The Lost Girls of Camp Forevermore - Kim Fu
Summary: A group of young girls at sleepaway camp get stranded in the woods by themselves in Canada (sound familiar?). The narrative alternates between what happened in the woods, and a vignette from each girl in their adult life.
Yellowjackets connection: This book is so spiritually similar to Yellowjackets it’s wild. The way that we see what happened in the woods and flash forward to the adults and how it affected them. The way that it's partially about the viciousness that comes out when girls are left alone. The way that hierarchies break down in the woods. I find myself thinking about this book while watching Yellowjackets.
Is it queer?: only a very little with one character in her adult life
My Brilliant Friend - Elena Ferrante
Summary: Elena and Lila are two intelligent girls growing up in poverty in 1950’s Naples. They have an obsessive and competitive relationship. Elena is able to get an education when Lila is not, and their paths diverge here. The entire four-part book series follows their relationship and distinct lives into late adulthood.
Yellowjackets Connection: My Brilliant Friend is about a lot more than just female friendship, class differences foremost. But obsessive homoerotic female friendships and their complications are front and center. The Neapolitan series follows Elena and Lila as they grow into adults and have their own children, so it shows young women and the adults they grow into. Also has themes of trauma, unreliable narrators, patriarchy, jealousy, ambitious women.
If you follow my tumblr you know I will connect anything to MBF but Yellowjackets writers did it for me in the show. They literally said Shauna/Jackie = Elena/Lila. If you don’t remember, this is when adult Shauna has dinner with Jackie’s mom who says she’s reading MBF and that the girls in the book remind her so much of Shauna and Jackie. She meant it as an insult to Shauna but it really is a great comparison. Especially since Lila and Elena def had something vaguely fruity going on (but also for other, spoilery reasons). Elena Ferrante is pretty much the go-to when it comes to writing about complicated female friendships so it is not a surprise that they reference it in the show. If you are obsessed with the Shauna/Jackie “friendship” this book series is for you!
Is it queer? if you consider Jackie and Shauna’s relationship to be queer then yes. There is a lot of subtext and in the later books a little more than subtext.
Cat’s Eye - Margaret Atwood
Summary: A painter returns to where she grew up and memories that she blocked out of a traumatic childhood friendship resurface.
Yellowjackets connection: Women thinking about their traumatic friendships! And how these affected them going forward in life. The girls in this are a little younger than Yellowjackets girls but I think it is still a foundational text about traumatic female friendships and unreliable narrators. I am absolutely a Margaret Atwood apologist so don’t come for me (or do. I love messages in my inbox)
Is it queer?: no ):
Big Swiss - Jen Beagin
Summary: Greta is a transcriber for a sex therapist where she learns all sorts of intimate details of his clients. She becomes obsessed with a client and even starts a sexual relationship with her! She does not disclose her prior knowledge of this woman so things get messy.
Fun fact for Killing Eve fans: It is going to be made into a series starring Jodie Comer!
Yellowjackets connection: This is the only book on this list that doesn’t really flash between old and young versions of a character (a bit at the end). Yet I think it deserves to be on this list because messy queer women and obsession and mental illness. Also now that I am thinking about it actually the main character does think about her childhood in the woods a bit...
Is it queer?: The main relationship is between two women and they have a lot of sex. So, yes!
Trust Exercise - Susan Choi
Summary: Don’t want to spoil any of the big reveals but it’s vaguely about highschool theatre kids and their unhealthy dynamic with their abusive theatre teacher. Trigger warnings for statutory rape and general predatory behavior.
Yellowjackets connection: The reason I put this on my list is because it is about women in high school going through trauma and their adult selves dealing with it. It is about the stories they tell themselves to cope. It is about unreliable narrators. It is about narrative and truth and figuring out what actually happened. The book will not tell you directly, you have to discover it yourself (or read a review that explains it).
Is it queer? no ):
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apparently y'all Are desperate enough for my Lomadia Oc so uh. hope you're in the mood for [checks notes] ~13 paragraphs, half of which is just description!
allow me to introduce Villom!
She doesn't have an actual name or in-universe nickname, I just call her Villom. Because she was originally a Villain Version of Lomadia from a sci-fi world for some comic idea I totally scrapped bc it sucked. Except for Villom!
So basically what if we put Lomadia in space and gave her every problem and no normal coping mechanisms
The base universe is Completely Impossible sci-fi space stuff, involving solar systems being relatively close together and having tons of habitable planets, with star trek 'convergent evolution' making everybody a Weird Human Basically. Part of these choices is that I. Don't actually like sci-fi lol. I don't think its bad I just can't Get Into It, so I did the lazy version. HOWEVER I do also use the fact that its extremely artificial and story-focused as part of the plot so its FINE
There IS also magic, but it’s generally less used, as tech is more accessible and less complicated from a user standpoint. That doesn’t mean it isn’t powerful, if you know what to look for. Thats foreshadowing!
Compared to base Lomadia, Villom is.. very immature. She has trouble identifying and controlling emotions, she's quick to anger and holds grudges. She's also more impulsive and tends towards insults and crude jokes. She's actually pretty fun to hang out with as a result, but responsibility is a role she's crushed into, and it never truly fits. She's trying her best ok
Villom starts out her story as a young adult, training to be a pilot. She does some hero shit, but breaks so many rules in the process and gets kicked out. She’s enraged by this betrayal of what was supposed to be her life, and steals a ship to go rogue and try to pursue her dreams anyways. She doesn’t exactly know what she’s doing, though, and eventually a chase causes her to crash on an unfamiliar planet, where she meets Rythian. He’s steampunk now, don’t question it
Anyways, they end up teaming up, and form the first of her crew. Later additions are Martyn, who is a mouse guy who has So Fucking Many People Who Want Him Dead, and Zoeya! Who ended up separated from Fionn following partially the plot of Mushbury, and works as the ship’s engineer. Their ship (that lasts long enough to get a name…) is called the Ask, and Villom occasionally (and jokingly) calls her crew the Answers.
(Its called the Ask because originally I gave the characters nicknames based on Norse mythology for Pretentious Reasons, those might come back later)
So everything’s all fine and poggers for a while, with the Ask’s crew causing mischief and undercutting evil empires across the worlds- and then Villom’s home planet is destroyed.
And she sees it happen.
See, one of the tropes of sci-fi that bugs me, is how understated the death of an entire planet tends to go. This is the first step of Villom realizing how truly fucked up the world they live in is- and the first step of her wondering why it has to be this way, and how to stop it.
It only gets worse from here.
No matter how many evil empires they topple, no matter how many massive threats they thwart, there’s always another one. And no matter how fast they are, they can’t stop every world-ending crisis. Villom starts learning magic, wondering if theres some kind of solution there. When she doesn’t find one, she just looks harder. Brushing so close with forces she’s alone in experiencing wears on her, compounding with their futile mission.
The breaking point is when Rythian dies. Raiding an enemy ship goes wrong, they’re outnumbered, they’re trying to retreat. Surrenders are not accepted, there.
It’s another thing she sees happen, another thing she was inches away from but unable to stop. And she can’t take it. She can’t take losing another part of her, another of the few things she could call home in this cold void.
She takes some of the things she learned looking where she shouldn’t- and kills the nearest member of the enemy team, trading a life for a life. And part of her soul as tax, of course. Just a small bit, this time.
She never tells him. Pretends it was instead an incredibly close call. He probably knows she’s lying, on some level, but he never says it.
Villom is desperate, now. There’s more and more things she’s hiding from her crew, more and more boundaries of safety she’s pushing. She trades one of her eyes for the ability to see the functions of the world itself- maybe it’s a mistake, there’s some gear stuck, and if she fixes it this infinite loop of wars will stop.
There is no mistake.
This is how the universe is intended to function.
She can’t give up. Because if she stops, she’s never going to get up again.
Maybe there’s other worlds where it’s better, where it’s safe.
Maybe there’s a way to make this world like them.
Maybe there’s a way to leave.
She’s barely human anymore, even though she looks perfectly fine. Her hair is white, her eye replaced, but that’s all. She’s replaced the things she’s traded away. She’s barely even a part of the world, anymore. Unstuck from the threads of it, floating as a constant point, unchanging and undying, snapping back into place when moved.
A lot of universes are visited by a strange woman with white hair, who never stays. Sometimes she’s a savior, or a tyrant, or merely another passerby.
One of them, somewhere, has to have an answer. The way to break the cycle. And Villom will find it- even if she has to take every one of them apart.
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