So I finished the Nightmare at Green Lake Event
It was pretty cool, can’t say i like it more than 1.3 and 1.6’s event stories but it was still pretty good overall. Plot was tightly written, had decent mysteries surrounding the setting, and overall kept me invested throughout the story.
Jessica’s backstory was neat, still don’t forgive her for ruining my pity on that Build-A-Banner back in 1.6 but I found her to be pretty sympathetic as a character. Though I gotta be honest; I already saw the twist with her being the deer behind the slaughter coming a mile away. I don’t consider this to be a detriment because shock value doesn’t inherently translate to good story telling, but it was just a tiny bit predictable.
Blonney was also ok here. To me she’s kind of the girl who walked so Desert Flannel could run, but still decently entertaining. She also has this arc where she overcomes her internalized racism against arcanists caused by pressure from society. I really like the idea of it but it felt pretty rushed in my opinion. Like, she literally has internalized bigotry and has had to suppress who she really is because of societal pressures for almost her whole LIFE, yet one conversation from a lady she met in one day was able to change that?? I’m sorry but that’s a little much for my suspension of disbelief. The arc itself wasn’t bad, but that one part kinda lowers my opinion about it. Oh well, at least her relationship with Jessica was cute.
Tooth Fairy and Horrorpedia were easily my favorite characters here. Tooth Fairy’s calming yet creepy vibe was great and bounced off the personalities of the other characters really well. I also like her role in Blonney’s character arc, with her questioning and deconstructing Blonney’s view on herself as an arcanist. Still a bit rushed but for what it’s worth, it works. Also please give this woman her teeth, she’s been searching the whole story yet never found any :(
Horrorpedia on the other hand was just a treat. I loved his enthusiasm of horror movies and how he applies their logic to real life, I loved his dynamic with Blonney with him being a clueless, socially inept idiot and Blonney just FUMING at him for ruining her camera and insulting her movie project, it makes for wonderful character interactions with him. Sure, he can get a little annoying from time to time but look at him! He’s literally just a guy!
Overall, i liked this event. Not my favorite story from Reverse but still pretty fun :)
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If you get this, answer with three random facts about yourself and send it to the last seven blogs in your notifs! anon or not, doesn't matter, lets get to know the person behind the blog <3
Hi, wasn't expecting this, but cool!
I'm pb-and-jammothy, I'll probably answer to any variation of that pseudonym, except for Jim, and quite a few unrelated nicknames, here are some fun facts about me:
I'm British American, but in a kinda weird way, often this can be seen in my relatively shallow understanding about British or American things, and me using British and American spelling (though I tend to stick to one spelling of a word, it may just be an American spelling right next to a British one).
I really like cooking! I'm rather a picky eater for sensory reasons, and I'm really not a fan of trying new foods, so I'm rather proud of my abilities in the kitchen. Learning how to cook vegetables in a way where I actually enjoy them is an Absolute Game Changer whooo boy. My goal this year (which I've been achieving - 2 I've tried and been successful with and a handful ready to try next) is to learn new recipes for things I can make regularly.
I have 3 notes for fanfic ideas for a combined total of just under 14k words, with the separation being by fandom. I want to make progress in turning them from rambles about ideas into actual fics, but most of them are geared towards multi-chapter long-fics, which I've tried writing over the years, but haven't finished a single one, hence why my current ao3 accounts only have one shots published. Can't really work on any of them right now since I've got deadlines, but maybe this is a project for the summer (alongside reading a bunch of mythology books in prep for a Percy Jackson inspired ttrpg campaign I'm gonna run).
Uhh yeah, that's me. 😁👍
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DOCTOBER '23 ⸺ 「 19 / 31 * MEMORY 」
February 8, 1986
❝I just—I feel like I'm going crazy, Doc,❞ Marty says, dragging a hand roughly through his hair. He's hunched forward on the couch and Emmett has the sneaking suspicion that if he could shrink further into himself and disappear, he would try just that. Einstein, possibly sensing Marty's distress, abandons his spot beside Emmett to settle on the couch and lean his weight into Marty's leg.
❝I mean...I mean, how fucked up is it to feel like I hate it here even though everything's better now? Mom and Dad are actually happy and are spending time with each other, Dave and Linda are—hell, I barely recognise them—and the house and—❞
Emmett's gaze drops to Marty's anxiously bouncing knee as he works through his next words, nearly choking on the weight of them. He reaches out a firm, steady hand and places it atop Marty's bouncing knee to still the movements and, with some luck, project some much needed calm into the boy.
Last month's conversation with George McFly rings loudly in his ears—we're worried about our son, Doctor Brown—and the more Marty reveals, wittingly or unwittingly, the more difficult the lie Emmett will have to weave when George inevitably asks what he's learned.
❝God, Doc, last night at dinner they brought up our family vacation—the one we apparently took early last year when the publishing company offered Dad a contract for A Match Made In Space—and I can't keep smiling like I know what's going on when I don't have a clue! Then they keep asking and their tone of voice they sound so concerned, I...❞
He wishes he had something more concrete to tell him. While he understands feeling like a stranger in your own home and among your peers, he has never had the experience of actually being one, so wholly and completely removed from everything you once knew.
There's no hard and fast rule for how these things work. No published works he can read from other time travellers to glean their experiences and compare those to theirs, no sophisticated database even in the future—nothing.
It is all trial and error and Marty, unfortunately, with his unique experience of being the world's first time-traveller and having actively altered his previously existing timeline, is suffering effects of his unintended temporal excursion he never would have dreamed of.
This is not something they will be able to solve in a single night, but it is a much-needed start.
❝If you didn't answer the phone last night I don't know what I would've done. I just—I couldn't take being there anymore. It's stupid, I know, but when I called you and I said our code word and you didn't get it at first I thought—I thought you forgot. That that was something else that apparently just didn't happen because, I don't know, we weren't friends like that or something.❞
There's so much more to the story Marty doesn't say, that Emmett can infer from his body language, but he doesn't push for details for fear of sending him over an already unstable precipice. He is a pipe ready to burst despite how he tries to hold himself together, and Emmett has to consider the ensuing damage.
❝Marty,❞ Emmett says as he leans forward, his forehead creasing with unmasked concern. He removes his hand from Marty's knee to place them both on his shoulders and squeeze, offering a firm, grounding touch. Marty's head drops and beneath his clothing, Emmett can feel his shoulders start to shake.
❝Even if I didn't work out the discrepancy between the codewords, I wouldn't have just left you there if you were calling me for help. That I could ever forget you—it's simply unthinkable! Impossible, even.❞
You are my best friend across the entire space-time continuum.
Marty sniffs and nods. ❝I know, I said it was stupid, but... I don't want to keep being surprised with all these things that happened that I don't remember. Doc, what is the codeword that you remembered?❞
Emmett hums and pulls his hands back. ❝In order to avoid confusion, I suggested we invoke the name of my faithful old companion Copernicus as our code for whenever you covertly needed my assistance. As you would eventually meet him, it seemed fitting.❞
❝See, that's not how I remember it. We came up with the idea in '83. You told me to say something about Einstein.❞
He nods slowly. There was still a discrepancy there, however the ones between the two timelines in this case were extremely minor. Not significant enough for him to have been unable to piece together the underlying message.
❝What were the events that happened as you remember them, Marty? The way I remember it, you were peer pressured into joining that Needles character on some illegal escapade; likely something that would land you into a world of trouble if you were caught. When you refused to take part, you ran off and called me, hoping to keep it secret from your parents.❞
Marty purses his lips as he calls up the memory in question. ❝No, that's—Needles was there, yeah, but it was at a party at Emily Rockwell's place. Her parents were away for the weekend and Needles and his gang wouldn't leave me alone. Then there was a whole bunch of other stuff and—Mom was already drunk by then, Dave was working the late-night shifts at Burger King, and I didn't want Dad or Linda to know.❞
Emmett has half a mind to remind him he doesn't need to justify his reasons for ever seeking out his help, but he bites his tongue.
Instead, he tries to sift through his own memories, looking for a curtain or a doorway to a previously undiscovered mental pathway that would put them back on the same page.
He knows his own memories are changing—adapting. When he thinks back to George McFly seated on his couch, he recalls two different figures, one a pitiful spectre diametrically opposed to the straight-backed, confident man he has known throughout the years.
There are nights he sees through a dense fog—nights where Marty desperately tried anything he could to avoid going back home to his family, offering excuse after excuse to stay until he finally gave in and agreed to let him stay the night under the condition that he inform his family so they didn't assume the worst.
The process has been incredibly slow-going, but if he slowly received memories from a parallel life he once lived, the same must happen for Marty in time. If there was some kind of time-frame he could give him to ease the process, he would.
❝Tell me it's not gonna be like this forever, Doc. That I'm not going to be stuck like this when my family is waiting for—their Marty to remember all the good things they had. What if he never does? If I never do? Is everything I know just a lie?❞
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Actually I'm bored so I'm gonna follow up with what I said in the last rb's tags.
There's nothing wrong with wanting to add depth to a character in headcanon, but you do gotta respect that more depth wasn't like a missing component to an original work sometimes.
Like I write complex Kirby headcanon out the wazoo, but with a very distinct understanding that 1) I dont think I'm doing this to "improve" much because I'm satisfied with (99.8% of) this series' writing, and 2) That the writing I'm doing is in a style incompatible with how canon just works. I dream of story-dense drama-heavy Kirby Lore RPGS, but that's cause that's a me thing, Hal doesn't make those and I know they never will.
They also just don't WRITE things traditionally, the framing device of the series is often centered around Kirby, so through the eyes of an innocent child if often the mode of expression. And that's what makes this series this series and WHY I write headcanon for it. It's a great starting point, but that doesn't mean I think my landing point is more superior. I'm a big proponent that more detail =/= better with writing which is often why I fixate on mechanics of children's media, cause it's a real skill to pack so many ideas into short, simplistic stories. That's why I like Kirby so much, I think the team is masterful at that, not at writing sprawling political sci-fantasy operas.
What Kirby does is it alludes to those space opera elements in a way specifically meant to spark the imagination, but that's not a page left blank, it's more of giving you an extra notepad and pencil at the end of a story. When Taranza finishes his sad fairytale role of a misunderstood crony, and the rest of the series portrays him as depressed after everything said and extracted from KTD, they're not bastardizing him because they're not continually writing him new lore. Like, they're done-zo with his character and that's fine. They're just showing him like that so you understand the state he was left in after his arc finished, and you can personally extrapolate from there if you wish. He is not supposed to have anymore to his character than what was done in his story, now it's your turn to mess with him and give him whatever extra stuff you like, but that's intentionally left for you.
This isn't actually what the previous reblog was about per se, but in a way I think what Kirby does is a fun building upon the purely fairytale/fable writing of something like The Lorax. The games already have strong execution of their themes, and then a lot of hidden extra detail to give a fun amount of depth and pathos for more mature fans, and then that allusion lends itself to interpretation and speculation. All while still being able to execute an about similarly simple story on the surface (with action-adventure science-fantasy aspects ofc).
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