in blood. Who knows when he’ll stop beating you? Hopefully before you drop dead.”
I screamed then, lashing out and throwing out my fists helplessly into the dark, doing anything I could to stop the voice from talking. From tormenting me. “Stop it!” I shrieked. “Stop it!”
In all my life I’d never felt so helpless. So afraid. There wasn’t any escape here. Threats surrounded me. Below, my foster parents were beating down the attic door, while all around me a voice taunted and jeered, goading me to turn away from God, to make me admit I didn’t have the faith I claimed to.
I just wanted them both to go away. Forever.
I just wanted to go to my room and play with my action figures and read my story books. I just wanted to be a normal kid again, with a normal family. I wanted to feel safe.
A sharp creak sounded, followed by a snap of wood. Light flooded the attic and I gazed in horror toward the now open hatch, feeling suddenly weak and helpless. Joey had broken the steps clean off of their hinges.
“Obnoxious little shit,” Papa snarled, stomping up the stomps.
“Don’t kill him, Joey,” Mama Sharon said casually. “Just smarten him up. He’s been nothing but disobedient since he got here last July.”
“Oh, I’ll smarten him up,” Papa said, face appearing above the floor line with bulging eyes. “I’ll teach him a lesson so good he’ll wish he was back with that drug addict whore he calls a mother.”
“Papa!” I called out, whimpering. “It wasn’t me! There was—”
“More lies, boy?” He reached for his waist and unslung his belt, snapping it in his hands. The metal buckle gleamed in the light. “This time,” Papa said, stepping forward, “I’m not gonna stop until you bleed.”
I recoiled, raising my hands defensively. “Please,” I sobbed. “P-please don’t, Papa. I’m sorry I—” A crack sounded and pain exploded across my hands. I gasped, instinctively scrambling away but strong hands grabbed me and dragged me back.
“This time I’ll give you the buckle,” Papa growled.
Tears gushed from my eyes. Blood leaked from my hands. A word fell from my mouth with all the force of an atomic bomb.
“Well, well,” the voice whispered, dripping with violence. “Took you long enough.”
_____________________
I woke up in a large, white bed inside of a pale gray room.
“Look who’s up,” said a familiar voice. I squinted, my eyes adjusting to the brightness of the space. A man in a robe with a crucifix necklace stood at my bedside, staring down at me with cold, calculated eyes. “It only took you four days.”
I blinked, bleary-eyed. “Father Andrews?” I mumbled. “I’ve been asleep for four days?”
“That’s what I said.”
“Where am I?”
He looked around, as though appraising the setting for the first time himself. “If I had to guess, I’d say we were inside of a hospital, weren’t we?” He shot me a smile. “It’s fine, I’ve got most of the curtains drawn so it’s hard to tell. Besides, I’m sure somebody your age hasn’t had many occasions to be here.”
I sat up, confused and disoriented. “What happened?”
Father Andrews frowned, his expression growing grave. “That’s what I was hoping you could tell me, Alex. You don’t remember anything?”
“No, Father,” I said, shaking my head. Memories flashed in my mind— of a belt, of Papa’s angry face storming up the attic steps. “I remember being in a lot of trouble,” I began. “I remember feeling…”
“Feeling what, Alex?”
The word I wanted to say was afraid, but I knew I’d get in worse trouble for saying that. It wasn’t fair of me to make Mama and Papa look bad in front of the Father. Not when I did that so much already.
“I remember feeling tired,” I lied, before quickly changing the subject. “Why am I in the hospital, Father? Am I okay?”
“That depends. Do you feel okay?”
“I think so. I feel tired and I’ve got a headache but mostly I feel alright.”
Father Andrews moved closer to me, and a gravity fell across his expression. When he spoke, it was in a quiet, measured tone. “Do you feel like yourself?”
My head spun. Memories lurched out of dark spots in my mind, memories of a voice, of a malevolent presence tempting me to admit I’d been crying during my prayers. Now I was here, in the hospital next to Father Andrews. A priest.
“What happened?" I asked, more urgently. Even at six, I could connect the dots that something was very wrong. “Something happened didn’t it and—”
“Easy, Alex,” Father Andrews soothed. “The doctors have been in. You’ll be happy to hear that, as far as they can tell, you’re fine. A little worse for wear, but nothing that won’t clear in a few days. And the doctors will be happy to hear you’ve woken from your coma.”
“Coma?” The word was new to me, but I felt like I’d heard it before. It felt like something bad, like something you didn’t want to have happen to you. Terror shot through me. “Are Mama and Papa mad at me?” I asked.
A sinking feeling formed in my gut. The voice had destroyed so much stuff in the attic, and now that Mama and Papa had gotten a good look at it they were probably furious with me. I’d likely get a second-helping of discipline when I got home.
“Sharon and Joseph are dead,” Father Andrews said.
My mouth fell open. The gravity of the word was almost beyond my understanding. “What do you mean?”
Father Andrews sighed, then pulled the rest of the curtain shut around my bed, shielding us from view. “Alex, this is difficult to say... but they’re dead because of you. You killed them.”
I blinked. The situation felt like a bad dream, like a scenario so awful that it couldn’t possibly be true. “I killed them?” I said, my voice barely a whisper. “No… No I didn’t I—”
“You burned away every ounce of blood in their bodies and seared crucifixes into their foreheads. When the police showed up, they were husks. You were comatose."
I swallowed, my mouth dry. “No, that’s not right, I…” Horror wrapped itself around me as more memories unearthed themselves. This time, I remembered the attic, and the voice. I remembered it tempting me to break my vows to God by speaking a word. If I just spoke the word, it said, it could make the pain go away. “I loved them,” I said, my voice cracking with the onset of tears. “I wouldn’t hurt them because I loved them. I promise!”
Father Andrews folded his arms. “That may be, but they're dead now.” He reached into his robes and produced a small, clear vial. Unstoppering it, he held it above my head. “Now that you’re awake, let’s try this again.” He tilted the vial and doused me in the liquid.
I coughed and sputtered as it fell into my nose and eyes. “What are you doing?”
“Holy water,” he explained. He gave the empty vial a gentle shake in front of me. “Over the past three days I’ve poured various amounts onto you, but it’s never had any effect. Do you know why that is?”
Holy Water. It was something I once learned about in Sunday School: water that had been blessed to protect against demons and other terrible things. If he had been pouring that on me, then it was because he suspected…
I gazed up at him, horrified. “It wasn’t my fault!” I cried, shaking my head as though if I just denied it hard enough, then I could make it all go away. The demon. The dead parents. All of it. I just wanted a second chance.
“What wasn’t your fault?” he replied.
Guilt twisted inside of me. “The demon in the attic!” I blurted out. “I didn’t mean to talk to it, I swear! It just kept pressuring me and pressuring me and then I got so scared, and I accidentally said the word but I didn’t mean to, I didn’t…” I broke off into a long sob.
It was as though the entire experience had been bottled up before, whether because the memories still hadn’t caught up to me, or the guilt hadn’t, but now it was all falling out of me like a river.
Father Andrews grabbed me by my shoulders. “You said a word?”
I nodded, my lip curled up and snot leaking down my nose. “I didn’t mean to.”
“What word?”
“I…” The word sat on the tip of my tongue, but fear gripped me. What if the demon was waiting in here, unseen just like it had been in the attic? What if when I said the word, the demon would crawl right back inside of me and start killing people all over again? I couldn’t face that. I couldn’t risk that. “I… can’t,” I said.
Father Andrews brought his mouth next to my ear. When he spoke, his voice was quiet, deliberate. “What. Was. The. Word. Alex?”
“If I say the word,” I explained. “Then the demon might come back and hurt—”
“Say it!” he snapped. “Say the damn word!”
I slammed my eyes shut, pursing my lips and shaking my head. There was no way I could do it. No way. Not after hearing what had happened the last time.
The Father snarled and tore the crucifix from his necklace and pressed it against my forehead. He muttered words in a language I didn’t understand. “Enough excuses! Now say it!"
"Help," I whimpered.
"I'll help you once I'm sure—"
"No," I said. "That was the word. I asked for… help."
"Help?" He stared at me blankly, mouth hanging open as though processing something. “Did you say that you asked for… help?”
I nodded, shaken.
“Oh, Lord Almighty Above.” He heaved a sigh, pocketing his crucifix and sitting down in the chair next to my bed. “Thank God.”
The situation had only gotten more confusing. “I’m sorry, Father. Thank God… for what?”
He took a breath, then another. Eventually, he stood up and approached my bedside, placing a hand on my arm. “Things aren’t as bad as they seem.”
“They’re not? Does this mean I wasn’t possessed? That it wasn’t me that hurt Mama and Papa?”
Father Andrews’ smile faltered. “I don’t have much experience with this, so you’ll forgive my bluntness. But you deserve the truth.” He paused. His next words came slowly. “It’s clear to me that you really were possessed, Alex. And, for better or worse, that same force used you to commit violence against Joseph and Sharon. Through you, it killed them.”
My heart fell.
In that moment, my world, small as it was, collapsed around me in slow motion. I shrank before Father Andrews. I wanted to keep shrinking— become tinier and tinier until there was nothing left of me and I wouldn’t feel this horrible guilt and shame. My body quaked with the fresh onset of tears. “Am I evil now? Will that demon keep possessing me?”
Father Andrews stared at me as though dumbstruck. “Demon?”
I tried to respond, but it just came out as a torrent of ugly sobs.
A moment later, he seemed to have realized something. He shook his head as though chastising himself and then pulled me close, wrapping me in one of the warmest embraces I’ve ever felt. “You weren’t possessed by a demon, Alex.”
He squeezed me.
“You were possessed by an angel.”
#creepypasta#writeblr#writeblr community#writers#creative writing#original writing#horror#ghost stories#short fiction#dark fantasy#creepy#scary#macabre#eerie#horror art#house of the holy#jgmartin#writerscreed#tumblr writers#writer community#writerblr#writers of tumblr#writers on tumblr#writerscommunity#writerslife#writing#writing community
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#holyravioli#grotesque#macabre#divelqree#fashion art#oc#illustration#wierdcore#vintagecore#creepy girl#holy ravioli divelqree#fashion#dolls#adopts#adopt#к��отовуха#mole#character design#character concept
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I am just a piece of meat.
#original characters#my art#artists on tumblr#oc art#illustration#macabre#I guess#Holy shit I did it#valentin
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Holy shit this is awesome
Art by Arcano XV
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Hannes Bok
#holy fuck just after athena born from zeus head#vintage devils#devils#demons#dark art#vintage illustrations#macabre#color blue
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“Holy cow”
acrylic painting on canvas
size 40 x 30 cm
#holy cow#vaxo lang#creepy art#contemporary art#contemporary artist#acrylic painting#creepy#horror art#dark art#vaxolang#horror#headless#macabre#macabre artist#macabreart#macabre art
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Coupling a few different headcanons together and I don’t remember if divorce exists in ATLA or if Mai is Izumi’s mom but part of me does think it would be funny if Zuko invented divorce specifically for Mai’s sake & so with her alimony from her failmarriage she’s free to spend several years being roommates w Sokka while they go to the university in ba sing se except this is not so that she can be employable her goal is to rack up as many useless degrees as possible.
One of her and Sokka’s favorite pastimes is attending essentially university workshops for open “mic” nights for like spoken word and stuff. Sokka kinda enjoys the artistry, Mai just wants to not be bored so she approaches these evenings with more irony-poisoning than he does. Mai thinks it would be very funny to sign Sokka up when she thinks he isn’t looking but much to her chagrin he’s actually better at making up poetry on the fly than he is writing it (not that he’s bad he studies different forms for fun™ like he’s basically a lit minor, but he also over-edits bc he’s extremely self critical).
Sokka Is good at spoken word but not in the way where it’s like, the hard hitting unpacking trauma kind of slam poetry, Sokka has never unpacked a trauma in his life, but under pressure he’s good at striking the right balance of comedy and the tiniest bit of vulnerability and clever wordplay. (This is also why he’s not that good at poetry he sits down and Thinks about, especially when asked to write anything abt himself bc he finds it incredibly navel-gazing and embarrassing). Still, Mai continues to play this joke on him when he least expects it, mainly bc she loves committing to the bit. She eases up for a while bc he starts to suspect her too much only to spring the bit onto him again whenever someone comes to visit just for maximum embarrassment, either Toph, Katara, or Zuko. Toph thinks the whole thing is hilarious. Zuko and Katara both find poetry night deeply moving, but Katara finds Sokka specifically being forced to vamp deeply funny.
She’s tried it w Suki but suki doesn’t even flinch & Mai wonders if it’s bc she’s just that supportive or if she’s just not that discerning when it comes to art. The real answer is that she is plently amused and will tell Sokka in her own time but also Sokka has embarrassed himself in front of Suki enough times that she doesn’t blink an eye at anything. Aang also is not fazed but that’s mainly bc he 100% wants to get in on the fun.
In retaliation, Sokka has gotten Mai on stage before but bc mai would rather die than spout poetry her time always ends up basically being musings abt her life that’s pseudo-workshopping material for a Tight Five & like… it’s not really poetry but the crowd is laughing including the guy who throws ppl out when ppl don’t stick to the correct form (on those specific days). So nobody is going to stop her. She tells a lot of really dryly delivered jokes abt her shitty childhood and her failhusband Li from the tea shop and it takes a hot sec before ppl realize holy shit, she’s actually talking abt the fire lord. And also jokes abt discovering lesbianism. Which she’s thoroughly embarrassed abt being late to the party about. & even more embarrassing to be a dyke secretly love with her best friend. Afterwards, Sokka and Mai do have to correct the other patrons who approach them bc they’re convinced Sokka is the dyke she’s in love with. But they’re just friends. (I don’t know how mining comedy out of blatant dyke drama would work if we’re right to assume Sozin invent homophobia in ATLAverse but w/e).
Also. Sokka WILL boo & heckle her out loud when her material stinks. But if anything, this gives her a chance to do crowd-work which she’s good at. So even tho it’s 100% genuine ppl do start to suspect it’s staged.
I also think part of Mai racking up unemployable degrees includes assignments where she makes really off-putting and macabre interactive exhibits/art installations bc she’s trying to work on authentically expressing herself & wants to be an unpalatable as possible to make up for the years of being a perfect daughter. But she also thinks being too earnest is deeply cringe so even tho her pieces are self evidently kinda tortured and gloomy, as a way of preserving her dignity her artist statements are intentionally as brief and opaque as possible for the highest impact comedic punch.
#shut up Janelle#atla#Mai#Sokka#idk what to call this#also this is kinda an amalgamation / my own spin on a lot of the. headcanons or w/e of comradekatara#there’s some zukka and Mailee in there if u squint I guess
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Puritanism? I am by no means dispos’d to condemn it utterly in the pageant of the world, for it is not life an art, and art a selection? The Puritans unconsciously sought to do a supremely artistic thing–to mould all life into a dark poem; a macabre tapestry with quaint arabesques and patterns from the plains of antique Palaestina … antique Palaestina with her bearded prophets, many gated walls, and flattened domes. The fatuous floundering of the ape and the Neanderthaler they rejected–this and the graceful forms into which that floundering had aimlessly blunder’d–and in place of slovenly Nature set up a life in Gothick design, with formal arches and precise traceries, austere spires and three interesting little gargoyles with solemn grimaces, call’d the father, the son, and the holy ghost. On shifting humanity they imposed a refreshing technique, and an aimless and futile cosmos supply’d artificial values which had real authority because they were not true. Verily, the Puritans were the only really effective diabolists and decadents the world has known; because they hated life and scorned the platitude that it is worth living. Can you imagine anything more magnificent than the wholesale slaughter of the Indians–a very epick–by our New-England ancestors in the name of the lamb? But all aside from that–these Puritans were truly marvelous. They did not invent, but substantially developed the colonial doorway; and incidentally created a simple standard of life and conduct which is, no apart from some extravagant and inessential details and a few aesthetic and intellectual fallacies in all truth the most healthy and practical way of securing happiness and tranquillity which we have had since the early days of Republican Rome. I am myself very partial to it–it is so quaint and wholesome. But not alone in Puritanism is the Nordic’s beneficent influence to be found. Who else could, after the decay of Rome, have revived the aesthetic of strength which in antique days reared to the heavens the colonnades of the Capitolium, the dome of Vesta, the splendours of the Palantine, the walls of the Colisseum, the balconies of the Septizonium, the altitudes of the Pantheon, the colossi and arches of conquering despots, and countless other stone and marble ecstasies of ebullient domination? True, we have never equalled those breathless marvels, for we own ourselves no match for the world-overtopping ROMAN CITIZEN; but alone of all races we have revived–in our master-achievement ENGLAND–that that resistless sway which gave them birth, and have enabled the modern world to share in that delirium of artistic excitement and surging pride which must fill’d every true ROMAN when, looking back from some crest in the road at sunset, he saw limned in flame the gold the domes and columns, vast, prodigious, multitudinous and induplicable, of earth’s supreme apotheosis of dominion — THE IMPERIAL CITY. “Tu regere imperio populos, Romane, memento; Hae tibi erunt artes: pacisque imponere marem, Parcere subjectis, et debellare superbos.” H.P Lovecraft
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The City in the Sea and its Ancient Origins
By Unknown author; Restored by Yann Forget and Adam Cuerden - Derived from File:Edgar Allan Poe, circa 1849, restored.jpg; originally from http://www.getty.edu/art/gettyguide/artObjectDetails?artobj=39406, Public Domain, https://commons.wikimedia.org/w/index.php?curid=77527076
Edgar Allan Poe was an American author, poet, and literary critic who lived from 1809-1849. His subjects tend to lean to the macabre and the mysterious credited with being the first American to make their living by writing and with inventing the genre of detective fiction as well as making contributions to science fiction and cryptography. He published two ciphers under the name W. B. Tyler that remained unsolved until 1992 and 2000, while including simpler ciphers in some of his detective stories that made them popular among the general public.
By anonymous - eapoe.org, Public Domain, https://commons.wikimedia.org/w/index.php?curid=2829735
He was abandoned by his father when he was one and his mother died when he was two. He was then taken in by John and Frances Allan (he used their last name as his middle name), who continued to support him through young adulthood. He started schooling at the University of Virginia, but was only able to attend a single year before he had to quite due to a lack of money. He and John fought over his tuition fees and gambling debts. He enlisted in the US Army when he was 18 under the name Edgar A. Perry. While there, he published his first collection of poetry as 'a Bostonian'. In 1929, after the death of Frances, he and John were able to reach a truce that lasted until Poe did poorly at West Point and decided he was going to be a writer. The two parted ways after that. He left the Army and began working for literary journals, gaining a reputation for his particular type of literary criticism and had him moving from Baltimore to Philadelphia to New York City. When he was 27, he applied for a special dispensation to marry his 13 year old cousin, Virginia Clemm, who died of tuberculosis when she was 24. He published perhaps his most famous poem, The Raven, in 1845, when he was 36, to great success. He was in the process of trying to start his own literary journal when he died at the age of 40 under mysterious circumstances, possibly disease, alcohol or other substance abuse, or possibly suicide. He was found 'in great distress, and…in need of immediate assistance' per Joseph W Walker, the person who found him at 5 am October 3, 1849. He was unable to explain his state, though some say he called out 'Reynolds' on the 6th, before he died on the 7th and that his last words were 'Lord help my poor soul.'
The City in the Sea was written around 1831, originally published as The Doomed City in 1831, but the final version was published in 1845. In it, a personification of death rules over a city in the west ('Lo! Death has reared himself a throne/In a strange city lying alone/Far down within the dim West') which echoes the ancient Egyptian idea that death is in the west because that is where the sun sets. All are drawn to the city, '[w]here the good and the bad and the worst and the best/Have gone to their eternal rest.' In the next verse, he adds '[n]o rays from the holy heaven come down/On the long night-time of that town;/but light from out that lurid sea/Streams up the turrets silently--', adding to the unsettling feeling about the city, then explains that 'from a proud tower in the town/Death looks gigantically down.' The wind itself is indifferent to it's path ('No heavings hint that winds have been/On seas less hideously serene'). In the end, '[t]he wave--there is a movement there!/As if the towers had thrust aside' until '[d]own, down that town shall settle hence,/Hell, rising from a thousand thrones/Shall do it reverence.' The poem was based on Flavious Josephus' (37-100 CE) retelling of the fall of Gomorrah, one of the two cities destroyed for being 'wicked' and Titus Lucretius Carus', better known as Lucretus, (99 BCE-55 BCE) On the Nature of Things (De rerum natura), which is a 7400 dactylic hexameter poem that was divided into six books that explores natural philosophy, consciousness, and the development of the universe as guided by chance rather than the gods. Other influences include Samuel Taylor Coleridge's Kubla Khan and Edmund Spenser's The Faerie Queen.
You can read the poem here.
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