You ain't really 'bout shit, stay out my spot, don't speak my name.
Or I pull up on your block at night, wearing all black and let that 40 bang.
-Melvin
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and i’ll do anything you say (if you say it with your hands) chapter 10
“You came looking for me,” Sokka says. Zuko’s already soft eyes melt further.
“Of course I came looking for you,” he says. Like it’s obvious. Like it doesn’t knock the earth off its axis.
For a second, Sokka forgets about the pain, past and present. All he feels is a treacherous bubble of hope – inside his chest, under his skin, stuck in his throat.
or read it from the beginning if you haven’t
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i was at a figure drawing co op on friday and halfway through i had the realization wait nobody is grading me right now, i dont have to make something that looks good, i can just vibe &focus on whatever i think is interesting. so i had more fun than the other times ive gone. and they had free beer there.
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NEW ARM BAYBEEEEE
Thought that enough time has passed since the update and this isn't a big spoiler anymore :D
(The prosthetic might be a lot sleeker than Leonardo deserves but Donnie designed it and he's a fourteen-year-old who is very much into the Rule Of Cool so that's what we get)
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Another problematic hot take from yours truly:
There's discourse roaming around the web about whether or not Kendrick is 'taking it too far' and are folks 'getting tired of it' at this point. And how much dragging is too much dragging.
This is stupid and short-sighted and a reflection of the do-it-in-six-seconds-and-move-to-the-next-trend head ass society we are. This is not, nor has this ever been how hip hop culture works. Rap 'beefs' have a decades long history and some battles have lasted multiple albums.
This 'beef' started publicly in April, just a few months ago (although I'm inclined to believe it started well before then). That's not even long. Jay and Nas (Ether being the last most diabolical diss record before the euphoria/meet the grahams/not like us trifecta) went at each other for two albums (and everything between that).
The beauty of battle is you can skip, c-walk, b-walk, electric slide, wobble and do cartwheels all over your opponents grave and we're going to love it, analyze it and post 45 minute yt videos breaking down every second of it. What's so different about the unprecedented hip hop moment we're living in now is the brilliance in which Kendrick Lamar Duckworth used lyricism, his entire city + Canadian ex-patriots, visual art, the homies, double/triple/quadruple entendres, humor, shock and awe AND make us dance with an anthem for the summer. He wasn't lyin. He's what the culture is feelin.
This is not about 'I'm not American so I don't get it' or the fuckass 'kendrick fans' = 'swifties' argument (stop that shit, specifically). We are witnessing a rebirth of hip hop thanks to a little nappy headed nigga with the world behind him.
From Compton.
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