#fernando & victor photography

[postcard-from-the-past]

Carlos Fernando Luís Maria Victor Miguel Rafael Gabriel Gonzaga Xavier Francisco de Assis José Simão, King Carlos I of Portugal

Portuguese vintage postcard, mailed in 1904 to Bordeaux, France

[ulkaralakbarova]

A former basketball all-star, who has lost his wife and family foundation in a struggle with addiction, attempts to regain his soul and salvation by becoming the coach of a disparate ethnically mixed high school basketball team at his alma mater. Credits: TheMovieDb. Film Cast: Jack Cunningham: Ben Affleck Dan: Al Madrigal Beth: Michaela Watkins Angela: Janina Gavankar Doc: Glynn Turman Marcus Parrish: Melvin Gregg Brandon Durrett: Brandon Wilson Kenny Dawes: Will Ropp Sam Garcia: Fernando Luis Vega Chubbs Hendricks: Charles Lott, Jr. Bobby Freeze: Ben Irving Devon Childress: da’Vinchi Father Edward Devine: John Aylward Russ: T.K. Carter Diane: Rachael Carpani Kurt: Todd Stashwick Anne: Nancy Linehan Charles Gerry Norris: Dan Lauria Sal: Chris Bruno Coach Lombardo: Matthew Glave Matty (Bartender): Jeremy Ratchford Susan Norris: Jayne Taini Father Mark Whelan: Jeremy Radin Ryan: Nico David Sarah: Emelia Golfieri Sarah: Layla Golfieri Miguel: Sal Velez Jr. Sofia: Yeniffer Behrens Sully – Ref #2: Eric Tate Doctor: Christine Horn Construction Worker #1: Josh Latzer Construction Worker #2: Manny Streetz David: Justice Alan Liquor Store Owner: Jay Abdo Lead Referee: Joshua Hubbard Burly Man: James P. Harkins Employee: Mike G. Betty: April Adams Haley: Chieko Hidaka Student: Bronwen O’Connor Student: Charlotte Evelyn Williams Student: Kayla Diaz Trinity Coach: Doc Jacobs Gale: Marlene Forte Ken: Shay Roundtree Pat: Chad Mountain Summit Coach: Sandy Fletcher Opposing Coach: Noah Ballou Female Friend – Nancy: Cynthia Rose Hall Referee: Calvin Barber Fish Scale Operator: Dino Lauro Bishop Bench Player: Roman Mathis Bishop Bench Player: Herbert Morales Bishop Bench Player: Mateo Ortiz Bishop Bench Player: Tyler O’Malley Ethan (uncredited): Tom Archdeacon Basketball Player 7 (uncredited): Brian Nuesi Denise (uncredited): Edelyn Okano Cheerleader (uncredited): Carly Schneider Mike Ball Boy (uncredited): Caleb Thomas Eric (uncredited): Hayes MacArthur Basketball Player: Alexander Tassopoulos Birthday Party Guest (uncredited): Mason Blomberg Film Crew: Producer: Gavin O’Connor Producer: Jennifer Todd Producer: Gordon Gray Sound Mixer: Steven A. Morrow Producer: Ravi D. Mehta Set Decoration Buyer: Ellen Dorros Boom Operator: Craig Dollinger Utility Sound: Bryan Mendoza Art Direction: Bradley Rubin Costume Design: Cindy Evans Director of Photography: Eduard Grau Editor: David Rosenbloom Executive Producer: Brad Ingelsby Executive Producer: Mark Ciardi Unit Production Manager: Bob Dohrmann Executive Producer: Kevin McCormick Executive Producer: Aaron L. Gilbert Executive Producer: Jason Cloth Executive Producer: Kaitlyn Taaffe Cronholm Executive Producer: Madison Ainley Production Design: Keith P. Cunningham Casting: Wendy O’Brien Co-Producer: Brittany Hapner Original Music Composer: Rob Simonsen Music Supervisor: Gabe Hilfer Unit Production Manager: Victor Ho Second Assistant Director: Kevin Lum First Assistant Director: Jamie Marshall Visual Effects Supervisor: Bruce Jones Set Decoration: Douglas A. Mowat Set Designer: Paul Sonski Assistant Art Director: Linia Marie Hardy Assistant Art Director: Brittany Bradford Graphic Designer: Stephanie Charbonneau Graphic Designer: Andrew Campbell Art Department Coordinator: Michael LaCorte Leadman: Fred Haft Set Decoration Buyer: Jane Madden Stunt Coordinator: Tom McComas Stunts: Oliver Keller Stunts: Courtney Farnsworth Stunts: Allan Graf Stunts: Craigory Glen Hunter Stunts: Lauren Shaw Stunts: B R Lamar Stunts: David Rowden II Property Master: J.P. Jones Assistant Property Master: Rick Chavez Script Supervisor: Steve Gehrke “A” Camera Operator: Peter Rosenfeld Still Photographer: Richard Foreman Jr. “B” Camera Operator: Michael Merriman First Assistant “A” Camera: Stephen MacDougall Second Assistant “A” Camera: Jordan Pellegrini First Assistant “B” Camera: Jesse Cain Second Assistant “B” Camera: Seth A. Peschansky Digital Imaging Technician: Jesse Tyler Music Editor: Curt Sobel Assistant Editor: Anna Rottke First Assistant Editor: Joe Rosenbloom Soun...

[emzeciorrr]

Tove Lo - Borderline from Fernando Nogari on Vimeo.

Borderline; a story of love on the edge. Depicted in revenge and Stockholm Syndrome.

Directed by @fernando.nogari Produced by @iconoclast.tv   Executive Producers: @coco_made_me_do_it @sofigarmilla @ddcamhi

Creative Director: @twadddle   Director of Photography: @pierrekerchove 1st Camera Assistant: Israel Orozco   Gaffer: Martín Díaz "Bala"   Production Designer: @polagusti Decorator: Ana Aurora Júarez Art Cordinator: Martha Mateo   1AD: @christian_tm1 Producer Mx: @adrianpax Line Producer: @arnold_inclan   Wardrobe Stylist Tove Lo: @annieandhannah   Wardrobe Stylist: @loriloriee Wardrobe assistant: @sofiacravioto   Hair and Make Up: @guillermovoodoo   Casting Director: @majocosa   SPFX: Luis Ambríz @farfanambrizsfx   Stunt Coordinator / Driver Coordinator: Pablo Vinós Stunt Annie/ Stunt Driver Annie: Zihara Estebán Stunt Driver / Police Cop: René Cornú   Location Manager: Victor Nava @insite_co   DATA Manager Jorge Galvan VTR Op. Omar Hernández   Editor: @mahferraz   Color: @hhoumam   VFX: @nashvfx   VFX Producer: Flavia Gannam Audio Mix: @sateliteaudio

Title Card Design: @isabelavdd Title Card: @beatrizdorea

Director Rep: Jamie Rabinneu x @larkcreative   Camera & Equipment Rental EFD - Equipment & Film Design Movi Rental: Fabian Solano @maniacmotionmx

[black-is-no-colour]

Vogue Portugal April 2021, Editorial "The Forbidden". Dress, Maison Margiela by John Galliano, Défilé Spring 2021 collection. 

Photographer Fernando Uceda, styled by Victor Vergara

[cacaitos]

FARAONAS photoshoot in Bani, R.D. Mannelik Ortega | DISTRITO 79 for PandoraRD. Shot by Fernando & Victor Photography.

1, 2, 3, 4, 5, 6 and 7, 8, 9 and 10.

[nowayzinedine]

Check it.

[artwalktv]

*TURN CC ON FOR ENGLISH SUBTITLES ____________ Branded “The Land of All Saints”, Salvador, Bahia is a place where sports, religion and love are intertwined on a daily basis. During the World Cup 2002, two friends spend their last moments together, as one love emerges, while another one fades away. Pra Gente Acordar (A New Dawn) is a short movie honoring Bahia’s cultural roots whilst using Gilsons tracks from their latest Album “Pra Gente Acordar” ____________ Written and Directed by: Pedro Alvarenga Produced by: Cosmo Cine Intro Voice over: Gilberto Gil narrates his poem "Prece" Iorubá Voice over: Mãe Carmen do Gantois CAST Wesley Guimarães, Pedro de Rosa Morais, Bethe Leal SUPPORTING CAST Jackson Buguinha e Rafael Conceição, Maloka, Francisco Gil, José Gil, Academia Champions: Eduardo Dórea, Ícaro Cloves, Anderson de Assis, Breno Luis, Caíque da Silva, João Victor Fernandes, Jorge Luis Góes, Rafael Sousa, Icaro Ridelis, Yasmin e Bernardo Nery(bebê), Luan Philippe, Marcio Alex, Douglas Santos, Bruno Gomes e Osvaldo Caique dos Santos Banda Cortejo Afro Gamboa: Carlos Pereira, Fabio Bonfim, Paulo Santos Silva, Victor, Mario Constantino, Felipe Teixeira, Simber, Eder e Sandro Santana PRODUCTION Executive Producer: Guilherme Bolo Local Producer: Beatriz Torres e Mauricio Fontoura - Tempo Pra Tudo Casting Producer: Beatriz Torres e Mauricio Fontoura - Tempo Pra Tudo Creative Producer: Daniel Manzali Director of Photography: Bernardo Negri 1st Assistant Camera: Gabriel Moska 2nd Assistant Camera: Fernando Dom Steadicam: Bernardo Negri Still and 2nd unit: Nino Franco Stylist: Marie Silva e Silas Matos Art: Alberto Pitta Art Assistant: TeTe Porto e Pedro Felizola Sound Direction: Victor Brasileiro Gaffer: Carlos Alberto Silva Key Grip: Edvando Lourinho First Grip Assistant: Fabio Costa Safety: Tom Driver: Toddy POST-PRODUCTION Editor: Daniel Manzali Soundtrack: José Gil, Grupo Ofá Sound design: Day out of Time Graphic Designer: Sebastian Chicchon / Lucas Gini Color grading : Bleach - Sergio Pasqualino Jr. VFX: Noize Graphics Creative Director: Raph Paiva Post Production Manager: Beta Reis Creative coordination: Leonardo Louzada VFX Supervisor: Bernardo Medeiros Additional VFX: Pedro "TheZakMan" Araujo SPECIAL THANKS TO SALVADOR: Comunidade Gamboa: Associação de moradores, Adriano e Nilton Saddam Comunidade Solar Unhão: Associação de moradores, Delinha e Anderson Alberto Pitta e banda Cortejo Afro Academia Champions: Luiz Dórea e Luiz Fernando Menezes OG Cruz Borracharia Grupo Ofá Laboratório SATO THANKS TO RIO: Andrea Franco, André Andrade, João Sucupira, Bernardo Portella, Daniel Venosa, Gabriela Scardini, Bruna Sozzi, Izabel Lage, Luiza Faria, Marcella Veríssimo, Renata Fraga, José Alvarenga Jr.

[lukeskywaker4ever]

31st King of Portugal (11th of the Bragança Dynasty): King Luis I of Portugal, “The Popular”

Reign: 11 November 1861 – 19 October 1889 Acclamation: 22 December 1861 Predecessor: Pedro V

Luís I (31 October 1838 in Lisbon  – 19 October 1889 in Cascais), known as “The Popular” (O Popular) was a member of the ruling House of Bragança, and King of Portugal from 1861 to 1889. The second son of Maria II 

and Fernando II, 

he acceded to the throne upon the death of his brother Pedro V.

Infante D. Luís was born on October 31, 1838, second son of Queen D. Maria II and her consort, D. Fernando II. Although his condition as a second son did not predict that D. Luís would ascend to the Portuguese throne, his education was painstaking and shared in large part with his older brother, Príncipe Real D. Pedro: he was in charge of councilor Carl Andreas Dietz, who had been a tutor to D. Fernando, his father, until April 1847, when Dietz was forced to leave Portugal on charges of meddling in national politics associated with his Protestant religious affiliation, having been replaced by Viscount da Carreira, 

aided by Manuel Moreira Coelho.

D. Pedro and D. Luís divided the time between the palaces of Mafra, 

Sintra, 

and Vila Viçosa, 

in addition to sporadic stays at the Palace of Belém. 

As the second-born son of the royal couple, D. Luís embarked on a naval career, having been named the square of the Companhia dos Guardas Marinhas and recognized in a ceremony at the Navy Arsenal on October 28, 1846, when he was only 8 years old. 

He was to be successively promoted to second lieutenant (1851), captain-lieutenant (1854), captain-of-frigate (1858) and captain-of-the-sea-and-war (1859). He had his first naval command in September 1857, at brig Pedro Nunes, on which he made a cruise on the coast of Portugal and a trip to Gibraltar. He was appointed, by brother D. Pedro V, commander of the corvette Bartolomeu Dias, on June 21, 1858. 

At the command of Bartolomeu Dias, he came to carry out nine service missions between the years 1858 and 1860: he led the expedition to the archipelagos of Madeira and the Azores; was responsible for transporting Prince Jorge of Saxony 

to Lisbon, where he married Infanta D. Maria Ana, 

his sister; led the couple to England; went to Tangier; and, in 1860, Angola; he went to Madeira again at the behest of Empress Isabel of Austria; 

and brought Prince Leopoldo de Hohenzollern-Sigmaringen 

from Southampton, to his wedding with Infanta D. Antónia, 

after which he took the bride and groom to Anvers. 

D. Luís inherited the crown in November 1861, succeeding his brother D. Pedro V for not leaving any descendants, and was acclaimed king on December 22 of the same year. On September 27 of the following year, he married, by proxy, with D. Maria Pia de Sabóia, daughter of King Vitor Emanuel II of Italy. As an infant he served in the navy, visiting Portuguese Africa. He exercised his first naval command in 1858.

Luís was a cultured man with a polite education, like all his brothers. Of great artistic sensitivity, he painted, composed and played cello and piano. Polyglot, he spoke some European languages ​​correctly. Translated works by William Shakespeare.

In 1869 he did not want to be monarch of Spain and made a point of making it very clear both to the Council of Ministers, chaired by the Duke of Loulé, and to the Portuguese people. Two days after his patriotic letter was published in the Government Gazette, it was time for publication in the Diário de Notícias, thus serving the Casa Real to deny the rumor that there would be abdication: "I was born Portuguese, Portuguese I want to die", proclaimed D Luís, on the first page of the DN on September 28, 1869. D. Luís, if he accepted the Spanish crown, he would have to abdicate in Portugal to D. Carlos, the son of only 6 years old, with D. Fernando II as regent, opening the possibility of a Iberian Union in the medium term. After the refusal of D. Luís the Spanish throne was handed over to Amadeu de Saboia.

During his reign and, as a result of the creation of the general consumption tax, which public opinion received badly, the mutiny that was called Janeirinha (in late 1867) originated. Also on May 19, 1870, there was a military revolt, promoted by Marshal Duque da Saldanha 

and which intended to resign the government. To the revolt of May 19, the monarch replied on August 29, with the resignation of the Saldanha ministry, calling to power Sá da Bandeira.

In September 1871, Fontes Pereira de Melo 

came to power, which organized a regenerating cabinet, which was maintained until 1877. The Duke of Ávila followed, who did not last for long because he lacked a majority. Thus, and after the parliamentary conflict that broke out in 1878, Fontes was called again to form a cabinet. Consequently, progressives attacked the king, accusing him of scandalously sponsoring the regenerators. This episode constitutes an incentive to the development of republicanism. In 1879, D. Luís called, then, the progressives to form government.

In his time the Quimão Coimbrã (1865-1866) arose and there was the initiative of the Casino Conferences (1871), to which were linked the names of Antero de Quental 

and Eça de Queiroz, 

the exponents of a generation that stood out in the intellectual life Portuguese. With a calm and conciliatory temperament, he was a model of constitutional monarch, scrupulous respect for public liberties. Of his reign, special mention should be made of the start of works on the ports of Lisbon and Leixões, the widening of the network of roads and railways, the construction of the Crystal Palace in Porto, 

the abolition of the death penalty for civil crimes, the abolition of slavery in the Kingdom of Portugal, and the publication of the first Civil Code.

In colonial affairs, Delagoa Bay was confirmed as a Portuguese possession in 1875, whilst Belgian activities in the Congo (1880s) and a British Ultimatum in 1890 denied Portugal a land link between Portuguese Angola and Portuguese Mozambique at the peak of the Scramble for Africa.

Fertile in events, it is during the reign of D. Luís I that some of the Portuguese political parties are founded: the Reformist Party (1865), which came to power in 1868, the Portuguese Socialist Party (1875), with the name of Partido Operário Socialista , and the Progressive Party (1876), which comes to power in 1879. In 1883, the Congress of the Republican Party Organizing Committee takes place. At the end of its reign, the Republican Party is already presenting itself as a perfectly structured political force.

D. Luís was mainly a man of the sciences, with a passion for oceanography. He invested much of his fortune in financing scientific projects and oceanographic research boats, which traveled the oceans in search of specimens. He successfully practiced photography.

Luís followed in the footsteps of his mother - D. Maria II, ordering the construction and founding of cultural associations. On June 1, 1871, D. Luís was in Seixal (a village founded by his mother), to witness the founding of Sociedade Philharmonic Union Seixalense. That same day the Franco-Prussian War ended.

He died, after a long suffering, in the citadel of Cascais, on October 19, 1889, a few days before his 51st birthday. His son D. Carlos succeeded him, under the name of D. Carlos I of Portugal. It lies in the Royal Pantheon of the Bragança Dynasty, in the Monastery of São Vicente de Fora, in Lisbon.

On 6 October 1862, Luís married Princess Maria Pia of Savoy (16 October 1847 – 5 July 1911), daughter of Victor Emmanuel II of Italy and Maria Adelaide of Austria. They both had a deep love at first, but Luis's countless mistresses led Maria Pia to depression. Together they had two sons who survived childhood, and a stillborn son in 1866.

Dom Carlos, Prince Royal of Portugal (28 September 1863 – 1 February 1908), successor as King Carlos I; murdered by the Carbonária.

Dom Afonso, Prince Royal of Portugal (31 July 1865 – 21 February 1920), Infante of Portugal, Duke of Porto, Viceroy of India, and after 1908 Prince Royal.

Miscarriage (1866)

The King also fathered one illegitimate son, also named Carlos, who was born in 1874 in Lisbon.

[vm4vm0]

L'Homme Statue - Do Not Tell Me - Pedro Tejada & Marcello Costa from Stink São Paulo on Vimeo.

Music and Performance: Löic Koutana / L'Homme Statue

Directed by Pedro Tejada and Marcello Costa

Produced by Stink Films

Managing Director: Ingrid Raszl

Senior Executive Producer: Renata Dumont

Director of Photography: Maurício Padilha

Production Designer: Ana Henriques

Production Coordination: Paula Macedo, Rogerio Maestro

Production Coordination Assistants: Mariana Kerche, Amanda Grell

Producers: Rica Ferrer, Rose De Soldi and José Lucas Gervasio

Locations: Edu Lima

Post Production Coordination: Roberta Bruzadin and Marcella Antunes

Editor: Victor Cohen

3D Artist/RD: Pedro Tejada

LookDev Artist: Pedro Merino

Animator: Marcello Costa

VFX / Flame Artist: Diego Morone

Color Grading: Matt Osborne @ Company3/Mill Color Grading: Assistant: Logan Highlen @ Company3/Mil Color Producer: Blake Rice @ Company3/Mil Color Grading (Aerial Footage): Osmar Jr.

Musical Producer and Mixing: Pedro Zopelar

1st Camera Assistant: Alexandre Valese 2nd Camera Assistant: Alfredo Luiz Dias Baptista Desio Video Assist: Dario Vales DIT: Allan Souza de Almeida

3D Capture Technicians: Stefano Pasqualini and Renan Campanini

Production Design Assistant: Nathalia Mendonça Prop Master: Bruno Ribeiro Cesar de Oliveira (Bruninho) Landscaping: Ari Arantes Henrique (Dedo Verde) Landscaping Assistant: Klayton Deomar Alves Patriota

Stylist - Studio: Betinha Magalhães Stylist - Aerials: Maika Mano Wardrobe Assistant: Juliana Yoshie Suguinoshita

Make Up Artist: Abraão Leonardo Matias Kennedy

SFX: Vagner Aparecido Martão, Valter Vieira Carrasco, Eduardo Joaquim dos Santos (Rambo), Guilherme Steger

UPs: José Roberto Rodrigues, Rafael Oliveira Jesus (Baiano), Leonardo Souya Bispo

Gaffer: Paulo Sérgio Nunes da Silva Best Boy Electric: Alexsandro Soares dos Santos (Lambis) Assistant Electricians: Aleandro Teixeira De Góis / Claudinei Marcelino

Key Grip: Weber José da Silva Cunha (Cabelo) Best Boy Grip: Alexandre Ferreira Barnete Grip Assistants: Rodrigo Iamamoto Campos, Fernando Tavares da Silva, Pedro Luis Ferreira de Oliveira

Aerial Cinematography: Heitor Teles

Behind the Scenes

Director/Editor: Natan Neves Camera Operator: Victor Leite Pollini Camera Operator: Daniel Cunha Ferro

Catering: Tyla Araújo Flor de Lótus Catering Assistants: Sthefany Araujo Alves, Carla Santos Menezes Lunch/Dinner: Rosa/Maria

Transportation provided by TRANSKINDER

Production Drivers: Tertuliano da Silva, Gilmar Gomes, Roberto Moura Porfirio, Marcio Dianis Moreira Santos, Tadeu Gomes de Brito, Thiago Lima Goes / Dani

Camera Rental: Elitecam Radios: Best Comunicação Light and Grip Rental: Locall

Special Thanks:

Raphael Lobato Allan Almeida Gripp Support Locall Paulo Ribeiro Pará Movimentos Casa do Produtor Moviecenter 3T Locações Ariel Wollinger Fernando Faria Guilherme Teles Daniel Hafez Z7 Locação de Geradores

[postcard-from-the-past]

Carlos Fernando Luís Maria Victor Miguel Rafael Gabriel Gonzaga Xavier Francisco de Assis José Simãom King Carlos I of Portugal

Portuguese vintage postcard, mailed in 1900

[sickymag-archive]

LOTTA for sickymag.com

Photography Victor Buxan Fashion Alex Montoya Model Lotta at View Management Hair & Make-Up Eva Piqué Retouch Andrea Sanchez Set Design Victor Ayala and Cobalto Studio Clothes Malahierba, Stella McCartney, Bibian Blue, Concepción Miranda, Nia Lesser, Kiwi + Pomelo, Fernando Alberto Atelier, P de Paola, Lola Casademunt, Line Argent, Mila Milú, Saint Laurent and Lorena Panea

[joaogalrao]

#Repost @instinct.berlin (@get_repost) ・・・ Self destruction poetry is coming this month ! • The Instinct #5 collective exhibition will feature works from : Bruce LaBruce _ Film / Photography_ Toronto Harlen Munsö _ Multimedia _ Orlando Oiko Petersen _ Photography _ Berlin Victor Luque _ Photography _ Berlin Theodor Johansson _ Textiles / Sculpture _ Berlin João Galrão _ Scultpure / Collage _ Lisbon Fernando Carpaneda _ Painting / Sculpture _ NYC Daniel Nuñez Pernas _ Painting _ Madrid Jean-Ulrick Désert _ Video _ Berlin Victor Mateos _ Street Art _Hamburg

[docrotten]

The Curse of the Werewolf (1961) – Episode 84 – Decades of Horror: The Classic Era

“Father, the bullet. Pepe the watchman has a silver bullet. Get it and use it. Use it on me, father! You must use it -- do you hear? You must use it! You must!” Yes. He heard. Join this episode’s Grue-Crew - Whitney Collazo, Chad Hunt, Jeff Mohr, and listener guest host Alistair Hughes - as they take a trip to the land of Hammer Horror for The Curse of the Werewolf (1961).

Decades of Horror: The Classic Era Episode 84 – The Curse of the Werewolf (1961)

In 18th Century Spain, an adopted boy becomes a werewolf and terrorizes the inhabitants of his town.

IMDb

  Director: Terence Fisher

Writers: 

Anthony Hinds (screenplay) (as John Elder), 

Guy Endore (novel: The Werewolf of Paris, 1933)

Makeup-artist: Roy Ashton

Music: Benjamin Frankel

Cinematography: Arthur Grant (director of photography)

Film Editing: Alfred Cox

Production Design: Bernard Robinson

Cast

Clifford Evans as Don Alfredo Corledo

Oliver Reed as Leon Corledo

Justin Walters as Young Leon Corledo

Yvonne Romain as Servant girl

Loraine Carvana as Young Servant girl

Catherine Feller as Christina Fernando

Anthony Dawson as Marques Siniestro

Josephine Llewelyn as Marquesa Siniestro

Richard Wordsworth as Beggar

Hira Talfrey as Teresa

John Gabriel as Priest

Warren Mitchell as Pepe Valiente

Anne Blake as Rosa Valiente

George Woodbridge as Dominique the goat herder

Michael Ripper as Old Soak

Ewen Solon as Don Fernando

Peter Sallis as Don Enrique

Martin Matthews as Jose Amadayo

David Conville as Rico Gomez

Denis Shaw as Gaoler

Desmond Llewelyn (uncredited) as Marques's footman

The Curse of the Werewolf (1961), directed by Terence Fisher and starring Oliver Reed, is Hammer Film’s one-off werewolf film and a doozy it is! This is Chad’s pick and he describes it as being one of his top five favorite werewolf films, especially liking the role love plays in the story’s werewolf mythos. The werewolf makeup captures Whitney’s attention as she explains how an individual’s skin and hair pigment varies. Jeff is impressed by the effects and acting in the final scene of The Curse of the Werewolf. Al provides several detailed tidbits, one of which regarding Roy Ashton, the creator of the film’s werewolf special makeup effect. Of course, the entire Grue-Crew is enthralled with Oliver Reed’s performance!

At this writing, The Curse of the Werewolf is available for streaming in the US on Peacock. Jeff highly recommends the Scream Factory Blu-ray, also available in the U.S.

Chad, Whitney, and Jeff give a big Grue-Crew thank you to Alistair Hughes for his insightful and informational contributions to this episode! Al is also the author of Infogothic: An Unauthorised Graphic Guide to Hammer Horror. Every fan of Hammer horror films should have a copy and the holidays are just around the bend, so what are you waiting for?

Gruesome Magazine’s Decades of Horror: The Classic Era records a new episode every two weeks. The next episode in their very flexible schedule, chosen by their next super-secret guest host, will be The Phantom Carriage (1921), a Swedish silent scream from director Victor Sjöström. Be sure to join us for that one!

Please let them know how they’re doing! They want to hear from you – the coolest, grooviest fans: leave them a message or leave a comment on the site or email the Decades of Horror: The Classic Era podcast hosts at feedback@gruesomemagazine.com

To each of you from each of us, “Thank you so much for listening!”

Check out this episode!

[whileiamdying]

Marall follows her parents to a party and they want her to behave. As the evening progresses she finds the adults’ behaviour increasingly strange. "Shadow Animals" is a dance-based drama about the discovery of human behaviour. Cast Ayla Turin Cecilia Milocco Peter Melin Zana Penjweni Danielle de Vries Fernando Melo Anthony Lomuljo Andrzej Glosniak Angelina Allen de Melo Florian Teatiu Heather Telford Jerôme Delbey Michael Munoz Rafael Gomes Takuya Fujisawa Valerija Kuzmica Waldean Nelson Cecilia Selander Moss Ingrid Thiele Torgny Sporsén Credits Written and directed by: Jerry Carlsson Producer: Frida Mårtensson Co-producer: Ami Ekström Executive producers: Rebecka Lafrenz, Mimmi Spång Choreography: Jerry Carlsson in collaboration with the artists Rehearsal leader: Fernando Melo Casting: Stina Elinderson Casting assistant: Victor Nyåker Location scout: Sally Broström First A.D: Alexander Jönsson Production coordinator: Lilli Rutström Kugel Production assistant: Amelie Svenstedt Director of Photography: Marcus Dineen Focus puller: Josef Persson Data wrangler: Joakim Karlsson Gaffer: Tobias Henriksson Electricians: Sebastian Johansson, Karl Fredrik Olsson Sound recordist: Markus Johansson Art Director: Frida Hoas Costume Designer: Mia Andersson Costume trainee: Emelie Reinebrandt Make-up Designer: Caroline Gustafsson Editor: Philip Bergström, Jerry Carlsson Sound design: Janna Johansson, Manne Kjellander Foley: Foleyworks Mix studio: Studio 24 Mix Grading: Sebastian Guest Picture post: Terrassen Post Title design: Martin Hultman Production accountancy: Filmekonomi/Pia Janols Production insurance: Media Insurance Brokers Artistic counselling: Göran Du Rées, Kalle Boman Produced by Garagefilm International in co-production with Film i Väst, in collaboration with Verket Produktion and with the support of the Swedish Film Institute and Film Stockholm/Filmbasen

[hotfps]

Marall follows her parents to a party and they want her to behave. As the evening progresses she finds the adults’ behaviour increasingly strange. "Shadow Animals" is a dance-based drama about the discovery of human behaviour. Cast Ayla Turin Cecilia Milocco Peter Melin Zana Penjweni Danielle de Vries Fernando Melo Anthony Lomuljo Andrzej Glosniak Angelina Allen de Melo Florian Teatiu Heather Telford Jerôme Delbey Michael Munoz Rafael Gomes Takuya Fujisawa Valerija Kuzmica Waldean Nelson Cecilia Selander Moss Ingrid Thiele Torgny Sporsén Credits Written and directed by: Jerry Carlsson Producer: Frida Mårtensson Co-producer: Ami Ekström Executive producers: Rebecka Lafrenz, Mimmi Spång Choreography: Jerry Carlsson in collaboration with the artists Rehearsal leader: Fernando Melo Casting: Stina Elinderson Casting assistant: Victor Nyåker Location scout: Sally Broström First A.D: Alexander Jönsson Production coordinator: Lilli Rutström Kugel Production assistant: Amelie Svenstedt Director of Photography: Marcus Dineen Focus puller: Josef Persson Data wrangler: Joakim Karlsson Gaffer: Tobias Henriksson Electricians: Sebastian Johansson, Karl Fredrik Olsson Sound recordist: Markus Johansson Art Director: Frida Hoas Costume Designer: Mia Andersson Costume trainee: Emelie Reinebrandt Make-up Designer: Caroline Gustafsson Editor: Philip Bergström, Jerry Carlsson Sound design: Janna Johansson, Manne Kjellander Foley: Foleyworks Mix studio: Studio 24 Mix Grading: Sebastian Guest Picture post: Terrassen Post Title design: Martin Hultman Production accountancy: Filmekonomi/Pia Janols Production insurance: Media Insurance Brokers Artistic counselling: Göran Du Rées, Kalle Boman Produced by Garagefilm International in co-production with Film i Väst, in collaboration with Verket Produktion and with the support of the Swedish Film Institute and Film Stockholm/Filmbasen

[artwalktv]

Nego Bala, was born and raised in Boca do Lixo, São Paulo’s roughest neighbourhood. From his reality, there was no much more opportunities. This film is based on real facts from his life, who, at age 11, wrote the lyrics for the song “Sonho” during his first time at a juvenile detention center.  The oppressive penitentiary system take out from kids the right of dreaming. But there's no cage for talent. There are no bars for imagination. "To dream is to look inward. To learn is to remember. There's no sorrow in my tears today. There's no hate in my tears anymore. Joy and inspiration."  May this story inspire other kids to never give up on their dreams. ___ Directed and written by Douglas R. Bernardt Produced by Stink Films Realisation AKQA/CoalaLab ___ CAST Nego Bala Nego Bala (Child) - Jorge Henrique de Souza e Vieira Juvenile Correction Center Agent - Diogo Granato Police Officer (bullet scene) - Jorge Garcia Young Man (bullet scene) - Ricardo Januario SUPPORTING CAST Agatha Mattos Alfredo Scheer Filho All Ice (Omo Afefe) Anderson dos Santos Caio Alcantara Conceição Aparecida Crystal Mugler Deyvson Lopes Eduardo Stefano Ezelina Viana Glauber Rocha Guilherme Cavalcante (Cavalcante NGKS) Hebert Gonçalves Higor Deziderio Icaro Caua Rodrigues (Mck11) Jaqueline Leão Teixeira Fábio Moreira de Brito (Binho MC) Kleberton Moura Lucas Silva Martins (Sorriso NGKS) Manoel Santos Almeida Maria do Carmo Matuzza Sankofa Monique Mendes Nayla Arruda Odara Johari Phelipe Olivio Renato Moura da Silva Rennan Campbell Rodrigo Valente LEal Santiago Gabriel Silva Jesus Suely Mattos Vanderleia Luiz Victor Hugo Martins Wellington Mamute Wesley Silva REALIZAÇÃO AKQA Coala.Lab / Equipe Boca do Lixo Impact: Paula Santana Musical Strategy: Gabriel Junqueira de Andrade Creatives: Bruno Queiroz, Christiano Vellutini, Diego Machado, Gustavo Machado, Hermes Miranda, Hugo Veiga, Paula Essig, Renato Zandoná Managing: Luiza Baffa PRODUCTION Stink Films Director: Douglas R. Bernardt Script: Douglas R. Bernardt, Nego Bala, AKQA/Coala.Lab Director of Photography: Pierre de Kerchove Production Designer: Carol Ozzi Executive Production: Ingrid Raszl, Renata Dumont, Tico Cruz, Carol Junqueira, Camila Martinez Executive Production Assistands: Carol Gazal, Marcela Amstalden Production Coordination: Paula Macedo e Rafael Rocha Production Coordination Assistants: Mariana Kerche e Amanda Grell Line Producers: Reinaldo Faria e Rafael Rocha Second Unit Director: Danilo Arenas First Assistant Director: Juliana Cretella Second Assistant Director: Elis Manukian Third Assistant Director: Bianca Soares Pereira Research and Production (Moinho): Iuri Salles Still Photography: Larissa Zaidan Trailer Editor: Squarehead Stylist: Elizabeth Magalhães Stylists Assistants: Virgínio Oliveira, Dandarah Lanzine, Adriano Letelier, Mylena Saza e Pedro Jorge, William Gasques. Wardrobe: Juliana Yoshie Suguinoshita Make-Up Artist and Hair: Patricia Martinelli Elias Make-up Artist/Afro Hair: Welida Thalita do Carmo de Souza Prop Master: Bruna Ramos Prop Manager: Jéssica Higa Prop Assistant: Kaio Monteiro e Matheus Carvalho Art Production: Carlos Castilho Art Assistants: Bruna Modelli Scain, Isabella Castilho, Leticia de Sena e Rafael de Brito Casting: Giovanna Rouvier e Candombá Acting Coach: Martha Kiss Perrone Coreography: Gabb Cabo Verde Location Manager: Kleber Pereira, Giselle Prado, Iuri Salles First Assistant Camera: Marco Contreras e Jefferson Roberto Caveagna Second Assistant Camera: Julia Lacerda de Alcantra e Fernando Ribeiro de abreu Fagundes da Motta, Felipe Puerta e Leonardo Pinto DIT: Luiz Carlos Santana, Felipe Maciel Delgado e Diogo Valenzuela First Assistant Camera - Second Unit: Nicolas Moraes Aquaroli Drone Operator: Renato Passarelli Gaffer: Hugo Nyerges Best Boy: Renato Lelis Electricians: Vittoria Bronzo, Robert Bispo Santos e Fabiano Rodrigues da Rocha Boom Operator: Marquinhos Ribeiro e Vinicius Buttel Seabra Special Effects: Bruno Steger e Valter Carrasco Junior Key Grip: Alexandre Barnete First Grip Assistant: Rodrigo Iamamoto Campos Stink PR: Giovanna Ricci POST-PRODUCTION Stink Dopo Editor: Lucas Moesch Assistant Editor: Marcela Ilha Bordin Post-Production Coordination: Roberta Bruzadin, Marcela Antunes, Larissa Miranda VFX Supervisor: Juliano Storchi VFX Producer: Jacquelini Lima 3D Artists: Wes Sousa e Diego Velasco VFX Artists: Leo da Silva e Leandro Oliveira Motion Graphics: Daniel Ferro Color Grading: BLEACH SOUND Satélite Audio Sound Direction: Kito Siqueira, Roberto Coelho, Hurso Ambriffi Music Production: Thiago Colli, Charly Coombes, Mike Vclek, Adilson Koiti Sound Mixing: Carla Cornea, Vithor Moraes, Ian Sierra, Renan Marques, Arthur Dossa, Enrique Fonn Satelite Coordination: Giu Mendonça, Ligia Barros, Dudu Missono Satelite Commercial: Fernanda Costa, Renata Schincariol, Claudio Leal