#grease west end | Explore Tumblr posts and blogs

beenoeila · 9 months ago

Text

A list of underrated fics I adore.

▪️this don’t feel anything like sinking by

@dontcallmebree

A little over six weeks and his knee heals only for his breathing to act up. It may have been a handful of decades—coming up on a century, even—but he never did forget how it felt to wheeze through the night.

Steve sees it coming when Dr. Youssef tells him his lungs are taking a turn.

The year 2032 brings about the Summer Olympics, the coldest winter of the decade, and an end to Project Rebirth.

🔹 Learning to want by @luna-rainbow

Bucky is still trying to piece together his memories, but at least he now had Steve with him.

When Steve asks him if he wanted to meet with his sister, Becca, his response was, "I don't know about wants...I'll start with the shoulds."

Steve and Bucky goes for lunch with Becca. Steve and Bucky dealing with memory loss. Steve and Bucky being mutually pining idiots.

▪️better to speak or die by emilywithoutY (@between-a-ship-and-a-hard-place)

Summers in C. are as endless and hazy as when they were kids. All James wants is to play his part well enough that his mother stops looking at him with that twist of regret in her smile.

The only thing to break the sun-soaked monotony is the arrival of the new summer intern. While the rest of the household—and half the village—fawn over Steve Roger’s movie star looks and understated charm, James finds him aloof and his polite interest near unbearable.

But as they collide in vulnerable moments, the sparks of frustration ignite something neither has the power to stop.

Do you think Jonathan understood what happened that day David first stepped into his father’s court?

🔹The weapon remembers by pushdragon

The Winter Soldier finds old fantasies of Steve in his memory, and takes them for reality.

He's got two days to sort out all his mixed-up history, before he puts himself back in cryo freeze. Harder still, he's got to convince Steve to let him do it.

▪️Preberseeschießen by Ginny_Potter (@hipsterdiva)

Bucky takes his time, ignoring his comrades’ cheering and Gaiswinkler and Mariandl’s teasing. From his position, Steve only has an oblique view of Bucky’s face, which is mostly in the dark anyway – the strong line of his jaw, a smudge of grease on his cheekbone, a sweaty lock of hair curling on his forehead, his mouth pouting in concentration. Steve itches to draw him, to take out his battered sketchbook and reproduce that instant of perfect imperfection. Steve itches to touch him, push back his unruly curls, wipe away the smudge on his cheekbone, cup his face in his hands and…

Bucky breathes out and shoots. The bullet hits water… and there it is, the zapping sound of paper tearing.

The light turns on and off three times. Third circle. Just a lick out of bullseye.

The Howlies explode in cheers.

Or, the Howling Commandos play a shooting game with the Austrian Resistance and Steve has lots of unresolved feelings about himself, his new body, and his changing relationship with Bucky. In other words, comrades are comrades, angst looms, and Steve feels.

🔹Till there were no more wolves in the West

by @dharmasharks

“I’m afraid of a lot of things, Steve,” Bucky says softly.

“But this thing sticking in my heart—the part of me that’s yours? It is the best part of me. Maybe the only good part.” His rueful smile wavers. He makes a pained expression.

“What if it’s the only good part?” he asks.

Two Brooklyn boys find themselves aboard an orphan train headed west in 1854. Across farmland, war, and the lawless frontier, a childhood promise helps them find each other again.

(A Western SteveBucky retelling.)

▪️Hiraeth by ixalit

Hiraeth

noun /ˈhɪraɨ̯θ/

[Welsh] A homesickness or nostalgia, an earnest longing or desire, or a sense of regret. The feeling of longing for a home that never was.

🔹Undone by justanotherStonyfan

You’d think, given everything, that if one of them were going to regress, that if one of them were going to break down, it would be Bucky.

(Set mostly after Endgame - canon deaths remain but Steve doesn't leave)

▪️But You Can Hold Me (Only 'Cause It's a Cold Night in Brooklyn) by Voylitscope_speed (@voylitscope)

This should just be two friends getting off after the burlesque show. This should just be two pals both thinking about the girl. That would probably be okay, Bucky thinks.

But then he ruins it all when he says,

"Come here," and puts a hand out to tug on Steve's shoulder.

(Or: Sometimes, Bucky and Steve lend each other a hand, literally. Bucky tries not to be weird about it, but he's always been bad at controlling his thoughts about Steve.)

🔹Midlife Crisis by profoundalpacakitten

Steve isn’t expecting much of anything from life, he’s content to coast by, letting life flow past. Get up, get dressed, get to work, get home, get to sleep, rinse and repeat.

▪️ The Magic Touch by @broodybuck

The soldier is finally free but he has one big problem, he can't finish. Until he meets a man called Steve who apparently has the magic touch.

#stucky #stevebucky #fic recs #stucky fic

234 notes · View notes

answer2jeff · 10 months ago

Text

fixer-upper. // lip gallagher

lip x biker-girl!OC

warnings : public sex, oral (m!receiving), praise kink, light to rough hair-pulling, unestablished relationship, intense and obvious flirting, porn with plot and detail, mentions of smoking (tobacco), cursing, OC is just as full of herself as Lip, knows she's a bitch, kinda has a weird sense of possessiveness over him?? clunky and overly detailed writing with a journaling/diary style.

authors note : trying something a little different! using the first person POV with an original character. first time writing this way—still getting the hang of it <3 this is REALLY long...sorry.

song : beauty school.

disclaimer : you can picture the OC however you like! her name is really just used for aesthetic purposes. there isn't much description on her appearance other than the fact that her hair is long enough to put it in a ponytail. enjoy!

Great. Fucking great.

One of my tires is punctured. The visor in my helmet is cracked. My elbows are etched with surface level scratches and dried blood. And the engine cover of my bike has finally snapped off. I had it coming. It was an old piece of rusty junk from my cousins garage sale from 2012, anyway. But it had charm. I knew I was gonna miss that bike for the good couple of hours, possibly days, I would reluctantly end up leaving it in a repair shop down the street from my apartment.

I can hear the squelch of skin, the seal between my hot breath and sweaty skin breaking as lift my helmet from my head. I hope to feel a rush of cool air, but the humidity tells me to go fuck myself. I'm pulled over onto the curb. I can't totally remember how I got there; being in the middle of the street on a scorching summer day wearing denim shorts that chafe up my inner thighs and rub my skin until it is raw and red and unbearably itchy, was not my vision for today. My handlebars are loose. That would explain it.

If I just take it to Born Free Cycles, leave it overnight, and come back in the morning, I can act like this whole thing never happened, and I'm not horribly irresponsible.

40th West View Ave.

Oh. I'm close actually. Barely a block away. I should go there now. I can call Mikey and have him drop me and the bike off at the garage. I'll see that kid with the grown out buzz-cut and black motor grease on his knuckles that somehow always transfers and blots on his face. Specifically on his strong jaw and right before the peak of his hairline. I wonder if he notices. Maybe he doesn't clean it off because it gives him edge that he doesn't need. Like the nickname on his name tag on a black uniform hadn't given his thirst for trouble away already. And the circles under his eyes are almost the same shade of smudged charcoal grey.

I wonder if he notices.

—

"So the engine cover popped? Just—" he shrugs, looking up at me as if I can't understand him "clean off?"

The sunlight bleeds in through the open garage door. It shines behind Lip, casting a shadow that makes his face hard to see perfectly. But I know the look he's conveying. His eyebrows are raised but drawn slightly closer together, his teeth are gnawing at the inside of his cheek so he can stifle a smile and the laugh that will follow soon after, and his blinks remain slow. I try not to smile too. But I fail.

I've only been here about 3 times, really. The first time was to get handlebar grips from Eddie. That was when I saw Lip. I chose not to make any kind of move, but it ate at my insides until the second time. That time was with Mikey. I was preoccupied with the blue-eyed kid, propped up on a workbench and throwing mindless flirty implications at him while he took long drags from a cigarette, to remember why Mikey was even doing there and why he dragged me along with him. His laugh, the playful eye-roll after I complimented his sweat-laden blonde curls weighed down by heat humidity, told me he was on board.

But I wasn't done.

I knew this time I'd pounce for what was mine.

"Yeah," I breathe out, crossing my arms and peering down at him, "And I mighta' been redlining the RPM a little too much. Probably fried the fucking thing."

Lip nods, the corner of his mouth curling up just a bit. He beckons his hand toward himself, telling me to kneel down beside him to inspect the bike. "This things kinda old, huh?" He teases, turning his head to me and finally letting a real smile break. It warms something in me. I shrug. He glances at my white tank-top, covered in black stains of dirt and oil.

"It's not great, no. It's a piece of shit. But it's cute!" I play along with him, taking the hairband on my wrist and twisting my hair into a high ponytail. Lip huffs though his nose, shaking his head and laughing again.

The next couple of minutes are filled with him telling me things I already know. Things I was too exhausted to manage on my own, defeating the whole purpose of why I was here. Fuck the bike. I know what's wrong with the bike. I know it's an old piece of junk and it's barely salvageable. You should know why I'm here. And maybe you do. But you should do something about it.

Lip has this way of speaking to me that feels ridiculously sweet and overly 'cool.' I know it's just his cadence and his cockiness, but I like it. I like that he thinks it makes me swoon. Partially because he's right, but mostly because I've mastered hiding it. He doesn't see my heart pound or the rising heat in my abdomen when he cracks his knuckles or puts a hand on my shoulder and let's it travel down to the small of my back when I crouch down beside him to look at another motorcycle he's trying to save. I'm almost certain he convinces himself that my gestures are nothing more than a meaningless flirt. I simply find him attractive, as does everyone. Nothing more.

But he's got it all wrong.

He knows my intentions somewhat well enough to the point where he can't not flirt back, though. He knows I haven't stopped him from letting his eyes travel from mine to my lips whenever I speak. He likes that I let him light my cigarettes for me. But he doesn't know this isn't just for fun. I'm so hyper-aware that it isn't out of the kindness of his heart. And neither are his compliments and lame jokes he makes to impress me. He treats my attraction to him as fact, but my genuine interest as a possibility.

Again, he's wrong.

I can't wrap my head around how he could reciprocate my efforts without ever pushing the envelope and asking to exchange numbers, or if I had a boyfriend, or maybe he had one of his own. No, no. He'd tell me if he had a girlfriend. He is, above all else, loyal.

Lip's what I want. I meant when I said his hair looked nice. I meant when I gave him a 20-dollar gratuity and a peck on his cheek just for giving me a repair cost estimate on my shattered headlight. I smile any time he says my name: Maeve.

Hey Maeve, back so soon, huh?

Hand me that box, Maeve.

Y'alright, Maeve?

Yo, Maeve, wanna bum one?

Maeve, Maeve, Maeve.

—

"Think you'll be back tomorrow to pick it up? No rush, though. I can keep it 'till you're ready," Lip asks me, leaning against the wooden workbench littered with microfiber towels and tools. His swell arms are crossed to his chest. I nod, coating my fingertips with a thin film of spin while I fish out some cash from my beat up faux leather wallet.

"A-huh. Thanks," I hand him 6 twenties before glancing at the opening of his button-down uniform.

The corner of my mouth lifts itself into a knowing smirk, my hand on my hip as I shift my weight to it, making my chest stick out and my spine bend correspondingly. My lips hang open a measly centimeter apart before I draw the bottom one between my teeth. I watch him sort through the cash, biting down harder on the flesh of my lip when he freezes.

"Looks like you're a good 15 short," he barely mumbles, looking up at me through his eyelashes. His brows narrow down to me again. I click my tongue coyly. I step closer to him, my hand, with fingernails painted black, pushing the cash in his palms down and his arms down with it.

"About that..." I pause, tilting my head with a look of naivety and not bothering to push away the strand of hair that has fallen from my ponytail and over my eye. Instead, I wait and let Lip set the pile of cash down and draw the curtain of my hair open to reveal my face. My stomach twists on itself, and I can practically feel his chest rising and falling with every anxious breath in my own lungs.

I beg to whatever higher power lies above us in this garage that a kiss will work. Not that it usually doesn't, but my form isn't as confident as it typically would be. The guys I wrap around my finger aren't as driven as Lip is. And God, none of them are part of my tantalizing daydreams nearly as often as he is. I picture his rough hands exploring me, squeezing and rubbing over the valleys of my skin. I imagine his breath is hot with the taste of mint and cigarettes. Every part of me wants to know if my predictions are accurate. If he's the type to sink his teeth into my neck and shoulder blades just to apologize to the reddening skin with open-mouthed kisses. The anticipation kills me. It's enough to swallow me whole.

"...Maybe I can pay you back a different way?"

I barely whisper and Lip scoffs, glancing away from my gaze, scanning the area just for it to be completely empty. He comes back to me. His eyes go a little wider than before. Almost to say, 'oh shit, you're serious?' I stick my tongue between my teeth and tug on his uniform, feeling the fabric rub between my sweaty fingertips. My eyes watch Lip's adam's apple bob as he swallows a breath.

"Yeah?" He thumbs my bottom lip and pulls it down, his free hand traveling down to my hip and pulling me closer to him, "what were y'thinking, Maeve?"

"Mmmm," I hum while pressing my hand against his chest while the other cups his cheek, and I let the pad of my thumb graze over the grove of his defined cheekbones. "Dunno yet."

My teasing is much to Lip's dismay, but he handles it quite well. It's sobering to see a guy as seemingly self-involved and easily impressed play into my mind games. It only pushes me further, and he knows it. I crash my lips into his, my hands anchoring themselves on his shoulders for support. He sighs into me, a hand reaching down to hook a finger through the belt loop of my shorts and drag me closer to him. His hand cups my cheek and pulls me into his mouth to let his tongue slip past my own. And he tastes just as I expected. Minty, smoky, and mine. I practically grind my self onto him in complete desperation, feeling him harden under me. Every roll of his hips threatens to send me over the edge. And fuck, his muffled groans of pleasure against my mouth that ring in my ears are hypnotic. But even with his sturdy, growing buldge forcing the fabric of my shorts to press roughly on my clit, I need this to last.

Blissfully and ever so slowly.

I finally pull away to catch my breath, the buck of our waists slowing down. My head feels fuzzy and heat rises in my cheeks when I open my eyes to see how flushed Lip's face is. Even the tips of his ears have turned a little red. I smile, giggling like a teenager who just kissed her crush in a closet at a house party as a dare. He laughs back in a way that asks 'what are we even doing?'

"Thought you had a boyfriend."

I pause, my eyebrows knitted. I try to think of who he could possibly be referring to.

Ah.

"Who? Mikey?" I try not to laugh, looking around to the imaginary audience to check if they're really hearing this nonsense too, "ew, no. He's like my brother."

Lip lets out a breath of relief he almost didn't realize he'd been holding. It surprises me. Probably a lot more than it should. But hey, for the other 3 times I've been here, I kept asking myself why his flirting was just as intense as mine, but he never asked for my number or made a true move on me. To think that my friend had been unintentionally cockblocking me with his ridiculous height and horrid American traditional tattoos all over his arms, and it wasn't because the guy had a girlfriend...it's almost funny.

"Oh," he replies, his eyebrows raising. Now both of his hands rest at my hips.

"What? Is that why you left me hangin' when I did this?" I press a kiss against his cheek, my palm rubbing over his shoulder to pull a chuckle out of him.

"I guess so, yeah. Just didn't want him to kill me for getting to close t'you," he kisses my cheek, smiling again.

"Geez. Mikey wouldn't hurt a fucking fly. He just...looks scary. Plus, nobody tells me what to do."

"Noted. Glad to hear that, actually."

"Mikey is—" I pause, biting the inside of my cheek "a sweet guy."

"Uh-huh."

"Too sweet. And I hate the aftershave he uses. He's—he's entirely too much."

"Mm."

"Whatever. Shut up."

"Didn't say anything," he shrugs, trying and failing to act clueless.

Fuck. He's fucking glad. He's glad I don't have a stupid-waste-of-my-time-cockblocking-boyfriend on my hip who's constantly watching my every move and stopping me from giving all of myself to Lip. Hell, I'm glad too. Very glad. With one swift movement, I take matters into my own hands again. I undo every last plastic button on his uniform, snaking down his chest and abdomen. I latch onto his neck, biting the skin and sucking a bruising hickey. He shivers beneath me and wraps his hand around my ponytail, huffing breathless chuckles and slowly getting more and more frustrated with my agonizingly slow, torturing pace for foreplay.

I bend my knees to begin my descend to the ground, kissing down his torso. My hands travel down his sides. Lip gently lets go of my hair to lean back into the workbench, never letting his head reel back so he can carefully watch me tenderly adhere to his needs while anchoring his hands behind him for support. I giggle to myself, relishing in the affect I have on him.

Shit. This is risky. Screw it. Pretty girl without a boyfriend who tips in 20 dollar bills and blowjobs? How could I say no? No part of me wants to back out, Lip's mind races, his grip tightening on the wooden slab as he clenches his jaw.

I wonder if he's nervous. Or maybe he's done this time and time again: fucking a girl right in this garage. Possibly bent over this very work bench. Those girls must've been so easy. I can bet on my life that they were never as fun, never as wet, never as needy as me. This would be different. I wouldn't give him everything he wanted and more that quickly. A girl deserves to have her fun. She deserves to watch the overly confident guy she's fancied for weeks, who continues to play hard to get, squirm and writhe with every slight of hand she gives him.

And that's exactly what I'm doing.

"Y'having fun down there?" Lip chastises me, chuckling lightly to himself as he tilts his head down to get a better look at my face.

My kisses stop right above the waistband of his jogger pants. I look up at him pleadingly through my lashes, my eyes big with lust and cunning seduction. I pull the middle of the waistband down just so I can drag my tongue across the exposed skin just centimeters away from his cock. The curls of his happy trail tickle my chin, but the full body shiver and the shaky exhale of "fuck," as he tries to keep his composure, makes it so worth it. He finally shuts his eyes, head reeling back. I lick my lips and smile, cupping his groin before he can even think about looking back down and feeling the blood rush to his cock again. His twitching dick underneath my palm sends me sitting on my heel, ready to slowly rock my hips down into it to fill my desperate need for friction. My cotton panties are definitely soaked.

I can't waste any more time.

I remove my hand from his crotch and quickly pull his pants and his boxers down with them. They pool at his ankles, and his cock strains hard and leaking sticky, crystal clear pre-cum from the thick and aching tip. My mouth nearly drops. I admire every vein, letting my hand wrap around the base of his cock once I've spit into it as makeshift lubricant. I'm so lost that I don't even register Lip peering down at me, swallowing impatiently.

"My, you're so worked up, Lip. And I haven't even started." I don't bother to look up at him as I rub my hand up and down his shaft, worried his pretty face will distract me. But I can picture him perfectly.

"Fuck you," he huffs through a struggled laugh, covering his mouth as he groans in pleasure at the feeling of my hand squeezing his cock every once and a while as I slowly pump him up and down.

"Later," I retort. I bite down on my bottom lip, looking up at him again for permission. He nods, almost as if he's able to read my mind. My eyes shut and my stomach flutters. Soft lips cover the head, swirling my tongue over the slit. His tip leaves my mouth with a loud pop, and I lick a bold stripe along the thickets vein I can find.

"Jesus, fuck, Maeve!" He writhes, his breath hitched in his throat by me hollowing out my cheeks and taking nearly 3/4 of his total length into my mouth. Moans of pure bliss at the feeling of his cock enveloped by the wet warmth of my mouth echo through the garage. I fear he's too loud, but I decide not to care. Not now.

My hand pumps the rest of his cock that I don't fit into my mouth at the moment, while my free hand reaches for his. My eyes remain closed and my sucking maintains a steady pace as I bob my head up and down his cock. I grab his hand and set it on the top of my head, but he hesitates.

"W—you sure, Maeve? I don't wanna hurt you," he swallows, accidentally bucking his hips into my mouth and running his unoccupied hand through his sweaty curls. I detach myself from him, wiping the mixture of pre and spit from the corner of my mouth and finally looking up at him.

"You won't," I take a deep breath, "I won't let you. I'll tell you if 's too much, kay?"

"Okay. Maybe just—" he clears his throat "tap my leg 3 times? And I'll...uh—I'll let go? Yeah?" He looks beautiful. Flushed, bare, and oh so needy for my touch. I wish I could keep him like this forever. He's so compliant, so understanding. But part of me knows that once I let him do this, it'll show me the side of him I've really been praying to see.

I nod, smiling contently and feeling myself blush when he twirls his fingers around my ponytail again. He bends over just the smallest bit to cup my chin and smile back. The pad of his thumb grazes over my skin before he lets go. I take it as my sign to go back, pressing my hands against either of his thighs and feeling clit jump with excitement when Lip tugs at my hair the moment I take his cock into my mouth again. I bob my head up and down, my eyes rolling back when his tip hits the back of my throat. Tears prick at my waterline as I struggle not to cough.

I grow even more desperate. My hand dives into my shorts and I slide two of my fingers inside of me, unfortunately never living up to the potential size and feeling of Lip's. The continuous ram into my gummy and tender spot causes me to fall apart, whining with his dick occupying the space in my mouth.

"Oh my God," Lip nearly whines, his grip tightening as he guides my head up and down his dick, but it's so gentle it never startles me, "so fuckin' good, baby. Jesus, fu—ah..keep doin' that. Yes, fuck.."

My tongue swishes over and under his cock in mind-numbing patterns, and I can't help but let little muffled moans escape my throat and vibrate against him. He almost can't contain himself: bucking his hips and practically fucking my throat. I do my best to cancel out the occasional gag so quickly he won't feel guilty and possibly stop.

Use me, I think.

Usually, I'd take the lead, never letting a head pusher take the role. But not this time. Lip's so pent up, so stressed with the complexities of his life. This is a kind gesture. One that involves tears of struggle spilling out of my eyes and streaming down ky cheeks. But fuck, I love it. It's filthy. It's nasty the way I nearly suck him dry. I can't remember the last time a blowjob was this fun.

"Such a good girl. Y'know that?" He looks down at me, biting his lip as his eyebrows knit in pleasure and desperate need to cum down my pretty little throat, "how'd you get so fuckin...so fuckin' good at this, baby? Shit—feels so good."

He babbles over and over again, and I'm taking strategic breaths through my nose and speeding the pace of my fingers as they thrust in and out of me so I don't stop him from releasing the way he absolutely deserves. Finally, he pulls my ponytail tighter than he ever has, warning me that he's about to cum, but by the time he tells me, it sends down my throat. He groans out, releasing my hair and going limp. I swallow the salty substance, blinking out the last few tears in my eyes and sliding my fingers out of me.

—

Lip: 1 message.

Hey. 11:47pm

Hey. Miss me already? 11:52pm

Something like that, yeah. 11:56pm

What's up 11:58pm

I get off early tomorrow. Just wondering if you wanted to come by the shop and hang out for a bit? 11:59pm

Sure. See you then. xoxo 12:03am.

—

current taglist : @lemmejustpulloutmylightsaber @sexyyounglatinoboy @febris-amatoria

#lip gallagher x oc #lip gallagher #lip gallagher smut #shameless x OC #lip gallagher x reader smut #lip gallagher x oc smut #shameless #shameless x reader #jeremy allen white #i hope you guys like this!!!#tried really hard with this new style

173 notes · View notes

wherebettertoescape · 6 months ago

Text

Thoughts on The Outsiders Album

Okay, as I said yesterday, I have a LOT of thoughts on the album and I decided to revive this page so I stop bothering everyone IRL with my thoughts about it 😂 I figure there must be a good amount of people on tumblr who are down to listen to my rants about the album, so here goes.

I'll put it under a cut so there aren't any spoilers for anyone who hasn't listened yet, and I know there's one or two things which I've heard about the prouction via other posts and such. But I will stress that I haven't actually seen it, I've only listened to the album and obsessed over it 😂

It's also below the cut because it's fucking LOOOOONG

Please reply to this or send in your own thoughts - I have so much I want to talk about to do with this album and I'm like... shaking with the need to talk about it with people who actually want to listen 😂

(sad times living in the UK 🥲)

I'm gonna go through the album sequentially, like track by track, because that feels like the thing to do, even though I will say right off that I definitely have more thoughts about some tracks than others. And I will also give my favourite line from each song. But for a just, like, general overview to begin with - I love the album so much?

I will fully admit that I was kinda preparing myself for it to be bad - it's a book that I love and I wasn't the biggest fan of the movie adaptation for a few key reasons, but I was so pleasantly surprised by the musical soundtrack.

I'm in love with the style of music, I love the entire cast (all of them have such different singing voices and styles and I think that they merge together so beautifully), and it has most of the things that I love in a musical - for me, it's got the right balance of the talking sections included with the singing, as well, which I know some people aren't huge fans of, but I might be biased because Soda is and always has been my favourite character and most of the talking is by him 😂 (I love Jason Schmidt, but we'll talk about that later), and as well as that the style of music and singing like gives me a good picture of what the actual choreography might look like, which I'm obsessed with, since I probably won't get to see it unless it somehow gets to the West End (🤞🏻)

Tulsa '67

Okay so this song is just like ✨exposition ✨ but it's done in a fun way, and I've decided it's worth it just for the finale reprise

I was also like stupidly emotional the first time I heard it and it opened with the opening line of the book

I was wary because of the immediate characterisation of Sodapop as being the brother "with a broken heart" (side note - does this mean Sandy broke his heart before the show rather than after it? I've goes QUESTIONS) - I'll go into it again when we get into Grease Got a Hold for obvious reasons, but I was worried that Soda was gonna be reduced into just being a womaniser again, which is something that bothered me about the movie adaptation

Favourite line: "all the girls are pretty there, and all the guys are mean"

Grease Got a Hold

right so it has no right to be as much of a bop as it is, it's been stuck in my head for the past week since it came out and I can't even be mad about it 😂

It's essentially just a typical "gang" song to introduce and characterise all the different members

Dally always saying "Little brother" got me so emotional like immediately

And I know I just said that I was upset with Soda's characterisation as a womaniser, but considering later songs, I will say I do find it really funny that he basically just goes "yeah I'm a greaser bc I love women 😊"

I LOVE TWO-BIT MATTHEWS - I would die for Daryl Tofa, just something soooooo good about the line he gives after Soda's verse

I have to admit, I was a little worried that they were gonna be pushing some anti-Darry propaganda, but I had no cause to worry, as he's an actual angel. Also it's so funny how fucking Done he is the moment he starts speaking

Something really funny about Steve not getting a verse, but something really sad about Johnny not getting one, but I don't have fully fleshed out thoughts yet so I'm gonna leave that there

But also there's just something about all of them trying to act tough, but all of them just have the voices of angels

Favourite line: "I'm a latch-key kid but they keep changing the locks" and also "you wanna be a fighter? then know just what you're fighting for"

Runs in the Family

I'm upset because this song has been such an ear-worm for me, but it's actually just so sad? There are a couple of these, but this is one of the main ones for me

It immediately makes Darry just such a sympathetic character - it's well documented that Ponyboy doesn't feel like he's enough of a greaser, but I don't think we talk enough about Darry is a reluctant greaser

Side note: but I'm really glad that they included Darry having dropped out of school to look after Soda and Pony, because that was kinda glossed over in the movie, which I felt did Darry a disservice

I just want to hug Brent Comer and tell Darry that he's doing a good job and everything will be okay 🥲

Favourite line: "I don't know what them boys would ever do without me - and what would I do on my own?"

Great Expectations

honestly this song deserves a post all of it's own, and maybe one day I'll do a full analysis of it

but in the meantime, it's fucking GORGEOUS, like Brody Grant has NO RIGHT to sound like this I'm so mad

THE FUCKING HARMONIES I WANNA SCREAM THEY'RE SO GOOD

One of the things I've loved about the soundtrack in general is how Pony in particular draws parallels and comparrisons between Johnny and the other greasers - here it's between Darry and Johnny, and I love it because Pony references in the book that he feels like he and Johnny are the outsiders in the greasers, he feels like neither of them really belong there, and they convey that so well in the musical with these constant comparisons in the songs and music

The continual return back to this idea of a self-fulfilling prophechy - trying to prove that they're not all the same just because they're greasers (like with the different verses in Grease Got a Hold), and this striving for individuality despite the overarching label they've been given

Favourite line: "It's hard to write this story, when this story's writing me"

Friday at the Drive-in

they all just sound so young - that's my main take-away from this song

I love songs in musicals like this where you're forced to be reminded how young the characters are and you have to humanise them a bit more - a bit like with "Drink with Me" in Les Mis

Also anytime that a soundtrack includes the dance-break it makes me so happy 🥲

Favourite Line: "Got no more stress, nothing to worry me - no more teacher's pet or trigonometry"

I Could Talk to You All Night

I need to say that I love this song, but the opening from Cherry is so fucking savage - like fucking hell there's no need to do that to Pony 😂

Again obsessed with Pony not feeling like enough of a Greaser

I'm a sucker for two people who feel lost in their own worlds finding each other and bonding because they can be themselves in a way that they can never be around their other friends

It's just such a pretty duet, and I want more of Brody Grant and Emma Pittman singing - we could have a million songs of the two of them and it wouldn't be enough

Favourite line: "I'd rather read then fight a rumble, but Greasers have to go along"

Runs in the Family (Reprise)

Dude it's such a serious song, and I'm obsessed that despite that there's just Soda being a little shit in the background

"I'll fold your laundry - I'LL FOLD ALL OF IT"

I love that even in this song it's like you can tell he's just so worried about Pony but it's coming out so angry and frustrated

So full of grief for the life he almost had

He's just so angry at Pony for still being able to dream, and it's like he feels like he needs to prepare Pony for real life, because he feels like he can't dream or wish for things anymore

And then just the screeching violin at the end of the song followed by DEAD FUCKING SILENCE, and then it switches to the next song where Pony starts singing acapella it's just herugighadlsiughukdhjsak, y'know?

Favourite line: "Whats the use in dreaming, about a life I'll never know? That ship sailed long ago"

Far Away from Tulsa

okay so I've already said that I'm obsessed with it beginning with Brody Grant acapella, and I know that the songs probably don't flow straight from one to the other in the actual production, but for the sake of the cast recording the effect is incredible

But also, there was absolutely no need to make this song so gay 😂 - Ponyboy, the bisexual icon we all need

It's very reminiscent of Santa Fe, with just kids dreaming for a life that they could have outside of their big city. Especially with the line "this place is real, it's not just in my head", which is VERY similar to "just be real is all I'm asking, not some painting in my head", but I'm okay with it because Brody Grant is incredible

But that line, as well as the one "'Ponyboy you're just a dreamer', that's what both my brothers say" are also really great links back to the previous song with the references of him being a dreamer, and that being what sets him apart from the other Greasers

I also just wanna say that I think it's criminal that there weren't more Pony/Johnny duets. Sky Lakota-Lynch and Brody Grant own my soul

Also catch me being emotional over Johnny's dream being wanting a family - he doesn't realise that he's already got one in the gang 🥺 (I could write an essay about this and Dally's continued use of 'little brother')

OKAY ALSO OBSESSED WITH THE CIRCLE BACK TO GREAT EXPECTATIONS, AND WE NEED TO TALK ABOUT HOW THE LYRICS CHANGE FROM

"Torn between what is and what could be. It's hard to write this story when this story's writing me"

"It's all becoming clear, there's no way we're gonna find that here"

GOTTA ESCAPE TULSA TO ESCAPE THEIR FATE, SOMETHING AGAIN ABOUT SELF-FULFILLING PROPHECIES, I JUST CAN'T

Favourite line: "I'm tired of blindly watching as we're inching towards the ground"

Run Run Brother

There's so much to say about this song, but I literally can't formulate the words, so it's probably gonna be one that I come back to and properly analyse later. so in the meantime, here are my key take-aways

right from the beginning, it gives just an "oh-shit" feeling, just so much urgency and desperation

All three of them have such different singing voices and styles and the combination of the three just makes me so happy and I don't even know how to like express what I'm feeling

Back to the thing about Dally always calling Johnny (and Pony, but we're emotional about Johnny here) "brother"

the music is just so fitting - I feel like I need to be up and moving every time I hear it, like if I ran ever this would be on the playlist 😂

And I'm going insane over the echoes of what has been previously been said - the "grease isn't given it's something you earn", and "let's leave this behind, let's just get up and go" like you're FORCED to face that they are being given what they want but in a really terrible way

Favourite line: "I hate to make you go, but there ain't no other way"

Justice for Tulsa

okay so I know that this is a really important song and everything, but I will admit this is the one I tend to skip most

I will say I think this song would hit harder if they kept with the themes of police brutality that there are in the novel and movie with regards to Dally's death (going off what I've heard about the script changes from people who have seen it, I can't verify myself)

The song feels very claustrophobic, with everyone just trying to blame everyone else, which I think is really well done. Especially with the multiple voices coming in with "you know just what you did"

And it does show the bias of the world trying to blame the Greasers just by reputation alone, which is thematically nice

and also just the kinda mob mentality of the whole thing, especially at the end, with a declaration of war

Favourite line: "or we could send them back a message, take an eye for an eye"

Death's at My Door

I think I've seen somewhere that this is the opening song for the second act and I just - fucking hell, what an opener 😂 they really just wanna destroy all of us, huh?

EDIT: I've been corrected, and it's Justice for Tulsa that starts act 2 - my bad guys, I don't know where I saw otherwise. JfT starting act 2 makes soo much more sense 😂

I wanted to like reach through my headphones somehow and hug Brody Grant, like holy shit

The first time I heard it all I could think about was how much he's going to blame himself when Johnny (and Dally) do die - especially with Johnny having comforted Pony about it

And I'm just emotional about the exploration of Pony thinking of himself as a burden on everyone he loves, especially going back to what Darry says to him in Runs in the Family reprise, just confirming everything that Pony already worries about himself

Favourite line: "I don't believe in the death that you're bringing - the reason I'm living is you"

Throwing in the Towel

I just love brothers okay? This song made me want to like message all my siblings and tell them I love them

I loved that we see Pony's inner thoughts and fears about being a burden on his brothers, immediately followed by seeing Darry's own thoughts and feelings - the two of them being so similar in how they blame themselves for everything

All three of the Curtis brothers being terrified of losing anyone else

AND THIS IS THE SODA CHARACTER REDEPTION I NEEDED - he becomes more than just the womaniser, you can see him having like actual thought and feelings, and the amount of emotion in Jason Schmidt's voice as he's trying to reassure Darry, like this song and Soda's letter gets across everything that makes Soda my favourite character

And there's something to be said about how they're finally like communicating their emotions 😂

Favourite line: "I know your head is full of doubt, but brother that's what love is all about"

Soda's Letter

Musical letters my beloved ❤️

I love songs like these - they're always just so vulnerable

It links to Tulsa '67 Reprise with the reference to how Soda kinda keeps the family all together. This song you can like see the strain that it has on him, trying to keep the brothers who he loves so much together, by trying to tell Pony that Darry does love him even though he shows it in a very different way

also anyone who has seen it and made it this far in the post can you tell me whether they keep in the bit about Pony reading this really heartfelt letter only to go "Soda's so dumb he can't fucking spell" because it's all I could think about when I listened to it for the first time

Favourite line: "Your brother needs you just as much as you need him, and brother we ain't doing to good alone"

Hoods Turned Heroes

The triumphant return of my beloved Two-Bit, and he's doing some king shit

I love him, okay?

This is another song where I know it's really important, but I actually don't have much to say about it, other than I do really enjoy it

Favourite line: "It's time to celebrate Greasers, take pride in the Greaser name"

Hopeless War

I love that it's just Cherry begging Pony not to change, and hoping that he's still an outsider of the Greasers like she is for the Socs, a hope that the two of them are still kindred spirits even after everything that happened

She knows that the rumble is gonna be where Pony loses that last bit of dreamer in him because he's holding just so much anger at the world - I dunno, there's something there I'm sure 😂

it's such a smooth transition into "Trouble" and I wanna SCREAM it's so good

Favourite line: "even if you win, it doesn't change a thing"

Trouble

It feels like a war chant or something

The music is just so agitated

It's like Run Run Brother where I feel the need to be up and moving

Favourite line: "Do it for Johnny, even the scores, time to rally the crew"

Little Brother

I get chills every time I listen to it

Something about Joshua Boone's voice guys, I don't even know like how someone goes about beginning to talk about it, but whoever takes over as Dally has got some big shoes to fill

It's a lament to Johnny, and I feel like I listen to it and I feel the same anger and indignation that Dally feels

It's a song where I listen to it and I know, even without having seen the production, how I'd stage it and that always makes me excited

The longer the song goes on, the more uneasy you feel listening to it

It links him and Darry together again, with how he blames himself for everything that happened to his little brother, he feels like he should have been able to protect Johnny, the way that Darry always tries to protect Ponyboy

The final tempo increase and the discordant violin at the end, and it feels like even just listening to it you're watching him fall into a grief-led madness, and his certainty that there's only one way that his story can end

Favourite line: "They can't take anymore from me - if I ain't got you, then I ain't got nothing else"

Stay Gold

It feels somehow criminal to put these songs next to each other, but I mean obviously they have to be - that's how they want you to feel, but it doesn't mean that I'm not mad about it

I've listened to it like a million times and it still brings me to tears every now and then

There's something about having the hopelessness of "Little Brother", with Dally bring so apologetic at having failed Johny, followed by Johnny asking Pony to tell him that there's still good in the world

Just how much everyone in this story needs each other and they don't realise that the others need them too, yknow?

Johnny being Dally's "gold" - a lot to say about that but yknow, this is already long as fuck

The simplicity of the music itself (same as with Soda's letter - makes them thematically the same blah blah blah with them both being letters and all that), but it makes the song much more vulnerable than some of the others - nothing for Sky Lakota-Lynch to hide behind

Also that line: "I have looked into a thankful father's eyes, telling me I've saved his daughters life", and how that links to what Johnny says in the book about the little girl's life being worth more than his - I dunno, it just got me emotional, okay?

Favourite line: "I hold on to the good 'cause I've made my peace with all the bad" and also "It's easy to forget when you're trying just to make it through"

Tulsa '67 Reprise

WE MADE IT BOYS (seriously though, for real, if you made it this far, thanks for reading through my descent into madness 😂 and please send your own thoughts and such, bc I'm desperate to hear other people's thoughts)

I said it at the beginning, but I think the reprise of this song makes the exposition at the beginning worth it

At the beginning we hear Ponyboy as a dreamer, and at the end he still has that, but rather than idolising and making everything spectacular, he sees beauty in the mundane - he sees it in his brothers, his friends, all of that

The call backs to the original song as well, which allow us to go back to the theme of looking at individuality - the Greasers wanting to be seen as more than just characatures, and by the end they are like fully-fleshed out people rather than just the basic stock figures we initially get them introduced as in Grease Got a Hold

The clearest examples are, of course, Darry and Soda

Darry goes from being "could have been a football star, people say he had a ticket out" to instead being "the toughest guy I've ever known"

Soda goes from "suffers from a broken heart" to "this family's life and soul"

and then it goes from "got no parents, we fend for ourselves" to "can you imagine how proud mum and dad would be"

just something so beautiful about that, I dunno

There's more I could say about the themes of brotherhood and individuality ("grease as their disguise", for example), but I'll spare it for now

Favourite line: "Just too damn good for growing old, and in his memory I stay gold"

(finally - if you've stuck around to the end, I've also recently set up an instagram account, just for me, so please also check that out if you wanna hear more about my thoughts about random musicals and stuff!)

Freddie 🐸 (Instagram)

#the outsiders musical #the outsiders #broadway musicals #musical theatre #theatre analyses #brody grant #sky lakota lynch #joshua boone #jason schmidt #daryl tofa #brent comer #ponyboy curtis #johnny cade #dally winston #sodapop curtis #darry curtis #two bit mathews

107 notes · View notes

yournowheregirl · 2 years ago

Text

one hand, one heart

tw: mention of HIV/aids crisis and the general blatant (sometimes violent) homophobia of the 1980s

steve harrington loves musicals.

it’s something he inherits from his mother, something he always shared with her while growing up and his father is at work. she puts on hello dolly! on vinyl and sing along as she cooks, or my fair lady as she cleans out her closet, or the king and i as she does her morning crossword.

steve doesn’t really get the songs at first, but his mother is patient with him, explaining the stories and characters of every musical and replaying his favorite songs when he asks and soon enough, steve finds himself singing and dancing alongside his mother, knowing each and every word.

one night west side story is on tv and his mother allows him to stay up late since his father is away again. they’re huddled on the couch together, throw blanket in their laps and hot cocoa on the coffee table and steve can’t tear his eyes away from the screen. the costumes, the songs, the dancing, he just can’t look away, it’s all so pretty.

the movie gets a bit scary at times. during the big fight scene, he squeezes his eyes shut and ducks away into the safety of his mother’s arms and when tony dies at the very end, there are tears rolling down his face. his mother tries to tell him that it’s just a story but steve knows one thing for certain now.

it’s dangerous to love someone who’s different.

as steve grows up, his mother seems to have less and less time for him - now suddenly joined at her husband’s hip as he goes away on business trips - and their movie musical moments slowly fade away. but it’s fine, steve is at that age that people no longer find it cute when you know every word to don’t rain on my parade. no, when he tells people that, they look at him funny and whisper something that he can’t quite make out.

so he stops talking about musicals all together.

(he still listens to certain albums when he finds himself coming home in the big, empty harrington house once again. it’s comforting, almost like he’s hugging his mother again, but not quite as warm).

he hides his love for musicals throughout most of high school. doesn’t even try out when the drama department is doing a rendition of bye, bye birdie, no matter how much he actually wants to. laughs and lies when tommy finds the sunday in the park with george album in the living room, saying the housekeeper must’ve misplaced it. acts all tough and aloof when nancy asks him to watch grease together, even though he’s watched it four times already.

with all nightmares he gets during year after year of somehow surviving all that upside down bullshit, steve once again turns to musicals when he can’t sleep. usually it’s just a mixtape he made, consisting of his favorite songs that’ll sing him to sleep like a lullaby. but when the nightmares are particularly bad, he drags his duvet all the way downstairs, settles down on the couch and rewatches the sound of music until his eyes start to burn.

no one knows about it. not even robin, even though steve think she might suspect a thing after he suddenly knew exactly who julie andrews was. and he had planned to keep it that way, until one night when he finds himself on the couch once again but this time, in the company of eddie munson.

never in his life would steve have imagined that eddie munson would be one of his closest friends, but stranger things have happened. like dragging eddie’s lifeless body through the literal gates of hell and watching how he miraculously recovered from his near-fatal injuries.

but it’s more than friendship at this point and steve is well aware of that. others may think of him as oblivious but he knows himself. he recognizes that fluttery feeling in his stomach, he felt it dozens of times before. he notices the way his face heats up when eddie calls him sweetheart and lets his hands linger a second longer than necessary.

he knows damn well that he’s crushing on eddie munson and it scares him half to death.

it’s movie night and they’re on the couch together. eddie is flipping through the channels when steve notices a very familiar scene.

“wait, no. go back.” he says, gesturing towards the tv. eddie looks confused but complies anyway, until the opening scene of west side story appears on screen again.

“you wanna watch this?” eddie snorts.

“yeah. it’s good.”

“...right.”

steve is well aware that eddie is even more confused than before, but at least he doesn’t seem to question steve’s sudden interest in the movie. doesn’t tease him about it either, not when steve’s feet start tapping along to something’s coming all on their own and not even when he softly starts singing along to maria.

it gives steve enough confidence to lean in during gee, officer krupke, barely able to hold in his laughter. “twenty bucks say you pulled shit like this with hopper at least once.”

eddie rolls his eyes, but smiles anyway and steve thinks he’s just made easy money, only for eddie to retaliate during i feel pretty. “twenty bucks say you pull shit like this in the mirror at least once a week.”

“fuck off, man.” steve mutters, bumping their shoulders together in an attempt to hide the pink flush that’s spreading across his cheeks.

“no can do, stevie. that song is practically made for you.” eddie grins.

he doesn’t pull away after that. stays right there, glued to steve’s side for the remainder of the movie, which makes it all the more difficult for steve to focus on whatever’s happening on screen.

it’s a good thing steve knows this movie by heart already because it quickly becomes virtually impossible to focus on anything other than eddie when he notices eddie’s hand moving closer and closer towards him on the couch. and as soon as he feels eddie’s pinky finger curling around his own, steve’s pretty sure his brain goes static at the mere feeling of eddie’s calloused fingers against his skin.

now, it has been said that steve is the bravest one out of all of his friends - always throwing himself in danger headfirst to protect the others - but steve can still feel his heart beating in his throat as he lifts his palm and links his and eddie’s hands together. it shouldn’t be as scary as facing a demogorgon, but it’s still the most courageous thing he’s done in a long time.

with one small, almost insignificant movement, steve can suddenly feel eddie’s eyes on him. feels his gaze burning into his skin, though he doesn’t have enough courage anymore to look back at him. instead, he lets outs a shuddering breath and tries to pay attention to the story again.

and even though holding eddie’s hand seemed scary at first, steve soon comes to the conclusion it’s the best decision he’s made in a logn time because it’s just so fucking nice. their hands fit perfectly together and it gives him something to hold onto. an anchor of some sorts to get through the last few emotional scenes of the movie.

eddie’s hand keeps him grounded, keeps him from bursting into tears when tony dies like he did the first time he watched it with his mom. still, that scene does something to him. hits him right in the gut and he can feel himself stiffen as maria finds tony’s lifeless body on the ground. eddie must notice it too, because he squeezes steve’s hand a little tighter, runs his thumb across steve’s knuckles, helps him stay in the moment.

not much later, the credits appear on the screen and steve knows he no longer has an excuse not to look back at eddie. he takes a deep breath and glances to his left and- yup, grave mistake because eddie’s gaping at him, with his dark doe eyes even bigger than usual.

still, steve can’t look away, even though the silence between them stretches longer than it should be. he should say something. anything. ask if he wants something to drink. if he wants to watch another movie. if he-

“steve?”

“yeah?”

“can i kiss you?”

steve just blinks at him, a response of any kind dying on his tongue. fear creeps up on him - what if he’s dreaming, what if eddie doesn’t mean it, not in the way steve wants him to, what if-

but he was brave before, he can be brave again. he meets eddie’s eyes and nods, trusting his body just enough to take over and say what his words can’t.

as soon as he feels eddie’s lips pressed against his own, steve is hyper-aware of every sensation - the lingering taste of diet coke, the slight stubble on his chin, the loose curl that brushes against his cheek. he almost feels like he’s floating, like the fluttering feeling in his stomach has lifted him up and transported him to a world where it’s just eddie and his lips gliding in synch against his own and it feels so, so good.

okay, screw the hand holding - this is the best decision steve’s ever made.

as eddie moves closer and tilts his head to the side to deepen the kiss, steve’s hand find its way to eddie’s chest. he lets it linger over eddie’s heart, almost as if he’s trying to make sure that this is really happening. that eddie is here and he’s alive and he’s kissing him.

it’s only their first kiss but steve decides then and there that he doesn’t want another day go by without kissing eddie. doesn’t want another go by without eddie in it, period.

fuck. this is more than just a crush, isn’t it? this is so much more than that. this is almost like love. this is... this is a lot.

and that’s when it hits him. the message that’s been burned into his brain ever since he saw west side story for the first time - that loving someone who is different is dangerous.

not because he plays a fantasy game that no one seems to understand. not because he listens to metal and sold drugs in his spare time. not because he got falsely accused of murder and the whole town looks at him with disdain.

it’s dangerous simply because it’s another guy.

steve’s not stupid. he reads the newspaper, he watches the news, he knows all about the protests and the hate crimes and the thousands of innocent people dying of a disease that no one seems to care enough about to help.

it’s terrifying to love someone when the entire world seems to be against you.

he doesn’t even realize he’s crying until he tastes the saltiness of his own tears and feels eddie pulling away from him. eddie’s eyes are filled with worry and that’s somehow enough to break steve, the tears just keep coming and coming with no end in sight.

“hey, hey, look at me.” eddie says softly, his hands gently cupping steve’s face. “did i do something wrong? what’s going on, baby?”

steve shakes his head, unable to form any words just yet. there are just tears and sobs and terrifying thoughts of what would happen to them if one of them- no, he doesn’t even want to think about that, it’ll only make him more upset.

“okay, take your time. i’m here.” eddie mutters. he presses a kiss to steve’s forehead, his hands never once leaving steve’s face.

the tears slowly but surely stop after that and steve somehow manages to regain control of his voice, even though it’s raspy and broken.

“it’s just... i just like you so much and it makes me so fucking scared. because what if...” he swallows the lump in his throat again, gasping for air. “what if we end up like them? what if we end up like tony and maria? it just takes one wrong move and we’re- you could- i can’t lose you, eddie.”

“then we’ll go somewhere safer. we’ll go to chicago, or new york, or, or, literally anywhere you wanna go where you feel safe.” eddie says, like it’s the simplest thing in the world. his thumbs wiping away the tears on steve’s cheeks. “it’s like that movie said, y’know. ‘there’s a place for us, somewhere a place for us. peace and quiet and open air waits for us, somewhere.’”

steve’s eyes widen. he blinks once, twice, almost feeling speechless. “you know this musical?”

“i may have seen it before. i was in the drama club after all.” eddie shrugs, but when steve looks at him in disbelief, he sighs and adds: “okay, maybe i rewatched it because i was bored on a saturday once. it’s a good movie.”

“it really is.” steve nods, a small smile playing on his lips.

“we’re gonna be okay, y’know.” eddie assures him. “we survived literal hell, what’s a few bigots in comparison to that?”

steve nods, and as his tears are starting to dry, he’s finally starting to believe that that eddie means it. that he wants him, that he wants them, that he wants a future, together. and that might just be just enough reason for steve to lean back in again and kiss eddie with every ounce of his being, slow and warm and deep until all his worries float away and eddie is the only thing left on his mind.

(and later on, when eddie’s whimpering ‘steve’ over and over and over again, steve fully understands what tony meant when he sang that a name could almost sound like praying)

hi friends! it’s been a damn minute, i’ve been dealing with one hell of a writer’s block but this just appeared outta nowhere so i hope you enjoyed! thanks as always to @legitcookie & @sidekick-hero for their endless support as i went through the five stages of grief every time i attempted to write ilyyy <3

#steddie #steddie ficlet #steddie fanfiction #eddie munson #steve harrington #steve harrington x eddie munson #stranger things #this started as a cute silly little headcanon about momma's boy steve #and then i watched west side story again and it just derailed from there #and then i got in my feels about being queer in the 80s #throws this at you and runs away #alice's writing adventures

705 notes · View notes

cursivebloodlines · 1 year ago

Text

also while i'm here just thought i'd mention i won't be here on saturday, probably!! i'll be in london and that is a very early start and i get home after like 10pm so i might well be around to clown after that!! depends on my spinny head and tiredness combo of course i'll always be around for messages and plotting on discord but messages will be scarce :) though i'll probably be around on my coach journey to keep me busy lmao!! but yeah i'll probably post again before then but in case i forget! and friday night will be debatable depending on if i'm in the right mindset to clown when i have to be up stupidly early sdlgjsdg

also also if any mutuals wanna add me on discord, my username is oopsiejadey :) that's my username on twitch when i used to stream lmao

anyway it's fortnite hourssss i'm making luke wait whoops!!

#ooc ;; jade talks for england #seeing grease in the west end aka our absolute fav <333

0 notes

grease-got-a-hold · 6 months ago

Text

MY TOTALLY UNFILTERED AND UNEDITED NOTES ON SONGS FROM THE FIRST HALF OF THE OUTSIDERS THE MUSICAL

enjoy?? 😭 part two coming soon 🫶🏻

TULSA ‘67-

•THE RUN??? at the very end?? omg

•sky 💗💗

•omg the vocals are insane brody IS ponyboy

•vocals are richhhhh

•football STAHRRR

•no like the staccato 😩😩

•okay the orchestra popped off on this track though

•”building up the west side while the east side falls apart” 😭😭😭

•WE’RE GREASERS!!!

GREASE GOT A HOLD-

•ANOTHER RUN?? holy shit

•okay jason pop OFF love you pooks

•”little brother” 🥹🫶🏻

•jazzy afff

•so catchy

•more tromboneeeee

•dee tofa HIGH NOTE?

•poneyboyuh

•ensemble POP OFF!!

RUNS IN THE FAMILY-

•aww darry ☹️

•brent’s vocals have so much feeling it’s wild

•”don’t know what them boys would do without me.” aww 😭😭

•gonna go cry rq

•southern ish

•daddy’s a little bit mad

•”what would i do on my own” ☹️☹️

GREAT EXPECTATIONS-

•VOCALS. ARE. WILD.

•actually intense though i forgot how much i love this song

•okay brody eat it upppp

•the self awareness about him being the only one who has a shot, and everyone is counting on him to make it for all of them ☹️

•the name dropping though 😭

FRIDAY AT THE DRIVE IN-

•KWP is still hot

•thought i would like it more

•emma’s voice will take some getting used to

•why is it so southern wtf

•lots of good ensemble vocals

I COULD TALK TO YOU ALL NIGHT-

•after fatdi i thought i wouldn’t like it but awwww

•cuties

•HARMONIESSSS

•emma and brody sound so good together

•”nobody’s ever listened to me like that” AWW BABY 😭😭

RUNS IN THE FAMILY (REPRISE)-

•before- i’m scared guys

•after- WAHHHHHH

•DADDYS MADDDDDD

•”i’ll fold the laundry- i’ll fold all of it 😁” thanks baby i love you

•the slap IS SO GOOD SHITTING MYSELF

•guys i think i have a crush on brent comer

•THE VOCALS have got me FALLING IN LOVE

FAR AWAY FROM TULSA-

•HARMONIES 😩😩😩😩

•sky and brody are made for each other

•johnnys garden 😭

•ponyboy being naive and johnny enabling him tho :/

•GREATTTTT EXPECTAAATIONS

•the drums in that part WERE POPPING OFF!???

RUN RUN BROTHER-

•Joshua Boone i am sorry for doubting you 🤭

•i heard the beginning and my heart DROPPED

•sky lakota lynch i will love you for the rest of my life

•okay jazzyyyy???

•okay what if i just ended it all.

•THE ENDING 😭😭 THE REFERENCES TO THE OTHER SONGS

•FULL BODY CHILLS

•literally shaking as i type this

•”you’re a greaser now and you ain’t going back” IN A COMPLETELY DIFFERENT CONTEXT IS WILDDD

•dallys advice being to always run ☹️

•JOSHUAS VOCALS IN THE SECOND CHORUS THOUGH 😩😩🤭🤭🤭

#the outsiders #the outsiders broadway #the outsiders musical #brody grant #sky lakota lynch #brent comer #jason schmidt #daryl tofa #joshua boone #emma pittman #kevin william paul #broadway #musicals

70 notes · View notes

crazy-pages · 21 days ago

Text

A) If this reporting is correct, Harris turned away from economic populism because her brother-in-law, Uber's chief legal officer with a $60,000,000 net worth, told her it was needed to win CEO support.

B) Biden's team things he would have won if he'd stayed in because he would have been more explicitly dismissive of trans people.

We need. To fucking eat. The Democratic establishment.

Earlier this fall, one of Joe Biden’s closest aides felt compelled to tell the president a hard truth about Kamala Harris’s run for the presidency: “You have more to lose than she does.” And now he’s lost it. Joe Biden cannot escape the fact that his four years in office paved the way for the return of Donald Trump. This is his legacy. Everything else is an asterisk.

In the hours after Harris’s defeat, I called and texted members of Biden’s inner circle to hear their postmortems of the campaign. They sounded as deflated as the rest of the Democratic elite. They also had a worry of their own: Members of Biden’s clan continue to stoke the delusion that its paterfamilias would have won the election, and some of his advisers feared that he might publicly voice that deeply misguided view.

Although the Biden advisers I spoke with were reluctant to say anything negative about Harris as a candidate, they did level critiques of her campaign, based on the months they’d spent strategizing in anticipation of the election. Embedded in their autopsies was their own unstated faith that they could have done better.

One critique holds that Harris lost because she abandoned her most potent attack. Harris began the campaign portraying Trump as a stooge of corporate interests—and touted herself as a relentless scourge of Big Business. During the Democratic National Convention, speaker after speaker inveighed against Trump’s oligarchical allegiances. Representative Alexandria Ocasio-Cortez of New York bellowed, “We have to help her win, because we know that Donald Trump would sell this country for a dollar if it meant lining his own pockets and greasing the palms of his Wall Street friends.”

While Harris was stuck defending the Biden economy, and hobbled by lingering anger over inflation, attacking Big Business allowed her to go on the offense. Then, quite suddenly, this strain of populism disappeared. One Biden aide told me that Harris steered away from such hard-edged messaging at the urging of her brother-in-law, Tony West, Uber’s chief legal officer. (West did not immediately respond to a request for comment.) To win the support of CEOs, Harris jettisoned a strong argument that deflected attention from one of her weakest issues. Instead, the campaign elevated Mark Cuban as one of its chief surrogates, the very sort of rich guy she had recently attacked.

Another Bidenland critique takes Harris to task for failing to navigate the backlash against identity politics. Not that Harris ran a “woke” campaign. To the contrary, she bathed herself in patriotism. She presented herself as a prosecutor, a friend of law enforcement, and a proud gun owner. But she failed to respond to the ubiquitous ads the Trump campaign ran claiming that Harris supports sex-change operations for prisoners. She allowed Trump to create the impression that she favored the most radical version of transgender rights.

Biden, allies say, never would have let such attacks stand. He would have clearly rejected the idea of trans women competing in women’s sports. Of course, he never staked out that position in his presidency. But it’s true that Harris avoided the issue, rather than rebutting it, despite the millions of dollars poured into those attack ads. And in the end, those ads very likely implanted the notion that Harris wasn’t the cultural centrist she appeared to be.

A sour irony haunts Biden aides. In the coming months, Trump will use executive power and unified control of Washington to wreck many of the administration’s proudest accomplishments. But the ones he doesn’t wreck, he will claim as his own. Biden helped build the foundations for economic growth, with the Inflation Reduction Act, the CHIPS Act, and the infrastructure bill. Because the investments enabled by all three of those bills will take years to bear fruit, Biden never had the chance to reap the harvest. Despite Trump’s opposition to those pieces of legislation, the benefits of those bills could bolster his presidency. Biden will have passed along his most substantive legacy as a gift to his successor.

#us politics #joe biden #kamala harris

21 notes · View notes