#drummer shoko
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justjams7787 · 10 months ago
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Band AU! no geto is not the guitarist(gojo is), hes the bassist. I tried a line less art style it was so hard t-t
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8aji · 1 year ago
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main vocalist!gojo and his voice claim is eve
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nanaminokanojo · 8 months ago
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BAD NEWS | CHAPTER INDEX/PROLOGUE (Part 1-64)
-just when you thought you were over your humongous crush on your older brother’s best friend, geto suguru, you couldn’t be more dead wrong, and maybe there isn’t really anything holding you back from acting on it now that you’re all grown up…except satoru doesn’t like suguru for you because he knows his kind all too well: a huge ass playboy who breaks hearts like he changes socks. but you think. MAYBE you’ll be the exception...maybe not.
CHARACTERS: drummer!geto suguru x (fem/afab) reader x guitarist!sukuna | gojo satoru | itadori yuuji | kugisaki nobara | fushiguro megumi | sukuna | fushiguro toji | nanami kento | choso | tsukumo yuuki | shoko ieiri | utahime iori
GENRE: full-length smau + prose | band au, tats, piercings, the whole shebang | college au | stupid pining | aged-up characters | friends to lovers (?) | this is gonna have smutty stuff because why not?
TW/CW: strong/mature language | adult content so mdni on some parts; just skip them. you’re not missing much | mentions of alcohol, drugs | mentions of cheating, promiscuity, mild dubcon (consent >>>), etc. | again, god-awful pet names i’d cringe at if a 3d person says it | toxic behavior | will add more if something arises
AKI’S NOTES: I would like to express my sincerest thanks to everyone who loved and supported “Thawing Ice Queen” as well as those who participated in the poll on which smau I’m going to write next. So, this is what won in said poll, and I hope it gets as much as love as TIQ if not more. Reblogs and likes are very much appreciated, and I actively respond to comments as well as Asks. Also, if you’re interested, I will include you in the tag list. Just message me through whatever avenue you’re most comfortable with. Happy reading!
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ADDITIONAL NOTES: i will be using pics and other media which would fit situations and make the smau-ness of this piece a little more realistic and entertaining when i believe it’s appropriate/fitting to the plot (as i've done with TIQ). having said that, with regard to inclusivity, i just want to put it out there that they will not necessarily be aimed as the exact descriptions to fit a supposedly generic reader nor will they be representative of a specific race or color (even if you’re/the reader is gojo’s sister here). it’s all for the simple fact of media availability, for funsies and the fact that i don’t exclusively write in consideration of those aspects when using reader-insert characters unless i specify it. thank you for understanding.
MASTERLIST
CHAPTERS: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15
16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30
31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 | 40 | 41 | 42 | 43 | 44 | 45
46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 55 | 56 | 57 | 58 | 59 | 60
61 | 62 | 63 | 64 | CHAPTER INDEX II
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© ORIGINAL WORK BY nanaminokanojo. CHARACTERS ARE INSPIRED BY GEGE AKUTAMI’S “JUJUTSU KAISEN”. [20240331]
PHOTOS/IMAGES/GIF/FANART/ANY MEDIA CREDITS GO TO THE RESPECTIVE OWNERS.
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satoruhour · 1 year ago
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LESSON NO. 1
a/n: bassist!geto teaching you how to play the guitar. loosely based off this but not really connected. as requested by @alcospray 💟 i dont play bass so i just watched a whole bunch of videos for just one song - any bass players wanna correct me feel free to do so ;"). only if u look like geto tho /j. they havent say the three words to each other yet, read it with that in mind :3
wc: 2.1k
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“any update from your fan?” gojo nudges him playfully as they wait for the principle of the university to introduce their band for the freshmen orientation, which, weirdly, something that the four of them never thought would happen. they sang about topics that wouldn’t normally get talked about or were shunned — politics, capitalism, authoritarianism — and yet being introduced by the principle of their place of education was quite ironic.
the bassist doesn’t hear gojo at all, not even when his best friend tries to tease him by calling you his fan. there were too many things in geto’s mind way even before this whole performance: his finals, a rival band that sought out to create false rumours about them, you.
always, you, the unexpected distracting thing that infiltrates his mind without fail. from the first night you trodded over to his dorms, opening up to him and letting him take care of you, to the many dates after. he’s taken you to cafés, watched you study way too many times, or simply let you sit through one of his song formation days.
a conscious effort to keep his distance and everything is just you, you, you, and geto is terrified. he’s never liked the kind of love with strings attached, with those mushy, complicated feelings, but no one-night stand, no quick fuck has ever made him feel the way you do.
but lately, he’s seen less of you, unwillingly accepting the principle’s offer to perform for the freshmen because he knew you were one of the group leaders ushering in the new students. at least he could try to search for you in the crowds, even getting a cheeky little text about where your group was meant to sit a week ago. he could be granted at least that when you both have been working so hard for final exams that you two could hardly see each other.
although, throughout their whole set, he sees everyone but you. he loses the bass line often, looks lost on the stage, needs to be cued in, something that never happens to the geto suguru. he’s always been a natural, and yet when it comes to you, you ruin him in the best way possible.
“hey— hey! man, what was that?” gojo slaps him on the back but it doesn’t even register in geto’s head, not really bothered by how he messed up the performance if it wasn’t for gojo’s vocals and shoko adding in her own improvisations for her parts. nanami can only shrug as he comes around to geto’s front.
“she wasn’t there, i looked, too,” nanami mumbled, tapping his drumsticks on his shoulder, “but you’re the most passionate guy i know who loves his guitars and bass lines.”
gojo has to chime in, “he’s the only bass guitarist you know, nanamiii!” and shoko pulls him back with a smack to the back of his head.
the dark-haired guy only clicks his tongue, “sorry ’bout him.”
nanami waves his drumsticks before pointing them at his face, “i know you’re obsessed with her, but i don’t wanna be a drummer if i can’t work with my bassist. sort this out before our next gig. she’s a sweet girl . . just, not when it’s at the expense of the band.”
geto only sighs in relief, landing a hand on his drummer’s shoulder.
“thank you, nanami.” the two exchange smiles before he gives a salute to his other two friends (“do you think he finally loves someone enough for him to be distracted on stage?” shoko says, and gojo gasps dramatically), heading out from the wings and down the stairs at the front of the stage where people look confused at the recent performer looking high and low for where your group was meant to be seated.
he sees not you, but rather your group leader mates who he’s at least seen pictures of, so he has no qualms about heading over to ask about your whereabouts — “the last thing she told our head group leader was that she was down with a nasty flu . . terrible fever and all. our main group leader went to her dorms to check on her and she’s unfit for doing orientations activities. we just sent her loads of soup packets and pei pa koa’s.”
geto laughs at the last part, knowing your need for sweet things. when it’s combined with a soothing coating for your throat, it’s pretty much the only thing you take when you’re sick. with a quick thanks, geto races for the campus bus straight to your dorm, the bass carried on his back rattling with his capo, chord sheets and mute nosily.
at least your annoying roommate’s gone home before school starts so it’s only you when geto knocks on the door. his knuckles rap against the wood, heart breaking when he hears your hoarse voice answer from the other side. soon, he can hear your feet moving towards the door, but it takes a while from how your body is, knocking over some things in the process.
“c-coming!” you groan out, wrapped in layers of clothing and feeling so hot you feel like you were in hell. but you aren’t expecting the sight when you open the door: your boyfriend panting, the guitar case behind him only telling you he’s come straight from the freshmen gig, the expression on his face.
“s-su!” you exclaim, both excitedly and a little worried because you didn’t want to get him sick, something you regret immediately when you go to clutch your throat.
“oh, baby,” geto brushes the hoodie off your head and brushes away the mess of your hair, “you look so pale, i— i would’ve come sooner if i knew—!”
“that’s why i didn’t tell you,” you pout, pushing away his hand gently and stepping back. it hurts to speak, but you feel like you at least need to explain your absence to him, “i was afraid you’d ditch the performance. also— don’t want you to get sick.”
suguru’s expression softens, “don’t worry about me, doll. come,” he takes one more step towards you and you feel so safe with him you don’t take a step away, “let me take care of you.”
the next hours are full of geto, a revered bassist in an upcoming band who dons long hair, piercings and has a menacing dragon down his arm alongside some boots, taking care of you. he runs back and forth between the pantry to make sure you have enough hot water, boiling hot soup to drink, enough layers to keep you warm and even calling gojo to get some tylenol from the supermarket.
“take a breather, sugu, i’m not gonna die,” you laugh slightly with a rasp to your voice, squeezing his hand as you rest against his shoulder. he’s made sure you at least have something in your stomach and enough hot water to power a hot spring, worry showing through his heartbeat when the hand he holds is still so warm.
“you’re heating up loads, baby,” geto frowns, turning his head to plant a kiss on the top of your head. he rolls his eyes when he hears it’s because you’re here. “do you want me to put cool towels on your head?”
you giggle again and cough, sniffling the mucus back up your nose, “no, it’s okay — you’d have to go to the pantry again to get water and i just want . . you here.”
suguru only hums, something akin to a melody that you don’t quite know but you’re happy to listen to his gruff voice anyway. the way he vibrates as he hums sends a calming feeling right to your body, and how he looks and feels so different from the very first time you were alone together.
he seemed so cool, passing the blunt to you and blowing his smoke into your mouth, kissing you like you’re just another girl in his roster; but right now, you were far from it.
now, not only is he still cool, but he’s also the most caring person you know and is something so far from his appearance and band: this is just one in many instances of how much he takes care of you. from the same fingers that strum upon the stainless steel, they travel miles over your body, your face like the first songs he learned on the guitar, weaving a melody and language so intricate only the two of you speak it.
silently, you feel him push you forward while he slots his legs on the other side of your body, letting you naturally rest with your back to his chest. “wanna learn?”
“i am in the most terrible state, suguru,” you whisper, reaching over to take a tissue. there, you blow your nose and clear out your nostrils until the next round, groaning softly at the grossness of the tissue.
“ohh . . but wasn’t someone saying that she isn’t dying?”
your jaw drops, “i can’t believe you would use that against me.”
the corners of your boyfriend’s lips turn up in a sly smile, “just quoting my girl. but—”
this time, he’s the one reaching over much further than you, hand clutching the neck of the guitar through the bag. gently, he settles it on both your laps, laughing when a small oof leaves your lips at just how heavy his bass was.
“i’ll do all the playing, you just mirror my movements.” with one more kiss to your temple, geto reaches around easily to play the starting notes of psycho killer. while there’s a clear layering of the lead, vocals and drums in his head, you’re just left confused by the repetitive bass.
but soon, you’re able to catch the notes that repeat over eight counts, hypnotised by the other’s longer fingers as they transition into the chorus line. it’s a little more complicated, now, descending into chords that you frankly don’t have any grasp on. one look at your face is enough to send him into soft laughter.
“okay, okay, let’s just focus on the verse.” if you weren’t feeling lightheaded from the fever before, you are now when geto curls his hands around yours, placing your finger easily on the fifth fret of the first string.
“so here . . we have the first bar of A notes, easy? then . .” he demonstrates the first four notes, plucking the strings for you before moving it down to the third fret to play the G note. a small smile spreads across his face when you slowly get the hang of it: six notes of A, two eighth notes, and then a G on the same string. geto slowly releases his left, letting you play on the melody while he helps you to pluck.
“that’s it,” still natural, it doesn’t faze geto at all to nuzzle his head into your neck from behind and to start kissing up your shoulder to your jaw, fingers still expertly plucking the string. the both of you repeat the bass line until he’s grabbing your awkward right hand and quietly, he angles your fingers so you’re following him, “you’re a fast learner.”
“i have a great teacher,” you mumble, and suguru doesn’t tell you that you just willingly kissed his jaw out of habit — because he knows you’d freak out at the possibility of getting him sick. it’s sweet, that in your delirious state you’re still acting out of admiration at the back of your mind. like the bass, loving geto feels as natural as the repetitiveness of psycho killer.
the bass notes reverberates through your bodies, just almost acting like a trance that makes your fingers falter upon the steel strings. he goes on to slowly play the chorus, stretching his fingers into weird shapes. he plays various chords, voice cracking just a bit when he tries to sing the vocals and you laugh softly.
“i just don’t have satoru’s higher register.” geto jokes, knowing you’re close to falling asleep from the way you hum and give one worded answers, so he easily takes over from you, changing it to an easy song. you let the low notes of the bass serenade you to sleep as you curl more into your boyfriend, but not before you hear a glimpse of geto’s harmonised singing to yellow.
it’s not often you hear him sing, being a bassist and all, but there is a nice edge to his voice — not quite made for vocals but you know he can do it if he tries. and even if you don’t voice it out, geto thinks the same thing. it’s similar to this stupid love thing that’s got him all tangled up and distracted, too, and he realises so many new things about himself through you.
you give love a fresh breath of life, nothing like the things suguru sings about in his unfinished demos and notebooks — multitude of things that involved you and his fucked-up perceptions and the foolishness of his parents telling him he’d find the same. you are all he thinks about when he sees the black cough syrup and he can’t stop craving the feel of your body against his.
the moment your breathing turns even and you sag against his embrace is when the strings stops and his breathing escalates. in geto suguru’s arms is the personification of something he never thought he would let into his life, yet you carry the choirs of love and acceptance so effortlessly like heath’s bass guitar solos and atsushi sakurai’s spotless vocals.
suguru’s head simply falls onto your unknowing shoulder, a small fuck that leaves his lips and a smile that he can’t contain is all he needs to know.
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@mysugu @suget @slttygeto @na-t0 💟
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zombiec · 9 months ago
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Behave | Gojo Satoru
(Top male reader)(could be read as gender neutral reader)
(Rock band au)
Synopsis ☆: Gojo and reader are in a rock band and gojo gets mad because reader keeps flirting/leading on fans
Warnings: mirror fucking, riding, little sub reader but they redeem themself
A/n: please yall I been so lazy but trust some more are coming out (I be lyin.) also this is kinda really long or atleast it took me a long time to make it
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You were currently backstage about to get ready for your show. Your band ‘The Painkillers’ was about to perform one of your newest albums. Your band consists of you (lead guitarist), Gojo (lead vocalist), Getou (drummer) and Shoko (backing vocalist). Your band was a rock/punk type, which was very popular.
You were currently in a chair in a room that was provided to you, getting your face touched up by a make-up artist. You were looking at yourself in the mirror admiring how fine you look. Suddenly someone busted the door open scaring both you and your makeup artist. Unfortunately for you when your makeup artist got scared she accidentally poked your eye, causing her to apologize profusely. You held onto your eye a little pissed off but you knew it wasn't her fault it was the idiots behind her.
Getou and Gojo both behind her with little smirks on their face which pissed you off. You politely turned to the make-up artist and asked her to please leave. She scurried out of the room with her head down taking her things with her. You looked at getou and scowled at him. “What the fuck do you two want? And next time knock??” gojo came over to you and put his arm behind your neck “Aren’t you excited??” you looked at him from your peripheral vision and moved his arm off of you. “I guess I am” Getou rolled his eyes and groaned “Stop trynna act all cool you know you're excited” “??? i’m acting completely normal” Gojo slapped your shoulder to get your attention…. Which kind of hurt, but you’d never admit that.
“Whatt?” you whined. Gojo looked at Getou then the door and he took the sign to get out. Gojo then walked to the door and locked it. You just stood there confused because what is about to happen….. He turned around and looked you right in your eyes. Gojo walked towards you slowly and wrapped his arms around your neck. It was cute to you because he had to go on his tippy toes. “Are you gonna behave yourself tonight?” your dick throbbed in your pants. You wrapped your arms around his waist and smirked: “What do you mean behave?” gojo put his hands in your hair and pulled you a bit closer “You know exactly what I mean” you knew exactly what he meant.
You made a confused face just to tease him. He pinched your ear and you let go of his waist groaning in pain. “I’m serious” you looked up at him and he had a little pout on his face. “Awee you look so cute” you said to him gushing because of how cute he looks! Gojo was tired of you teasing him and twisted your ear making sure it hurt more. “AHH STOP IT” you slapped his thigh and he let go of your ear.
Before anyone could say anything else there were continuous knocks on the door. You walked to the door and unlocked it. Opening the door you see Shoko. “SHOKOOO MY LOVEE” you engulfed her in a hug and kissed her cheeks “ok ok get off me” she replied giggling at your enthusiastic mood. You and Shoko are best friends you love her so much she’s such a sweetheart. “What’re you here for?” Gojo spoke up from behind you. “I’m here to get you two so we can get ready to go on stage” “damn it’s already time?” You said. “Yes now let’s go.”
Shoko grabbed your hand and walked towards the stage your band needed to be at. Unbeknownst to you gojo was behind you two frowning. The 3 of you made it to the stage, where Getou was waiting. “Damn finally we go on in like 10 minutes” Getou spoke up.
Finally, it was your band's turn. All 4 of you were dressed up in something that consists of black and purple, your band colors. All the lights went off and you could hear gasps in the crowd. Snickering a bit you and the rest went on the stage.
You walked to the side, gojo in the middle, Shoko next to him, and Getou at the end. You picked up your guitar and played a mini little riff while the lights were still off. Everyone’s attention was on the stage, it was completely silent. Suddenly the lights turned on.
Everyone in the crowd erupted into cheers and screams. You and Getou looked at each other with a shocked face because this is a big ass fucking crowd. Usually you guys fans fill up a bar or something..but jeez this is like a stadium.
Gojo introduced the band and we started to play our sets. In the middle of one of the songs you had a solo and you were currently in the middle on your knees playing the guitar like crazy. Sweat was dripping down your body and you were panting. Gojo could not take his eyes off you he just wanted his mouth on your dick immediately.
In your own world you saw how your fans were screaming and raising their hands like they wanted you to touch them. You saw this one cute boy who was kinda short and getting pushed around in the crowd. He has blue hair and had cute little glasses with thin frames. When your guitar solo was over and Shoko started to sing you walked to the edge of the stage and took the boys hand placing it on your stomach and dragging it down to your belt.
The boy immediately blushed and started squealing. Everyone around him started screaming louder and you couldn’t help but smirk. You leaned down and gave the boy a kiss on the cheek and mouthed ‘call me’ while handing him a slip of paper with your number on it.
You felt a little bad though, Because you only did that to make gojo jealous. You and gojo weren’t a couple at all but you guys have fucked a few times. You both have no feelings for each other whatsoever or that’s what you thought atleast.
On Gojos part he does have feelings for you. He knows you don’t have any for him, but he’s cocky enough to think that he could make you fall for him.
After you went back to to your place you looked to your side to see Getou laughing. You made a confused face at him and he mouthed “you’re in trouble.” You sulked. You weren’t ready for after the concert. 30 minutes later the concert ended. You and the others were now signing anything people handed to you. You were lucky because a girl asked you to sign her boobs, had you giggling like a little girl.
The line for VIP guests was ending and at the very end of the line was the boy who you interacted with during the concert. You smirked at him when he came up. “Hi beautiful.” the boy looked up and you can't even lie he was so gorgeous, if you and Gojo didn't have anything going on you definitely would be going after him.
“Um hi can you sign this for me” he spoke up shyly and pushed what he had in his hand towards you. What he gave to you was a cute mini Spiderman plushie that you thought was so cute. You cooed at his shy persona and signed the plushie on its big ass head. you handed it back to him expecting him to walk away but he stayed where he was. “Did um- did you really want me to call you?” he was so shy it was so cute. “Sure if you want to, you're really cute I wouldn't mind getting to know you better” You were lying, you don’t want to be in a relationship . Especially with a fan. His face brightened up. He giggled, said thank you, then ran away.
….” oh boy,” you thought. You turned around to see if the others were done just to see Gojo glaring at you from the side. You looked back at him and made a confused face. He rolled his eyes and stood up. Once he stood up he roughly grabbed you by your collar and dragged you to his dressing room. Not without telling getou and shoko that you two will be right back.
Gojo walked to his dressing room and pushed you in. He locked the door behind him and glared at you. “What do you think you’re doing” you looked at him with a smirk on your face. “Im not doing anything..are you jealous baby?”
Gojo groaned. He was so fucking annoyed by you and your dumb-ass charm. He hates how stupid you are, He hates that you always flirt with the fans and give them false hope. He hates that you're doing this to make him jealous. He hates that he can’t do anything about it because you two are not together. He fucking hates you.
Gojo went up to you hitting you on your chest constantly. “I.Fucking.Hate.You” you knew how gojo felt for you, but you just can’t reciprocate his feelings. If things go bad in your relationship you dont want it to ruin your friendship with him. You love gojo but you can’t lose him just because you both decided to turn your friendship romantic.
With gojo still hitting your chest which was starting to sting a little (a lot.) you caught his wrists in both your hands before he could hit your chest again. He looked up at you. you could see the tears in his eyes and it made you soften a little bit.
Wrapping his arms around your neck, you leaned down and connected your lips onto his. Almost immediately he kissed you back. At first the kiss was slow and a bit romantical but then the kiss turned hot and steamy. Gojo pushed you in the chair that was conveniently placed behind you. You fell back with a “umph” and he crawled right ontop of your lap
“We can’t do it in here gojo” you said with a little panic in your voice because gojo is very vocal and these rooms are NOT soundproof. You started to adjust yourself so you could stand up but gojo pushed you into the chair with more force…you can’t even lie his aggressiveness was turning you on.
“I know you want me as bad as I want you” he whispered in your ear unbuttoning your shirt. All rationality left your head. Gojo kissed down your neck leaving marks on it like y’all both won’t get in trouble with your manager later. Gojo saw you not paying attention to him and pressed his palm on your crotch.
You winced and looked down at him. “Focus only on me” he spoke against your lips. You’ve had enough. You grabbed gojo by his ass and kissed him causing him to moan into your mouth. You grounded his ass onto your still clothed cock and moved on your hands to his hair. Pulling on his hair to separate you two you looked at his face flushed and his breath being hitched.
You giggled a bit “we’ve barely done anything and you’re already fucked up” gojo rolled his eyes and unzipped your pants. You were intrigued by what he was about to do so you just let him do whatever he was going to. He pulled out your semi hard dick and stroked it until it was fully erect, earning a little groan from you.
Gojo got up from your lap and pulled down his pants. He then took off his shirt and hopped right back onto your lap. Taking your dick in his hands before he lined it up with his hole. “W-wait! Don’t you need to be prepped” you stuttered out taken aback by his eager attitude. “No” is all he said as he sat on your dick and took it fully. “Holy fuck” you breathily let out, he was so tight and warm you could stay buried in him forever.
Gojo let out a moan as he started riding you slowly. You were sitting in the chair while gojo was sitting on your lap knees on the sides of your thighs riding you. “Speed up” you grunted out. Not wanting to disappoint gojo sped up thinking about how you gave that blue haired freak your number making him angrier.
All of a sudden gojo starts riding you like a fucking maniac. “F-fuck yes this dick is mine isn’t it” he said while rocking back and forth on your dick causing you to get a little vocal. “Fuck yes it’s yours. All yours baby” hearing that made gojo go feral. He placed his feet next to your thighs and started bouncing on your dick.
Infront you two was a mirror so you could see your entering and exiting Gojos hole and it was doing something to you. You could feel your release building up in your stomach and you could tell gojo was almost at his limit by the way he was shaking. Gojo grabbed the back of your neck and slammed his lips onto yours causing him to cum right on your stomach. Even though he came he kept bouncing because he wanted your seed in him..he needed it. “Come onn cum in meee. I wanna be bred” him saying he wants to be full of your cum sent you over the edge as you fill him up, watching as it leaks out of him in the mirror.
Gojo looks up at you seeing you panting, he smirks and chuckles. “who’s fucked up now?” No way in hell were you about to get bitched by gojo. You hopped off the chair with him on you still and placed him on the counter infront of you. You flipped him over so he was facing the mirror. “W-what’re you doing?” He spoke up “You wanted it right? It’s yours? So take it.”
You immediately entered gojo from the back causing him to let out a moan and grip onto whatever was in his line of vision. You gripped him by his waist and started thrusting into him. “A-AH FUCK PLEASE” you shushed him and reminded him that you two need to be quiet because again this room is NOT sound proof. “Shh baby we gotta be quiet” you said slivering your hand around his neck and fucking into him in that position.
“IM GONNA CUM PLEASE PLEASE GO HARDER” you lifted his leg and put it on your shoulder going harder than before causing the
Counter infront of y’all to shake. “Come on baby cum for me” you pulled his head up towards the mirror “look at yourself so pretty and fucked out. You look best like this.” You said and kissed him. He came with a loud moan his cum shooting on the mirror. It was quiet in the room for a few. Gojo catching his breath and you starting to clean up the cum on the mirror.
Both of you paused what you were doing when you heard a knock on the door. Gojo looked at you to answer it since he was obviously fucked out of his mind. “Who is it” “it’s nanami your manager” “oh shit” both you and gojo muttered at the same time.
─── ⋆⋅☆⋅⋆ ───
Hi guys
Ts MIGHT be ass idk
Please request someone as a cam boy so I can go crazy 😽
Also sorry for not posting and posting late I’ve been in a slumpppp. Senior year of highschool is NOT for the weak.
HI COOKIE @xozombiee this one’s for youuu
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shokobuns · 5 months ago
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i asked you a question, i wanna know why!
why'd you have to make that record 'bout me?
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song about me.
synopsis: writing songs about the fling that broke your heart catapults your band into fame. unfortunately, his bedroom won't be the last place you see him
ALTERNATIVELY — you and atsumu learn to get along for the sake of your best friends.
genre: romcom, some angst, smut in a wayyy later chapter (18+)
tags. band au, college au for a bit, chemical engineering major!reader, marketing major!kuroo, marketing major!kenma, lead singer!reader, drummer!shoko, bassist!getou, guitarist!utahime, ex fling to lovers, satosugu roommates, shokohime roommates/lovers, bokuaka, gojo is filthy rich, msby black jackals vs. schweiden adlers arc, kuroo is desperately looking for employment, small olympics 2024 arc w/ guest stars, kenma loves roblox, suna is locked into his lover
PAIRING(S): miya atsumu x f!reader, brief trashy!semi eita x f!reader ft. oc named mika x suna rintarou, shokohime, bokuaka, and satosugu if you squint
updates: ongoing series! monday, wednesday, friday (hopefully this is consistent)
taglist:: open! (send an ask off anon or with an account to be added)
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masterlist
[apt. 202b + roaches] / [samu's kittens]
pt. 0 — sunday morning / pt. 1 — sweet nothing / pt. 2 — jumpscare / pt. 3 — situationship… / pt. 4 — gaydar / pt. 5 — count your days. / pt. 6 — short king showdown / pt. 7 — survive the killer / pt. 8 — radar! / pt. 9 — the oomflympics / pt. 10 — shit ur pants / pt. 11 — care / pt. 12 — untitled
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silentscrying · 13 days ago
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🎸 out of my mind !
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guitarist!ino x drummer!reader
summary: it's the annual battle of the bands at the fix, your college campus's iconic live music bar, and this year you're taking the stage as the drummer for indie rock group cursed technique. you know the competition is strong, but no part of you is ready for lead singer and guitarist takuma ino. you lock eyes at the edge of the stage, and something starts—something that might make you feel alive even more than the beat of the drums.
content: f!reader, warnings preceding each chapter, ino's lead singer/guitar, you're a drummer in another band, bar owner shoko, bartenders gojo/geto/utahime, no use of y/n, sfw, gratuitous use of italics and swearing.
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directory meet shibuya incident | meet cursed technique | meet black flash | meet the rest of the contestants | welcome to the fix 💿 // track one: the hell happened in shibuya? track two: kowalski, status report track three: something about a beat track four: a conflict of interest track five: the battle of the bands // 💿
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jjk taglist open: just send me a message!
@shutuppeter @mikikkoo @reactwithjan @theclassbookworm @lilactaro @bisforbuse @risararelywrites @idkidk32 @gojodickbig @stargazing-with-choso @anonymity-222
a/n: FOR ALL FIVE INO FANS, here is my new brainrot. the title is a little image song that i think has the general vibes of what ino's band is going for. also, this is the most self-insert thing i've ever written in my life. journalism major in a shitty college band? too on the nose, aren't we? oops. please enjoy
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illubean · 4 months ago
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ok guys hear me out....
jjk band!au right?
geto on drums, gojo guitar/bassist, shoko vocals and nanami
stay with me guys.
nanami keyboard OR keytar
do you know how fucking SICK it would be for THE NANAMI KENTO to play a KEYTAR?
and also the thought of drummer!geto just does something to me...
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cupcakequeen-2005 · 4 months ago
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The first post, these are characters for my story hehe
The Breakers <3
The band Group - The Breakers + Mrs Manager: They are a rock-boy band that is taking the world by storm. The band originally started with Satoru, Suguru, Y/N and Shoko (Who became the manager). As they grew Sukuna, Toji and Choso Joined but something happened between Satoru, Suguru and Y/N and the apparently kicked her out ?!
The Characters:
Satour Gojo: Satour is the most popular in the band and the lead singer in the Band. Suguru and Satoru are Childhood friends. Satoru loves to tend to pretend they are dating. He is quite the selfish one and tends to only think of what will benefit him. Also, the biggest man whore you will meet but covers it up by pretending he is "gay" for Geto.
Suguru Geto: Geto is pretty popular him self (people only think it's because of the bromance). Geto plays the lead guitar and also sings. He LOVES his music and will do anything to be successful he is also a pretty big mak whore himself. He, Satoru and Y/N were very close once.
Toji: Toji is Maki's brother and has known Y/N since early high school he acts like he dislikes her but deep down has a soft spot for her because of Maki. Toji is the Drummer of the band he can also play other instruments. He joined the group later on.
Sukana: Sukana is just a right asshole and does not know how to keep his mouth shut. He also plays the guitar. He was around when the falling-out happened he isn't the biggest fan of Y/N but his brother is very close with her group so deep down he doesn't mind her.
Choso: Choso is just fucken clueless tbh, he really likes Y/N and they are quite good friends. He, Sukana and Yuji are all brothers. He plays bass and supports All his friends the best he can. He joined the group pretty late so doesn't really know much.
Shoko: Shoko has been there since the beginning, She, Y/N and Maki used to be very close but after everything happened she chose a side. She also had her own falling out with Maki which made them drift even more. She is the Manager of the group.
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Y/n’s group 🤘 gc- Gang Fr
Extras
Masterlist
Next.
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selfishdoll · 1 year ago
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MASTERLIST.
* = contains nsfw, suggestive themes.
JUJUTSU KAISEN
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MULTIPLE CHARACTERS.
USING THEIR CROTCH TO SHOW OFF YOUR NAILS, FT. KASHIMO, GOJO, GETO, NANAMI, & TAKUMA *
SLEEP HEADCANONS, FT. KASHIMO, GOJO, NANAMI, TAKUMA, & SHOKO
PIERCING HEADCANONS, FT. KASHIMO, GOJO, NANAMI, & CHOSO*
HOW THEY LIKE TO EAT YOU OUT, FT. KASHIMO, GOJO, GETO, NANAMI, & TOJI.
YOU GONNA EAT ME OUT?, FT. GOJO, GETO, NANAMI, CHOSO.
GHOSTFACE! SATORU & SUGURU
GOJO SATORU
PRO GAMER! GOJO HCS*
KAMO CHOSO
ARTIST! CHOSO | you offer to be his beautiful, nude muse.*
ROOMMATE! CHOSO | you butt-dial him will masturbating.. & moaning his name.*
HATE YOU | you & choso are rivals.. nothing more.
JUST ONE MORE | sick! choso
SO, SO MUCH | you & choso reconnect after being away from each other for a year.
YOU SCARED OF ME? | having feelings for the boy you tutor’s older brother is not the smartest.
IM SORRY. | it doesn’t matter how mad you are, choso always knows how to make it up to you.
I HATE YOU | being workplace rivals with choso
KASHIMO HAJIME
VAMPIRE! HAJIME | you’re sick of being his bloodbag, but maybe, just maybe he sees you as something different. *
CAMBOY & MARTIAL ARTIST! HAJIME | you find out hajime’s dirty secret, which interferes with your job as a pta.*
PUSSY DRUNK! DRABBLE*
MEAN DOM! DRABBLE*
DEAL | you and kashimo make a deal if he gets an a on his test.*
SOFT & SLEEPY | kashimo fucks you to sleep.*
NSFW ALPHABET*
TAKUMA INO
DESPERATE | ino summons you, a succubus, in desperation.*
SCARE ACTOR! INO | you and ino fuck while he’s in costume, & on the clock.
NANAMI KENTO
ANYTHING FOR YOU | resident evil inspired au
SUKUNA
FAVORITE GROUPIE | vamp & drummer sukuna
MK1 (2023)
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MULTIPLE CHARACTERS.
THREESOME HCS, FT. JOHNNY, RAIDEN, KUNG LAO, KENSHI, SUB-ZERO, SCORPION, SMOKE, & LIU KANG
BI-HAN
I MISSED YOU | you & bi-han finally see each other after being days apart.
RELAX | you help your husband relax.. with a bubble bath.
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TBA.
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ivyvenus333 · 1 month ago
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someone PLEASE help me find a satosugu fic I was reading on ao3 and lost (swear to god i bookmarked it idk what happened),,, it’s an au where they’re in a band with shoko, gojo’s the singer, and geto comes back as their drummer after some shit happens,, they all met and were musicians as kids,, there’s also an adorable part where young gojo buys geto his first pair of nice drumsticks, i think it had like 4-6? parts and its not complete,, last time I read the chap ended with gojo watching geto leave the studio with some bitchass on a motorcycle,, please tell me someone knows the name of the fic
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theobsidianempress · 5 months ago
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JJK Band AU update
So I have decided who is who:
Gojo - lead singer
Geto- Back up vocals and lead guitarist
Choso- Drummer
Nanami- Bassist
So the story goes that Shoko was apart of the band but decided to retire for something little more quiet. She still is in contact with her friends but now they need a female vocalist as well as back up guitarist. That’s where the reader comes in!
So this story will have five six diverging paths
1.) Gojo
2.) Geto
3.) Choso
4.) Nanami
5.) Poly (reader is shared Between everyone)
Each route will have a different amount of chapters but the main beats will stay the same. I will have beta readers for this because this is the first time I’ve done something like this but I wanna try damn it! Also if there are any other authors who want to collab with me on this let me know.
So now there’s the name… I really need something other than the “Sorcerers” because that shits lame and kinda of expected.
So for names I got :
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nanaminokanojo · 4 months ago
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BAD NEWS | CHAPTER INDEX II (Part 65 onwards | Ongoing)
-just when you thought you were over your humongous crush on your older brother’s best friend, geto suguru, you couldn’t be more dead wrong, and maybe there isn’t really anything holding you back from acting on it now that you’re all grown up…except satoru doesn’t like suguru for you because he knows his kind all too well: a huge ass playboy who breaks hearts like he changes socks. but you think. MAYBE you’ll be the exception...maybe not.
CHARACTERS: drummer!geto suguru x (fem/afab) reader x guitarist!sukuna | gojo satoru | itadori yuuji | kugisaki nobara | fushiguro megumi | sukuna | fushiguro toji | nanami kento | choso | tsukumo yuuki | shoko ieiri | utahime iori
GENRE: full-length smau + prose | band au, tats, piercings, the whole shebang | college au | stupid pining | aged-up characters | friends to lovers (?) | this is gonna have smutty stuff because why not?
TW/CW: strong/mature language | adult content so mdni on some parts; just skip them. you’re not missing much | mentions of alcohol, drugs | mentions of cheating, promiscuity, mild dubcon (consent >>>), etc. | again, god-awful pet names i’d cringe at if a 3d person says it | toxic behavior | will add more if something arises
MASTERLIST | CHAPTER INDEX I
CHAPTERS: 65 | 66 | 67 | 68 | 69 | 70 | 71 | 72 | 73 | 74 | 75
76 | 77 | 78 | 79 | 80 | 81 | 82 | 83 | 84 | 85 | 86 | 87 | 88 | 89 | 90
ADDITIONAL NOTES: i will be using pics and other media which would fit situations and make the smau-ness of this piece a little more realistic and entertaining when i believe it’s appropriate/fitting to the plot. having said that, with regard to inclusivity, i just want to put it out there that they will not necessarily be aimed as the exact descriptions to fit a supposedly generic reader nor will they be representative of a specific race or color (even if you’re/the reader is gojo’s sister here). it’s all for the simple fact of media availability, for funsies and the fact that i don’t exclusively write in consideration of those aspects when using reader-insert characters unless i specify it. thank you for understanding.
© ORIGINAL WORK BY nanaminokanojo. CHARACTERS ARE INSPIRED BY GEGE AKUTAMI’S “JUJUTSU KAISEN”. [20240814]
PHOTOS/IMAGES/GIF/FANART/ANY MEDIA CREDITS GO TO THE RESPECTIVE OWNERS.
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tonycries · 3 months ago
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would you ever write for shoko 😔
MMMM PERCHANCE 🤔 I really want to, especially with drummer! Shoko from the Brooklyn Baby-verse 🥵🥵 but every time I start writing I find her a lil' hard to characterize </3 UGH MY WIFE.
Hopefully in the future!!
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silentscrying · 5 days ago
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🎸 out of my mind ! 💿 track two: kowalski, status report
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guitarist!ino x drummer!reader
summary: it's the annual battle of the bands at the fix, your college campus's iconic live music bar, and this year you're taking the stage as the drummer for indie rock group cursed technique. you know the competition is strong, but no part of you is ready for lead singer and guitarist takuma ino. you lock eyes at the edge of the stage, and something starts—something that might make you feel alive even more than the beat of the drums.
warnings: language, alcohol, mentions of drugs/drug dealing, toge bullying, unbearably cute dogs. || sfw. 9k words.
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"I SHOULDN'T CUSS in this, right?"
It’s the day before the other four artists premiere their sets at Battle of the Bands, and you haven’t been home since six in the morning. You’re running on caffeine and spite and the pursuit of the story, parked on a high stool across the bar from the one and only Ieiri Shoko.
Toge leans on the counter beside you, opting to stand. He’s agreed to pay for the next snack run in return for you letting him be your partner. You both know you’re going to end up doing most of the writing, but you don’t really mind. Toge would if you asked him to, but you love this kind of thing in a way he just doesn’t. Plus, he’s better with a camera than you, and he’s taking photos tomorrow night.
You laugh, pulling out your phone to record. “You can say whatever you want as long as it’s honest. Be candid.”
“You might regret saying that!” Gojo calls from the back, and Shoko silences him with a glare.
“Are you coming or not?”
Gojo grins and finishes up whatever he’s putting away in the storage room, then strides out and leans his elbows on the counter.
“Do you mind if I record?” You point to the open voice memo app. “Makes it easier to quote you correctly.” You also just hate running interviews when you’re scribbling hand-written notes the whole time. You’d much rather have a genuine conversation and worry about the details later.
Shoko waves a hand airily. “No problem.”
“Absolutely,” Gojo says. “You can probably sell that for thousands.”
You set the phone on the counter, next to one of the tiny pumpkins scattered across it in celebration of the beginning of October. You and Toge bounce back and forth as you run through the standard start-of-interview checklist, having them spell out their names, getting their ages, hometowns, degrees, all that jazz. And then you launch into the stuff you really care about.
“So, you opened The Fix about ten years ago now, correct?”
Shoko nods. “Yeah, a little over two years after we graduated.”
You look at Gojo, whose eyes are even more alarmingly blue in the daylight. “And you were hired right away?”
“Utahime first, then me,” he nods. “Best for last, y’know.”
Shoko snorts. “We knew each other in school. I just took pity on him.” She smirks as Gojo’s jaw drops. “You can quote that.”
“Right, so all of you were friends in college. And you came together to start this place—what was the idea behind it?” Toge chimes in. “You said you studied nursing, Shoko?”
And you sit and listen as Shoko explains. Back in college, she was at the top of her class. By graduation, she’d been accepted to basically all the best med schools. She had her pick. She could do whatever she wanted. But she realized that what she wanted wasn’t that at all.
The medical field is brutal, she tells you. It’s all late nights and emotional burnout. People yelling at you, misplaced anger when you give them the bad news. Getting attached to people only to watch them waste away.
“I needed to get out before I got too far in. Maybe it was selfish,” she admits. “But I wasn’t cut out for it. I have so much admiration for medical professionals, but I couldn’t be one of them. A few clinicals and I was already feeling the consequences of giving too much of myself and getting nothing back.” She shrugs. “So I named it The Fix, as some kind of homage to the medical background. And I figured I’d just make sure it’s safe.”
Something sits heavy in her gaze as she stares at something behind you, middle distance, like she’s remembering.
“Why a college bar?” you ask, nudging the phone across the counter to pick up her voice better. “I mean, the extra security, thinking about underage drinking, dealing with a bunch of broke university kids. You could’ve just as easily opened a different bar in a more lucrative area. What was the appeal?”
She smiles crookedly. “Appeal. Well. My senior year, I was working in the local ER. And I saw… god. So many kids came in there needing their stomachs pumped, or kids who’d done laced drugs, gotten roofied, harassed, it was… I mean, it was a city university club scene. They weren’t safe. And I just felt like I needed to give them that. I couldn’t stay there as a nurse or a doctor. But I could do this.” She shrugs. “Sorry. That was probably way too much.”
“No,” you say quickly, smiling at her. “That was—that’s what we came here for. Shoko, that’s amazing. And it’s not selfish, taking care of yourself. You’re still here taking care of others.”
You don’t know Gojo well. Most of your stories about him come secondhand from Nobara, who knows him through Megumi. She paints the picture of a flamboyant, obnoxious bartender who’s more like a weird uncle to her than anything. From what you’ve seen of him at The Fix, you know this to be mostly accurate—he’s rarely serious, always taking flack from the students and giving it right back, ragging on Utahime, begging Shoko to play his playlist instead of Geto’s and knowing she’ll never cave. But now, as he listens intently to Shoko, you think you’re seeing another side of him.
There’s something troubled on his face as she speaks, like he wishes he could reach into the past and help. Like he regrets it.
The bar’s not the only thing that has a different side in the daylight.
“She’s right,” Gojo tells Shoko. It’s not much, but she looks up at him a bit surprised, something in her expression softening. A smile tugs at the corner of her mouth, not quite there but not quite not. “You’ve got a pretty big heart under all that RBF.” Shoko rolls her eyes, the moment over.
“What about you?” You turn to Gojo, nudging the phone his way. “Why a college bar?”
Shoko turns toward him, leaning a hip against the bar, just as curious as you are. “I think kids deserve to be kids,” he shrugs. “And if I—if we—can create a space where it’s actually safe for them to do that, it feels important.” His gaze shifts from you and Toge to the empty bar, the stage and floor and high-top tables that tomorrow will be full of music and laughter and students knowing they’re allowed to let loose here.
“There aren’t a lot of places out there that are exclusively for students,” he continues. “It’s this weird phase, college, where you’re figuring out who you are, trying to take risks without losing too much. It’s a lot. And you look at the crime rates, date rape drugs, theft, DUIs, in the city, and it’s just—this place gives them the room to learn and grow and mess around and have a good time without the danger of the… I don’t know. The outside world. Does that make sense?”
He drums his fingers on the countertop, then seems to abruptly remember the recording and stops. “I think it’s just… well, no one’s allowed to take youth away from young people. So that’s why I’m here.”
You wonder what Gojo was like in school. He majored in gender studies, which you’re pretty sure is what Todo is at least minoring in, too—you’re not sure how it’s applicable to anything, but Nobara says he likes to pull his diploma out from behind the bar and say he’s an expert in women. It seems a far cry from this rare, more subdued version of Gojo you’re seeing right now. You’d guess he’s grown quite a bit in the time he’s been here. And Shoko’s been here to witness it.
He’s not a business owner, like Shoko or Geto. And according to Nobara, he definitely doesn’t need this gig to make a living. He’s here because he wants to be.
“These last few years have been nice, in particular,” he offers. “Just ‘cause some of us have kids going here. I mean, you know the Fushiguros. Suguru’s got the twins. And I know Ino’s not Nanami’s kid, but they’re tight.”
“Wait, what?” Nanami is the bar’s primary security guy, a bouncer who never lets a fake ID fool him. He’s part of the reason this place is so safe. Toge spins to look at you as you blurt out the question, caught off guard. “Uh, sorry. I just didn’t—I didn’t know they knew each other.”
Shoko studies you with tired, intelligent eyes, and you can’t help but feel the tables have been entirely flipped. You’re the one being interrogated, wordlessly, by the woman across the counter. You feel like every thought in your head is scrawled across your face for her to read.
“Yeah,” Gojo says, unaffected. “Ino looks up to him a lot, I think. Even though he’s an old man who reads the newspaper for fun.” He snorts. “He’s a good guy, though. And Ino’s a good kid.” He finally clocks the way Shoko’s looking at you and cocks his head, appraising.
Thankfully, Toge cuts in with another question. “So, we’ll be around tomorrow for the bands and to take some photos and observe,” he explains, glancing at you to make sure he’s got the information right. “Will Geto be around?” You’d wanted both owners’ perspectives, and now that Gojo’s reminded you of the twins, you’re even more curious.
“Yeah, Suguru and Utahime will be here tomorrow night,” Shoko says. “And Nanami. Geto would totally be down to talk to you some other time, too, when it’s a bit quieter.”
“Amazing,” you say, pulling the phone back toward you. You’ll need details, follow-ups, but you need to process this first, write some things down while they’re fresh in your mind. ‘Thank you so much for this. We appreciate it.”
“Anytime, kid,” Shoko says, waving you off. “See you tomorrow.”
As you turn off the recording, Gojo and Toge have already devolved into conversation about the bands and predictions about tomorrow night. A few posters are scattered across a low table near the door, and you pick one up, smiling at the blocky lettering advertising Black Flash. There are posters advertising all of the artists, and they look amazing, straight out of one of the alt rock venues in the wider city.
“They’re sick, right?” Gojo calls, nodding to the posters. “I gotta hang those up, actually. Thanks for the reminder.”
You wave goodbye to Shoko and Gojo and lead the way out, Toge just behind you.
“Man,” he says, and you brace yourself, recognizing his teasing tone for what it is. “They said Ino’s name and you look like scared Bambi or some shit.”
“Shut up,” you mutter, elbowing him.
He holds his hands up. “I’m just living in pursuit of the truth! Like Kusakabe would want.”
“Is your camera battery charged for tomorrow?” you say in a blatant attempt at a topic change.
“Who do you think I am?”
“Toge Inumaki, chronically irresponsible student and—”
“Okay, sorry I asked, holy shit.” He sticks his tongue out at you. Then he hesitates, frowning, and then he’s pulling out his phone and calling someone in his favorites list before you can see who it is. “Hey,” he greets. “What? No, she didn’t kick me out. Hey. Hey.” You snicker and Toge glares at you, pressing the phone closer to his ear. “Yutaaa,” he whines. “Do you know where my camera battery is?”
Even when you’re not the one on stage, you live for Fridays at The Fix. Tonight you’re doing double duty—because of the dual elimination at the end of the round, all of the competing artists are here. It’s not a requirement, but you want to see what you’re up against, and the sentiment seems to have carried. You and Toge are also in reporting mode for your project story.
The band on stage right now is… well, you can’t say new wave metal is really your thing, but it’s definitely theirs, and the audience is loving it. The Cull, you write in your notes. Look up names.
You couldn’t make out the lyrics if your life depended on it. It’s three guys and a girl, vaguely familiar, but you’re fairly certain they’re seniors and absolutely certain they’re baked right now.
“God, this is loud.” Yuta winces, turning to face you, and then his eyes flicker to something over your shoulder. You divert your attention from the stage and just catch the brief commotion in your periphery. Nanami has a kid by the elbow, and he’s escorting him out the side door, expressionless. The kid’s obviously drunk out of his mind, tripping over himself, shouting something that Nanami doesn’t bother to respond to.
Maki follows your gaze and wrinkles her nose up in distaste.
“Who’s that?”
“My cousin,” she says flatly. You glance quizzically at Megumi, who is definitely standing five feet away and not being escorted out of the bar.
“Dude, how much family do you have at this school?”
She sighs. “Just Mai and Megumi and him. Naoya. He’s a piece of shit.”
“Clearly,” Toge says. “He broke the M theme. No respect for the family alliteration.” Maki kicks him in the shin.
“One last round for The Cull!” Panda calls from the stage, and your ears slowly, very gradually stop ringing with the raging new wave music. The stage techs get to work behind Panda as he introduces the next group.
“Up next, making their debut, we’ve got a sophomore girl pop trio. Give it up for MOTION CAPTURE!”
There’s a big cheer from the bar, and you turn to see Geto grinning. Three girls take the stage, the blonde one grabbing the mic and adding, “All caps!” The girl beside her is very obviously her twin sister, though her hair is straight and dark while the blonde’s is tugged into pigtails. Light and dark. The girl on keys has a long, black bubble braid that she pushes out of the way as she settles in to play.
The blonde plugs in her electric and calls out, “Alright, I’m Nanako.” She tests out a chord, the sound reverberating, filling the bar all the way up to its high ceilings. “That’s Mimiko, that’s Remi, and we’re just here to have a good time.”
“Hey,” a voice says behind you, and you jump. You turn to find Takuma holding two drinks, offering one to you.
“Oh! Aw, thanks, you didn’t have to do that. How much do I owe you?”
He rolls his eyes. “Nothing.”
“Takuma—”
“Nothing,” he reiterates. “Anyway, The Cull. Thoughts?”
You take the drink and try it while you think on your answer—it’s the same thing Nobara got you last week. How did he know?
“I didn’t really understand any of the lyrics,” you admit, shrugging. “They weren’t bad. Not really my genre. Do you know them?”
Takuma shakes his head. “I had a gen ed once with that Rin kid, but I don’t know the other ones. These girls aren’t bad, though.” He’s right—they’ve launched into an Olivia Rodrigo cover that’s actually decent. They could work on their voice control, but they’re young and fun and having a good time and working the crowd, and that’s what it’s all about, isn’t it?
You sing along, alternating between your drink and exchanging quips with Toge and talking with Takuma. You like this new balance between your band and his, the easy camaraderie.
When the girls wrap up their set, you whoop and cheer and Kirara shamelessly watches Hakari move things off the stage, arms bare in his cut-off tank.
“You’re subtle,” Takuma tells her, and she tugs his beanie down over his face.
“Hey!”
You grab his drink before he can spill it and grin as he yanks his hat off and readjusts it. His hair is a fluffy mess underneath, and it’s kind of endearing.
When the girl pop trio is done, two guys take the stage, one in white and one in black. They’re clearly related, dark hair and pale skin and piercing eyes, and Panda introduces them as the Kamos. You don’t know if they’re brothers or cousins or what. But they’re good—they sing a few alt rock covers, play guitar.
“Damn,” Nobara sighs, a little longingly, her gaze settling on Choso as he takes over the chorus. “They’re…”
Beside her, Yuji wrinkles his nose. “Dude. That’s my half-brother.”
Nobara hums noncommittally. “And?”
He groans, tipping his head back and staring at the exposed beams of the ceiling, run through with colored lights. “Why does this always happen?”
Toge is taking more photos of them than is strictly necessary, considering your story is about the bar and not the band, but you let him have this. Scattered throughout the crowd are more kids with cameras, freshmen from the entry-level reporting classes with big underage stamps on the backs of their hands. Somebody mistook Toge for one of them earlier, and Maki hasn’t let it go all night.
You jot down atmospheric notes on your phone, little things that’ll help set the scene for your project lede, keeping an eye on the bar as much as you can. Geto has jumped in at the bar, which he usually does when the place gets busy, and Gojo is terrorizing Utahime again.
“How’d your interview go?” Takuma asks, nodding at your notes. It shouldn’t faze you so much that he remembers what you told him about your story, but you can’t help the little kick of your heart in your chest at the reminder.
“Good! Really good.” And then you catch sight of Nanami, back at the door after calling a cab for Maki’s asshat cousin. “Actually, Gojo mentioned you.”
Takuma’s brows shoot up. “Gojo? Why?”
Nanami has always seemed incredibly reserved, stony and silent in a way Takuma has never been. You don’t want to pry, but you’re also curious about the relationship between them, how they met, what they are to each other. The journalist in you wants to know.
And then there’s the part of you that just wants to know Takuma.
“Well, he was talking about the twins and the Fushiguros, and he kind of mentioned something about you knowing Nanami?” You try to sound casual, jerking your chin toward the door where Nanami is posted, like a tall, blond guard dog.
“Oh,” he says, surprised, but he shrugs, not seeming too alarmed by the question. “Yeah, I’ve known Nanami for… a long time. He’s kind of a mentor. He’s the reason I met Fushiguro in the first place, actually, ‘cause of him knowing Gojo.”
You’re considering asking how exactly they did meet when the Kamos wrap up, Nobara staring up at them dreamily, and the stage clears out for the final artist.
Whatever questions you had are thrown out the window, because you know who this is. Everyone knows who this is.
Fifth-year student and resident SoundCloud rapper, Ryomen Sukuna. Or D!SH0NORED1, according to the posters.
“Oh, here we go,” Megumi groans.
Despite his reputation on campus, you don’t know anyone who’s actually close to Sukuna, except Uruame. You mostly know that he deals at the skate park and that he’s clean about it.
And that his raps are truly, genuinely horrible.
He lets Panda give a stilted introduction and launches into a verse, mic too close to his mouth, making hand gestures or stepping to the beat of his backing track. His tattoos are even more stark and bold under the stage lights.
“My blood type’s B, your type is me, my zodiac Caprisun, it might be controversial but you’re still lookin’ at me, son!”
“Oh, sweet Jesus,” Kirara mutters. “I’m gonna bleach my eardrums.”
“Caprisun?” Nobara whispers. “Oh, dude.”
You might be a terrible person for thinking it, but watching this guy’s performance makes you feel infinitely better about your odds of advancing in the tournament.
His final song is a new one he introduces as Frosted Flexin’, and Maki looks like she’s about ready to keel over dead.
“Frosted flexin’, I'm the cereal king, pourin' oat milk in the mix, yeah, I'm doin' my thing,” Sukuna spits in his low voice, swaggering up to the front of the stage. You are trying so hard not to lose it.
“Sukuna being an oat milk truther wasn’t on my bingo card,” Toge says.
“Got the swag of a squirrel and the brain of a dove, call me trash, but you're still showin' me love.”
“Thoughts on the amount of swag a given squirrel possesses?” you ask Takuma. He laughs, loud and bright, and then seems to very seriously consider the question.
“I don’t know if campus squirrels have swag. They live in luxury. They probably eat better than we do,” he says. You can’t argue that—you did once see a squirrel outside your sociology class run by with a full bagel in its mouth. “The wilderness squirrels, though, I think they got a scrappy kind of swag. Like, I wouldn’t cross them.”
You nod sagely. “I want them on my team in the apocalypse.”
He nudges you with a shoulder. “Am I on your team?”
You glance at him, make a show of looking him up and down. Maybe you’re imagining it, but you think he’s blushing a little. “I don’t know. How fast can you climb a tree?”
Sukuna is nearing the end of his song, now, saying, “Off-tune, out of sync, yeah, I know it's a sin, but you'll play it back twice 'cause I still might win.”
He actually, physically drops the mic and Hakari swoops in and catches it, clearing his throat and saying into it, “Yep, friendly reminder that equipment’s expensive! Everyone give our last artist of the night a hand, yeah?”
There’s scattered applause and more than a few confused faces as Sukuna lopes off stage, and Panda hops back up to explain the voting system for anyone who wasn’t here last week. “QR codes to the Google form are posted around the bar,” he says.
Out of all eight artists, the bottom two will be eliminated. You’re nervous. But voting was open last week too. You can’t vote as a member of the band, and it’s all done through school Google accounts to avoid double votes or the link getting sent out to non-students.
“Open until tomorrow morning,” Panda reminds the audience. “Results and second round schedules will be posted on the Instagram at some point tomorrow! That’s it for this Friday at The Fix. Have a great night, folks. Get home safe.”
Gojo whoops dramatically from the bar, and Panda gives him a weird look before getting off stage.
Your friends start heading toward the door, and you grab Toge and excuse yourself to catch Geto at the bar. Gojo sees you first. “The newsies!” he calls.
“Like the musical?” you say in lieu of a greeting. “Banger soundtrack.”
“I could dance on newspapers,” Toge says.
“Geto!” The Fix’s other owner smiles at you, soft and genuine. Part of his dark hair is pulled back and the rest hangs loose over his shoulders, a stark contrast to Gojo—like the Kamos, you think, or like Nanako and Mimiko. Light and dark. “We were wondering if you’d be down to set up a time to talk. Has Gojo told you about our story at all?”
Geto smiles, drying a glass and leaning against the bar. “He told me he’s gonna be the front page of every paper in the city, which I assume is a horrid exaggeration,” he says. Gojo looks affronted. “Shoko mentioned you’re doing a feature for class, though. I’d be happy to.”
“We have our Monday night class time open for field reporting the week after this one,” Toge offers. “Will you be around?”
“I will indeed. Utahime, too, if you want to speak to both of us. And Gojo won’t be here, which might be beneficial for you.”
“Suguru,” Gojo gasps, pretending to stagger back. “You wound me.”
“Mhm,” he says, unaffected. “What time works best for you two?”
You set up a time to interview Geto and Utahime, then say goodbye to him and Gojo and run to catch up to your friends. It’s a nice night, and since you didn’t have to deal with instruments, you all decided to walk.
“How goes the… journalisming? Journaling?” Takuma asks when you fall into step beside him.
“Good, all good. Reporting is maybe a better word, but valiant effort.”
“I like journalisming. Can you just submit words to the official dictionary? I’m gonna do it.”
“No,” Toge says, and you blink. He shrugs. “What? I tried once. But the only submission form I could find was for the Bureau of Linguistical Reality and it wasn’t like, a legitimate dictionary form. There’s all these requirements, it’s horrible.”
“What word did you try to submit?” you ask warily, not sure if you actually want to know.
“Some things,” Toge says solemnly, “are better kept secret.”
The night is hazy, only small rays of moonlight piercing through the cloud cover, and you make your way through the campus roads guided only by the streetlamps and Maki’s reliable sense of direction.
Part of you wants to ask Takuma to come over, or Yuji to insist the band come over to his place again, just so you can keep talking. But you have work to do, things to write and transcribe, lists of follow-up questions to make, and that’s only your workload for this one class. You still have exams this week, and you need to study now so you can balance it with rehearsals. Assuming you actually advanced to round two, that is.
And part of you worries you might be taking this too fast, too. You don’t typically integrate people into your life so quickly. You like spending time with Takuma and Kirara and Yuji and even Megumi, though he’s pretty quiet. You just don’t want to jump in too far too fast.
At your place, you say your goodbyes and head up to your room to get some work done. Toge uploads his photos and puts them in your project folder on Drive. And you spend the night doing what you do best, aside from drumming—writing.
Youth for the young: JU alumni run safest live music bar in city limits
You don’t even notice the time until it’s past one in the morning, and you’re nearly asleep at your desk. The dark has crept across your room, the only source of light the desk lamp and your laptop screen. Finally, you push the computer shut and flick off the light, flopping into your bed. A few missed messages pop up when you hold your phone up, wincing at the bright screen.
takuma: just letting you know i made the treacherous journey home safely takuma: many miles of hardship takuma: thought i was gonna die halfway there
You smirk and type out a reply.
you: did kirara have to save you takuma: i resent that takuma: (yes) takuma: wait why are you up it’s so late you: journalisming you: why are YOU up takuma: travel adrenaline takuma: (coding project due monday that i just started) you: TAKUMA
The next text to come through is a voice note, and you can’t help smiling as you hit play and his voice fills the open air of your bedroom.
“Okay, in my defense, I thought it was due next Monday. Which maybe isn’t my defense because it means I just can’t read due dates, or maybe I just can’t read, but I thought I had a lot more time and then one of my classmates texted me asking for help on this block of code and I told him I hadn’t started and he was like oh my god, Ino, it’s due in three days, and I was like no it’s not, we have so much time—turns out we don’t have so much time, so I’m over here staring at my screen until the vessels in my eyes pop—”
He yawns, and it makes you yawn too, despite the screen separating you. “Sorry, agh. Anyway, I have to write this program that uses some kind of randomized generator…”
You find your eyelids fighting gravity, exhaustion washing over you as he explains the project and all the reasons he’s not that worried about getting it done by Monday because actually he’s on a roll and it turns out the code isn’t that different from a similar project he did last year so he can just lift the main blocks over and wow, he’s tired, and you stifle a laugh as the voice memo comes to an end and he says, “Okay, gosh, I should go to bed. You should go to bed. Stop journalisming, Skip, get some sleep. G’night.”
You grin, plugging your phone in and sending him a voice memo of your own.
“I’m done journalisming. Still haven’t written that story on you, though. Night, Takuma.”
The last thing you see before you fall asleep is his reaction to your text. It’s a thumbs up, but after a few seconds, it disappears, replaced with a heart.
“I’m gonna die,” Nobara groans.
You’ve been checking Instagram every hour on the hour for the bracket results, but to no avail. The five of you are sprawled out in the living room, a Fleetwood Mac record spinning in the corner, cups of coffee and tea and scattered remnants of breakfast dotting the table and the floor and the windowsill.
You have post notifications on for the Battle of the Bands Instagram page, but you check anyway, as if you somehow missed it.
“Okay,” Maki says. “Cut it out. No phones.”
“Maki,” Toge groans. “How do we live with the suspense?”
“Go around and give a rundown of your week?” Yuta suggests.
“Aw, highs and lows, it’s like elementary school,” Nobara says happily. “I’ll go first! High: annoying slacker guy in my marketing class got a shit grade on the group project and the rest of us got As. Low: Skipper won’t give me Ino lore.”
“Lore,” you mimic. “I don’t have any lore. We’ve known each other for like, two weeks.”
“That’s enough time for lore,” she insists. “What’s your high? Ino?”
“Okay, jeez,” you say. “Maybe it’s that Toge and I had a really good first interview for our project story.”
Toge blinks at you.
“Fine, maybe it’s Takuma.”
Nobara grins in a way you can only describe as malicious. “Okay,” you say, pointing at her. “Low: whatever that is.” She sticks her tongue out at you.
“My low is Skipper bullying me in class,” Toge says. “And my high is she said she’d be my partner, so I’m not gonna fail.”
Yuta nods sagely. “Maki?”
“Uhh,” she says eloquently. “My parents won’t stop pestering me about fall break. But I aced a test on Thursday in anthro, so there’s that.”
“You’re not going home, right?” you ask. She shakes her head resolutely. Maki doesn’t go home unless she absolutely has to—one thing she and Mai actually have in common.
All of your phones go off at once, a mix of buzzes and beeps and Apple watchfaces lighting up, and Nobara screams. “I can’t look!” she cries. “Someone tell me!”
You click on the notification and pull up the post, heart racing.
The first slide is a generic Battle of the Bands announcement with the cool ass graphics you’ve been seeing on the posters. Whoever designs those needs a raise. The second image is the bracket for next Friday, with the first knockout round of three—only one group will move on to the finals. “Who is it?” Nobara asks anxiously, pacing the room. “Oh god, I’m gonna die.”
“Shibuya Incident,” you read off, unable to keep the smile from your face. “Angel.” Nobara groans overdramatically. “And the Kamos.”
You swipe to the next screen, heart in your throat. OCTOBER 18, it reads. THE CULL. CURSED TECHNIQUE. BLACK FLASH.
“Oh my god!” you scream. “Oh my god, we made it!”
Toge yanks you to your feet and starts hopping around the living room, and Nobara shrieks with joy as you pull her into the celebration. Even Maki and Yuta are sporting wide smiles as they watch the three of you bounce around like kids on a sugar rush.
“What, no Sukuna?” Maki teases when you’ve calmed down. Toge clears his throat and does his best impression, going as far as to make his pants sag a little around his waist.
“Frosted flexin’, I’m the cereal king, pourin’… uh, duh nuh nuh, something doin’ my thing,” he says in a deep voice. “Uh… squirrel? Somethin’ fuego, that’s Spanish, uhhh…”
“Oh my god, let me look it up,” Nobara cackles, pulling up SoundCloud. “It’s I’m the king of bad decisions, got a throne made of Legos, took a bite of my mic and said these bars are fuego.”
Yuta physically winces. “Does he really sag his pants like that?”
Toge shrugs. “It felt right in the moment.”
“Wait, who’s the other one eliminated, then?” you ask, running through the bands in your head. Yours, Takuma’s, Black Flash, the Kamos…
“Motion Capture,” Maki says.
“No, it’s all caps. You have to shout it. MOTION CAPTURE!” Toge hollers. Nobara snorts.
You aren’t entirely surprised, but you have a feeling the girls aren’t too put out about it. They’re young, too—they’ll have their time to shine eventually.
You grin, flopping back onto the couch. “Okay, rehearsal when? Tonight?”
“Yeah, I have to go to a friend’s to figure some stuff out for a project, but I’ll be back at like… five?” Yuta says.
“Oh, fuck, I gotta go too!” Nobara says, darting toward the stairs.
“Group project?” Maki asks.
“Shopping! I gotta pick Miwa up in like, ten minutes!”
Maki rolls her eyes fondly. Yuta stands up and grabs his bag, heading toward the entryway, and the rest of you gravitate instinctually to the kitchen. Nobara is out the door moments later with a wave and a shout, and Toge grins.
“What,” Maki deadpans, not a question.
“I printed memes to hide on her Polaroid wall. Be right back.”
You snort, turning your attention to the window to watch Nobara cruise down the block. The view of her sleek, small car is interrupted by Yuta’s jungle of plants.
“I hope they’re not too cold,” he says, frowning as he tugs a jacket on over his white hoodie. “Do they look okay to you?”
“Yeah,” you say, pointing to the one in the white, ovular pot. “Especially this one, it’s getting so big! What’s his name, Snorlax?” Yuta had a phase where he named at least six plants in a row after Pokèmon.
“No, that one’s Rika, after that TV show,” Maki corrects, not looking up. Yuta blinks, looks between her and the plant, whose vines have started to creep up the window. A smile tugs at the corner of his lips. Both of your eyes on her have her looking up from her phone, expression flat and unaffected. “What?”
“Yeah,” he says slowly. “I didn’t know… anyone paid attention.”
Maki shrugs. “You talk to them out loud.”
“Yeah, I guess I do.” Yuta laughs and waves one last time before he walks out, closing the door behind him. You count to five in your head and then whirl on Maki, entirely unable to keep the shit-eating grin off your face.
“Kowalski, status report.”
She blinks at you. “What?”
“I said—”
“No, I know, just—on what? What happened?”
You groan, dragging the heels of your hands down your face. “Maki. Please.” You gesture wildly between her and the door, wondering if she’s genuinely this oblivious or if she’s just as good a liar as Mai. “Are you—did we not just witness the same interaction? Jesus, Maki, put the boy out of his misery!”
Seeing Maki frazzled is not a common occurrence. The most agitated you ever see her is talking about her family or trading passive aggressive jabs with Mai. This is an entirely new sort of disarray—she’s flustered.
“I—what?! I can’t do that! And he’s not miserable. He’s that nice to everyone.”
You groan, burying your face in your hands with your elbows on the counter. “Maki! He likes you. And your face is telling me you like him back.”
She scoffs, turning her head down and crossing her arms defensively. “I’m not messing things up by dating my bandmate. We live together, Skip, he’s my best friend, if things got messy—”
You hold up a hand. “First of all, offensive. I’m your best friend. Second of all, I hear no denial. Also, it won’t get messy. You are the two most mature people in this house and you know how to separate personal from practical. If anything, it’s gonna kill the vibes of the band and the house if you just keep stewing in the sexual tension.”
“Oh my god,” Maki groans. “There. Is. No. Sexual. Tension.”
“There’s always sexual tension,” Toge announces, walking in and jumping up onto the countertop, legs swinging. He looks between the two of you innocently. “What are we talking about?”
“You might be of some help, actually,” you say, turning to Toge with your hands clasped.
“Uh, actually? Not oh, Toge, you’re always so helpful, thank god you live with me and keep my life interesting—”
“Nevermind.”
“No, pleeease,” Toge insists, sticking out his lower lip. “What?” His gaze shifts to Maki, who’s blushing a furious red. His mouth turns into a small O. “This is about Yuta?”
You didn’t think she could get any more scarlet, but here she is.
“Does everyone think that?” she groans, throwing her head back in exasperation.
Toge shrugs. “I thought we were all just quietly skirting around it until you both snapped.”
“Nobara doesn’t skirt around anything,” Maki says.
“Well, there’s no way she doesn’t know,” you point out. “Maybe she just respects both of you enough to leave it alone.”
“Hah!” Toge snorts, poking you in the ribs. “That means she doesn’t respect you. She wants the Ino lore.”
“I’m gonna tell Nobara about the memes.”
“You wouldn’t dare.”
Abruptly, you realize you never got around to Yuta for highs and lows, what with the chaos of the brackets dropping. “Ah, guys,” you say. “We missed Yuta.” You pull up the house group chat.
you: YUTA DROP YOUR HIGH AND LOW IN THE CHAT you: YOU ARE NOT FORGOTTEN freak no. 1: yes you are utah: haha aw that’s nice utah disliked a message from freak no. 1 utah: uhh low is maybe that toge keeps leaving memes all over our room. like i keep finding them tucked in my notebooks and everything freak no. 1: SLANDER freak no. 1: LIBEL you: not the same thing freak no. 1: SHUT UP utah: high is someone remembers the names of my plants!! :) nobara: Sorry, using voice text while I drive. Who knows the names of your plants? You and God? utah: maki! :)
“Okay, well, respond,” Toge says, poking Maki in the side. She glares at him and likes Yuta’s message.
“Guys,” she says exasperatedly. “What the hell am I supposed to do? Does he know?”
And you’re not sure, honestly. You don’t know that Yuta is even aware of his own feelings, let alone aware that Maki reciprocates them. You shrug helplessly. “How about… ask?”
“Jesus,” Maki says.
“Not him, Yuta.”
Maki socks Toge in the shoulder and levels him with a disdainful look. “You are the bane of my existence.”
“And the object of all your desires,” Toge proclaims in a horrendous Bridgerton accent. He made you watch all of it with him in two days. Maki refused.
Now, she just shoves him, and he squeals as he falls off the kitchen counter.
“Children,” you sigh. “Do you need to be separated?”
“Yes!”
“Why is this so hard?” You stand with your feet planted on Takuma’s skateboard, which is confoundingly, entirely different than balancing atop your longboard. “Oh my god.” You lurch forward as the board rolls a bit to the left, unable to stifle the squeal that comes out of your mouth.
Takuma stops it with one foot.
“Your center of balance is lower on a longboard,” he laughs. “Like, here.” His hands wrap around your waist and you tense under his grip, and he immediately freezes, jerking his arms back. “I’m so sorry, I didn’t—”
“No! No, it’s okay,” you blurt, sheepish. “I just wasn’t expecting it, I—here.” You try to fight the blush furiously rising in your cheeks as you take his wrists in both hands, putting them back where they were. You clear your throat, suddenly too warm. “Um. Okay, so—do you turn the same way?”
“Pretty much. You just lean,” Takuma says, and you shift your weight to your heels, letting him steady you. “It’s a bit harsher than you would on a longboard, though. Unless you want me to send you right into kickturns?” His tone is teasing and you pretend to consider, tapping a finger against your chin.
“Mm. Maybe later.”
You’ve been at the skate park for a while now, and you’ve only recently ditched your longboard for the skateboard. Takuma brought the extra board you saw hanging on his wall the other day, and he uses it to demonstrate while you practice riding back and forth, getting a hold on your balance. After you feel like you can make it a good distance without pinwheeling your arms, you come to a staggered stop beside him.
A flash of blue-green hair grabs your attention, and you watch a kid in a lightning bolt hoodie slip under the ramps. The park has been pretty deserted today aside from a few guys doing tricks in the pit, a chilly Sunday with the sunlight muted by the clouds.
��Ooh, drug deal in action.” You poke Takuma in the side.
“Ah, probably Sukuna. He deals here all the time.” Sukuna’s business is one of those things everyone’s aware of but nobody talks about. He’s consistent and pretty safe, as far as drug dealers go, but he’ll deny any involvement while smoking a joint if he has to.
“Who’s space buns?”
“Uhh…” Takuma narrows his eyes, and the guy slips out again. “Damn, that was fast. Oh, that’s Hajime. Another senior, I think. They hate each other. Fastest deals I’ve ever seen.”
“I wonder how much of his songwriting is just… while he’s really, really high,” you muse. Swag of a squirrel doesn’t strike you as a particularly levelheaded thought, but hey, it’s certainly memorable.
Takuma leans in and says conspiratorially, “I’m pretty sure I heard him dropping bars here the other day when I was with Yuji.”
You snort and look up at one of the smallest ramps, one you think you could handle without falling on your face, and point to it with a raised brow.
“Oh, moving up in the world?” Takuma kicks his board up and starts walking over, and you do the same. Before you put the board down at the top of the ramp, though, you hold it up to the light, noticing a few short, white hairs caught on the surface.
“Is this… fur?” Maybe there was a cat hiding out somewhere when you were over. Kirara seems like she’d have a cat.
Takuma sighs. “Yeah, the dogs shed like crazy. It gets everywhere. I don’t think I even left that on the ground.”
Your jaw drops, and you stare at him until he looks back at you. “Dogs?”
“What? Yeah, Fushiguro’s—”
“Fushiguro has dogs? Dogs plural? In the house?”
“You didn’t know?”
“No!” you cry. “What? Oh my god! Where were they on Wednesday? How many? What are their names?”
Takuma leans back on the rail next to the ramp, grinning. “I can’t believe you didn’t know. Oh my god. They’re so cute. Tsumiki had them Wednesday, I think. Mandated auntie time. Do you wanna meet ‘em?”
“Do I want to meet them?” you repeat, practically bouncing on the balls of your feet. “Uh, yeah. Are they home? Oh my god. I love dogs.”
“I couldn’t tell,” he deadpans, but he’s smiling still. “Yeah, they’re home. And you can meet them if you go down this ramp without dying.”
“You’re cruel,” you say, situating yourself on the board. “But I will. And then I’ll meet the dogs and become their best friend and they’ll love me more than you and Megumi combined.”
“Confident.” He comes up beside you, checking your stance. The ramp didn’t look steep or long at all from your vantage point across the park, but now that you’re atop the board, it feels suddenly very steep and very long. “You got it. Just don’t panic, keep your stance.” He drops his own board and cruises down the ramp, hardly even trying.
“Okay, go!” he calls from the bottom. “C’mon, Skip, the dogs are waiting.”
“Oh, god,” you murmur, the wind catching your words and whisking them away. You ball your hands into fists and push off, planting your foot back on the board and trying to keep your knees bent, but not too stiff, as you careen down the ramp. Don’t panic, keep your stance. You’re at the bottom in what feels like nanoseconds, and the sudden shift from ramp to flat ground has you stumbling off the board with an embarrassingly high-pitched squeak of alarm.
“Nice!” Takuma laughs as he catches you, the board rolling a few more feet ahead. His arm is wrapped around your front, the other holding you up by the shoulder, and this time you don’t tense under his hands.
“Thanks,” you say a little breathlessly, grinning, the tiny spike of adrenaline making you almost lightheaded. He lets his hands drop when you’re steady on your feet, and part of you mourns the warmth a little. But there are more pressing matters at hand. “So, about those dogs?”
You opt for your longboard on the way back down your street, cruising along beside Takuma, who has his extra board tucked under his arm. You’ve got a lot to do tonight, all the last-minute preparation for another crazy week, but you can and will drop everything to pet a puppy. Or two. Always.
And they’re actual angels. Big, fluffy angels on earth, one white and one black, and they’re all over you the second you open the door.
“Hi!” you say happily, sinking down to their level. The white one immediately tries to burrow into your lap. “Oh, hello! You’re so nice, aren’t you?” You glance up at Takuma. “Where’s Megumi?” You grab the white one’s collar and check the tag—Shiro.
“Shiro thinks she’s a tiny dog,” he says, bending down to ruffle the fur behind her ears. “Uh, Fushiguro’s at the animal clinic. He works there Sundays. And Tuesdays, I think.”
“Wait, really?”
“Yeah, he’s a vet student. You didn’t know?”
“I did not.” The black one is licking your face, and you giggle and check his tag, too. Kuro. “Hi, Kuro. You’re a good boy, aren’t you?”
“He’s got such a soft spot for animals,” Takuma says as he kicks off his shoes. “You should see when they both try to sleep in his little twin bed. It’s ridiculous.”
“I love them,” you say, burying your face in Kuro’s scruff. “Hi, doggies. You’re awful cute, you know that? Mhm. Yes you are.”
When you finally look up again, Kuro’s cold nose nudging insistently at your palm, Takuma is leaning against the wall, looking down at you with his phone discreetly angled your way. “Takuma!”
He laughs, not bothering to hide it anymore, very clearly taking photos of you with the dogs. “It’s cute!” he insists. “I’ll send them to you. Proof for Fushiguro of your master plan to make them like you more than him.”
“And you,” you remind him.
“Well, I don’t know about that.”
You gesture pointedly to the two dogs, who are all over you and not him. It’ll be a nightmare trying to get all of Shiro’s white fur off your black jacket later, but it’s worth it.
“You’re new,” he says. “New scent. It’s the novelty factor. I am their favorite.”
“You sure? I’m pretty hard to compete with.”
He smiles, looking from you to the photos he took of you and the dogs. “Yeah,” he says. “You are.”
The first half of the new week goes by in a rushed routine of classes, homework, and rehearsals, each night ending with you collapsing into bed, new and old lyrics fighting for dominance in the back of your mind. Sticks re-taped and drum heads re-tuned, assignments turned in and drafts edited. Your classes are ramping up as midterms approach, and Yuta bounces between his own work and poking his head into everyone’s rooms, making sure they don’t forget about dinner.
Toge follows through on his snack run promise, and the two of you spend hours on Tuesday afternoon trading two different flavored bags of Doritos back and forth, Toge writing photo captions while you edit your story lede.
Takuma, Hakari, and Kirara have offered to help Cursed Technique record a single on Wednesday night, and the five of you have been drilling the new song you wrote up, down, and sideways.
Finally, Wednesday arrives, and you’re all crammed into the recording studio space, instruments set up and headsets tuned in.
“Yeah, I’m good,” Nobara says to Hakari on the other side of the glass. She taps a finger on the mic in demonstration, and you hear it in your own headphones.
“Great,” he says. “Skipper?”
“Skipper? I hardly know her,” Toge says, earning a harmless smack upside the head from Yuta and a not harmless smack upside the head from Maki.
“I will throw these at you,” you tell him, holding up your sticks. Toge sticks his bottom lip out, pouting.
A snicker from beside you draws your attention back to Takuma, kneeling just beside the throne as he adjusts the kick mic. He has you hit it a few times while Hakari monitors the levels. You feel oddly self-conscious like this, him looking up at you, but then he smiles and it’s not strange at all. It’s stupid how fast he can put you at ease with a look.
“Nice,” he says. “Okay, that should work, yeah, Hakari?”
It’s Kirara who answers, “Yeah, you’re good.”
Takuma stands up, claps his hands together once, and looks at you. “Okay. Kill it, Skip.”
“Yessir.” You salute him with a stick and he makes his way to the other room, closing the door behind him.
“All good?” Yuta asks, glancing at each of you in turn before giving Hakari a thumbs up. It’s strange to be on this side of the glass, to think about your music being played back, to think about it on Spotify, out in the world.
“Next Fix,” Takuma says into the mic, locking eyes with you through the window. “Take one in three, two…”
The song starts out simple. You click your sticks together near the mic, on two and four, while Maki lays down a four-bar loop.
Yuta keeps glancing at Maki while she plays, utterly unaware, and the look on his face is so soft you want to shake Maki by the shoulders until she does something about it.
Nobara’s got her eyes closed with the headset over her ears and her hands around the mic, entirely engrossed in the song.
“It’s comin’ on, comin’ strong, spinnin’ up out of the blue, mmm,” she sings, stretching out the vowels. “And I’m on the ground, bleedin’ out, until my next fix of you, ooh.”
Now you start up with a light rock beat, closed hat and a bit of a dragging buzz on the snare hits. Just as you transition into the beat, Toge comes in with some low chords and Yuta moves down the line in syncopated sixteenths.
Hakari is nodding approvingly and Takuma has a wide grin on his face, and you can’t help smiling back.
“I need it like a lung,” Nobara sings, swaying a bit. “I need it like a light. It’s got me twisted up. I need you here tonight, tonight, tonight, oh, oh, I wanna—”
And this part is your favorite—Nobara sings each two-syllable phrase while you pound on the toms twice, emphasizing it with the kick, and then the backup vocals echo her. Get my (get my) next fix (next fix) of you (of you, of you, of you.)
Kirara pumps her fist in the air twice, in time with the beat, and your bandmates can’t keep the smiles off their faces. You’ve got something here, you really do. This might be your best one yet.
When the song’s over, Nobara whoops and tugs off the headphones, jumping around the cramped studio space with a grin on her face. “That was so cool! Oh my god. Guys, we sound good. We actually sound good.”
“Damn,” Kirara calls. “Okay, girl drummer. Good shit.”
“Not bad for a first run,” Maki admits, adjusting her bass strap over her shoulder. “Do we wanna try recording backups separately at all?”
“Good call.” Takuma nods. “Let’s run that again without the backups and record them over, see what happens.” He’s in full producer mode, flipping switches, colored lights reflecting in his eyes as he and Hakari talk shop away from the mic. He’s good at this, you realize, running sessions like this, making sure things go where they need to go, that everyone’s heard, that things get done. It’s a little bit like watching him skateboard, or seeing him on stage. There’s a confidence to him here, a smooth, easy energy. He’s in his element.
“Alright,” he says after a minute. “Let’s hear that again.”
And you play it again. And again. And again. And you are so in love with this moment, with your band, with a couple rowdy kids on the other side of the window, the rasp in Nobara’s voice and the expression on Yuta’s face and Maki’s obliviousness and Toge’s consistent, head-banging keys, and your drums and your words and the music, and the lyrics feel right to you.
You need this like a lung.
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jjk taglist open: just send me a message!
@shutuppeter @mikikkoo @reactwithjan @theclassbookworm @lilactaro @bisforbuse @risararelywrites @idkidk32
a/n: GUYS. loml @shutuppeter is so downbad for soundcloud rapper sukuna that she's writing fanfic of my fanfic😭 credits for frosted flexin' are all hers LMFAO so go check that out (MDNI for that one though).
yutamaki nation rise. also, i kinda love this fic. there may be spinoffs for other characters in the works...
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gravesung-moving · 2 months ago
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PINNED ( band au sukuna )
Send "PINNED" for your muse to pin mine against a wall. ( @koseigu )
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PERHAPS HE'S BEEN a little mean.
truthfully, he's been busy — they all have with tour season well underway. between press events, rehearsals and shows, it's constant action. it's go go go. none of them expected the level of attention BENEVOLENCE attracted, especially not this fast — suguru always suspected that sukuna would be his lightning in a bottle. how right he turned out to be. inspiration once blocked now flows freely into lyrics and beats that set hearts aflame. the bad boy drummer was the perfect element to round out their group's composition.
the consequence of their packed schedule is a sharp decrease in time to themselves. time, especially, between the two of them. in the past, sukuna would simply carve out time where there was none — delaying or canceling press events for the very legitimate emergency known as piledriving his vocalist into the nearest flat surface — but as of late, suguru has cracked down on these indulgences. they can't afford to be seen as unreliable at this pivotal point in their career.
he also may or may not derive a touch of cruel amusement from frustrating his drummer. especially when he has the opportunity to let his touch linger on sukuna's lower back in public. especially when he sports a turtleneck that shows off his arms, or a half-mesh number with a deep, plunging v-neck, just so that he can indulge in the burning glare sukuna shoots him — and return it with a smile, gaze just as dark. in fact, the reason he's been able to get away with it for so long is that they're almost always in public lately. hard to shove someone up against a wall and lock the door when every room available has people in it.
the chase is thrilling, the thought of what lies at the end of it even more so. it staves off the sleep-deprived exhaustion all of them have suffered over the last weeks. but the wolf on his tail is quick, sharp, and the last few times they've locked eyes, the molten heat in that crimson gaze has reached a point that suguru would put somewhere between laser and the earth's core.
needless to say, the rest of the band makes the executive decision to fuck off for the night. they've already had their celebration anyway — drinks in a large half-circle booth with their manager and crew, certainly filmed by a few cell phones, suguru wedged between shoko and haibara across the table from sukuna. he spares him a few long, half-lidded looks, but otherwise the noise of the group is far too loud for them to speak.
utahime mentions something about keeping the party going at her place; suguru excuses himself to tuck in early and make up for the dozens of hours they've all lost in sleep. the knowing look shoko shoots him tells him that she sees right through his easy lie. he makes sure to disappear into the press of the bar crowd, to stay one step ahead of the man he has been intentionally driving insane. he didn't hear the excuse sukuna gave their group before shoving out the door behind him, and he doesn't particularly care. all he cares about is the tension that spills between them like a gas leak nearing a flame as they take the cab home.
his grip on the leash has been choke-tight for weeks on end. as soon as the door closes behind them, he lets go.
a thread snaps.
it's honestly impressive how quickly sukuna has him up against the wall. the force of it knocks the wind out of him, makes his head spin, the slam of body against drywall probably loud enough to earn him a noise complaint at this hour. suguru takes a moment to catch his breath — fuck, that was hot — and gives sukuna one of his slow, infuriating smiles. ❝ what's the matter, ryomen? you look frustrated. ❞
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