#fandom preference game

[phoenixcatch7]

Loz fandom stop being angsty and give the daydreaming kids on big fun adventures with a cool glowing sword some actual whimsy and joy challenge

[dykedvonte]

Part of the reason I think Boone refuses to return home to the NCR in like all but one ending (where he also intends to kill himself) is the very fact he would likely be congratulated over what happened at Bittersprings and “teaching the Khans a lesson”.

And like that alone is already bad enough on his guilt ridden psyche, but it’s the fact he becomes very honest on how bad he and the NCR fucked up and how he personally should have known better. So having the entire nation act like it didn’t happen the way it did or that it was a good thing would likely push him over the edge.

[krystaldeath]

Where are y’all getting the sprites from I had to resort to just their character art

[polling-sonic-fans]

Thanks for the poll anon!

Polls for the Sonic fandom on just about anything. Share polls you like to get more data. Asks and submissions always open.

[apparentlytheproblem]

hey, I’ve noticed you don’t have anything romantically for harry (and I’m a harry defender cause he’s underrated in his own movie, I love harry) SO harry x fem!reader fluffy oneshot (it can be 5th or 6th year you choose) just cuddling in the common room together being all cute yk kisses falling asleep together,etc so basically pure fluff. don’t feel pressured tho, if you don’t want to do this then don’t and I’ll understand. have a good day/night <3

t w i t t e r p a t e d

fandom- harry potter

pairing(s)-harry potter

a/n: so im gonna be honest, i did not love harry in his movies but the book owns my heart. its just that everything that has made him who he is just washed away in the screen time, but im going to try my best to deliver and tysm for requesting, it absolutley made my day. and i just wanna apologize why it took so long, there are hundreds of requests and im swamped but im really trying, i promise requests are open luv, tiya

requested- yes

warnings- tooth rotting fluff, finally proof read, a very soft harry

"darlin quit movin"

he was given a snicker for a response, a one that did'nt sound much like you at all

he opened an eye to see Fred Weasley cuddling up to him while his twin and Lee Jordan enjoying the sight with his girlfriend.

"can i get a kiss first arry?" fred droned leaving you tryin you to muffle your giggles.

harry rolled him of the sofa he was napping with and beckoned you to come back with an outstretched arm as he straightened himself.

"hoi"

"hi yourself"

he pulled you in gently by the hem of your skirt. your torso was lined to his face as his hands embraced the behind of your thighs, shoving his face into your white shirt.

"lets leave lover boy alone for a while, i need someone who reacts to tormentation." remarked George in what he disguised his sympathy for boredom of playing with the lot of you.

"call me tonight baby" winked Fred signaling to harry on his way out to the kitchens

the common room was almost empty when he pulled you on top of him, pushing your shoes off. you were upright on his abdomen as he helped you remove your robe.

you comfortably find yourself entangled to him as he peppered kisses from your shoulder to neck

externally, you've done this rodeo before, but internally you were screaming.

and he had the sweetest smile plastered on his lips

for when you saw him

for when you glanced at him, you fell in love

and he smiled because he knew

[bxriles]

I gotta be honest, the ending of JJK isn’t doing it for me. It feels underwhelming. And before anyone freaks tf out and tells me that I “can’t read” or that I “didn’t understand the point of JJK” I can promise you that I did. I understand and I can read between the lines and make inferences. I can also promise you that I know just because the ending isn’t my cup of tea, does not mean that the ending is objectively bad. I get all of that.

And yet, I still think the execution was fumbled and I think that’s a bummer. In a desperate need to be *different* from the rest of Shonen manga, I think the last 10-15ish chapters have felt incredibly similar to the rest of the genre. At least, in my opinion they have.

Argue with the wall if this post pissed you off. I’m allowed to post my opinion on my blog.

[fisheito]

Bottom yakumo fics i rotate thru bc the tag is playing games with me

EIDEN:

(Sequel) "Another Spicy Study Session on Self-Pleasure" by MistressVanya https://archiveofourown.org/works/49270402

"plants should stay in your soup and out of your sex life" by acynthe (locked) https://archiveofourown.org/works/37453975

"surprises" by Anonymous (locked) https://archiveofourown.org/works/48090496

"Pulp Fiction" Chapter 2 by shamelesscooper https://archiveofourown.org/works/60033721/chapters/154533019

KUYA (some dubcon+yaku whump):

ASTER:

QUINCY:

"What Happens in the Woods" by melecs https://archiveofourown.org/works/44134458

"Embers are calling" by Yuuda-cchi (VioletStripes) https://archiveofourown.org/works/49222882

"As I Am, Entirely" by zerenovation https://archiveofourown.org/works/54831790

EDMOND:

"Of Love Confessions and a Horny Snake" by goldgalaxytea https://archiveofourown.org/works/52916077

NOT EXPLICITLY BOTTOM, BUT IT'S NOT... *NOT* BOTTOM (SUBBY +5000pts)

"Magic 101: Lessons in Gem-based Erogenous Zones" by auriadne https://archiveofourown.org/works/37413112

"Day 6: Dom & Sub" by Nya (Yuutfa) (locked) https://archiveofourown.org/works/49106176

"Trick-or-Treat" - Chapter 3 by SnowRelic https://archiveofourown.org/works/50601046/chapters/128881948#workskin

"in good taste" by winterdesu https://archiveofourown.org/works/59208052

[leesmustardgarden]

Meet-cute Through a Window (Though it Shouldn’t be Possible)

Warnings: mentions of canon typical violence, mentions of plague, a bit of swearing (couldn’t help myself, really), good ol puppet fear, I love P so much he’s so everything to me

P x (gn) reader

In the ruins of an ever rotting city, love is the last thing you’d expect to find. Rubble cannot foster the gentleness love necessitates, nor can it pretend to. In the ticking heart of a special puppet, filled with oil and ergo ever pulsing, love finds a way to fester. Pinocchio proves to be an exception to many things, and in loving you he has become an exception to the very notion that love cannot find purchase on the ledge of a burning society.

You meet through a window tucked away in the far corners of Krat, one you’d thought to be hidden from the puppet frenzy. It had been your honest mistake; a moment of forgetfulness wherein you peaked through the curtains and found yourself under his curious blue eyes. Crystalline and shining, they shocked you frozen to the spot. Any initial noise you might have let out dies with a weak flutter in your throat and you beg internally for this person to be a person and not a puppet.

A small whirr fills the air in the next second and your heart drops into your stomach. His expression is unchanging even in the face of your panic, but his shoulders sag (—holy shit is that a sword on his back?) in something like surrender and he tilts his head.

If you didn’t know any better, he might have just looked like a curious, yet apathetic boy peering at you through your window. With the sword on his back and the gentle whirr that rings in the silence, it’s hard not to know better. Never mind whatever the fuck is on his metal arm, you’re just ignoring that for the time being or you’re sure to go mental.

“I’m not going to hurt you,” He whispers at the same time you say, “Please don’t kill me.”

If he’s surprised or hurt by what you say, he doesn’t (or probably can’t) show it. The words are muffled through the glass, but you’ve trained your ears to hear through the small opening at the bottom. He holds both palms open and says nothing else.

You… want to trust him, really. More than just the fact that his eyes are so pretty they shine like a fantastic lake straight out of a story book; or that his freckles paint him like an old, long dead painter might have painted the stars. You want to trust him in the open and gentle way he seems to offer up his hands and promise you more than what the rest of Krat has since the frenzy.

In the rubble of a burning city crashing in on itself, there is not a speck of gentleness to be spared. This— puppet has it in spades, and it draws you out of your panic just enough to pull the window open bit by bit. You do not break his gaze for a moment as you tug it up and open, and he is patient enough not to be the first to do so. Instead, he stretches a hand out to you and waits for your warm skin to meet the cold smooth synthetic surface of his own non-legion hand.

It would be just your luck if somehow puppets learned how to lie, too, but something tells you he means it wholly and honestly when he insists he will not hurt you. The whirring picks up gently, almost imperceptibly quicker, but you don’t pay it any mind. The edges of your instincts are sharp with distrust, but you lay your hand and life in the hands of this puppet and find yourself minding it less and less with each second.

A loaded pause passes— you stare down at your hands barely touching and he watches you with that same, frozen expression. You thickly swallow before you wrap your fingers around his hand and look up right into those beautiful blues.

“Would you… like to come in?”

Now, you don’t have much experience in how to fuel (feed?) an automaton; wasn’t your job before the frenzy and certainly hasn’t become since, but you could learn. It’s a silly thought to have, but you haven’t had a guest in god knows how long and a sharing a cup of tea sounds lovely (if puppets could even have tea). And — sure, maybe openly inviting the literal enemy of every human being in Krat into your house isn’t the smartest thing to do, but you can’t help it. More than just his pretty face, his gentle hand caresses yours so softly and the nod he gives is so warm that in the loneliness of having been the last sentient thing in the area, you couldn’t help but falter.

The world around you tastes of ash and rubble, but you meet someone who seems to bring about a breath of fresh air. His eyes are bright like ergo, and his hair fluffs like a black cloud. When he nods ever softly, something whirrs and clicks in the air. Your heart pounds against your ribs, and you don’t know if it’s really out of fear anymore.

Your world ended in a frenzied flurry of plague and massacre; it started again when you peaked through your window and met him.

[ceph-the-ghost-writer]

Character Cuddle Scale

Tagged by @kaylinalexanderbooks!

How-to: Rate your OCs based on how they handle cuddling/being cuddled.

Based on a scale of 0 (cuddly as a cactus) to 10 (could be paid to cuddle professionally):

Dorian: 10/10 You've activated their ultimate ability. Prepare for the warmest, coziest cuddling of your life while the two of you binge watch dinosaur documentaries on the couch.

Ben: 10/10 Experts (aka Dorian, Tilda, and Renato) agree--spooning with a 6'5" bisexual vampire guy has healing/restorative properties. Also, if you flop across Ben's middle while he's laying down, he'll make a very soft, satisfying "oof" sound.

Isaac: 9/10 He's a little wary at first, but once boundaries are clearly defined he'll stick to you like a limpet. Will definitely fall asleep with his head on your shoulder at some point.

Elfy: 9/10 Is very touchy-feely and does like to end every bar crawl in a drunken cuddle pile. Tends to hog the covers, though.

Kinslayer: 8/10 Cuddly in the way having a giant python draped around your shoulders is. They're extremely powerful, and will contemplate devouring you whole more than once, but the fact that they don't and just chill with you instead rules, actually.

Renato: 7/10 Cuddling doesn't come naturally to him because of his Aquila background, so he needs an excuse usually sex to initiate closeness. Once past that hurdle, though, he can be surprisingly tender and enjoys doing things like bathing with you, or running his fingertips over your face/body like he's committing every contour to memory.

Breezy: 6/10 She'd much rather just hang out in the same space with you, but she doesn't begrudge you wanting an occasional hug either. Animals, werecreatures, and bloodborn are the exception and can climb into her lap if pre-approved.

Tilda: 5/10 Oh, she's down to cuddle, it's just the fact that she's highly likely to wolf out and eat you makes her hold back. Snuggle at your own risk.

Oleander: 3/10 Unhand her, villain! It's not as if she secretly wants to be loved and caressed and told she's a good girl while her head rests in your lap, ugh!

Motley: 0/10 You do see the patches of human skin it's sewn onto itself, right? The glowing red eyes and teeth filed to points? Don't say we didn't warn you.

Dysthanasia Taglist: @thecyrulik @thatndginger @space-writes @sunset-a-story @scoundrelwithboba

Plus: @k--havok @vacantgodling @jezifster @korblez @aalinaaaaaa @lacependragon @starbuds-and-rosedust @drawnecromancy

[c3dricsluv]

I didn't get a hogwarts letter at 11,

I didn't get taken to camp halfblood at 12,

I didn't get my memory wiped and get thrown into a maze at 13,

I'm 14, so far my siblings haven't found a wardrobe that leads to narnia,

If that doesn't happen I have the chances of:

Being reaped into the hunger games at 15,

Choosing dauntless and discovering I'm Divergent at 16,

Meeting two beautiful vampire brothers at 17,

Becoming a vampire after giving birth to a daughter with my vampire husband at 18.

God, please make at least one of these come true, I'm not doing very well in this world.

[sunnys-aesthetic]

imo shoot me dead i guess but some of you are getting a bit too comfortable posting some back end cannibalism stuff for cotl art i was previously 'ok yeah cool!' bc i understood the dark themes of the game! and how it had a ritual for it. but uh oh.

[katyspersonal]

Thinking about that time when a popular artist was a prick to me personally (claimed that I "baited" them for a conflict when all I did was pointing out something in lore contradicting their claim, without any rudeness or condescension, and basically told me to go hang out with other autists instead of bothering them) but the reason I blocked them was not that, it was the fact that they've admitted on not even caring about the source material and just using scraps from it to do their own thing. Priorities hfngkfngj

[polling-sonic-fans]

Thanks for the submitted poll @tommycorriander !

Polling Sonic Fans for their opinions on all manner of things. Share good questions to indicate what you want asked. Submissions open.

[hungergameshyperfixation]

Another thing I’m interested in speculation-wise is how Haymitch’s character will be handled. I like to think THG series has great and well-written characters because they have flaws.

I think fandom and our own biases kind of form rose-colored glasses of certain characters, which is understandable.

And Haymitch is arguably more of the (book) fandom’s golden boy than canon-golden-boy Peeta.

But like, I’ve seen a lot of posts during my time being really into THG, and something that’s stuck with me is the idea that Katniss is not very likable. This was before Tbosas came out but this is even more so true for Coriolanus!

They’re both from a limited perspective, so we get to read all the messy thoughts, the unpleasant and angry ones. They do fucked up things and it’s so great to read.

But now with Haymitch being the confirmed protagonist (💖💖💖), it makes me think of what we’ll see him do. The thoughts he’ll have.

I jokingly typed somewhere “what if she [Suzanne Collins] makes him [Haymitch] a cheater or smth 😭” (idk if this was to a friend, a tumblr draft I never posted, or like just somewhere on my phone or smth) and I wasn’t being serious but the initial worry was still there: “what if my favorite character does something that makes me think differently/more negatively about them?” I’m not actually “worried” about this for SotR, but it’s still something I think about.

This also applies to Maysilee and every other character we know of in SotR. It also ties into the unfortunate reality of SotR being the headcanon destroyer 💀

There are so many what-if’s that come to mind with Sunrise on the Reaping,

Again, I’m not actually too concerned (at least I’m trying not to be?) that SotR will ruin Haymitch or the entire way I view Panem, but I’m interested to hear what others have to say. Because I’ve pretty much seen this sentiment before ever since SotR was announced.

[hana-bobo-finch]

people seem to like my bug fables posts I am Scared

[the-judicial-assistants-notebook]

You know, I think what really bugs me about the "Dadworth" dynamic applied to Kay and Edgeworth's relationship is that it usually makes Kay out to be this hyperactive, slight problem child (in the 'stealing and pranking' sense rather than the 'moody and abrasive' sense), occasionally with deep-rooted daddy issues like Edgeworth has, when that's... the opposite of her character.

(This post got away from me, so TL;DR: Kay is a quick-witted and independent young woman who has worked very hard to be both emotionally and practically intelligent enough to be seen as a legitimate successor to her father's legacy. Making her out to be the traits mentioned above, so she functions as Edgeworth's daughter rather than his investigative partner and equal, undermines her character and semi-conflates her with Maya [the deep-rooted issues bit]. Also I don't like it wksgskaj)

The thing about Kay is that she's not actually in the series as much as it feels like she is, which makes it easy for her character to be altered to suit the needs of the story (which I think happens in The Forgotten Turnabout, but I won't talk about that here). She turns up in two cases as herself in AAI (as in, teenager Kay whom we're most familiar with) and shares her role with Gumshoe, Ema and Franziska when she does, lessening her appearances even further. Nevertheless, there are still concrete elements to her personality that we're made aware of right from the beginning, and the first major one which I feel gets overlooked in favour of her hyperactive characterisation is this:

Kay is very, very sharp.

In terms of mainline assistants, I'd consider her the sharpest of all (maybe after Trucy? But I don't remember enough of AJ to comment on that). Yes, she's shown to be reckless and impulsive, but, when it comes to actual investigating and reasoning, she is solid. With Nick and Maya, you sometimes get the impression that they're both fumbling along until Phoenix catches on (most of the time with Maya's usually a little accidental help, and he still has to explain things to her near every time [not Maya's fault. Following Phoenix's reasoning is like being on a rollercoaster in a minecart]), but Kay is very rarely like that with Edgeworth. Within minutes of meeting him, she can predict what he's going to say (or 'steal his lines', as the game puts it), and there are several moments after he uses Logic and is about to explain what he's connected where Kay interrupts with the correct conclusion herself:

Edgeworth: A second Blue Badger that shouldn't exist... Clearly, the true identity of the person underneath is...

Kay: Oh, I know! It's one of the kidnappers, right!?

There's even a point where she tells him off for overexplaining things to her:

Kay: Yeesh, I told you I got it! Do you feel the need to explain everything!?

And, near the end of their first case together, he acknowledges that's she's generally quite quick:

Kay: OK, what should I re-create first?

Edgeworth: ...You haven't figured it out yet?

Kay: Heh, maybe I have, and maybe I haven't.

Even if you don't take these points into consideration, the fact that she comes up with a new way to use Little Thief, and knows how to use it at all actually, shows you that she's a really intelligent girl! Continuing on a bit from the point I made earlier about her being brash, Kay may be reckless, but she isn't irresponsible. Whenever she rushes into situations, she doesn't expect other people to come save her; she's quite assured that she can and will get herself out of them on her own, and, if she needs help, she asks for it in advance. She treats Edgeworth less like her guardian and more like her investigative partner:

Kay: I didn't get permission to enter Allebahst... so we're going to go gather whatever info we can over on the Babahlese side, OK!?

Edgeworth: Alright, I'm counting on you two.

Kay: Right, and I'm counting on you and Ms. von Karma to sniff out clues in Allebahst!

...

Edgeworth: A number of pieces connect in a very complicated way in this case... It's almost enough to make one completely mentally exhausted.

Kay: Let's not over-complicate matters, OK, Mr. Edgeworth? We've been so focused, like a laser, on only what seems strange and out of place... it's no wonder nothing's clicked and we haven't unlocked anything yet. But, if we think things through calmly, the answer should come to us!

There's an independence to her proactiveness that kind of forces Edgeworth to meet her on equal grounds, and this too is an element that gets lost when the Dadworth dynamic comes in because it involves making Edgeworth responsible -- or feel responsible -- for her actions and general wellbeing when Kay has never expected nor wanted that. She does things on her own terms, and she walks the path she's chosen by herself:

Edgeworth: Preposterous! On what grounds do you suspect her of such a thing!?

Shih-na: The fact that she calls the Yatagarasu. That in itself is a more elegant proof.

Kay: Ms. Shih-na.

Shih-na: Yes?

Kay: I... have no intention of taking back any of what I've said.

Shih-na: ...?

Kay: I am the Great Thief Yatagarasu. And I refuse to allow some imposter to claim that name as their own! The path of justice that my father pointed me towards... I will walk it the best I can!

Her relationship with Edgeworth works as an inverse to that of Nick and Maya's in the way that, where Nick and Maya have deep respect for one another beneath layers upon layers of playful insults and messing about, Kay outwardly respects Edgeworth first (and expects that respect to be returned) and razes him second -- that, too, never to an extent she wouldn't with anyone else or that crosses a certain boundary. Her messing with Edgeworth is shown to be more an attempt to get him to lighten up or not take himself too seriously than an act of (platonic) intimacy as it is with Nick and Maya (which makes sense because Nick and Maya have spent years together, while she's known Edgeworth for all of two weeks) or genuine obliviousness/silliness (although it definitely sometimes is). This is pretty obvious simply from the fact that she always calls him 'Mr Edgeworth', though she's perfectly comfortable calling Gumshoe and Badd, people whom she is more familiar and comfortable with, 'Gummy' and 'Uncle Badd' respectively. Also Kay, in general, is quite polite? Edgeworth calls something she said rude at one point and she gets insulted, and, when you ask for her opinion, she doesn't go 'What?' or 'What is it?', she specifically says, 'Yes?' (this changes in AAI2, which I promise I'm not discussing here) Upon meeting Oldbag, she has this exchange with her, where Kay chooses a more formal mode of address than what is actually offered:

Oldbag: My name is Wendy Oldbag. But you can call me "Wendy", or "Granny", or whatever suits your fancy.

Kay: Nice to meet you, Ms. Oldbag! I'm Kay Faraday.

She's also had moments where she calls Edgeworth out for being 'tactless', and she's shown to feel very strongly about rudeness throughout the whole game. I'm not saying she isn't mischievous or playful, she very much is, but the point is that she's really quite respectful, and this extends to her relationship with him. Her characterisation in Turnabout Ablaze, where she's considerably more excitable/high-strung than in Kidnapped, seems largely due to them chasing down Calisto Yew. Edgeworth even comments on this:

Edgeworth: Kay, you need to look before you leap. You tend to lose your cool when it comes to anything related to that woman.

Generally, though, you can tell that she was obviously raised with an adherence to certain formalities. She's not looking for another parental figure (because she doesn't need one, which I'll go into after this), but, if she was, she'd make that clear.

Kay's a very straightforward person at heart; she doesn't hide any part of herself, even the part that should be hidden (i.e. the Yatagarasu). There are points where she suggests that Edgeworth reminds her of her father, but, in AAI, she specifically mentions that it's both Edgeworth and Gumshoe who remind her of her father and Detective Badd. It's not about her seeing Edgeworth as a father figure; it's about their and her own dedication to the truth. Even in AAI2, where her comments could be read as leaning more towards the former angle, she doesn't get cut up about him not picking up on that or really paying it much emphasis at all, because it doesn't matter. The fact that he reminds her of Byrne is just that: a fact.

Returning to the point about Kay not needing/wanting another parental figure, I think it's pretty self-explanatory, but to put it succinctly: Kay has the guidance she needs without him.

To put it less succinctly, Edgeworth's possibly the worst candidate to go for for emotional support and guidance in the first place, and by the time she meets him again, she's basically processed her father's passing and has a better handle on herself emotionally than Edgeworth does (not a brag; most characters have higher EQ than Edgeworth); what she wants isn't necessarily closure for Byrne's death in the emotional sense but in the I-want-answers-to-this-mystery-that-will-restore-my-family's-honour sense. You could make the argument that Kay becoming the second Yatagarasu and shaping her entire future around continuing her father's work prove that she isn't over his death, but I don't think that's true and more of a result of conflating her with Maya a bit.

With Maya, becoming the Master isn't something she chooses; it's given to her by Misty and Mia. With Kay, it's the opposite. Kay's decision to become the Yatagarasu and pursue the truth is wholly her own, and her approach to that goal reflects that. While Maya uses her cheery, upbeat attitude to conceal a lot of self-doubt and vulnerability (and Franziska does the same with her hostility), Kay does not. Her cheerfulness is precisely who she is; it's not a mask so much as it is a distraction. It keeps people from looking at her too closely and realising exactly how capable she is, and, while I don't think it's fully intentional (again, she believes in living her life in a straightforward and upfront manner), she does imply that it's sort of her (or the Yatagarasu's) MO:

Kay: Well! By the time everyone notices, it's already gone! That's the Yatagarasu way!

Interestingly enough, this unintentional tactic of using humour and cheeriness as a distraction from her abilities makes her a mirror to Calisto Yew, who also uses her seemingly always light-hearted nature as a disguise for what she's actually capable of (Calisto's joviality is her true self, too, or at least as 'true' as she can get). The difference between them is that Calisto delights in ironically mocking the world around her, whereas Kay finds joy in life itself, and she's stronger for it.

The only part where we see Kay attempt to mask her feelings is when she's a child, and even then she admits that she feels better after crying, which, I believe, led to her becoming more open with her emotions later in life (see how her older self has a teary sprite which makes pretty frequent appearances where her younger self does not). In any case, to me, this shows that she has people in her life already who are helping, and have helped, her confront and process her trauma. She's not looking to Edgeworth to help her make sense of her father's death and she definitely isn't looking for a replacement (again, literally dedicated to continuing her father's [and Badd's] legacy). Whenever Edgeworth even gets close to becoming parental with her, she dismisses it, unless she acknowledges that she is in the wrong:

Edgeworth: ...Kay, it's not good for you to stay up late, you know.

Kay: Yes, gramps!

...

Edgeworth: ...I appreciate your sense of justice, however... I would appreciate it if you wouldn't go running into the heart of any more raging fires.

Kay: Nngh... Yes, Mr. Edgeworth... I'll try...

Despite her buoyancy and bright attitude, Kay is quite firm that she be treated as an adult (she doesn't see her cheeriness as a mark of youth; it's joie de vivre, it's who she is, and that's that), and, throughout the game, she gets annoyed when people don't respect that (her arguments with Lang are largely over how he calls Little Thief a toy and her crow-girl). She holds her own and relies on herself while being unafraid of asking for help.

Anyway, this post has gone on for long enough and I think I've addressed the points I wanted to. I should mention that I realise that a lot of how many people portray/interpret their relationship is validated by AAI2 but that's honestly a discussion for a separate post HAHA I feel like, when it comes to AAI, the father/daughter interpretation can maybe be argued with regards to the way Edgeworth treats her? Honestly, though, I think he'd treat any young lady who suddenly becomes part of his team/responsibility in pretty much the same way. And, like, he drops the ball almost every time he's supposed to give "fatherly" advice because he's just not that great with it/children!! It's actually hilarious HSKSDHSK

Either way, yeah! I just think Kay is actually given a lot less credit than she's due when the Dadworth card gets played and I just! Want better for her!!