silent reading time — kaiju no. 8, hoshina soshiro x reader, use of foods as nicknames, childhood best friends dynamic, biting, 1.4k words
Hoshina Soshiro is staring at your thighs.
... you think.
It's hard to tell, since you aren't looking at him. Quick, fleeting glances out of the corner of your eye aren't enough to discern the true aim of his line of sight, but it really kinda looks like... he's looking at your thighs.
Why, though?
It's just a typical weekday night. You dropped by his room the way you have for the past twenty-odd years, holding a paperback book with a purple pen tucked behind your ear, ready to indulge in your favorite pastime of silent reading in your best friend's company. Soshiro has his own paperback in hand, green pen spinning around his fingers. The two of you jot little notes as you read, and once you finish you swap books. Later, you'll go to one of your favorite cafes together to talk about them. Soshiro's neat scrawl is as familiar to you as the back of your own hand.
For a brief moment you debate calling him out on his staring. But — nah, it's probably nothing. Maybe your pajama shorts are a little worn and he's just appalled you're wearing something so flimsy.
"What's up, beansprout?"
You glance up from the words you haven't been reading and meet your best friend's gaze. "Huh?"
Soshiro closes his book but keeps his finger tucked to hold his place. His green pen spins in a blur. "You've been starin' at that page for ages. You sleepy or somethin'?"
"Nooo..." you draw out the word as you think of something to say. "Just wondering if I should get new pajamas."
Well — you didn't call him a creep, but now he's blatantly staring at your thighs and maybe this is... worse? You can feel a flush rising up your body at his scrutiny.
"What's wrong with these?"
"... Nothing?"
Soshiro gives you a doubtful look and before you have a chance to retreat, he's caught you against the bed, pinning you down with his elbows on either side of your shoulders. Your books and pens go flying across the mattress, landing with a thunk and a clatter as the room settles back to stillness. The sudden proximity of him looming above you takes your breath away. You squirm a little at the abrupt weight. Soshiro chuckles, his breath warm by your ear as his legs press yours into the mattress.
"Tell me, egg tart."
He's close enough that the strands of his purple hair tickle your forehead. You know you have no chance of getting away from the Vice Captain of the Third Division in close quarters, but you wiggle half-heartedly anyway. "Get off of me, you big oaf!"
"Oh? That's not very nice," Soshiro's grin is playful. He eyes you for a second, and then he pouts. "I just wanna know what's runnin' through that pretty lil head."
Well that's just unfair. He knows you're weak to him when he makes that face. You scrunch your nose at him and giggle when he mimics you. He's steady, hovering above you, as if it's nothing for him to basically hold a modified plank pose on the soft surface of his mattress. Something about that makes you feel... a little warm.
But he's your best friend. You've known him since you were toddlers, training in swordsmanship together at the Hoshina estate, following him into the Defense Force until you hit a wall and pivoted to research instead — you know Hoshina Soshiro, and he does not make you feel warm like this.
You gather your wits about you slowly, like your braincells are moving through molasses. Soshiro seems content to hold his position, familiar grin still firmly in place. You can feel the warmth radiating from him, the careful way he keeps from squishing you entirely, even though he's stopping you from running away from the question.
"It's really nothing, promise," you say, "I just thought maybe you kept looking at my pajamas because they're so old."
There's a moment of silence as Soshiro digests this. You listen to him breathing above you, the thick fabric of his sweats warm where his legs press into your bare skin, the overhead light haloing his purple strands and casting his carefully blank expression in a faint shadow.
"Dontcha think you're a lil too comfy 'round me?" His voice comes out low, almost missed beneath the sound of your rapidly accelerating heartbeat. "I'm a man, too, y'know."
You blink. Soshiro's now wearing the vaguely amused smile he always seems to have on when you're around, but there's something lingering along the edges that sends a shiver up your spine.
Forget molasses. Your brain shuts down entirely, bluescreening as you frantically try to reconcile his words and his meaning and why is he looking at you like that? Like he wants to — to eat you, to swallow you whole — and why does he keep glancing at your lips? Do you have something between your teeth?
But, no, wait — Soshiro is a man. You know this. You've known this for ages. It's impossible to train with the strongest close quarters combatant in the entire Defense Force and not realize this simple fact. You've seen Soshiro take down more miniature and mid-sized kaiju than you can count, and he's a brilliant leader of his platoon and division. Everyone respects him and works hard to live up to his expectations, though you know he works three times as hard in the shadows.
Your childhood friend is certainly not a child any longer. One glance at the densely packed muscle on Soshiro's body is enough proof of that. You peek at his biceps tensing as he shifts above you and gulp.
Yeah, he's definitely a man.
But what does that have to do with anything...?
"Of course I'm comfy with you, Soshiro-kun," you say. Why does your voice sound like that? All... breathy and soft? You clear your throat and try to inject some normalcy in your tone. "You're my best friend! You'd tell me if my pajamas are too worn out, right?"
Soshiro just looks at you blankly. This is where he's supposed to crack a joke, this is where he flicks your forehead and calls you 'sugarplum' and rolls off of you, this is not where he suddenly leans down close enough that you can feel his breaths puff against your ear before everything narrows down to the singular point on your neck where he bites you.
"S-Soshiro-kun, what the hell?!"
"What's wrong? We're best friends, ain't we?"
"Yeah, but why'd you bite me?"
Soshiro's laugh is pressed into your neck like honey dripping from the comb. He's not... He hasn't moved away. You haven't moved away.
You could. He's left you room to move.
But you don't.
It's warm. His legs are still pressing against yours. The faintly woodsy smell of him is all around you, seeping into your skin as you shift amidst his blankets. "No reason," he says airily, lips brushing your temple as he brings himself to hover above you again. "Just takin' advantage of my best friend privileges."
"By... biting me?"
"By showin' ya I'm comfy 'round you, too."
The tension pops. You can't help but laugh, something like relief and the bittersweet tinge of regret flushing through your bloodstream. "What are you, an animal? Who the heck bites people and calls it comfortable?"
"Are ya uncomfy?"
"Well, no, but—"
"I've always wanted to bite you," Soshiro says. You can read the truth in the curve of his smile as his purple strands waver above you. "Ya look like you'd taste good, chestnut."
"That's it," you wrinkle your nose at him. "You've gotta come up with other nicknames for me, or else you'll keep thinking of me as food!"
Soshiro hums in thought. You can feel the sting and the faint imprint of teeth along the sensitive skin of your neck. Something about it makes you feel fuzzy inside, like a tv antenna struggling to search for a signal. You shift anxiously as the silence stretches, yearning for something unknown.
"No can do," he says brightly. His red eyes gleam as he leans down again. "But we're comfy with each other, yeah? Want me to inspect these old pjs for ya?"
The blush blooms beneath your skin with a force that startles you. "Uh, what—? No, Soshiro-kun, definitely not—"
He grins and it's bright, but a little strained. You reach up unthinkingly to cup his face in your hands, smoothing your thumbs along his jawline and cheekbones and smiling when he leans into the touch. The knot in your chest loosens. The two of you bask in the comfort of each other for a moment.
"You should really tell me off," he breathes, tilting his head. "You should tell me ta quit messin' around."
"Are you messing around?" you ask.
Soshiro laughs, a quiet sound in the stillness of the room. "I'm never messin' around when it comes to you."
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FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!
i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.
i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.
in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.
this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable
it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.
then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.
he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.
finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.
it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.
in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.
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