#especially in relation to what happened between him and Katara in Ba Sing Se

[seas-of-silver]

So I see ATLA as an option. May I humbly ask:

Zuko stared in wonder at Katara, watching her in her element. "Whoa."

Thank you for your ask! This is my first time writing for ATLA, so I hope you like it!

~/~

Zuko stared in wonder at Katara, watching her in her element. ‘Whoa.’

After arriving at the Western Air Temple, determined to make amends and finally do the right thing… they had rejected him. If he was being totally honest with himself, he hadn’t expected that outcome. He had instead imagined that they’d umm and ahh for a while before begrudgingly yet kindly welcoming him aboard. The cold reception was like being slapped in the face by a penguin seal. And then when he accidentally burned that blind earthbender girl, he just wanted to dig himself a bagermole-sized hole. If that wasn’t enough, the next morning, when he went to visit again after breakfast, the assassin he had hired made an appearance. Zuko tried to stop the assassin from killing the Avatar, but his orders and negotiations failed. Thankfully he, the Avatar and his friends managed to stop the assassin, and only then was he allowed to join their group.

It was awkward at first, but as lunch progressed and jokes were made, things got better. Sokka, the boomerang guy, cracked a few jokes at Zuko’s expense; and after Sokka broke the ice, the Avatar- Aang, as he insisted on being referred as, quickly followed, as did Toph, and most of their companions soon took the Avatar’s lead and warmed to him. The only person who still wanted nothing of him was Katara. She stiffly and quickly ate her food before storming out in a huff. It made lunch a little tense after that, and once he finished helping with cleaning up after the meal, Zuko went for a wander.

When he and Uncle had been lying low here after the banishment, Zuko had little to do while he recovered except for exploring the temple - if anything, it was the one thing Uncle actively encouraged him to do. When Fath- when Firelord Ozai had burned his face, Zuko not only gained a giant scar, but his hearing in his left ear was impacted a little, and it messed with his sense of balance. With the aches and pains and embarrassing stumbles, it took him a few weeks to rest, recover, and acclimatise to his new norm. In that time, he had discovered much of the temple, including a few spots he favoured more than others - one of which was a large cavernous room that gathered water from the earth and cleansed it, before the water was distributed to various locations around the temple. This room, with its gentle watery soundscape, was the place Zuko had found the most relaxing and peaceful, and was a space he returned to frequently during his last visit. But unlike every other time he came to this room, there was someone else in there.

Water curved around the cave in graceful arcs, winding through the air like it was carving paths for rivers and streams. Inrticate patterns were being weaved as Katara, seeming so small at the base of this gigantic moving water sculpture, bent the water with ease. It was hypnotic, meditative, and incredibly breathtaking. He simply stood there, struck dumb with awe. He had fought against her many a time before, yet somehow he had never truly understood the extent of her waterbending prowess. The amount of water currently in the air was something typically controlled by a handful of benders, and here she was, doing it all on her own without breaking a sweat; if anything, she looked incredibly calm. It was as intimidating as it was inspiring.

He remembered that night in Ba Sing Se, in those crystal caves deep below the surface. He remembered being trapped there with Katara, and the heart-to-heart they were having before Aang and Uncle found them. He imagined that if Azula never showed up and the battle never happened, that maybe he and Katara would be friends now, instead of her doggedly giving him the cold shoulder. He recalled the spirit water she offered to heal him with, the water he heavily suspected saved the Avatar from certain death. He had been very touched by that offer. After everything they had gone through - all the fighting and anger and hurt and chaos - after everything he had put her through, she had shown him an unimaginable kindness…

He shook his head. It must’ve been a tactic she was using; why else would she have made such an offer back then? They were enemies! Well, they were at the time, though not anymore, but still! Why did she offer to heal him? Why did she look at him with kindness and warmth, as if she understood his pain? Why was “yes, please” on the tip of his tongue, words that would’ve left his lips if they weren’t interrupted? Why did she look so hurt and betrayed when he (stupidly) joined Azula’s side when he was made to choose sides? It didn’t make sense! She was kind to him because it was a smart tactical move, not because she actually cared… right?

Zuko groaned internally as he rubbed the bridge of his nose. Trying to understand Katara was like trying to understand Uncle. Uncle. His heart ached when he thought of the man that was more of a father to him in the last three years than his actual father had been since he was born. His betrayal of Uncle sat heavy in his stomach and stabbed painfully at his heart. He was wrong, he knew that now, and he could only hope and pray that maybe one day Uncle would find it in his heart to forgive him. He hoped that Uncle would approve of his new path of helping the Avatar. He wished Uncle could be here with him.

Letting out a slow, heavy breath, Zuko left the cave and headed towards the rooms below. He needed to find Aang - it was time for the Avatar’s first lesson in firebending.

~/~

Ask game: Give me the first sentence and I'll write a short piece for it!

[heinzpilsner]

Annnd here's another issue of the "autistic nerd trying make sense of the Southern Raiders zutara narrative on her own" series, because of course it is

I need to write all those posts to regain my honor, don't judge me

You know, my main point of confusion in relation to tSR episode always was this: "Why exactly Katara forgave Zuko in the end? What changed between them during this trip? By which intricate mechanism such a stressful and unfruitful trip was able to improve Katara's relationship with a boy she supposedly hated just days ago so drastically?"

(Spoiler: I finally found the answer!)

All of my hypotheses for a long time didn't sound convincing to me though:

1) Did Katara forgive Zuko because he helped her in her revenge in general?

Obviously, facing Yon Rha didn't really resulted in Katara being happy or satisfied. Quite the contrary, it was a rather unpleasant trip - a trip she spent with a person she supposedly barely tolerated. You'd think, by association, it would make her dislike Zuko even more than before, not forgive him. So, not likely.

2) Did Katara forgive Zuko because after the trip, she was no longer linking* her "mother loss"-connected anger with him, as Zuko guessed?

But... why the association would break? Or anger would subside? Just as a result of yelling at Yon Rha? Sounds like bullshit to me:

- Katara is still angry at Yon Rha in the end of the episode, because anger management doesn't really work like this;

- Katara's anger at Yon Rha, her anger at the Fire Nation and her anger at Zuko, while associatively united, are three separate entities, hence they require individual specific approach to them anyway.

(*associative nature of Katara's anger towards Zuko could be true in itself though - after Ba Sing Se disaster, she linked him in her mind to both "mother" and "most traumatic experiences related to the Fire Nation").

3) Did she forgive Zuko because during the trip he fought so readily against his own nation?

Doesn't sound convincing - he already fought guards at the Boiling Rock and his own sister previously, and Katara was only angrier at him afterwards.

4) Did she forgive him because he sided with her against Aang's preaching?

Not enough in itself, especially considering her supposed hatred towards Zuko.

5) Did she forgive him because he called her mother a brave woman? Not enough in itself. And how dare he comment on her mother at all after his betrayal anyway? The nerve! Just another reason for Katara to be angry, it seems. Except... She really wasn't, for some reason. Hmmm.

(Why she decided to tell him the story of her mother's death at this point at all? Wasn't she supposed to merely tolerate his presence? What a truuuly confusing mystery!)

6) Did she forgive Zuko because he fought so enthusiastically on her behalf?

Also doubtful. Such an enthusiasm from a person you don't like (or even hate) would only be unpleasant, and 'mr and mrs smith" synchronicity of movements with him would feel disturbing. Who does he think he is?! If Katara hates him, it is not Zuko's place to act like this. It also wasn't his place to wait all night in front of Katara's tent - that would be creepy af. This kind of behaviour would work against him in her eyes, not for his benefit. So nope, no forgiveness.

(Unless, of course... She didn't really hate him as much as she made it seem in the first place? Buuut it's too early to settle on this explanation, hehe.)

7) Did she forgive him because he didn't comment at her bloodbending?

Not enough in itself. And it only shows what an awful, awful person he truly is anyway.

8) Did she forgive him because of something that happened after Yon Rha - something the audience didn't get to see?

Well, in all seriousness, that just wouldn't be a good storytelling move. So, nope, bad hypothesis. (Could be true within universe though).

9) Oops. The last hypothesis I have is a romantic one I mentioned in my different post. In short - Katara was angry at Zuko because he didn't seem to realise the importance of their connection in Ba Sing Se for her. But when he offered to revenge her mother, it was a signal he finally understood. Hence, she forgave him.

So, in the end, we have two convicing hypotheses at our hands (6 и 9):

- one which works only under condition that Katara didn't really hate Zuko at the start of the trip;

- downright romantic one;

And several satellite ones, each of which implies Zuko's full acceptance of Katara.

So... Here's my answer, I guess.

I basically came to the same conclusion about the nature of zutara interaction in tSR as before, just by different path. And I didn't even have to use romantic framing as an argument this time, which is a big improvement in my books, lol.

The only question left though - if Katara didn't really hate Zuko, why she lashed out at him after their escape from the Western Air Temple?

Well, I'd guess that Katara was generally frustrated at this point. By Azula's attack, by the new separation of her family, by need to hide and run, by war, by the whole situation, really. She was pissed. So she lashed out at the only Fire Nation person around. Basically, it wasn't something personal at this point (...Until Zuko decided that to ask her why she doesn't trust him like all the normal people do is a good idea lol. Oh boy).

Something like this, I guess.

Now I wonder if the writer of the episode meant it to be read that way, or she just wasn't so good at psychology, and all those implications were purely coincidental, lol.

Or maybe it's me who isn't good at psychology, and all I just said was no more than a load of bullshit induced by my lack of sleep?

Well, who knows.

Definitely not me. I'm not a psychologist - I'm a Melon Lord, Bwahahaha!

(... No, really, I'm not a psychologist, don't trust me)

[breached-containment-script]

We do actually see that tiny scar in several scenes! And I really like that because it's being dedicated to world consistency. The exit wound of the lightning on his foot.

But anyway you're right, it is basically true - reality should be bent in order to tell a satisfying story (if it stays consistent with the story's own rules in 99,9% of cases ig? For example the Lionturtle and Rock of Destiny both tell a dissatisfactory story and break the rules of the world -__-)

More stories especially those in visual medium should have scarred and disabled heroes. Too many times especially female characters aren't allowed to not be "aesthetically pleasing/perfect". Meanwhile half of Zuko's face is ruined and yet that doesn't dampen his popularity in the slightest. That shows us majority of audience will accept such a character being heroic - and yet his scar was drastically underplayed in the live action, to the point that the actor himself was disappointed. Same thing happened with Mortal Engines movie.

And what's sad is that Zuko really was just a villain when he was concieved as a character and his scar was nothing more than "a cool mark" that's meant to shock and repulse. I'm forever grateful the writers team gave him and Iroh the backstories and development they did

Which character significantly hurts whom depends on what the story is trying to say, so it's really interesting to me that the worst damage Zuko ever did to Katara was breaking her trust under Ba Sing Se (even though he didn't technically promise her anything, but it ended up feeling as him tricking her anyway) for which he spends significant narrative energy atoning to her, later. No physical strike or a burn or anything. The angry fire prince who constantly apparently causes collateral damage through arson. He broke her trust.

Zuko burning Toph happened because the writing wanted Aang to have a demonstration by his future firebending teacher that he understands it's easy to hurt someone with your power. I didn't get a feeling that it was very focused on affecting the relation between Toph and Zuko even though it could have, more than just Toph not wanting to admit that she got hurt by someone she was defending a day before without knowing him personally. With that said, real-life physically she probably wouldn't have gotten scarred... story-wise maybe, if the story wanted to focus way more on hers and Zuko's interaction. But yet again, if both Katara and Toph got scarred, narratively it would be - for Katara because Aang was being careless, but for Toph because Zuko was scared and defaulted to his automatic reaction. That's way less a thing to frown upon than being careless after several people warned you. Aang needed to learn a lesson, but Zuko needed to be in a safe environment.

For all that I do think Zuko being a sympathetic character who was meant for redemption almost at the same time he was given his scar and it was decided that his father gave it to him is a big step in deconstructing the "scarred villain" trope, Zuko is still a character who started out as a villain. When people talk about Katara not having burn scars or Toph not having burn scars, you know the real reason is that heroes don't typically get scars, villains do. So when I see people talking about how Katara shouldn't/doesn't have to have scars, in response to headcanons, I kinda have to think part of the reason is because we don't like the concept of a heroic character, and a female character who is meant to be the hero's love interest at that, having scars.

The fact that the Katara with scarred hands headcanon was invented largely by people who ship her with Zuko is pretty powerful on that front, presenting a heroic character having scars who is also female and a character seen as worthy of love not just in spite of the scars, but with them.

[allnewalldifferentwildspider]

Zuko & Katara's Relationship Dynamic

This is like the third or fourth time I've tried to write up this post so please bare with me.

Oh wow. That video. Hopefully everyone has seen it now. Not only did it articulate arguments I've been making for years, but it also brought up ideas I had never thought of or noticed before. Watching that and watching the second half of Book 3 again (because it's my favorite) made me want to redo my zutara dynamic post.

I'm going to be using the tiny bits and pieces the show gave us to see how Zuko and Katara's relationship looks and how it would look if they gave us more because...Bryke really fucking hated zutara. I mean, I guess they did.

Katara is compassionate; Zuko is empathetic

A lot of anti-zutara arguments have said that Zuko and Katara could never be together because they would constantly fight and hate each other and it end sooner than later. Not only does this actually describe maiko, but that argument would need to ignore the characters' actual character.

One of Katara's biggest character traits is how compassionate she is. She has a drive to help others and ease their pain. Whether it's getting Aang out of the iceberg or healing a Fire Nation fishing village, Katara will go out of her way to help someone in need.

Katara: No. I will never ever turn my back on people who need me.

Zuko is very emotional and passionate person. As much as he tried to hide it to appease his father, Zuko does want to open up and connect with people. Unfortunately, aside from his uncle, most of the other people he knows are like Zhao and Azula. Not the most understanding of crowds. But because of this he can pick up what people are really thinking and feeling. Think of it as a defense mechanism he developed growing up around people like Azula.

Get these two kinds of people together and you get the crystal catacombs scene. Katara lashes out at Zuko until she breaks down. When she does Zuko opens up with empathy since they have something in common. This creates the beginning of an understanding between the two. Zuko uses that to finally open up to someone who isn't his uncle and Katara listens and reaches out to help. Contrast to the first episode of Book 3 when Zuko tries to voice his thoughts and concerns to Mai and she...doesn't really care.

Something similar happens during The Southern Raiders. Zuko figures out that Katara is taking out her anger of being separated from her father by The Fire Nation onto him and even connecting her mother's death to him.

It's not the first time Zuko has done this either. He easily figured out that Sokka was planning on going to The Boiling Rock. He does it again during Sozin's Comet when he tells Katara that Aang needs to figure out what to do about Ozai by himself.

There's a noticeable pattern of behavior by the time Sozin's Comet arrives. Zuko voices his concerns about meeting his uncle again and Katara is right there to help him through it.

Zuko's empathy combined with Katara's compassion creates almost a cycle of understanding and emotional vulnerability that the two can't really get with anyone else. One notices the other having concerns or problems and goes to give comfort by words or by actions.

Zuko still has a temper but so does Katara

Even after Zuko's fever dream character change thing, even after The Day of Black Sun, he still has it in him to yell at anyone who commits even the slightest transgressions against him:

Aang: That one felt kinda hot. Zuko: Don't patronize me. You know what it's supposed to look like. Aang: Sorry, sifu hotman. Zuko: And stop calling me that!

Sokka: So all we have to do is make Zuko angry. Easy enough. *pokes him with his sword* *annoying laugh* Zuko: All right! Cut it out!

Maybe it's the firebender in him or maybe he really is just like that. Basically if you annoy him, he'll let you know. What people sometimes overlook is that while it takes Katara a bit longer, she also gets worked up when people upset her.

Toph: What's the matter? Can't handle some dirt, Madame Fussy Britches? Katara: Oh, sorry, did I splash you, mud slug?

And remember, it was Katara getting angry at Sokka that even broke the iceberg that revealed Aang.

Katara: Ugh, I'm embarrassed to be related to you! Ever since Mom died I've been doing all the work around camp while you've been off playing soldier! Sokka: Uh... Katara? Katara: I even wash all the clothes! Have you ever smelled your dirty socks? Let me tell you, NOT PLEASANT! Sokka: Katara! Settle down! Katara: No, that's it. I'm done helping you. From now on, you're on your own!

The point is that it is both Zuko and Katara that are very passionate and emotional people. One of them isn't emotionally dominating the other because they both wear their emotions on their sleeves.

This also comes in to play when they set goals for themselves. When Zuko sets a goal, he puts everything into it. Katara is the same way. The difference is that Zuko's drive sometimes gives him a one-track mind while Katara is more flexible. Like for example Zuko being so focused on finding Aang before Sozin's Comet that he ignores Toph's story about her childhood versus Katara wanting to go to the North Pole but taking time to stop and help whoever they come across.

This passion also fuels their values and how strongly they stand by their beliefs. I already put The Painted Lady quote up above but Zuko's morality is what is making him so angry at himself during The Beach. He knows what he did was wrong, but he couldn't face it yet.

Sometimes their emotions get the better of them, but it's only because they are passionate about what they're doing.

Their natural teamwork is amazing

I can't provide a lot of clues in this bit because it's more of a visual thing. Just consider how flawlessly their plans worked during their attack on The Southern Raiders. Especially when you consider that it was a stealth mission so they barely even said anything to each other during and it still went incredibly well.

You could see it again during their mock battle with The Melon Lord. Sokka must have noticed because he paired them together to deliver some "liquidy-hot offence." And they pulled it off, again, without having to say anything.

They've only been a team for a few weeks(?), days(?) but they act as if they've been doing it for years.

They trust each other's judgment

Piggybacking of the previous point, Zuko and Katara have only been a team for a while but there seems to be a level of understanding in terms of judgement. They both know that whatever the other chooses is going to be a well-thought out decision. Maybe it's because they see each other as the mature members of the group even though Sokka is the same age as Zuko? I don't know.

Aang disappears right before they embark on their fight against the Fire Lord, and out of nowhere, Katara puts Zuko in charge.

Zuko: Get out of the bison's mouth, Sokka. We have a real problem here. Aang is nowhere to be found and the comet is only two days away. Katara: What should we do Zuko? Zuko: I don't know. Why are you all looking at me? Katara: Well, you are kind of the expert on tracking Aang.

and that wasn't the first time in that episode that she went along with one of Zuko's decisions

Katara: Aang, don't walk away from this. *She begins to walk towards him as a hand touches her shoulder to stop her from doing so.* Zuko: Let him go. He needs time to sort it out by himself.

As a lot of people have pointed out during the entirety of The Southern Raiders, Zuko never gives a suggestion on what he thinks Katara should do. Aside from making it a stealth mission, he follows her lead the entire way.

Katara teases Zuko (and he lets her)

The fun one. This one has two parts: pre and post The Southern Raiders.

Before The Southern Raiders, Katara was tolerating Zuko. She was still angry with him about the betrayal at Ba Sing Se. Getting little jabs at him was the only thing that was really helping her from loosing her cool around him.

Katara: I'm sorry. I'm just laughing at the irony. You know... how it would have been nice for us if you lost your firebending a long time ago? Zuko: Well it's not lost. It's just weaker for some reason. Katara: Maybe you're just not as good as you think you are. Toph: Ouch.

He just finished yelling at Aang and Sokka but all he does is glare at Katara. She does it again, but to be fair, he kind of set himself up for it.

Zuko: It's a sacred form that happens to be thousands of years old! Katara: Oh yeah? What's your little form called? Zuko: ...The Dancing Dragon.

Then comes post The Southern Raiders and...yeah, she's still picking on him and he still lets her. Granted it's a lot more playful this time around.

Zuko: They make me totally stiff and humorless. Katara: Actually, I think that actor's pretty spot on. Zuko: How could you say that? Actor Uncle: Let's forget about the Avatar and get massages. Actor Zuko: How could you say that?! (Cut back to Katara wearing a satisfied grin on her face and she looks to an expressionless Zuko as he slouches in his seat.)

I love pointing it out every time. She teases him and he does nothing about it.

Katara: Er, no. I was looking for cooking pots in the attic and I found this. Look at baby Zuko! Isn't he cute? Oh lighten up, I was just teasing.

And she admits it!

-

So what can we take away from this? From what little time they were given together (thanks, Bryke) it seems that Zuko and Katara really understand each other on an intimate emotional level. They can sense when the other is distressed and offer comfort. They're both passionate in and out of combat, for better or for worse. They're comfortable with each other as if they've known each other for years even though it's such a short time. Katara also likes to add a little bit of playfulness in there with Zuko letting her have her fun, again, showing how comfortable they are with each other.

I do think their relationship could have gone to romantic sooner than later if you would have given it a bit more time. Like first half of a hypothetical Book 4.

To me, at least.

[akiizayoi4869]

🔥Ozai, Iroh, Sokka, Hakoda

...somehow I knew that you were going to add Iroh into this ask. Why would you do this to me?😭

Alright, here we go. First is Ozai. As Nichya likes to call him, bitchlord Ozai is a dick. He was a horrible father to both of his kids by manipulating the both of them. Can't say much about him and Iroh since we got no scenes between the two of them whatsoever. His relationship with Ursa is rather complicated thanks to the comics. From what we see in canon, the marriage between the two of them started off rather well, before it went downhill when he started to become power hungry.

Now that the bitchlord is out of the way, Hakoda is next. He is a good father to both of his kids who unfortunately he barely got to spend any time with because of the war. I do wish we got more scenes with him, Sokka, and Katara though. And definitely between him and Kya, since we know absolutely nothing about her except that she was killed in a fire nation raid.

Sokka is one of my favorite characters for a majority of reasons, but the main reason is probably because I can relate to him somewhat. He seems to be the type that suffers in silence, never really talking about his trauma unless someone asks him about it, which is something that I do alot. His quick wit in the middle of a battle is something that I really like and is something that seems to be overlooked in the show a little bit because of his humor and his tendency to either say or do stupid things. His dedication to protect his little sister no matter what is something that I love too since I'm a younger sibling myself and that's how my older sister is with me.

And last but not least, the jolly old war Santa himself, Jesus Iroh. Now I'm not gonna lie, I actually did kinda like him back when I was little kid, even though I did feel like his character was a bit bland because it seemed like his only motivation in life was Zuko and nothing more. Stopping the war wasn't on his radar at all, even though as time went on it slowly started to become clear that he didn't agree with it. What made me begin to dislike his character altogether was when I rewatched the show more and more as I got older, especially in 2020. His hypocrisy was a huge turn off for me, and the fact that he instigated an already toxic sibling rivalry between his niece and nephew because he saw Azula as nothing more than obstacle on Zuko's path to his "destiny" annoyed the ever loving fuck out of me. Doesn't really seem wise for someone we are supposed to see as the paragon of wisdom in the show. In the beginning of book 3 when Zuko visits Iroh in jail, we see that Iroh is disappointed in Zuko for what happened in the book 2 finale. He chose Azula and Ozai over Iroh, and that was obviously a bad thing. But how would Zuko even realize that when Iroh was encouraging Zuko to capture the avatar? When he kept on telling Zuko that Ozai, who was his abuser, loved him? Iroh never spoke against the war not one time during Zuko's exile. And he knew that all Zuko wanted to do was to return home. He didn't want to stay in Ba Sing Se like Iroh did.

Iroh's complete disregard for Azula is another thing that bugged me about him when I picked up on it. The girl was 14 years old and was abused just like her brother was, so why did he seem to think that she was a lost cause? We see Iroh go out of his way to help Zuko all throughout the series, even when Zuko betrayed him, and yet we never get the sense that he would do that for Azula. For fucks sake, stupid Legacy of The Fire Nation has him basically blame Azula for the abuse that both her and Zuko suffered just because she was the better firebender, and that Ozai could have prevented their rivalry from escalating. I'm sorry, what? Why would he do that when he was the reason the rivalry got started in the first place? The way how it was written made it really seem as if Iroh believed that Azula somehow manipulated Ozai into treating Zuko like shit. So because she was a better firebender than Zuko was because she clearly trained her butt off to get to that point, she was a bad seed? Because she outshined Zuko in that regard, thus taking away Ozai's "love" from him? Bullshit. Both of them deserved their parents love equally, it shouldn't have had to become a competition to see who could obtain it. And yet it did because the adults let it happen and saw nothing wrong with it. But yeah, him blaming Azula for everything in that horrendous book just made me completely hate his character, because how the actual fuck do you blame a child for the abuse that both she and her brother suffered at the hands of your little brother?

Alright rants over, lol. Thanks for the ask!

[guiltysecretpasttime]

Pretense

Here’s a one-shot fanfic from me, still on Legend of Korra.

- Lin/Tenzin, pre-LOK AU

- One-shot, completed

- Length: Approx 8.9k

Overview:

As far as the Earth Kingdom is concerned, Lin Beifong is in a relationship with the son of the Avatar.

No, not that one.

 ---

Lin could not believe that they managed to pull it off.

It has been a week since she arrived at Ba Sing Se. So far, it has gone well.

She towel-dried her hair as she moved around the room to get ready. The metalbender has just finished her shower right after coming home from training with the Dai Li.

Lin had always wanted to train with them. She felt that, aside from her mother, they would be a good source of learning different earthbending styles.

As expected, her grandmother Poppy was more than unwilling to have her train – for what good man would indeed wish to be with a brutish young lady like her. On the other hand, Toph Beifong was quite supportive but was hesitant on the grounds that it might hinder her progress with the police force.

Ever the people-pleaser as her pestering sister described her, Lin struggled to come to a solution that would hopefully meet all their concerns. By some fortunate coincidence, someone swooped in with a proposal, which she accepted after weighing the pros and cons.

Sliding into a long deep scarlet dress, Lin quickly pinned up her hair and applied lip stick.  It would simply not do for one of the ladies of the Noble House of Beifong to be seen unkempt.

This was the concession of her temporary move to Ba Sing Se: train with the Dai Li by day - attend society events at night.

It was enough to satisfy both her mother and grandmother. Toph hated these events expected from the current head of the Beifong family. Having Lin attend to it in her stead works for both of them - Toph gets to stay in Republic City and Lin gets to show her family (and the world) that she is highly capable in navigating these events. This way, no one need worry about the Beifongs not being recognized within the Earth Kingdom.

There was a knock at the door. Lin took one last look in the mirror and went to open it.

To add to her advantage, showing up with a date every time for these events keeps possible entanglements at bay.

“You look wonderful, Lin.”

After all, what better way to repel unwanted admirers than showing up at the arm of the Avatar’s son?

“Thanks, you look good too, Bumi.”

 ---

Tenzin unfolded the letter.

This was the address, he confirmed, standing in front of a tall nondescript gate, blocking the view and entrance to a residence in the Middle Ring in Ba Sing Se.

He rang the bell and waited.

The airbender shifted his bag from shoulder to shoulder, his robes billowing in the wind but interestingly not drawing attention from any passersby. He figured it was a good call to leave Oogi at the Air Temple and take a train to the Earth Kingdom instead, less commotion and less accommodations needed. He did not want to unnecessarily impose on others after all.

Tenzin was at the last leg of his travels and it happened to be a stop at the Earth Kingdom, specifically at Ba Sing Se University. Initially having thought that only minimal information documenting the Air Nomad culture survived the genocide, after the deposition of Ozai, more and more have contacted the Avatar to share artifacts and knowledge of the Air Nomads that they had hidden away during the war. Aang had eagerly responded to each of these letters and began to acquire these relics beholden to his culture. When Tenzin became of age and was to embark on his travels as a new airbending master, he sought to continue this practice and exploration. This is what brings him to Ba Sing Se University.

He had been writing to his mother to update her; telling of his plans to stop at the Earth Kingdom before going home to Air Temple Island. Katara had suggested to contact his brother who would be there for a diplomatic assignment. Tenzin was skeptical; he did not have a close relationship with his siblings after all. Nonetheless, to appease his mother, he did write to Bumi asking if he could stay for a couple of weeks with him. To his surprise, Bumi had responded in the affirmative.

“Coming!”

A voice answered the bell, a voice which was obviously not Bumi and was distinctly feminine.

The gate swung open, and Tenzin gaped.

“Hi Tenzin, you’re early!” Lin Beifong stood before him, clad in a gold qipao. For a moment Tenzin was not able to respond, focusing his attention on the curl at her neck that must have escaped the bun on top of her head.

“H-hello, Lin.”

She invited him in. “We weren’t expecting you until tomorrow.”

We?

“I was able to catch the first train out and so cut a day from my travel time.” He managed to respond as Lin led him to the house.

“I see, we were going to fetch you.”

“So, is it really Tenzin?” A loud voice came from one of the inner rooms of the house.

The metalbender rolled her eyes. “Of course, has my seismic sense failed us yet?”

“One could hope not.” Bumi came into view, wearing a towel tied at his waist and nothing much else. “Tennyboy! Great to see you!” The military man clapped his hands then moved to embrace his brother tightly and lifting him up. “Welcome to Ba Sing Se.”

“Good to see you too, Bumi.” Tenzin gasped out, dropping his bags, and patting his older brother back.

From his peripheral view, he could see Lin watching them with amusement.

“I want to hear all about what you’re up to here, baby brother.” Bumi set Tenzin back on the ground, crossing his arms, unmindful of his still dripping hair from his shower.

Lin cleared her throat and both men turned to her. She simply raised an eyebrow.

“Ah right,” Bumi shrugged. “Lin and I were on our way out for a charity event, would you want to join us?”

“Um, thanks but no.” Tenzin thought it would be the height of poor manners to show up uninvited by the hosts to a formal dinner. “I’ll settle in first.” He gestured to his things.

“Maybe next time, then.” Suddenly aware of his semi-nakedness, Bumi quickly addressed Lin. “Lin, if you could show him to his room? I’ll finish getting ready.”

Lin inclined her head and beckoned Tenzin to follow her.

Tenzin, although bewildered, followed Lin as she showed him where everything was (pantry, kitchen, living room). He also noted the shiny red embroidery on Lin’s dress that crept from the shoulder (is that a dragon?) to the small of her back which then drew his attention to her –

“And here is your bedroom.” Lin pushed open one of the doors.

“Thanks.” He paused just in time not to crash into the woman in front of him.

“If there’s anything you need, well, just let Bumi know.”

And, with a curt nod, Lin left Tenzin to settle in and wonder what he just got into.

 ---

Tenzin heard the front door open hours later as he sat at the living room, having a cup of tea while going over his notes.

“That was tough.” Bumi’s deep timbre echoed in the silent house.

Both he and Lin came into Tenzin’s view as they entered. Lin removed her heels and all but collapsed at the couch. “Remind me to decline any event that comes right after physical training sessions.”

“I did remind you,” Bumi slid down beside her, nodding at Tenzin to acknowledge his presence. “And you said, and I quote – ‘it’s just a short event, how bad can it be?’”

Lin covered her face with hands and groaned. “I underestimated the amount of networking that they expected during a charity event.”

Bumi laughed good-naturedly, patting Lin’s back. “Hey, Ten – how was your afternoon?”

“Good, good. I managed to unpack everything. All set for tomorrow.” Tenzin waved a sheaf of papers.

The non-bender looked between the metalbender who was slumped on the couch, eyes closed, and the airbender at his other side, clearly up for a long night of paperwork. An idea came to him. “I know, let’s all go out and have a late dinner and some drinks to welcome to you to Ba Sing Se.” He placed an arm over his brother’s shoulder. “What do you say?”

Tenzin grimaced a bit, having travelled conventionally without his sky bison was tiring. “Thanks for the offer but I’d rather stay in and get some rest.”

Bumi nudged Lin, who gave him a baleful glare. “Okay, no.” He laughed and got up, checking his pockets to make sure he has enough money. “I’ll just get us some take-out and we’ll eat in then.”

“That’s the first time you made sense tonight.” Lin grumbled.

With promises of a well-balanced meal for them of both vegetables, meat, and booze, Bumi loped off.

Lin remained in the couch, sighing as she stretched her legs and then tucked them to herself.

Tenzin adjusted his glasses and surreptitiously observed Lin as he went through his research notes.

He always had a soft spot for this childhood friend. They spent most of their toddler years and early childhood with one another, but Lin (and eventually Su) had been shuttled back and forth from Gaoling and Republic City. This was highly dependent on the Beifong grandparents as well as Toph’s schedule (and how dangerous her cases were). Meanwhile, his education has turned to focusing on Air Nomad culture. Their days intersected less and less as time passed by.

Their friendship dwindled, and they were not as close as they could have been.

Truth be told, as he watched Lin stretch once more then pad over to the kitchen with familiarity, he did not even know what she had been up to recently. He had some inkling to it (mostly relating to the police academy) but he did not expect her to be in Ba Sing Se. And most especially not around in Bumi’s UF provided residence.

He did harbor crush on the earthbender in their adolescence; surely at least Bumi knew about it, if his subsequent teasing during his visits to Air Temple Island were any proof.

Tenzin shook his head.

That was then and this was now; he had grown up and something as silly as a childhood crush was soon forgotten.

At least, that was what he kept telling himself as Lin came back to the living room, placing her own cup of tea on the table then disappearing to Bumi’s bedroom, claiming to retrieve a book she had been reading earlier.

Yes, it was all forgotten, Tenzin convinced himself even as he felt a pit form at his stomach.

 ---

The next time that Lin was over, Tenzin was lugging with him a large book bag filled with loaned books from the university library. After a couple of visits, he felt that the scrutiny from some of the staff and students made him uncomfortable. There was no denying who he was, with his tattoos brightly announcing to the world his mastery of a long thought to be dead element.

The fawning and the preferential treatment were a little less bad than how the air acolytes had regarded him. That was not conducive to his productivity and so he decided to bring home as much relevant material as he could instead and work from there.

He had only managed to spread out all the books and was in the process of cataloging the references when Lin burst into the house.

“Is Bumi home?” Lin appeared have rushed over, and Tenzin appreciated the flush on her cheeks and neck exposed by the tank top she wore.

Tenzin made a noise and pointed to Bumi’s bedroom and was responded to by a hasty thanks.

 ---

“You said you had news?” Lin asked without preamble upon entering the bedroom.

“Spirits, Linny!” Bumi shouted, pretending to cover himself up with his blanket when he was obviously doing some mending of his clothes. “What if I had been indecent?”

Lin simply snorted. “I’ve seen you in worse conditions.” She was no doubt pertaining to the time he had gotten drunk, and she had to bail him out.  “So, what is this about?” She sat at the edge of the bed, mindful of the sewing basket.

“Eh,” Bumi shrugged unconcerned but grinning. He tossed her an opened letter. “See for yourself.”

Skimming through the letter, a grin formed on Lin’s face as well. “Bumi! This is great!”

Prior to his assignment in Ba Sing Se, Bumi was short-listed for the next round of promotions. While tried and tested in the field, Bumi’s skills in diplomacy were yet to be proven. This latest assignment was a chance to prove just that.

And as in everything in his life, Bumi had to work doubly hard to prove himself. He had been a month in Ba Sing Se, attending meetings in the Royal Court, with the legislature and the kingdom’s security. He felt that he was not making a lot of leeway into reaching the accord that the United Forces needed with the Earth Kingdom. Their queen, Hou-Ting, had recently ascended to the throne and was distrustful of anything linked to the United Republic.

He had taken a couple of days off to visit his mother to take a breather and maybe a change in the scenery would give him more ideas how to approach the dilemma. He was going to sneak into the kitchen for a late breakfast when he overheard a conversation between his mother and Toph Beifong – which ended up with him seeking Lin to discuss a mutually-benefitting proposal…

This brings them to this moment where one of Bumi’s superiors had sent a missive on how one of the Earth Kingdom nobles had revisited his stance on the agreement between the United Republic and the Earth Kingdom. Included in the letter as well as a congratulatory note to continue whatever tactic he has employed as the results were in their favor. It was a simple introduction into the right company, an assistance that came in the form of Lady Lin of the Noble House of Beifong, who knew the Who’s Who in the Upper Ring of Ba Sing Se and the influential nobility in the Earth Kingdom.

“We should celebrate these little wins.” Lin handed the letter back. From her end, she will know if her presence in the upper-class of the Earth Kingdom has made any impact once she hears from her grandmother (who in turn, would have learned from one of her contemporaries living in Ba Sing Se).

“I don’t see why not.” Bumi merely tossed his mending into his sewing basket.

Grasping Lin’s arm and eagerly bringing her to the living room, he called out to his serious brother. “Tenzin! Get up, man – we’re going out to celebrate!”

 ---

Tenzin looked up to his beaming brother and Lin who was blushing from Bumi’s arm.

He wanted to decline joining them, fearing an outing of being the third wheel to the couple. At the same time, it had been a long time since he had spent time with Lin (and Bumi for that matter). Additionally, for some reason, that he did not want to dwell on right now, he did not want to leave the couple alone to their own devices.

Seeing Lin’s smile and Tenzin knew his decision was made for him.

 It was not too bad, not really.

Lin and Bumi had tossed banter, speaking of nobles and politics that flew over Tenzin’s head. He did not bother to clarify, thinking that it must be some sort of inside joke between the two. Or something confidential related to their fields of work.

They selected a small food court still in the Middle Ring, which catered to the varied crowd with different cuisines. Bumi ordered mounds of varied barbecued meats and sauces.

Tenzin noticed that Bumi did not order anything for Lin and Lin was left perusing the menu on her own.

The waiter stood patiently; pen poised over his notepad ready for their order.

“I’ll have the green mango salad please.”

“The green mango salad for me.”

Bumi looked at them with amusement. “Seems like you’ve finally found someone who enjoys shrimp paste as much as you do, Lin.”

Lin simply pursed her lips and went on to order another entrée on top of the salad (squid ink noodles) and a glass of cold tea.

Tenzin added an order of seaweed noodles for himself.

Once their orders arrived and they have dug in, Lin and Tenzin continued to rib Bumi for not having green mango salad, which in this case, included a healthy dollop of shrimp paste.

“I’m telling you, Bumi, this salad is good.” Tenzin insisted, taking in several bites of the salad. “You can’t know until you try it.”

“No, thank you.” Bumi grimaced with slight disgust. “It stinks high heaven.”

“I find it a good deterrent on a first date,” Lin happily mixed the shrimp paste into the leafy vegetables and sliced mangoes. “Makes it easier for me to weed out those with unscrupulous intentions.”

“Seriously, Lin – unscrupulous? You’re the only other person aside from Tennyboy here who uses words with more than three syllables.” Bumi evaded a slice of mango that the earthbender tossed him. “Well, there you have it Tenzin, if you do find that unique lady who would share this horrific salad with you – you could be rest assured that she’s not after your good name, your esteem or a good time that night.”

Lin chortled. “I doubt anyone who was looking to hooking up will even order it in the first place.”

“Imagine the stink during foreplay…” Bumi waggled his eyebrows and was rewarded with a slap upside his head from the earthbender.

Tenzin thought that he would not mind sharing a salad with Lin while on a date.

As Lin reached out her chopsticks to snatch a piece of meat from Bumi’s plate, which Bumi subsequently tapped away lightly, the airbender sneaked two pieces of meat from Bumi to Lin’s plate when his brother was preoccupied.

This was the Lin that he knew, in a plain tank top and loose pants. Not the Gaoling heiress made up with a fancy bun and a tight dress. While she did look beautiful in her formal attire, Tenzin thought that she was especially radiant tonight in her natural state.

The grateful grin that Lin gave him was enough to remind him that maybe his little crush was not all gone.

 ---

Later that night, after Lin went home, Tenzin made a mistake of hovering in the kitchen as Bumi put away some of their leftovers.

“Something’s bothering you.”

“N-no.” Tenzin stammered out.

“You’re making that face.” Bumi waved a hand in front of Tenzin’s face.

“This is my face, that’s all.” Tenzin knew the non-bender could be stubborn and will not budge unless he gave in. “Fine.” He sighed. “Seriously, Bumi – Lin? She – she’s not even your type.”

“So, I have a type, eh?” Bumi stood up to his full height, sending a critical look at the younger man.

“You know what I mean.” Tenzin crossed his arms. He sought to phrase his thoughts in a way that will not insult either Lin or his brother. “You take her on dates, and she doesn’t seem like the usual girls you go out with.”

A flash of something crossed Bumi’s face and a knowing smile formed. “I don’t see how that’s a problem. Think about it Ten, Lin Beifong has brains, beauty, and brawn – the complete package. Anyone should think that she’s their type.” He flexed his arms, giving his brother mischievous wink. “Now, she’s got Bumi too.”

The sinking feeling that Tenzin felt since the start of the night grew heavier as he watched his brother gleefully say his good night and left him to his thoughts in the kitchen.

What was he thinking? Reviving feelings over his brother’s girlfriend? That just was not gentlemanly to do nor was it right.

 ---

As much as Tenzin wanted to avoid Lin, he found that it was near impossible with the frequency of Lin dropping by or Bumi coming home with Lin.

The couple would also be very considerate and would often invite him to join them at their formal events. To date, Tenzin had not accepted any of their invites yet.

It was also hard to ignore the earthbender as Lin would usually be the one to initial conversation, usually by poking through his notes and the materials sprawled on the coffee table. If there was anything that Tenzin could talk about all day, it was anything and everything to do with the Air Nation and their nomadic culture.

Lin’s sincere interest in the topics similarly encouraged him to open up to her.

And, hopefully, dare he wished, her to him.

 ---

Finding more in common with him with their esoteric food tastes compared to Bumi, Lin had taken to bringing some packed food from the food court from time to time.

In one of their conversations, she admitted to Tenzin that while she did enjoy eating out with Bumi, the soirees that they go to tend to serve the usual Earth Kingdom Upper Ring fare and it tends to get a little bit redundant after some time. While she would love to sample more of the dishes in the multi-cultural food court, most of the orders were good for sharing. And, after an ill-advised selection with Bumi (which ended up with the man looking green the entire night, to be fair Bumi was a champ and had not complained all night and had valiantly finished their food), Lin did not have the courage to order more with the non-bender.

To her delight, Tenzin offered to do these taste tests with her. Unfortunately, the schedules that they both adhere to had prevented any outings like the night that they all went out with Bumi.

Lin came up with a solution and would stop by the stalls and the food court to order a dish or two to try. Then, over their paperwork (Lin had taken to bringing over her own paperwork to go through at Bumi’s house), the two of them would share this meal, pretending to review the dishes with posh and snooty language they read in the lifestyle section of the Ba Sing Se gazette.

Lin found herself looking forward more and more to these nights, a reprieve from the arduous Dai Li training and highly decorous hobnobbing with the Upper Ring.

Tenzin’s calming presence and dry wit kept Lin interested to spend more time with the airbender. It was as though they were picking up back from their previously close relationship.

Don’t get her wrong, she also enjoyed the company that Bumi provided when they go out on their dates. He was a good conversationalist and he helped her deftly navigate through the upper echelon of the Earth Kingdom society. Bumi is a good older brother who shared her experience in a similar industry, someone to talk to in terms of career and the practicalities of life.

Tenzin on the other hand…

Lin tilted her head in consideration while the airbender absentmindedly tapped his pen to his chin, a mannerism that she now recognized.

The airbender made her feel heard and seen.

She made a face and turned to face her own papers.

Put it like that makes it sound so sappy and un-Lin-like.

And yet, it felt right.

 ---

Tenzin had finished his research an hour or so ago.

He was now vacillating between going to bed early and leaving a few books on the table, in the illogical hope that maybe when Lin drops by later with Bumi she will be intrigued enough to stay for a chat. It sounded so stupid.

A beat.

He wants that.

He looked at the clock. Lin and Bumi will not be back for a few more hours.

While he was contemplating this conundrum that he placed himself in, the door opened and in limped Bumi, an arm over Lin’s shoulder.

Tenzin immediately stood up to take Bumi’s other arm to assist. “What happened?” He peered at his brother.

“Genius here decided that he was strong enough to -.” Lin had started to respond but Bumi swiftly twisted to cover her mouth with his hand.

“It’s not important how I got injured- just that I did.” Bumi interrupted as he held Lin’s gaze.

The unspoken communication between the two was too much for Tenzin and was about to leave the couple alone when Lin rolled her eyes and mumbled her agreement.

Bumi placed his arm again on his brother’s shoulder. “Let’s hop to it, Ten-Lin.” He ordered imperiously, nodding towards his bedroom.

“Of course, my liege.” Lin muttered, snark and sarcasm dripping from her words as they assisted the non-bender.

With a bit of maneuvering, Tenzin and Lin were able to place Bumi on his bed. Tenzin then noticed the glint of metal at his brother’s foot.

“Do you need any more help?” He directed his question to Lin rather than his brother who seemed to be smiling loopily at them.

“Ooooh Ten-Lin,” Bumi called out in an odd singsong voice then patted the bed beside him. “Care to have a heart-to-heart with Papa Boomboom here?”

Papa Boomboom?

“I’m good.” Lin shook her head, pulling at Bumi’s shoes and tapping the metal brace that she appeared to have created. “The healer on site was able to give him first aid and painkillers. He’ll be out in no time.” She was resolutely ignoring Bumi’s waggling eyebrows.

Tenzin inched out and quietly closed the door behind him, not wanting to find out what Papa Boomboom was up to, similarly disregarding Bumi calling out “Ten-Lin! Ten-Lin!” as he left.

 By the time Lin got out of the bedroom, the airbender was back in his spot in the living room, nursing a warm cup of genmaicha. His things were now in a neat pile on the coffee table. His hope of a conversation with Lin that he had initially looked forward to now a thing of the past. With his brother in semi-lucidity and injured to boot, no doubt Lin would be spending her visit (or even staying over) at Bumi’s bedside.

It was to Tenzin’s astonishment when Lin plopped beside him at her spot on the couch a couple of minutes later.

“Do you still have some of that?”

He blinked before realizing that Lin was pertaining to the genmaicha. “Ah yes, there’s more in the pot in the kitchen – let me get it for you.” He added belatedly, something warm curling within him at Lin’s soft smile as she thanked him.

The airbender got up to get the teapot while the earthbender proceeded to remove her shoes.

Lin was flexing then curling and uncurling her toes when he got back.

“Why do you even wear those shoes if they’re so uncomfortable?” He could not help but ask as he set the tea tray down on the table.

“It goes with the dress.” Lin nonchalantly stated as she shifted in her seat. She tucked both of her legs to her side at the couch and Tenzin had to concentrate on pouring her tea as her green silk skirt hiked a bit.

 They sipped their tea in comfortable silence for a few moments.

As always, Lin was the one who broke the quiet. “Aren’t you going to ask about Bumi?”

He wrinkled his nose. “I’m not sure if I want to know what happened but I’ll bite – how is he?”

“He’ll be fine tomorrow,” Lin scoffed. “I’ve removed the brace. Nothing else bruised except for his ego. Not going to give everything away but he injured himself because of a dance move.”

Tenzin was mid-sip and had choked on the tea.

“Easy there,” Lin moved to rub Tenzin’s back in circles, in an attempt to help him.

Unknown to her, it only heightened his embarrassment and the soothing movements only contributed to his discomfort.

“Dance move?” He eventually garbled out, having regained his composure.

Lin’s lips quirked up. “Yes, don’t go teasing him on it yet though. Keep that in your back pocket. You’ll never know when you might need it.” She removed her hand on his back and Tenzin felt its absence acutely. She reached for the pot on the table to refill her own cup. She then caught sight of the title of the topmost book that Tenzin had.

As Tenzin had hoped earlier, the earthbender brought their attention to the book and asked about his progress in his research on the instruments of the Air Nomads.

 Eventually the pot has been refilled and emptied, their cups left cold as their conversation suitably engaged them until the late hours of the night.

“Wouldn’t that be grand though,” Tenzin had expressed. “If we were able to have enough artifacts to host in a museum. I mean, Dad was able to transport the ancient airbending gates to Air Temple Island. It would be great if we’ll find something more to add.”

Lin, who, by now, did not care that her skirt was wrinkled and was now hugging a throw pillow to her chest, observed. “You really enjoy what you’re doing, don’t you?”

“Bits and pieces of it,” He picked at the frayed edges of his notes. “The thing I hate the most about being the Avatar’s airbending son is the travelling.”

“Oh?” The tone was non-judgmental but curious.

“I know it sounds terribly ungrateful.” Tenzin fidgeted. “But I really disliked moving from one temple to the other. I’m not made for this nomadic lifestyle. I sometimes think that being an airbender was wasted on me.” He had never spoken of this to anyone, not even his mother. “I would have been utterly contented spending my days at Republic City or at Air Temple Island even.”

He expected a rebuke or a scathing remark on him being an ingrate (Agni knows how some senior acolytes had spoken behind his back whenever he deviated from Air Nomad culture).

“What would you rather do if this wasn’t expected of you?” Lin’s gentle query and earnest expression was a balm to his anxious soul.

“Maybe a teacher or a scribe.” There was something about Lin that was drawing him in, making him want to be honest as possible. “Nothing fancy, nothing worth writing home about.”

“You’d be a good teacher,” She considered. “You’re very patient and very much willing to impart whatever knowledge you have.”

He rubbed the back of his neck, Lin’s intense grey gaze on him. “How about you? What if… you weren’t born a Beifong?”

He could see the hesitation. “Can you keep a secret?” Lin whispered, inching towards him after a few moments.

Tenzin could only nod. At this point, he will probably do anything for her.

She curled her finger at him, beckoning him closer, close enough to whisper in his ear. “I wanted to be a dancer.”

“I could see it.” There had always been something graceful with how Lin used to manipulate her metal cables. Where her mother was firmly stuck to the ground with rough movements, Lin seemed to be lighter on her feet with more fluid motions. He has not seen Lin metalbend recently; he could only imagine the difference a couple of years training would make on improving her bending.

“Really?” The surprise was apparent on her face.

Tenzin idly wondered if she, like him, thought that their dreams were ridiculous considering the heaviness of the mantle that were their parents’ legacies.

“Why not? I think you’d be good at it.” On a whim, maybe it was the lateness of the hour, the cathartic feeling of telling someone of his dream and insecurities, Tenzin let the words escape before he could even filter them. “Dance with me.” He stood up and extended a hand to the earthbender who was still curled up on the couch.

“What?” Lin’s eyes widened slightly (is that a faint blush he sees on her cheeks?).

“Dance with me.” He repeated.

“But there’s no music.” Despite saying that, she held his hand and allowed herself to be pulled up.

“Don’t worry about it,” Tenzin positioned themselves closer, he was sure it was not an airbending dance position but something he saw on a visit to the Fire Nation. “It’s just you and me now.”

After few false starts, both got into a steady rhythm with Tenzin leading.

As Lin grew more relaxed in his arms, Tenzin knew he would take what he could now. He felt like he was just doused with cold water with the epiphany he had. He was just fooling himself. His crush was not over, far from it.

His feelings were stronger than ever.

His eyes landed on Bumi’s bedroom door.

His feelings which should remain hidden as they were towards his brother’s girlfriend. His feelings which he will never act on.

It never did cross his mind to wonder why the woman was still there in the house, spending time with him willingly hours after her supposed boyfriend had turned in for the night.

 ---

“Nobleman with a distasteful mustache at three o'clock, Lin.” Bumi whispered at her side, clutching her elbow as they weaved through the crowd.

Lin stood ramrod straight. “That’s the nephew of one of Grandma's friends.”

It was at situations like this that she valued Bumi's presence at her side. Nonetheless, they made sure to act in accordance with proprietary.

She overheard several matrons saying that it was a pity that Lady Beifong appeared to be spoken for; their son/grandson/nephew would have been perfect for her.

However, in all the soirees and events that they have been attending, no one had outright asked them the status of their relationship. Lin was not about to disabuse them of their assumptions as no one was brave enough to confirm anything with her.

This at least left her to freely engage in conversation without fear of misconstrued intentions. This also allowed Bumi to be included in these discussions where he would expertly drop opinions or statements that may influence their thinking in relation to the United Forces or the current political climate.

No one thought twice of the presence of the non-bending son of the Avatar – If the Beifongs approved of this military son of a pacifist, then he was good enough to mingle among the Earth Kingdom elite.

As the two of them navigated their way to the buffet table, Bumi casually asked. “When this is over, aren’t you worried about them vultures descending upon you? Or Republic City gossip rags?”

Lin hummed as she perused the selection. “No, not really. We’re far away from Republic City and this is very exclusive society is not about to dish out to anyone outside of their circle. That’s what keeps them in power.” She picked up a piece of bruschetta. “And besides, maybe I’ll ask Mom to send Su here in the next season – find herself a good husband or something.”

“Lin, she’s barely twenty.” Bumi commented, eyes twinkling in amusement.

The earthbender merely shrugged.

“And, what about you?” He prodded her side as they sat back at their table. “Any romantic entanglements you see in the horizon?” It was to Bumi’s credit that he detected the barely noticeable tightening of her jaw and widening of eyes. “So, there is someone!” He announced gleefully, turning a few heads their way.

“No, there isn’t.” Lin grumbled, stabbing a fork into the plateful of food that she had taken.

“Playing dumb with me never worked, Lin Beifong, even when we were children.”

Lin hated how Bumi was able to read her easily; their equally matched observational skills honed by their respective careers.

“Don’t think I didn’t see it coming or that I did not see it happening.”

She resolutely brushed him off and focused on her plate.

“What are you going to do about it?” Where Lin might be stubborn, Bumi was downright obstinate and pushy.

“There’s nothing I should do anything about.”

Bumi glanced at her pensively over the glass he was sipping from. “Maybe you’re right – you shouldn’t have to do anything.”

“Oh Bumi, you’re reading too much into this. It doesn’t mean anything,” She turned away. “Besides, he probably has some sweetheart waiting for him at one of the temples. We’re just friends.”

It doesn’t mean anything.

We’re just friends.

 At least, that was what Lin told herself even as she once again found herself sitting at Bumi’s living room that night long after Bumi had gone to bed.

 ---

“What did that piece of paper do to offend you?”

Tenzin paused the incessant pen tapping that he had been unconsciously doing as the notice he received was pulled from under the pen. He twiddled with his fingers while Lin read the document. “I got an offer from the university to hold a series of lectures in the coming days.”

Lin congratulated him on the offer. “What are you displeased about then? Surely it’s not about the lack of topics that you’ll discuss.” She raised an eyebrow at the stack of folders on the table, each labelled with meticulous care.

“No, it’s not that.” He waved it off. “I just – I don’t know if I can make it interesting enough for them.”

She handed him one of the folders. “Try me.”

“Come again?”

Lin leaned back in the couch, getting comfortable. “Practice with me, pretend I’m one of those bright-eyed students that you’ll be teaching.”

Yes, pretend.

Little did they know, both were pretending for each other’s sake long before they realized it.

 ---

“In all honesty, I envy Bumi and Kya.”

“You do?”

A nod. “They get to live their life the way they wanted it to be. There’s not a lot riding on their shoulders. Whatever they are doing now – they wanted it, they’re living the life that they want because they can.”

“Is that what you truly think?” The earthbender’s piercing stare held his gaze. He hoped that whatever she found conveyed his honesty. “Maybe you need to check in with them. They might see things differently.”

 ---

It was one of the rare weekends that Bumi, Lin, and Tenzin found themselves free from any engagement. They took this opportunity to head to dine at their usual food court.

While Bumi and Lin scouted for an empty table, Tenzin browsed the menu of one of the newly opened stalls.

“Master Tenzin?”

Tenzin turned to who called him and came face to face with a vaguely familiar woman.

“I’m Pema – from the lectures?” The student obviously expected that he would remember her.

“Ah yes,” Tenzin awkwardly responded because he did not really recall a lot from the sea of faces. “From yesterday’s morning session?”

The girl, Pema, beamed at him, nodding. “And the afternoon session from the day before, and the one session lecture the day before that.”

“Oh, so you managed to attend all of them?” There was mild interest in his tone now. Maybe he was able to get through the Ba Sing Se students. “Which topic interested you the most?”

Pema began to explain excitedly when Tenzin saw Lin wave at him from a few tables away.

“Say, are you eating alone?” At the very least, politeness made him invite the young woman.

“I-I-That is to say -no- I mean, yes.” Pema shifted her eyes.

“Would you like to join us?” At her nod, Tenzin motioned to have her follow him to their table.

Upon approaching, Tenzin saw that Lin and Bumi had already given their orders to the waiter.

At Lin’s raised eyebrow and Bumi’s curious look, Tenzin introduced Pema and said that she would be joining them today.

The waiter handed both a copy of the menu while Tenzin pulled the chair in front of Bumi for Pema to sit on.

“Ahh, Pema, is it?” Bumi placed an arm around the back of Lin’s chair. “Any idea what you would be getting?”

“I, um, not sure yet.” She hid behind the menu, brows furrowing.

Bumi grinned mischievously while catching his brother’s eye.

That can’t be good, Tenzin thought silently.

“Might I make a recommendation?” The non-bender leaned forward and at Pema’s nod, pointed on an item on the menu she was holding. “Tenzin loves this.” Bumi winced subtly that Tenzin could surmise was because Lin must have kicked him under the table.

“Oh, yes of course!” Was Pema’s immediate reaction and ordered.

Tenzin was surprised and ordered his food as well. When the waiter had taken all their orders and left, the airbender turned to the student. “You like the green mango salad?”

“Yes, I do – I enjoy it a lot.” Pema enthusiastically agreed.

“Even the shrimp paste?” Bumi asked innocently but sending a sly look at Lin, who steadfastly kept silent.

“Especially the shrimp paste. It gives it the texture and distinct salty taste.”

“Indeed.”

Tenzin finally caught Lin’s eye and there was an odd expression on her face that he could not explain.

Bumi proceeded to liven up the table with conversation and even make Pema feel at ease. It was one of the traits of his brother that Tenzin envied.

The rest of their meal went by uneventfully and they all got to know Pema a little bit more and her interest in the lectures from the past days. As Bumi did not draw attention to the unusually taciturn earthbender beside him, Tenzin did not attempt to draw her into conversation as well despite his confusion. Lin would commonly be a little bit more talkative during their small outings like this.

Maybe she had a bad day?

As the meal winded down, Tenzin thought he rather wanted to see more of Pema. At least, to not remain as a third wheel to the couple in front of him.

“So, we might have, uh, tea after dinner. Would you like to join us?”

Pema’s effusive acceptance became garbled to his ears as he detected the sudden screeching of the metal chair in front of him being pushed back.

“I’m sorry, I need to go.”

Both Bumi and Tenzin turned to Lin, who was only maintaining eye contact with her boyfriend.

“Oh right, your… report.” Bumi motioned to stand up as well. “Do you want me to bring you home?”

His brother’s unexpectedly gentle tone made Tenzin think if there is something else that he missed. A subtext that passed known only to the couple.

Lin tilted her head and smiled weakly. “No need, I can manage.”

Nonetheless, Bumi stood up, made their excuses to Tenzin and Pema.

Tenzin looked on as Lin allowed herself to be escorted by Bumi. The lie of having a report waiting for her tasting bitter in the airbender’s mouth.

But why?

“I suppose tea is out of question now.” Pema said shrewdly, moving to stand up as well when Bumi and Lin was out of their line of sight.

Maybe she was more perceptive than Tenzin gave her credit for.

If Pema thought that he was about to invite her elsewhere, she was mistaken, and Tenzin extended his hand to shake hers. “Pleased to meet you, Pema, thank you.” He paused and somewhat awkwardly added. “And good luck on your studies.”

Tenzin closed his eyes for a moment, a headache already forming.

He froze.

There on the table, beside Pema’s empty plate of what used to contain her order of skewers, was a full bowl of green mango salad, mixed but not a single bite taken out of it.

 ---

“You’re an idiot.”

“Excuse me?”

“She’s too young.”

He knew his older brother was right, but it stung to be called an idiot.

Ever since Lin urged him to talk to his siblings, Tenzin had consciously made time to connect to Bumi.

Along the way, he learned about how different their views of their childhood were. Bumi, on his part, was quite candid and the airbender appreciated that. More than once, Tenzin was tempted to evade some of their talks that were bordering on painful (cut-and-run much?). He felt that he owed it to his brother though to power through.

But tonight, there were emotions that were too raw to filter. If the couple just wanted some time together, they need not fabricate Lin having to work on a report. They need not pity him for being their third wheel.

“Lin is too young for you too and you don’t hear me berating you for it.”

“That’s different.”

“Is it, really?”

“Well, if you get your head out of your behind, maybe you’ll see what’s right in front of you.”

 ---

Letters swapped hands.

“Training’s almost done and as you can see there, Grandma has already received news from the grapevine about what an asset I am to the Beifong line.”

Bumi refolded the letter after reading. “I suppose your time in Ba Sing Se has come to an end then?”

“Only if you think you don’t need me anymore.” Lin paused and gave a short laugh, finding her phrasing funny. “I mean, if you think you don’t need help anymore with your assignment?” She leaned back, tapping the letter from Bumi’s superior in her hand.

“I should say mission accomplished to us both.” Bumi drew Lin into his arms. “Thank you.”

 It was most unfortunate that it was in this good-bye scene that the airbender arrived to.

 ---

The raindrops continue to fall, leaving staccato beats on the roof top.

The entirety of Ba Sing Se was coated in a haze that enveloped the typically green and brown place in a blueish gray hue.

The peaceful scene should have relaxed the airbender.

Tenzin sighed.

But it did not.

Not when he could hear characteristically feminine giggles from his brother's room.

He checked the clock, too early to have visitors over unless it were visitors who never left the night before.

His knuckles turned white, tightly grasping his mug.

As much as he felt that he should come clean to Bumi about his feelings for Lin (his girlfriend), his head was telling him not to. It would be another thing that Bumi might hold against him (on top of a lot of other childhood insecurities that their father inadvertently caused).

He just wants both Lin and Bumi to be happy. Even if it means hearing what they have been up to in the early hours of the day.

“Ah, Spirits what a turn out – it’s as though Tui and La decided to inundate the entire Earth Kingdom by flooding it.”

Tenzin’s head jerked up.

Lin Beifong was standing in the edge of their kitchen, hair dripping wet.

His mind was sluggish in realizing, shocked as it was to see the earthbender.

“Do you still have some of that?” Lin waggled her fingers towards Tenzin’s mug of genmaicha.

“Oh, yes – where are my manners –.” Tenzin tripped over his words and hastily poured her a cup. Then reaching over to the coat rack and draping his coat over her, he admonished her lightly. “What were you doing out in this deluge anyway? You’ll get sick!”

“Well, Bumi told me that you intend to leave in a few days’ time and as I was preparing for my trip back to Republic City, I thought that -.”

A door creaked open. “Lemme grab us a bite from the pantry; we need sustenance if we want to last all the way to noon.”

Damn.

“Oh.” Bumi stumbled into the room, completing their peculiar tableau of a dripping earthbender cloaked in red and yellow, a pale shock airbender standing at the edge of the room and a military man that, for whatever intent and purposes he may have, was wearing nothing.

Tenzin’s pale skin started to redden, comprehension dawning on him. “Oh – that’s all you have to say?” If Lin was here – then who was with Bumi the entire night/morning back in his bedroom?

The non-bender scratched his bum. “What did you want me to say?”

“Oh, for Spirits’ sake, Bumi cover yourself!” Lin averted her eyes. “I may not act like it the whole time, but I still am a lady!”

“Ah Beifong,” Bumi smiled devilishly, his hand moving from his head to his legs. “Come take a look at what you’re actually missing out on.”

Lin pointedly faced the ice box, her back to the naked man. “No way, I’m not missing on anything.”

“Come on, Linny!”

“No, Bumi.” Lin snorted a laugh then bent her head over her cup of genmaicha.

Tenzin felt like he was going to explode.

How dare Bumi disregard Lin Beifong just like that? Flaunting his floozy---

How dare Lin not call him out – it was beyond disrespectful!

What’s more: being in a relationship with Lin was something he personally wanted for himself - not because of his father, not because he is an airbender, but because he wanted this. To see Bumi taking her for granted was like a knife twisting in his chest.

“Get yourself some clothes before you catch a cold.”

“You dry yourself before you catch a cold.”

Why were they skirting over the obvious issue?

Tenzin let out a strangled sound.

“Something wrong, Tennyboy? Your vein is about to burst on your forehead.”

“Something wrong?” The airbender’s voice went a pitch higher. “Something. Wrong. You –.” He pointed aggressively at his brother. “Just spent the night with some,” He clenched and unclenched his fist as he tried to select the appropriate word. “Woman that is not your girlfriend!”

Lin’s eyes shot to Bumi’s. “You have a girlfriend?”

Bumi raised both hands. “Wait a minute, you know I don’t. This,” His shoulder gestured towards the bedroom. “Is a recent development and it’s just for fun, you know, and she definitely knows.”

“What!” Tenzin’s gasped out.

“Wait a minute,” Bumi snapped his fingers. “Lin, you didn’t tell him?”

“Tell me what?”

“Tell him what?” The earthbender scrunched her face thinking before it cleared as she seemed to have concluded something. “Oh. No. I didn’t – I didn’t think I had to –!”

Tenzin felt he was watching a ball go back and forth between the other two.

“You’re the one talking to him often.” Bumi crossed his arms.

“You’re the one living with him.” Lin pointed at the airbender.

“You’re the one in love with him!”

A stunned silence followed.

Surely… Bumi was mistaken?

 ---

Bumi ran a hand over his face. “I think you both have a lot to talk about.” Then, he grabbed the nearest food on the table (a loaf of sweet mung bread). “I’ll leave you both to it.” He waved the loaf then exited the kitchen.

Lin considered the tea in her cup, focusing as though it could lend her the fortitude for the upcoming conversation.

Tenzin sat on the chair opposite her, taking a sip from his own genmaicha. “Feel like explaining what that was?”

As an earthbender, Lin went into it head on. “Bumi and I are not – were not – in a relationship – we – I thought that was clear.” Then she proceeded to explain the arrangement that she had with his brother. “I’m sorry if we made you feel uncomfortable with this.” She waved her hand uselessly.

Lin bit her lip anxiously. She blew on her cup, waiting for the airbender to process the information that was dumped on him.

 ---

Two things ran through his mind.

Firstly, Bumi and Lin are not (never were!) in a relationship.

That key revelation echoed, unlocking several objections that he had repeatedly told himself to tamp down his feelings for the earthbender.

Secondly, it did not escape his notice that Lin did not say anything to refute Bumi’s claim.

His heart beat loudly, feeling like it was up in his throat. Excitement and nervousness made it difficult for him to breath, ironic for an airbender.

“Lin,” Tenzin cleared his throat. “And what Bumi said,” He leaned forward to tilt her head up so he could look at her eyes. He gulped and took a deep breath. “Is it true?” He felt Lin pull back for a second before she slowly nodded.

Without a hint of hesitation, Tenzin stood up to gather Lin in his arms, feeling complete and contented, something alien to him, something he had not felt for the longest time.

“I take it you like me too?” A muffled voice at his chest murmured.

“More than.” Tenzin bent his head, putting his forehead against Lin’s, unmindful of how her wet clothes now clung to them both. “I love you too.” He then closed the gap between their lips.

They would have gone longer if Lin had not shuddered involuntarily. They separated slightly, arms still around each other.

“I’m sorry, I probably need to get dried.”

Tenzin peered down at Lin’s now translucent attire. “Better yet, let’s get you out of those wet clothes. That is – if you don’t have any objections to it?”

“None whatsoever.” Lin tiptoed, pressing her lips to him. “No boyfriend, no rumored beau…Care to help me out?”

“Gladly.”

[tsukihimeyfan]

Sozin’s Comet’s Deus Ex Machina (and ways to fix them)

I’m sure that most of us AtLA fans can agree that the four part Finale was one of the best moments in animation history, with astoundingly well choreographed fight scenes, fantastic emotional beats, gorgeous animation, and frankly breath-taking music. However, I’m also sure I’m not the only one who was frustrated by one aspect of it in particular, the one blot on an otherwise perfect finale: what I like to call the “lion-turtle and pointy rock” ex machina.

The saddest part is that there was very little they had to change to get to a satisfactory, ties-everything-together ending. For example, take Energy-bending and the Lion-turtle. I saw a post a while ago where they suggested that energybending could’ve been related to what Aang learned from the swamp and the Guru, and it just makes SO much sense (Note: I saw the post months ago and I can’t find it anymore, so if anyone knows who first posted that theory please let me know so that I can give credit where credit’s due). After all, Aang seemed to use the energy of the swamp to sense where Appa and Momo were, and later, during Appa’s Lost Days, Guru Pathik says this:

Meaning he, a non-bender, is capable of reading the energy of others, and of locating people bonded to them from miles away. Let’s not forget that he had also previously sensed everything Appa had gone through with the same ability. Sounds like a really useful skill, wouldn’t you say?

Also, looking at both “sensing” occurrences, they look remarkably similar, so we can be reasonably sure that they’re both employing the same method.

It would’ve been so easy to have Aang take a moment to ask how Guru Pathik met Appa. After all, as far as the Gaang knew, Appa was taken by merchants to be sold in Ba Sing Se, so he shouldn’t have had a chance to meet anyone at the Eastern Air Temple. Did the merchants pass through the temple on the way to Ba Sing Se? Did the Guru try to set Appa free? Pathik would then have to explain how Appa had already escaped on his own, and he helped him find Aang by reading his energy. Aang could then ask the Guru to teach him this ability so that if they ever get separated again he’d be able to find and help Appa easily. Boom - energybending basics acquired.

A highly spiritual person like Aang would no doubt have little problems mastering the sensing ability, especially since he’s used a limited version of it before at the Swamp. Also, if we think about how much the spiritual mentors in the show have tried to drill it into Aang that all things are connected,

we can assume that after mastering everything Guru Pathik could do he would eventually be able to sense even people vaguely connected to him from far away. Being the Avatar, the bridge between the spiritual and physical worlds, would almost certainly also help him master energysensing abilities no other had before. 

Maybe they could’ve added a few 30 second scenes here and there of Aang meditating to hone his energysensing skills. Also, during the whole Boiling Rock debacle, imagine how great it would’ve been if Sokka had asked Aang about his dad and, after pressing his hand to Sokka’s forehead and following his bond to his father, Aang was able to tell him that his dad was alive and well, and that he was somewhere in the direction they’d come from, though at that point he wouldn’t be able to pinpoint his exact location.

“I’m sorry Sokka... I can’t tell exactly where he is yet... I know that’s not really helpful...”

“No, knowing he’s alright is plenty. Thanks, buddy”

After Sokka and Zuko rescue Hakoda, I could picture Aang practicing harder than ever until he could use Hakoda’s bond to Bato and the others to locate them in a prison in Caldera City (which would’ve made rescue before ending the war difficult to say the least, and would explain how they were all there for Zuko’s coronation so fast)

Later, during Aang’s trip to the mysterious island, it would’ve been so cool if, instead of handing him the ability, the lion-turtle just told him this:

... and maybe showed him visions of his energysensing training when he did the forehead-touch thing. Then, during the battle with Ozai, maybe after redirecting the lightning away from Ozai Aang could think to himself “I can’t... he may be a monster, but he’s still my friend’s father!”. Then, he suddenly realizes that just like with his friends and family, Aang has a connection with Ozai too, and that if sensing someone’s energy happens by putting a bit of his energy into them, maybe he can use the same route to take some of Ozai’s energy away from him.

Imagine how amazing it would’ve been if they’d added those little snippets of Aang’s energybending training all throughout book 3, without giving it that name, and then Aang used what he’d learned from Guru Pathik and Huu and what he’d taught himself to rediscover a technique that hadn’t been used in millenia all by himself! (well, with a little “nudge in the right direction” from lionturtle-sensei) We were SO close, all the building blocks were there but... *sigh* we ended up still so far. 

Continued with solving “pointy-rock-ex-machina” under the cut

In Book 2, we’re told that to master the Avatar State Aang has to “let go of his attachments”, but that plot point is dropped completely and all he has to do is get hit in his lightning scar and BAM! Avatar State unlocked, no letting go required! 😒 

He was still just as attached to Katara as he was during Book 2, if not more so. So, in the interest of trying to figure out how to tie up as many loose ends as possible, we could try to hit two birds with one stone by fixing another thing at the same time that wasn’t addressed either. 

We could start with a conversation between Aang and Katara where he apologizes for kissing her when she clearly didn’t want him to at some point during Sozin’s Comet Part 1 - The Phoenix King.

“I accept your apology Aang” Katara’d say, “but from now on make sure to respect people’s boundaries, Ok? Especially girls’ boundaries :) We can talk about this more after everything’s over”

At this point, maybe Aang could be left to think and reflect on his relationship with Katara, on his attachment to her, and on how he’d started thinking about her as “his” almost without any input from her.

Maybe Aang could begin to really understand what Guru Pathik was trying to teach him when he said “you must let go”, and the difference between love and unhealthy attachment to people.

He’d therefore be going into the fight with Ozai with that fresh on his mind.

Then, as the battle raged and he grew increasingly desperate, maybe he’d try a few times to force himself into the Avatar State only to fail miserably. 

At this moment

when he’s been overpowered and cornered (and also has a little bit of “downtime” to think), he could start desperately trying to figure out a way to enter the Avatar State, and wondering why he can’t do it. Katara’s been healing him every day! The scar doesn’t even hurt anymore! Why doesn’t it work???

Then, he'd realize that it doesn’t really make sense for a lightning strike to lock his 7th Chakra, since according to what Guru Pathik taught him chakras are locked or unlocked through changes in emotional and spiritual state, not physical. 

(Note: this is also backed up by what little I know of irl chakras and activating Kundalini in the Yoga school of Hindu philosophy. If anyone knows more about it please feel free to add to this or correct me. I’d love to learn how the concept of chakras in Avatar contrasts with its real life counterpart 😊)

Also, if the lightning had messed with the Avatar State some other way, like by blocking his chi for example, he shouldn’t be able to bend properly either.

So what could’ve caused his problem with the Avatar State? 

Of course! After Katara saved him, Aang became even more focused on gaining her love, and grew even more attached to her than he’d been before! Of course he can’t enter the Avatar State! 

Now, I’m a Zutara shipper all the way, and this would work much better if that had been canon, but this could work even with a Kataang endgame since, as I said before, Aang kind of become obsessed with the idea of making Katara “his” no matter what, a clear earthly attachment, instead of loving her unselfishly and letting her love him in her way:

Notice that he said “we kissed” even though he kissed her, and then “I thought we were gonna be together”, an assumption he made without asking her anything once. Same as in this scene:

Mastering the Avatar State doesn’t mean not loving anyone romantically, as we can clearly see through Avatar Roku’s example (also the “if you want power abandon your loved ones” message is stupid and I don’t like it at all. This would be better imo)

Even during the process for unlocking the chakras, the Fourth Chakra tells us that finding love isn’t contrary to spirituality, and can even be a source of spiritual strength. However, I’ve always thought it was a bit strange that the “new love” Aang found to fill the hole left by the deaths of his people was.... just Katara

Because what Aang lost was essentially all of his family and friends right? So wouldn’t it have made more sense for Aang to envision Sokka, Toph, Appa and Momo as well? You know, his old family vs. his new family?

I didn’t fully understand what exactly was wrong with it until I read some of tumblr user marsreds’ metas on the matter, and I have to agree with them that it seems Aang was sort of focusing on his love for Katara so much partially as a way to cope with the loss of his people. To keep it out of mind. That’s not how you build a wholesome romantic relationship, and it doesn’t seem like the best way to deal with grief either. No wonder his Seventh Chakra was blocked.

I would’ve loved to see Aang realize at the moment of truth that in order to access the Avatar State he simply had to let Katara go enough so that he could love her selflessly, so that her wants and needs, and the needs of the world, could come first. He needed to become able to accept her answer, whatever it was, when she gave it. He needed to come to understand that his happiness wasn’t completely (or even mostly) dependent on getting into a relationship with Katara. He had a family he’d found all on his own, made up of friends who adored him and who would’ve given their lives for him if necessary. He was not alone in the world any more. Even if she told him no, he would in all likelihood find new love and be happy.

(in fact we have proof and there’s a perfect candidate right there in the Fire Nation but I digress)

The rest of the finale could’ve played out exactly the same as canon, and in the end Aang would’ve had a better understanding of himself and some inner peace. They could’ve also given us an inkling that Aang would later get to mourn over the deaths of his people properly, surrounded by his loved ones (maybe, ideally, in a hypothetical Book 4-AIR?. God, I wish)

I’ve seen some posts about Aang letting go of his attachment to the Air Nomad’s teachings instead (with maybe that very decision to put the needs of the world above his own being what unlocks his Seventh Chakra), and those are magnificent ideas as well, but I myself would’ve preferred if it went this way because I think there’s something beautifully poetic and satisfying about Aang staying true to himself, finding an alternate solution to violence that would still protect the world, and using the wisdom of His People to put an end to the very war that caused their destruction, while simultaneously giving the worst possible punishment to a man as power-hungry as Ozai

...and leaving him the same way he’s left many of the Fire Nation’s victims in the past: trapped, powerless and forgotten.

I also feel like this ties up all the loose ends better, since it was his attachment to Katara specifically which stopped him from mastering the Avatar State in the first place. And, Kataang endgame or not, it would’ve sent a wonderful message about building and maintaining healthy relationships, perfect for the show’s target audience of preteen and teenage kids.

Thank you for coming to my Ted Talk

[airiustide]

Do you have any good zutara fics to reccomend, and/or fic writers? Currently basking in the zutara/atla renaissance and I read your fic, forever young forever you and loved it!

I’m sorry for the late response. honestly, I haven’t gotten around to new fics at the time i had gotten this ask, and with some life changing events going on it had only been recent since I’ve caught up with any, with the exception of one in this list that i’ve always adored. i have posted one of each of these authors’ works, but i do encourage you to check out their other amazing fics. 

as for forever young, forever you. im so glad you’ve enjoyed it, it’s definitely reassuring to hear people like my work at all and it is most appreciated. 

***

 Violent Reflections by antarcticas - Rated M- (ongoing) a dark fic in which the author takes us through Katara’s mind while she is captured. It also taps into Zuko’s inability to see his wrongs, not just towards Katara, and how selfishly he takes advantage of her in her saddened state. A tragic yet beautiful story that’s heartbreaking and captivating. 

This Might As Well Happen by owedbetter - Rated T- (ongoing) Katara is stranded in a foreign country during a pandemic and Zuko, after overhearing Katara’s predicament, invites her to stay with him. A modern au.

The Summer Of The Switching Sickness by fictionissocialinquiry- Rated E- (completed...maybe) He sighs. Loudly. ‘Here’s what’s going to happen.’ Katara peeks at him through her fingers. ‘First, we’re going to agree right now that we will never tell any of our friends about this. Ever. Especially Sokka and Toph. Deal?’ Katara nods fervently. ‘Deal.’-The summer of the Switching Sickness puts a strain on relations between the Fire Nation and Southern Water Tribe... It's probably better for everyone involved if no one else finds out why.

Make Sense Of All My Broken Parts by markedmage- Rated E- In the beginning, they were enemies, pitted against each other in order to save the world. They fought, mended hearts at Ba Sing Se, and found betrayal under the moon. They reunited, fought again, and helped the Avatar save the world. Somewhere, along the way, Katara unwittingly allowed Zuko into her soul, taking up residence and finding peace within all her broken pieces. Somewhere, along the way, she gave him her heart, and she knows she can never, will never, want it back.

Full Moon Rising by adamantwrites aka theadamantdaughter - Rated T- this one was a gift for me and to this day, i absolutely love it. not only because adamant happens to be one of my favorite authors but because she captured everything i love and made it into a zutara fic.- His mother’s fairy tales told of the first, running from the wasteland at the top of the world across the water and the land and the ice in the south, all to rescue a lover stolen from him. From his father of all demons, he knew the truer history: packs that once roamed the poles, shifting from wolf to human and back again.

[callioope]

Continuing my reactions to Avatar: The Last Airbender. 

This post is about Book 2. See my overall impressions and thoughts on Book 1 here.

Quick/General Thoughts

Uhhh pretty wild there is both a solar eclipse and a super comet happening in the same summer… anyways!!!

Ba Sing Se was so messed up omg

Aang

SMH more adults trying to take advantage of Aang. I was furious with the Earth Kingdom general who tried to force Aang to fight the Fire Lord well before he was ready. Clearly he was not ready! And then the audacity for him to attack Aang and then Katara to provoke the Avatar state was whole levels of messed up. 

The Great Appa Kidnapping: Yeah, so, as soon as the sand traders took him, I was like, “Oh no. I’ve heard about this. They are going to be in trouble!” But even then I didn’t know it stretched out over so many episodes. These episodes broke my heart! Aang’s complete distress at having lost Appa. Then the episode from Appa’s POV. Poor Appa! He goes through so much. It’s devastating. And then both Appa and Aang both dream of how they originally met each other? UNFAIR. CRUEL. HOW DARE THE CREATORS DO THIS TO ME. (I’m being facetious I love it I live for this kind of drama this is how i express they were doing good storytelling)

The whole “final chakra” being about letting go of attachments… hmm that felt VERY Star Wars of them… Filoni is this your doing? (Although actually I don’t remember seeing his name on any Book 2 episodes.)

Sokka

My fave continues to be the long-suffering Sokka, just trying to get his family to Omashu, it shouldn’t be this hard!!! This was literally what I wrote at the time of watching “Chapter Two: The Cave of Two Lovers,” and OH LITTLE DID I KNOW!!! [cut to Book 3… lmao… anyways]

Sokka making a map to help keep track of the maze-like cave/tunnel is actually really clever. I can’t believe people think he’s stupid. I mean, sure, it didn’t end up working, but that’s because the cave was magic or whatever, and that is beyond his control!

Side note, but lol at Sokka’s purchases and love for shopping. His ridiculous belt! How excited he was that it matched his bag!

Second side note, I was pretty excited to see that gif where Sokka is making that “I’m watching you” gesture and then goes “Water tribe!”

Katara

Yeah, notice how I don’t have much to say about Katara? It’s not that I don’t like her or that I don’t think she’s interesting, but. I just don’t really have a lot to say about her. 

I was amused by how she handled those bullies. My impression before I started watching was that she was going to be this like, pure and GoodTM character, but she definitely has her flaws and that is better.

I really liked the scene where she is able to calm Aang down while he’s in the Avatar state. There was good build up to that, showing her worry every time he entered it and her awareness of the fact that he only ever enters it when feeling upset. The fact that she was able to do that clearly Meant Something. So again, I suppose, I really feel up to this point that the show is very much like “Aang/Katara Endgame!” it felt very obvious to me. And I knew before starting the show that Zuko and Katara are a thing — but Aang and Katara is just so heavy handed that it was impossible for me to ship them with anyone else. They were just foundational to the show. Like it always felt like a foregone conclusion to me, almost as if they were established from the beginning although they obviously weren’t.

Toph

I spent like, the second half of Book 1 thinking “WHEN TOPH WHEN TOPH!” Imagine my ire that she still isn’t around for the first five episodes of Book 2, which is titled “EARTH” my goodness.

But OH was I delighted by “Chapter 6: The Blind Bandit”!!! I loved her intro, I loved how Aang is just immediately in awe of her skills when he sees her. He knows she’s exactly the teacher he’s been waiting for. “She waited and listened!” he says. Yes. I love it. (But also, lol at Sokka booing Aang.) Despite this, Aang really does not handle that first interaction very well!

So frustrating how her parents were treating her. “She’s fragile and helpless!” what a thing to say about your daughter. [Also you literally named her “tough”?!] And he is basically going to imprison her, wtf. & how do you get off saying “the avatar is no longer welcome here”?! smh children whose parents try to “control” their kids always end up being the most rebellious.

I was amused that “my dad changed his mind” apparently was a popular lie daughters use on this show. *facepalm*

I liked the contrast between how Toph wanted to teach Aang and how Katara thought he should be taught! That was interesting. And yeah, Toph certainly lives up to her name. 

Zuko & Iroh

Spent a good portion of the early part of this season wondering how Zuko and Iroh could possibly be related to the awful Fire Lord (and Azula for that matter — jeez she is nuts!), and longing to know what happened to Zuko’s mom. (Obviously that would be answered soon!)

Knowing that Zuko eventually joins the Aang crew, but also remembering that I never saw Iroh with them, made me SEVERELY worried that something terrible would happen to Iroh. And I spent the entire rest of the series worrying about that. Uh, especially since, apparently Iroh is hopeless at Survival 101. Honestly that was surprising to me. 

Zuko deciding they needed to split up was devastating!!! No!!! I loved the adventures of Zuko & Iroh!! He said, “There's no reason for us to stick together,” and I was like, “Yes there is you idiot! Because you’re family and you love each other!!!” I was so sad. I mean, also Iroh is currently the only person who likes Zuko, so, you know, that might be a good reason to stay with him. Just a thought. 

The last thing Zuko needs is to be alone, that will NOT be good for his issues. And lo and behold, look! Immediately, he’s struggling on his own. But I did like that episode (“Chapter 7: Zuko Alone”) because we get to see Zuko’s mom! (Uh, did she have a name?) Turtle ducks are so cute.

“Everything I’ve done I’ve done to protect you.” THIS. SLAYED. ME!!!!!! I mean, y’all know Rogue One is my jam so this parallel with Zuko’s mom and Galen Erso????? I lost it. I just lost it. Plus, though it isn’t confirmed until later, we can tell she’s sacrificing herself to save Zuko and just. (A) what a completely messed up family, but (B) MY HEART. SHE BETTER BE ALIVE is all I’m saying.

Interesting side note: they never show Ozai’s face in the early seasons. 

If you assumed that I was delighted to see Iroh has been tailing Zuko this whole time, you’d be correct. I had hoped that was the case and was very glad it was. Although *facepalm* again at Zuko. I suppose he had no way of knowing Katara had healing powers but it was so frustrating knowing if he had just listened to them for one minute they could have helped Iroh after Azula blasted him. At least he made him tea and nursed him back to health. 

If the evil advisor of Ba Sing Se had files on everyone and knew everything that went on… I mean… did he know about Iroh and Zuko? 

I didn’t jot down any notes about this at the time, BUT. Man. Did I ADORE Zuko and Iroh’s adventures in Ba Sing Se. I mean it was a nice relief from all the other crazy stuff happening. (Not happy to see Jet though. Ugh.) 

Finally, though, Zuko’s betrayal at the very end of the season totally shocked me. Because of spoilers, I knew he’d join Aang’s crew, and so it was so confusing! And such a regression, I really didn’t understand it and was very worried about what it would mean for his redemption arc — but more on that in the next post, don’t want to get ahead.

Azula

Oh. Boy. Again, I knew she was going to be crazy, but I don’t think I was prepared for just how messed up she is. “Do the tides command this ship. You said they would not allow us…” Jeez that is pedantic in a very bizarre way and obviously not what was meant… Yikes.

Also, Azula is much better at finding Zuko than Zuko is at finding Aang. Just a stray observation.

“Father regrets your banishment. He wants you home.” [insert IT’s A TRAP gif here]

“If the Earth Kingdom finds us, they'll have us killed. If the Fire Nation finds us, they'll turn us over to Azula. Earth kingdom it is.” Yeah, this line was hilarious but also sad. It really said a lot about Azula, and Zuko and Iroh’s relationship with her.

Had no idea Azula had her own crew. It was incredibly clear that Ty Lee felt coerced to join her and didn’t really want to, but that was less clear to me for Mai. Mainly seemed like Mai was bored with where she was and was just like “shrugs might as well do evil stuff.” 

I did know that a character named “Mai” would eventually be Zuko’s love interest (and it is pretty heavily portrayed that she has a crush on him), so at this point, I was very much like, “Hmm. This character is too apathetic and annoying, I don’t want her to end up with Zuko!” Plus, the fact that her name was pronounced “May,” (which was not how I thought “Mai” was pronounced) and I knew Zuko would have a thing with a lady in a tea shop, I wasn’t 100% sure Zuko/Mai were end game. 

“She’s crazy and she needs to go down.” I think Iroh said this. I just don’t know what to say. Why is Azula the way she is? That’s never entirely clear to me. In some ways, it’s implied she was just Like That (in the flashback where mom is like “What is wrong with you?”) and perhaps she’s just her father’s daughter. I don’t need a reason, per se. Idk. I just don’t know what to say to her. She clearly needs help. 

[gothamundernightlight]

So, I’ve already written a little bit on this subject, but seeing so many people bring it up really gets me excited about the topic! Therefore, in this essay, I will discuss my theory on the political structures in the Earth Kingdom, and the relating issues of economic and geographical influences.

WARNING: THIS CONTAINS SPOILERS FOR AVATAR: THE LAST AIRBENDER. If you do not wish to be spoiled, DO NOT READ!

Starting off with referencing the map (which is the image featured above, with relative locations labelled, as well as the path of the original GAang as they travelled through the Earth Kingdom), the Earth Kingdom is huge. It is legitimately the largest landmass in the universe on a geographic scale.

The main continent itself is divided by some pretty extensive geographical features, including the canyon/The Great Divide, the swamp, and the Si Wong desert, as well as the mountain range in the northernmost section of the continent, which is home to the Northern Air Temple. That’s not even mentioning the massive river and lake that subdivides the continent into three separate landmasses, segregating the main city of Ba Sing Se from the rest of the Earth Kingdom.

So how does politics fit into all of this? Well, we know that there is in fact an Earth King, although it was made excessively clear that he does not know the extent of what he is king of, thanks to the Dai Li. That, combined with the isolationist views of the capitol city of Ba Sing Se would have meant that for the most part, the remaining Earth Kingdom would have been pretty self-sustaining, despite the refuge that the city provided. So, for the most part, the best comparison I can draw is that the remaining Earth Kingdom was effectively divided into states, much like America, or Austrailia, or poleis like in Ancient Greece, and authority structures, and land divisions were devised based on that.

Another problem is literally the geographical makeup of the continent in the first place. Most of the population of the Earth Kingdom is closely proximated to the capitols and/or water, or live on the massive archipelagos that border the continent. This makes sense giving people’s natural desire to settle near bodies of water, and also makes it easy to understand why the small Earth Kingdom settlements on the West coast were the first to feel the wrath of the Fire Nation’s slow invasion. The large river, featuring ferry traffic would have stunted consistent foot traffic and trade travel (Only exports from Ba Sing Se, no imports. NO CABBAGES!!!) Omashu was similar, meaning the only transcontinental trade was circulating mostly between other villages, or they were all self-sustaining from local water sources and farmlands. Again, this is reinforced by the existence of dams, which would have meant a large water source for large populations in rural areas. The desert, swamp, and mountains would have also prevented travellers for the most part (unless you happened to have a boat or a flying bison)

My theory is is that the Earth Kingdom has been like this for a long while, since the reign of Chin the Conquerer in fact, from Avatar Kyoshi’s time, or even prior to that during Avatar Kuruk’s era. While Ba Sing Se is the utmost legal and cultural authority of the Earth Kingdom, it’s own policies would have prevented it from effectively ruling anything outside of it’s own walls. This is somewhat backed by Aang never confirming that he had been to Ba Sing Se, despite saying he had been “everywhere”. (*A.N. I thought at one point Aang had confirmed he had never been to Ba Sing Se, but I couldn’t find the quote)

With a total unwillingness for government to travel out to enforce any legal authority, and near impossible geographical conditions to get in, the Earth Kingdom would have had to divide, even if no one was going to actually confirm it by forcibly taking it until the Fire Nation showed up.

So, with that in mind, the idea of an additional monarchy forming in the Earth Kingdom, especially in Omashu, is not only plausible, it’s likely. The large city would have needed a solid government, especially with the extensive military structure that was present (Book 2, Episode 1).

Omashu would have had more contact with local villages than Ba Sing Se, but they were also isolated by geographical features, like the mountains, so the towns would have not interacted much with any government on a national level. Local authorites, like gangs (Book 1, Episode 10 | Book 2, Episode 7) or “police” would have been in charge there, and the Fire Nation was all too happy to fill the gap, especially because of their proximity to the Fire Nation’s expanding borders (Book 1, Episode 6)

Even Aang’s personal childhood friendship with King Bumi solidifies the idea that the monarchy of Omashu was legitimate. Avatars in the past have been known to closely connect with monarchs, and area authorities; Aang with Bumi and Zuko, Roku with Sozin and Gyatso, and so on, because of their political influence. Connections like these would have been vital, and are similarly reflected in the interaction of foreign nobility building connections during the 14th-18th centuries in Eurasia. (**A.N. This is where I could segue into my theory on Sokka and Katara being related to Avatar Kuruk based on the similar characteristics between him and Hakoda, but that comes later.) The monks would have pushed for Aang to make strong political connections, even before they told him he was the Avatar. This does make me wonder about the political or economic class status of Kuzon, Aang’s friend from the Fire Nation, and whether or not he was related to Zuko in any way.

In conclusion, the idea that the Earth King as a title is less legitmate than Bumi’s reign, making it more of monokier than anything else. The government and geographical structures would have made ruling the Earth Kingdom as a whole incredibly difficult, if not impossible, due to the massive obstacles that were literally in the path of effective government. This is backed by the clear absence of any authority that would have prevented the invasion of the Earth Kingdom, making the divided continent easy to disable at their own fault.

Let me know what y'all think, if you agree or disagree, or have any sources that would warrant a revision or addition to this theory. I’d love to hear them!

[talesofafangirlwithadvr]

AUGUST PICKS!

And we’re back with another month wrap up! August involved a lot of TV watching (as per usual), but I feel like I watched a lot of things I’ve already talked about before (ex: The 100, Violetta). So it was a little bit harder to feature some new titles. I felt accomplished this month because I finished quite a few series. So, without further ado...let’s do this!

Spoilers!! But you knew that already :) 

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So I know I’ve spoken about some of these shows A LOT recently, but I still had to include them in this wrap up because they were a good amount of the month. (Even if they feel like they were so long ago.) 

CURSED

This book to screen adaptation on Netflix following Nimue (AKA the Lady of the Lake) re-invents the King Arthur myth. It was an entertaining and enjoyable watch that makes me hope there’s a second season. There were certain parts that bothered me and I wish some characters had more time on screen, but as someone who likes King Arthur and fantasy TV I’d recommend it. 3/5 for me. 

For more on my thoughts regarding the show check out my earlier post: **Spoilers** Featuring Cursed

DC’S STARGIRL

A show that I’ve often been documenting my reviews/feelings after watching each episode. (That’s how you can tell IT’S THAT GOOD.) While it was a bit slow in the beginning (mainly because of it having the quality of being on a streaming service-ending on a cliffhanger for you to binge the next episode immediately kind of feel), it picked up and has easily become one of my favorites for the year. (YEAH...I KNOW. I SAID YEAR.) You can check out my page for more specific reactions in my posts, but here are some of the moments that stick out to me the most when I think about season 1.  

I can’t wait for season 2!!

AVATAR THE LAST AIRBENDER

June doesn’t feel like that long ago, but because I started season 1 two months ago (and because of the world of quarantine) it feels like a long time ago. Especially when this show is only 18-20 episodes that are each about 20/25 minutes. For me, I enjoyed season 1, but not as much as seasons 2 and 3. I definitely watched the first season slower because of this. Once the Ba Sing Se plot happened I was very invested. I enjoyed most of Book 2 in the Earth Kingdom before this, but Ba Sing Se was definitely the best. I was so impressed that they put that into a kid show. Then again, there’s so much in this show that is well done and brings up such relevant issues to a younger audience. I loved following Aang, Katara and Sakka and enjoyed Toph’s addition to Team Avatar. Overall I think Uncle Iroh is my favorite character in the show. I loved all the wisdom he had and how he saw the best in Zuko the entire time. Their team up was great and I am so happy he got his tea shop in the end. His escape from prison was amazing. I love a good redemption arc and from the start was excited to see Prince Zuko’s (it’s one of the ‘spoilers’ I knew going in). I think it was really well done and I liked how they showed him struggling with it. The last agni kai between Zuko and Azula was such a beautiful scene and the music score behind it was so chilling. I love how they chose a slow, instrumental song to play in the background. It’s not what I was expecting and it was such an awesome choice. Overall, I really liked the music and have added it to my writing playlist. I’m really glad I decided to watch Avatar the Last Airbender. 

From one binged show starting in June to another....

VIOLETTA SEASON 2

It’s crazy; you don’t think 80 episodes would go by that fast, but they do. Once you hit episode 50, I just zip by the rest in the season. So many of the plots get SO GOOD, you can’t help but watch so many episodes back to back (to back). For season 2, episode 75 was one of my favorites for the whole season. I love how some of the cast actually got to go to Madrid. (Even the intro music changed when they were there.) Diego really grew on me. I loved the added plot of discovering who his dad is! Feels very telenovela. Gregorio’s reaction was priceless-such great acting-and I loved how much it has changed his character so far. I’m excited to see where he is headed for season 3. 

Leonetta forever! The reason they weren’t together was a bit weak, but I get they needed the love triangle. Overall the Leon/Violetta/Diego love triangle was a lot stronger than season 1′s (in my opinion). It felt better developed. I enjoyed a lot of the couples this season. Frederico and Ludi are a pair I didn’t know I wanted till it happened. Olga and Ramallo actually got a kiss!!! I loved hearing Ramallo talk about how Olga is the only woman in his life. So rare to see such emotions from him. Fran and Leon’s friendship was adorable. I loved their moments in Madrid. She was their #1 shipper. I know in the beginning I said there wasn’t a lot of music and performances, but as the season progressed we definitely got a lot of new songs (which I cannot stop singing). I miss my time at the Studio and hope the third season will be streaming on Disney Plus soon. I heard it could be September 18th so fingers crossed!! 

THE INBESTIGATORS

Filling the void that was left by Little Lunch (and produced by the same studio) is the InBESTigators! A show that follows 4 elementary students who live in Australia and solve mysteries. One of the things I really loved about Little Lunch was how serious they made really trivial, kid-like things sound. I have often described it as an Office-like children’s show, where they talk about their problems directly to the camera and give several ‘Jim’ stares and glances to the camera. With the InBESTigators it’s a similar set up where our four sleuths, Ezra, Maudie, Ava and Kyle, relay a mystery they solved directly to us the viewer, while we watch in flashback. All of the mysteries are typical things that could happen in school or home; from overwatering a neighbor’s prize-winning flowers, packages getting stolen, a lost notebook or catching a cheater during a test. All of the kids are entertaining and funny. They each have a different dynamic that brings something to the team. Currently two of the seasons are on Netflix, and there will be a third season (but who knows when it will be filmed-I’m just happy it will eventually happen). 

If you’re looking for a fun/light-hearted watch look no further. You’ll have a good time. 

UNITED WE FALL

This ABC sitcom fits well on the network and like it would be on Friday nights, but has a stronger day in airing thanks to the pandemic. I hadn’t really heard much about the show and then BAM it was advertised. It felt like the network had it in its back pocket. Nevertheless, I am really enjoying it. The actors have a nice dynamic and it is very funny and relatable. I like how it represents a family with two different cultural backgrounds, but doesn’t make that the main focus of the show. Instead it is discussed naturally. Overall, I don’t know how many people know about it, so I wanted to share it as one of my picks for the month and suggest you watch it if you are looking for something both funny and optimistic. 

DOUBLING DOWN WITH THE DERRICOS

I LOVE this family! As TLC is a network with predictable choices in TV shows, one about a family with multiples does not seem shocking. However, this is not your average family with multiples. At the start of the show, Karen and Deon have a total of 11 children (with only two of them being what they called ‘singletons’). They have twins, quints, and another set of twins (that would have been triplets). Her last three pregnancies were multiples and then she becomes pregnant with triplets. AGAIN! This family is considered a miracle because she had no IVF or anything like that for her conceptions. I love watching them because they seem like a great group to be apart of. They are what the epitome of family should be like. There is so much love. I know when my family watches the show we are all so impressed by how well behaved all of the kids are. People with half the amount of kids often have trouble teaching them to behave. I highly suggest giving the Derricos a watch. New episodes are now airing on TLC. 

SOME LAST MINUTE ADDS....

I know Ben Platt’s concert has been available on Netflix for a while now, but I just got the chance to watch it this month. It was SOOO GOOD and I was upset when it was over. It felt so fast! I had already added a lot of his songs to my playlists, and after watching added the last few I had missed. Now I’ve been listening non-stop. I loved how his concert welcomed us so much into his personal life. The added stories in-between songs helped to see why he created that specific one. Watching the concert was a fun time and something you should consider if you are feeling down during quarantine. 

Every Saturday night we try to watch a movie while we eat dinner. It’s become a new tradition since quarantine began and we were unable to go out to eat or to the movies. This week Jojo Rabbit was the pick. Going into the film, I didn’t know much expect, but that it was a comedy and I assumed a satire. What I didn’t expect was how dark of a turn it would take. It’s amazing how a film can have you laughing uncontrollably at the start and then have you crying at the end. This is definitely a film I could see analyzing in a film studies class. There was so much foreshadowing and moments where so much more was going on then what was shown on the surface. I think it did a great job making the viewer think not only about the time in which it was supposed to take place, but also our current world. I know it’s a good movie when it still has me thinking about it days later. I even did some research into it after watching. Definitely can understand the hype about it and will watch it again in the future. 

When I was putting this list together I was just starting to watch Umbrella Academy. I know, I’m late to the party, but with the newest season coming out this summer I knew it was now or never. (I just had to finish some of the other stuff I was watching first.) Currently, I only have 1 episode left in the first season and am really enjoying it. I was pretty good about spoilers going into it, so a lot of it was new to me. I made some theories on who I thought would be the cause of the apocalypse and so far I am right. I am very interested to see how this season ends and get into the next one because I heard that the majority of people liked that one more. I’ll have a more detailed review in my September Picks, I’m sure of it!  

[sokkastyles]

Elemental Symbolism in “The Southern Raiders”

When Zuko confronts Katara about her anger towards him, we get this significant (and very beautiful) shot of the full moon:

Katara is often associated with the moon, which gives power to waterbenders. The moon controls the tides and shows its face in the reflection of water, so the moon and water are often connected in elemental symbolism. Both the moon and water are often used as symbols for femininity as well. Specifically the moon represents the dark feminine, as it is associated with hidden desire, passion, and fury. The moon also represents change, both in the changing of the tides and the phases of its appearance in the sky. The moon also symbolizes the light in darkness, the medium between the black of night and the brilliance of the sun.

When Zuko faces Katara’s anger and his betrayal at Ba Sing Se, it is under the light of a full moon, when Katara is at the height of her power both literally and figuratively.

Then, after talking to Sokka and hearing the story of their mother’s murder, Zuko waits outside all night for Katara, and offers her the means to confront Kya’s killer by the light of the rising sun.

The sun/moon imagery is especially interesting in relation to Zuko because, although being a firebender, he is often associated with the sun, which gives firebenders their power, the show often associates Zuko with moon imagery, particularly when he is doing something that is outside or in opposition to his identity as prince of the Fire Nation.

Here, he’s giving Katara a means to seek out the captain of the southern raiders, and the two end up forming an understanding with each other for the first time since Ba Sing Se, although they do not begin their journey until night has fallen again. And we get more significant moon imagery:

There’s also a lot of water imagery throughout that emphasizes that Katara is the one in control. Most of the episode from this point on takes place at night, on the water, or when it’s rainy and overcast.

Zuko also hardly uses his bending, while Katara does most of the powerful stuff.

Then Zuko falls asleep during the night while Katara has Appa’s reins, and he wakes up to this:

Katara is in front, steering them towards where they’re going, and Zuko is looking foward towards her, while her image almost eclipses the sun. This is an interesting image because it emphasizes again that Katara is in control, and the image of an eclipse is significant since the eclipse is the moment when firebenders lose their power. Yet remember that Zuko also has significant moon imagery, and Zuko uses the eclipse to confront his father and free himself from abuse. So for Zuko, the eclipse is a symbol of personal empowerment, disassociated from the imagery normally associated with firebenders, since fire was also the thing that was used to hurt Zuko. This also symbolizes Zuko’s changing identity and view of himself, as someone who can choose good. And again, this imagery is associated with a time of day that represents liminality and change, the sun meeting the moon, the day meeting night.

This is also the moment when Katara tells Zuko the story of what happened to Kya, because she is able to understand him and meet him on equal terms, and trust him with a very vulnerable and hurt part of herself. After she tells him the story she is shown no longer eclipsing but beside the rising sun.

It’s night again when they confront the captain of the southern raiders, on a boat in the middle of the ocean, in an amazing display of Katara’s bending ability.

Zuko does use his firebending a little here to protect Katara, Katara bloodbends in front of him, and he then helps her find out where Yon Rha is.

Then when they confront Yon Rha, it’s during the day, but completely overcast and during a rainstorm. This again emphasizes that Katara is the one in control of the situation. This imagery emphasizes her control over Yon Rha, but also emphasizes the way that Zuko takes a step back and takes on a supporting role, letting her make her own decision. After Zuko tells Yon Rha not to try firebending again, all of the dialogue between them belongs to Katara and Yon Rha, while Zuko silently watches the confrontation.

Then, when Katara makes her decision not to kill Yon Rha, and they return, Katara is again shown bathed in light, sitting beside the setting sun, it’s reflection glistening on the water.

And when she hugs Zuko it is set against the background of the sunset, day giving way to night as they finally are able to meet each other on the same level.

[laufire]

hellooo for fandom ask meme- atla?

Top 5 favourite characters: Sokka, Azula, Toph, Ty Lee, Mai.

Other characters you like: practically everyone. Aang, Zuko, Katara, Suki, Yue, Jet...

Least favourite characters: Ozai sucks, obviously xD. And frankly... though I love other parts of him, I have to say Iroh has not aged well in the rewatch. I hate how creepy he was with June, the bounty hunter. And I side-eye his attitude towards Azula vs. Zuko.

Otps: tbh nothing really makes it to OTP levels, BUT in this rewatch I’ve found myself appreciating Aang/Zuko and their dynamic and parallels all the more. I don’t ship them during show-time (I watched the show when I was 10-12 and it’s kind of hard to ship Aang at that time lol) but as adults I could tbh; their dynamic is just incredibly well-written. Other of my fave ships are Sokka/Suki/Zuko, Sokka/Yue, Azula/Sokka, Azula/Mai/Ty Lee, and Jet/Katara.

Notps: nothing gets to NOTP levels, though over the years I’ve decided to keep away from both Aang/Katara and Aang/Zuko discourse LOL.

Favourite friendships: Zuko & the Gaang, Toph & Aang.

Favourite family: Azula & Zuko. I love disfunction xD.

Favourite episodes: the Boiling Rock and Azula’s coup in Ba Sing Se.

Favourite season/book/movie: season 2 >>>>>>> (late s3 was... disappointing in some areas. AKA the Dangerous Ladies).

Favourite quotes: Aang talking to an asleep Zuko in the Blue Spirit episode vs. Zuko talking to an asleep Aang during the blizzard about Azula ( “She was born lucky. I was lucky to be born.” That whole speech is A Lot); “pride is not the opposite of shame, but rather its source”. And of course, “can your science explain why it rains?” “YES IT CAN”.

Best musical moment: the Avatar state theme always gets me.

Moment that made you fangirl/boy the hardest: the Dragons episode (I looooove dragons).

When it really disappointed you: the Dangerous Ladies’ endings (Azula’s is utterly undignified, Mai’s is dull, and Ty Lee’s is kinda heartbreaking but presented as triumphant aka what I hate the most xD).

Saddest moment: Zuko going back to his father in s2.

Most well done character death: Jet’s.

Favourite guest star: Jet I guess? I never know how to take “guest star” in shows like this.

Favourite cast member: didn’t Serena Williams voice someone? The guard that was nice to Iroh so he spared her? There you have it xD.

Character you wish was still alive: Jet, if only for The Drama LMAO.

One thing you hope really happens: ........ I just hope the live-action reboot doesn’t make concessions and they write what THEY want to write.

Most shocking twist: hmm. Can’t really remember anything.

When did you start watching/reading?: I watched the show more or less as it aired, the first time.

Best animal/creature: Appa, DUH.

Favourite location: Ba Sing Se. So damn creepy, such good plots.

Trope you wish they would stop using: tbh the thing that annoyed me the most is when they tried to ~recreate the... effect some of ATLA’s characters had with LOK’s and utterly failed ¬¬ (Bolin annoys me in particular. It’s a good thing I’ve never seen anyone in fandom explicitly compare him to Sokka LMFAO). And I want to clarify I don’t say this as a way to hate on LOK, because I love LOK (and Korra is my favourite character in the whole ‘verse). But that part annoyed me xD

One thing this show/book/film does better than others: it falls on that category of “children show that NEVER talks down to children” and I’ll always love it for that.

Funniest moments: Sokka was sincerely funny and enjoyable. And the show was great at visual/physical humor, especially with bending.

Couple you would like to see: Sokka/Zuko or Azula/Sokka, Just Because LOL (and I really hope the reboot doesn’t erase Jet/Katara tbh).

Actor/Actress you want to join the cast: n/a. Well, actually, that’s wrong. I’d love to see Brandon Soo Hoo to join the cast as ANYONE, just because I want to see Brandon Soo Hoo on-screen again :P

Favourite outfit: Azula’s Ba Sing Se outfits. And the ones on the beach episode.

Favourite item: Sokka’s boomerang, OFC. And his meteorite sword.

Do you own anything related to this show/book/film?: nope.

What house/team/group/friendship group/family/race etc would you be in?: I’d love to be an airbender (I just want to flyyyy).

Most boring plotline: n/a.

Most laughably bad moment: Ty Lee’s ending. A character that valued individuality so much she left a family because there was nothing differentiating her from her sisters ends in a uniformed order where every girl looks the same. O-fucking-kay.

Best flashback/flashfoward if any: Zuko’s banishment flashbacks *sniffs*

Most layered character: Aang and Zuko, IMO.

Most one dimensional character: cabbages man, but we love him so xD

Scariest moment: Zuko’s Agni Kai. Poor dear.

Grossest moment: that weird deformed panda spirit comes to mind.

Best looking male: I actually have some Issues(TM) about how they’re drawn as grown-ups LMAO. Hmm. Between Sokka and Zuko I guess.

Best looking female: 12-year-old me had a mini crush on the Dangerous Ladies LOL.

Who you’re crushing on (if any): see above.

Favourite cast moment: n/a.

Favourite transportation: Appa.

Most beautiful scene (scenery/shot wise): there’s a lot of great ones but I’m going with the dragon dance.

Unanswered question/continuity issue/plot error that bugs you: n/a. Though if we get into LOK I would have a few LOL.

Best promo: n/a.

At what point did you fall in love with this show/book: I liked it from very early on, but I remember starting to Love It in Jet’s episode (Sokka and his ~instincts! Tragic ship with Betrayal(TM) and irreconcilable issues! My catnip).

[qveensbury]

Try Not to Hurt Yourself

gift fic for @babyfairybaekhyun​/ @xheavenisnear​

Dadko/Momtara fic based on this post

AO3

The move to Caldera City was less than ideal.

It was the last possible thing Zuko wanted to do after graduating high school and finding life outside the Fire Nation.

But Iroh had been like a father to him. And when Iroh asked Zuko to be interim CEO and oversee business until a new one was selected following Iroh’s retirement, the least Zuko could do was honor his wishes.

The kids said they were fine. Kya and Iroh II (affectionately called Ni) were fighters, from genes they inherited from both sides of their family tree. Like water they adapted and like fire they charted their own path.

It didn’t mean Katara and Zuko weren’t prepared for the tipping point.

Moving from Ba Sing Se to Caldera City was an adjustment. They went from a mosaic of browns and beiges to a homogenous pot. Having supportive parents and an excited-to-see-their-grandkids grandma and great-uncle helped.

But life happens.

When Kya’s school called in the middle of the day asking both parents to come pick Kya up, everything was put on hold. 

The nice thing about running your uncle’s company was knowing the “family first” values weren’t only for display.

Zuko pulled the key out of his car’s ignition and responded to Katara’s text.

[[zuko: just parked. see you soon.]]

In all fairness, Zuko and Katara had their reservations about the school.

Fire Sages Academy: Equipping Tomorrow’s Leaders.

An elite school serving the city’s most prominent families.

Katara wanted the kids to keep attending public school. She wanted them to have a relatable experience and to stay as grounded as possible.

As the daughter of Uqsuaqtuq Bay’s mayor, she knew how important it was to know and stay connected to a diversity of backgrounds.

And Zuko, the alum of Fire Sages Academy, agreed.

But his family had so much weight in Caldera City and FSA knew how to handle high profile families. Administrators knew how to deal with parents and shepherd children and protect them from paparazzi and other predators.

“In addition to shielding the kids from any enemies my father or sister may have created, we don’t have to play with kid gloves on at Fire Sages. They know when a parent is throwing a tantrum versus starting a battle. We would have to walk on eggshells at the public schools here Tara. At least at Fire Sages, we don’t have to pull punches.”

For a while, it seemed like they’d made the right choice.

Zuko navigated his way to the principal’s office.

Kya sat in the lobby of the administrative wing. Through the glass above her head, he could see other desks and offices.

“Kya.”

Sitting up straight, she looked at him. Nearly Katara’s twin when she was fourteen, her dark eyes were the only striking difference.

“Are you okay?” Zuko asked in Inuktitut. They wanted their biracial children to know both of their ancestors’ tongues. And in a city where everyone was fluent in Japanese, Inuktitut was their secret code.

Kya snorted. “Mom asked the same thing. I’m fine.”

“What happen—“

“Mr. Ryuku!” An older woman startled as she walked into the small lobby. “We didn’t expect to see you. Let me tell Principal Nakahara.” She hurried back inside.

“Liar.”

“Kya!”

“It’s true! Mom told them you were coming. They think I can’t hear them but they’ve been trying to speed things up so they wouldn’t have to deal with you.”

A divot formed on Zuko’s forehead. “Me?”

“Something about how you were as a student or how you press teachers in parent-teacher conferences that makes them nervous. Like you’re unpredictable or…like…”

“Volatile,” he crossed his arms. A word he’d heard enough times at Fire Sages.

“Yea, I couldn’t think of the word in Inuktitut.”

“And you’re sure—“

“Mr. Ryuku, right this way.”

Before following the older woman, he nodded at Kya. She nodded back.

The fidgeting of the receptionist was one thing. The number of staff watching him walk by was another.

The walls were made of eyes.

When do you think the Ryuku kid is going to burst?

Letting go of a breath he’d been holding, Zuko reminded himself, Whatever. You’re here for your daughter. Let’s stay present, Zuko. Let’s provide support to our daughter and reduce the trauma she experiences here.

The receptionist opened the door for him.

“Mr. Ryuku, Principal Nakahara.”

“It’s Ryuku-Kuruk. I didn’t get a chance to corr— say so earlier.”

“I’m terribly sorry,” she mumbled before closing the door behind him.

“Mr. Ryuku, have a s—“

“Ryuku-Kuruk,” he leaned over kissing Katara’s forehead.

She didn’t move.

“R-right. Have a seat, please. I’ve already told your wife about the incident and the school has a pretty clear policy about being disruptive in the classroom.”

“Kya disrupted class?” Zuku’s eyes grew before his earlier expression of confusion returned. “That doesn’t sound like her at all.”

‘Well, there were several eyewitnesses and she doesn’t dispute the account. So—“

‘Why don’t you tell my husband what happened, Principal Nakahara.” Katara stood up, “Excuse me while you do. I’ll be right back.”

The shift in Katara’s career was the most notable visible change since moving to Caldera City. In Ba Sing Se, she served as a Councilwoman’s Chief of Staff. Katara was always in a pantsuit or sheath dress and sensible pumps.

Now, as a stay at home mom-slash-charity board of directors member, her wardrobe was far more relaxed. Sweaters and slacks, sundresses. It fooled people who assumed she was weaker than she looked.

If Katara’s taking a lap, this is bad.

After signaling for the principal to begin, Zuko folded his hands.

The principal cleared his throat. “L-like I said, Kya disrupted class. The history class was talking about the Hundred Years War.”

Tension wound up Zuko’s jaw.

The Hundred Years’ War that the Fire Nation slowly waged on the other nations around it. It ended when he and Katara were teenagers but reconciliation efforts were still needed between the four countries.

Katara and Zuko had had conversations with Kya and Ni about the war, especially because the children’s forefathers fought on opposite sides.

Zuko realized and understood the sins of his people. But not everyone had.

“The teacher says Kya raised her hand and accused him of burying facts.” The principal chuckled.

A scowl took root on Zuko’s face.

“When he asked her to mind her manners, she refused to stop talking. It made other students uncomfortable and Kya stood up on her chair at one point. Clearly, you can see how a teacher might have difficulty keeping the class in line after a stunt like that.”

Zuko’s phone vibrated. “Excuse me,” he mumbled.

[[katara: stall]]

“As I said before,” Nakahara continued, “we have a no tolerance policy on—“

“Was he burying the facts?”

“Excuse me?”

“Was the teacher’s lecture on the Hundred Years’ War one-sided?”

Chuckling, Principal Nakahara shifted, “I don’t see why that matters.”

“Is this the account Kya gave?”

“She admitted she disrupted the class and that’s all w—“

“Did you ask her why?"

“Honestly, Mr. Ryuku—“

Zuko crossed his arms leaning back.

“—we hope this won’t be a big fuss. Like I told your wife, this is Kya’s first offense. So we won’t need to take any action that would appear on her permanent record. We’re simply asking for her to apologize to the class and to write a formal apology to Mr. Katsura.”

“An apology?”

“M-Mr. Ryuku, we wouldn’t want to anger you.”

Zuko raised an eyebrow. “Come again.”

The principal cleared his throat. “N-now, see here. This is a pretty lax punishment considering we would want other students to respect their teachers. Principal Nakahara tapped a student handbook as if to make his point.

Zuko took the book and flipped through it. “What page is that policy on?”

Nakahara stammered. “I don’t recall.”

The occasional turn of the page filled the silence.

“So, there’s no policy?”

“I never sa—“

“Well, I don’t see it here.” Zuko closed the book.

“Let’s be rational. No need to let emotions cloud your judgment. Everyone thinks their child is perfect. No need for any t-temper.”

“You’re concerned about me? I think a teacher trying to silence my daughter’s concerns about a war that claimed the life of her grandmother is plenty reason to be angry. The fact that you won’t say what the teacher said or Kya said is pretty suspect. You don’t know where this policy is.” Zuko crossed his arms. “But you shouldn’t be worried about me, and quite frankly I’m livid. You should be worried about my wife.”

The door opened behind him.

“Did you fill Mr. Ryuku-Kuruk in?“

“He did.” Zuko pulled the chair out for Katara.

“Splendid,” she sat down, squeezing his hand to thank him. Opening the textbook in her hand, Katara flipped to the page where she had a bookmark. “Principal Nakahara,” she looked at him, “how would you describe the Fire Nation’s relationship with the Earth Kingdom during the Hundred Years’ War?”

“Well, the Earth Kingdom was colonized.”

“Huh,” she looked at the textbook, “here, the textbook for high school sophomores said they were ‘business arrangements between the Fire Nation and Earth Kingdom.’ That’s strange.” She turned to another page. “What about the Massacre at the Southern Air Temple? Were those war crimes or a rare epidemic?”

“War crimes.”

“Hmm,” Katara read. “‘Unfortunately, an unknown illness spread affecting the entire monastery. There were no survivors.’” She pinned the principal  with a stare. “When I was in school, they taught us the Fire Nation had the monks face firing squads.”

“W-well.”

“I think,” Katara closed the textbook, “you have a bigger problem on your hands than a student bruising a teacher’s ego. While I can’t say I’ve made up my mind because I haven’t discussed this with my husband, I’m strongly considering pulling our children out of Fire Sages Academy. I want to raise my children to be responsible global citizens and that requires them to know an accurate historical account. Zuko, do you have anything to add?”

“No. I think we have a lot to discuss.”

Nodding, Katara turned back to Principal Nakahara. “In that case.”

“N-no, now. Let’s not be hasty—“

“Hasty?” Katara frowned. “You called us in for a conference about a disrupted class.”

“You can’t tell us what our daughter said, which suggests this was done without gathering the appropriate evidence,” Zuko said.

“We discussed all we could at this moment.” Katara stood up.

“Why are we paying these teachers to teach if they can’t control their students?”

“P-please—“

“I think we’ve heard enough,” Zuko stood. “Let’s go, dear.”

“I’ve already sent for Iroh. Let’s pick up the kids. Mr. Nakahara, good day.”

Principal Nakahara continued to call for them but they didn’t stop.

Ni sat next to his sister. His tawny skin was a couple shades lighter than his sister. He had his father’s chin and his mother’s blue eyes.

“Time to roll,” Katara handed the textbook back to Kya.

“What’s happening?”

“Mrs. Ryuku-Kuruk.”

“Mr. Nakahara, we’ll be in touch. Don’t worry.”

“C’mon kids.” Zuko beckoned his head.

Kya frowned but stood anyway. Crossing her arms, she led the way.

Ni took his mother’s hand, excited to get out of school early.

“Want to grab lunch?” Zuko asked in the elevator to the ground floor.

“Can we go to Bandit’s Keep?” Ni bounced on his toes.

“Hmm. How about we see if your cousins are free to go next weekend, sweetie?”

“Ok.”

“What’s going on?” Kya asked again.

“You’re not in trouble,” Katara said.

“Not with us anyway.”

“Your dad and I have to talk about what we’re gonna do.”

“But, you did the right thing,” Zuko looped his arm around her shoulders.

“We’re so proud of you.”

“I mean I only did it because I know you guys have my back.” She wrapped an arm around her dad as they walked out.

“Always love,” Katara said immediately. She hummed, “How about that place that does Earth style street food?”

“Yes, I’ve been craving cabbage rolls!” Kya said.

“Ok, it’s settled.”

“Don’t you have work, Dad?”

“I’ll go back this afternoon. You know I always have time for family.”

Kya nodded against her dad. “Can I ride with you?”

“Sure,” he handed her the car keys.

“Ni, why don’t you go buckle yourself in?” Katara unlocked the door for him.

They watched their kids get in their cars.

Katara sighed.

“Long time, Madam Prosecutor.”

She scoffed, “We almost made it a year with no issues.”

“There were issues.”

Groaning, she nodded her head. “Let’s talk about it later. I was serious about considering pulling them out.”

“If you want to, let’s do it. It’s gonna cause a splash but we gave enough lip service. It might be the bad publicity they need.” Zuko crossed his arms.

Katara snorted. “As if you care about prestigious Fire Sages Academy’s reputation. I wouldn’t bat an eye if they closed.”

“Kid gloves completely off, huh?”

“Completely,” she laughed.

“We raised some pretty impressive kids, huh, Mrs. Ryuku-Kuruk.”

“We sure did, Mr. Ryuku-Kuruk.”

A/N: Uqsuaqtuq means calm seas in the South Qikiqtaaluk dialect of Inuktitut; Ni means two in Japanese; title from Beyonce’s “Don’t Hurt Yourself”

[aspoonofsugar]

Hello! Which would be your top 5 fight scenes in anime/manga?

Hello anon!

This is a tough question. I am not sure tbh. I can generally tell you about series whose fights I enjoy, but I am not sure I can pick specific fights.

In no particular order:

1) ATLA

I know this is not technically an anime, but I love the fight scenes in the series and how the animators adapted different kinds of martial arts to each bending. Seeing so many different kinds of movements and so many different styles has always been one of my favourite aspects of the series.

When it comes to specific battle sequences, I love in no particular order

-Toph vs Earthbenders: I love the episode The Blind Bandit and Toph’s battle against the earthbenders is amazing. I especially like how she fights in a smart way by moving very little and using her opponents’ movements against them.

-Zuko and Katara vs Azula: I like this fight for several reasons. On one hand Zuko and Azula’s opposite state of minds and developments are beautifully conveyed through their fighting-styles. On the other hand I love the way Katara fights against Azula by using the environment to her advantage. I also like the character moments between Katara and Zuko since we are shown that they really value each other despite everything which went through between them.

-Katara vs Master Pakku: this is one of the first episodes of ATLA I saw and I love how creative Katara is in this battle and how she keeps on fighting fiercely despite not standing a chance. I think the battle conveys very well Katara’s creativity and talent, but also the fact that she has still much to learn when it comes to water-bending.

-Katara vs Hama: in this fight we see waterbenders taking water from the grass and the plants and I like that this possibility was explored. The use of blood-bending is also extremely interesting and the way Hama tricked Katara into using this technique she despises is very interesting.

-Aang, Sokka, Katara and Toph against the Ba-Sing-Se’s soldiers: I like how well the characters work together in this battle and how they manage to basically take down a whole army with just the few of them.

2) HxH

I like battles in this series because they are often smart and have the characters think out of the box. What is more, after it has been introduced, they make use of nen which is a power system which mirrors the characters’ interiority.

When it comes to specific battles I have especially enjoyed

-The fight between Gon and Hanzo because it highlighted how twisted it was the system invented by Netero. What is more it was both a deconstruction and a reconstruction of the shonen trope according to which one can win out of sheer willpower. In this case, we are shown that this is not true because Gon’s willingness doesn’t make him stronger than Hanzo who keeps dominating him. However, in the end Gon wins precisely because of his stubborness which is precisely what Netero wants to test. At the same time we are shown how Gon’s determination can be a double edged sword since he wins, but only because of the fight’s rules and even then he ends up badly hurt.

- Gon vs Knuckle (the training match): I am referring to the fight where Knuckle does not use his nen power against Gon. The fight is a minor one, but I like how Gon develops while training and how he finds smart ways to use Jajanken despite the dangers linked to that ability.

- Hisoka vs Kastro: this is one of the first battle where we learnt how nen works and it is one of my favourite because of how we get to see it from different perspectives. First of all we see it from Killua’s perspective and later on from Machi who explains what happened and how Hisoka’s powers work. I also really like how the battle sheds some light on Hisoka’s personality.

-Hisoka vs Chrollo: I have talked about the fight here and I think it is complementary and the inverse of the Hisoka vs Kastro one.

-Shizuko vs Pike: I have enjoyed this fight mostly because I have a soft spot for Shizuko, but I liked how she approached the whole battle in a smart yet ditzy way and her going back to tell Pike he could have still avoided death was a nice touch.

3) Madoka

I enjoy the fights against the witches because of how symbolic and aesthetically charming the witches are. In particular, I like Homura vs Walpurgis, Mami vs Gertrud and Sayaka vs Elsa Maria. I have talked of every witch (so indirectly of every fight) here.

4) YYH

It has been a while since I have read the series, so I don’t remember all the battles, but I remember enjoying them. They were funny and had some great character moments!

5) Assassination Classroom

I enjoy the fights in the series and the fact the story puts on the same level exams and battle against assassins makes so that the fight scenes end up being very original.

I have especially enjoyed

-The kids against the exams questions all three times we have had it. It is one of the charms of the series to use smart metaphors to convey study-related topics.

-The kill team vs the save team fight. It was great to see the students show each other their most hidden abilities and I like how in the end Nagisa and Karma’s friendship is mended.

-Nagisa vs Takaoka (the first fight). It is the fight which reveals Nagisa’s talent for assassination and I think it manages to do so in a very interesting way.

-Class A vs Class E during the sport festival. I like the rivalry between the two classes and this figth specifically was just hilarious to watch.

Apart from these series, here are some single fights I have enjoyed:

-Ino vs Sakura in Naruto, which I like because of Ino’s plan, the flashbacks and Sakura’s will.

-Levi and Mikasa vs the female titan in snk because it was short, but effective into conveying Levi’s competence, Mikasa’s feelings and their relationship evolving througout a very short interaction.

-Levi vs Kenny in snk because it was the first time we saw a battle among humans and it was interesting to see weapons usually used to kill titans transformed into weapons against humans. What is more, Kenny and Levi’s interaction was interesting.

- I also like several fights in RWBY (even if it is not an anime) when it comes to scenography. I especially enjoy Neo’s figthing style and watch her battles with pleasure.

- Yako vs X in Nogami Neuro. I like that this fight is not really a fight, but simply Yako managing to use her emotional intelligence to get through to X. All in all it is a great way to wrap up both Yako’s development and X’s arc. On one hand Yako shows how much she has grown and how much her empathy can be useful. On the other hand X finally finds themselves.

Thank you for the ask!

[theironweasel]

Fullmetal Alchemist: And Why I’m worried Avatar has spoiled me.

SPOILERS!

This was the series more than any other anime I had seen that I was hoping that could live up to the quality of the Avatar franchise. It was an Action/Adventure series about the same length as both series and it was even TV-PG, allowing even darker situations and themes, and it had a strong starting concept. Once again, however, I was ultimately disappointed.

The Humor. This is a rather small complaint in the grand scheme of things, but I felt the humor in FMA fell pretty flat most of the time. I think there are two reasons for this, first most of the jokes are just repeated time and time again and are the one comedic note a character has. Edward gets mad when someone calls him short, Armstrong has his weird physique obsession, and Hughes loves to go on about his daughter. The other issue is the tonal shifts the humor creates. I’d describe the humor in FMA as exaggerated, with background changes, chibiesque faces and other anime humor tropes. However this doesn’t really gel with the serious and dark tone of the rest of the series, this is why the humor seems to work better in the small number of “comedy” episodes such as the Flame Alchemist. Compare this to both Avatar series. In each, characters also tend to derive their comedy from one particular place, but it isn’t limited to a single joke. Sokka has his cynical sarcasm, Toph has her blind jokes, Katara has her deprecation of her brother, Bolin has his naive silliness, and even Mako get’s his overly uptight attitude and awkwardness. But they don’t just repeat the same joke over and over and the reactions of others is also a huge part of the jokes, from annoyance to anger to confusion. Additionally the jokes don’t tend to break from the tone too much. Sokka’s sarcasm is usually a result of the bad situations he tends to wind up in, and Katara tends to get on Sokka’s case when she is annoyed at him for some reason. These jokes are also much more subdued and realistic, they feel like real human beings who have these personalities would say these things in the situation they are in. In FMA, most of the time, it feels like characters become caricatures whenever their humor moments emerge. Also, a lot of humor relies on the reactions of other characters with FMA it's very easy to predict the over the top reactions that will happen. One of my favorite jokes in Avatar is when Bolin is checking to see if Aiwei is in his house “He's not home. Or he's hiding in there. (gasps) Or he's invisible.” To which Mako gives him an amazing look of annoyance that is simply expressed in a pursed mouth and a cocked eyebrow but the timing and sincerity of it always make me laugh.

2. The Pacing. FMA has a problem I rarely even talk about or notice, because I tend to find as long as the pacing is consistent it doesn’t matter much how fast or slow it is. With FMA the pacing is all over the place. At first The Pacing was quite good, letting a single story last only 2 episodes at most, but shifting from a continuing arc to one off episodes relatively well, though the time skip is bizarre. However this changes once the Lab 5 arc begins. 4 episodes are almost entirely in one building over one night with a continuous story that creaks along at a snail's pace. This was the beginning of the longer arcs that would mostly comprise the rest of the show. The worst offender was the Izumi arc which lasted 8 episodes, and the locations that were visited were: An island, a house, some streets, a meat shop, a military base, a bar, a mansion and some sewers. Basically each episode averaged one new location. By comparison, the Ba Sing Se arc in ATLA minus Appa’s Lost Days, was 7 episodes and covered many more locations: The Drill, the outer walls, the lower ring, a tea shop, Zuko’s apartment, the Gaang’s house, the palace, Lake Laogai, a zoo, a haiku club, a restaurant, a fountain area, a spa, The Dai Li headquarters, The Jasmine Dragon, The Water Tribe camp, The Eastern Air temple, The Catacombs and several other locations. Additionally, The entire second half of Book 2 could be considered a single arc that’s 11 episodes long from The Library to The Crossroads of Destiny, however while there is an overarching plot, each episode also has it’s own plot where a number of aspects are resolved each episode, making each feel like a complete story even if the larger story is only slowly developing. FMA has a habit of arcs essentially being one story broken into a number of parts which tends to kill the pacing. It could be argued that LOK is essentially 4 season long arcs going from 12-14 episodes each. While this is technically true, each episode feels independant from each other while also building on the overall plot. While people complain that the pacing gets slow in the middle of Book 2, it isn’t as bad as some of the FMA arcs and bounces back quite well in the second half. And Book 3 is one of the best examples of a slow buildup with an amazing payoff that I’ve ever seen.

3. The Villains. I’m going to be blunt here, the villains of FMA are pretty bland and boring, which is a real shame.There really isn’t much going on with these villains, at best they aren’t completely one dimensional and have some tragedy in their backstory. At worst they have one, continuous boring note they hit and that's it. This is such a waste given the naming convention for most of the villains. We have 7 villains named for the 7 deadly sins, there is so much that could have been done with this, exploring the nature of these concepts from the obvious to the imaginative, to the subtle. We could have seen how a being that is supposed to be an embodiment of a vice interacts with humanity, or how these supposed vices could also be virtues in certain situations. There are a million things that could have been done with this, but for the most part this just plays out as: a guy who will eat anything, a woman who dresses kind of sexily, and a woman who talks like she just woke up. One of the strengths of Avatar are the villains though each series handles them in different ways. First, ATLA tends to have more traditional villains, save for Zuko, though Azula teeters the edge between traditional and humanized, though this is what makes her one of the best villains in fiction by combining pure evil with humanity and tragedy. Back to my point though. Most of the villains are pretty simple, and all of them are essentially aspects of Ego. This is the exact opposite of FMA, taking one concept and exploring it in different ways. Zuko is about the infliction of one's ego on another person and how that can screw someone up and learning how that ultimately, feeding that ego won’t lead to real contentment. Zhao is a bully who enjoys inflicting suffering on others to boost his own ego and his actions both for and against his nation's interests are simply to serve his delusions of grandeur. Long Feng is all about control as an extension of his ego, he rose up through society to prove himself and demanded complete control of Ba Sing Se as an extension of himself. Azula is about the control of Ego as well as how it becomes a defense mechanism to replace a lack of love from those around her, showing how it is ultimately unsustainable because when it is stripped away there is nothing left. Finally, Ozai represents the power hungry nature of Ego and how it will never be satisfied, abusing and manipulating those around him for power and eventually being driven close to madness by a belief in his own power and invincibility. I love this aspect of ATLA as it examines all the aspects of Ego from subtle to extreme, with Ozai being the climax and showing just how terrifying and horrible an absolute devotion to Ego is. LOK takes an opposite approach, each villain represents a different ideology that is taken to an extreme but also humanizes them more than in ATLA. Amon represents how a devotion to extreme equality is misguided as it requires punishing the naturally gifted even though they may choose to use their gifts to help others (Like the Krew) and that in any political movement a figurehead is required and it can be the ultimate weakness. On the other hand it also shows how Amon started as a good person whose ideals were warped by abuse and even though he wants to try and start again he is ultimately killed because of the inevitability of repeating the mistakes of the past, while he may want to change in the moment, all it takes is temptation for the whole thing to start over again. Unalaq is a pretty boring villain but at least he does believe in the need for spirits to be a part of the physical world only taking it to an extreme. And we at least got Vaatu as a pretty cool embodiment of ultimate Darkness and Chaos. Zaheer is extremely interesting in how humanized he is without giving him any real backstory. All this comes from his actions which reflect someone who cares deeply about his friends and loved ones and genuinely wants to help people, but is also ruthless and willing to do ANYTHING to get his way even if it is hypocritical. He also represents a kind of violent Individualist Anarchism that is relatable in how it advocates for total freedom in the midst of an extremely oppressed society. However, it fails to account for how people, especially those who have been oppressed for a long time, don’t tend to act responsibly. More importantly, most people want safety more than freedom and are willing to turn to a horrible dictator to feel safe if necessary. Which brings me to Kuvira, a representation of Fascism who emphasizes Strength, Order, and Military might, from her jackboots to her mechanized army, with a face that could cut glass and an intimidating voice that will make you pee your pants. Seriously, while Hitler was a powerful Orator he didn’t have much else going for him, Kuvira is like if an Übermensch was also the Fuhrer. But beyond that, while her humanization is limited, the final reveal of her character while minor, ties all of her actions together as someone desperately seeking validation in opposition to her abandonment complex. Seriously, look at how long I went on giving just a brief description of each of the villains of Avatar and I could go into much more detail. FMA’s villains are so boring that I could use the same space to write about every single detail we know about all of the villains from backstory, to powers, to motivations and I would at most miss a few minor details.

3. The Plot. The plot starts out simple and interesting, however it eventually becomes way too convoluted with multiple factions with different motivations and goals that aren’t always made apparent so that we aren’t always certain what is going on and why. While it is okay to have some of these things, too much and you start becoming unsure what exactly is going on in relation to everything else. Another unfortunate effect of this is that there are a number of plot points that revolve around one group knowing some information that other groups don’t know. Again while occasionally okay, it is done too much. ATLA has a very simple plot with only a few twists occasionally, but for the most part, most episodes are self-contained stories so it’s difficult to get lost. LOK has more complicated plots, but each one only lasts 12-14 episodes and there is still plenty of stories that wrap up well in one or two episodes and the plots are all pretty interesting and engaging.

4. The Characters. This is more of a mixed bag, I like both Edward and Alphonse and think the relationship between them is pretty great. I do wish the show had taken more advantage of this and focused more on it, because the closest I came to crying watching this show was early on when Alphonse quietly lamented to his brother how he can’t feel anything anymore, specifically he can’t even find physical comfort in his own brother. However there are way too many side characters and most of them are kind of boring and onenote. A huge red flag for me is when Hughes died, this was probably the most likeable of the side characters and this should have been gut wrenching, but I only got a little misty eyed and mostly because of the kind of exploitative child crying during his funeral. It also feels like a number of characters who were supposed to have a bigger arc really didn’t, like Scar who winds up not really changing at all and stupidly plays into the villains’ plans. ATLA was pretty smart in knowing how to handle characters, have a small number of complex main characters with a ton of minor characters with a lot of personality who aren’t seen often, so they are memorable but their schtick isn’t over used. LOK didn’t have quite as interesting main characters, but made up for it with great side characters such as Lin Beifong, Tenzin and Varrick.

5. The Fights. While decent, I got rather tired of Ed using his arm blade to fight and all of the other Alchemists using just one ability the same way over and over. While I understand the specialization of the Alchemists, I wish they would use other abilities more or use their specialization in more creative ways. Avatar was always excellent about coming up with creative ways to use bending from the specializations, to just the imagination of how to use bending from utilitarian such as using sweat as water, to the fantastic, such as firebending magic shows.

6. The Tone. While FMA is praised for it’s dark tone, I think it has a habit of kind of wallowing in it’s darkness too much, especially in regards to the Ishvalan war. While it’s good to have dark moments and even an overall dark tone, I found FMA to not really utilize it’s darkness well. I often felt like the darkness was just dragging everything down into a kind of depressing miasma. The best example I can give with Avatar is Korra Alone which is the most consistently depressing episode of the entire franchise but it is all born out in Korra’s character whereas with FMA it’s mostly worldbuilding/ character development for side characters and doesn’t go into it enough to really justify how relentlessly dark it can get.

7. Winry. Ok this mostly comes up in one episode: Her Reason, but it is essentially just an exaggeration of her normal problems. She comes off as selfish, conceited, and acts like the world revolves around her. She doesn’t consider the emotions of others and never apologizes when she makes a mistake, letting those around her take the blame. At best she just comes across as a kind of boring love interest. Compare this to Avatar, where even the most love interest focused characters such as Yue, Suki and Opal are still pretty strong characters even if they aren’t super deep. And they have the ability to rebuff their love interests if they are acting like jerks without resorting to violence, something that Anime characters seem to have difficulty doing.

8. Izumi. OH MY GOD. If there is one thing I HATE about FMA it is Izumi. She is hateful, hypocritical, uncaring and oh yeah ABUSES CHILDREN! Now I get that in a dangerous world sparing is necessary even if they get their butts’ kicked. However, leaving two prepubescent boys on an island by themselves for a month with a guy who kicks the crap out of them IS ABUSE and no life lesson is worth the trauma that would have resulted from this in real life. There is also the insufferable tendency of the show to follow up her abuse with kindness which is the exact thing an ABUSER would do to fuck with their victims emotions. I could go on for awhile about Izumi, but instead I will compare with Avatar. Iroh is one of the most amazing characters in fiction, at first he may seem like the wise old mentor stereotype but it's quickly apparent that he is a bit of a goofball, but also deeply kind and caring, even putting up with his largely ungrateful nephew. And as we learn, Iroh used to be a very different person and his journey reflects the journey of other characters. In LOK we have Tenzin who is a rather flawed mentor in that he takes himself way too seriously and is rather inflexible in his ways. However he deeply loves his family and culture, learns a lot over the course of the series, and while he is a bit stiff he is also kind of a doormat so that even when he is acting his worst, it never comes across as malicious because if people were really fed up with him they could just ignore him and all he would do is harumph.

As for the Movie, all I will say is that while I liked what it did with the kind of silly plot point at the end of the series. However I don’t think it did enough with it, I wish that most of if not all of the characters had been universe swaps. And in addition, I wish it did more with this concept, turning Hughes into a stick in the mud, single, Nazi was a bad move. It would have been fascinating if they kept the same characters but showed how might they react in a vastly different situation. For example what if Hughes was his usual self, with a family, and because of this he is terrified that the weakness of Germany is a threat to his family, hence why he would reluctantly join up with the Nazis. Ideas like this could have given a lot of depth to the story. Oh, and the villain sucks. Yes FMA made a dimension hopping Nazi boring, with her entire motivation tying into the on the nose moral of “Racism is bad M’kay?”

However, despite all this, I don’t think Avatar has spoiled everything for me. When I look back to Trigun I remember how invested I became in the characters to the point of being moved to tears on multiple occasions and I consider Vash, Wolfwood and Milly to be characters I will always remember and love.