#had this in my wips for too long

[kiosdah]

MOTTO!!!

[vita-divata]

Best girls ever !!

[tzarrz]

i listen to fog lake too much

[anitoshka]

the dirty little thing

[ruubesz-draws]

Godzilla GIJINKA!!!!! (Finally)

I'm trying different ways to add colour to these drawings Failed miserably... :')

I redesigned Mothra and Scylla. Shimo and Tiamat were fun to design!

I'm also going to post the full profile/infos about my gijinkas later too (Hopefully soon)

[parper]

When the stanley parables 🤯

[its-wabby-stuff]

Mikey Goes To Oz

<Time spent: 49 hours 17 minutes>

When Mikey takes some time away from a loud family squabble he accidentally ends up getting “flushed” down the sewers. This winds up sending him to the colorful land of Oz where he meets a good witch, a wicked witch, a brainless scarecrow, a heartless Tinman, a cowardess lion, and a powerful wizard, all disguised behind very familiar faces.

A canon adjacent spin off set before the season one finale but after they discover Splinter is Lou Jitsu

I wanted to fit each of the boys into their “you’ve had this all along” category. Leo isn’t brainless, in fact he’s pretty clever with a street smart, people reading ability on par with Donnie’s intelligence. Donnie isn’t heartless, he just has a tough time expressing his feelings. They are complex and unalgorithic but he can get just as excited or sad or angry as anyone, as much as he may deny it. Raph isn’t a coward, but being brave sometimes means admitting you’re scared and that you maybe don’t have all the answers. You dont have to be strong all the time and you don’t have to do it by yourself.

In the movie Dorothy’s journey home is also a representation of her running away. The important thing was to remember there were people who cared about her. Mikey is experiencing a similar phenomenon, wanting the escape the bad vibes in the lair. His “you’ve had it all along” is interesting because it is an object, since the Ruby kneepads could’ve taken him home the whole time. And sometimes getting home means going on a journey only to realize you never left.

I put April as Glinda because Glinda appears as a defender of the weak, and I see April in a similar light. Always willing to help and beat someone up if it is so required. Splinter as The Wizard of Oz represents Splinters own willingness to hide behind different personas, his running from the past and the pulling back of the curtain for Mikey in timeline. The Wizard grows through the movie, albeit quickly, and ends up leaving Oz to go home leaving his legacy with the scarecrow, the Tinman, and the lion. In this case the passing of the baton to his sons.

Meanwhile Draxum as the wicked witch felt much more how Mikey sees Draxum at this time in the show, mostly just an antagonistic force who wants something from them. Fun fact: I imagine throughout this dream, Draxum is uninterested in being the wicked witch but is pressed into it via plot. Hence his disinterest in being “melted.”

Additional characters not pictured: Big Mama as the Wicked Witch of the East (those were her Ruby kneepads!!) and Todd as the Mayor of Munchkin Land. If you can think of more, feel free to leave them in the comments or tags.

[oh-biwan]

Touch my lungs, take my breath

Inspired by @predator-padawan's pleasure, little treasure 🖤 The thought of using the Force to touch the insides, the utter invasion, nowhere to recoil from it, and instead just taking it... this fucked with my brain on so many levels and snugly rooted itself in a dark corner of my mind.

[umeji-writes]

Okay, but let's talk about Balam's hair for a hot second

(Yes, it may have become one of my fixations) You know, the guy not only cut it radically - and we know it's because of Iruma - he also let it grow back, and now he grooms it much better than before. Why? While my wishful thinking headcanon is that Kalego offered to brush it after they declared their feelings for each other (they are definitely introduced as best friends, but c'mon, look at them here)

...I also recognize this is not canon, so it can't be the actual reason. So I was wondering: why this difference? IMO it signifies personal growth, but what caused it, if Iruma led to the haircut? And then it hit me. Meeting Iruma, again - but in a deeper way than I thought at first. According to Balam's own words, he decided to cut his hair to appear more approachable. But why not brush it and style it as he's doing now? Everything we know about Balam's past points to him being treated like a weirdo and marginalized, not only because he likes picture books, he was also hyperfixated with the existence of humans.

This went on all his life, from bullies at school to his own students. He was likely wounded, full of self doubt and possibly shame, so he withdrew into himself, and his hair was messy because why bother if people avoid you anyway. So imagine finally having tangible proof that you were right all along. That's life changing, not only because of the discovery itself - it can make you reevaluate your whole story, and yourself. A radical cut was a logical thing to do, to break with the past. But why letting the hair grow back then? I speculate that Balam is most comfortable with long hair after all, and he feels more like himself this way (I mean, he had medium-to-long hair in all flashbacks). I like to think that his personal grooming is a metaphor for his newly found self confidence and self love: he can be himself to the fullest, he likes the demon he is, and he's not afraid of showing it to everyone else now, by making his hair prettier. He was right all along, and everybody else can shut it.

Such a small detail in the grand scheme of things, yet enormous for the single character. I love this manga so much ♡

[rusquared]

Orv Poetry Series: One Source of Bad Information by Robert Bly [IDs in alt]

[rathockey]

Nobody really cared, so it never really mattered It never really mattered, so it never really happened What's the point in fighting for a happy ever after?

- identity // grandson

[sluckythewizard]

'I wont cry for you, I wont crucify the things you do. I wont cry for you, see, when you're gone, I'll still be BLOODY MARY'

[yellowloid]

alex turner as paintings of women

the birth of venus - william-adolphe bouguereau (1879) // venus of urbino - tiziano vecellio (1538) // mary magdalene in the cave - jules joseph lefebvre (1876) // ophelia - john everett millais (1851-52) // crying girl on the sofa - peter knudsen (1919)

[wikiangela]

wip wednesday

tagged by @tizniz @daffi-990 💖

just a tiny lil snippet of the bucktommy fic before I post it probably later tonight (it's basically almost done, and then I just need a title) ngl this whole fic turned out hornier than I expected but buck is just a baby bi who has his first boyfriend, and I am not immune to how hot tommy is okay 🙈 (buck and I have literally the exact same taste in men and women istg 🤣) i kinda wanted to turn it into smut but I want it posted before the episode and it turned out too long already haha

prev snippet

___

“When you’re ready.” Tommy says, his thumb tenderly brushing against where Buck’s birthmark is.

“Yeah.” Buck nods. “And when I am, I- Well, I bet you can teach me more stuff than just flying or Muay Thai.” he says half-jokingly, referencing the conversation right before their first kiss, when Buck didn’t even realize he was flirting until he thought back on it – which freaked him out, too, because how often did this happen before? Tommy just grins, all confident and charming, and leans in to press a soft but hungry kiss to Buck’s lips. Buck’s insides swirl and dance and make him feel all giddy and floaty. 

“Oh, I can teach you. I’m gonna.” he whispers, lightly pulling at Buck’s lip. Buck almost asks him to stay. Almost tries to bring Tommy closer, and thrust his hips up to make their clothed dicks collide again, wanting to feel that pressure again. He doesn’t, though. Which requires an impressive amount of self-control, if he says so himself.

___

no pressure tags: @elvensorceress @thebravebitch @shortsighted-owl @eddiebabygirldiaz @watchyourbuck @eowon @loserdiaz @evanbegins @ladydorian05 @wildlife4life @diazpatcher @lover-of-mine @monsterrae1 @thewolvesof1998 @neverevan @weewootruck @loveyouanyway @spagheddiediaz @rainbow-nerdss @epicbuddieficrecs @pirrusstuff @spotsandsocks @alliaskisthepossibilityoflove @nmcggg @rogerzsteven @giddyupbuck @sunshinediaz @honestlydarkprincess @underwater-ninja-13 @exhuastedpigeon @911-on-abc @jesuisici33 @steadfastsaturnsrings @theotherbuckley @buddieswhvre @dangerpronebuddie @diazsdimples @fortheloveofbuddie @hoodie-buck @your-catfish-friend @hippolotamus @bidisasterbuckdiaz

[springypaws]

Oh no the archivist is archiving (more versions & ID’s under the cut)

ID: It’s a drawing of Johnathan Sims from the Magnus Archives, sat legs-crossed, with one arm loosely held on his legs and loosely holding his glasses, and the other propped onto an invisible surface. The propped arm’s hand is raised to Jon’s eye, stretched out, but with his index finger creating an opening with the rest to display his overshadowed eye, still easily visible due to it being outlined by bright green lines. The style the eye is drawn is similar to the style of the bright green eyes haloed to the side of his head, and the large, less opaque, large one in the background of the drawing. The middle finger of this hand is lightly pulling down his bottom lid, making the eye more visible. Jon is colored in a grey-scale manner, the dull color ever-so-slightly hinted blue. He is half outlined in the same bright green as the eyes, half outlined in a bright red. This bright red is also present as cartoonish exclamation symbols around him, and in the pupil of his bright-green eye. His other eye’s pupil is also colored brightly, but with the green, rather than the red, interrupting the greyscale of the rest of the area. Jon’s expression is neutral, although he looks exhausted, with deep dark circles under his eyes and a slightly furrowed brow. He is wearing a dark overcoat with lighter patches on the elbows and shoulders, and, under this, is wearing a lighter vest. Under the vest is yet another layer, being a semi-visible white button-up shirt. He is wearing darker dress pants and black, professional, and simple shoes. His hair is long and unkept, decorated with white streaks and put back into a loose half-bun.

Plus some filter-playing fun:

ID’s: The first filter makes the drawing look almost like it’s behind the screen of an old electrical device, more similar to that of an older model of computer. The colors are dulled ever-so-slightly, and the edges of the drawing are darkened with shadow.

The second filter has made the image completely greyscale, muting the bright and dull colors both.

The last filter has made the colors all a bit more blue, giving the drawing more color than it had originally.

And the sketch too cause I think I might like it better (as always)

ID: A colored and shaded sketch of the drawing. It looks very similar to the final product, except less cleaned-up and covered in guidance lines and coloring that goes out of the lines.

[luck-of-the-drawings]

OH ARTHUR BENNETT.. such a gorgeous and intriguing character. terribly burdened by a GRUESOME set of crimes, his light suffocated by a HEAVY century of GUILT. so tragic, so dark and broody, and yet PAINFULLY awkward in any social setting ever