#has so much potential for kindness that he is willing to explore and act upon

[theodore-sallis]

“The Gift of Death,” Man-Thing (Vol. 1/1974), #8.

Writer: Steve Gerber; Penciler and Inker: Mike Ploog; Colorist: Petra Goldberg; Letterer: Artie Simek

[testudoaubrei-blog]

“I’m loyal, that’s my whole thing.” - Scorpia, Season 4 Episode 6, Princess Scorpia

“Everything they taught us in the Horde about loyalty is meaningless” - Lonnie, Season 4 Episode 5, Protocol

Rewatching Season 4, I just finished Princess Scorpia. This is an episode that has always stuck with me, especially the A plot of Scorpia realizing how badly Catra has treated her and everyone else and deciding to leave. One thing I’ve been thinking about since I finished the series, though, is what this episode is telling us on a larger level. Looking beyond the character arcs and more at this show’s larger themes and message. Because this show is very much a show that says things, made by people who believe them. That earnestness and depth is one reason I keep coming back to it.

In the pull-quote above, and throughout the episode and before it, Scorpia defines herself in terms of loyalty. It is her identity - as she says, that’s what Scorpions do, they’re loyal. Her actions for three and a half seasons bear this out. When she first shows up, she tries to position herself as Catra’s new best friend, the one who won’t leave her and will stick by her no matter what. And that’s what she does, until this episode. She sticks by Catra through Catra’s increasingly villainous plots and erratic behavior. But she doesn’t just stick around. Until the portal, she barely contradicts Catra, and even afterwards, does so only furtively and immediately backs away as soon as Catra pushes back. For more than a year of show time, Scorpia has not just stood by Catra, or supported her, she’s actively assisted her in her most villainous and destructive acts. Scorpia is fighting by Catra’s side, eagerly carrying out her orders, and doing her utmost to see that Catra succeeds. But her loyalty goes beyond this practical help. Because for all that Catra loudly declares that she doesn’t need a new best friend, she consistently seeks out connection throughout the show, even when she’s at her most isolated in season 4. She needs moral support, and connection, and to know that she isn’t alone. Scorpia provides that, and keeps Catra going. Though Scropia isn’t initiating Catra’s various misdeeds, she’s assisting and supporting Catra throughout. On a personal, psychological level, the only word that seems adequate for this is ‘ennabling’ - Scorpia, sweet as she is, is Catra’s enabler. We see in the next few episodes what happens when Catra doesn’t have Scorpia’s support - she breaks down, and realizes that her actions really do have consequences, and that the affection she took for granted for so many years is something she can’t live without. But as long as Scorpia’s still around, Catra can’t make that realization.

Now I’m not going to say that Scorpia is morally culpable for Catra’s own actions. She’s not. Catra is solely responsible for her various betrayals, manipulations, violent outbursts and assorted murder attempts against...most of the rest of the cast (though being raised by Shadow Weaver sure as shit is a mitigating factor). But while Catra is obviously being a bad friend to Scorpia throughout, Scorpia isn’t actually being as supportive or helpful to Catra as she thinks, because Catra doesn’t actually need unconditional support, she needs people to be honest with her and express to her how she’s hurting them. She needs people who will stand up for themselves just as she needs to take responsibility for her own actions. This is part of why she and Adora have such a healthy dynamic in season 5 - Adora doesn’t take her crap, and Catra takes responsibility for her crap.

However, Scorpia -is- responsible for her own actions. And as I said above, she’s been with Catra every step of the way as Catra has attacked just about everyone and made war on Etheria. On a larger, political level, Scorpia is a willing participant in upholding the Horde’s oppressive system, and executing a war of aggression and colonization against innocent people. Speaking of colonization, perversely, she’s loyal to the very organization that dispossessed her and literally stole her birthright, then discarded it like a useless trinket when it was no longer useful to them. No one ever suggests ‘why don’t we let Scorpia connect with ~her runestone~’ until Glimmer does (and Glimmer’s motivations and arguments aren’t exactly forthright). Scorpia’s loyalty makes her an accomplice in her own oppression (like a bunch of the themes in this show there’s some interesting post-colonial stuff that the show doesn’t fully explore, probably because Noelle and the crew felt self-conscious about telling a post colonial story, or just didn’t know where to go with it). Interestingly, Scorpia’s loyalty to the Horde here parallels her loyalty to Catra, which has made her completely disregard her own wellbeing, which is the most obvious take away from the episode.

But I would argue that everything above shows that for Scorpia loyalty has been a way of avoiding developing her own moral compass. Scorpia repeatedly shoves aside questions of right or wrong in favor of being loyal to her friends and to the Horde. Loyalty has made Scorpia not only willing to accept her own mistreatment, but to willingly mistreat others, and to keep herself from asking any hard questions about what she’s doing or why. This is despite the fact that Scorpia is, by inclination, an incredibly gentle, kind and compassionate person. She’s willing to silence the best parts of her nature out of loyalty to Catra and the Horde. In the end, she also commits acts of violence and perpetuates the oppression of Etheria. And this is so insightful, because we see this sort of thing in our world all the time. So many oppressive institutions depend upon the loyalty of their members to keep them ‘just following orders’; so many abusive systems depend upon loyalty to stifle dissent and silence potential whistleblowers before they even speak. We see this in some of the most oppressive institutions and the worst scandals in our own society, and looking back through human history we see it in some of our nation’s and our species' most infamous crimes.

And when we look at the Horde as a system that Hordak has built in imitation of his elder brother’s empire, we see just how central loyalty is an ethos. Hordak himself is motivated entirely by loyalty to Prime - being a former clone, he spends the entire series not fully capable of accepting himself as an autonomous being (even when he acts like one and enjoys it, there’s some fucked up religious shit there that I won’t get into). He seems to have instilled this in his followers. The Horde Trio, Catra and Scorpia all hold loyalty as one of their highest values. Catra clings to it as her biggest accusation against Adora - that she was disloyal, as expressed in Catra’s perception that Adora broke her promise and abandoned her. Loyalty keeps the Horde Trio together and fighting for the Horde, and Scorpia with Catra. I think we can read between the lines and say the Horde runs on loyalty (as well as fear) and this is a very insightful portrayal of oppressive military and paramilitary institutions like armies of conquest and occupation and other instruments of state violence.

There’s another, related way of looking at how a sole reliance on loyalty as a moral framework has stunted Scorpia’s moral growth, and I think that brings together both the ways that it makes Scorpia willing to accept her mistreatment and participate in the mistreatment of others. Namely, loyalty in the Horde style isn’t just sticking with someone or something, but subsuming your own will into theirs. Following orders. Supporting your friend in what they do no matter what. Whatever you call it, it’s about turning off your own self - your self preservation, your self respect, your conscience, whatever other things you value - and just going along with what the person or institution you are loyal to wants you to do. And this is where Horde loyalty goes full circle, back to its origin - Horde Prime, the narcissistic self-made god who wishes to control or destroy everything that is not himself. Loyalty as Hordak conceived of it and as the Horde believes in it is a reflection of Prime's absolute control over all his domain.

In a way, self-determination is one of this show’s highest values (together with love). It’s at the heart of Adora’s 5-season, 3 year struggle to become her own woman and her own hero as she shrugs off one imposed destiny and then another and finally embraces what she wants. In a more negative form, it’s at the heart of Catra’s arc, as she finally accepts responsibility for her own actions and their consequences and starts working to make a world that she actually wants to live in, as well as admit to herself that what she really wants is love. And I could go on. This self-determination is existentially, obviously threatened by Prime chipping people, but it is also stunted by horde-style loyalty that demands unquestioning support and obedience.

Both the Horde Trio and Scorpia reject the Horde’s ideal of loyalty and walk away, but I think it’s interesting how they do it. Neither rejects loyalty entirely (not on the way Adora does) - the Trio, realistically, remain loyal to each other and simply walk away and walk out of the war (this might save their lives), joining the other disillusioned cynics in the Crimson Wastes. They reject loyalty to the horde and embrace a more supportive and respectful form of loyalty to each other. Scorpia leaves, but she actually comes to her crisis and makes her decision out of loyalty, and because it’s clear that her loyalty isn’t returned. The immediate situation - loyalty to Emily and Entrapta’s memory on one hand and Catra’s orders on the others - creates the conflict between loyalties that forces Scorpia to actually make her own choice rather than deferring to Catra. But she also reflects how Catra betrayed her loyalty to Entrapta, and thus how all of her friends’ loyalty to Catra is not returned.This is another point about horde-style loyalty - it’s one way - Hordak or Catra will demand your loyalty, but they feel no obligation to return it, which reflects Prime’s view of every other being in the universe as disposable. It’s only when she’s with the Princesses that Scorpia starts to find a new moral center, though sticking up for and protecting her friends remains important to her. In neither case, though, are these kinds of loyalty coming at the cost of either the Trio or Scorpia’s autonomy or ability to make moral choices of their own. In the very next episode, she says she wants to 'be A good friend' which is how the Princesses typically describe sticking together, which is a much more active and holistic concept than 'loyalty'. Scorpia confesses that she doesn't even know how, but she wants to learn and thinks the princesses can teach her.

There's another interesting counterexample to Horde Loyalty. Adora repeatedly breaks with the people around her to do what is right. First she leaves the Horde, then walks away from Catra by stages when it is clear that Catra is going to continue to harm other people and Etheria. Then she walks away from Glimmer, defies Light Hope and breaks loyalty with her supposed destiny and purposes as well as loyalty to the homelans she has never known. By season 5, Adora is loyal only to herself and the people she cares about, but she isn't constraining her will to anyone else's. For all that she seems like a rule follower Adora has a rebellious streak a mile wide, and she will do what is right, no matter what. This is what allows her to save the universe 3 times.

So the show’s argument is that loyalty is not a good moral framework to base all of our actions around. I don’t think it goes so far as saying that loyalty has no place in our ethics (being a good friend, which is such a huge part of the show, certainly includes loyalty, especially sticking with people when the going gets tough), but the show stresses time and again that being loyal to something or someone shouldn’t make you disregard yourself and what you think is right. Because it’s only by living out our own values and taking responsibility for our own actions that we can come into our own as moral beings. Moreover, if we insist on maintaining loyalty to institutions that oppress us and others, we can’t dismantle the systems of oppression that are holding us and other people down. (Yes, this is a pretty radical message, but I suspect that Noelle is some kind of anarchist? Anyway, it’s a thing.)

Okay, so that’s what I, a 35 year old, get from this kids show. I think it’s also worth pointing out that this lesson applies to younger viewers too, in their most immediate lives. Younger viewers will have had friends who didn’t treat them well, or might not have treated other people well, and who might have pressured them into participating in the mistreatment of others (this is kind of how bullying works a lot of the time). I think it’s important that younger viewers see how being a good friend never means disrespecting yourself or other people and it means a lot to me that She-Ra shows this in such a nuanced and realistic way.

[makeste]

some meta about Izuku, Katsuki, and trust

and choosing to trust is the real bridge that goes to accepting that person as a part of your live again and what the offender has to earn. I think the interesting aspect of Deku and Bakugou's relationship is that Deku has always trusted Bakugou, and I would say more than he had forgiven him at the start of the story (where he does show more frustration and resentment towards Bakugou's behaviour and see him as a jerk) but despite that he can always trust Bakugou to him himself, attested to

the fact that Deku feels very confident about how Bakugou will act or what Bakugou's true motives are and probably the reason why he always sees Bakugou as a hero despite his hurtful behaviour is because Deku 100% trusts Bakugou even if he's doing something disagreeable or that will hurt him. Knowing someone and trusting is not exactly the same and I see it as trust because of Deku willingness to be co-operative. On Bakugou's side he is mistrustful of Deku and thats where the communication

breaks down and there has been plenty of meta exploring why Bakugou has deep rooted problems around Deku and his journey is him taking accountability of that and changing to be a better person. While understanding and miscommunication get their fair due I think trust and mistrust are the true bedrocks of the bkdk river bed because that allows for how they can still be so connected despite the miscommunication (with Bakugou mistrust is mixed with some trust) because of knowing.

anon I really enjoyed this, thank you for sharing your thoughts! I concur with just about all of this, and this ask got me thinking a lot about the nature of trust, and how it applies to Izuku and Katsuki’s relationship.

I think a lot of people’s reactions to reading the sentence “Bakugou and Deku have always trusted each other” would pretty much be, “???” and “lol what.” like, yeah, sure. they trusted each other so much that Bakugou decided that throwing a tantrum for ten years would be an appropriate reaction to Deku trying to hold his hand. classic Trust, right there!!

lol but I honestly think this is true, though. it’s just that there are different... levels?? types?? of trust. let’s go with types. there are different types of trust, and what makes Izuku and Katsuki’s relationship so interesting to me is that it’s kind of the opposite of what these fictional rival-type relationships usually are. it’s basically the difference between knowing, and understanding.

okay so first of all let’s back up here to make sure we’re all on the same page. we’re defining trust as “firm belief in the reliability, truth, ability, or strength of someone”, which is the Oxford Language definition and which works pretty well for me. you’ll note, btw, that the current relationship between Katsuki and Izuku more or less meets all four of these criteria.

reliability - both boys regard each other as dependable and are willing to rely on each other in a pinch (although Izuku is currently having some difficulty with that, but that’s another topic for another day).

truth - both are honest with each other, though not completely honest (this is the aspect that Katsuki still needs to work on, as he’s currently hiding his desire to atone).

ability - neither of them have any difficulty with this. Izuku admires Katsuki’s ability so much that he’s made it his own gold standard since childhood, and Katsuki respects Izuku’s ability enough that he made him his main rival, and never doubted that Izuku was qualified to receive OFA and become All Might’s heir.

strength - as with ability, this is another aspect of trust that neither of them has ever struggled with. in fact, a lot of their relationship struggles happened specifically because Katsuki never doubted Izuku’s strength, but feared it because he didn’t understand it.

so yeah. there’s a lot more trust between them than most people realize, I think. but the thing is that the type of trust they have is based more on knowing than understanding, and that’s where so much of their conflict stems from.

when I say knowing, I’m talking about the kind of awareness that comes from familiarity and experience. this is the type of trust that’s difficult to take shortcuts with, because it mostly just has to be accumulated over time. this is all about learning what someone is like through observing them and being around them. and it’s just as much about being known as well, because at the same time that you’re learning who the other person is, they’re learning about who you are. and that’s where trust starts to work its way in. it’s the slow unveiling of who you are, and laying it on the table piece by piece over time. and every time another little piece of you is revealed and accepted, and every time you accept one more piece of who the other person is in turn, that trust increases a little bit more. this type of trust takes a long, long time to build up, but in exchange the foundation it creates is pretty much rock-solid and nigh-indestructible.

understanding, on the other hand, to me is more instinctual. it’s about empathy and insight. and the interesting thing is that it’s possible to know someone for years upon years, and yet never truly understand them. and on the flip side, it’s also possible to understand someone within minutes of meeting them, even if you know almost nothing about them. if “knowing” is about learning who someone is, I would say that “understanding” is about learning why they are who they are. this type of trust isn’t necessarily always mutual, but it does necessitate forming a connection with someone. because empathy is such a critical component of it, it’s basically impossible to understand someone and not form an emotional connection to them in some way. this type of trust can be far more powerful and intense than the “knowing” type of trust, but the flip side is that it can sometimes be less stable and easier to break.

I think that the majority of fictional relationships, especially the ones that become really popular ships, are based more around the latter type of trust because of its intensity and unpredictability and potential for story development. the thing is, both of these types of trust are necessary for a good ship (and when I say “ship”, I’m talking about both romantic and platonic relationships just fyi). if neither type of trust is present on at least some level, then there’s really no foundation to start building up the relationship. so most of the time a ship will start out with one or the other, and then over the course of the story they'll work on building up whichever one was lacking.

and because of how stories work, the majority of the time we’re going to be dealing with characters who at first don’t know each other all that well. and so the relationships we get are ones where the characters first form some kind of emotional connection that builds understanding, and then over time they start to learn more about each other and build up that kind of trust as well. I feel like 90% of ships have this kind of dynamic. it’s the basis for things like enemies-to-lovers, fake dating AUs, and basically any kind of trope in which the characters get stuck somewhere and are forced to spend a lot of time together. it’s good, and it works.

but the fascinating thing about the relationship between Izuku and Katsuki, though, is that it’s actually the exact opposite of this. the premise of Izuku and Katsuki's story is that these are two people who’ve known each other their entire lives, but have almost no understanding of each other whatsoever. they know almost every little detail about each other, so much that they hardly even think about it. but all of their conflict is based on the fact that understanding between them is basically nonexistent.

and to me this is such an intriguing dynamic. the two of them know each other like the back of their hand. they’re familiar with the smallest habits. they can predict each other’s actions. they know how the other person thinks. and they have the kind of trust that comes with having seen the other at both their best and their worst. Katsuki is capable of letting his guard down around Izuku in a way he doesn’t do around anyone else. he cries in front of him on multiple occasions. he lets Izuku call him “Kacchan” long after their other childhood friends have stopped doing so. and even though he fears and resents Izuku’s strength early on, he also subconsciously acknowledges it in ways that even he doesn’t realize (e.g. “don’t you dare get into U.A.,” rather than “you can’t get in” or “you won’t get in”). he knows Izuku.

but he doesn’t understand Izuku. he knows who he is, but he doesn’t understand why. he knows that Izuku is strong, but he can't wrap his head around the nature of that strength. and because he lacks that understanding, this vital aspect of the trust between them is lacking, and is all too easily broken when Katsuki falls into the creek and Izuku tries to offer his help. Katsuki knows that Izuku is a good person, but he doesn’t understand that goodness, that selflessness, and so he’s mistrustful of it.

on the flip side of the coin, however, Izuku has the utmost faith in Katsuki. to him, Katsuki is the strongest, smartest, most capable and most amazing person in the world (aside from All Might). and Izuku, unlike Katsuki, actually does understand his childhood friend at least a little bit. he understands Katsuki’s reasons for wanting to be a hero. he understands that Katsuki is not just mindlessly pursuing strength. he understands that Katsuki’s motivation is about overcoming obstacles and beating challenges. and most importantly, he understands that Katsuki, in spite of everything he’s said and done to Izuku over the years, is fundamentally a good person.

and this is crucial. because, along with the bond of familiarity they’ve built up together over the years, it’s this other, one-sided bond of understanding that is responsible for their relationship enduring for as long as it did despite everything. as you put it, anon, Izuku’s trust is ultimately what becomes the bridge between them. on some level, he trusts in Katsuki’s innate goodness. he believes in it in spite of all of Katsuki’s attempts to persuade him otherwise. e.g. when Katsuki suggests that he go jump off the roof, Izuku is hurt by the words, but he never once takes them to heart, because he knows on some instinctive level that Katsuki doesn’t mean them. and so he grumbles to himself about Katsuki needing to think before he speaks, but aside from that he never gives the words another thought.

Katsuki would no doubt consider this yet another example of Izuku not caring enough about himself or taking himself into account. but it really is more than that. the reason the words don’t cut deep in spite of them being vicious and well-targeted is simply because Izuku knows that Katsuki isn't truly that cruel. and he knows that on a level so deep that Katsuki is never able to break it despite his best efforts. he can’t break it, because there’s nothing to break, because it’s true. the reason the relationship endures in spite of everything is because deep down Katsuki is fundamentally a good person, and so Izuku’s trust, in the end, is based on truth. and so it never fully breaks, and eventually, it becomes reciprocated.

and that’s what their story is all about. it’s two people that have known each other their entire lives, but have to work in order to build their understanding of each other. unlike many ships, they start off already having that foundation of knowing and being known, and so their story instead is about forging that connection of empathy and insight. and it doesn’t come easily to them at all. but they keep at it.

anyway, so thank you again for sharing your thoughts on this, anon. I didn’t even get into the topic of forgiveness, but I agree with you about it being a process of letting go of negative feelings and resentment. I also agree that forgiveness is a separate thing from trust, but I do think trust plays a big part in one’s decision to forgive or not forgive. it's a lot easier to forgive if you have an understanding of the other person’s actions. and it’s also far, far easier to forgive if the offender’s actions are long in the past. and because the latter is now true in Katsuki’s case, that shows a pattern of him learning from his mistakes and not repeating them. which further builds trust, especially in the “reliability” department. and so even though forgiveness and trust are two separate things, they’re still connected. and in many ways, by working to rebuild the understanding between him and Izuku, Katsuki is also working towards earning Izuku’s forgiveness, even though that’s ultimately something that can never truly be earned, but can only be granted.

I’m not sure if I’m really making my point very clear here lol, but basically what I’m trying to say is that while the relationship may have once been one-sided in this aspect, it’s not anymore. it’s mutual, and they’re both putting the work in. and Katsuki is also doing his part without any guarantee or expectation of forgiveness on Izuku’s end. it’s unconditional. he’s doing it because he wants to atone. and he’ll continue to do it whether he’s forgiven or not. and that’s important. it’s important because it shows that the relationship has value to both of them. and it’s important because neither of them wants to lose it. they want to fix it; they want to make it stronger.

and ultimately what that means is that the relationship will continue to endure, despite their ups and downs. because even though it may have started out as something incidental -- two boys who just happened to become friends because they spent a lot of time together as children -- it’s not, anymore. it’s no longer just something that happened, something that just accidentally came together. it’s something that they’re both working to build. they want to trust each other. they want to understand one another. their relationship is no longer something that simply withstood and persisted -- it’s something that is now being nurtured. and you love to see it.

so let's see, how do I even begin to tl;dr this post lol. something something blah blah blah trust, understanding, childhood friends, knowing someone, having faith in someone, being the recipient of that faith, and working to become worthy of it. they're very confused, but they care about each other a lot, and they are good boys.

[4ragon]

thoughts on dadworth?

Oh? You want to know my thoughts on dadworth? You want to know my thoughts on dadworth? You come into mY HOUSE AND YOU WANT TO KNOW MY THOUGHTS ON nah sorry I don’t know what the fuck this bit is supposed to be but yeah, fuck yes to dadworth.

(Also I’m just assuming this is about Miles and not about Greg. I’ve discussed Greg previously, in case that’s what you wanted. But now I’m writing about Miles Edgeworth and no earthly force can stop me.)

So Miles Edgeworth is such a great and fun and well rounded and three dimensional character even just in the trilogy alone. But one thing that doesn’t really get explored in the main series is this whole new side of him that you don’t see until he just sort of starts taking random teenagers under his wing.

Like. Okay. Miles Edgeworth. When you think of Miles Edgeworth, you don’t really think “Nurturing” or “Kind.” He’s stoicism and logic and cold hard facts. He gets annoyed easily, he snaps at people. And then Kay jumped into his life, and suddenly he also has to be responsible for this overexcited, hotheaded teenage girl who loves to brag about being a criminal. Practically everything about Miles Edgeworth doesn’t seem to line up with this. Yet he feels responsible for her from the outset. He worries about her, cares about her wellbeing. After all, she had saved him from his kidnapping, and earlier than that, she had saved him from Calisto Yew. And maybe he was sort of forced into this situation at first, but he clearly grows to care about Kay so much by the end of AAI, and especially in AAI2.

And it’s such a different dynamic than Maya and Phoenix. Maya and Phoenix are best friends, and they care about each other, and yes Phoenix feels responsible for Maya in a lot of ways, but they’re much more “constantly bickering siblings” than Edgeworth and Kay. They’re goofier with each other, teasing each other. Miles Edgeworth is not nearly as patient as Phoenix is, and yet with Kay, and later on with Sebastian, he starts becoming far more patient and understanding even under that layer of sarcasm. These are kids that annoy him, but he cares about them so much that he’s willing to put everything on the line, especially for Kay. They’re trying their best, and I think he sees a lot of himself in them. He is possibly one of the only people who understands Kay’s loss, and he sees a lot of untapped potential in Sebastian.

And that's just so fun? It’s such a new dynamic. With Gumshoe he’s very short-tempered, and he and Franziska are constantly in competition with one another, but with these teenagers, we see a completely new side of Edgeworth, still very serious and stern but with kids that he can see need his guidance. And unlike with Phoenix with Maya, Miles at least has this preconceived notion of “I am the mature adult” in most any scenario he comes across. He’s the mature one, he’s the responsible one. He was the same with Franziska, especially as a child. And that feeling of responsibility comes out in full force with Kay Faraday, the world’s most rambunctious teenager. And it comes out in full force when he stumbles upon a traumatized Sebastian Debeste and takes the time to talk him through everything that’d just happened to him.

Actually, as I talk about it, I think it’s especially fun just how different these kids are from him. Kay Faraday is this hotheaded, excitable, confident teenage girl who’s perfectly willing to run headfirst straight into danger. And Sebastian is this sort of goofy, ditsy young man whose confidence had been both his defining feature and been casually ripped away from him. And these are not the kinds of people Miles is usually interacting with, which just makes it really neat to see. Past him coming to Phoenix’s defense in the first grade, we don’t get to see him taking on this role of a protector for anyone, let alone people so very different from him in personality.

I just have a lot of feelings about found family, man. No matter what you think about these dynamics, it’s so clear that Miles cares about these kids who keep stumbling into his life. He just cares so fucking much, guys. He constantly tries to act like he doesn’t, but at his core he is a man who cares deeply about the wellbeing of people in his life. He cares about these kids, and wants them to succeed and be happy. And I love that.

[misswenndy]

THE BEAUTY OF DOMINANCE

Owning a submissive, can be one of the most beautiful things a woman can ever own.  There is so much potential in owning a submissive male.  I say own, within the context of love being the foundation. It’s not a forced ownership, since he wants to be owned, but make no mistake, the true power really does lie in her capable hands. Once a submissive goes down the road of being owned, he feels like he belongs to her. She feels like he is her personal property.  This is a bond between them, that only deepens in time.

It really does get to a point where, a submissive male wouldn’t want to be anywhere else than under her complete control. He trusts and loves her so completely, that he surrenders to her in love. He knows any other way to be in life, pales in comparison compared to being totally devoted to her. He dares not disobey, even if disobedience is easy, or even if, he can get away with it without her noticing. A true submissive, will obey for the sake of obeying her. He will have no second thoughts about it, his ego is completely hers to mold. He has become loyal to her authority, and her as a person.

This is why it’s so incredibly important that she understands her power, and does not use it to abuse him. Because she can, easily, abuse him, and many submissive’s will take that abuse for a while, when they should be standing up and saying no. The fault always lies with the abuser, it is her responsibility, and a submissive, should know, that it’s always okay to stand up and say no, when he feels abused. She needs to respect that for the sake of a healthy relationship. She also needs to respect that for the sake of her loving submissive, and to always have an optimal level of willing submission from him at all times. The sheer level of submission that can come from his is on par with bliss.

Once in control, all trust issues disappear, she never has to worry about what he thinks of her, and most importantly, he is always desiring her. She never has to have body insecurity issues, because his tongue is eager to be used at all times of the day, any time she wants to use it.  Any where she wants to use. For as long as she wants to use it.   This eliminates any kind of guilt she has ever had about sex.  It helps her establish her own sexual desire, and to always please herself when she feels the urge.  It’s total freedom of female sexuality and expression. 

She gets to wear anything she wants, around the house, or out of the house, often, acting single, while keeping her submissive as her owned monogamous pet. She can choose monogamy too, the choice is hers. She understands that he gets no say in her sex life, ever, unless she gives him a say. But, she gets total say in his sex life. He may never even get an erection without her permission. He may never touch his penis ever again without her permission. Or he may be tied down any time the cage comes off, if it comes off. 

His ass is hers to smack, spank, or enjoy with a strap-on, anytime. He gets no say in that either. His body is her amusement park, and the sheer joy that she can have exploring his body, even with just her hands and nails, while he squirms can be a delight few women have ever known. She also gets to dress him however she wants to dress him.  Many women love feminizing a male because it turns him into one of her accessories, in the same way she once played with dolls. It’s incredibly fun to dress a submissive up and put her personal touch on him, and always have him wearing what she wants. He is hers to own, and he will look owned by her. He gets no say in that, except in vanilla situations that may call for a more masculine look. 

But the most interesting part about it, is that vanilla life becomes the play, it is no longer the serious formal identity it used to be, for either of you. You are dominant and submissive, that’s who you really are, and even in the vanilla world, there is that knowing of who owns who. Her ownership of him will always be the forefront of his world, and it will always be her expectation, that he is at her feet on demand, at any time.

The beauty of dominance is that expectation. The expectation that he will endure any and all kinds of sexual tease, that he will give up all sexual rights of his body, and be hers entirely. He accepts her as the authority and as the key to his sex life, and may remain without sexual release for weeks or months or years. His sacrifice is never ignored by her, but accepted with love, and enforced with her power and dominance. She will make sure that he always honors his submission to her by remaining strict. 

The beauty of dominance means she never has a worry, fear or doubt about him ever again. This will cause a huge surge in her own confidence as a woman, if she hasn’t discovered her dominance before. Once she has that confidence, she is geared to live the best life she can possibly live, with her submissive loyally at her side, supportive of her decisions, and always helping her succeed. In return, she is his structure in life, she is the missing piece of the puzzle he has always needed, the purpose he has always longed for. That’s the beauty of dominance.

Teach Him!

One very interesting aspect of a FLR, and in particular, of submissive males, is that they are eager to please. Submissive males want to please, it makes them feel good to give pleasure.  Especially sexual pleasure, but it doesn’t have to be sexual. They will happily clean the bathroom just to be told they’re a good boy, and win approval or brownie points toward a possible release from chastity. However, most submissives males, while eager to please, are quite clueless on how to go about it. They want to please her their way, in any way they know how. A smart submissive understands he must not only be eager to please, but also, eager to learn. 

Lets face it, most males in general, are terrible at eating pussy. If she isn’t on her back shuddering, and grabbing his hair and pulling him closer, moaning while she does it, he’s not doing a good enough job. As his dominant, never be afraid to speak up about it from the get go. Tell him exactly how you want him to improve, tell him what techniques work and also tell him to be creative.  When you don’t know what’s coming, sometimes that can bring very intense orgasms. So a sudden change in tongue pattern, or a finger at the right time can make all the difference in the world.

Remember that his orgasms depend upon the quality of your orgasms, so he has every incentive to please you the right way. Give him lots of opportunities to practice, that’s the beauty of having a submissive in the first place, he’s always ready and eager for you. You can quickly teach him to be an oral expert, even if it was an awkward road to getting there, submissives learn quickly if you’re dedicated to teaching them. Before long all you will have to do is lay back and relax while he goes to town, and that’s how it should be. Your pleasure should always be his only focus, that’s just the nature of the relationship. 

Don’t just stop at oral though, and especially not at just eating pussy. Keep him chaste long enough, and any inhibitions he ever had about eating ass will disappear like they never existed in the first place. Of course, be healthy about it, but not shy!  Teach him how to best perform oral on both areas simultaneously, so that when you’re in the midst of cumming, your back door is being pleasured as well, sending you to new heights of orgasmic bliss. Then you can have him orally service you anywhere, any time you please, and be an expert at it. 

But don’t just stop there, teach him so much more, teach him, how to give you massages, feet, back, sensual, soft, with / without oil... Whatever it is you prefer. With tongue, without tongue. Hands only, or tongue only... You get to customize how  and what he learns. Teach him to pamper you. Teach him what lotions do, moisturizers, and creams. Teach him to shave you, paint your nails, give you a pedicure. Teach him that your femininity is his priority. And don’t let him ever avoid your period, show him everything about it, teach him how to use a tampon, show him the blood. Get him so comfortable with your period that he never shys away when you talk about it. So that, he can provide you emotional and physical support when you tell him you’re on it. Even to the point where, he knows your cycle as good as you do, and anticipates the little things before it even starts. Teach him everything about you, he’s your submissive, you are his priority, so don’t ever let him get away with slacking off, or avoiding one thing but not another. Teach him so much, that, he is your rock, your confidant, your safe haven, your support, your security, your trust, and your love. Then be all those things for him, because you value his submission to you, and cherish the gift that it is.

The Strap On

One of the biggest kinks in a FLR is the strap on. There are many reasons why they’re so common and popular. They benefit both partners equally in different ways making it the perfect sex toy to have in your kinky collection.  However it goes beyond simply being a sex toy, as a strap on can have huge psychological effects as well as physical.  It can really enhance the D/s dynamic because its the perfect tool for role reversal. 

When a strap on is combined with chastity, some real magic can happen between partners.  The longer he is chaste, the more likely he is to crave some sort of anal play, as his prostate gets bigger and more sensitive, craving any kind of stimulation. Even if he doesn’t crave anal play, it is actually healthy for him to have the prostate stimulated, during long lock ups, so it’s for his own good anyway!  This is why a strap on can be so much fun.  He either craves it, or it is humiliating to him, or both!  

This is perfect for a domme as well, as she gets to discover the power of having a penis between her legs, and his moans of pleasure or discomfort, as she begins to thrust into him. This alone, can be an extremely high level of power exchange and very erotic for her. She can take him with her strap on until he is whimpering horny and deep in sub space. There are no concerns about him cumming from the strap on, because this generally requires a lot of time and concentrated effort and technique to achieve. It is possible, if that is what she wants, but she has full control over that. Leaving him horny, makes for an eager tongue after she is finished taking him with the strap on. A tongue in which, she is equally eager for!

The strap on is much more fun than simply just bending him over, there are many ways in which a strap on can be used, which can make it a symbol of her dominance over him.  Often, a strap on is bigger than his penis, and she can tease him about that, saying her cock is bigger than his, while taking him with it.  Or for even more fun, she could allow him to wear it over his cage, and allow him to have intercourse with her using it. Since its bigger than his own penis, she can tease and say how much better it feels.

She could even go so far as to name her cock, and have her sub respect it, by cleaning it after use. Or sucking it to lube it up. Just looking down into his eyes can give both partners a power exchange rush that creates a strong erotic charge.  She can also make him practice his sucking techniques, if she plans on bringing other males into the relationship at some point. Once she has named her strap on, her submissive will have to worship it in the same way he worships her body, because it’s her cock. The psychological effects this can have, can send him deep into subspace, and she can keep him there. 

The strap on can also come in very handy as a punishment. Sometimes a submissive just needs a good hard strap on session, ordering him to get the strap on, and bend over on command, can be a powerful technique. Taking him with it often, even when he’s not in the mood, will help him adjust his behavior to understand, it’s not his bum, it’s hers. His resistance to it, will soon drop away, and the strap on will become a symbol of her power. 

Perhaps eventually, it may be the only way he is allowed to cum.  This can be common if she likes to feminize him, he can literally become the female in the relationship, and cum from anal only, while still caged. There’s so many possibilities with the strap on, including attachments that can provide her stimulation while using it making it even more fun.  It’s just one more tool in the femdom box, that she can use to completely dominate and own her submissive in all the ways she’s always wanted.  It is all about her, after all.

[inkykeiji]

Hi Clari!!! I hope you're doing well and had an amazing weekend! I'm sorry if you've already answered something like this before! 😊

I was having big thoughts about the twins, but then I couldn't remember if you'd mentioned the other Todoroki siblings existing in this AU!?!

You may have done and I just missed it, but if the other siblings already do, and if not, did exist in the AU, what would the twins relationship be like with them?

I can imagine Touya being the more approachable of the two, I feel he'd click quite well with Fuyumi perhaps? They both give me those sort of caregiver vibes 😅

Natsuo and Dabi I can imagine being close, not quite as close as in the Touya - Nii series, but I can still imagine Natsuo looking up to both his big brothers because they're so cool! (Dabi is just that smidge cooler to him though 😌)

Would Shoto still be Enji's perfect poster boy, or would Touya have taken that spot?

Would the twins be open to sharing the reader with Natsuo like Touya-Nii did in the Snowman and Me series? Or is it strictly something kept between the twins?

Do the Todoroki family know about the reader and the twins relationship? Do they approve?

There are just too many thoughts for my one track mind 😩😌

It'd be really interesting to know your take! --- The anon who dreamt about living with Dabi on a ranch 🐥

hello sweetpea!!!! oh you’re so lovely <33 thank you bb i hope you had a wonderful weekend as well!!! <3

BUT ANONNNN I AM SHOUTING HAHAHAHA oh my gosh okay first of all you and i have got to be on the same wavelength today bb hehehe because i haven’t mentioned their relationship with the other todoroki siblings much on my blog but i do have (and have had) their relationships with each mapped out in my notebook for months now and i was literally looking it over when you sent this in!! <33

AH SO MANY GOOD QUESTIONS LET’S GET INTO IT WEEEEEEE <3

so first i’m going to link you to this post (which kinda just delves into their relationship with each other but touches upon other relationships in the family) and this post (which discusses dabi’s reaction to yelling and touches upon his trauma related to enji; pls heed the tws!!) but to reiterate and all that:

twin!touya pretty much gets along with all of his siblings in some way. he’s the perfect model of an older brother. as i mentioned in the first post linked above, touya is just really good at playing the part. twin!dabi, on the other hand, barely gets along with anyone other than his twin. he’s extremely difficult to be around about 97% of the time.

natsuo definitely does think both of his older brothers are super super cool, and he follows them around like a puppy when they’ll let him, but he’s actually closer to twin!touya than he is to twin!dabi, simply because twin!dabi won’t let him get too close; dabi’s extreme trust issues get in the way. still, natsuo was the only one there for dabi when touya had been taken from him, and that forged quite a lasting and deep bond, even if it terrifies dabi to this day, even if dabi tries his very hardest to shove natsuo away because of it, even if it’s still extremely complex; a jumbled, tangled mess in his heart. but natsuo understands, and he’s nothing if not resilient, so he kinda just bounces back from it each and every time. but twin!touya has a special soft spot for natsuo, because natsuo was there to take care of his baby twin brother when he wasn’t, and to touya, that means the whole world to him <3 touya hopes that one day his twin will let his guard down enough to let natsuo into his heart, too.

fuyumi is incredibly suspicious of twin!touya. she’s smart as a whip, just like he is, and she can read him like a book and knows when he’s up to something; and he’s always up to something. all she wants is for her family to get along, for god’s sake, and she knows touya’s a threat to that, because he knows how ridiculously manipulative he is, and how he’s planning something against their father—fuyumi is the only of the todoroki siblings that actually has sympathy for their father. thus, even though touya has told her time and again not to worry about it, that everyone will be happy in the end, she knows ‘the end’ does not include their father in any way, shape, or form. still, with that being said, they get along quite well, and they’re constantly throwing teasing quips each other’s way <3 when it comes to twin!dabi, fuyumi’s heart positively breaks for him. he shoves her away, too, because he doesn’t know how to deal with her overwhelming love, but that does not deter her in the slightest. she was there, she witnessed what happened to him, she helped natsuo take care of him in every way she could; in fact, fuyumi took care of that entire family after her mother left. but she has such a soft spot for twin!dabi in her heart, a special type of unconditional love and sympathy for him, and she’ll always be there for him, no matter how many callous insults he spits her way. she views him akin to a terrified animal, and she understands why he lashes out, and sometimes—very rarely, but sometimes—he will let her take him into her arms and hold him, hug him, shush him. she was pretty much the mother he never had for those years when he was without his twin, even though she’s a little younger than he is. so there’s a very interesting, very complex bond there as well.

shouto loves both of his eldest brothers so much. twin!touya loves him back, thinks he’s an absolutely brilliant kid and such a kind, beautiful soul, but he can’t help but feel some resentment towards him; residual feelings that have been transferred from his twin to him. still, he tries to bury them, because he knows none of this is actually shouto’s fault, and that their father is the true villain here, the true one to blame. as i mentioned in the first post linked above, twin!dabi hates shouto with a fierce passion, because he feels betrayed for his twin, betrayed by the way their father so quickly found an (inferior, in his opinion) replacement for touya—to mold into the perfect puppet—and he himself feels a little slighted, too, angry and offended that their father didn’t even try to mold him in replacement of his twin and just went straight to the next ‘perfect’ child, because twin!dabi was too much work, he’s sure. shouto is terrified of dabi, but he looks up to touya with absolute stars in his eyes <3

rei feels incredibly guilty. she likes to pretend that she doesn’t know why she took only twin!touya when she really should’ve taken them both, and will regret for the rest of her life seperating the two of them for a few years. it was incredibly selfish of her, to snatch touya up only because she knew it would hurt her husband the most, and to leave twin!dabi and the rest of her children there with such a brute for a father. dabi hates her for it, and she doesn’t blame him. she hopes one day he can find it in his heart to forgive her for such a horrible mistake, but she knows it’s a slim possibility. she is very, very close to twin!touya though.

i have already touched upon their relationship with enji in the posts linked above, but basically twin!touya IS still enji’s favourite, and enji only latched onto shouto after rei took touya away (during the divorce). touya is still first in line for the family business, and shouto acts as more or less of a back-up, in case touya fails. he’s also easier to control, which is quite appealing to enji, too.

and then, as you can tell, the twins themselves have a very, very unhealthy codependency on each other; they can barely function without one another now <3

ANYWAY LOVELY, THOSE ARE THEIR RELATIONSHIPS WITH THE SIBLINGS + THEIR PARENTS!!! to answer your last few questions:

would the twins be open to sharing the reader with natsuo like touya-nii did in the snowman and me series? or is it strictly something kept between the twins? 

no, they absolutely would not share her with natsuo, this is something very special and sacred and kept strictly between them <3

do the todoroki family know about the reader and the twins relationship? do they approve? 

EHEHEHEHE this is something i’m really really looking forward to exploring in the future of the series!!! because the angst potential is totally insane hehe <3 the answer is, it’s extremely complicated. enji doesn’t approve at all. like, at ALL. he hates to think what the press would think, if this ever got out, and he knows dabi would be more than willing to leak it; anything to hurt his father, right? natsuo thinks it’s SO awesome and super hot, fuyumi thinks it’s quite cute how they share everything, but worries for the poor sweet reader since she knows how her brothers can be, and shouto can’t even think about it without blushing and getting super embarrassed; he isn’t really sure what he thinks yet, but he feels like it’s more their business than his own. rei is on the fence; she wants her boys to be happy, but is this really the best and healthiest way to do it? does she even have a say in it at all? is it really her place or her right to step up and say something? she isn’t sure.

i hope this answers all of your questions bb!!!! thank you so much for asking aaaah i LOVE talking about stuff like this and i am super super excited to explore it deeper within the series!!!! AH EHEHE I REMEMBER U AND UR DREAM <3333 aw such a cute lil chick emoji 🥺🥺 i hope you’re doing wonderful my friend and i wish you many more touya dreams in the future <3

[comrade-meow]

Spell-caster's notebook, 2nd half of the 19th century - 1st quarter of the 20th century, Haute-Saône. Photo credit: Musées départementaux de la Haute-Saône

“When total war is being waged with words, one must make up one’s mind to engage in another kind of ethnography.”

—Jeanne Favret-Saada, Deadly Words: Witchcraft in the Bocage (1977)

One of the best studies of the power of language and its relationship to violence is Jeanne Favret-Saada’s Deadly Words: Witchcraft in the Bocage (1977). In this groundbreaking ethnography, Favret-Saada discusses how witchcraft employs language to gain power and catch the subject within a web of words. For Favret-Saada, the ethnographer is the unwitcher who lets herself become entangled within a network of power in which words create spells. She calls this being “caught.” For “those who haven't been caught” spells simply “don’t exist” (15).

Similar to Favret-Saada’s work on witchcraft in France, today’s cultural-political economy is immersed in another politicisation of language. This time the catching of subjects, government and institutions is happening in the public sphere under the guise of linguistically codifying identity. All this necessarily relies upon a previous “bewitching” of subjects who are willing to recycle the language of the magical spells despite the absence of evidence.

In witchcraft, language becomes the contested space that Favret-Saada rightfully notes as having taken hostage the very premise of communication, writing, “[I]t is no longer truth or error that is in question, but the possibility of communicating.” Addressing those who have been caught within the spell of language—the bewitched and the suffering—Favret-Saada asks:

In what way are the bewitched right when they say they are suffering? And the unwitchers, when they say they “take it all” on themselves? (And what of the alleged witches, who remain obstinately silent, or claim they do not believe in spells?) What, then, is at stake when such a discourse is being used? These questions led to other, more fundamental ones, about the effect of spoken words and the very rationale of this discourse: why is talking in this way so like the most effective kind of act? How do words kill as surely as a bullet? Why do people talk rather than fight or die, why do they use precisely these terms? And why this kind of language rather than another? If one talks in terms of witchcraft, it must be that the same things cannot be said any other way. (13)

Although Favret-Saada asks these questions about rural Normandy of the 1970s and the role of the ethnographer in studying her own culture, we can easily expand upon Favret-Saada’s premise here. For as she posits in the Bocage that one need not believe in sorcery, there is an accounting that takes place by virtue of the group’s symbolic code where “you have to be caught to believe” and where those who haven’t been “caught” have no place speaking about spells. Favret-Saada poses this question to herself: “What ultimate authority could I invoke, in talking about spells to a bewitched person or an unwitcher?” Does being an insider lend to the currency of language and belief such that any interaction with an outsider necessarily invokes a turf war over space, bodies and language?

For Favret-Saada, words do not merely represent or communicate beliefs—they have noticeable effects on the vitality and well-being of both the bewitched and the dewitcher. Where her work examines how words “kill” and “heal,” today we are in the throes of a culture war where the claim—contrary to fact—of words causing death, of words being “literal violence” are now thrust to the fore. Indeed, words are laden with such potential for “violence” today that many think twice before speaking or writing. The mere accusation of violence has become the negative reinforcement of a movement that has been allowed to make up facts, statistics and now even the very non-reality of violence.

If we are to move forward through the current debates over gender, race, and various other orbiting identities whose moral framework rests almost uniquely upon claims of victimhood, often in direct opposition to material fact, we must return to some of the primal tenets of reason posed during the Enlightenment. We are in the throes of a society caught within a hall of mirrors—many of which are firmly and uniquely fixed within the virtual world of social media—where the narcissistic output is unparalleled even by a three-year-old having a strop on the playground. Where words are “violence” and opinions akin to “murder,” we are witnessing the conflicts created when a direct antagonism between perceived identity and material reality is met on the social stage.

In order to understand what is driving this culture of identifying with oppression—often feigning oppression—our task must be to address those who claim to be suffering. While the subjects caught in the spell of words have been at the centre of media and political attention in recent years, these communities rely upon the language “witchcraft” to divorce themselves even further from ontological and empirical reality while surrendering themselves to a language that holds no resemblance to the material world. There is something to be said for the punishing efforts of these lobbies which seek to project phobias and other -isms into any thoughtful debate or prose on issues of “race” and gender.

Favret-Saada noted that those who resist the language of sorcery will be made to suffer. Today, we must ask ourselves if those fighting for the recognition of their identities even if the older remedies of psychiatry or religion have failed:

The priest and the doctor have faded out long ago when the unwitcher is called. The unwitcher’s task is first to authenticate his patient’s sufferings and his feeling of being threatened in the flesh; second, it is to locate, by close examination, the patient’s vulnerable spots. It is as if his own body and those of his family, his land and all his possessions make up a single surface full of holes, through which the witch’s violence might break in at any moment. (8)

This study considers how the aporia left by the fading grip of religion and medicine has been filled by outside forces coming to confirm the subject: the suffering subject. Having worked with those who were caught up in a spell, the dewitchers and the wives and families affected by witchcraft, Favret-Saada notes how suffering forms the core of how witchcraft is exercised in this community and she explores the reasons for this suffering.

Today, suffering is undergoing a cultural redefinition in the west through the recycling of historical tropes of violence and oppression injected throughout identity politics. Unlike the distant witchcraft of Favret-Saada's fieldwork, historical atrocities cannot simply be cut and paste into a present-day reality in order to rejuvenate a fresh violent act of suffering through which the subject identifies. Where Favret-Saada shows how working with the bewitched and their unwitchers implicates the constant manoeuvring of “good and evil," she claims that all unwitching "is impossible to cure without switching to a position of indirect violence.” Violence is a discursive marker for Favret-Saada where "he who does not attack automatically becomes the victim."

To understand the political forces that revive discourses of racism and sexism today by those claiming victimhood, we must ask those suffering why they suffer. Then, we must also ask why the spell involves converting others to their ideology so that the subject might suffer less. The symptom of suffering that we see by those claiming to have a gender identity, for instance, is inextricably linked to their need for others to mirror their self-image through language. This is similar to what Favret-Saada claims about dewitching, “a technique that neutralizes and exteriorizes venomous self-doubt." There are clear ideological manoeuvres meant to inscribe healing through fiat.

We need to understand how people weaponise emotionally-laden discourse today. The public shaming of those who do not confirm the suffering or pronouns of another seems to be part of a larger network of “sorcery” where the current structural functioning of our society rewards those individuals who engage in the aforementioned language games while punishing those who refuse.

Favret-Saada’s identification of power as the primary element in the effectiveness of ritual forms is a crucial contribution to our understanding of such rituals. Still, we can see the pitfalls of reducing the language of witchcraft to a tidy binary of the subject who suffers and the dewitcher who does violence. Where “the sufferer can choose to interpret his ills in the language of witchcraft,” it is also the case that those who do not claim to suffer are deemed de facto oppressors.

Where oppression is a historical and current-day fact, the truly oppressed subject is mostly not heard. What time has the underpaid or economically destitute worker to chime in on Twitter or to write her local politician? We are captured within a political field where segments of the population use words like “literal violence” to refer to another group whose push back on their notion of oppression. Those who use the stage of oppression in order to be heard are as numerous as is their narcissism expansive. When the media prints that something is “oppression” or “murder” today, we can pretty much bet that what is being communicated is invariably the opposite. In a world where narratives of oppression have taken hold of democratic processes with fury and where the mere claim to victimhood is tantamount to fact, we must concede that we are living in a post-truth era.

Emotions are given enormous weight over facts in media today and all it takes for one to be considered oppressed is to use the “magical spell” of language. The only way out of this chasm between truth and narcissism is to revert to the institutions of science, philosophy, journalism and law. Let us not forget that long before smartphones it was possible—even pleasant—to have heated discussions over a meal with friends and strangers, everyone chiming in with their thoughts and disagreement.

We must reject illogical, illiberal hokum being fed us as the "new progressive" language of the day and instead we should return to the table of dinnertime debate where facts outweigh feelings and where individuals are held accountable for good-faith debate. I have often wondered if the current popular authoritarianism would have ever taken hold without the cloaked anonymity that social media affords. Still, I am quite certain that the current stifling of free speech, academic debate and the media's drive of anti-science narratives are all directly linked to the fact that politicians are not held to account for their performances that have zero political vaue. From AOC's sporting her "tax the rich" dress at the Met Gala for which attendees paid £25789 to attend to David Lammy who claims that males have cervixes, the left is in dire straits with a political class of professional liars who use words to bewitch us all.

I suspect that were the online debate moved to the salon or dining room, we would all be able to see the ruffian sulking silently in the corner, angrily seething because his arguments were unconvincing. His fist banging on the table evidence his every iteration as less rational and credible than the one before. As he struggles to bully all those in disagreement around him, his turbulent behaviour reveals him to be fundamentally an irritable prig who harbours deep-seated misogyny and homophobia.

Real-life interactions are part of the remedy to the addiction-addled cycles of social media use. We cannot replace the vacuum left by religion's demise with political or ideological orthodoxy any more than we can unwitch the possessed who identify with their fictional oppressions.

One of the options we have at our disposal is to unplug and go outside. I’m heading there now. Come join me.

[theyreonlynoodlesmike]

Hello! I’m new here. I’d like to request the boys, separately, with a cuddly girlfriend. Or just how they are with being affectionate/cuddling

Oh this has so much fluff potential! I hope you enjoy!!

The Lost Boys x Cuddly/Affectionate Fem!S/O

David

David doesn’t look like a cuddly guy. He wears all black, has an earring, and a bleached mullet. He, also, leads a biker gang and kills people nightly. There’s just something about that that doesn’t necessarily scream ‘cuddle me’! But when he met you for the first time and you enwrapped him in a big, tight hug, he knew he was going to keep you. You weren’t afraid of him, and, most importantly, you weren’t afraid to show how much you liked him. Even if you’d only just met him.

The attention. The worship. He absolutely lives for it. He loves how much attention you pay him, even if he doesn’t give anything back. It makes him feel like a king to be showered in so much love. 

Honestly, at the boardwalk, the most he’ll give you is an arm around the waist and he’ll purposely tease you by basically ignoring you otherwise. He loves how many lengths you’ll go just to get a smile from him. Just as you're about to give up, he’ll grace you with one of his irresistible smiles and ask, “Need something, sweets?” And you’re right back to showering him in attention. If you really, really give up, he’ll give you a kiss. That’ll usually get you back to your cuddly self

He’ll tease you for how much attention you give him. He’ll call you clingy and needy, but he never means it in a bad way. He thinks it’s cute, and god knows this boy is attention starved. Between Max and the nightly killings for however many years, it’s been a long time since someone has seen him and seen someone worth giving some genuine loving to. Not just sexual loving.

If you take it as a bad thing, he’ll make sure to keep you from becoming too insecure by kissing your knuckles or caressing your cheek. It’s more than his usual amount of attention, so you must be doing something right.

David doesn’t really give you attention back until you’re back at the cave. He has a reputation to uphold, but not in front of his boys. He’ll sit on his wheelchair and drape you over his lap. It’s the first time that night where he’ll be the one that’s holding you. He’ll hold your knee, rub your thigh, and smooth his hand down your side. He’ll use the close proximity to have easy access to your neck, where he’ll pepper kisses and whisper sweet words. He’ll tell you how cute you are, and hold you tight against him as the boys around him amuse themselves with their own shenanigans. 

The only time that you two will really, truly cuddle is in the nest he’s made you inside the cave. The wheelchair is great, but it’s hard to sit there for hours. Usually, the two of you will cuddle after one of your trysts. David will have a cigarette dangling from his lips as he reads, and he’ll have you lay your head on his chest. He’ll comb his fingers through your hair, almost as if he’s petting you. It’s why he calls you his kitten. To him, that’s exactly what you remind him of. When you fall asleep for the night, he’ll smile down at you and kiss the top of your head. He’ll set his book down so he can pull you closer, snuffing out the cigarette so he can bury his face into your hair and inhale your scent instead.

Dwayne

Dwayne is the definition of intimidating. He’s so tall that he looms over people most of the time, and it doesn’t help that he’s got a permanently stoic expression on his face whenever he’s talking to people that aren’t the boys. Sometimes, he’ll grace cute girls with a some smiles, but those are usually only the girls he wants to eat. When you two met and you immediately brought him into a hug, he had no idea what to do. He just kind of stood there.

Dwayne didn’t really understand what being touch starved was until he met you. He’s been murdering people for decades, the only parental figure he has is Max, and the boys aren’t exactly cuddling eachother twenty-four seven. They’ll rough-house and push eachother, but they don’t necessarily hug one another. The second you pulled away from your hug (it was like hugging a brick wall) his mind just kind of went wait, come back. He practically followed you around like a confused puppy after that. He hadn’t realized that he’d been missing anything until you gave it to him, and, as far as he was concerned, that was directly tied with you

He lets you touch him as much as you please. You can touch his face, hair, hands, and even his chest. Though, when you do the latter he may give you an arched brow and a small smirk. He doesn’t return the affection nearly as much, mainly because he doesn’t even know where to start. Once you two have been dating for awhile, he’ll start to get the hang of it. He’ll usually add on to whatever you give him or return it

You hold his hand? He’ll intertwine your fingers. You hug him? He’ll hold you so tight you think he might break you. You give him a kiss on the cheek? He’ll give you a forehead kiss. It’s the most affectionate the boys have ever seen him and they’ll definitely give him shit for it.

It’s why, even when back at the cave, he still won’t wander too far out of his comfort zone. He’ll let you do whatever you want, but he’ll really only reciprocate whatever you give him. The two of you will sit on the couch and he’ll hold your legs in his lap. Just the act of him touching your legs is considered more than normal, and he’ll lean his head against the back of the couch as you ramble to him.

When you two are back at your house, that’s when his walls truly fall down. The second you’re in bed with him, you’re not allowed to leave. This is when you really get to explore all of his boundaries, and he’ll truly just melt under your fingertips. You can braid his hair or give him a scalp massage, caress his face, and hold him as close as you want. He’ll practically be purring under your touch and you are not allowed to stop. He likes to face you while cuddling so he can kiss you as much as he wants. It’s a type of affection that he’s more familiar with. If you ever give this boy a massage, he’ll be clingy for days. He’ll look at you with so much love in his eyes and he won’t even care where you are when he pulls you in for kisses. The other boys be damned.

Marko

Markos the token wild card of the group. With a face like that and eyes as wide as his, you’d expect him to be an angel! Instead, he regularly murders people and gets into fights on the boardwalk. Seriously, he’s had to have his fellow vampires hold him back from destroying surf-punks right on the boardwalk. With a reputation like that, most people would avoid him. But not you. Upon meeting him, you gave him a big hug as a greeting. And, surprisingly, Marko hugged you right back.

Marko is the most affectionate of the boys. He even stands closer to the other boys and is always down for rough housing. But that doesn’t mean he gets a lot of positive touch. Most of the touching he gets is either play-fighting, actual fighting, or sexual touches from a cutie on the boardwalk before he sinks his fangs into them. To have someone walk up to him, see him, and decide “Must cuddle!” is not what he’s used to.

He openly welcomes it though. He uses physical affection to get his meals nightly. But you? You weren’t just flirting with him. You were just a cuddly person. He saw that in how you treated the others as well, and he quickly decided that you were going to be more than a meal.

He’s one of the only boys that will initiate a touch first. He’ll hold your hand, kiss your cheeks, and boop your nose. He thinks that you are too cute, and he’s not afraid to tell you. And when you match his energy, maybe even return the nose boop, he’s got heart eyes for days amd a smile so wide it’s almost concerning

He tunes out the boys teasing and dishes them back the cruelest revenge. He is so disgustingly cute with the PDA he gives you that the others have to look away. There, that’s better. Just because they’re no longer paying attention doesn’t mean it stops though. He wants kisses, cuddles, and pretty much everything you can give him. He doesn’t care if you’re in public! The public can frick off and he’ll pummel the first person that tries to get you two to pull away! You learn fairly quickly that that’s not an empty threat either

Somehow, he’s even more affectionate when you two are at the cave. This boy will straight up just lay on you. Whether that’s on the couch or in your nest, he doesn’t care. The two of you will giggle in-between kisses, and this boy will nuzzle your cheeks, hair, or neck. He likes to bury his face into your neck and inhale your scent as you play with his hair. He’ll wrap his arms under you and let out a content sigh when you kiss his ear, and he’ll reciprocate by pressing a kiss to your neck

He wants to cuddle all the time and as much as possible, and he’s happy he’s found someone willing to be as cuddly as he is. He’ll hold you all the time, even when you sleep. He may even try to find a way for him to sleep with you in the main room. If he succeeds, you two will effectively never have to be apart. Just how he likes it.

Paul

Paul is easily the friendliest of the boys. He’s got a care-free laid back attitude and he’s the chattiest of the four. He’ll strike up conversations with random people on the boardwalk, and he’s known to be a huge flirt. No one would expect him to be a murderer, especially one that commits utter atrocities nightly. They see him, and they think he’s just a regular, flirty teenage boy. When you hug him as a greeting, he’s overjoyed that someone was willing to make the first move. That’s exactly what he thinks it is. He reciprocates it with a flirty one-liner, and some touches of his own. However, they may not be as nearly as innocent.

When he realizes that you’re just a touchy person in general, he’s ecstatic. Finally, easy prey! He doesn’t need to worry about you slapping him because he got a little too handsy in public. He totally just sees you as a meal at first, even if the boys comment that the two of you seem to be getting pretty close. So what if he’s gonna eat you later? You can totally play with his hair! So what if you’re holding hands? He swears that he won’t get attached! No, he did not just give you his jacket as a completely romantic gesture. It’s just because he thought it would look cool and you were cold! Not because he’s scent marking you! Okay, he’s totally into you and totally attached. By the end of the night, you two are practically dating already.

Like Marko, he doesn’t care if you two are on the boardwalk or not. He wants affection and he wants it now. If it’s not given to him, he’s not afraid to whine, pout, and act like the biggest baby on the planet. Luckily, you’re super affectionate even with just your friends. With him, he gets to enjoy a whole onslaught of attention. He’ll grin and smile as you caress his face and play with his hair, and he’ll give you kisses every time he thinks you’re acting too adorable for him to handle

His brand of affection is far more flirty. He likes to pinch and grope, but it’s just how he shows that he thinks you look hot. He’ll reach down and fondle your butt, squeezing it like it’s a stress ball. He’ll totally makeout with you in public, and you have to be careful with this boy. He’s not afraid to pick you up, plop you on the railing, and totally stick his tongue down your throat in front of the Santa Carla locals.

If you go back to the cave, it’s hard to keep his hands off you. He’ll do his absolute best to climb on top of you, and the moment you’re under him his lips are on yours. Sit in his lap? Babe, you’re just asking to end up scarring the others. You’ll be in the middle of having some time with the boys, sitting in his lap and innocently playing with his hair. All it takes is for you to scratch one little sweet spot, and then he’s grabbing you and pining you down on the couch. What? What’d he do? Is exactly what he’d ask when he gets a chorus of “Jesus, Paul”

If you two lay in your nest, you’re asking for a couple of rounds to take place. Why else would you be on a bed? He likes to hold you from behind for more reasons than one. First, he gets to have your butt pressed up right against his special place. Second, he loves how he can completely envelope you in his arms. He gets to pull you close and kiss the back of your neck. Maybe even your cheek. Was that a non-sexual form of affection? Good thing you were asleep so you couldn’t notice.

[sepublic]

I’ve been binge reading all your amazingly thoughtful analyses and I was wondering, if you could give the Blight Twins their own episode, (like separate one for Edric and one for Emira because I’ve seen how twins don’t want to bunch together all the time and be their own person) what would you want it to be about?

           OH-HO, this is SUCH a flattering ask and I really must thank you for it! It means a lot…

           With Emira, I hate to be obvious, predictable, main-stream, and pick a low-hanging fruit… But I want her to meet Viney. Emira is someone who is concerned the most of the two about having an actual identity on her own, and this likely includes making friends… So why not go get to know the Detention Kids, who are already rebellious in their own way, but while still managing to flex their individuality?

           Just imagine an episode of Emira getting to know Viney, maybe wanting to be close… But Viney, well. She’s someone who’s defensive because she’s been hurt in the past, and after what she’s heard of the Blights and Emira’s penchant for illusions, she is rightfully going to be suspicious. So we’ll have Emira possibly wanting to abuse the Secret Room of Shortcuts for pranks, but then Viney wants to preserve it mostly as an educational tool, and Emira doesn’t CARE for education…

           And this could lead to Em perhaps being too dismissive and even harsh towards Viney, because she seems like someone who while she tries to self-reflect, she sometimes doesn’t fully realize when she’s just parroting her parents’ abuse. And so we have Emira learning to be more mature and straight-forward, to cease the pranks and mind Viney’s feelings and uncertainty… Being truthful and tender to lower her guard, and Emira actually having to openherself to another person that isn’t Edric.

          Perhaps Em admits WHY she’s like this to Viney, who also introduces her side of the story… And they get to be actual friends! Emira learns to respect who Viney is as well as her interests, Viney gives Em a chance and lets her in figuratively AND literally… Maybe Emira even discovers an actual enjoyment of certain classes beyond Illusions! Or she doesn’t, but either way she may not be too much like Viney, but that doesn’t mean they can’t be friends! And not being like someone she’s close to is… HONESTLY what Emira was aiming for, only now she can still respect these differences too!

          As for Edric…

          Edric is a dude who prioritizes companionship over all-else. But he’s also kind of a goofy kid sometimes, and that’s worth noting. Depending on how Lilith’s character development goes, and how she ALSO was someone who was clingy towards her own sister and didn’t respect Eda’s autonomy as an individual to be her own person, insisting that being together mattered most… I’d LOVE to see Lilith perhaps give Edric a few pointers on this, maybe here them talk about their feelings of crippling loneliness! Let Ed get to be a dumb kid sometimes while Lilith isn’t sure what to make of his antics while Luz just enables him. It’d be amazing to see Lilith and Edric talk about their respective relationship towards Amity…

          Ed knowing this is the lady Amity looked up to, having had reservations because she was a bootlicker; But then Lilith threw it all away –albeit not entirely willingly- for Eda and Luz! So, maybe she IS good for something after all…! Meanwhile, Lilith possibly knows of Amity’s occasional issues with her twin siblings…

          And she thinks of her own time with Eda. So, she decides to impart some wisdom to Edric, about how you should always love your sibling and never go too far, while still letting them be a person… And somewhere along the way, Edric realizes this wouldn’t just apply to him and Amity, but him and Emira too.

          Then Lilith and Edric form a found-family bond, maybe Ed accidentally calls her Mom as well… Maybe even Lilith lets him have fun with King and Owlbert, because the kid wanted pets as a child but never got them because of his strict parents! Not sure how King would feel about Edric though, but I could also imagine them getting into some WEIRD antics alongside Luz! And come to think of it…

          Maybe a pet WOULD help Edric’s issues, though unfortunately I can’t really see Lilith being able to help by getting in a good word with the Blight Parents given her, um, employment status. And if Edric could just get away with hiding a pet through illusions, he’d have probably done it by now, so. On another note, Lilith and Edric both wear glasses (or at least Lilith used to), so I’d LOVE to see the two become more comfortable about doing that around each other.

          For either twin, maybe both, I’d also like to explore their thoughts on Willow… They knew she was Amity’s best friend, but did they know WHY Amity cut ties? They seemed legit concerned in Lost in Language over the way ‘Amity treats people’, so I think the twins had worries about Amity pushing away her best friend like that, potentially because of their parents (though to what degree they had no idea)! Not to mention, how do the Twins feel about Boscha…?

          Boscha is ALSO a trouble-maker, and a bit of a bully herself; Though I don’t think to the same extent as Ed and Em were, and arguably without as much of a reason for it. This was someone Amity hung around with for years, do they know it was against her will? Surely the Twins realized how little Amity smiled around Boscha and her posse, did they have concerns that Amity was being too cold to them, not realizing Amity was forced to hang out with them to begin with?

          How do they feel about Boscha and Amity being on bad terms, about the former breaking the latter’s leg… And what was Boscha’s perspective on the two, and how Amity disliked them? Maybe Ed and Em are harsh towards Boscha for the Grudgby incident, but then they also seem pretty open-minded when it comes to people outside of their family… So maybe they consider Boscha’s side of the story and how Amity WAS cold to her and the others. And maybe the twins learn about what their parents ordered, and tell Boscha to give some peace of mind for her, to give closure…

          Sure it hurts for Boscha to hear Amity never DID like her, but in this case, it really IS for her own good. Maybe it’ll be like Understanding Willow, only instead of Luz it’s Ed and Em, and instead of Willow it’s Boscha; Perhaps we learn more of Boscha’s background, and we get to see her and Amity reconcile, perhaps with Boscha finally learning to respect Willow and Luz on Amity’s behalf… Or they at least acknowledge that both were put into a messed-up situation, a false and thus unhealthy friendship, and decide to leave without any grudges. Who knows?

           I’d honestly love to see Ed and Em perhaps act as like… surrogate older siblings to Boscha, because now they get to make more friends outside of the family (and at least their parents can’t disapprove of Boscha), and they talk about their own mutual concerns and thoughts of Amity, with the twins vouching for Amity while at the same time considering what Boscha has to say and relaying that… Maybe the twins, who are willing to be self-aware, even if they’re not the best at it, tell Boscha to cut out the bullying, that she doesn’t need to be on top or be beholden to what anyone else says!

          I think it’d be sweet, honestly, and I’d love to see more of Boscha’s friends for that matter! Because we know that while Amity was never close to any of them, she’s still an inherently good person and thus felt bad about injuring them in Grudgby; Especially since to Amity’s perspective, she’s no doubt been ‘lying’ to Boscha about their friendship, even if it wasn’t her fault!

          But, yeah… Sorry for getting a little off-topic, but given how much this show stresses relationships and found family, and blood-family being obligated to RESPECT the found family of their relatives… I just think it’d be fascinating to see, on top of Emira and Edric having their own personal journeys of self-discovery! Because as we see with Luz, being your own individual doesn’t mean cutting ties from everyone else, and arguably…

          Making new connections can HELP one make an identity! Because you still choose to make connections not out of obligation, need, and situation… But because it’s what you want and it’s all YOU as a result, because desires are a reflection of a person! And maybe then, Emira and Edric can go back to being Twins and closest friends, now closer than ever in a healthy sense, because now they’re still their own individuals and respect one another as such, and are fine with letting each other be people!

          That they know who they are, and so the Twins don’t need to worry about losing sight of that identity whenever they hang around, because in the end… While MAYBE some of their closeness came as a result of having no one else and needing companionship against their parents, I really do believe that Emira and Edric, despite potential fears suggesting otherwise, DO love and enjoy one another’s company and always will, perhaps more than they do others’! And as long as they’re their own people, that wouldn’t even be a bad thing, honestly…

          Just, the idea of Emira and Edric trying to figure out who they are separate from one another, and in learning so, their bond with each other becomes even stronger and healthier! That they become more comfortable, and more close, because they can afford to be truly honest without worrying about losing the other and having nobody else!

          Once the confusion of who they are is cleared, the Blight Twins can go back to enjoying one another unconditionally, neither worrying about being different nor the same! Just natural sibling love…! No more concern about losing oneself amidst the other, because Emira and Edric are truly their own people now, and thus they aren’t dependent upon one another and can be fully healthy to each other!

          Maybe by the end of their respective journeys, Emira and Edric learn to respect the wishes of one another, while still staying the same… With Edric realizing that he can’t hold onto Emira possessively, and Emira recognizing Edric’s genuine love and concern for her, that she doesn’t need to ‘cut ties’ to be her own person!

          …Look, I just have FEELINGS about these twins, because they’re the children of the Blight Parents and that alone implies issues, but we already SEE a few concerning things, and I just want them to reconcile after Grom and heal from the pain of rejection! Them being stood up is the last we see of Emira and Edric both in terms of official content and chronology, I demand CLOSURE and emotional reparations for these kids!

[wildborn-witch]

“There are tales spoken in hushed whispers, beyond the ears of the Emperor’s Coven, about a tribe of witches who were bonded to spirits—mystical beings born of wild magic. An ancient race they were, said to have been the first children of the Titan when it fell. Taking the form of beasts, they had the ability to heal and speak to the Isles, calling upon its natural power. These gifts they shared with the witches, who took their name in gratitude, and together, they and their descendants settled near the Heart, wishing to live in harmony with the wilderness and their ancestor.’ 

“Centuries passed, and eventually their neighbors came to wield magic of their own, sparking a new age of discovery. In this time, the original covens were formed, each following one of nine disciplines, yet they all recognized the ancient tribe as the first masters. On their part, the tribe stayed distant from the others, though anyone willing to learn from them was welcomed among their ranks.’

“Everything changed, however, with the coming of the Savage Ages. Chaos reigned, and conflict and unrest divided the land until a new figure arose: a mysterious witch who called himself Belos. Claiming to be an emissary of the Titan, he vowed to bring unity to the Isles, insisting that unbound magic only brought disorder. One by one, the nine covens bowed to his teachings, but the ancient tribe resisted—they saw him for what he truly was, and would not give up the old ways. Their defiance led to their destruction, as Belos and his coven hunted them all down until, at last, only their chief remained. Accused of high treason, he was sentenced to petrification, frozen in stone as Belos took the title of Emperor over the Boiling Isles.’

“It has been thirty years since the tribe’s extinction, and the spirits have fallen silent, fading into myth and legend. But nothing lasts forever, for a new awakening has begun. The old ways will be found once more, and in time, the Isles will see the return of…’

To those who have followed me already on both this blog and my main account, I want to thank you all so much for your patience and continued interest as this has taken shape. To those who are here for the first time, my name is Drekasál, and I’m proud to announce the official master post and FAQ for the Wildborn AU!

I intend to update this as often as possible as I continue to work on new pieces—both artistic and literary—as well as answer whatever questions that may come up in the future, but for now, I figure the basics would be good to start with, first and foremost being…

What is the Wildborn AU?

The Wildborn AU is my personal contribution to The Owl House fandom, centering around my witchsona Tristan O’Connor who is its main protagonist. Taking place after the events of Season 1, it explores my own take on the history of magic on the Isles by introducing the Wildborn—a tribe of ancient witches bonded to powerful spirits of the same name.

Lore

Originating from days long before the Savage Ages, the Wildborn came into being when the Titan first fell, and hold great power over the Isles’ primordial forces. Reflecting their wild natures, their spiritual forms take on the form of beasts, both mythical and mundane.

In the past, the spirits had a rocky relationship with the early witches, whom had not evolved bile-sacs yet and thus relied on harnessing the wild magic of the Isles through glyphs. At some point in history, however, a young witch from an ancient tribe formed a Bond with the Thunderbird, the first of the spirits and their guardian. After that, the two groups grew closer, with more witches and spirits  forming Bonds with each other, eventually becoming the Wildborn tribe. Harnessing the power of their spirits, the Wildborn witches did not need to rely on glyphs, and those pairs who developed strong Bonds could Merge to become a new being, a reflection of the spirit’s beast form combined with the traits of their witch.

Regarded as the first masters of wild magic, the tribe was well-respected for centuries, even as other witches eventually evolved bile-sacs and formed the original covens. Tragically, that came to an end during the Savage Ages, which saw the appearance of Emperor Belos and his enforcement of the coven system. Seeing the Wildborn as untamable and a threat to his teachings, he ordered for their persecution, hunting them down and forbidding any mention of them, until at last it seemed they had been wiped out. But the tales still persist, and the spirits live on, waiting for the day their Guardian will return, and restore balance to the Isles...

Inspiration

This AU draws inspiration from both Wolfwalkers and Brother Bear, both of which are beautifully animated movies, but the latter especially I consider a criminally underrated Disney movie. Wolfwalkers mainly inspired the Hellhounds, the secondary group of characters in the AU, but both movies played a part in developing the Wildborn themselves, particularly their powers and portrayal as animal spirits.

The Characters

Tristan O’Connor - Protagonist in the Wildborn AU. He is a faun witchling enrolled in the Beast Keeping tract at Hexside School of Magic and Demonics. Shy yet kind, he has a deep love of nature and the wild, though it is a passion he has been forced to curb up until now due to the rigidity of the coven system. It is revealed later on that he is Bonded to the spirit Anam, making him the first living Wildborn to exist in thirty years.

Aedh - Deuteragonist in the Wildborn AU. He is a member of the Hellhounds, a pack of wolf-like fire elementals who live hidden beneath the Titan’s skull. Daring and adventurous, he doesn’t have the same bitterness against witches like his elders, having not been born during the time of their persecution, and he welcomes Tristan warmly as a friend. He proves vital in helping the witchling adjust to his Wildborn powers, teaching him how to be a Hellhound when he is Merged with Anam.

Anam - Tritagonist in the Wildborn AU. He is Tristan’s Wildborn spirit, originally being the soul of a Hellhound pup born with “too little fire”. As the AU progresses, it is discovered that he is Aedh’s younger brother and littermate, thus making Tristan, through his Bond with Anam, Aedh’s spiritual brother and and a member of the pack.

Tuft - Supporting character in the Wildborn AU. He is Tristan’s pet griffin, getting his name from his tufted ears uncommon to his kind. A frequent companion of the witchling, he is fiercely loyal and protective, accompanying him on his adventures in the wilderness.

Eleri O’Connor - Supporting character in the Wildborn AU. She is Tristan’s mother and a member of Bard Coven, stated to be well-respected as a master of her craft. She is shown to be a caring and loving parent, though she constantly worries about her son, partly due to her frequent absence in the household, as well as her fear that Tristan might never fit in and suffer for it. Although she is Adar’s daughter, she is not Wildborn herself, having never Bonded with a spirit.

Adar O’Connor/The Thunderbird - Supporting character(s) in the Wildborn AU. Adar O’Connor is Eleri’s father and Tristan’s grandfather, and was the last great chief Bonded to the Thunderbird before the extinction of the Wildborn tribe. When Adar was sentenced to petrification, the Thunderbird permanently Merged with him to save his life, and they act as guides to Tristan and his allies as the AU unfolds.

Arduinna “Rina” Ward - TBA

Arwain the Seeress - TBA

This list will be updated as new characters are developed and added!

Are the main cast of The Owl House involved?

Yes, actually! Their roles are still being developed, but I do intend for Luz to play an important part in this AU, given her rediscovery and usage of glyph magic, and she becomes one of Tristan’s close allies. Eleri herself has had interactions/relationships with Eda and Lilith in the past, when they were attending Hexside together as teenagers.

Is this an open AU? (Can anyone participate/make connections?)

I definitely wish for the Wildborn AU to be as open-ended as possible, as I love making potential connections with the stories/characters of other creators in the fandom. Fair warning, however, that this AU is still in constant development, so things are liable to change! Don’t be afraid to reach out if you have ideas you want to run by me!

Is fanart/fan fiction allowed?

Y E S. Fanworks are 1001% allowed and would honestly make me the happiest person ever ;;V;;

Master List

Eye of the Storm - Lore of the Thunderbird.

No Mercy - Hellhound lore

Reassurance - Aedh welcomes Tristan

Locked or Free - 100+ follower Instagram DTIYS

One Being - Tristan describes the Merge

Dumb Animal - Tristan and Aedh encounter Boscha’s gang at the Knee

Tristan’s Beast Form - Reference sheet

Forces of Nature - Wildborn lore

The Thunderbird - Official model sheet

Adar Concept Art

Hellhound Reference

The Last Wildborn - Official banner

Healing - Gift art/animation for @sobsinfrench​

«—•—»

If you have any more questions for me, don’t be afraid to submit an ask, and my inbox is open if you want to reach out to me directly! I also post artwork and occasional updates to my main blog @drekasal​, so be sure to follow me there as well! Thank you all so much for reading through this, and have a wonderful day!

[aion-rsa]

15 Best Final Fantasy Characters

https://ift.tt/3rHgcZn

While the list of things that Final Fantasy has gifted the gaming world is much longer than the one we’re bringing you today, one of the most consistently incredible aspects of this legendary RPG franchise is the quality of its casts of characters.

Even if you’ve only played one or two Final Fantasy games in your lifetime (or perhaps even just absorbed elements of the series through its prominent place in gaming culture) you likely know and have strong feelings about at least one Final Fantasy character. No matter how fantastical these games get, their heart will always be found in the heroes, villains, and even NPCs that drive some of the greatest adventures in RPG history.

Which Final Fantasy character is the best of them all, though? That’s a question fans will never find a universally approved answer to, but I’m willing to be most personal shortlists include at least a few of these incredible characters that have become icons of this franchise, the genre, and gaming.

15. Bartz Klauser (Final Fantasy 5)

Many Final Fantasy protagonists are tortured souls burdened by destiny and circumstances. There’s nothing inherently wrong with that type of character (we’re actually going to honor a few of those tortured souls later in this list), but too much of that kind of personality can really wear you down.

That’s what makes Bartz Klauser such a breath of fresh air. As a young man just trying to honor his father’s dying wish to go out and explore the world, Bartz didn’t ask to get caught up in an epic battle or grand adventure. Yet, he handles the incredible events that befall him with positivity, humor, and constant support for his friends and allies. 

14. Squall Leonhart (Final Fantasy 8)

There was a time when it felt like Squall’s place somewhere at the bottom of any list of Final Fantasy protagonists was all but reserved. There are still more than a few Final Fantasy fans who passionately hate him, and it’s easy to understand why. He’s angsty, he’s sometimes derivative of other characters, and he’s even sometimes cruel to people who should be his closest allies.

Yet, there’s just something about Squall. His looks and gunblade certainly make him memorable from a design perspective, but there’s also something to be said for how we get to watch Squall grow throughout Final Fantasy 8 in a way that few franchise protagonists get to grow across the course of their own adventures. Squall is the surprisingly grounded heart of a Final Fantasy game that reaches all-time high levels of weirdness.

13. Zidane Tribal (Final Fantasy 9)

I’ll always have a soft spot for Final Fantasy 7 and 8’s more somber protagonists, but like many fans at the time, I was more than ready to embrace Final Fantasy 9’s return to medieval fantasy as well as its returns to slightly more upbeat lead characters. 

Zidane is a fantastic example of a more lighthearted Final Fantasy protagonist, but he is no mere throwback to a simpler time. There’s plenty of darkness in Zidane’s surprisingly deep backstory, which makes his attempts to become a better person and a better leader (as well as his insistence on enjoying life whenever possible) that much more interesting. 

12. Cidolfus Orlandeau (Final Fantasy Tactics)

Some version of Cid pretty much had to be on this list, but which Cid is the best of them all? Well, there’s certainly an argument to be made for Final Fantasy 7’s Cid, Final Fantasy 14’s Cid, and Final Fantasy 9’s Cid, but my vote for the best Cid goes to a somewhat outside the box version of this recurring character. 

It’s interesting enough that Final Fantasy Tactics’ Cidolfus Orlandeau is a warrior when so many other versions of Cid are engineers, mentors, or even political leaders, but what makes Orlandeau really stand apart is how powerful he is. This is one of the most overpowered characters in Final Fantasy Tactics in terms of both lore and in-game abilities. Actually, his incredible power kind of feels like a love letter to the entire Cid “lineage.”

11. Zack Fair (Final Fantasy 7)

It may seem like Zack Fair’s popularity only started to grow in more recent years, but the truth of the matter is that many Final Fantasy 7 fans have always loved Zack and just weren’t able to properly share their love for this previously minor character prior to the modern internet age. 

Before Zack Fair finally got to star in his own game (the largely underrated PSP title, Crisis Core: Final Fantasy VII), he won the hearts of millions with his optimism, friendly nature, and unwavering belief that he can fight to make the world a better place. He is, in many ways, what we think of when we think of heroes. 

10. Celes Chere (Final Fantasy 6)

Final Fantasy 6 certainly isn’t lacking in memorable protagonists (or villains), which really makes it that much more impressive that Celes Chere has arguably become the game’s unofficial lead all these years later. 

Celes initially comes across as a standoffish enemy general who is only helping the player’s party because they’re temporarily united against a common threat. By the time we reach this game’s legendary opera scene, though, we understand who Celes really is and even start to sympathize with what we previously believed were her greatest flaws. Celes was one of the first Final Fantasy characters that properly showcased the storytelling potential of this franchise and gaming.

9. Lightning (Final Fantasy 13)

Final Fantasy 13 honestly deserves a lot of the criticism it regularly receives, but it’s always been a shame that the game’s divisive (often negative) legacy means Lightning is sometimes denied the status she so rightfully deserves. 

Lightning’s backstory isn’t the most complicated in Final Fantasy history, but that actually proves to be one of the character’s strongest qualities. Lightning is mostly interested in protecting her sister, which turns out to be all the motivation as she needs to embark upon an epic journey as well as all the motivation we need to sympathize with the incredible things she does along the way. Lightning is fearless, strong, determined, and the kind of person many of us like to think we would become in her situation. 

8. Balthier (Final Fantasy 12)

It’s certainly easy to understand why so many Final Fantasy fans have compared Balthier to Han Solo over the years. Balthier is, after all, a sarcastic yet suave sky pirate who gets caught up in a war. You don’t have to break your brain to see the similarities.

However, that doesn’t make Balthier any less of a compelling character. Balthier believes he’s the real protagonist of Final Fantasy 12’s all-time great story, which is honestly hard to argue against when you consider that he’s the most consistently compelling character in the game and one of the most consistently entertaining characters in the history of this franchise.

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7. Tifa Lockhart (Final Fantasy 7)

What is it about Tifa that’s made her one of the most popular characters in Final Fantasy history? Is it her warmth? Is it her combat abilities? Is it the ways that she’s able to so easily pivot between leader and supporter based on what the situation calls for? 

The answer is “yes.” Tifa is capable in ways that the best playable video game characters sometimes need to be, but she’s still vulnerable, conflicted, and sometimes scared in the ways that any of us would be if we were in her situation. She’s a truly well-rounded character who is more than worthy of her fan-favorite status. 

6. Auron (Final Fantasy 10)

On the surface, Auron is everything that you’d expect to see in a “cool” Final Fantasy character. With his giant sword, samurai-like philosophies and lifestyle, and mysterious vibes, you could even argue that Auron represents some of the “tropes” we sometimes associate with this franchise’s most notable warriors.

Yet, Auron is so much more than the (admittedly badass) warrior he first seems to be. As we learn Auron’s backstory, we also learn more about the Final Fantasy X universe and this game’s wonderfully weird and surprisingly complicated storyline. Auron is undoubtedly cool, but it’s the sweet and sorrowful details of his backstory that elevate him above some notable competition. 

5. Cloud Strife (Final Fantasy 7)

It’s sometimes hard to look at Cloud and not see a collection of what we now think of as cliches for both Final Fantasy protagonists and JRPG characters. Even if you want to push aside the fact that Cloud helped introduce (or at least arguably perfected) some of those cliches, you can still make a compelling argument for the character’s all-time great status on the basis of some of his qualities that don’t get talked about quite as often as they should. 

Cloud is a much deeper and more mysterious character than he often gets credit for. Given that we learn more about him as we learn more about Final Fantasy 7’s plot, world, and emotional stakes, he’s also one of the best (if initially less obvious) player surrogates in the history of RPGs. 

4. Sephiroth (Final Fantasy 7)

Like so many of Final Fantasy’s other great characters, you could make an argument for Sephiroth’s “best” credentials on the basis of his design alone. Any character that looks this cool and has a theme song as incredible as “One-Winged Angel” is destined to steal some hearts. 

What’s most impressive about Sephiroth, though, are the ways that the Final Fantasy team has revisited this character and grown him over the years. Sephiroth is a tragic character in many ways, but you won’t find many who are willing to shed a tear for him or the ways he’s used his personal tragedies to internally justify unforgivable acts. 

3. Yuna (Final Fantasy 10)

While I don’t hate Tidus as much as some people do, I have to admit that I’ve always seen Yuna as the real protagonist of Final Fantasy 10 as well as one of the series’ best characters ever.

Yuna’s incredible empathy and compassion are appropriate character traits for a summoner who is so willing to complete what is generally considered to be a suicide mission. Yuna believes in the role she plays in this world, but she’s not so committed to her duties that she becomes this one-track protagonist that doesn’t get to develop a personality. Indeed, it’s Yuna’s likability that inspires so many Final Fantasy 10 players to see her complete her quest, whatever the cost may be. 

2. Kefka Palazzo (Final Fantasy 6)

When people are praising Kefka as a villain (which is obviously something that happens quite often), the line you’re almost always guaranteed to hear is that Kefka is one of the few villains in any medium who achieves their seemingly absurd plans for world domination. His almost unrivaled success as a villain has rightfully become the defining part of his legacy.

As a character, though, Kefka stands apart through the almost horror movie-like nature of his design (he’s somewhere between Pennywise and the Joker) as well as for the way he goes from court jester to world-destroying diety so convincingly. He is, at the very least, the best Final Fantasy villain ever. 

1. Vivi Ornitier (Final Fantasy 9)

Vivi’s short lifespan and the fact he was ignored and dismissed for so many of the few days he had to live should make him one of the most tragic characters in Final Fantasy history. Indeed, many aspects of Vivi’s life are a tragedy and a pretty compelling tragedy at that. 

Yet, there’s a reason that simply hearing the name “Vivi” puts a smile on so many Final Fantasy players’ faces. Vivi may discover the sorrowful truth of his existence in Final Fantasy 9, but he also learns the joys of friendship, confidence, and adventure. In many ways, the character’s final words represent how we all feel whenever we have to leave our favorite Final Fantasy characters:

cnx.cmd.push(function() { cnx({ playerId: "106e33c0-3911-473c-b599-b1426db57530", }).render("0270c398a82f44f49c23c16122516796"); });

“I’m so happy I met everyone… I wish we could’ve gone on more adventures. But I guess we all have to say goodbye someday.”

The post 15 Best Final Fantasy Characters appeared first on Den of Geek.

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[the-mad-starker]

Starker Fic: Untitled Royalty AU

So I was looking through my old drafts and this one was from June 2018 when I just started exploring Starker. Before that, I was writing for MCU ships and HP, and I've decided to post this because it's been two years since it was written and it feels like a whole other person wrote it. I think my writing style has changed? And I'm not entirely sure if it's for the better haha

Just felt like sharing, this is more of a tease and I doubt I'll ever get more in since I feel like my writing has changed 

WC: 1500

Summary:

Royalty AU. Tony is the King, Peter is his manservant. Tony is clearly in power and Peter has no choice but to obey his king.

Obadiah Stane insists that it is time for the beloved King Anthony Stark to marry. For Tony, who has rarely involved himself in the politics besides wearing the crown, that means no more parties, no more lovers being brought into his bed.

But to distract the golden goose from seeing its cage, Stane gives the king a pretty new toy, a new manservant named Peter to satisfy all his needs while the search for a suitable partner begins. But Peter, despite being low born, is the catalyst, the change that wakes Tony from the beautiful dream that Stane created.

💗💗💗

The weight of the crown was settled on Anthony Edward Stark’s head at an early age. It was much too heavy and so, the late King’s advisor and trusted friend took some of the burden from the young prince’s shoulders.

In time, King Anthony Stark’s worries became less and less. He was free to pursue his passions, following the footsteps of his father. As an inventor, Anthony Stark brought to life all these marvelous and terrible creations on paper. Weapons the world had never seen.

And his hands, the hands of a blacksmith even with a crown upon his brow, forged into creation these great and terrible monstrosities.

The Kingdom of Stark flourished from its King’s dreams, bringing in fortune and security to the country. King Stark sat on his throne and by his side, his ever faithful advisor whispering into his ears of all the adorations paid upon him by his people.

The people of Stark who cherished the beloved son of late King Howard, the Iron Prince, and now they loved and adored him as their king.

It seemed to the king that his life would continue in this fashion, days filled with busy hands… Nights full of drinks and beautiful men and women while his dreams shaped the outlines of things yet to come.

It was a good life and as Tony laughed and drank on the commemoration of his birth some thirty or so years later. Tony didn't think he needed more in life. His kingdom was flourishing and his passion for creation was being exercised daily.

Yes, life was a good thing. So it came as a surprise when Obadiah spoke to him after the celebrations.

At the prime age of 35, Tony had yet to marry or sire a child. The years had passed quickly after his parents death and now, years later… this.

“We’ve held this off long enough,” Obadiah said sternly. He was stiff with wariness, expecting a fight with the Iron King for his next advisement. “The people are getting restless. With no prince or princess to succeed you, they grow more concerned every year.”

Tony sighed but his shoulders slumped in defeat. Truly, being able to avoid marriage for so long was simply a miracle. Many princes and princesses were betrothed by birth or if not that, at least an early age.

Stane had told Tony that his mother, the late Queen Maria, had wanted to wait until his majority to speak to him about marriage. And they had died a few short months before Tony turned 21.

That was the loophole that had given Tony years of borrowed time. But now that time was up, the last grains of sand trickling down the hourglass.

“I’m guessing you have a list of names for me then…?” Tony’s eyes were fixed on his hands, noting every single scar and callous that decorated them. His hands were not a nobleman’s hands, not smooth and unblemished, no. His hands were scarred and marked from his love of creating.

“I do,” Stane confirmed. “We’ll need to go over it soon. But for now… I'm sorry to say it, but I can't stress enough how important it is that your… proclivities must cease.”

Tony raised a brow in question.

“No more… dallying with others,” Stane said bluntly. “It's a miracle that we don't have any bastards running around. But it is what it is, so if the King of Stark is going to be looking for another king or queen to match, we can’t have any scandals reaching the ears of your potential partners.”

Tony’s lips quirked up. “You're asking me to abstain?”

Stane’s eyes narrowed at the smiling prince. “Yes, to put it bluntly, my King.”

“God, Obbie,” Tony laughed, a bit bitter. His days would be bereft of lovers, of soft skin and hungry kisses all because of his duty. Marriage and then children.

A heavy hand clasped his shoulder. The older man led Tony back to his room, mindful of how much drink the King had for his birthday.

Tony was only a little buzzed, but he didn't mind his old friend’s help.

“Now, Tony, please. I never ask you for anything. You know I don't, but I need this from you,” Obadiah insisted.

That was a lie. Obadiah often asked him for approvals, for his designs. Year after year, the demands would grow with more specifications but Tony would do better. No matter the requirements, Tony’s brilliant mind would come up with even better proposals. But that was the business of keeping his kingdom prosperous, his people secured against threats. It was the only thing Tony could do when his parents were murdered on route to a peaceful envoy.

So instead of bringing all that up, Tony just leaned heavily on Obadiah, giving a weary sigh. “I know, Obie.”

Besides. Despite never wanting to settle down, marriage was still sacred to Tony. His parents had had a strong marriage and despite all the flaws his father had, Queen Maria had loved him, flaws and all. Tony would be lucky if he could find someone even willing to put up with his eccentricity.

They reached his doors. There were guards positioned outside, giving Tony a bow before opening the doors.

“Now, I know I'm asking a lot of you,” Obadiah began once they were inside.

Tony had thought the matter concluded. He paused in undoing his outfit, throwing Obadiah a inquisitive look.

“That's why I got you a little present,” Obadiah smiled, a dark, almost indecent grin. It looked so out of place on his not-Uncle’s face that Tony thought that surely, the alcohol was playing tricks on him.

Even so, Tony replied with a huff of laughter. Obadiah giving Tony “little” gifts weren't unusual, the man always acted like a second father to him.

“You didn't have to,” Tony always had to say in response to such comments but of course, Obadiah waved it away.

“Come, come,” Obadiah urged, grasping him by the shoulder. Tony moved with him, his gait a little compromised but he didn't falter in his steps.

“You're taking me to my bedroom,” Tony observed then gave a wry laugh. “You better not have gotten me a courtesan, Obie.”

The older man didn't reply, didn't need to. As soon as they entered, Tony found out for himself what the present was.

Tony’s mouth went dry, head filling with confusion and indecent things. On his bed, there was a boy. No, the boy was a young man, though just barely. Lithe and slender, with skin that was the pale color of milk. Beautiful really, with such soft brown waves in his hair. His lips were soft looking and plush, such a lovely color of pink that Tony wondered for a moment if someone had painted them. But the thought was quickly dismissed as white teeth pressed down in a show of nerves. The young man was beautiful… Breathtaking But his eyes… Tony’s heart plummeted. That wasn't desire or anticipation. The young man in his bed was terrified. Large brown eyes with the longest dark lashes Tony had ever seen. And he was trembling, the blankets wrapped around his shivering form like the most inadequate shield ever made. But when stripped of his clothes and forced into a bed not of his own choosing, what else could the young man do? All hazy, lust filled thoughts disintegrated in a second. It was the most effective cure to his tipsy state. It felt like Tony had been dunked into a freezing cold lake. “What is this?” Tony demanded softly. Another friendly clap on his shoulder, Obadiah’s gruff voice sounding pleased to Tony’s ears. “This is my gift to you,” Obadiah announced proudly, “Your new manservant. Peter.”

Tony’s eyes remained fixed on the boy. He saw the way Peter flinched when he heard the title, the dirty suggestion in the title manservant.

“You can do anything you want with him, Tony,” Obadiah confided in him. “You've been needing one.”

“I don't need one,” Tony said dejectedly. Tony was more the inventor than King and the period of wakefulness were off and erratic. He wasn't going to wait for a manservant to dress him, not when his clothing would be stripped off in his lab anyway.

Obadiah’s grip tightened down, just a touch harder. “I know it won't be enough compared to having a new companion every night, but I'm giving you an out here, Tony. Use the boy, don't get caught fucking or getting fucked by others.”

The tone was firm, a no questions asked kind of tone that left Tony speechless.

“This is my gift, Tony,” Obadiah said a bit more gently. “I wouldn't ask you to abstain, I'm not out to hurt you, boy. But Stark needs this marriage and if the only way I can keep you from offending your potential prospects, then I'll do it.”

With no response from Tony, Obadiah took it as acceptance. With another friendly clap, Obadiah called out to Tony as he left, “Have a good night, Tony!’

The door shut behind him and then it was just the two alone. The King of Stark and a young man, his future bedmate.

[kathyprior4200]

Who is Dr. Facilier?

Why am I envisioning writing a book about Dr. Facilier?

 I’m a long time fanfiction writer (I officially started posting online in 2016) with a passion for doing writing as a fun hobby. I’ll never get famous from doing my work, but if some people enjoy it, then that’s all that matters. I might never finish said book, but you bet your bayou blues I’m willing to try. There are several reasons why I suddenly feel the spark after so many years.

After watching The Princess and the Frog (2009) for the nth time, it really got me thinking about the New Orleans culture and other potential sides to the characters. Dr. Facilier was a great villain people loved to hate...he was willing to harm those around him just to get the green. We all know how he lived and how he got dragged into the Guinee, the voodoo land of the dead. This earned him a high ranking on the Disney villain list, though he still remains criminally underrated in comparison to other villains.

 When I listened to the Bayou Boogie soundtrack, several songs stood out: “Shadow Man,” “Do What I Wanna Do,” and “Love is a Magical Mystery.” As you may have guessed, all three songs are sung by Keith David, the voice of Dr. Facilier, but only ”Friends On The Other Side” was the catchy song he sang in the film. “Shadow Man” described the character’s suave sneaky ways of leading people astray. Like the shadows, he follows you around and you don’t even know it. “Do What I Wanna Do” depicts how Dr. Facilier manipulates people with false promises and the fact that he enjoys being a deceiver. He only wants what’s best for himself, the concerns of others don’t matter to him. In “Love Is A Magical Mystery,” love is more complex than any spell or potion. Although the song describes Dr. Facilier tricking people into knowing all about love, it may also refer to a lost love in his past.

 But who is Dr. Facilier anyway? Never mind that we don’t know his first name.

 In Princess and the Frog, Dr. Facilier mentions being a descendent of royalty through his mother (which implies that she may have been a Voodoo Queen. He might even be related to Marie Laveau.) He is African American with French origins. We don’t know whether Dr. Facilier was born in New Orleans or if he immigrated from elsewhere with his family. But there are a few things we do know. He practices both Hoodoo and Voodoo. Dr. Facilier had a poor upbringing, being surrounded by poverty and racism. Over time, he grew envious of the rich who either mistreated him or ignored him. The resentment toward mostly whites and the upper class led to his desire to take over New Orleans. Despite Dr. Facilier’s skill at manipulating and scheming people, he still didn’t make enough money to sustain himself…more than likely, he wanted to live a luxurious life. Life simply was not fair. To achieve his goals further, he needed help…from the other side.

 Another thing we know is that Dr. Facilier encountered a group of dark Loa and formed an alliance with them, granting himself the ability to perform black magic. Loa are the spirits of Haitian Vodou and Louisiana Voodoo. They are intermediaries between humanity and the supreme creator Bondye. The Rada, Petro and Ghede Loa are three types of Loa nations. Dr. Facilier’s design is inspired by the Ghede Loa of the dead, Baron Samedi. The Loa aren’t necessarily “good” or “evil” but the Petro Loa are more aggressive and warlike. It is likely that Dr. Facilier made deals with Baron Samedi, Petro Loa Met Kalfu, and Papa Legba, Loa of the Crossroads. In the film, the Loa are inaccurately portrayed as evil Tiki heads served by living Voodoo dolls and shadow monsters. (Let’s assume that Met Kalfu allowed darker spirits to “cross over” into the living world, the beings “personifying” as Loa.) Dr. Facilier relies on them to use his magic, but if he doesn’t pay them with souls from New Orleans, they would take his instead.

 Dr. Facilier is portrayed very differently in other TV shows and novels as well. However, they don’t reveal anything about his past. In the case of the TV shows, he is not depicted as the same kind of villain.

 In the popular ABC’s Once Upon a Time series, Dr. Facilier is played by Daniel Francis in the Greenbacks episode. Tiana visits him and asks him to help her find a price. Facilier makes her think that a fraud named Robert is the prince. He ends up stealing a ruby from a medal and reviving Prince Naveen before teleporting him away. Regina, the Evil Queen, is his love interest. In Disney Descendants, he has two daughters: Freddie (Descendants Wicked World) and Celia. In Descendants: Isle of the Lost, Dr. Facilier appears as a headmaster of Dragon Hall, a school for the next generation of villains. Dr. Facilier appears as a less diabolical side villain to support the respective story arcs of the shows.

 Vera Strange’s middle school novel “Chilled: Fiends On the Other Side” does an exceptional job in depicting Dr. Facilier’s sinister nature when his plan results in him becoming a militia in an alternate universe. (Tiana appears in her new restaurant from the end of the Disney film after Dr. Facilier’s official death.) The book centers on an African American boy, Jamal, who is jealous of his popular twin brother Malik. Jamal receives a skull necklace that warns him of danger. Dr. Facilier meets Jamal and offers him a chance to be popular. When Jamal refuses, the Shadow Man hunts him down and pesters him with cards and his own shadow. Dr. Facilier demands the necklace back, but Jamal steals his brother’s treasured trumpet and offers it in exchange. Although Jamal becomes popular, his brother becomes a shadow. Dr. Facilier eventually threatens Malik’s life, tricking Jamal into giving him the necklace. The two brothers become shadows, who are forgotten by their parents before they fade away.

 Regarding Disney villain backstory films, Maleficent appeared in 2014, the sequel in 2019 and Cruella is set to appear later in 2021. If Disney enjoys exploring live-action remakes, then it should be no surprise that Dr. Facilier (and other villains) should get their own backstories as well. In addition, Disney is set to include cast member training at the Princess and the Frog Splash Mountain re-theme at Disneyland Resort and Disneyworld Resort. A backstory for this villain could promote this project and many others.

 There are several noteworthy authors that have inspired me to delve deeper into the dark man’s past. The Disney “Twisted Tale” anthology is a collection of “what-if” tales that serve as spin offs to classic Disney films. The authors are Liz Braswell, Jen Calonita, and Elizabeth Lim, who have made ten books thus far. The titles of the books follow a pattern of being the name of a song: for example, “Once Upon a Dream” from Cinderella or “Reflection” from Mulan. The future Princess and the Frog inspired book will no doubt bear the title, “Almost There.” It’ll likely center around Tiana trying to earn her dream job of owning a restaurant, but with an evil Dr. Facilier attempting to manipulate her. “What if Tiana made a deal with Dr. Facilier?” Now that would be an interesting storyline!

 Moreover, there are a series of books by author Serena Valentino that explore the backstories of Disney villains. She has written stories with extraordinary female protagonists. Thus, the author’s main focus is on the female Disney villains, with the Beast being the only male. Villains like Jafar, Hades, Gaston, and, of course the Shadow Man, don’t have their stories…yet. It is unknown if or when Dr. Facilier will get his own live-action film. Most of the fanfictions I have read are mostly focused on either Dr. Facilier in the TV shows or Dr. Facilier being in a relationship with Naveen or Tiana. (Dr. Facilier is in his 40’s while Tiana is in her late teens). No current backstory novel for a memorable Disney villain…something would have to be done!

 The other part of how I got my inspiration comes from a unique adult musical web series that started on YouTube. There is a memorable villain who at first glance, appears to be a rip-off of Dr. Facilier. Behind the dancing demeanor, however, lies a diabolical demon every bit as charming and sly as Dr. Facilier. (Though the man could easily give Dr. Facilier nightmares) The man is Alastor from VivziePop’s 2019 web series Hazbin Hotel.

  Alastor and Dr. Facilier share much in common. Both are from New Orleans in the 1900s and can do dark voodoo magic (complete with canes and top hats). They have French origins; Alastor is Creole. Both faced discrimination and racism, later doing evil acts to try and achieve their goals. They are both deal-makers and love to dance, sing and play instruments. Both have their own shadow minions as well. Yet, there are major differences too. While Dr. Facilier was evil in his life, he certainly was not a radio host and serial killer who later became a demon in Hell. I’ve made a dozen fan made stories for the demonic deer man, including a partially completed novel. Indeed, both my story ideas about their lives are sometimes intertwined. If Dr. Facilier’s sinister younger counterpart gets to be an instant icon, why not him?

 So what would be the title of my book? “Shadow Man” of course!

  References

https://insidethemagic.net/2020/11/dr-facilier-live-action-rwb1/

 https://disney.fandom.com/wiki/Dr._Facilier

 https://www.serenavalentino.com/

[holdthosebees]

Reasons: A Study

So. I want to talk about anchors, and parallels, and That Line from mag 167. 

MARTIN: So, when you say Gertrude wouldn’t have been able to go on without a reason-- JON: Yes, Martin, you are my reason. 

First, while we’re all melting down about the adorable queerness of this exchange, I want to nail down exactly what they mean. 

On one level, it’s a declaration of romantic devotion. It seems pretty clear also that what Jon is alluding to is that, without Martin, he wouldn’t be going to the panopticon; he wouldn’t be trying to fix the world at all. Instead, he would be “resigning” himself to “ruling [his] domain,” which is a fancy and way of saying ‘going full Beholding, turning full monster, and spending the apocalypse siphoning the suffering out of his victims. In short: having Martin around, having someone prompting him keep moving in a semi-linear fashion towards a concrete goal, and having a relationship he cares about protecting is what’s keeping him human. Or, as close to human as he can get, anyway. This is... complicated. There are people who are reading it as super romantic, and I get that! I don’t in any way want to say that they’re wrong, and this post isn’t about how Jon and Martin’s relationship is secretly Bad and Doomed or whatever. But TMA has consistently shown itself to be a show willing to dive into the messy bits of relationships between traumatized people, and ‘this one person is the only thing keeping me from spiraling into monster hood’ is definitely messy. 

There are a few parallels that immediately spring to mind, and I’d like to go through them one by one.  First: the obvious parallel, and the one that most people are drawing, is to Martin’s line in 158:

[MARTIN]: And then Jon came back, and suddenly I had a reason...

This is a line I see quoted out of context a lot, in the ‘tumblr likes to take bits of text and mash them together to make moodboards’ way. Often, in more Jon/Martin-y contexts, the sentiment behind it is filled in based on the line that came before it: “Maybe I just thought joining up with you would be a good way to get killed.” The implication drawn, then, is that Martin is saying that Jon coming back gave him a reason to live.  That is, however, not actually what he’s saying! This quote is actually rarely quoted in its entirety; what Martin actually says, specifically, is

[MARTIN]: And then Jon came back, and suddenly I had a reason to keep your attention on me. Make you feel in control so you didn’t take it out on him. And if that meant drifting further away, so what? I’d already grieved for him. And if it meant now saving him, it was worth it.

By drifting further away, he doesn’t just mean from Jon--he’s talking about his choice to keep working with Peter, to keep pushing himself into the Lonely. Jon coming back, in context, didn’t so much give him a reason to live as it did give him a reason to sacrifice himself. He was still aware that he was losing himself, and might wind up dying; Jon being around just made that feel meaningful.

This, I feel it should be noted, is exactly what Elias was counting on. Martin made the choice to continue on his own, to try to jump on the grenade without telling anyone that it was there, and this turned out to be a huge mistake. It was one heavily influenced by grief, by trauma, and by the impact the Lonely had already had on his mind. 

It was also the exact opposite of what Jon’s saying now--except for the ways in which it isn’t. They both cite one another as their reason for working towards a goal that they know might be impossible, because the act of protecting each other gives meaning to a potentially meaningless existence. For Martin, though, that meant courting avatar-dom, while Jon is trying to push it away. For Martin, this singleminded devotion turned out to be unhealthy; his prioritization of what he thought Jon needed from him over his own wellbeing wound up causing both him and Jon a lot of grief. And as for Jon...

Well. We don’t know yet. Jon and Martin are alone together in a horrific apocalypse landscape, so singleminded devotion is kind of par for the course. Martin is literally the only good thing Jon has left in the world, so I’m not going to say that he’s wrong for using Martin as a grounding point. And we know, from previous seasons, that focusing on building positive, trusting relationships is one of the things most effective in maintaining humanity! 

At the same time, though, there’s another parallel I’d like to talk about--and that’s the parallel between Jon and Martin’s relationship and Daisy and Basira’s.  The first thing that “you are my reason” pinged for me, right off the bat, was the memory of Elias calling Basira Daisy’s last tether to humanity in season 3. Their relationship for the latter half of season 3 mirrored Jon and Martin’s season 5 relationship in a number of ways; mainly, the more monstrous partner (Daisy, Jon) who’s thrust into the thick of things (fighting monsters, trying to manage the Beholding) to protect the human partner (Basira, Martin), who meanwhile is anchoring said monstrous partner to their humanity while basically hanging out and making big picture plans anti-Elias plans. 

It’s not a perfect parallel, obviously, but the dynamics are there. They’re both avatar-human relationship based around that idea of a single anchor point--and, whoo boy, did Daisy and Basira problematize that dynamic. Daisy killed people, and Basira turned the other way. The fact that Daisy was so reliant on Basira to act as her moral compass means that, in the cases where Basira didn’t interfere, her own moral compass degraded. Her reliance on Basira to anchor her meant she wasn’t anchoring herself, and, combined with Basira’s enabling, that lead her down an extremely slippery police-brutality lined slope. 

Why is this relevant to Jon and Martin? Because the justification Martin gave when trying to convince Jon not to feel guilt after Not!Sasha--that it’s fine to kill monsters, as long as you aren’t going after innocents--is extremely reminiscent to how Basira and Daisy justified Daisy’s actions for a long time. 

In Mag91, when preventing Daisy from murdering Jon, Basira tells Daisy that she’s always known what Daisy’s been doing, but she was alright with it, because she thought Daisy just killed monsters. Like Martin turning Jon’s tape over to the archives crew, she steps in once she realizes that someone she thinks of as a person is also in danger. Later, when confronting Jon, she seems to draw a firm line between Daisy’s actions, which were compelled and so required no guilt, with Jon’s actions in going after innocents. Compare this line from Martin, in Mag166:

[MARTIN]:  This isn’t like it was before! We’re not talking about innocent bystanders in cafes here, Jon; these things are - th-they’re just evil, plain and simple, and right now they’re torturing and tormenting everyone! If you want to stop them and have the power to, then - then, then yeah, let’s do it, let’s go full Kill Bill!

Once again, we’ve got a clear black and white moral boundary: if you want to kill monsters, that’s fine, because the things you’re killing aren’t human. There’s the differentiation between compelled attacks on innocents, and the choice to go after things that are evil. Both Martin and Basira brushed aside their partner’s guilt, on the basis of compulsion; both Martin and Basira encouraged them to use their powers to go after monsters, which they considered morally justified. The circumstances are different--Basira didn’t want Daisy to die, while Martin wants Jon to stop blaming himself for the end of the world--but the choices they’re making are in some ways very similar.  

We know where that goes for Daisy and Basira. Basira, while initially Daisy’s reason for staying human, also becomes her reason to return to the Hunt. She, like season 4 Martin, makes the choice to give up on her humanity to save the person she’s anchored to; unlike Martin, nothing stops her before she goes through with it. We’ll have to wait until the Hunt episode of this season to see how it ends, but it’s definitely not going to be happy. 

All of which is to say--it was a sweet moment that shows some great development in their relationship, but if Martin is Jon’s one reason for staying grounded, we have historical reason to believe that this isn’t necessarily a good thing. It is, at the very least, a complicated thing, and something that probably won’t escape the same exploration of codependency, us-vs-them mentality, self destructive behavior, and interpersonal responsibility that has shown up in almost every relationship in the podcast. This time, though, the stakes are even higher--if Jon loses himself, he doesn’t just kill a few people, he becomes what the Beholding intends for him to be. 

(This also isn’t even getting into the weeds of codependency in regards to Martin’s caretaker trauma, and what it means to be relied upon as the sole person keeping another human being grounded and together, or how that ties into the ways in which trust in their communication seems to be slowly eroding over time and under--but that’s another post entirely.)

[flvcr]

— ( harry styles, twenty-five, cismale, he/him ) did you see ETIENNE FLUOR walking down main street earlier? you know who i’m talking about, they’re a POTTER / HOCKEY PLAYER. everybody in town says that they’re IDEALISTIC & INTUITIVE, but have a tendency to be UNPREDICTABLE & DESTRUCTIVE too. ETIENNE has been in town for THREE years. c'mon, they’re always requesting RUNNIN’ WITH THE DEVIL BY VAN HALEN at karaoke nights. well, i’m sure you’ll see them soon! @westmerestarters​

hiya! i am kt &+ underneath the read more is a LOT of info about my bb, etienne. ** insert clown emoji but make ‘em yee-haw ** if you’d like to plot you can reach me on here or at space cowboy#8536 on discord !! <33 v excited to interact with y’all and your bbs !!

𝖘𝖙𝖆𝖙𝖎𝖘𝖙𝖎𝖈𝖘

name: etienne ‘ marcel ‘ fluor. 

nicknames: goes by marcel, only allowing very few people to call him etienne.

gender / pronouns : cismale / he, him.

age: twenty-five.

birthday: june 27th.

zodiac: cancer !!

orientation: pansexual / panromantic.

occupation: hockey player ( currently injured ) // potter ( for fun ) !!

languages spoken: french, english & italian.

𝖎𝖓𝖘𝖕𝖎𝖗𝖆𝖙𝖎𝖔𝖓

- PINTEREST - featuring his wardrobe, his home, his aesthetic, some character inspo and olive, his german shepard pup !!

- SPOTIFY PLAYLIST - what he is currently listening to !!

personality type: INFJ-T / THE ADVOCATE

moral alignment: chaotic good

style-wise: etienne is v stylish, but isn’t overly flashy by any means. he’s intuitive in the sense of what works and what doesn’t. willing to explore the latest wardrobe craze, but also just likes what he likes and likely won’t venture out unless pressed by another to do so. post coming soon for his wardrobe !!! they say that the cancer man’s clothing is selected to reflect “ sophistication over flash “ but kdgjn i’ll let ya’ll be the judge of that. he’s v much harry inspired clothing wardrobe, but also tones it down with some casual looks, especially when it comes to getting his hands dirty in creative aspects !! but can be a bit on the flashier side as well, especially w/ hockey press and what not !!

𝖇𝖆𝖈𝖐𝖌𝖗𝖔���𝖓𝖉

   etienne ‘ marcel ’ fluor was born in montpellier, france to two lovely parents, theodore and estelle fluor ( both born in england themselves ) . he is the youngest of his siblings, having one older brother and an older sister, all of them being roughly two years apart. at the age of eight, his family relocated to montreal, canada as a result of a promotion his mother received, which at such a young age, etienne had no qualms with, despite his siblings’ uneasiness.  upon moving to a new country at a young age, etienne truly found himself via escaping into various books and movies. often attempting to write his own and would force encourage his siblings to act his skits/plays out for his parents enjoyment. he continues to be very close with his parents and siblings - recently he taught his parents how to use facetime, so catch him face timing his family on sunday nights. 

   growing up, etienne also enjoyed playing all types of sports ( his parents signing him up hoping that he’d make friends as a result, which he did ). when it came down to it, athletic abilities-wise, there truly wasn’t anything that he wasn’t ‘ good ’ at, and that’s simply because he’s always been such a competitive individual / as well as a perfectionist. that competitive/perfectionist energy caused him to go home and practice a skill or trick for hours in order to be able to come back the next day and whoop everyone’s asses. overall, he’s very athletic, found alternating between various sports offered not only at school, but as well as through local clubs. ultimately, his love and appreciation for hockey swayed him and soon enough it became his sole focus. due to his perfectionist tendencies, etienne is very dedicated to his craft, he will spend hours practicing specific tricks and skills in order to be the best at what he does, which transcends past hockey and into, really, every aspect of his life. 

   throughout highschool ; etienne was a v dedicated student. although he’s a bit reckless and loved to goof off, he was always acing classes and applying himself. he genuinely cares for others, you could’ve seen his ass volunteering at a soup kitchen with his mom on sundays and what not, as well as take part in various clubs and sports ! just SOFT and sporty things. during this time, he joined the ontario hockey league and from there was eventually scouted out and recruited to the pittsburgh penguins as a defenseman at the age of eighteen - forgoing his parents desire for him to attend a university. although he enjoyed his time with pittsburgh, he was excited when the idea of being traded came up - eager to explore a new city and immerse himself in a new area. 

      trigger warning - injury, dislocation ( just in case !!!! ) however, he really didn’t enjoy new york ( hehe ), so he relocated to westmere soon after his initial arrival to nyc - finding a lot of comfort in living in a less populated area. he would commute during the hockey season to nyc, which to him wasn’t very far away, so this is where he’s been residing for the last three years !! however, in the last couple of weeks while training for the upcoming season my lil bb injured himself - not to get into tooooo much detail, i’ll just leave it at shoulder dislocation / joint separation due to a hard hit !! basically he’s out for this upcoming season, already having surgery completed, he’s currently healing for the next couple of months, allowing himself to fully experience that westmere fall !!!

   overall, etienne can come off as a bit reserved, and distant whether that be a result of his untrusting nature of others, or simply unfamiliarity. it takes a bit of time before he feels comfortable to share his true opinion / commentary / only doing so when he feels secure to do so. he’s not necessarily unfriendly, just a bit distant / lost in his thoughts. which varies, as with most ppl ofc, upon person to person and his level of comfortability among them. despite his often lack of conversation, he abhors an uncomfortable silence to settle and will fill it with nonsense to simply avoid the feeling altogether. so, if you ever want to catch him rambling, just making him uncomfortable dkjfngdf. he definitely approaches most things with a bit of ‘ tough love ‘ . he doesn’t mind getting into a quarrel or two if he knows its worth the outcome he’s envisioned. etienne will tell others when they are fucking up, and if they are throwing a punch as a result - catch him leaning into it, which explains his bout of reckless antics. he can come off as a know it all, when it comes to advice giving, but more so because he thinks he’s really good at analyzing others and situations they are in, not necessarily because he’s lived through them himself, he’s just rather intuitive and able to empathize quite easily with others despite his verbal admittance of it. when it comes down to this binches reckless bits, he just feels so intensely that he ends up numbing himself in the aftermath of it all ( especially bc he’s definitely not sharing those feelings with the people around him ), therefore he’s willing to put himself into harms way in order to get a bit of that - happiness / pain, it doesn’t matter to him as long as he no longer feels overwhelmed by numbness. so, if ya see him with some scrapes and stitches ~ mind ya business. but he’ll likely try to drag somebody else into it, and make it seem like it was their idea. but if he is truly comfortable with somebody, he walks a fine line of won’t stop talking, especially if it’s an interest of his, and comfortable silence.

_________________________

𝖕𝖊𝖗𝖘𝖔𝖓𝖆𝖑𝖎𝖙𝖞 & 𝖍𝖆𝖇𝖎𝖙𝖘

he is a CANCER, therefore in this essay i will..... kidding but here’s some fun cancer info i saw that applies to my bb !! at first he appears to be wistful, sarcastic ( maybe a lil crabby ) , shy, distant and mysterious. this personality remains if he isn’t completely comfortable around somebody. but overall, that’s just his facade, his ‘smokescreen’ of sorts to scare off the world from his outwards persona. underneath that layer ( makes me think of shrek metaphor with onions // don’t mind me ), BUT he’s gentle, kind and affectionate ( if you manage to make it to that level * bell dings * ) !!! overall, etienne is a sensitive soul, a bit emotional although he’d rather d*e than show that to others. likely will internalize anything that can hurt his feelings / a low blow and will do something chaotic as a result later on bc of it. very polite, and a little worldly, he is truly the epitome of old-school gentlemanly manners. chivalry coming as a second nature to him !!

that was getting ramble-y, so continuing HERE. but when it comes to romance, as per the cancer man, the concept of love is a mystery, one that etienne is trying to attain. however, his shyness and innate distrust of others make it difficult for him to allow himself to fall in love. his guard is always up when it comes to his emotions, and it’ll take a bit of prodding before he’s willing to speak up on what’s desired from him. he’s v picky when it comes to finding the “ partner of his dreams “ - but he’s def willing to throw himself into the romance of the situation, i.e. buying flowers, riding white horses, and slaying metaphorical dragons. the traditional side means that he will shower his partner with thoughtful gifts, wine and dine them in the best restaurants, and try to grant their every wish. he will take the garbage out, fix that wobbly shelf, navigate on road trips, and kill more so trap and release bugs for his partner, and most important of all he will do it all without being asked. his loyalty and keen attention to the needs and wants of his potential partner. so basically, more so willing to showcase through actions than speak on it. it’s the little things, right ??!?!?! he def cherishes not just the act of being in a relationship, but what it means to become one with another person in mind, body, and soul.

prides himself on being able to make a mean cup of coffee, likely the worst person to watch a movie with bc he knows exactly how it’s going to end after only watching five minutes of it, he has a godawful sense of direction, will walk in circles for fifteen minutes before even raising a question about it/noticing ( but he refuses to acknowledge it. )

his house, car, workspace, junk drawer, closet….you name it - it’s organized, practically sparkling. often times arranged by color, and / or style. nothing is ever out of place, and if it is - there’s trouble brewing. but, more than anything, if he’s visiting somebody’s place and it’s messy, he will spend a solid thirty minutes picking everything up before doing whatever it is that was intended.

likes : reading, flowers, handwritten notes/letters, deep cleaning, baking, working on his pottery, watching the history channel and true crime docs and playing / watching hockey !!

dislikes : artichoke, clutter, sandals ( fkjgh ), unrealistic plotlines in movies &+ burnt coffee.

habits :  likely has a severe caffeine addiction, although he’s now normalized having six cups of coffee throughout his day. he’s an early riser, no matter how little the amount of sleep he’s received, he’s always the first to rise - for his early morning runs !!

strengths: creative, insightful, inspiring, convincing, determined and passionate, decisive, altruistic, intuitive !!

weaknesses: sensitive, extremely private, perfectionist, low-key always needs to have a cause / purpose, can burn out easily !!

overall : etienne truly strives to be kind, and genuinely wants for everyone to get along. treat people with kindness and the like. he has the best of intentions, but often times that can get a bit muddled with the way he goes about things due to his bit of chaotic energy / as well as his often points of getting lost in his thoughts. he won’t realize he’s been quiet for the last three hours unless it’s mentioned to him. he will do anything to lighten a dark mood, and will sacrifice / throw himself under the bus if its needed. however, he also is the type to cause the dark mood depending on the day. wahoo! his more reckless antics increase when he’s feeling a bit emotional !! but he’ll likely try and convince somebody to propose the idea so it’s not on him.

𝖗𝖆𝖓𝖉𝖔𝖒 𝖍𝖊𝖆𝖉 𝖈𝖆𝖓𝖔𝖓𝖘

he lives with sebastian !! with his commuting to nyc for the hockey season, he wanted somebody to be able to take care of his house / garden and what not, and thus, seb arrived.

he’s v into making ceramics, cups / bowls / vases / etc !! what began as a fun hobby to distract himself in the offseason became something that he truly enjoys. ( laughing about that scene in ghost BUT DKJFNG OKAY ) although he’s pretty low-key about it, you can catch him at the farmers market selling his creations !! some pictures of his work can be found on his pinterest board !!

he is a vegetarian ! he has been since his freshman year of high school and has no plans on eating seafood/meat ever again.

he loves fancy wine ~ he’s cultured. 

he can play the drums !!

he collects vintage matchbooks and the stickers off of various fruits ( he puts them in a little notebook - can be found on his bookshelf ).

saves handwritten notes and letters from pals.

he loves to garden !!!! he has a specified rose shearing hat.

HE WANTS TO JOIN A BOOKCLUB PLEASE !!!!!!!! or at least have some casual moments of silence with another reading. plz and tysm.

to make things a bit simple, he has all of harry’s tattoos !!  might add more along the way !! stay tuned, folks !!

𝖜𝖆𝖓𝖙𝖊𝖉 𝖈𝖔𝖓𝖓𝖊𝖈𝖙𝖎𝖔𝖓𝖘

i am so up for anything!! please accept this ramble of ideas thrown below.  if you have any other ideas, lmk !!!! <3333 :’-) down to start from scratch and PLOT PLOT PLOT !

( 2 / 2 ) - BFFZ : the z for an added emphasis dkfjgnd. somebody who likely has a key to etienne’s house, they can enjoy one anothers company as well as the bouts of comfortable silence. you know how best friends are but kdjfngd still !! whether they are likeminded or polar opposites that just flow ~~ down for anything !! even a trio of sorts ?!

( 1 / 1 ) - RIDE OR DIE / CHAOTIC COMPANION : it would be wrong to say one is the more likely the bad influence over the other, although etienne may just be. these two find themselves bounding into, well hell, ( i guess??? ) together. playing on one anothers impulsiveness and if one ends up in the back of a police car, the other is handcuffed to them. and yet despite the length of their potential injuries, they find themselves thinking of something crazier to subject them to the next time around.

( 1 / 1 ) - GUARDIAN ANGEL / GOOD INFLUENCE : with etienne being a bit chaotic in nature, he needs somebody that is likely going to steer him clear from all the ideas that’ll bring him to the brink of disaster. he’s impulsive and in that desperate attempt to feel again, he’s very likely to bring a bit of mayhem upon himself. so while they may be worrying and attempting to talk his ideas down, he’s trying to get them to go along with his plan. it may be rare that he actually takes their advice, but when he does it seems to be for the best.

( 1 / 1 ) - PARTY FRIEND : these two know how to have a good time together. despite the amount of alcohol they are throwing back and the shenanigans they find themselves in as a result, this is a time where they also find themselves confiding in one another. if you look at their camera rolls, it’s likely they have tons of embarrassing and unflattering videos and pics of one another, in between their sob-worthy confessionals and venting/rants. these two trust one another, and although they love getting wreckT together, they find themselves discussing very raw and personal details. likely the only person etienne confides in, simply bc he’s completely plastered.

( 1 / 1 ) - SIBLING-LIKE RELATIONSHIP : these two have a love/hate relationship, very sibling like filled with pranks, competition, teasing and playful banter. however, when it comes down to it they have so much love and respect for one another. they know that no matter what happens they will always have one anothers back and be supportive of the other. truly a pure content filled relationship.

okay quick mention, ENEMY PLOTS ?!?!?!?!?!? i would live for one. i can’t imagine etienne being hardcore nasty, but i’d like to see whatever version comes out for this. so let’s get it djfngjakdfg maybe they just hold different viewpoints on the world and what not and clash, anything really !!! v open !!

( 1 / 1 ) - MENTOR - etienne needs a bit of structured or unstructured guidance, all depending on what their deemed mentor is wanting to impart on him, a bit of wisdom or slight chaos. kdjfgn he’ll take anything !! 

RANDOM LITTLE IDEAS : maybe they’ve heard of one another in town, but haven’t quite met yet! or maybe they see each other around all the time, but have yet to introduce themselves to one another but low-key maybe in some online forum for the town together ?! who knows some fun things kdjnfg i AM OPEN !

ooh maybe a slowburn of sorts ?! something spicy to wreck HIS and my life with.  dkfjgn we can base this off of chemistry !!! :’-)

[phantomofthepairofdice]

A Hidden Life: Review

Note: this is a piece written for a class upon the film’s release that has been edited and repurposed.

A Hidden Life had its local premiere at the Houston Cinema Arts Festival on Friday November 15, 2019. Clocking in at just under three hours, it is an epic, esoteric, and devastatingly beautiful piece of work. It is also a bit of a return to form for writer/director Terrence Malick who spent the last few years in a very productive but divisive period in his career telling stories in modern settings. The film tells the true story of Austrian farmer Franz Jägerstätter (August Diehl) and his family as he refuses to swear loyalty to Hitler and serve in his army. Malick’s penchant for voiceover is mostly used in letters sent between Franz and his wife Franziska (played with boundless wells of empathy by Valerie Pachner) during his imprisonment. Featuring small, but effective performances by Bruno Ganz, Michael Nyqvist, Jürgen Prochnow, Franz Rogowski, and Matthias Schoenaerts, the emotions of the film are brought to light with great effect. It is a marvelous work that displays Malick’s affinity for tortured men finding a place in the universe alongside nature under god. It is a poetic, sweeping, and moody film that ebbs and flows through time while never losing sight of the value of family, love, and kindness. It is a film that feels prescient to the current moment of political upheaval, while never crassly grafting modern sentiment onto its narrative.

Terrence Malick is a filmmaker whose career is remarkably enigmatic. After arriving in 1973 with Badlands, he premiered Days of Heaven in 1978. Then he disappeared, only to re-emerge twenty years later with 1998’s The Thin Red Line. Another seven years passed until 2005 which saw the release of The New World. Then, in 2011, there was an unprecedented shift for Malick after the release of his Palme d’Or winning The Tree of Life. It launched a period of intense creativity for the director that spawned four narrative films, a documentary, and two short films in the span of just six years. This increase in productivity also gave the world his three most divisive films: To the Wonder, Knight of Cups, and Song to Song. These three movies are wholly modern, eschewing the historical backdrop that leant itself so well to Malick’s depictions of earthly divinity and spirituality. While some people embraced his new approach of montage and leaning more toward loose, unstructured expression, almost everyone was taken back by his attempt to find the beauty in a modern world that has so little of that left. There is no denying how strange it is to see a Malick film that has a scene at a Sonic drive thru. Yet, A Hidden Life feels like a perfect synthesis of a film like The Thin Red Line and Tree of Life. There is history, war, and men reckoning with their place amidst it all being told in Malick’s recent style.

A Hidden Life opens with text explaining the true story behind the film and the mandatory oath of loyalty to Hitler that that soldiers had to swear upon being drafted. Then, in a shockingly new technique for Malick, the film uses footage from Triumph of the Will. These scenes highlight the beautiful presentation of evil in Riefenstahl’s film; it is an interesting counterpoint to the film that follows. Where Triumph of the Will uses jaw-dropping filmmaking to highlight a single man being worshipped in an urban setting, A Hidden Life is about a farmer in nature who refuses to submit and follow any one thing but God. Malick is a master of capturing organic awe. Teamed up with cinematographer Jörg Widmer, he has perfected his distillation of tactile sensation. In Malick’s hands, the earth breathes. The grass dances to music of the wind. Dirt and mud are a communion between man and nature. In his best work, the juxtaposition of war or conflict alongside this immaculate magnificence of the world begs certain questions. How can something so evil and vicious exist in a place so heavenly? Do we deserve to be condemned for destroying this loveliness? A Hidden Life focuses on truly exploring these dilemmas through a combination of abstraction and narrative.

The film is shot on wide angle lenses that emphasize the scope of the world in which it takes place. This choice draws attention to the massive blue skies and the rolling hills, but when Franz is in prison, it almost feels like a taunt. There is so much empty space in the frame focused on concrete or bars that was once inhabited by other people or natural objects. One shot, used twice in the film to great effect, is a swooping crane tracking shot of Franz riding into town on a motorcycle. It first appears as Franziska recounts how the two met and later, after his death, as a memory of purity and love that she can fall back on. Another particularly interesting choice with the camera is when it switches to first person point of view. The intense subjectivity of being placed in Franz’s mind only comes twice: when he is being beaten by a prison guard and as he slowly walks to the place of his death. The beating is particularly interesting because the shot holds for longer than would be expected and it forces the viewer to beg for the violence to stop. It is also noteworthy that the film is shot on digital which allows Widmer and Malick to capture images in natural light, even in very dark places. It feels like a great example of how this film blends his classic style with the more elements he picked up in recent years.

Alongside the gigantic scope of the film are smaller character moments that stand out just as much. The film’s central martyr, Franz, is shown multiple times throughout the film doing tiny acts of kindness that bolster his mission to be in harmony with the world around him. During a transfer between prisons, Franz, in handcuffs and uniform helps an elderly woman bring her luggage down from a high rack on a train. Later as he leaves a store, a soldier knocks over an umbrella leaning against a wall before he takes a few steps back and sets it upright. These tiny moments speak volumes to his consideration and reinforce why he so strongly resists the mandated oath to subservience. He will not serve a cause that takes human lives, destroys homes, and sacrifices men for native expansion.

As the credits began to roll on A Hidden Life, I was shaken. For the next ten minutes or so there was an enormous lump in my throat that threatened to break the dam of emotional fortitude and let tears loose by just recalling moments within the film. I found it to be profoundly touching and inspiringly lyrical in its execution. Though I hesitate to use and expression that tends to lean more toward hackneyed cliché, I found A Hidden Life to be an experience rather than merely a film. It paints with a broad brush on a massive canvas in the hopes to reveal universal truths rather than specific reckonings. Certain scenes do occasionally feel repetitive and I am not certain that the choice to use English as the primary language with bits of German thrown in primarily by Nazis was the right one, but these feel like minor quibbles that easily overlooked when appraising a project so massive and noble in its intent. Currently, our world is primed for a movie about what protest and freedom of mind look like under an oppressive regime. Family, faith, and love are not more important than they were previously, but they certainly feel like their significance is in short supply. Malick and his collaborators have given us a film that embraces these ideas; so long as you are willing to embrace the film itself, there is a great power to be witnessed. As the world becomes more barbed and dejecting, I was truly comforted by the film and its effect of slowing down to appreciate what truly matters. Towards the movie’s closing moments, a young man, about to executed, is given a paper and a pen. First, he pauses, then turns toward Franz and asks, “What do I write?” This question is massive; loaded with the implications of countless other questions. Where do I start? What words can define a life? Will anything be good enough? Who do I address this to? What do I write? For three hours, this film put me closer to potentially having an answer to that existential query.

A Hidden Life is now streaming on HBO Max.