#he was booked as a 20 year old and this is

[mean-scarlet-deceiver]

how about A Gordon and Edward Analysis

Ooh yes… the OG dynamic! The first one, the foundation for everything!

(Unless you count “Edward and railwaymen”... or “Edward and coaches”... which, to be fair, I do…) 

These two are insane (affectionate). Hot take but this may be the saddest relationship on the N.W.R.?* They’re my two bestest boys but, man. Their dynamic is fucked. Edward and James are nothing compared to this. Gordon and Henry are healthy, relatively. 

tl;dr: They need couples counseling. 

Jobey, aren't you being a little dramatic? 

Am I? Take my hand. Let's do a close read… 

* This is going to focus on RWS (not tv series). Right now and for the rest of this post, I’m going to be talking strictly from the Wilbert books (and, thus, analyzing their relationship from the ‘20s to the ‘60s only) unless I specify otherwise 

Part 1 (this post): Gordon, what's your damage? 😭 / The Doylist Reason / Rent. Free. 

Post 2 (upcoming post, link later): Edward's Defences / Gordon's Growth

Post 3 (upcoming post, link later): Collision / Uh… Cleanup Crew?

tagging @weirdowithaquill because you asked for Edward+James and i wound up folding in most of what i have to say about them into this analysis 😅 in RWS they're a good foil for understanding Edward+Gordon

Gordon, what's your damage? 😭

There is a strong drive, right here on ttteblr, to portray how despite some notorious conflicts these two are canonically old friends. Also that maybe Gordon’s bad behavior is not so bad. 

That is a valid mission, indeed I flatter myself that I had some influence steering us down this road a few years back, however sometimes I think we're in danger of forgetting how often Gordon really has just been like… This: 

"You watch me this afternoon, little Edward," he boasted, "as I rush through with the Express; that will be a splendid sight for you." (1923) 

“I’ve done it! I’ve done it! I’ve done it!” he said proudly, and forgot all about Edward pushing behind. He didn’t wait to say “Thank you”... (1923) 

Edward puffed and pulled, and pulled and puffed, but he couldn’t move the heavy coaches. / “I told you so,” said Gordon rudely. (1923) 

So Edward found coaches for the three engines, and that day the trains ran as usual. / But when The Fat Controller came the next morning, Edward looked unhappy. / Gordon came clanking past, hissing rudely. “Bless me!” said The Fat Controller. “What a noise!” (1926-1934) *

When Gordon and Henry heard about the accident, they laughed and boasted. “Fancy allowing cows to break his train! They wouldn’t dare do that to us. We’d show them!” they boasted. (1952) 

“The Fat Controller would never approve,” said Gordon loftily. “Branch Lines are vulgar.” (1965) 

Edward scolded the twins severely, but told Gordon it served him right. Gordon was furious. / A few days later, some Enthusiasts came. On their last afternoon they went to the China Clay Works. / Edward found it hard to start the heavy train… / “Just pathetic,” grunted Gordon. “He should give up and be Preserved before it’s too late.” (1965) ** 

I am sportingly not even saddling Gordon with the blame for the line "Driver won't choose you again. He wants strong engines like us." (In TTRE, this is said by the collective of big engines – although the illustrations do clearly point a finger at Gordon. Still, like I said, I'm going to be sporting. The pictures aren't canon.) Also note that in RWS Gordon doesn't say "No use at all" when he learns Edward has come to push his train; that whole bit of dialogue was something Britt and David cooked up. 

Even being as generous as possible, this still leaves us with… seven. Seven instances of Gordon taking a shot at Edward. 

That’s actually quite a… lot? 

I mean, not necessarily if we were racking up all the complaints, ranging from major to miniscule, that you’d have about someone you’d lived and worked with for over 40 years, lol. 

But we shouldn’t actually be expecting a complete inventory at all. RWS books are minimalist on detail. There's just so much less in 'em than the sprawling TVS with its 24 full series, lol. And let’s focus here on just the Wilbert canon, since that’s where all these examples of Gordon being rude to Edward come from. Seven times, in 26 books. For context, the number of times Thomas teases Gordon in this same corpus is… three. Three times. Thomas cheeking Gordon. Also kind of a fundamental dynamic. THRICE! 

Passengers saying What a Bad Railway It Was… two. Number of times Thomas and Percy squabble… three. Number of accidents that Percy gets into (and this includes the piddling stuff, like crashing into that wagon of flour that was left on the rails)… five. Reflect on that for a moment: Gordon is a dick to Edward in canon more often than Percy's had an accident. That's crazy. Indeed, there are plenty of RWS characters who are canonically friends or who shed together who don't even get to have seven shared moments. It's actually kind of a fun game, to try to think of any two of them who, like Gordon and Edward, have seven of a specific kind of interaction. Have at it! There has to be something I've missed. 

But I hope it's clear, that by the standards of these books this character dynamic is hit A LOT. You know me, I'm going to go on to contextualize a lot of these seven examples, and I'm going to play Gordon defense attorney to a certain degree, and plead mitigation. But I can't possibly explain away the sheer size of this pile of evidence. This specific dynamic is not meant to be overlooked. It's not meant to be minimized.

This is a big inescapable part of what their relationship is. 

The Doylist Reason

Now, in fairness, the meta reason this dynamic is so pervasive and repeated is that it's The Template. 

“Big braggadocious engine needs help from humble plucky little engine” was trite before The Three Railway Engines was published. This is not a slam; I’m not gonna get on another parent’s case about the story they improvised for their kid because “it relies on cliches.” But it’s just a fact: Edward and Gordon, to begin with, are simply THE foundational cliche of “anthropomorphic train” media. 

One of the reasons the RWS (and the whole subsequent TTTE juggernaut) is so successful is because it features so many creative variations on this template. Most of the relationships are just "okay so one of them is the Gordon, and one of them is the Edward, but this time there's a twist!" (This is how you get Thomas as the big breakout character – because the Thomas and Gordon variation is a lot less cliched, and a lot more fun.)

Just an observation. 

Now, Awdry did keep writing the OGs again and again and again, for a couple'a decades, and he developed them both quite a bit. So by the end of his run we do have a very elaborate Jenga tower built on this template. Loads of fun* to be had yet. So let's jump right back into analyzing this shit in-universe. 

* For certain definitions of fun 😈

Rent. Free.

The first thing I wanted you to note about Gordon’s Edward-directed crimes was that there were a lot of them. 

The second thing I want you to note is that… these are, perhaps, not all so very criminal? 

Some of it is – the group harassment about the strikebreaking and the “Just pathetic!” bit (more on both of those later). But a lot of the rest of it strikes me as more the results of being blunt or un-self-aware or even just plain boisterous than actively choosing to bully anyone. In particular, the early stuff, the Three Railway Engines stuff on which the whole foundation of their relationship is laid… 

"You watch me this afternoon, little Edward," he boasted, "as I rush through with the Express; that will be a splendid sight for you." (1923) 

Condescending. Tone-deaf. Belittling (literally). But… not actually spiteful?

“I’ve done it! I’ve done it! I’ve done it!” he said proudly, and forgot all about Edward pushing behind. He didn’t wait to say “Thank you”... (1923) 

That's not cool, but it's also not… that bad. 

At the point where The Three Railway Engines ends with the claim "all three engines are now great friends," it's like, sure. You can see that. Indeed you can see it much more easily for Gordon and Edward than you could with Gordon and Henry – Gordon's behavior toward the latter (though in a similar vein of "kick a fellow when he's down") was much more extreme, and Henry's behavior was so bizarre that you hardly know what to expect from him next. (What you don't expect is that those two will be joined at the hip for the next thirty years.) By contrast the Edward and Gordon relationship should be kinda easy, the former's really nice so the latter just has to remember some basic manners and they should be okay. Right? 

But that's not how it goes. Partly of course because Gordon has much more out-of-pocket shit in him than he ever displayed in TTRE. But I'm going to set aside some of the more severe tests that Gordon makes of these friendships till later – stuff like punishing Edward for breaking his tender engine strike and "Just pathetic!" (not to mention all the needling of Henry around the Flying Kipper accident). Setting that aside, Gordon's original sin is simply being a dumb, self-centered, out-of-touch rich jock. Yes, he’s consistently “rude,” but usually more in an ignorant, superior, “I cannot be bothered to try not/learn how to prevent myself giving offense” sort of way than an aggressive, malicious “hurting you for fun and profit” sort of way. In contrast to, say, James. Whose behavior really is consistently mean. And who is hurtful on purpose, because he’s having a bad day and tearing someone else down is how he copes. James insults; Gordon (except in those couple of asterisked cases that we’re tabling for later discussion) merely boasts. And it’s really quite interesting to me how Edward seems to have much less problem with the former than with the latter! 

Because he does have a problem with it. We know, because for most of this long list of incidents the source must be… him. 

This is a series where canonically the Author is a human “friend of the railway,” collecting and publishing these stories in order to publicize the railway to the world. This is something that really can’t be forgotten when reading these (indeed, thanks to the “Author’s Note” each time, the books will not let you forget it). The narrator is canonically a figure in this universe, and is not omniscient. 

And, when it comes to the Edward/Gordon dynamic, the Author’s point of view is consistently collapsing into Edward’s point of view. 

Certain times when the narrator editorializes about details, we can be pretty sure, are lifted straight from Edward’s take on the moment (and, if not Edward’s, then The Fat Controller’s, which to be frank is also roughly aligned): 

Edward puffed and pulled, and pulled and puffed, but he couldn’t move the heavy coaches. / “I told you so,” said Gordon rudely. (1923) 

That Gordon said that, I don’t doubt. That the adverb is necessary, or even correct? That’s… that’s interpretative. I totally understand why Edward and TFC, respectively, took it that way, but I’m not 100% convinced it was meant that way, nor that everyone else on scene regarded it as much more than Gordon glumly colour-commentating the group effort to recover from his breakdown. Is he being ‘rude’? Or is he merely too blunt for North Western sensibilities?

Anyway, even if ‘rude’ is the correct interpretation, it is again worth noting that it’s certainly not part of the narrative as Gordon would have been telling the story in the 1940s. (The 1940s! It's over twenty years later! And Edward is getting his side of the thing in fuckin' print… Big win, that.)

So, if we agree that Edward is the source the Author primarily relies on for these 2+4 scenes, what does this show us? Well, for one, I'd say it shows us that Edward may ‘forgive’ all this but he is certainly not forgetting one bit of it. Indeed the narrative’s repeated return to this dynamic almost certainly mirrors how much room Gordon’s superior attitude occupies in Edward’s headspace.

Which is kinda wild. There's no evidence Edward is petty by nature, if anything there's a lot that suggests the opposite. Gordon getting this far under his paint is… something of an achievement. 

But we can see how he managed: 

Even discounting the illustration. Even if Gordon isn’t the speaker. He was one of Them. The other big engines who tormented Edward may have been worse, were probably worse, but they are gone and Gorson remains, an eternal reminder of 1922-3. Of the primordial period when Gordon has the power, Edward doesn't. Gordon is on top of their world; Edward is left alone in a shed, cut off from all his former friends and supporters, afraid for his life, roundly denigrated by the engines he lives with, and quite possibly lost his previous job directly in favor of Gordon. Who, at best, is careless and oblivious. Who, at worst, is belittling and rude. 

Ouch. 

Gordon's arrival is still bound up, probably even the direct cause, of one of the most miserable and humiliating year of Edward's life. And – maliciously or not – everything about how Gordon conducts himself only serves to keep tearing again at that wound.  

Ouch. 

If Edward were to write off Gordin as a potential friend till the end of time, well, you know, it would be valid. Not very "wise" or anything, but it’d be understandable.

To be clear, I don't think this is what happens. I'm not going to argue that the famous line from the end of TTRE is a lie, some sort of diplomatic fiction. No, Gordon and Edward quickly make a go at genuine friendship. Indeed, throughout all this mess, even as I analyze it in excruciating detail… there's something kind of touching and weirdly wholesome about the way that they both try so hard to make it work despite the headwinds against them. Edward (and Gordon, for that matter) make sincere efforts to overcome the wounds they have inflicted on each other's egos. Kudos, lads. 

However, I also don't agree with a vast assumption on the part of many fans that Edward solves the issue by simply… rising above. Puts aside his own ego, takes a pacifist approach to all the jockeying for position, acts purely as mentor, just sits on the moral high ground and philosophically accepts everything as it is. 

This is canonically nonsense. Yes, Edward was passive in his first-ever story – he was at the end of the line; he needed someone to give him a damn break before he even had options – he doesn't actually remain passive after that, though. Indirect (he’s allergic to conflict), but not passive. We see very clearly that Edward may be judging status by a bit of a different yardstick than Gordon et. al., he doesn’t think picking up the slack on secondary or support jobs is a source of shame and his relative physical weakness drives him to find different ways to distinguish himself, but, like, when it comes to points-scoring, he’s still very much in the game. Of course his first priority is just to be wanted and useful at all, but that is not the end of it. Edward is competitive, with a proper amount of pride (“Good! Don’t let them beat you”) and he has normal engine-y desires and ambitions (“Look at me!”). ‘Course, in his case they don’t drive him to make a straight-up nuisance of himself. But, still. It matters to him that he gets to be the Smartest Engine in the Shed. It matters to him that he has nice blue wheels. It matters to him that he’s important, it matters to him that he’s respected, and he’s quite as pleased to get important jobs as any other engine (even if he doesn’t begrudge an engine who gets a jammier job than him). When canon kicks off no driver at Vicarstown has laid a claim on Edward, Topham Hatt has just succeeded some previous General Manager and shows no sign of knowing or remembering that Edward exists, and Edward has nothing – no job and no allies. It is not an accident that all three of those things change. It’s not even merely a natural karmic reward for being a nice, humble engine with a winsome smile. Edward set out to earn recognition. His main method (be helpful and reliable to others) is admirable, but it is also a means to a goal (be recognized as important and ensure he's never again stuck in the sheds). And he succeeds wildly. There’s luck there, sure - there always is, with success - but he didn’t have a lot of natural advantage at his tender, either. What I’m saying is that he’s not some innocent unworldly soul who aww-shucks’d his way into it. He meant for this to happen. He played smart and he worked hard for it – but, like, he had to know what it was he wanted. 

Am I belaboring this point? Maybe. But I feel like so many people only see Edward as nothing more than a dutiful, responsible, maybe even stuffy oldster with at most an occasional twinkle of fun in his eye and, hell, often that’s not even a big problem (though I think it sells short later characters who arrive and who are ACTUALLY more unambitious and above-it-all than Edward - for instance, I think Donald and Douglas are actually our first tender engines who show up and legitimately just never once give a shit about their status, at least not beyond the status of ‘alive’ vs. ‘dead’). But I think it IS a problem, that it does lead you wrong, when you bring that assumption to bear on Edward’s relationship with Gordon. Edward never "mentors" Gordon. It’s a fundamentally competitive relationship. Oh, maybe it shouldn’t be! It shouldn’t be, because Edward is not jealous by nature and so if Gordon were halfway chill himself it never would have been. And it shouldn’t be, because Gordon so easily outclasses Edward that there should be no reason for Gordon to ever get jealous, either. But they both manage, somehow. Edward’s not just benignly pulling a quarter out of Gordon’s ear every so often, to gently remind him that Gordon doesn’t know everything yet. He might have settled into this role, if Gordon hadn’t scared the existential shit out of him throughout the ‘20s, but Gordon did and so Edward didn’t. Edward’s in it to win it, babe! He accepts that his express days are over, but he’s not willing to be told he never again gets a cut of the cake, either – and, when Gordon snubs him, Edward is not just rising above the fray and letting it go. They’re always playing tug-of-war. 

To reiterate: I don't think Edward is faking friendship after Gordon's failed express. He's really working on it – and he might have had more success letting go of the previous wounds Gordon inflicted on his ego – if only Gordon had stopped that sort of shit, going forward! 

But that's asking too much. It's still the 1920s, baby; Gordon's gonna Gordon; so what's a little tender engine to do? 

[shepherds-of-haven]

do you have any poetry recommendations? or books with nice prose?

Hiya, I do not read poetry for leisure, so unfortunately I'm not a brilliant person to ask for recs--I like what I've heard of Li-Young Lee and Rumi, and if you're into the romantics, of course Walt Whitman, Coleridge, Wordsworth, Blake, Shelley, Keats, and Yeats are lovely! (Those are among my fiance's favorites--he's much more versed in poetry than I am and can recite multiple poems by heart!) When I was young, I liked Pablo Neruda, but I haven't revisited his poetry recently enough to feel strongly about it.

For fiction books with lovely prose, my old standbys are of course JRR Tolkien (The Lord of the Rings, Silmarillion), Philip Pullman (His Dark Materials), and Robin McKinley (The Blue Sword, The Hero and the Crown, etc.). Patricia A. McKillip's prose is insanely lyrical, almost like a Celtic fairytale or Greek epic, though almost to the point where the plots were a bit slow: if you want to 'sink in' to the prose, though, she might be a good pick. Same with Guy Gavriel Kay (Tigana, The Lions of Al-Rassan). Oh, and Tad Williams, too--I loved his Shadowmarch series, but I hear Memory, Sorrow, and Thorn is very poetic too.

If you want more recent recs, I thought The Bear and the Nightingale by Katherine Arden and The Curse of Chalion (and its sequel, The Paladin of Souls) by Lois McMaster Bujold had absolutely lush, sensuous, beautiful prose. Sharon Shinn's Mystic and Rider was great, too, though I would say it's just very well-written and velvety rather than outright poetic in its prose. Oh, and the prose in Robert V.S. Redick's two series--The Chathrand Voyage and The Fire Sacraments--is also absolutely insane! You can't go wrong with any of these, and they're all absolute standouts in the fantasy of the last 20 years, in my opinion!

Hope that's helpful!

[rowayneau]

Hazbin Hotel x Twisted Wonderland

An idea for an AU where the whole Hazbin Hotel ended up in Twisted Wonderland. The whole hotel(after ep 2) is suddenly transported to Night Raven College and somehow combines with The Ramshackle Dorm. Everyone is freaking out and is wondering where the hell are they, and who is this human kid (Yuu) and is that a talking cat?!?! Why are its ears on fire??? 

There will be a lot of chaos before everyone settles down. I can see Crowley will try to take advanta–ahem, show his kindness and let them stay on campus in exchange for helping out with the school.

Also this is a Hogwart/Disney school?? Where villains are being worshipped as heroes and history is not what it seems. I can see Charlie being a Disney fan will feel conflicted about this? Was their history wrong or the movies wrong? Not all the story is what it seems.

Charlie will learn a thing or two about perception in stories. How the story is being told depends on who's telling it, maybe her parents' story of hell might not be as accurate as they tell her.

But who cares about that right now, this is a magic school with wonders and amazement and new opportunities. But they are stuck being staff in a school full of douchebags kids with no pay. Yayyy…….. 

There are assigned different jobs and spread out across campus

Charlie: School's official therapist/counselor. Usually has no patients unless is an Overblot victim or Yuu coming in from an Overblot incident or dealing with Crowley’s bullshit. She is also Yuu’s primary caretaker, Crowley is irresponsible enough to leave Yuu on their own to fend for themselves doesn’t sit well with Charlie. So she stepped up and became a big sister to Yuu.(Which is a big relief. Have you seen what this kid went through in the game, especially in the later books?)

Yuu: Charlie assistant therapist/Crowley's gofer/Hotel gofer/Grim's caretaker. The unfortunate isekai protag who ends up cleaning up all the mess/incident at school. If that's not bad enough, with Ramshackle combining with the Hazbin Hotel, they will also need to deal with the Hazbin crew too. Will not be able to catch any break. At all.

Vaggie: School security and second gym coach. Will be extra protective of Charlie and super on edge due to being in a new environment and in an all boys school. Hates Coach Vargas as he reminds her of Adam and will be very strict towards the students and training them like a drill sergeant

Angel: Health/Sex-ed teacher. How did Crowley approve of this? No one knows. He is the teacher that everyone avoids but has to see due to being mandatory. Very uncomfortable and in way too many details of sex-ed during his class. Luckily for them, the students are all underage and he won't go that far. Except for Leona who is currently 20 years old. Yeah.....

Husk: School cafeteria worker. No different than working at the bar in Hotel but instead of hearing the Hazbin's moan and bitch about their problems, he gets to hear students moan and bitch about their problems. Oh and no alcohol since it's a school and all.

Niffty: School Janitor. Everyone is afraid of her and is cleaning up after themselves just to avoid her. Students with bug-like features or resembles it hides from her.

Alastor: School Announcer. This creepy fuck took over the school broadcasting system and turns it into his own radio studio. Keeps tabs on the student body and makes announcement that either is useful or just fuck with the student body. Very interested in this world of magic and trying to study them for his advantage. He is also looking into Unique Magic and is particularly interested in Azul's.

Sir Pentious: School Repairman. He mostly causes explosions with his inventions and his egg bois can be found all over campus. There are just so many of them, like an Easter egg hunt. His invention is interesting enough and everyone likes an airship with a death ray attached to it.

I can imagine in this AU they will be stuck until all 7 Overblots are resolved and then maybe they will find a way back to Hell. Along the way, they will get involved in a lot of shenanigans and start to grow fond of the kids. 

They can see the kids do their best, but they always lose. What surprised them is that even with constant failure and loss, they never gave up. The kids are so passionate about their dreams & ambitions when they fall down and crawl back up no matter what.

In a sense, they can see how these kids are similar to Charlie with her dreams. Maybe there is more in common to them in this world than they thought.

[xenia12]

Here’s a bunch of 3+ year old incorrect TOH quotes from my notes app because I’m bored

News reporter: There are rumors that you recently went undercover at Hexside under the name “Caleb”. Is this true?

The Golden Guard: Pfft, TITAN no. Caleb’s just a pathetic wannabe who can’t stand his own incompetence. Like, seriously, he can’t do *anything* right. I feel bad for anyone who has to suffer the embarrassment of being within 20 feet of him. He’s such a loser.

Hunter, watching the clip on his scroll a few hours later: Say that to my face, you fucking tool. Stop being such a royal ass-kisser and get a real job.

The Emerald Entrails, sitting together after practice:

Willow: Are you okay?

Luz: No problemo!

Luz, internally: But it was all problemo.

Gus: What's your biggest fear?

Hunter: Being replaced.

Gus: Damn that's deep.

Gus: My new one is the Kool-Aid man but I feel kinda stupid about it now.

Hunter, lying in the woods, depressed: I'll never be a cop again. I'm gonna have to be a robber.

Lilith: You know, I really wish you’d just admit you made a mistake sometimes.

The Golden Guard, stirring his coffee: I prefer it with salt.

Willow: What are you two arguing about this time?

Hunter: He’s always using human phrases incorrectly!

Gus: Cry me a table, Hunter.

Luz: I'm very disappointed in you, Vee.

Hunter: C'mon, don't get mad at Vee!

Luz: Hunter, stop telling Vee it's okay for her to punch you! She needs to learn not to punch people!

Hunter: But I'm not a person!

Vee: Which is why I punched him!

Lilith: *Turns on the breakroom light*

The Golden Guard: *Sitting at the table, eating bread*

Lilith: It’s four in the morning.

The Golden Guard: Turn the light back off.

Hunter: The joy of hanging out with Luz. You look away for 5 seconds to make sure something is set up correctly, and she bites the tip of a marker off.

Camila: Can you come out?

Luz: Yeah gimme a minute…

Luz: Mom, I’m bi.

Camila: I know that. Come out to the car.

Luz: Okay.

Luz: Car, I’m bi.

Camila, a tired mother:

Willow: *lifting weights*

Hunter: Wow… She’s so intense!

Luz: I wonder what drives her.

Willow, internally: Oh I am going to be SO good at giving hugs.

Hunter, protecting a palistrom forest: I am Hunter, I speak for the trees. Chop them down and I snap your knees.

Luz: I wanna be a knight!

Hunter, basically a knight: What the fuck do you want this shit for? I kill people, all right? Their blood is on my hands! Every night, when I go to sleep, I see their FUCKING faces staring at me! Their families weep, and I FEEL NOTHING! I’M DEAD INSIDE!

Luz: Man, I want some of that in my life!

Luz: I want a trip down memory lane.

Vee: *proceeds to grab every warrior cats book they have and sets them in Luz’s lap*

Vee: I heard you needed these?

Luz: YES! ALL OF THEM!

Hunter: Due to personal reasons, I will be fucking sinking to the bottom of the ocean in a large metal box.

Luz: Did Willow say “I love you” and you said “Thanks”?

Hunter: THE REASONS ARE PERSONAL–

The Golden Guard, on live news: I can't imagine what the Owl Lady is planning, but I can tell you two things: we won't like it and it won't be legal.

Gus: Did you win? Or just not die?

Gus: Either way, hooray.

Hunter: ... Is "no" a valid answer?

Gus: The hooray is redacted and you frighten me.

The Golden Guard: Hey, do you know anyone who can teach me to play the trumpet?

Darius: Why?

The Golden Guard: I want to wander around playing it to annoy Lilith.

Darius: Technically, you don’t actually need to know how to play the trumpet well for that.

The Golden Guard: Darius, you have opened my eyes.

Lilith: Can we talk about that mass message you sent?

The Golden Guard: Why? It was important.

Lilith: All it says is, "I'm back on my shit".

Steve, shrugging: The people need to know.

Gus: How long do you think it’ll be until Willow finally snaps and commits murder?

Hunter: I’ve been operating under the assumption that it’s already happened at some point and it’s just that no one was ever able to trace it back to her.

Hunter: It was difficult, so you’ve just given up. You might fail, so why bother trying?

Luz: Exactly.

Luz, to Amity: I told you he’d understand.

Willow: Remember, when burying a body, make sure to cover it with endangered plants so it’s illegal to dig up!

Willow: Make sure to follow me for more gardening tips!

Hunter: There's something I have to ask about you-know-who.

Luz: Voldemort?

Hunter: No.

Luz: Is it Voldemort?

Hunter: It's not Voldemort.

Luz: You haven’t mentioned wizards once this conversation, so I’m gonna have to assume it’s Voldemort.

[silbeni]

Ouhh wait

[moonsnqil]

tell me i'm not the only one who regularly has this thought

[francy-sketches]

I ❤️ thinking about joffreymargaery failmarriage but it’s almost always w the show version *crowd boos* bc it’s more fun to imagine adults in a toxic relationship like book version is just

[wonder-worker]

I've been thinking about the tragedy of Elizabeth Woodville living to see the end of her family name.

I don't mean her family with her husband, which lived on through her daughter and grandson. I mean her own.

Her sisters died, one by one, many of them after 1485. When Elizabeth died, only Katherine was left, and she would die before the turn of the century as well.

All her brothers died, too. Lewis died in childhood. John was executed. Anthony was murdered. Lionel died suddenly in the peak of Richard's reign, unable to see his niece become queen. Edward perished at war. Richard died in grieving peace. For all the violence and judgement the family endured, it was "an accident of biology" that ended their line: none of the brothers left heirs, and the Woodville name was extinguished. We know the family was aware of this. We know they mourned it, too:

“Buy a bell to be a tenor at Grafton to the bells now there, for a remembrance of the last of my blood.”

Elizabeth lived through the deposition and death of her young sons, and lived to see the end of her own family name. It must have been such a haunting loss, on both sides.

[es-3]

i’m sorry, if jessica died when she was 15, and she’s 6 years older than lockwood, and she died 6 years before he showed lucy and george her room at the end of the whispering skull, which takes place the june after the november of the screaming staircase, which is 6 months after lucy joins the agency, and george joined a year before her, that means that he was 15 when he showed them the room, 14 when lucy joins the agency, and 13!! when george does. he was either like 12 or 13 when he started the agency. i thought they were like 16 screaming staircase and 18 by the end of it this is so weird

[souenkun]

YORISHIMA WAAAAAH 🥹🫶

[ruuari]

this is how older anduin looks in my head

[minimutty]

Young Lucius: Monk in Training

We were so close to getting a tome Lucius...! IS actually remembered Lucius existed and gave him an alt, but then they forgot which weapon he starts out with again!!! (I'm sure it's intentional, tbh)

So close yet so far~ 😭

this piece was on the backburner foreverrrrrr

i legit started it over 6 months ago and never got around to finishing it. I promised I'd finish it if Lucius stayed in 100s in CYL, so here it is, haha. It's actually a lot older than it looks. How time flies

[raeloganthesonic06fangirl]

Mom got me an immortal pumpkin

Well, crafting pumpkin, but still, it's unrottable. I'm very pleased. I might knit it a cap just for it, that sounds fun. 🙂

[declanisms]

why do people just forget percy and literally every single demigod (at the very least greek idk shit abt the romans) that exists in the series canonically has ADHD & dyslexia like why are you acting like they’re all neurotypicals?? (I know exactly why it’s bc rr told and did not show)

[nobodysdaydreams]

Giving a complicated tragic childhood backstory to your favorite character is all fun and games, until you realize you need to account for how old all the other adult characters would have been at the time and realize that scenes that would work perfectly if one character was twenty three and the other was fourteen stop working when you need other characters who are played by adult actors clearly younger than they are to be in college at the same time so your story beats line up thematically.

[lollytea]

How do I say, without coming across as a jaded miserable little bitch who likes raining on everybody's parade, that the PJO Disney plus adaption is nostalgia bait, in the same way that their live action remakes are