#fnaf protect girl

[chloesimaginationthings]

I know Vanessa regret saying this in the FNAF movie,,

[kingzombear]

Lil late Golden Duo for FNAFiversary yaaaay 💛

[hella1975]

i can’t believe not even 24 hours ago i was in an exam like that still feels like something i hallucinated

[emily-puppet-1]

Jesus Comforts His Disciples

14 “Do not let your hearts be troubled. You believe in God[a]; believe also in me. 2 My Father’s house has many rooms; if that were not so, would I have told you that I am going there to prepare a place for you? 3 And if I go and prepare a place for you, I will come back and take you to be with me that you also may be where I am.

[a-not-so-sure-artist]

WAIT I GOTTA SHARE SOMETHING WITH U GUYS REAL QUICK HOLD ON!!

Okay now that I have your attention hear me out

Just hear me out for like two seconds I promise it’ll be interesting

What if

What if they collabed with

With THEM 👀👀

[ponds-of-ink]

I think I’m turning a sick-day rough drawing into a mini-series. …This’ll be interesting for the other two, huh?

Anyway, here’s Lefty as a Magical Girl Mech. Why? Because the concept of Charlie/The Puppet using modified Lefty parts is too cool to pass up for this. So’s the idea of her channeling her old green bracelet into a ghostly getaway grappling hook.

[d3adp00ls]

Heyia lovely! Noticed you were taking or rather looking for requests to do with Vanessa from FNAF?

If there still open I was wondering if you were able to a fluffy one, maybe when the reader is related to Mike somehow and she knows he’s struggling with a job so it’s actually her that suggest to Mike to work as a night guard with her, and maybe Mike is overprotective of the reader so when Vanessa turns up he’s like ‘stay away from her’, but their actually a couple, and when Mike just finds out he’s shocked and if your comfortable with it maybe Vanessa giving the reader a kiss or a kiss on the cheek and he like ‘so I’ll see you for date night?’

Overprotective?

Vanessa (fnaf movie) x reader

Summary: basically the request

Contents: fluff, angst (you gotta squint really hard tbh), established relationship, protective Mike, secret relationship

W/c: how about you count for me bbg 😉 (I’m actually so sorry this is so fucking long and idek why)

side note: The only thing I really changed is the fact that you aren't related to Mike and that you're just a childhood friend, I hope that’s okay and enjoy the totally amazing writing that I love so much!! Also, I’m pretty sure this does not fit totally well with the movie's timeline but it does kind of take place during it.

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You started working as a security guard at Freddy’s about three months ago. Although it wasn’t the ideal job and the pay sucked ass, it had its perks. For instance, you enjoyed watching Freddy, Bonnie, and Chica perform for you, and you also found it amusing to watch Foxy try to beat your high score on one of the old arcade games. It was pretty funny to see him struggle with the machines using only one hand, but it was less funny when he got mad and hit the machine with his hook. However, the best thing about the job was Vanessa Shelly, the officer who came every other night. You met her on your third day working at Freddy’s when she came to introduce herself to you, and you both immediately clicked. Now, two months later, you’re together.

Recently, you’ve been feeling lonely at Freddy’s. Vanessa couldn’t visit you all the time due to her job, and as much as you love the animatronics, you can’t have real conversations with them. Half the time, you’re left in your own thoughts while waiting for your watch to read 6 a.m. Vanessa recently told you that they were trying to find another security guard to work at Freddy’s with you. You were excited about the idea until she told you that you both would only have one shift together. Nonetheless, you were still excited about the idea of not being alone every night on the weeks Vanessa couldn’t keep you company. You just wish they would find a person faster. You were becoming more and more impatient as the days passed. It got to the point where you even asked Vanessa if you could look for someone yourself, which you quickly realized was stupid because you didn’t even know anyone who could do night shifts. You had given up hope of having a coworker and accepted the fact that some weeks you would be stuck at the old restaurant alone. However, one of your nights off changed everything. You were babysitting for your best friend Mike Schmidt, who was apparently out trying to get a job because he beat up some kid’s father at his last one. You had been drawing in the living room on the floor with Abby when he came in holding and reading an orange paper. You furrowed your eyes as you stood up and walked to him. “What’s that?” Mike looked up at you as you nodded toward the paper. He looked back down at it before sighing and crumbling it up. “Nothing, don’t worry about it,” he said with a small huff before looking towards the kitchen and seeing a box of pizza with a half-eaten pie on the table. He looked back towards you with furrowed brows. “Did you order dinner?” he asked while walking towards the kitchen and picking up a slice, feeling that it was still warm.

“Nah, my girl….I mean uh… a friend of mine did,” you said with a shrug, clearing your throat when you realized you almost had a slip-up. It’s not like you didn’t trust Mike with knowing that you had a girlfriend. You knew you could trust him, seeing as you had come out to him when you both were 15, and he was more supportive than your own parents could ever be. However, it wasn’t about sexuality with Mike. It was his protectiveness over the one he loved. He has been going through a lot ever since Garret’s death, so you don’t blame him at all for becoming overprotective about you and Abby. But the fact that you don’t blame him doesn’t mean you won’t sometimes wish he would lay off on the protective big brother act. Sometimes it’s the only reason why you haven’t told him about Vanessa. You were scared of how he would react and that he wouldn’t approve. Mike looked at you with a raised brow, and your heart nearly sank at the thought of him hearing your slip-up. But then a smirk started to form on his lips, causing you to raise a brow before he started speaking. “Oh? I didn’t realize people actually liked you enough to consider you a friend.”

You sarcastically laughed at his words before punching him in the arm, causing him to laugh and move away from you with his arms raised in defense. “Very funny, Mike. Tons of people like me, alright?” you say with a roll of your eyes as you walk back to the living room where Abby is still finishing her drawing. “Anyways, how’d it go? Did you get the job?” You ask as you begin to pick up some of the crayons that Abby wasn’t using. You hear Mike groan, causing you to glance up at him. He’s sitting in a chair with a hand covering his face. “That bad, huh?” Mike shakes his head, moving his hand to tap against the arm of the chair. “I don’t even want to talk about it,” he says with another groan before leaning his head back to let out a huff. You hum in return as you finish picking up the rest of the crayons and placing them next to Abby’s drawings on a table with a smile before standing up fully and brushing your pants off. “Well, I should start heading out. I have work tomorrow, and I have to do a ton of other stuff before then, so I want to get some rest before all of that,” you begin walking around to grab your stuff as you speak. Mike seems to perk up at your words, and you notice it as you go to reach for your coat. The way he practically jumps out of his seat and looks at you almost stuns you with how fast he moves towards you. You notice Abby now looking at you both with a confused look, which you shrug at her before Mike stands right in front of you, causing you to take a step back. “Whoa, what’re-” “You have a job, right?” Mike says so quickly you won’t even think he’s speaking English. “Excuse me?” “You’ve got a job, right?” he says a little slower but still slightly fast. “Yeah? Did I not just say that?” “Are you hiring?” He asks, his face showing hope. You give a sad smile in return as you pull your coat on. “Yeah, we are…but you can’t do night shifts, remember?” Mike sighs, looking towards Abby, who is watching the interaction.

He looks at you returning the sad look.

“I don’t think I have much of a choice at this point.”

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You sat in the security office at Freddy’s, humming to yourself as you watched the security camera with a bored expression. It was Thursday, which meant you and Mike had a joint shift. This was the last day of the week for him and the first day of the week for you. You had arrived a little earlier than needed, so you continued to stare mindlessly at the cameras as you waited for him to arrive. Your eyes began to get heavy, and you were just about to dose off when you saw a car pull into the parking lot and park next to your car. You sat up, looking more closely, and saw Mike get out of the car. You smiled a little, but your smile dropped when you noticed him talking to someone. You tried to squint to get a closer look before the door opened, and Abby got out. “What the hell?” you mumbled under your breath before standing up and walking towards the entrance to meet them there.

“Y/n!” You smile when you hear Abby’s voice excitedly yell your name before she jumps into your arms and gives you a tight hug. “Hey, Ab’s!” you answer, hugging her back before putting her down. “What are you doing here?” you ask with an amused tone. When you look towards Mike, he’s already nervous, knowing you will be on his case about this later. “Mike lets me come sometimes!” she says happily, and you raise your eyebrow at her while looking back at Mike. “Sometimes? You’ve been here before?” Abby nods before running off towards the stage where Freddy, Bonnie, and Chica are all standing, seeming to be happy that she’s there. You watch the interaction between the three robots and the little girl before sighing and looking back at Mike. “She’s been here before, Mike?” Your tone now changes from the one you used with Abby to one more serious. “I know what this looks like, but I swear I have a good explanation,” he says. You raise a brow at him as he continues to speak. “You usually babysit for Abby, but today we both had work, so I tried to get someone else, but I couldn’t find anyone to fill in for you.” “What about that girl who would sometimes watch Abby? Max?” you ask while looking back at Abby to see her and Foxy watching the other three perform. “She hasn’t been answering my calls,” Mike states, causing you to look back at him with a confused look. “Since when?” “Since last Thursday when you took the day off because you were sick.” You nod at his answer before letting out a sigh. “Okay…I guess it’s fine that she’s here. Just please keep an eye on her. The animatronics are cool and all, but they can be a little rough sometimes.” He hums and nods, and you smile at him before playfully hitting his arm. “Now, come on, let’s go watch the show.”

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It was 4 am, You and Abby were playing in the arcade with animatronics watched you both and Mike was god knows where.

Abby had just beaten your high score, much to Foxy’s dismay, and she was excitedly jumping around as you watched her while laughing before you got a glimpse of Mike speed walking towards the entrance causing you to furrow your brows but you just shrugged it off and look back at Abby who is now trying to convince foxy he can beat the high scores.

You were about to start a new game for him but then you heard Mike's voice paired with another familiar one causing you to furrow your brows and move away from the arcade game telling the group that you would be right back before you jogged towards the voices.

when you got to the entrance you saw Mike talking to someone at the door causing you to walk closer to get a look but when you stepped closer you were met with Vanessa walking in with a smile on her face.

“Hey y/n,” she says with a smile and you all but jump into her arm and hug her tightly while she laughs.

“Vanessa!” you exclaimed, surprised to see her. “It’s been forever!” She chuckled at your words and hugged you back before pulling away, leaving her hand on your waist. “We literally saw each other on Sunday,” she said as you pulled your arms from her. “Yeah…but it still feels like forever,” you mumbled as she laughed again, causing you to smile and playfully hit her on the arm. You were so caught up in the fact that Vanessa was here that you almost forgot Mike was there until he cleared his throat, causing both of you to look back at him. “I didn’t know you two knew each other,” he said, throwing a very obvious glare at Vanessa when her hand stayed at your waist, but she pulled away while clearing her throat, seeming to notice the tension between them suddenly. “Uh, yeah, I met her on her third day here,” she said, glancing at you with a shy smile, which you returned before looking back at Mike, who still hadn’t taken his glare off of Vanessa. “Anyway, I’m gonna go say hi to Abby,” Vanessa clears her throat , giving you one more smile before walking towards the group to escape the awkward tension. “You two seem close…” he stated dryly, finally taking his eyes off of her and landing them on you. You hummed while looking down at your shoes, not wanting to look him in the eyes if you decided to lie about the relationship. “She kept me company during my first few weeks here. She’s a very nice person,” you said, trying to diffuse the tension. Mike hummed and nodded his head, his gaze going back to Vanessa, who was now playing the arcade game. “I bet she is nice to you,” he said, his tone a little harsh, making you glance up at him with furrowed eyebrows, but he was still looking at Vanessa, making you clear your throat. “What’s that supposed to mean?” you asked him when he looked back at you. Mike shrugged before beginning to walk away from you and towards the others. “Nothing…forget it. Let’s just go.”

As you watch him walk away, you groan and cover your face with your hands. You slide them down your face and glance over at the group. Vanessa is already looking back at you with a playful smile and motions her head towards the hallway that leads to the security room. You furrow your brows and look away from her towards Mike, who is being distracted by Abby. She’s trying to get him to give Freddy a hug, but he keeps telling her no with what almost looks like a scared expression on his face. The interaction makes you chuckle and shake your head. You look back at Vanessa, who is still staring at you, waiting for you to make a move.

You can't help but break into a smile as you playfully roll your eyes and make your way towards the office. Vanessa announces that she needs to put her coat away and her footsteps quickly jog down the hallway. She grabs your arms and pulls you into the office.

Your gasp is cut short when she kisses you, leaving you momentarily stunned. But you quickly reciprocate, feeling her smile against your lips. She moves her hands to your waist and pushes you into the security chair, closing the door with her foot.

As you try to catch your breath, you look up at her and see her licking her lips. She straddles your legs and you instinctively hold onto her waist. She leans in to kiss your ear, causing you to tilt your head for better access.

"I don't think your little boyfriend approves of me," Vanessa whispers in your ear. You groan and push her back slightly to look at her.

"Don't call him that, he's like a brother to me," you say. Vanessa just smiles and kisses your lips again before moving to your neck.

"Well, your 'brother' definitely looked like he wanted to kill me," she teases. You hum in agreement, closing your eyes as she kisses a sensitive spot on your neck.

"Don't worry about him, he'll come around. He can be a bit overprotective at times," you assure her, gently lifting her head and brushing your thumb against her cheek.

"Have you told him about us yet?" she asks, and you meet her gaze before reluctantly shaking your head.

"I haven't found the right time," you sigh, and she nods in understanding.

"Well, you should figure that out soon," she says, getting up from your lap with a laugh and taking off her police jacket.

"But I don't want to," you whine, standing up and grabbing her arm to turn her back towards you. She smirks at you and shakes her head.

"Babe, I'm not his best friend, you are. You have to handle this on your own. But I'm sure it'll be fine. If he truly cares about you, he'll be happy for us, right?" she reasons, gazing into your eyes. With a heavy sigh, you nod in agreement. Vanessa's soft smile reassures you, and you lean into her touch as she cups your cheek.

"So, are we still on for our date night on Sunday?" you ask, and she leans in closer, her forehead resting against yours.

"Why wouldn't we be?" she teases, a mischievous glint in her eyes. You can't help but look at her lips, and she notices, licking her own before leaning in to kiss you once more.

"We probably should get back to everyone," you mumble between kisses, but you don't make any move to leave her embrace. She hums in response, her lips still pressed against yours.

"We should, but I don't want to leave you," she murmurs, making you laugh softly. You meet her gaze again, and she licks her lips before capturing yours in another passionate kiss.

You were so deep into the kiss that you didnt hear the footsteps coming near the room nor did you hear when the door open.

“The fuck is going on?!”

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AHHH I FINALLY FINISHED THIS FOR MY GIRL 🤭😋 TOOK FOREVER BUT I THINK IT WAS WORTH IT!!

Anyways please reblog if you liked it 🙏🏾🙏🏾 and have a nice day/night/evening/wtv

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Tag list - 🌚 ion have one yet

[pinkkittysaw]

FIVE NIGHTS AT MIKE’S

pairing: mike schmidt x plus sized! female reader

summary: you spend the night at your boyfriend’s place

word count: 5,735

content: NSFW (minors + ageless blogs DNI, you will be blocked!) post canon (but still in the year 2000), established relationship, dry humping, oral (f! receiving), fingering (f! receiving), minor pussyjob, breast/nipple play, protected sex (use of condom), intimacy kink, both reader and mike have pubes

a/n: does anyone else miss blockbuster? because i do 😔 long live physical media! also i did my due diligence and calculated prices of things to my best of my ability for the year 2000 so even if my price match isn’t EXACT, it’s close. this ended up…unexpectedly softer than i thought it would. never did i think i would be stringing sentences together like this to describe mike from FNAF but alas, here we are ^_^

dividers by @/kimjiho1 & @/saradika

"See ya, rugrat," you say to the eager girl as she hugs both you and her brother at the entrance of their front door. She huffs, only slightly, when you ruffle her brunette curls, sporting a faint pout once she pulls away from your hold. You chuckle, kneeling to her height, before attempting to fix the mess you created, smoothing out the hairs that lay atop her head the best you could.

"Call us if you need anything, okay?" Mike repeats for the nth time that night since Abby started getting ready.

"Yeah, yeah." Abby dismisses her brother completely, heading toward the car parked in the driveway after she decides that her hair looks satisfactory enough.

It was a Friday night, both you and Abby had sleepover plans, her at a friend's house and you over at Mike's. Abby was so devastated when she found out that your sleepovers fell on the same day as each other—intentional planning on both your and Mike's part—that she almost bailed on her school friends. It was only when you promised to have a special girl's night with her the next time you stayed over that she eventually yielded, going through with her original plans for the weekend.

She was initially invited by one of her school friends. After Mike had sat through one of the world's most awkward conversations with Abby's friend's mom—one he made sure to recount once they arrived home—he decided that it was probably in her best interest to let her go out and socialize like this while she was still young enough to do so, despite whatever unspoken worries he had about her going off and spending the night on her own for the first time.

"Love you!" Abby yells from the rear car door before opening it and getting inside. The seats are filled with excitable little girls and one slightly apprehensive mom who smiles at you through the windshield. Though the sound is slightly muffled, Mike repeats the same words back to his sister.

He may not be the most outwardly affectionate person, but after taking even the tiniest glimpse into their lives, it's obvious that he cares. Whether that's shown through him triple-checking her pack before she leaves for the evening, giving her friend's mom a list of her safe foods so that she doesn't go hungry, or reminding her numerous times that she can always call home if she needs to because no matter how independent she's become, it's okay to still need your older brother. Although you're sure Mike would say that he's anything but a good older brother.

Abby waves to you both as the car pulls out of the lot before she turns back to her friends again. You and Mike stand waving in the entryway as it turns off onto the street, leaving an empty spot in its wake.

"She's come a long way," you comment, turning your head towards him as he continues to stare out onto the pavement.

"Yeah."

You're unable to help the way your eyes roll at his statement, though it's lighthearted in nature. "It's thanks to you, you know." You nudge him in the side with your elbow.

"I think you had a hand in it too," he chuckles, smirking as his eyes meet yours.

"Just accept the compliment, Mike." You pat his shoulder, then turn on your heels to head back indoors, with him following suit.

"So...what should we do now?"

"I got a spare ten; wanna rent a movie?" You reach down for your wallet that's tucked in your overnight bag sprawled on his couch, pulling out the ten-dollar bill and puffing it between your fingers. "Let me treat you, baby," you coo, twirling around with the money in hand.

He scoffs a little at the display but still reaches for his keys and jacket off the rack. "Let's go."

The drive to the video rental store is a short one, as most of your time is spent lip-syncing songs to Mike that play through the static of his shitty radio.

Once you arrive, you divide and concur. Since Mike got to choose the movie last time, it was your turn, leaving him in charge of the snacks. You take your time leisurely perusing through the aisles, trying to find something that looks interesting enough before making your way to the "New Releases" section. It takes a while before anything catches your eye, but as you keep wandering, a title eventually jumps out at you.

You pick up the VHS and make your way over to check it out. Mike's waiting for you at the end of the aisle, his arms filled with popcorn, soft drinks, and candy. The two of you walk side by side over to the counter, where he drops all his snacks, and you slide over the movie. He lifts the corner of the box to look at the title before the case makes its way toward the cashier.

"American Psycho?" He asks, raising a brow.

"Yeah." You hand over the cash and your ID. "A coworker of mine said it was good, plus the trailer looked...interesting." You smile. "Why? Are you scared of a little horror film?"

"In your dreams."

"Guess we'll see about that, won't we?"

After thanking the cashier and collecting your bagged items, the two of you head back to his car.

It's not long after that the two of you arrive back at Mike's place, having changed out of your day clothes into pajamas.

After feeding the tape into the VCR, you plop back onto the sofa, sinking into the cushions, popcorn in hand, and snuggling into Mike's side.

Around six minutes into the movie, you comment in between bites of popcorn. "I know this movie is rated R, but I honestly wasn't expecting to see Christain Bale's ass."

Mike doesn't say anything in return, just side-eyeing you with a simple "Uh huh."

By the time the credits roll, both of your tummies are full of salty popped kernels and sweets, the evidence of which lies on his coffee table in the form of empty bags and wrappers.

Your bodies have shifted positions since the movie started. He's lying on his back, his body spread along the length of his couch, with you on your tummy nestled on top of him. Your cheek is squished against the space between his neck and shoulder, breathing him in while his chin rests on top of your head, his fingertips drawing slow circles on the small of your back.

The sensation makes you drowsy, both due to his warmth and the methodical motions of his fingers lulling you into an almost slumber.

"So, were you scared?" You tease, breaking through the serene atmosphere.

"Hm?" He mumbles, slow blinking himself to a higher state of alertness. It seems as if he too has been lulled into falling asleep on the couch alongside you.

"Were you scared?" you reiterate.

"Definitely not."

"Yeah... it felt more like a thriller than a 'horror' movie, I guess."

Mike hums in agreement, the two of you lying in silence before he speaks up again. "We should probably get off the couch now, hm?"

You groan a little, not wanting to move from your comfy position on top of him.

"Says who?" You fold your forearms across his sternum, settling your chin on top of your hands.

"Me." He quips, "It's getting late."

You huff, maneuvering your body so you can stretch and look at the clock on his wall. "It's only ten p.m." His eyes aren't open, but they don't need to be for him to tell that you have a pout on your face.

In your best attempt to dissuade him, you settle yourself back in the crux of his neck. "The night is still young."

"Says the one who was snoring up a storm on top of me a few minutes ago," he titters, poking your sides lightly so you'll fold in on yourself. "Using me as her personal pillow."

You don't engage anymore, choosing to stay right where you are in silence. If you don't talk, then no conversation needs to be had, and you can stay where you are. 

"Fine," he grumbles, effectively giving up. "We can stay like this a little longer." His fingers change positions now, moving from their persistent prodding to dragging the tips up and down your spine underneath your shirt.

"You're warm."

"You're warm...and snuggly... and safe." You plant a kiss on the exposed skin from the opening in his shirt.

"Safe? Never heard that one before." He smirks to himself amusedly.

"Don't start all that now," you tell him, looking up from your spot nestled in his neck.

"It's true," he retorts, "not sure any of my former employers would agree with you."

"First off, your previous employer was an actual madman. Secondly, I'm not one of your employers; I'm your girlfriend, and thirdly, you should know by now that I don't give a fuck about corporate."

Mike looks off to the side, not meeting your eyes. "You're not exactly a good influence on me, you know," he jokes.

"I never claimed to be." You move to lift yourself more and stroke his stubbled cheek with your finger. You sigh, "Look, I get that you haven't always been the most pacifistic person in the past, but...I mean it when I say I feel safe with you. And I know Abby is safe with you too, alright?"

He doesn't have the words to articulate the feeling that those words dredge up inside him, so he simply nods.

"Good." You lay back down on his front, staring up at him. "Wanna know one of my favorite things about you?"

You stage the question like it was a guessing game, but since he's unable to guess any good qualities about himself, all he responds with is "What?"

"Your eyes. So pretty."

The corner of his lip turns up in a smirk. This isn't the first time you complimented his eyes, and it surely wouldn't be the last. The warm, rich browns that make up his irises are sweet in color, despite him thinking they were as plain and boring as can be.

"You want to know what your eyes are telling me?"

"What?" You smile sweetly at him.

"That you're looking up at me like you want something."

"Maybe I do want something." You shuffle further up his body, settling yourself onto his lap, plush thighs surrounding his hips as you hold onto his forearms for stability.

"And what's what?"

You lean over him, slowly descending upon him, your face hovering just above his. "A kiss?" You wiggle your eyebrows up and down as if to entice him more.

"Go ahead."

"Really?"

"Could always change my mind."

"Meanie," you pout, but you meet him the rest of the way anyway, his lips melding with yours.

Trying to describe your relationship and the intimacy that came along with it was difficult. Trying to describe Mike was difficult. The closest thing that comes to mind is a skittish cat. He wasn't standoffish in the sense that he couldn't talk to anyone, but trying to get anywhere other than skimming the surface with him was a challenge, like a game of tug of war, a delicate balance of push and pull. If you charged forward too quickly, he'd retreat into a corner, baring teeth and claws.

It wasn't his fault, not necessarily. The death of his younger brother being the major catalyst as to why he kept himself so closed off. A death that he blamed on himself for the longest time.

He stayed approachable enough to get along with others on the barest of levels to not cause any problems. for the most part, and any attempts at digging in any deeper than he was willing to allow were met with resistance. If he never gets close, then he never has to lose, even if it means leading an even lonelier life down the road.

The only long-standing relationship he had left was with Abby. His final tether to humanity was the little sister whose life he was holding together with glue sticks and string.

To be honest, it was amazing that you got as close to him as you did. After his short stint at the run-down pizzeria, he asked you out, deciding that he was done trying to flee and cling to the past. It was time to start living in the present, taking care of those who needed him now while he still could.

The kiss is slow, meticulous, and intimate. A word that never used to be in Mike's vocabulary. It's warm. He's warm (and slightly squishy). The heat builds to a simmer inside your tummy.

His hands slide from your thighs to the fat of your hips, squeezing the flesh between his fingers as he pulls you closer against his pelvis, causing a slight whimper to fall from your lips. All you want to do is melt in it, sink into the heat, and slowly let it consume you.

One of your arms wraps around the back of his neck while the other hand cradles his stubbled cheek. It was strange how a man could make you feel as if your whole heart was being consumed all at once. Sickly sweet words come to a boil on your tongue, but you swallow and exchange them for something more simple and primitive. Moans fill the air of his living room, with the more primal part of you taking over.

Your hips begin to rock gently against his, your tongue prodding at his teeth. The groan that comes out of you is a plea for entrance, one which he happily grants, parting his lips and allowing you to swallow him whole.

"That's it."

The kiss becomes a clash of teeth and tongues, nipping at each other's lips while wet muscles glide against one another.

You're not exactly sure why, but kissing Mike like this, in a way that's so raw and unrefined, makes you unbearably needy, not just in the pit of your stomach but in your heart too. You've grown to like this little life you've built here, tending to the seeds of your relationship with care. It hasn't been perfect per se, but it's been yours. You love it. You love his sister. You love him and you can't decipher whether that scares you or not. Excitement and anxiety both make your heart beat to the same erratic rhythm.

He's gentle with how he holds you. Square palms and thick fingers knead the flesh of your sides before sliding down to your rear to give that a firm squeeze as well, his hands guiding your body, rocking it back and forth on his half-hard cock.

A juxtaposition: knuckles once bloody and bruised, calloused fingers with skin split around the nails holding you, caressing your body as if it were velvet. If he were a bit more needy, drunk on love, he'd swear to the heavens that you were softer.

His hands move from your ass to breast, his fingertips delicately sliding up the curves. It's not the first time he's "discovered your body," nor is it the last, but all the times you have sex, which is not often enough, it always feels as loving as the first.

Thumbs brush against the ribs that hide beneath your shirt, soft in a way that makes your heart flutter before they reach their destination, swiping against the soft, stippling peaks of your nipples, your bra having long since been removed earlier that night when you returned to his place. Palms grasp at the fat of your bosom, kneading the flesh.

The roll of your hips increases while your lips separate from his, laying forehead to forehead as you pant lightly against him, breath cascading down his features. The grip of his fingers on your side tightens as he tries to stall your movements. "Stop...stop..." he puffs into your mouth, slight perspiration building on his brow from the heat.

You pout as your hips come to a full stop, peering down at him beneath you.

"I don't want to blow all over the couch," he explains.

"What a lovely mental image you've just given me," you snort, swinging your leg over him as you try to get up, only to be stopped by his hands once more.

"I never said I had a problem with getting my bedsheets dirty, though."

His lips clash with yours as he walks you backward down the hall toward his bedroom. You stumble through the door and crash onto his bed while he flips on his bedside lamp before collapsing on top of you. Another whine escapes you as you feel his hard-on through his PJ bottoms.

"Mike," you exhale, holding onto his shoulders for support.

"I know, I know."

He repositions himself and you, by extension, so that he's lying on top of you properly. Lips move from yours to the corner of your mandible, planting quick kisses all over your skin as if trying to consume you. His facial hair tickles as it brushes against the skin of your neck, causing you to shrink up slightly while releasing a fit of small giggles.

You cling to every part of him just as he does to you, pushing up your shirt to lay claim to every inch of you. Though it's not fully removed, the material is left to rest above the swell of your breasts as he kisses his way down your sternum. He's deliberate as he moves down your body, attempting to cover as much of you in his sweetness as he can.

He takes extra care when he reaches your tummy, fingertips limber and gentle as he caresses the skin. Your eyes stay locked with his as his lips meet the curve of your stomach. Tender kisses are placed across it, showing appreciation for all of the parts of your body, not just the ones you've deemed worthy of his attention.

Sex wasn't always this "easy" between the two of you; even after dancing around each other and finally getting into a relationship, that didn't make all the vulnerability of the act any easier.

He wasn't bad at it by any means; he was just a little misguided. Although sometimes you regret having taught him as well as you have, especially now that he knows how to push all your buttons. 

His palms slide up your legs, from calves to thighs, fingers nestled into the waistband of your underwear and pajama bottoms, tugging them off in one fell swoop. A singular kiss is placed at the height of each thigh before he spreads your legs, exposing your sex to the cool air of his bedroom.

Nothing is said, but he does sit there for a moment, kneeling on the bed above you. When he finally does make his descent upon you, he presses a kiss so delicate right on the pudge of your mons. Then he moves to your left inner thigh, then the right, back and forth, back and forth, scrupulous, patient, and SLOW. The point of which is to get you as wet as possible without having directly touched you yet. It's made abundantly clear when he echoes those same thoughts back to you.

His thumb runs through your slit, dipping into your entrance, enough so that he barely breeches through, collecting some of your slick on the rough pads and dragging it up to your clit, rubbing tentative circles on the bundle of nerves.

"So wet," is all he says while continuing, circular motions with even pressure.

Lucky for him and (un)lucky for you, he can go as slow as he likes tonight, taking all the time in the world to warm you up, despite all your incessant whining.

He leans back to pull off his shirt, revealing a cute tuft of brown hair in the middle of his chest.

"You can be as loud as you want."

He lays on his stomach, right in between your legs, landing a singular kiss straight to your cunt before dragging the length of his tongue from your entrance to clit, giving that a kiss as well. He repeats the action a couple more times before settling himself right on your pussy, nose nestled in the wirey hairs of your mons. The wet muscle worms its way to your pulsing hole, digging in deep to drink down every drop that leaks from you.

It's always difficult to maintain eye contact with him like this; his almond irises are blown so wide that it's as if only his pupils remain. He licks and laps at your cunt like it's the only thing he was made to do. He worships your pussy like it's his favorite thing in the world, and has to prevent himself from humping the bed while he indulges himself in your taste. Even though he knows you find it hot as fuck whenever he cums just from eating you out, he needs to feel you stretched out on his cock.

Though unspoken between the two of you, you know that if you stare at him for too long while he makes out with your cunt, you'll cum way quicker than you mean to, and you know if you cum too quickly, he'll lay there and tongue-fuck you right through your next orgasm, because as much as he eats you out for your pleasure, he eats you out for his pleasure too.

Most of the time, you don't feel like giving him a big ego, so you tilt your head back and screw your eyes shut as his lips pucker around your clit and suckles it into his mouth. Even if you don't meet his gaze, he knows the effect he has on you just by the way your fingers rake through his curls, rooting themselves in his scalp while whimpering praises into the aether.

"Mikey."

The pet name used to make him groan and roll his eyes in frustration, but when you're spread out like this underneath him, it's his most favorite sound in the world.

Your opposite hand drifts to squeeze and knead at your breast, tugging at your nipple. His hand comes up to meet yours, warm and grounding, as he begins to work at your clit even more, sucking it more vigorously than before. Your hips begin to buck against his face, the scratch of his stubble giving your inner thighs a delicious beard burn as the heat begins to reach a boiling point in your belly. His fingers squeeze down on yours against your breast while your fists tighten in his hair.

You look down at him finally, and it's as if he can sense you're watching him because his eyes immediately snap up to meet yours. You can barely make out the slick coating his face in the low lamplight.

He works overtime now that he has your full attention, dragging his hand from your breast to your tummy, giving it a gentle squeeze before bracing his forearm across it, allowing for leverage as he sinks one, then two fingers into your cunt. He's quick but not rough with his movements inside you, curling in just the right spot to make you see stars.

Though your hips are restricted by him, you hurdle toward your impending orgasm. You reach down to meet his hand, and he happily clasps his fingers with yours, breaking eye contact with him when the coil finally snaps. Your back arches while your hand tightens around his, nails digging into the skin of his scalp, moans dribbling from your mouth with every passing second.

He eases you down from your high, kissing his way up your body before pulling off your shift completely and meeting his lips with yours, giving you a taste of yourself. You moan into the kiss, clinging onto him for dear life as you begin to wind down. He knows you're all set when your touch goes from frantic grabbing to gentle caressing.

He looks down at you; your expression is happy and a smidgen dopey, but nowhere near fucked out yet.

"Think you can handle some more?"

"Your tongue game isn't that good."

He scoffs. "Still coherent enough to give me lip, I'd say you're good."

He sits up, reaching toward his nightstand drawer, fishing out a box from inside.

"Oh, a new box of condoms..." You rise to your knees. slinging your arms around Mike from behind, your tits pressed up against his back. "Were you expecting to get laid tonight, Michael?" you tease, slowly kissing his neck.

"You say that as if it wasn't your idea to spend the night when Abby had her sleepover." He fiddles with opening the box, tearing off a single condom from the rest.

"If I recall, you weren't opposing the idea either," you goad, trailing your lips onto his freckled shoulder. "It's good that we're being responsible; now come here. I want more kisses." You take the condom from between his fingers and place it back on his nightstand along with the box as you urge him back down on top of you.

He obliges, his lips meeting yours as you trail all over each other's bodies. His hard cock lays in between your thighs, aching and throbbing with need, so you decide to grant him a little relief. You slide your hand into his boxers and slowly stroke his cock. His breath hitches slightly, bringing amusement to your face as your lips brush against his.

"So hard for me already, poor thing." You nuzzle into his face a little, sliding your nose against his as you lick into his mouth, silently asking for his tongue once again. He gives as much as he can, panting into your kiss.

After just a few minutes of lazily jerking him off, you slide his pants lower on his thighs, bracing his cock right in between your slit and slowly start to rock your hips back and forth. The kiss becomes lazy, just tongues caressing each other while moans echo throughout the room, every vein from his cock brushing up against your clit as the two of you rock together. The heat and slick making both of you quiver.

You release him on the brink of going too far, choosing to then reach over for the singular packet, the shiny foil catching in the light.

"Can you manage to put this on, or do I need to do it?" you jest.

"I got it." He sits himself on the edge of the bed, plucking the condom from your grasp. You hear the sound of the package tearing, and soon after his bottoms are gone too, both of you nude together.

"So, how you wanna do this?" he asks while rolling on the latex.

"Wanna be in your lap."

"Are you sure your legs can handle that?" he chuckles, caressing your thigh.

"My legs aren't made of jello," you retort, getting up on your knees while he scoots backward.

"Alright, but no complaining if you get tired."

You crawl over toward him, and he reaches out for you, taking hold of your hips as you swing one leg over both of his.

"Hi," you say as you're face to face with him, one arm slung lazily over his shoulder, grazing his back, the other resting against his cheek as your finger strokes his cheek.

"Hey," he chirps back.

You give him a quick kiss, moving your hand from his face to his cock, feeding him through your entrance, and sinking down on him slowly, the two of you groaning into each other's mouths. Your tummy folds in on itself as you reach the base.

You're not sure if you'll ever get used to the intimacy of it all. No matter how many times you go through this, you wonder if the feeling of overwhelming consumption will subside. If one day, it won't feel like Mike is looking right into your soul every time you have sex.

You whimper slightly as you settle, his girth stretching you out deliciously. You cup his face as your lips search for his again. His hand moves to caress you, one hand gliding down your spine and the other grabbing the fatty flesh at the bend of your hip joint. They never stay in place, though,  always on the move, making sure no part of your body is left undesired.

You roll your hips for the most part, bouncing only every so often when you want to feel the stretch of being filled again, mostly wanting to enjoy the feeling of being so close together, so connected. Taking simple pleasures in the feeling of him just being inside you. The hairs that spackle the base of his cock work to add pleasure to your clit. 

He kisses his way down your neck, smiling against your skin as he does it, taking in deep breaths of your scent while his hands continue their caress to your breasts, making sure to show them the attention that he neglected while he was eating you out.

His lips move toward your nipple, kissing it before letting his tongue lull out of his mouth, flicking it back and forth.

"Mmm...Mike." Your cunt clenches around him at his efforts, your fingers curling into the hair that sits at the nape of his neck.

His opposite hand slides to your front, rubbing up and down along the curves of your body til it settles on the other breast, rolling the nipple between his digits. His tongue traces around your areola before sucking the nipple into his mouth.

"Christ, Mike," you whine as he locks eyes with you, the movement of your hips quickening with every suck.

This is the only time you get so whiny, when the two of you are in a position like this, so enraptured with each other, in each other's pleasure. You become so sweet and pliant.

He detaches himself from your nipple and eases you onto your back, grabbing the fat of your thighs and pushing them toward your chest so he can fuck you like you need, like you both need. You're not sure if Mike will ever admit to this, but he needs the intimacy as much as you do.

He's deliberate when he sinks back into you, grinding when he reaches the hilt.

When he pulls out, he develops a slow rhythm, one you can both enjoy with its progression. Despite its calm nature, every thrust of his heavy cock ruts into exactly where you need it, rubbing against the spongey spot inside you that makes your toes curl, that lights a fire in your belly and makes you needy once again.

As the moment continues to build, on the precipice of climax, he speaks to you through the haze of pleasure.

"Still need me to kiss you to cum?" He taunts. He knows the answer.  It's been the same ever since the two of you got together. The intimacy between the two of you gets you off more than anything else. 

You pull him down til he's practically on top of you, his body weight against yours, your tummy folding up so nicely as you lay nose to nose. His scent and his skin on yours grounds you like nothing else. You don't even mind the stretch of your thighs as he holds himself against you.

"Don't act like you don't need this too." You extend your neck in an attempt to push your lips forward on his. "You enjoy intimacy more than your grumpy face lets on." Your eyes are just barely glazed over, the same dopey grin plastered on your face as you reach out to him.

"Shut it," he huffs, pressing his lips into yours for a searing kiss, fucking into you with as much vigor as he can muster. The springs of his mattress squeak wildly as he fucks you through it.

As much as he tries to deflect, he knows it's the truth too. He needs the closeness as well. The intimacy, the skin-to-skin contact, the sweat, the heat, the love

You mewl into the kiss, wrapping your arms around him tightly. Your orgasm sits just beyond the horizon, your cunt clenching down on him harder and harder with every sloppy smack of his lips against yours. The need and desperation grow as your bodies cling together, never wanting to part, edging closer and closer to ecstasy.

You glide your hand down to your clit, rubbing in tight circles as your orgasm crests, taking over your body and moaning into his mouth loudly as you pull him down even further. You're reduced to nothing but babbles and whimpers as he fucks you through your orgasm.

You feel the same words as before bubble up on your tongue. He's here, his body encapsulating yours as close as humanly possible; he's so warm, so safe. He's here, he's yours, and you love him.

You let the words escape you this time, refusing to let them fizzle out into nothingness.

"I love you, Mike," you whisper in his ear.

It's not more than a few seconds later that he's spilling into the condom, his hips still sloppily thrusting and letting out an unexpectedly loud groan while clinging to you.

The air settles, and Mike is still nestled inside you. Your fingers comb through his hair as he brushes along your side, leaving a kiss on your skin every so often, enjoying the afterglow of sex. 

You're the first to break through the silence.

"Shower now or in the morning?"

"Morning," he groans, somewhat groggy after everything that went down. He pulls out, getting up to remove the condom and tie it off, tossing it in the waste basket under his nightstand, making a mental note to dispose of it properly later.

"I'm gonna go pee, then we'll snuggle up for the night," you tell him as you head toward the bathroom before he has a chance to trap you in bed with sleepy cuddles.

"Don't fall in," he smirks, feeling proud of himself, and you grin at him for being an idiot.

As you go to wash your hands after finishing up, you hear a muffled. "I love you too" through the bathroom door.

[lynaferns]

The Forest On The Other Side

Chapter 1: I want to go home.

Ver. [ENGLISH / SPANISH]

EDIT: This fic is now on AO3

A girl gets lost in the forest and finds a misterious gate in the middle of nowhere. At the other side she meets a... very peculiar individual who seems to only want to befriend her and play. Everything seems fine. Until night falls and someone else joins to play...

Again, I appreciate feedback about the english adaptation. English is not my first lenguage and I still mess up sometimes.

This is in some way a more "joyful" story than BIOMáquina, still with its dark themes. I wrote this a year ago. By this I mean I forced myself to get it written down and ended up hating it and burning myself out. A couple of weeks ago I decided to reread it and I though it was pretty ok actually, so I edited it a bit to make it flow better. It used to be written more as a script for the comic I wanted to draw buuuut that didn't happen (cough stressed myself out cough forced myself cough don't force yourself to make content out of a hobby, a hobby is supposed to be for your own fun). I'm not completely satisfied with the final draft but I think is good enough for my first ever fic written.

I originally planned to make it a Y/N thing but that didn't last long. But I keeped the original idea of the first person POV. The Y/N stories I've read has always some narrator telling you what you do insert you in the story. I thought of making the MC the narrator, this way the reader can insert themselves like it's their story or they can read it as if someone else is telling them a story. This is also a bit limiting, since the narration is also the MCs thought process and sometimes I may skip details MC couldn't have seen.

AU, Magical forest, DCA centered, Sun fnaf, Moon fnaf, Elves Sun & Moon, OC, Selfinsert, Character & OC, platonic, friendship, slowburn (kind of), Moon is agresive at first, Moon is also a bit of a gremlin, Protective Sun (I think), OC is a potty mouth, Female Main Character, First person, Angst.

The first post where I showed this AU and my first sketches ideas.

Tumblr archive with all of the art, ideas and anwsered asks.

Youtube Playlist which I'm pretty proud of how it turned out :] It's in a specific order but you can put it on mix.

Note: even though I try to keep things light some things may be triggering for some readers.

CW: Anxiety, Suicide ideation, Implied death, Choking, Non sexual abuse.

Wordcount: 9,700 (It's not rounded, that's literally the number Word tells me it's at lol)

Welp.

Here we are again, in the old village house (yey...). Well, 'I am', my family won't arrive to settle in for another week. They brought me here beforehand a few days ago for organizational reasons. They took a quick look inside before they left to see the state of the house, if it needed any repairs and such, and they headed back to the city. While they finish preparing everything, I take care of the house and text them messages about anything that may be needed for when they return.

We haven't been here in years, the house needs some repairs, and I'm sorry for the spiders, but it could use a deep cleaning. We can't do a deep cleaning but I have been cleaning what I can these last few days, at least so that it looks decent... at first glance.

Well, it's not like anyone is coming to visit.

It's a quiet town, until the kids from the town next door come to make a racket with their bikes. They play in our field, scare away the cats and throw cans around. They are assholes.

Anyways, the people in the village are nice. The adults I mean, the kids I used to play with, I don't get along with them anymore. Some of them aren't kids anymore, we have grown up and are going down different paths. But those who are still kids... they're still interested in the only older kid in the town who listened to them and let them do whatever they wanted, to a certain extent.

I don't want them to come looking for me to go out and play. I've been avoiding them by saying that I'm busy cleaning the house and getting it ready for when my family arrives, but I feel like interacting with them less and less. That's why I'm going out to the woods behind the house to get lost for a while, as always. The kids don't go near the forest so they won't bother me there.

There is an area for tourism and hiking but not many people come, some police cars border the forest from time to time but they never go inside. The reports of missing people in this forest have been coming in for decades, only some lost children have returned but there is no trace of any of the adults who disappeared along with the rest of the children. The areas marked with signs are safe but you can't go out of bounds unless you want to disappear with those people.

And I, who right now am alone and with no one to notice my absence if I go missing, am going to head straight to the forest. Don't you think, I don't want to disappear, I just don't like people and I usually go into the forest but I don't go too far away. As long as I see my house in the distance, I know how to return.

I grab my bag with my sketchbook and pencil case, in case I feel like drawing (probably won't) and step out to the back porch. The outer sliding metal door that protects the inner one is rusty and difficult to open. It would be better to oil it but I don't know when it will be done, considering that the broken railing has had a wooden board tied to it for years. I already sent my mother a message talking about it.

I enter the forest and start walking around. It's hot, of course, it's early summer, but it's quite noticeable after being in the cool inside the brick and stone house. That's the good thing about coming here in summer, the houses are made to stay cold inside and it's great, sometimes I even need to wear a jacket. But outside I'm dying, the trees don't provide enough shade. In fact, some trees are missing. I used to have my routes memorized but time has passed and some paths have changed, some have disappeared and others have formed. I admit that it makes me a little sad... I began to walk absorbed in my thoughts not paying attention to where I was going.

I'm walking away, I should go back. I'm not going to draw anything here anyway, and it's hotter outside than inside so I'm gonna to turn around-

I hear screams and laughter in the distance, the sound of the voices produces me an immediate disgust. It's those kids from the next door village. They must have come to 'investigate' about the disappearances or maybe they don't care and they just came to be idiots-

They're getting closer.

I don't want them to see me. God. Don't let them see me. Anyone but them. They're getting closser. Don't let them see me. I can't go back home now. They're cutting me off. Of all the people who could have found me. It had to be them. No, please. Don't let them see me. I have to go further into the forest, I can't let them see me. They're getting closer. Don't let them see me. I want to leave. I want to leave. I'm getting too far. I want to leave. I don't see my house. I want to leave. I don't see the village. I want to leave. I don't see the kids.

...

...

...

Where am I?

Fuck.

Where am I?

I want to leave.

I want to leave.

I want to leave.

I want to leave.

…

—

Now I'm wandering through the forest. I don't want to go back. I want to get out of here. Even though I'm walking in a straight line I feel like I'm going around in circles, and I'm not going to get out of here now. Great. I'm lost. Now what? People who get lost in this forest don't return, no one has returned except for some children.

...

I'm going to disappear.

...

For now I keep walking until something happens. Maybe there's an animal that kills people who get lost, or maybe it's a group of kidnappers, or maybe I should stop giving myself anxiety and focus on getting out of here. Maybe if I find a field or road, or even the tourist area, I'll be able to get out of here and return bordering the fores-

...

There is... colorful graffitis on the trees. Someone has painted eyes, hands, stars and more on the bark of the trees...

What's this?

I don't know where I've come to, I didn't know this was here, in the middle of nowhere in the forest. The trees have red leaves like in autumn even though summer has just started... The first thing I thought was 'climate change's fault' but there is something that stands out in the middle of this entire flat area and it is disturbing me.

In the center there is a kind of circular gate made of stones supported by roots.

Okay, maybe it doesn't sound aaaaas disturbing as, I don't know, a totem with a human figure being impaled or something, but it's giving me a bad vibe. What is this place? Who built a stone arch in the middle of everything and why?

A bird appears flying from behind me and goes through the gate, but nothing comes out on the other side... wait what? how? The bird has crossed the gate, and disappeared behind the stone arch? ...I had to imagine it, it's not possible that that happened. I approach the arch but not before picking up a rock from the ground and throwing it to the other side of the gate.

It's still there.

…

For some reason the thought of going through the gate makes me uncomfortable, so I go around it.

...

...And the rock? It's not there.

I go back and look from inside the portal.

The rock is there.

...

I look from outside. The rock is not there. I repeat this multiple times. Rock. No rock. Rock. No rock. Rock. No rock... What?

Alright, this is weird, this is VERY weird.

Even though it is clear that this isn't normal, I have to go back, pick up a fallen branch from the ground and pass it through the portal. This time I don't throw it, I've grabbed a branch long enough to see it peek out from the other side of the arch.

...

Welp.

I should be seeing not only the branch, but also my hand sticking out of the side, but I'M NOT SEEING IT. OKAY. OK. ALRIGHT. IT'S CONFIRMED. THIS IS WEIRD.

I'm asleep, right? Or unconscious. I must have passed out from exhaustion from endlessly wandering through the woods and I'm delirious or something. No, wait, it can't be, in my dreams I'm not this aware of what's around me. Where am I?

A breeze begins to pass through the gate. It's getting stronger but not enough to push me. The leaves rise from the ground and float towards the portal, none slipping outside, all entering through the stone arch. Suddenly the breeze that had become wind stops. The leaves fall to the ground.

...

I look back for a moment, as if there was something behind me that could help me make a decision. Grabbing with both hands my bag strap I look back at the portal again. Okay. Alright. This is possibly the death of me. I'm going to cross. I'm going to go to the other side. I'm just one step away from crossing. I wrinkle my face and narrow my eyes before taking the last step.

...

Nothing has happened. Everything seems the same. However, I know it's not the same... Or at least it doesn't feel the same!

Well, I've already crossed. I'm gonna... keep walking, I guess, even though this is scaring me and I don't know if I'll know how to go back. For now I'm moving forward. The red leaves have disappeared several meters ago. It's starting to look like a normal forest, except for the multicolored drawings and handprints that I keep seeing on the trees. In fact, it seems like the trees are taller with every step I take. So high that I can barely see the top. I almost tripped while looking up. Whether this is the same forest I come from, I no longer know.

This was a bad idea. I just hope to find something that'll help me know where I am, a sign or the road if possible.

*cling*

...?

I hit something with my foot. There is a ball attached to a small chain on the ground. Oh, no, wait. *cling diring ding* It's a rusty bell, I think. It doesn't have the typical cross-shaped hole or slot, rather it has several holes in a pattern. It looks like it can be opened.

There's nothing inside.

?

There's nothing? But I could have sworn it had rang. I close it again and shake it.

*...*

Nothing.

I'm going to put it in the bag, it's totally a good idea. I'll think about it later, for now I'm moving on.

—

I've been walking for a while now and throughout this time I had a constant chill on the back of my neck, as if someone had their eyes on me.

*din dirring* I hear a soft tinkling in the distance.

Okay, I'm not alone, awesome, what do I do now? Do I say hi and risk the potential danger finding me? Do I ignore the sound of bells and keep moving? It's very possible that whatever made that sound is watching me right now...

“Hello?” Still nervous, I try to say hello looking around “...” “Is someone there? H-hello?”

“-HEEEEELLO!”

“AAAAAH-!” I cover my mouth with my hands as I turn to look at what the hell has greeted me back. I take a few steps back while I look at the figure of earthy and sunny tones who responded, he seems as surprised as I am, I think (with the scream I made, normal), at least it looks like he's surprised. He wears a two toned wooden mask... it looks like a sun, with a crescent moon on its right... It gives the impression of two faces merged into one... Damn, he is tall, he's almost doubles my size. He appears to have two skin tones dividing him in half, his right side being the lighter and the left darker, especially the arm, which also has a light-colored tattoo of lines representing a sun symbol that covers from the shoulder to the pectoral and to the middle of the bicep. The right arm is covered by a long fingerless glove that reaches to the shoulder and is tied around the chest. He's wearing baggy pants with leaves coming out of the waist and legs, some... cloth boots? with a long toe bending sharply and curving in a geometric swirl with a bell at the tips, a bag hangs from the waistband of his pants and falls below his hips. His chest and neck are tied by ropes decorated with hanging stones, metals and crystals, he wears a pendant that ends in a carved symbol of a crescent moon with rays. Some of the 'sunrays' on his mask have ropes tied between them holding them in place and some metal dangling. Some red ribbons along with bells hang from his wrists.

“um... Helloooooo.” He greets again, this time he lowers his tone of voice. I manage to react, I turn around and walk away. “¡ah- eh- Wait!” Nope, I'm not going to wait and see what he does with me, I'm leaving. “He-! Hey!” Nope. I quicken my pace and try to get lost among the trees, changing direction every time he appears in my vision angle. “Human? Human-! FRIEND. Can I call you friend?!” Nope, nope, nopnop, nop, nop, nope. “Friend! Hey!” God, no, god, god, no, why are you following me? “Look, I know what you're trying to look for...! And believe me, you're not going to find it~!” How are you still following me? Where do you come from? “Hey! Listen! Why don't we do something else besides running in circles!?” Noooooooooo... “There are TONS of other activities we could do! Like... HOLY MOLY, look at this stick! Do you like sticks!?” Leave me aloneee... “You aren't looking at it! Okay, alright, you don't like sticks, erm... what might be of interest to you...” If I don't look at it it doesn't exist. “Could you help me a little here?” I want to leave... “Look, no matter how much you wander around, you won't find the portal-!”

“STOP—! STOP FOLLOWING ME! LEAVE ME ALONE!” The sudden scream startles him again, making him jump in place. He stands completely still looking at me. I'm leaving before he gets angry.

“B-but I- ...okay.” I thought I heard him say before I left him behind.

It seems that this time he's not following me, finally... Although I'm not calm, he could still be following me and simply not be in sight. Anyway, I think I'm coming back? I hope I am. I want to find that portal as soon as possible and go back to the house- what the fu-? “WHY?”

He's there. Right where I left him. Sitting on a rock. Waiting. “...! I haven't moved from the spot!”

“Yeah- but- WHY?”

“Because I knew you were going to come back here!”

“...What?”

“Is what I was trying to tell you! You can't leave! No matter how hard you try to find the portal, it won't appear before you!” The Sunman exclaimed.

“…” I'm just about to turn around. In fact, I'm already turning around.

“N-No, wait! Please don't go!” I stop in my track and look back at him. He gets off the rock he was sitting on but remains squatting, almost at my height, a little below. I move back, keeping my distance. He puts his hands up. “Look, I'm not doing anything! I won't chase you! Just- ...don't go.”

“…”

“L-look, listen, there's no way it's going to show up! Well, not to you at least. But even if you find it back, it won't work! It only works when it wants to work.”

“...” Let's imagine that I trust what he says “Ok... and when does it want to be working?”

“...” “No idea!”

“...”

“...”

I'm about to collapse on the spot. At least he doesn't seem hostile, for now. “...” “Okay... Good... Great...” “...” “FanTAS-tic.”

“...” “You don't seem like it.”

*ಠ_ಠ* I could only look to the side in frustration in response to that. I looked back at him with concern showing on my face and grabbing the strap of my bag with both hands. “And... what... do you plan to do with me?”

He took his hand to the chin of his mask and with the other he held his elbow in a comical thoughtful pose. “MmmmnnDUN know! What do you plan to do?” He asked so nonchalantly. He ended up sitting on the ground crossing his legs. “You have a good while until the portal opens again...!”

“...”

“...”

“...”

He started swaying. The silence has become uncomfortable for a while now, but I can't organize myself on what to say, and I don't know if I trust him. I don't even know if he's human, although something tells me he's not.

“You could wait here.” He suggested, breaking me out of my thoughts. “Or anywhere else, if you want. I would recommend somewhere high like the treetops (for no particular reason)! If you're going to wait... But wouldn't that be really boring?” There was something in his tone of voice... “Being there... at the top of a tree... waiting... alone... with no friends to hang out with (can I call you a friend?). Aaall on your own until the portal opens again.” He looks aside for a moment “...” And back at me again. “With no one to be with you.” He repeats the head motion “...” “alone...” Wow... I wonder what he's implying, ahem. “Wouldn't you want to have someone...? ...Someone...keeping you company?” Yeah, yeah...

“...” I guess... “I-I guess I wouldn't want to be alon-?”

He rises to his knees. “That's what I thought! Do you want me to accompany you? Only if you want! But can I?” He clasped his hands together as if asking a favor.

“um...”

“Can I?Can I?Can I?Can I?Can I?Can I?Can I?” He approaches, dragging his knees on the ground.

I'm starting to miss personal space. “Okay! Okay, alright...”

“REALLY?” He started hopping and jumping around me. “OH, ohoho hO! Great! Oh, there are TONS of things we could do! Like... Like...!” He moves faster, doing bigger and bigger flips and jumps, it almost seems that he is very light, as if the breeze of air lifted him. “We could paint and decorate trees! Or we can also paint on rocks! Or paint leaves! Or paint us! Oh! We can tell stories! I'm very good at making shadows and puppets.” He moves from place to place with each sentence he says. “We can also play something!” It's moving so fast all I can see is the wind and the leaves it stirs up as it moves. “Anything! Whatever you want!” Finally he stopped in front of me half crouched. “What do ya say?! Hmm! Friend!?”

“Don't... call me like that.” Makes me feel awkward.

“Oh...why not-? Oh true, true! How silly, I don't know your name! What do you call yourself, potential friend?”

“...”

“...” “Aren't... you gonna tell me your name?”

I twist the bag strap “Depends...” I must say I'm a little skeptical about this. “Are there any consequences for telling you my name?”

“...Consequences...?”

“Like... I don't know... Mmm-by telling you my name I become your possession and cannot regain my freedom until... certain conditions are met...”

“...”

“...”

“Why- how-? Where did you get that from!?” It did sound a bit stupid when I said it out loud.

“I dunno- that's what they say in old children's stories about elves and fairies!” I just hope the embarrassment isn't showing on my face.

“Really?” I could feel his deadpan expression behind the mask.

I shrugged.

“...” “Okay... Oh, what if I tell you my name first? Will you tell me yours? It's only fair, I'm Sun!”

“...”

“Can I know your name now?” He asked expectantly.

“...How do I know you're not trying to trick me?”

“...” I must be driving him crazy with this “The only thing I can do with your name is treasure it in my memory.” He put his hands together as if he was carefully holding something and brought them to the forehead of the mask. I gave him a distrustful look. It doesn't seem like it made him desist “Please?”

I grip at my worn out bag strap “...” “ Fern...” I ended up murmuring.

“Hmm? Fern? OH, I like it!” “Sounds like FRIEND.” He emphasized the last word by making a gesture like jazz hands, leaning to the side and moving his head closer to me.

“Yeah... I think you are missing a couple of letters.”

He straightened his posture again. “Nope, I don't think so!”

“You're still not my friend.”

“Oooowwwwwnnnnnggghhh” He lowers his head dramatically until it practically touches the ground “nnnnnnngggghh, alright!” And cartwheels to stand up again “So... what will it be?”

“Hm?”

He straightened his posture and puts his arms on his hips “We have plenty of time, ya? What do you wanna to do?”

“I don't know, what do you want to do-?” Bad mistake.

“Come with me!”

“aaAAAAA-!” Before I knew it, he had grabbed my arm and I was being dragged through the woods. We visited several places and he offered me an activity to do in each of them.

—

Sun took me to a place where the trees were full of colorful paint “We practice painting on the trees here!” He said.

“Ah.” That explains the crossed out lines and the repeated imperfect shapes. By the look of it is also where he tests the quality of the paint.

“Do you want us to paint something!?”

“Not really...”

“Oh, would you prefer it to be on a rock?”

“Nah.”

“...And in star leaves-?”

“I don't want to paint, Sun.”

“Oh... Well, I can show you more places!”

“OkayyEEEEEE-” And I'm being dragged away again.

—

He brought me to another area of the forest, the ground here seemed more leveled. Not a single tree was straight, all of them were twisted and even seemed to be hollow. “How about playing something!? Like hide and seek-! No, wait, I can’t let you out of my sight.” He mumbled at the end “And chase?! We can climb a tree and see who reaches the top first! We have a place full of vines and it's perfect for swinging- and jumping from one tree to another-!”

“I don't... really want to move a lot…” With the way he runs without getting tired and me, who doesn't exercise... he would let me dead.

“Oh... well, theeen-”

—

We arrived at a place full of vegetation and humidity. Sun seemed quite excited... “This place is full of insects! We can look for cool bugs!”

“Mmmmmnoooo... I don't want to.” I had to tell him, trying to show as little disinterest as I could.

“You don't like them?” He sounded a little disappointed hearing my reaction.

“No, I do like them, some of them, but I don't like to touch them.” And I'm terrified of them flying into my face.

“Oh, well, it's okay!” He said brushing it off and we moved on to the next stop.

—

“I know that bird!” He stopped us on the way to point at a robin high up on a branch.

“ah.” I said as I removed leaves from my hair and clothes, and checked that I still had my glasses.

“He's a little rascal!”

“...” I think the bird is making us the equivalent of 'mooning'.

—

“Look fish-! Oh, they're gone…” The noise must have scared them away “We can go find more places to look at them if you want!”

“...” “...no, pass...”

“…”

—

“Look at this stick!” Sun had suddenly sprinted past me, picked up something from the ground, and came back just as fast, showing me the stick as if it were a sword.

“oh.” It's a cool stick, must admit it.

“Do you want to look for more sticks!?”

“No...”

“oh...” He looked at the ground in disappointment.

“Why would we go looking for sticks? There are all over the ground.” Specifically, in this area the ground was all sticks. We are literally just stepping on sticks right now. I don't see the ground.

“Variety!” Sun said pointing at the ground with both hands. A branch is heard falling in the distance.

—

“That's a deer!” He pointed at the deer passing nearby. The deer stopped to look at us.

“Yeah, I see.”

“We call 'em Adoquín!”

“...Why is it called Adoquí-?”

*THUMP!*

“…”

The deer smacked itself against a tree when trying to run away. It stands still for a minute, processing the hit, looks at a side and then the other, then runs off again but this time avoiding the tree.

Another *thump!* is heard in the distance.

“...” Alright.

—

“Do you wannaaaa look for pine cones? There will be some fallen around here. Oh! We can also look for mushrooms!”

I keep saying no to everything he suggests and it doesn't look like he's going to run out of ideas to pass the time. In fact, he's very insistent that we do something. I guess at some point I'll have to say yes to something. “...” “...okay...”

“Hmm?! Okay? Okay to what?” His exaggerated surprise offends me but I don't blame him.

“To... I don't know, pine cones?”

“...You don't look very convinced.”

“…”

“…”

“…”

“OKAY! On the hunt for pine cones then!” I startle a little at the sudden shout. He makes a pose pointing in a direction, as if he were leading an expedition.

He takes me through the forest looking for pine cones. We aren't finding many, especially me who's not paying any interest. He tries encouraging me to put more effort into it but I keep looking at my boots.

We passed near a shingle river. I find a pebble at my feet and bend down to pick it up and take a better look. It's like a bluish gray, it has some reddish lines in the shape of waves, it feels good to the touch.

I hear the soft tinkling of a bell and feel a shadow fall beside me. “You like pebbles?” Sun is crouched next to me with his arms full of pine cones.

“…” I nod.

We go down to the river and spend some time collecting pebbles with curious shapes or small details of colors, lines, spots, etc. He comes over to show me one every time he finds weird shapes.

“…”

*rin* This time he's hunched over resting his hands on his knees. “You look… a little down.”

“…”

“Hey... we can do something else if you're tired of the pebbles.”

“...” I drop the pebbles I was looking at on the ground.

“...” He turns his gaze from me to the sky. It hasn't gotten late enough to be getting dark, but it's been a while between the walks we've taken (dragging me from here to there), looking for pine cones and then pebbles in the river. He looks back at me. “Oh, I know! Can I take you to one last place? A better place than the ones I've shown you!”

“…” I got up from the ground and waited for him to start leading to follow him.

We enter the increasingly thick forest. The trees are taller and bigger, in fact, I start to see platforms and bridges lying between the trees, I even see small shanties in them.

“Wait here!” He takes a run and jumps onto one of the trees with bridges. He takes three steps running up the tree, with a jump he pushes himself off and climbs with agility until he reaches the platform and climbs on it. “Just a moment!” It can't be seen from here but I can faintly hear some squeaks. I have no idea of what he's doin-

*rush*

“........eh?”

A rope.

A rope has fallen. At the level of my head.

“.......”

What?

…

He said he knew a better place.

No. It can't be this.

“Is it at a good height?! Can you reach it?!” He says...

It can't be.

A better place.

He can't be referring to this.

A better place.

A better place. A better place. A better place. A better place.

“Can you put your foot in?!”

“..........” For some reason what he said throws me off. “WAT-?”

“Can you put your foot in the loop and hold on to the rope so I can pull you up!?”

“..............”

“You can't climb trees, can you?! ...or you can?"

… “...” Oh “....It's...It's too high!”

“Okay!” Squeaks are heard and the rope descends to the ground.

I put my foot into the rope as he told me and hold on to it. “O-okay...!”

“Are you ready!?”

“Yes!”

“Okay!”

He begins to pull up the rope (which doesn't tighten around my foot as it supports my weight) and helps me up to the platform. (That's what it was for, obviously, what else would he want? I'm such an...) “Come on!” He says cheerfully, as always, and takes me over the bridges. “You seem tense... Don't tell me you're afraid of heights!”

“S-something like that... it's nothing.” He tilts his head at that but he says nothing. I have an unpleasant sensation in my throat.

We arrived at a high place with a view of waterfalls, I can't see above the trees. We sat on one of the bridges, resting our arms on the rope that serves as a railing and letting our legs hang off the bridge. I've thought about taking out the sketchbook to draw... but I don't really feel like it right now, so I just quietly observe the landscape. It is a better place, yeah.

…

I feel watched. I turn to look at him ...Of course he was looking at me. I don't even know whether to say something or keep quiet. ...I decide... not to say anything and look to the front.

“You... aren't very talkative, huh.”

“…”

“Not that it's a bad thing! Many people who have come here weren't very talkative at first either.” More people...

“...” “I have… nothing to talk about.” I don't want to talk.

“...” “Well, I do.”

“…”

“If it's okay with you, of course.” He laughed. Although something tells me that he is going to talk anyway.

“…”

“...” “What brings you to the forest?”

“...” Really? “I got lost.”

“Yeah, I already know!” He says between laughs “But what made you get lost?”

“...” “There was a group of kids I didn't want to get close to and I decided to go into the woods to lose them.” He makes a 'hum' sound and looks at me expectantly waiting for me to continue “And... I ended up getting myself lost...”

“...” “Only that?”

“...” “Well, yeah.” What do you mean 'oNlY tHaT'?

“...Mmm...” He places his hand on the chin of the mask.

“...” “What?”

“Nothing!” “...” “You know? You're the first human to visit the forest in a loooong time. For several cycles now…”

“Cycles?”

“Mhm” He nods.

“...What are cycles?”

Sun points to the sky “The turns that the Moon makes in the sky!” He emphasizes by rotating his arm in the air. It's pointing right at the Moon that's visible in the sky.

“Oh...” He uses the lunar cycles to know what day he's in, makes sense. “...” “So no one has been here in a while.”

“That's what I said! Well no, but yes!”

“A-and so the humans who came are still here? Have they been here all this time?”

“Yeah...! Well, no!” He paused. “They're gone!”

“What do you mean they're-?” He didn't let me finish the question.

“They are gone! They 'left'!” It sounded like he had given this answer many times already.

“What do you mean they left-?”

“They 'left'!”

“...” “...You mean...they disappear-?”

“Nope!” “...” “Something like that!” “…” “Mmmore or less…” He hesitated between one answer and another.

It seemed worthless to ask about the missing people. “...okay.” “Can I ask you-?”

“You can ask me anything!” A hint of nervousness escaped his tone.

“...okay. What is this forest?”

“My home! And the home of many other animals.”

“...” “Alright, and... how many are you...? How many of you live here? I mean. You have taken me everywhere and we haven't seen anyone of your…” I make a pointing gesture, spinning my hand around in the air. He can't be human, it doesn't look like he is. “...” “Honestly, I don't know what you are.”

“...” “There's only me... And someone else!” He looks away, as if trying to hide something.

“Oh... and who's that someone?”

“Oh! N-no, don't worry! He’s… just a friend… But it’s not important that you meet him or anything!” He brushes it off making a gesture with his hand. “Uh-um- How about we talk about you!? huh? What things do you like? Earlier, since you said no to everything, I thought you didn't like ANYTHING!” He continued talking without letting me respond. “I didn't know what to do if I ran out of ideas. I started to worry! But at least you're not one of those who spend all day shouting and threatening with a weapon in hand, ahaha...” He let out a nervous laugh.

“Um-”

“Well, you ran away screaming, yes.” He began to gesticulate widely as he complained “Like everyone-! No, not like everyone, some don't run, but those who, apart from running and screaming, attack you...! I mean...!” Something tells me he wasn't going to shut up and I was already half listening. “First they throw rocks at my head, then they insult me and run away. And I have to run after them because I can't just leave a human running around alone! No! I can't! Not in this forest! Anything could happen to them! But they never let me warn them!” He sounded tired. “And when I get them to stop running away from me, they throw things at me again and yell before demanding me to tell them where are they and how to get out of here, and when I explain it, they yell at me even more and accuse me of lying!” He turns to look at me with his hands pointing to his chest. “What reason would I have to lie?!” I don't know if he hasn't noticed or if he's ignoring the deapan I responded with. “UGH! I don't know what to do with those! But anyhow... I'm so glad we found something to do in the end!

“eh?” I snap out of my thoughts. It seems that now he is directing the conversation to me.

“The pebbles!” He sits turning his body towards me, leaving one single leg hanging from the bridge and the other resting on it. He takes out of his pocket some of the pebbles that he had been collecting with me. “I don't know why I assumed you wouldn't want to look for rocks. Maybe because you didn't want to paint them before... You left them back in the river in the end tho, I thought you would keep some.”

“Ah... I don't know. I didn't think I could take them with me.”

“You can keep some of mine!”

“No, it's okay.”

“You sure?”

“Yes.”

“You suuuuure??” He insist.

“Yeees.”

He puts a pebble very close to my face “Suuuuuuuure?” Each 'u' sounding higher than the last.

“...” I push the pebble away from my face “Yeeeees.”

“mmmh... Okay! But I hope you don't regret it later when you don't have a cool rock like these and think 'Oh man, I could have a cool rock right now!'.” After a bad impression of me, he keeps the rocks in his pants. “So... Besides pebbles, what else do you like? Mm? I haven't been able to deduce much from today.”

“Don't know.”

“What do you mean you don't know!? Oh! Is it a secret?” He approaches and starts to whisper, putting his hands to the mask's mouth “I won't tell anyone, promise.”

“No. I don't know.” I looked to the side. “I can't think of anything... so suddenly.”

“ooow...” He slumps a little over the railing, looking sad.

“…” I hesitate whether to say something or not “...Drawing...”

“Mmm?!” He no longer seems sad.

“And listening to music, I guess.” “It's... all I do... most of the time.”

“Really!? Oh! I also like drawing! And music! But is that really all you do all day? Don't you do other kinds of things? Like reading! Or writting. Don't you go out for a walk or play with your friends?” I wrinkle my face at that last bit and he tilts his head in confusion.

“I don't go out.” “I have comics, but I rarely read.”

“Comics?”

“Um... They are stories but instead of narrating what happens there are drawings and only what the characters say is written.”

“...It's a book with drawings?”

“Yeah, but with a lot of drawings on each page, from start to finish.”

“WOAH.” He sounded perplexed. “That's drawing A LOT.”

“Yeah, it is.”

“Ahh, I'd love to see what they look like.” He rested his arm on the railing to hold his head in his hand “Too bad I can't…”

“I didn't bring them anyway.”

“Do you normally carry them around?”

“No, it's just that I didn't bring them to the village with me, I left them at home.”

“...” “Oh!” It seems that something has clicked on him. “You are not from the village.”

“No, I'm from a more urban area. My family used to come to the village every year in the summer, but we stopped coming. Now it seems that we are trying to get back into the habit.” I sighed.

“Why did you stop coming?”

“...That's personal.”

“Oh... okay.” He let a minute of awkward silence pass. “Hey, I can bring some books that I have at home! I think you might be interes-!” He looks away from me to the sunset behind us, the sun is almost gone. “-ted...” I look at the sunset too and then at him with confusion. “...” “...oh...oh-OH, Oh-no!” He stands up abruptly causing the bridge to shake slightly. What could have he seen? “We have to move!” He extends a hand to help me up. “We have to start moving!”

I get up in a hurry on my own, ignoring his hand. “O-okay, to where?”

“Come, run!” Once again he grabs me by the arm and leads me over the bridges between the trees until we reach a tree hut. It's small and dark, it looks like a small shelter. He opens the door and enters “You'll spend the night here, stay inside, do not go out, try to hide well and don't open the windows or doors, okay? Here, there are some blankets. I'll come back later.”

“Wait wait wait! What? What do you mean you'll come back later? What's happening? Why do I have to hide-!?”

“Sssh-ssh-sh” He grabs me and covers my hand with his, his left hand resting on the back of my right hand. He begins to speak in a calmer tone, with a voice that I had not heard him use until now. “It's okay, nothing happens. I have to go, I'll come back, but I can't stay now. You hide, try to rest, I'll be back, I promise.”

“...” I take my hand away from his. “Okay.” “I'll stay, but don't take too long.” Please, I don't want to be here alone.

“Yes. I'll be back.” He affirmed one last time. I watch him run away and disappear among the trees and undergrowth. I enter the small shelter to inspect it.

*TAP TAP TAP* *PLOK* *TAP TAP FOOSSSH! *

…? A noise comes from behind me. I turn around and there's a pebble on the floor.

…

Okay.

I take out my phones flashlight to see better inside the house. There are what appear to be some trunks, small cabinets, and a trapdoor in the floor, It seems that there are corners and blind spots for the windows where the little moonlight that enters through the cracks cannot reach. It's freezing cold and I haven't brought my jacket. I leave the bag on the floor against the wall, I cover myself with the blanket and curl up in a ball in the most hidden corner I can find. I'm tired, I want to sleep, but I can't close my eyes.

…

—

It's been a few hours now.

…

I can't sleep, I simply can't.

…

It doesn't look like he's coming back.

*creek*

…?

*rin*

*tap tap, creek*

Sun?

“S-...” I pause before saying a word, I have the feeling I shouldn't speak. I remain silent and wait.

*tap, tap, tap, creeeeeek, tap*

*rin dirrin*

If it were Sun he would have already let me know it is him. That or he's playing a prank on me which isn't funny, but I'd better stay silent. From the shadow I look at the windows. I notice movement through the cracks, something has just passed through the wall next to me.

*dirriring dirring*

I cover myself more with the blanket, back against the wall, I stay as still as I can, I leave a gap between the blankets and the floor to see. A red glow sneaks through the cracks in the window and scans the room.

…

The glow is gone.

*tap, tap, rin, tap, dirring, tap, tap*

It's on the roof.

…

*tap, tap, tap...*

It moves again.

*rin *

…

It sounded on the other side of the wall.

…

…

“nghehe...”

It laughed. Why did it laugh? Whatever is on the other side of the wall just let out a laugh that made the hairs on the back of my neck and all over my back rise.

…

Oh no.

Oh no no no no no no no no.

I have to move. I have to get out of here. I can't stay here.

*creeek*

It came from the door. It's trying to get in.

*rin*

The trapdoor.

*rin dirring*

Where was the trapdoor?

*creek creeeek*

I crawl across the floor making the minimum noise, carefully feeling the floor, looking for the edge of the door.

*tap tap ring dirring*

…!

I found it. I open it carefully. It's too high. I'm at a very high altitude, I don't know if I'll be able to go down.

*rin, creeek...*

…

Fuck it. I slip through the gap quietly, closing it slowly, but that doesn't stop the door from creaking. I cling to the bark of the tree-

…

I left my bag. If it comes in and see it it'll know for sure that I have been there-

…

It doesn't matter now. I have to focus on getting down from the tree without killing myself. My fingers hurt and I can't put my foot down properly because of the soles of my boots. I feel like I'm going to slip at any moment. Somehow I make it to the ground. Still attached to the tree, I look up at the house. I don't see it-

…

A shadow appears from behind the tree. I press myself against the tree and hold my breath. It's looking for something. When he doesn't seem to look I move to a nearby tree, he moves to another tree, I move to the next, and the next, and the next. We continue like this until I start to get further and further away from him. When I think I've lost him I start running. I hide behind a tree to catch my breath.

…

I slowly peek out from behind the tree.

*rin*

…

It sounded above me.

…

I don't look up, I run.

“nnghehee...” He laughs.

He gives me a few seconds advantage before coming after me. The chase begins.

I run forward as much as I can, I hear his footsteps behind me but I don't look back, there's no time for that. I hear him laughing like a madman as he moves from left to right, from one tree to another, crawling on the ground, trying to confuse me, waiting for me to make the slightest mistake to catch me.

“Ah-” I trip. As soon as I fall to the ground I get up, ripping my stockings and scraping my knees, falling again, my nerves not letting me stand up.

“Nnhehehhehe...” Asshole. He has stopped running, he approaches by walking. I try to keep as much distance as my hands and legs allow me to move. I search desperately with my hand for something on the ground to throw. Finally my hand finds something.

I throw a rock at him “AGH!”

The rock passes by him, flying one or two meters away from him. He hasn't even moved, he didn't move a single muscle to avoid it, he just watches me still from where he is. I hear the nearby *pof* of the rock falling to the ground.

“...”

“...”

…

I get up and run. He grabs my leg and I fall to the ground again. He won't let me get up, every time I try he throws me to the ground. I struggle, I kick, but I don't break free from his grip. He never stops laughing, he is enjoying this. He drags me closer to him, no matter how much I twists, he doesn't let go. “ACKH-!...Hhhh-hh...-hh-h...” He grabs me by the neck, red pupils stared at me, I'm looking straight into his crescent moon mask (or waning, I don't know. Do you think I care right now?). He raises his free hand and his veins begin to glow a platinum color that extends to his fingertips. The hand approaches my face, I don't know what it's going to do to me, I'm scared, I don't want to look. I close my eyes, cover my face with my hands. I wait.

…

…

…?

Nothing's happening. It stopped. Why?

“Mun, nïe.” I hear Sun's voice. I open my hands a little to see what's going on. Indeed, it is Sun, several meters away from us... He looks exhausted. The one with the moon mask stares at him for a moment, until he decides to look at me again while bringing his glowing veiny hand closer. “¡Mun!” The Moonman looks at Sun again “Fehreh.” He seems to speak another language, I don't understand what he says.

“...” “Nïe” For the first time I hear him say something else besides laughing. Even though I can't understand him.

“Fïer pehgïer.” Sun responds.

“...” Moonman remains silent again.

“Bïelïe óubseh góuh...” Sun continues.

“Móu txehb móunsuvïe.” The Moon responds.

“Lïe bóu ¿Sóundïe mïesugïeb fehreh nïe txehtehrlïe?”

…

The air feels tense. Probably because of the hand grabbing my neck.

“¿Zkaóu fuóunbehb txehtóur tkaehnvïe nïe bóueh mehb zkaóu ïesreh rehuh óunsóurrehveh óun leh suóurreh?” Longest sentence I've heard him say so far.

“...” “Fïer óubseh góuh.” “...” “Vóuyehmóu óuntehrdehrmóu vóu óulleh” Sun takes a step forward “Nïe suóunóu fïer zkaóu ehtehkehr ehbu” Another step forward “Nïe sóunóumïeb fïer zkaóu txehtóurlóub... óubsïe” Another step “Óullïeb bïelïe óubsehn... fóurvuvïeb.”

“...” There's no response from the moon man.

“Behkehb tïemïe óub óubïe.”

“...”

…

The hand that grabbed my neck now grabs my shirt and yanks it. I grab his wrist as he pulls me to my feet and drags me to Sun, making me stumble. He throws me against him. Sun catches me before I fall over.

“Ska óubpkaóurhïe óub óun gehnïe.” The moon says something as he walks past. Sun puts a hand on his shoulder before letting him go, there's a pause between the two. The Moonman disappears into the trees. Wind and leaves are heard passing by.

…

He's gone. I feel dizzy. I fall down.

—

…

…

…

A faint light begins to seep through the cracks, illuminating enough to wake me up and make me open my eyes, I look around. I see my bag propped against the wall. I'm at the shelter where Sun left me.

…

My body aches, I have a hard time keeping my eyes open, it feels like I've been sleeping on the hard floor. No, wait, there are some blankets underneath me... It's still too hard to sleep well, either that or as I said, it shouldn't help me at all that everything hurts. After a while of staring at the ceiling I try to sit up. I emphasize trying. With every slight effort a pained moan escapes me.

“Oof...” Hurts.

*creek, tap tap tap tap*

Those wood creaks bring back bad memories from last night (which by the way, I'm alive, wow, I just realized), I can't help but cringe at every noise, I hear footsteps approaching, I try to move but the stinging pain prevents me from it.

*creek... *

The door opens.

Triangular shapes appear through the door followed by orange earth tones. “…Oh…!” “Early bird!” Thank god it's Sun and not the other one, or something worse “I didn't expect you up this early!” He says laughingly.

“ah?”

“How are you feeling?” He walks in. When he sets foot inside I lean back, towards the wall. “...” I don't really know why I did that. Sun stands at the door showing confusion with his usual head tilt. “...Arrr...re you okay, Fern?”

“...” I became tense suddenly. I really don't know still if I can trust him? He hasn't done anything to me yet but that doesn't mean that I can trust him. I don't know if he plans to do something with me like whatever that other one, the moon one, was going to do last night. “...ehh...hhh...h...” I can't get a word out, I'm afraid to ask.

“Mm?”

“...” I don't know what to say to him. My eyes go somewhere else.

…

He enters further into the house, ignoring that I keep my distance from him, leaves a bag he was carrying on the floor and begins to open the windows, letting in the little light of the dawn that is just beginning. He kneels on the floor in front of me with the bag. “Are you hungry?” He opens the bag and takes out an apple “Do you like apples?”

“...”

“No?”

“...”

“Um... I also brought berries... (It's what I had on hand coming here) There are... different types, you can choose” He brings the bag closer to me. I move further away. “uhhh...”

“...” I want to leave.

“You don't like them either...?”

“...” I don't want to eat. I want to leave.

“...”

“*snif... *”

“u-um...!”

“...*snif* *sob*...” I started crying out of nowhere.

“Ahhh...! D-do- don't cry! Ah-I-Um- Ca-can go find other things you might like-!”

I felt ashamed for crying and I put my hands to my face trying to wipe away the tears, but they wouldn't stop coming. “*hic, sniff, snif *” I looked away in an attempt to cover my face. I ended up looking at the floor, letting my hair act as a curtain.

“I can go in a moment!” Sun was already getting up.

“...w-want to leave...” I managed to get a murmur out.

“...W-what? Um...”

“...” *hic, hic *

“O-okay, um... If you aren't hungry... -we can do something else- uh- we can go look for rocks like yesterday in the river!”

“...” I don't want to do anything “...want to leave...”

“O-or we can do something else! Ah-bah-b-b-b- W-won't you like to go draw??! Somewhere, some landscape?! Wherever you want! We can draw together! If you prefer we can look for animals instead of landscapes!”

“...leave...want to...go... *hic, snif *”

“¡D-don't n- uh! ¡L-let's... um- let's not- uh!” He no longer knew how to order his words “H-hey, ¿Why don't we go to-?” He extends his hand towards my arm.

“I want to go home...”

He stops before touching me and removes his hand. “...” “...home?” There is a pause. He remains silent and unmoving. He finally speaks “Do you want…?” His tone became more serious.

“...”

“...to... go see the portal?” I look up slightly, I can't see through the tears and the fogged lenses of my glasses.

“...” I nod my head.

—

…

We didn't walk far until the red began to become visible. He brought me back to the portal. The same plain of red leaves and stone arch in the center of it all, as yesterday.

…

Sun has been quiet the entire time.

He advances towards the portal and stands facing it. He turns. “Come.” He extends his hand towards me. “You can pass through.”

“...”

I advance towards the portal. I stop before crossing. If it doesn't take me back home, what do I do? I don't want to stay.

A breeze begins to come out of the portal. The breeze turns to wind, the leaves rise, they pass through us. It's the same thing that happened yesterday when I went to cross. I turn to face Sun. Motionless, he looks back at me, the leaves pause in the air for a second as if time has stopped, the wind changes. From where the wind and leaves came now they come in, they push me towards the portal. I finally cross it.

…

Am I in the forest I know? I turn to look at Sun who stayed behind in the portal. “...Sun?” He's not there. I look around. He's not here. I've already crossed the portal, he must have left.

I notice a sudden draft pass by me. It's soft, like someone walking past you. I turn towards the forest, I have to start moving, I don't want to be here another minute.

...The air current that I noticed has lifted some leaves, they reach the trees, between them the wind does something strange, it forms a transparent silhouette. It looks like Sun, I can barely see him but I could swear it's him. The wind figure raises its hand and makes a gesture, it wants me to follow it. When I approach it turns around and walks into the forest, leaving a trail of leaves behind it. I follow the trail of the air current. Sometimes it stops to look at me, making sure I'm still following it. The red-leafed trees and the paintings disappear from view the farther we go. We crossed the forest until we arrived at the entrance of the town, near my house. There is no one on the street. If I walked into the house and pretended nothing had happened, officially no one would have noticed my absence.

I'm not one hundred percent sure if the wind figure that guided me is Sun or not, but I should at least thank him for bringing me back.

…

The air current has dissipated before I turn around. I look around, there's no one.

…

…

…

I enter the house, go up to my room and throw the bag on the floor. I go to the bathroom to wash. …I feel something strange in my hands but I couldn't say what. Doesn't matter. I change my clothes and get into bed, the tiredness of the previous night makes my body succumb immediately and I fall asleep instantly.

—

…

…

…

“ah...!” I wake up with my lungs begging for air. I need a moment to calm my breathing. I look at the clock without lifting my head from the pillow.

…

It is 12 midday. I rub my eyes and from my eyes I move to my face. I'm still tired. My body still aches. I stare at the ceiling.

…

My bag. I reach out to pick it up from the floor, making strange positions so as not to get out of bed.

I open it and search in the pockets. The bell. I put the bell to my ear. “...” I shake it.

*rin, diring diring*

“...”

I open it.

…

It's empty.

[cryptidcorners]

Heya! I have another request for you (but take your time, I know you’re busy and I just got an idea—forgive me) but what if we had a cute imagine of Mike killing a spider for Abby and/or his girlfriend? Like, a big one? And then we got the comedic bits of Mike muttering under his breath, “I’ve faced ghost children, giant killer robots, and a serial killer…yet this spider is the most difficult to catch…”

Mike Schmidt x F!Reader: Spider Chaos

Description: Mike tries to catch a spider and fails, despite everything he went through while working as a security guard. Yet, he's still fixed on getting it for you and Abby.

Media: FNaF!Movie

Character: Mike Schmidt (+ Abby!)

Tags: Girlfriend!Reader, Fluff, Descriptions of Spider, Found Family, Some Comedic Bits, FNaF Movie Spoilers , Established Relationship, Mike being Ridiculous, Just Cute Stuff!

No Warnings . Unless you're sensitive to stuff with spiders . Stay Safe !

Read my INTRO before interacting, thanks!

"Ah, God! It jumps!" Mike scrambled backwards with a yelp, waving a thick pillow around as he narrowly escaped the blind spider's path. "Can't get it,"

You had been holding a broom from the sidelines, holding on your infectious laughter as Abby circled around. The whole tizzy was ridiculous, especially since Mike was so serious about catching a harmless bug.

"Hit it, Mike!" Abby encouraged, which fished a chuckle out of you. "Yeah, come on. You can hit it."

"How come you get the broom?" Mike's brow arched playfully.

"We need protection." You shook the handle lightly with a goofy smile. Before you could add another quip, the speck was inching on the wall. You stammered, "Mike, the wall. The wall!"

Mike hit the wall in a flash. It looked much more impressive from his view, which was why he held a kiddish smile on his face. Yet, he gingerly peeled off the pillow in search of its body. "I think I got it,"

"Imagine if it gave birth when you hit it. Tons of baby spiders," you wiggled your fingers near Abby in mock of the flattened spider, making her giggle. She exclaimed in disgust with a massive smile, "Ew!"

"Come on, don't make me think of that, babe." Briefly, his eyes wandered towards the wall. "God, I can't believe it took so long to catch. I mean, I've literally faced ghosts, killer robots and a filthy guy in a rabbit costume. Can't believe I couldn't get a spider," he groaned.

You walked over to him and kissed Mike's face. "Whatever, I'm proud of you." His face reddened immediately and he chuckled, "Thank you."

"Mike, I found two more!" Abby cried out, "And I think it's a girl spider."

"God Damnit."

[chloesimaginationthings]

FNAF movie Vanessa definitely thought Abby died..

[destinygoldenstar]

What Separates Digital Circus’s Horror From Others

Disturbing.

Unnerving.

TERRIFYING.

BUT WHY?!

On the surface to the… five people that never watched The Amazing Digital Circus Pilot, this show looks like a Five Nights At Freddy’s knock off.

It’s a cute mascot show that is actually secretly a horror monster infested world.

Even people who haven’t seen FNAF at least seen a few clips of it and what it’s famous for. I know I have.

My sister is super into this, and she hogs the TV, so… RIP me.

That’s what most non-horror stans usually view horror as.

The jumpscares.

The unnerving imagery.

The designs made to freak out the viewers and make them uncomfortable.

It’s usually quite obvious when something is a horror, cause these aspects are often front and center. You can usually tell it’s a trailer of a horror movie by just looking at it.

At least, from my, a non-horror lover’s understanding. For some reason these sorts of things, especially indie animated ones, are the faces of a lot of content farms.

If the product itself isn’t r@%ing your audience, it’s those.

(TAKE MY WARNING AND TAKE IT SERIOUSLY: IF YOU VALUE YOUR MENTAL HEALTH AND YOUR SANITY, DO NOT LOOK UP THIS MOVIE)

BUT BACK ON SUBJECT.

Digital Circus… doesn’t really have this stuff.

There’s no jumpscares.

(I mean there is in a trailer, but it’s used as a joke.)

The character designs are very cute looking without any alternate versions that are scary.

And the imagery of the show remains cute and fun all throughout. The darkest it gets is in a realistic looking office.

But there are no jumpscares in that scene.

It’s just… a normal office.

If this was a horror, then perfect opportunity, right?

So… what’s going on here?

This, my friends, is why Digital Circus is not your typical indie animated horror flick.

And why people even call it ‘scary’ at all.

Here’s the trick this show uses.

It’s not the imagery.

It’s not the designs.

It’s not even intentionally trying to scare you.

Caine is not intentionally trying to scare the audience. He’s just acting like an A.I.

Yeah he has SOME unnerving moments.

But compared to THIS:

I’d say Caine is pretty tame.

Maybe it’s an indicator that he’s secretly a monster like the Other Mother in Coraline.

That horror flick is about the host lying to the protagonist and revealing their horror-like appearance later on.

But not only was it confirmed that Caine is NOT evil. But look at his design right away and his presentation.

There is no sign so far that he lies about anything. At least not what he doesn’t know.

Yes he lied about the exit. But the exit ITSELF was the thing that sent you to the VOID. So really he kinda tried to protect them.

If he didn’t, he’d let jester girl eject herself like Among Us.

So why is it unnerving?

Because it’s the POV we the audience are in for most of the episode: Pomni.

Pomni is an Audience Surrogate.

Audience Surrogates are characters designed specifically to be a placeholder for the audience.

People usually assume this trope as the character made to be the bland and generic one. But that’s actually not true.

An audience surrogate can be as simple as a First Person POV. As all it means is that the character is designed to have the same reactions the audience would in the situation they would find themselves in.

Course, not speaking for everybody, but majority that would consume the content.

Thus, with Pomni as the audience surrogate, we the audience are thrusted into her shoes the whole time. We feel the fear she does. We are experiencing the circus the same time she does.

Notice the editing in some scenes. Specifically the scenes Pomni is NOT in.

When Pomni is in a scene, there’s usually some change in lighting or camera movement that’s unnerving.

But when she isn’t in a scene, these editing moves aren’t there at all.

Which makes it pretty easy to suggest that these unnerving edits are just what’s going on in Pomni’s head.

So with that, when she’s scared. We’re scared. We’re in her POV.

But she’s scared all the time. That’s just her average personality, right?

Then why make these specific edits?

Let’s think about this:

This character is trapped in a world that isn’t her own. Everything is unusual, and she wants out. But instantly realizes there’s no escape.

And then gets told this is her new home and her new body.

A home she doesn’t recognize. And a body she doesn’t even know the name of.

She lost all sense of identity in an instant. Losing everything about herself in an instant. To the point where she can’t even remember what she was before.

And to make matters worse, because this is unusual, everything SEEMS terrifying. Even to those trying to help her adjust.

The only way out of such a confusing and terrifying world is to escape. Which is what she tries to find the entire time.

So THEREFORE:

The horror is this show is NOT the jumpscares or the creepy images.

The horror is THE VIEWER’S MIND.

This show constantly destroys your mind and breaks you through Pomni.

The idea of losing everything about yourself and being trapped in something unfamiliar forever. That IS terrifying.

If you were in this situation, you’d probably freak out even if you were the bravest being ever.

So it’s not about how scary the scene is on the outside.

It’s about what you’re THINKING that’s scary.

Ragatha’s distress monologue is not scary on the outside. But if you actually take into consideration what she says.

THATS terrifying.

That toys with your mind. And it also toys with Pomni’s.

The monster figure in the episode, the abstraction, is nowhere near as scary as something from FNAF

At least in my opinion.

Especially seeing what the monster does.

It can’t kill you. You’re just glitched.

Or maybe it CAN kill. But we never see that.

Even if Pomni ended up like Ragatha, Caine would’ve eventually came back, found them, and fixed them. And they would’ve been fine.

But then, rather out of nowhere, she STOPS.

And we get this shot.

I talked about this shot before. Said it quickly became one of my favorite shots in media.

This is why.

This shot makes me queasy every time.

The idea of looking in a mirror and not even being able to process or recognize yourself. Unable to even process your own reflection, that’s how unrecognizable you’ve become.

That’s horrifying.

And there’s no dialogue here either.

The episode effectively uses SHOW DONT TELL.

They SHOW you how scary the situation is. They SHOW you a single image that tells you everything.

It would’ve been so easy to just have Pomni say “I’m scared. I don’t recognize myself. Who is this person looking back at me?”

But no

They DON’T insult their audience.

They don’t TELL you.

They let you sink it in yourself.

Pomni doesn’t even have ANY lines after she goes through the exit door. And yet the shots after that with her have been plastered everywhere. Why? Cause she doesn’t need to tell you her mental state. You’re SHOWN it.

Can someone PLEASE tell the live action Avatar The Last Airbender that?!

Speaking of the office scene. This is the only moment in the show that looks… real. Not that cartoony.

Which I guess being in a setting that’s off putting from the rest makes it creepy, right?

Well not really.

Sure she’s running through rooms that seem to be repeating, which that of itself is sanity breaking. It reminds me a lot of another existential horror: The Stanley Parable.

But while that game is excellent and the monologue that plays in that ending is one of my favorites, it IS just telling you the sanity of the player.

Not that there’s anything wrong with this in that games style. There’s no other way that could’ve been done in that game.

Here, again, there’s no dialogue. It’s just Pomni running through these desperate for the exit.

The scary part about this is that we KNOW the absolute DESPERATION she has.

Even if we couldn’t see her face, that’s still across because we’ve seen it the entire episode.

And then there’s her break.

She snaps at the sight of a desk, and gets fangs, that of a FNAF character. But only for a second. She doesn’t even go out at the camera with them. She goes on her merry way.

But Pomni, being the POV character, really doesn’t have much to be scared at about her.

So why is this terrifying? Why not go all the way if this is supposed to be a jumpscare?

Well cause it’s not.

A way to scare your audience is to make them feel dread. Lingering longing dread. Sometimes irrational dread.

People with anxiety especially get scared at things even when they’re completely safe. They feel an unease in their stomachs. They feel unable to move. Unable to speak. Unable to put it into words at all.

It could be because we saw something unnerving that stays in our subconscious. It could be because we’re nervous about something coming up. It could be because we’re in an uncomfortable situation.

Either way, anything even remotely resembling that triggering thing can break someone to feel this anxiety. Sometimes even something as simple as the dark. Even if we know we’re completely safe.

(Speaking as a person with anxiety myself)

She only snaps and cackles when she sees a random desk with a computer. Which also has the headset she put on there. The thing that got her in this.

But you might not have even seen the headset on your first viewing. I didn’t.

But your subconscious sees it. The environment not being like the others aids in unnerving you and making it hard to process what you’re looking at.

Why is this terrifying? Why does it break you? Why does it mentally break Pomni? We don’t know. It just does.

We’ve been stuck going through doors in repeating rooms for hours.

Fear makes you not able to overthink it.

So all of that is build up to the near perfect shot of Pomni at the brink of snapping at the dinner table. With the others voices blurred in her mind. As all she can do is fake a smile.

Terrifying End.

It’s not scary because it’s scary. It’s scary because it toys with the character, and the viewer’s mind

Now, is Digital Circus the first media to do this technique?

No. Not at all.

One of the most acclaimed animated movies, Spirited Away, also uses these exact same tactics for example.

That’s obviously a master class at this tactic. And it scared me as a child as a result. For all these exact same reasons.

It’s not a horror. Not traditionally. It’s not trying to scare you. But it does anyway cause in your mind it’s a scary concept.

And also, well, Spirited Away is a completed story as of the time this post comes out.

And Digital Circus only has one episode. But we did get confirmation this would be a series. And I personally have high hopes that this brilliant tactic is kept. From the trailer, it does seem like they’re not forgetting the stuff I bring up here. So I hope this works out for the creators despite the drama and the internet BS surrounding this show.

But even if not, we at least get one case in this show where we all want to curl up in a ball and cry

Us too Pomni. Us too.

Thank you for reading my… analysis a ton of people made before me, and probably better. Happy day for you all.

[incorrect-fnaf-quotes]

Because of all the AU’s, I finally decided to do more of an updated version. Little bits of descriptions for most of them, too:

—

Swap AU: Hoping to both distract and cheer herself up from recent events, Cassie makes her way to the Mega Pizzaplex, located not too far away.

Except, when she’s suddenly trapped in the building, she’s quick to discover that there’s something up with Roxy and the rest of the animatronics.

However, it seems as if she may have a chance—thanks to a mysterious rabbit lady, and another, stranger rabbit, which she cannot understand.

—

Fantasy Springtrap AU: Suddenly cursed by his closest friend, and thought to be the one for the ‘deaths’ by everyone else, Springtrap finds himself going on a quest.

Find the five, turn them back to normal. Prove his innocence. Track down Henry. Retrieve his sons. Keep Elizabeth safe. Remove the curse.

It... sure is a lot, he knows.

—

Imaginary Springtrap AU: One day, her father was still around. The next, it was as if he disappeared out of thin air.

With her true father gone, but hoping for his return, Elizabeth finds herself creating a familiar rabbit, who brings her comfort.

She just hopes he won’t disappear, too.

—

Science Experiment Springtrap AU: Created by humans, and held in a facility for over thirty years, the rabbit creature finally made his escape.

Except... the problems? He was unable to break the other three (Michael, Elizabeth, Evan) out, and finds himself injured.

But that’s where Y/N—a human(?) comes into play.

—

FNaF AU/Own Take: Not much to say with this one. It is what it sounds like, and there’s a lot. Just my own version/spin of the FNaF series as a whole.

—

Infection Springtrap AU: Alone for over thirty years, Springtrap finally finds himself able to escape the saferoom. Yet, something seems... wrong.

Something is able to affect both humans and animatronics. It isn’t before long that he reunites with his daughter. But, there’s another problem.

He needs to save her.

—

Mythology AU: While not a full plot, many characters are gods/goddesses/etc, and there are a lot of shenanigans going on.

Glamrock Freddy, after hearing Gregory, is helping him as the god of protection, while searching for Glamrock Bonnie.

Springtrap, after finally becoming a deity, is doing a lot.

Etc.

—

Rabbit Restoration Project: Y/N doesn’t have much knowledge about Freddy’s, including the recent attraction. They’re more focused on restoring things.

And the old, broken, rabbit animatronic that they just found? Not that far from the destroyed attraction? It would certainly make for something interesting to repair.

Yet, perhaps there’s much more to the rabbit...

—

Puppet & Robo-Charlie AU: After so long of wandering, upon meeting a young girl, the spirit has a lot of questions for her father.

As Puppet, and the younger robotic version of herself, wander, and learn the truth together, it seems as if someone is giving chase.

Henry has to make one rest. He has to shut the other off.

—

Glamrock Freddy & Lefty Duo AU: Possessing the newest Freddy model, Henry is thrown into a mission of protecting a boy named Gregory from the threats within the Pizzaplex.

However, he isn’t the only one. Repossessing what’s left, Charlie—Lefty, makes her way through the building, after learning of the situation.

Although the two agree to work together to help him, there’s a lot to be discussed.

—

Susie AU: She was the first. It hadn’t been too long ago. She was the first, and the rabbit planned to get more.

Susie finds herself remaining in the pizzeria, and as the days go by, more and more people are coming and going.

Finding Cassidy and the others, the spirit will try to keep them safe.

—

Lost & Found AU: Bonnie can’t recall a thing. He’s always been an animatronic rabbit, hasn’t he?

Jeremy’s parents remember everything, and haven’t stopped grieving, yet they don’t bring him up.

Jasper knows nothing.

But, when Bonnie stumbles into the home... things’ll change.

—

MXES Swap AU: Cassie finds herself trapped in the Pizzaplex, and is quick to, also, discover a strange mask. Upon wearing it, she’s met with a hare.

With a mysterious rabbit lady roaming, while also trying to free something, the hare—MXES, is certainly going to try to keep Cassie safe.

—

Van Escape Ending—Glitchtrap and Vanny AU: When the boy and the lead animatronic suddenly leave, that leaves the rabbits to continue their plan.

Although... Vanny has her own little plans—including against the rabbit who started this all.

—

Reluctant Follower Jeremy & Animatronic Vanny AU: Under the control of Glitchtrap, Jeremy makes his way to the Pizzaplex, where an abandoned rabbit is quickly found.

Choosing to use her for the two’s plans, Glitchtrap sends Vanny to trick the bear and the boy...

...But as the night goes on, developments and changes may happen.

—

ITP Springtrap AU: When a ballpit is suddenly installed in the attraction, the rabbit didn’t think much of it.

At least, not until he fell into it, and found himself back at the diner. Back in 1982. All of those years ago...

He missed his children so much. And, when the rabbit begins speaking to his youngest son... maybe, just maybe, the rabbit could change a horrible event.

—

Glamrock Reunion AU: The damage done to the rabbit caused his memories to become malfunction.

After the rabbit disappeared, the bear’s memories were altered.

Leaving with Cassie, the bunny and the bear reunite, but there’s... nothing.

It seems like they get to restart.

—

Ghost David AU: After his sudden death, David found himself wandering for quite a while, wondering what exactly could have happened.

Finding himself in a ruined Pizzaplex, he stumbles across a girl and a hare, both who are speaking about his friend—about The Mimic.

Surely the animatronic isn’t that dangerous? Maybe he could talk to his friend.

—

Mad Scientist/Dr. Scraptrap AU: With his children Elizabeth and Plushtrap, and his reluctant assistant Spring Bonnie, Dr. Scraptrap worked on a lot.

Although, one night, everything takes a disastrous turn when Elizabeth’s consciousness is suddenly transported into his newest creation, Scrap Baby.

How can he fix this?

—

Ensnared Within The Pit: A visit to the pit takes a disastrous turn when Oswald finds himself trapped in the past, at Freddy’s, and unable to go back through.

Continuing to deal with the yellow rabbit acting fatherly, as well as Bonnie pretending to be him...

Oswald must continue to search for his real father, while learning more of Freddy’s. All while a foxy mask and hook keep appearing around him.

—

Memories From The Pit: After an incident involving the ballpit, Oswald finds himself believing that everything is alright—that the rabbit really is his father.

Except, a year later... his suspension returns, and Oswald must figure out what’s going on.

—

Afton Team AU: All of the rabbits, with a vague idea of where they each came from, suddenly find themselves having to work together.

Except, there’s also a lot they need to worry about. Such as an angry rabbit lady, a vengeful spirit, an old friend, etc.

—

Burntrap AU: After the Pizza Sim fire, the rabbit is split between two selves—one regretful, and one not, who wants to keep going.

Burntrap is quick to jump into action to protect the trapped boy, with a final plan on how to deal with his other version on the back of his mind.

But, how long can he keep the truth away from Gregory? How long before the boy figures out before he is?

—

Funtime Show AU: Shenanigans with the Funtimes, connected to the Dr. Scraptrap AU.

There’s a lot that the group finds themselves pulled into, all while actually trying to bond, having only known most of the others for a short time.

Except for siblings Funtime Foxy and Lolbit, and best friends Funtime Freddy and Bon Bon.

—

Unnamed Springtrap AU: Abrubtly springlocked by Henry, and then left wandering for two years... before being trapped for thirty years...

...Not to mention the few years of working at the attraction, which was actually enjoyable.

Traveling after the fire, with the spirits who are clueless about the truth, Springtrap is on a mission to find his wife, his son, and an old friend.

The one who springlocked him, and the two who trapped him.

—

Game AU: After winning a game from a Freddy’s location, Crimson suddenly finds herself transported into the rpg itself.

There, she has a lot of teammates—such as Freddy himself, Dee-Dee, etc. Including Jack-O-Bonnie, who she obtains as a father figure.

She hopes she doesn’t have to leave soon.

—

Spring Bonnie’s Timeloop AU: After the fifth, Spring Bonnie awakens on stage, before that. Before the fourth. Or the third. Or the second. Or...

Or the first. Before Susie.

Unsure of what happened, yet also relieved, the rabbit begins trying to think of a way to prevent Mr. Afton’s plan.

...It’s easier said than done, however.

—

Follow the Leader: The rabbit lady, within the Pizzaplex, has begun to make herself known. She has quite a lot of plans.

Plans she’s coming up with herself. Plans that are nobody else’s. Plans that the rabbit lady has had on her mind for some time.

With nobody in control of her—with no yellow rabbit—with her working on her own...

Vanny wants to make sure she doesn’t fail.

—

Story in Code, Gold is Eroding: All is still not well in Animatronica—Animatronic Village—Village-Tronica?... the name is still being worked on.

Fredbear has gone missing. Thing’s are becoming far more dangerous. New threats. Strange mysteries.

A worried Spring Bonnie wants to get to the bottom of it all—but they don’t want to be alone. And they won’t be, certainly not.

Not when the rabbit is joined by their team—Springtrap, Shadow Freddy, and The Puppet, among others.

—

The Rabbit’s Mirage: Everything was going great at the Pizzaplex... well, at least for Vanny and the digital rabbit accompanying her.

However, when a boy by the name of Gregory finds himself within the building, thing’s take a turn.

Glitchtrap is acting strange, and he seems far more urgent in the capture of him. And, Vanny has one thing to wonder:

What makes Gregory so special?

—

FNaF MLP AU: Very much what it sounds like—there are just quite a few of ideas here.

Another spin at FNaF, with different and newer ideas, all while the characters are unicorns, earth ponies, etc.

There are many things to be discovered.

—

One Big Crumbling Family: Shortly after kicking Circus Baby out, Molten Freddy is struck with some unfortunate realizations.

One, his systems are becoming corrupted.

And two? Slowly, Funtime Foxy, Ballora, and Bon Bon seem to be disappearing. He can’t just let that happen. No.

Now, Molten Freddy must try to save them before it’s too late.

—

Sitcom AU: A more comedic spin, if the name wasn’t much of a reveal.

Follows Scraptrap after the attraction, as he begins meeting up with the others—such as Scrap Baby and Molten Freddy, wandering together...

Before their inevitable arrival to the newest pizzeria brings even more comedic chaos that the pizzeria can barely handle.

Set specifically in Pizza Sim, but the past doesn’t stay buried.

—

Robotic Remnant AU: A fun little AU that me & @universewolfpup have been working together on for a while.

Thanks to the help of a strange amulet, Styx finds himself in a new world, completely separated, and without a good chunk of memories.

At least a certain yellow rabbit stumbles across him.

[emily-puppet-1]

Give thanks to the Lord, for he is good. His love endures forever.

[nanasdumbworld]

Darling: The Tape.

Miguel O'Hara x SpiderWoman!reader

Summary: Miguel knows Spider-Woman's past (reader) and he's afraid of losing her, so he gets a little bit overprotective.

Warnings: Mention of blood, angst, mention of death and betrayal. no use of (Y/N) instead, the reader will be called "Darling", this one shot is inspirated on Henry's speech (Fnaf) lmao

A/N: English is not my first lenguage, i truly apologize if there is a mistake with the grammar. Thank you for reading, enjoy! <3

"You're not going to the mission" he hissed. The woman did not understand why Miguel has been harsh on her.

Miguel didn't know when he started to overprotect her. It was probably that time she almost died on a mission or probably when he found out that she already died once back in her universe. In fact, that dead was a canon event.

Darling's life was really complicated to explain, she grew up in a toxic household where all her family members were villians (except for her father) and ironically she became SpiderWoman. Obviously no one knew about it, her mother didn't knew that the person she hated the most was her youngest daughter.

Unfortunately, Darling was murdered by her own family, while trying to stop the collider created by a corrupt company called Alchemax. Her mom wanted to conquer other universes in order to became powerful.

After a hideous fight, although she stopped them, it was to late. She was pierced by her mother's goblin glider.

The fifteen-year-old girl died under the cold rubble of the company.

Days later, she was found by her father and brought to his lab.

For ten years, he was trying his best to bring her back to life , he tried everything and until he made it.

....

Miguel never cried since "that" happened till he found a video tape, that belonged to Darling's father. The tape was called "To my daughter" and it began by showing a tired man with teary eyes. He grabbed a piece of paper that it seem to be a letter and began to read it.

"My daughter, if you can hear me, i knew you would return as well. It's in your nature to protect the innocent. I'm sorry that on that day, the day you were shout out and left to die, no one was there to lift you up into their arms the way you lifted others into yours, and then what became of you. I should've known you wouldn't content to disappear, not my daughter. I couldn't save you then, let me save you now. I'm pretty sure you'll wake up, but you can't stay here for so long. Your mother escaped and i'm afraid she won't stop until she gets what she wants. I love you. I'll always do." The man burst into tears and ended the video.

Yes. That was the reason he didn't let her go. Her mother was the mission.

For him, she was a very important person. For nothing she was one of the people who helped him when he caused that infamous anomaly that took away his daughter. He had to help her too.

He must.

[gh0stsp1d3r]

ghost boy reader with the characters from fnaf the movie!!! I can't resist asking. But, appearing in front of them with blood and… static noise around him… how would they react😭😭?

or by the way I love your writing, sorry if you don't understand English, it's not my first language!

I love thiss! Im glad you like it (:

Let’s start off w/..

Mike

•he’d probably just stare for a moment, he hasn’t seen that in his dreams

•He’s shocked, and confused. Very confused

•He’ll probably try to chase you around, ultimately failing

•Hes also kinda scared.

•He’d try to get your attention while he chased you around, but failed.

•He doesn’t forget about it, and he always thinks about it when he’s alone.

William

•His first thought is he’s imagining things

•He remembers you, of course he does

•he wasn’t scared, just looked at you as you stared back

That’s it for him rlly

Abby

•poor girl 😭

•She’s probably terrified, rightfully so

•and she’s confused

•She’s telling Mike what she saw and he’s automatically alert, ready to protect her if anything would happen

Vanessa

•she thinks she’s imagining things

•although with the weird things she knows it wouldn’t be so crazy

•She’s trying to find you, she’s intrigued.