#he's not wrong he is in fact bored

[sharpsuite]

Tik tok. Chishiya's feline like gaze watches the orange glow on the back of the blinds as the sun sets. SOON THE GAMES WILL START. He doesn't need to play, but he will. Maybe there will be something more interesting this time than the last time he played.

Chishiya slides his gaze towards the man in front of him; SOMETHING about him is intriguing though he can't pinpoint exactly why. Yet. He's intriguing enough that the elusive diamonds player decides to keep company before the night games start tonight. CURIOSITY HAS NEVER KILLED THIS CAT. And in a life where Chishiya's constantly bored, he likes to pursue the few things that have his interest until they lose it.

For someone in a place where death is always near, Chishiya doesn't look the slightest bit bothered. His hands rest in his hoodie pockets and he lifts his eyebrows slightly. " NOSTALGIA makes people see things in rose-tinted glasses. " He remarks - not insulting, merely observational. His lips curve upwards. " Besides, I was never big on watching television or video games. I mostly read textbooks and studied. "

He leans back a bit further in his chair and spares a brief glance to the clock. " I think Carpe Noctem might be a better phrase here. The days aren't as big of a deal - but when the GAMES start is when the interesting things begin. " Which is an INTERESTING way to put death games that left most people shivering in fear or chasing down ways to ignore the impending games if they had to play. " I hope they'll be more interesting this time. The last one I played was boring. " Nevermind that he'd been the SOLE SURVIVOR.

@sharpsuite asked: ❛  this day feels like it’s never gonna end.  ❜ 𝑹𝑨𝑵𝑫𝑶𝑴 𝑫𝑰𝑨𝑳𝑶𝑮𝑼𝑬 𝑺𝑬𝑵𝑻𝑬𝑵𝑪𝑬 𝑺𝑻𝑨𝑹𝑻𝑬𝑹𝑺 𝑷𝑻. 𝑰 (accepting)

Sam sits deep enough so that the back of his chair slants. The hour encroaches slowly towards night, and though the blinds are drawn, he can well imagine that the sun has started to slither down past the concrete city and behind the dead, empty streets. 

This man with his long, bleached hair and too-cool-for-school look— Sam actually wishes, really, that the power worked. He’d charge his phone. He’d catch something on TCM. Turn on the radio. 

“You should’ve seen it back when. You guys- sure, you have your computers and your smartphones—power to you—but the golden days? I’m talking wallball, 25-cent comics, and this little thing I like to call” —he holds up his hands. He waits for it— “soul-searching.” 

Clever. Sam keeps his elbows on the desk. A battery-powered clock still ticks, counting down the seconds. All of this to say—

“Two words.” Sam smiles. “Carpe diem.”

Life is what you make it and seize the day. Or as much as a death-trap city will let you.

[swan2swan]

Thire: "You should probably go ahead and save yourself, General Yoda. We're expendable bodies made only to fight, after all."

Yoda:

[brittlebutch]

actually it's kind of funny how people will say Alex's fatal flaw is that he 'doesn't ask for help' and that it's his determination to handle things on his own that leads to his deterioration and eventual death when his whole introduction to the present-day timeline was a very literal cry for help that simply went ignored

[inkats]

having a crush is like poison status effect whenever u have to think.

[renthewerecatboi]

not beating the favouritism accusations with this one boys😔

[roobylavender]

considering what you have spoken about regarding selina do you also get frustrated with like…i cant quite explain it but sometimes especially in more recent years shes been posed or positioned like some sort of damsel that needs a big strong man to save her and like im not saying she should be portrayed with the “hollywood level feminism” for lack of a better term im just think about how old versions of selina would have hated that. like im just thinking of anytime in the reeves movie where bruce grabs her or forces her mouth shut or even when he didnt allow her to kill falcone and im just thinking she should claw the fuck out of him for that. i just miss a version of selina who wouldnt allow anyone to walk all over her personal autonomy like that

oh absolutely! in fact this is specifically why i can't stand loeb's take on her character lol (and as we both know that was a significant point of reference for the reeves film). it's really jarring to transition from her volume one and two canon to the long halloween / dark victory / when in rome. i think a lot of people tend to latch onto these books because tim sale's art is to die for and it's obv hard not to enjoy a good murder mystery. in that aspect they're still books i can enjoy in isolation. but i find it very difficult to enjoy them as a selina fan specifically because in every single one it's like she's looking for solace and security in a man and i'm not sure why. like what was so bad about her original backstory of having a deadbeat dad (whether you ascribe to the volume one or volume two version of him) and why did she need to go looking for her "real" father in carmine falcone. why did she need to seek out temporary boytoy relief in italy. why did she dream about being saved by bruce. none of it really has a reason other than to create a "lack" in her for the sake of it being there, because she'd never needed a man like that before in her post-crisis narrative. as you mentioned it was quite to the contrary and she was fiercely independent and protective of her own peace, esp from men. when she felt empty or without a connection or lifeline to someone real, it was mostly about people like maggie or holly or arizona. her people

what i think it ultimately comes down to are two things: the first thing is the diminishment of her post-crisis origins. after all, it's convenient to ignore how distrustful selina is of people, and of men with power at their leisure to abuse specifically, when her post-crisis origins are no longer relevant to her personal characterization. although selina's status as a sex worker is more prominent now, it was more or less completely swept under the rug for the bulk of volume two. loeb also refused to engage with it in any capacity. it only really resurfaced with the conclusion to volume two because it drew direct parallels to how we initially found her in volume one, and then brubaker expanded on it once again in his take on the character, which was notably juxtaposed against a pre-existing romance with bruce and brings me to the second thing. i've already waxed about this at length so this may very well be recap but i really don't think selina's lack of control over her personal autonomy can be divorced of the modern portrayal of the romance. when selina looking for security and understanding and comfort in bruce is what drives the romance forward there's not much room to maintain her original values and guarded demeanor, if not her outright defensiveness and hostility. a lot of people look at the extensive trauma selina has experienced and argue that she deserves to be in a relationship with someone who allows her to let those walls down. this isn't incorrect in theory. but it does repeatedly ignore who she is. it's kind of like the point i was making about bruce yesterday. exploring the inherently abusive nature of robin or of bruce's right to his children in light of that fact is interesting to do, but the actual execution has rarely managed to take into account who bruce actually is

for however nice it might be for selina to let her walls down romantically and look for solace in bruce—and i say this mostly for the sake of argument, personally i would argue against its necessity—it's realistically not something she's actually going to do. at least not as willfully as she's been portrayed to. realistically she's going to make it extremely hard, which if anything is precisely the appeal. i love it when selina gives bruce a hard time. i love that it's not supposed to be easy or maybe even a possibility for him to win her over bc there's so much about his own ideological stances that's flawed and in opposition to her own. she doesn't have to be any less unrelenting in her principles and worldview for that romance between them to be compelling bc at the end of the day the entire crux of it is that against all odds bruce cares. for however wrong he thinks she might be in a given moment or in her stance against the government, he knows who she is and how hard she's fought and what she's survived and it makes him sympathetic to her because she's real. she's a wonderful character through which to explore the logical limits of bruce's self-righteousness and categorization of crime, as well as a wonderful mirror to hold up to his face as he starts to ask himself whether what he's doing is really the only means of keeping the city safe. and the novelty of it all is that you don't have to sacrifice her character for any of that to be true. writers have simply deluded themselves into believing that they have to and that's why we are where we are today

[sapphicautistic]

My gf was listening to "White Blank Page" by Mumford and Sons and I once again told her that song is SO much better if it's gay.

She doesn't listen to the lyrics of songs but she's extremely good at literary analysis and this time she actually looked up the lyrics and has now come to the following conclusion: "It makes no sense if it's not gay."

My (objectively best) reading is this:

The narrator was in love with a guy who strung him along, never willing to be in a committed (or public) relationship with him and maybe insisting that it's extremely heterosexual "helping a bro out" sex, except in more intimate moments. Finally out of nowhere guy is suddenly committed to a woman and when Narrator confronted him, guy spat out homophobic vitriol and claimed he's not gay like the Narrator.

(For extra flavor imagine them as closeted, straight passing Midwestern flannel wearing, love-bonfires-and-camping guys who sat next to each other at church and elbowed and annoyed each other like best friends do and were each other's go-to source of emotional support! And then to suddenly shut Narrator out for the first time ever, by abruptly marrying a woman and insisting that he's always been straight and their relationship meant nothing...)

Here are the lyrics:

Can you lie next to her And give her your heart, your heart As well as your body? And can you lie next to her And confess your love, your love As well as your folly? And can you kneel before the king And say, "I'm clean! I'm clean!" ? But tell me now, where was my fault In loving you with my whole heart? Oh, tell me now, where was my fault In loving you with my whole heart? A white blank page and a swelling rage, rage You did not think When you sent me to the brink, to the brink You desired my attention But denied my affections, my affections So tell me now, where was my fault In loving you with my whole heart? Oh, tell me now, where was my fault In loving you with my whole heart? Lead me to the truth and I Will follow you with my whole life Oh, lead me to the truth and I Will follow you with my whole life

Why call multiple people "you" in a totally unclear way? Why would you claim that your female ex's new man can't love her AT ALL (not just as much as you did, AT ALL)? And invoking the judgment of God is so fucking tedious if you're just shaming your female ex for moving on or even cheating/getting with your friend. Also you look like a creepy asshole if you think a girl broke up with you for "loving her too much".

This song is tepid, badly written, and makes the narrator look like an asshole if it's NOT gay.

The gay reading is the ONLY compelling one.

[bidaryl]

the thing about twd fic dying off around s6/s7 is that plot lines and characters beyond that are barely incorporated and included so now we're forever stuck reading about fucking negan being the biggest baddest killer to ever walk the earth and the whisperers and reapers and governors are left in the dust. for once i just wanna read about negan being the Alexandria Outcast: Hated By Most, Needed By Some, and let alpha or the fucking commonwealth be the monster at the end of the story. please

[lord-squiggletits]

Sorry for being negative, I’m just a bit disappointed that after looking through the Earthspark Optimus tags on and off on different occasions weeks apart, it seems like the only thing the fandom has to say about ES Optimus is finger snaps and dad jokes. :/ (And also a handful of people already trying to frame him as a bad person lmao)

Watch for it, when more episodes of Earthspark come out and a conflict with GHOST inevitably arises, people are going to be raging at Optimus for being “stupid” or “self-righteous” or “blind” for working with GHOST and start calling Megatron and/or the Decepticons right about everything because they spent so long focusing on “haha funny dad Optimus” that they forgot about the other parts of Optimus’ character like... idk, not wanting to colonize planets? Not wanting to start wars with entire species that didn’t want to be involved in the war in the first place? Being willing to make compromises even at risk to himself and his own because he wants to treat everyone fairly?

Idk I guess I’m just a bit salty because it genuinely seems like all this fandom wants is “funny dad Optimus” and nothing else. Like you will give them funny dad Optimus who’s ALSO complex and morally gray but people will only ever talk about the former part. And then when Optimus inevitably makes a mistake and bad things happen, people are probably going to treat him as if he’s stupid or an asshole when he ends up not being the Perfect Unproblematic Fave that people seemingly want him to be.

[thosesillylittlegayghosts]

RIP Alastair Carstairs you would’ve loved Masie Peters

[tibtew]

*sigh* something something the two-dimensionality of saeru's characterisation is a writing flaw, not a feature, and trying to pass it off as a feature whilst berating anyone who sees it as a flaw is uh. A Choice

[deus-ex-mona]

why can’t this week just end alreadyyyyyyy

[arolesbianism]

Wendy and Abby fuck me up so bad just like in general but what keeps coming back to haunt me is wondering how long they had to go through it all just them two. How many times did Wendy die, how many times did Abby watch the light fading from the eyes of her twin. How many times was it slow, how many times was it in a split moment, how many times were they together when it happened, how many times did Wendy die completely alone. It's just like god damn no wonder Wendy talks Like That not only did Abby die but poor kid has been forced to become accustomed with death in a much more direct way than even adults are built to handle

[i-am-become-a-name]

What's your interpretation of the weird/annoyed look Five gets on his face when Tegan announces that she wants to rejoin the TARDIS at the end of Arc of Infinity? I know it was probably meant to be played for laughs, but it annoys me every time i watch that episode and i'm curious what headcanons people have about it.

My favourite thing I've read about it pointed out that the cybermen specifically used Tegan as a weakness against five, that she's what it took to manipulate him (and through no fault of either of them, Adric's death was part of those consequences.) The novelisation really goes in to the descriptions of the doctor transfixed with the blood running down Tegan's chin from her bitten lip, the building tension as the cybermen get closer and closer to killing her and he's shaking trying to hold himself back from admitting his hearts are so easy to twist, just by threatening his friends. (Does Nyssa ever leave the TARDIS when it's on the spaceship? The cybermen don't even know she exists til they come onboard do they?)

As for why he looks so annoyed? hmmm. Does anyone want someone around that constantly needles them? Really, I think pre Arc of Infinity that even though Tegan had chosen to stay, they still had that power imbalance or even just tension between them that she had not come on board willingly. So five is expecting that to be the continuing, I don't know, continuing manner between them and it hadn't been good. It had its moments (mainly in the audios) but as an arrangement it was not ideal as friends to explore the universe together, all that terrible beauty and awesome monsters.

But it doesn't continue on in that manner - oh they bicker and make faces at each other, sure, but Tegan's conscious decision to step back onto the TARDIS irons out those imbalances, removes that bitterness and the past of her aunt's death. So when he makes that wee face, it's in expectation of the previous status quo. And never let it be said that Tegan's one to do exactly what's expected of her.

Anyway I really hope this makes sense and I may add some more thoughts later but it's 1:50 am Christmas Eve and I couldn't sleep for thinking about this.

----

It's 2am I'm back. I feel like there's also this uneasiness in five about tegan, that mirror that no one likes being held up to themselves. Their similarities but the starkly different ways they express them must be exhausting to five. and here she is back again. To push and prod and challenge and be brashly beautifully glorious. wait. that last bit was the two am shipper coming out. Anyway they draw strength and resolve and anger from each other and Tegan was vital to five, from his first moments till his very last.

[jrueships]

i don't know but you are that frog to me.