#don't you just love it when you experience something that genuinely made you have a breakdown but then it was easily solved by someone else-

[shantechni]

Natsume's Fear of Thunder

I'm gonna be honest, this can hardly be considered an analysis. It's more of a "sporadic and unnecessarily deep observation" of how Natsume's astraphobia has been presented in the series over the years, both in the anime and in the manga. So, please for the love of God take all of this with a grain of salt.

Yes, I'm using the term "phobia" very loosely, but I'm not about to get into that rn. Natsume has an irrational fear and strong dislike of thunder, that's an undeniable truth.

Before I dive in, I'd like to briefly explain why, of all the little bits of information Midorikawa has given us about Natsume, this one is the one to ceaselessly bump around in my brain like a DVD logo. This series is not in the horror genre (it's serialized in LaLa DX after all), but it does get suspenseful, and pretty disturbing depending on whatever topic it touches or the types of situations the characters may find themselves in. I don't fault anyone, particularly Natsume, for growing up with valid fears and preconceived misconceptions about most youkai; they can sound scary, they can look scary, and they can do some scary stuff if they really feel up to it.

That's why I'm so fascinated to see Natsume develop and still harbor an irrational fear for something like the everyday phenomena of storms. He's landed himself in all sorts of trouble and has come face to face with many beings, both natural and supernatural, who didn't have his best interests in mind, and yet the clap of thunder somehow keeps its spot on the list of things that has him scared stiff.

Aight, spoilers for both the anime and the manga beyond here, you've been warned👏🏽

Our first introduction to Natsume's fear is near the beginning of chapter 42, when he and Tanuma accidentally stumble across Taki's home while seeking shelter from a sudden shower. He questions how Nyanko-sensei ended up at her home as well and the youkai, much to Natsume's visible dismay, cheekily explains:

That doesn't end up happening since the rain remained light until its swift end, and the mention of Natsume's fear is glossed over rather quickly to save him the embarrassment, but it's an interesting mention made by Midorikawa nonetheless since it adds another layer to whatever image the audience has of Natsume and the series itself. Nyanko-sensei, having been around this kid long enough to know a lot of his vulnerabilities and insecurities (even the ones his dreams unwittingly reveal to the youkai), has seen and grown accustomed to a side of him that the audience had yet to be formally introduced to for once.

Right about now, you may be wondering how the anime adapted this scene. It didn't💀.

While the start of the episode (S3 EP5) is a one-to-one recreation of the chapter with virtually the same dialogue and scenery, any mention of Nyanko-sensei following Natsume to pick on him when it thunders is nonexistent and entirely skipped over so the gang can go straight to cleaning out the storeroom.

Most fans who have read the manga will tell you how notorious the anime is for excluding some of the characters' lines or scenes that take place in the manga, or just straight up rearranging or changing up those same factors. Sometimes those alterations work wonders, and other times they leave more to be desired, mainly if you know what happened in the manga counterpart of the episode. This such example is one of the times that'll leave people scratching their heads and wondering what warranted getting rid of a scene so insignificant that it'd have no effect on the plot of the episode whether or not it stayed. The only answer I can think of for that is the directors likely wanting a smoother progression of events to make for a viewing experience better tailored for an anime episode rather than a manga chapter.

Or, they genuinely didn't have enough space in the episode to squeeze in that little bit, which I highly doubt, but what would I know, I don't work for them. At the end of the day, we didn't get to see that scene in the episode.

After some more anime switcheroo shenanigans go on behind the scenes, along with an original episode pulling a retcon during a lightning storm, we receive our next moment in a surprising scene from the anime team in S3 EP10 (adaptation of chapter 28). Though the scene itself is short and not exactly an example of Natsume's astraphobia, I feel it should still be included because of its relation.

The chapter originally starts with Natsume and Nyanko-sensei searching for a tree that was struck by lightning during a storm the night before. However, the anime makes an addition of their own by rewinding time to that very night and showing Nyanko-sensei excitedly watching the storm take place while Natsume is tied up with his homework.

Nyanko-sensei goes on to tease him by suggesting that he doesn't want to watch the storm because he's scared, but Natsume dodges the youkai's mocking and begins to tell him to close the curtain before a crack of lightning cuts him off and illuminates his room.

Not only does Natsume not simply deny Nyanko-sensei's claim of him being scared, but his reaction to the thunder is seemingly more sudden than Nyanko-sensei's. Both of these points could subsequently lead the audience to interpret this entire sequence as the anime's first acknowledgement of his phobia, and it'd make for a very intriguing choice on the anime team's behalf after taking their ommitance of the previous scene into consideration. It could be a stretch though ngl, I tend to stretch like crazy, it makes sense to close a curtain when a pet is being noisy—

Finally moving on from S3, we eventually reach the most overt instance of Natsume's astraphobia, and potential origin or exacerbation of it, in the S4 finale (adaptation of chapter 46). This three episode arc is a largely intimate and heart wrenching one as it focuses on Natsume's journey to revisit his childhood home before it gets renovated by its new owners, a task he initially denied himself the permission of doing before realizing Touko and Shigeru would never deny him something so personal. Of course, he wouldn't be Natsume if he didn't attract a youkai along the way, and he's being pursued by one that seeks to feed on the tragic memories he formed while staying with the Aoi family, who was strongly implied to be the first family (if not, one of the first families) he was taken in by after his father's passing.

One of those memories shown to the audience is a younger Natsume relaxing in a shrine while memorizing where his childhood home is located, all in the hopes of gaining more discernible memories of his father and no longer being a burden to Miyoko and her parents.

Unfortunately, he falls asleep at the shrine and consequently loses track of time before having his slumber disturbed by a violent boom of thunder. He's so frightened by the ordeal that he can't even bring himself to rush back to the Aoi family's place, and his exhaustion puts him back to sleep until he's eventually found by some of the neighbors who went out searching for him.

The anime, with the natural strengths it has over the manga, goes the extra mile by not only keeping this portion relatively untouched, but further setting up the scenery and depicting just how rapidly the area goes from peaceful to turbulent. The character animation and voice acting make for a splendid combination and do a wonderful job of capturing this image of a helpless childhood version of Natsume.

What comes soon after this scene is a depressing sequence of events on its own, even more so when we can see he's still reeling from the storm and believing he caused the Aois to get into trouble by not getting back before dark. The adults obviously don't fault Natsume for getting stuck in the storm, but he doesn't see it that way in his shocked state.

The way Miyoko reacts by throwing her frustrations onto him doesn't help either.

And so, after aimlessly running off in his last unsuccessful attempt to find his childhood home, the memory fades away with a somber note as his present self recalls the moment he finally stopped calling for his long gone father.

Now, one could argue that Natsume had his fear of thunder prior to his time with the Aois since we don't have much reference material to work with when concerning his short period of time with his father, and they could be right for all I know. It's common for children to be startled by loud noises and bright flashes since they just aren't quite accustomed to those loud noises and bright flashes being customary for weather disturbances. Natsume, who we know grew up to be pretty sensitive to the things that go on around him, may have been one of those children who felt apprehension anytime a bad storm rolled in, and his father may have been the one to quell his fears back then. So, if we go with the conclusion that his fear didn't originate here, then this scene likely could've aggravated it. But I'm personally leaning a bit more towards the concept of this being the cause of it (partly due to how appealing that conclusion is to the obsessive part of my brain).

His initial reaction to the thunder is seemingly one of surprise rather than fear, and his behavior suggests that he's more concerned with making it back down the mountain before the thunder halts his progress. Although he's seen trying to talk himself down and fails to do so with how relentless the thunderstorm is proving to be, he doesn't need to have preexisting fears or anxieties over thunder to resort to calming himself down.

The dialogue differences strike me as something to consider too, but they're likely irrelevant.

Setting aside everything I just ranted about in the above paragraph, I should specify that I'm not simply pointing to the storm scene as the singular root cause for his future woes. Many psychological problems often aren't so black and white that someone can definitively point to one person or thing as the sole reason for the existence of their psychological problems. And phobias obviously don't always develop as a result of going through or observing a traumatic event; people can grow to fear or strongly dislike something merely by its association with an unpleasant memory or stressful situation. I know I'm starting to stretch hard rn, and this part of the post is getting awfully wordy, just hear me out—

Going back to that aforementioned short period of time with his dad, it's plain to see just how innocent of a time that was for Natsume. He was playful and affectionate with his dad like many children growing up in a healthy environment would be at that age. He doesn't even appear to have an awareness of youkai (if so, only slight enough for it to not become a problem for him just yet). We're shown later on that he would commonly draw around the house too, as evidenced by the nearly two decade old pieces of artwork his father never removed from the kitchen area and closet.

Natsume even proceeds to make a comment about this childhood version of himself likely being the mischievous type for him to run around drawing on surfaces without a care in the world.

He undeniably had his own troubles at that stage of his life though, with one of those troubles being his mom and the empty spot left behind by her passing away. Apart from his heartwarming portrait of a family with both parents, he's also shown lamenting to Miyoko after the death of his dad about not being able to remember his mom. We've seen with those two examples that her absence indeed left an impact on him early on in his life, but he doesn't stay too broken up over her considering how little he got to bond with her, and he doesn't openly despair about the loss of his dad until his growing sense of loneliness and longing becomes too much for him to smooth over.

The point I'm trying (and admittedly struggling) to make here is that after moving in with Miyoko and her parents, the worries on Natsume's plate increased tenfold and weighed him down far more than he was willing to accept at first. Suddenly, this kid had little to smile about in life, taking a glance at his only picture of his parents causes grief and envy to flare up in his chest, he's afraid of being a burden to those who took him under his wing, he's eating less than Miyoko because he's concerned with coming off as too greedy, he feels responsible for Miyoko getting picked on because of his relation to her, he's still learning the way back to the Aoi family's home, and now he's surrounded by all of these weird creatures that apparently no one else can see.

Suddenly, he's no longer that carefree toddler we saw sitting on his dad's lap as the two of them watched over his late mom's garden.

I feel moderately certain about Natsume's experience with the storm, coupled with this pivotal and devastating shift in his life, being the plausible cause for him developing his irrational fear of thunder as a child.

After this arc, we aren't greeted with another scene featuring or centered on his astraphobia until chapter 85 (which doesn't appear to be adapted in S7 judging from the PV😭), and it focuses on Natsume, Tanuma and Taki viewing a limited exhibition at an old inn that has a deep history with youkai. Not too long after the owner engages in conversation with Taki, Natsume and Tanuma briefly comment on how peaceful the inn is making the both of them feel, and a sudden lightning strike cuts through the tranquility of the inn.

It catches everyone off guard and, unsurprisingly, has Natsume frozen in place as Tanuma asks him and Taki if they're alright.

Much like Nyanko-sensei's first time mentioning Natsume's fear, the moment doesn't last long as the gang soon realizes they'll have to spend the night at the inn while they wait for the sudden storm to pass.

By this point in the manga though, Midorikawa has evidently decided to make Natsume's astraphobia a recurring element of the sorts. She could've easily left his astraphobia as another facet of his that we get to see once or twice and never again since it's not serviceable to the story as a whole, but she's started using his phobia as an additional means of displaying his discomfort in any given situation. Having a thunderstorm suddenly appear during a moment of serenity, immediately after Natsume tells Tanuma the place is making him feel strangely good, was a brilliant move of jarring him. And it works especially well here as a sign of the looming threat that'll find its way into the inn over night and slowly creep upon the group the longer they remain there.

Midorikawa pulls this same stunt again to slightly greater effect in chapter 117, where Natsume, Tanuma and Nyanko-sensei happen upon the Kisaragi Manor and find themselves taking part in a ritual for summoning youkai.

It starts with the trio meeting up in the evening to view the bamboo lanterns, but a woman claiming to be in search of a mansion requests their help to find it before it gets too dark, as well as to avoid getting caught in a downpour should the drizzle grow heavier. While Tanuma shows interest in the ritual, and the people they meet are treating them somewhat cordially, Natsume is disconcerted by the arrangement they've found themselves in. He's surrounded by five women he's never met in his life, is once again in an unfamiliar place that feels weird in Nyanko-sensei's own words, and is thrown for a loop by everyone's enthusiasm with the idea of meeting youkai rather than being put off by them.

The group isn't even a minute into their summoning ritual when a huge boom of thunder shakes the room and causes a power outage, sending them into a brief stint of darkness until Hitomi relights the candle.

While waiting for the candle though, Natsume answers Tanuma's question by for once admitting that he's bothered by thunder, leading to Nyanko-sensei characteristically picking on his phobia by calling him a chicken.

Again, the moment is subtle and restricted to one corner of the page, but it sticks the landing. Instead of using the lightning or thunder as a sign of things to come as she's done before, Midorikawa uses them here as an integrant of an already somewhat concerning scene slowly veering towards being disturbing. In addition to selling just how uncomfortable of a situation this is for Natsume, it also depicts how far along he is in his friendship with Tanuma to be honest about an irrational fear we know he'd rather not speak of.

Alas, chapter 117 was our last time seeing thunder scare Natsume, at least until the next time Midorikawa chooses to use his fear to her advantage, unless the anime miraculously surprises us with its own original take as we've seen it isn't afraid to do. What we've been given so far though is plentiful in comparison to many other plot points or quirks that get reused or called back to far less than this one. I won't throw a tantrum if his never gets referenced to or utilized again (which I doubt will happen knowing Midorikawa's writing), but I eagerly anticipate seeing it again should it reappear.

It's captivating to watch this minor detail frequently make it's way back into the story somehow, to the point that it eventually cemented itself as a miniscule yet effective way of shedding different shades of light on the many complexities of Natsume.

[thelesbiancitizen]

On Women-Loving-Women and Building Our Culture.

a big problem I have with a lot of lesbians is that they want soooo badly for lesbian art and culture to be ~cool~ and ~epic~ and to ~go mainstream~ and they'll be crying and wailing abt the "lack of lesbian representation" ... yeah, in the mainstream. Cus NEWSFLASH. REAL lesbian art, art that's saying something important, will NEVER BE MAINSTREAM. Because mainstream media is built on a whole system of values that entirely excludes the female viewpoint by design. and ESPECIALLY so when it comes to women whose lives center around other women.

Most lesbians, including myself once upon a time, suffer from a massive cultural inferiority complex. It's why you see so many young females identifying as gay men, because they think the culture is way cooler, more glamorous. Cus gay men have money. Lesbians do not.

Lesbian cultural works are made with very little money. And they're made for a specific audience -- other women-who-love-women -- and so they don't cater to what mainstream / malestream values think are cool. Lesbian art particularly from the 70s / 80s (and onward) is following a completely different set of values. It's about clear communication, not obfuscation. It isn't about technique, it's about clarity. It's about bringing what is supposed to be hidden out into the open. It's about using whatever you can to say whatever you've got to say. It's earnest. It's genuine. It's affectionate. It's awkward. It's clumsy. It's a loving gesture. but sooooo depressingly many young women hate it and won't give it a second glance bc you are obsessed with male approval. You crave male approval of these artistic works and you know you'll never get it, you know men will just laugh and dismiss these works bc lesbian art makes men uncomfortable. Because it's so specifically female. It's coming from a different place. A female place. Aimed at other females. Men can't understand it.

And guess what? It doesn't fucking matter. It doesn't. There is TONS AND TONS AND TONS of incredible Lesbian art and cultural products that so many lesbians my age will scoff at and say it sucks bc it isn't "cool", you think it's "cringe", but you never look at why you it is you think that way. Lesbian artists today mostly suck because they're still trying to gain approval from male-dominated institutions, where masculinist value systems still reign supreme. They're not trying to say anything that's really of value to lesbians and continuing the growth and expansion of lesbian culture. They're disconnected from the culture that made it possible for them to be out and open in the first place. They've disowned the women who came before them and did all the messy, difficult work.

Lesbian artists who have made works in the tradition of the Lesbian feminist culture that started in the 70s are so fascinating, their work is very challenging, and really makes you look at things differently. Yet, this tradition is in danger of dying out bc the younger generations are not interested. Because it isn't "cool". Because these lesbians were politically engaged and knew how powerful it was to subvert patriarchal masculinist value systems with their art. But you just look at it and see "bad art". Hmm. Ever wonder why that is?

I'm mostly speaking of visual culture here, but also music, and poetry, too. We need to understand the value of having cultural works created By Lesbians For Lesbians. Eschewing masculinist values. Creating new vocabularies. Really listening to each other. Really trying to hear what we are saying. We need to do this or else Lesbian culture will really truly be dead in a decade or two. It'll just be women copying pornified culture and thinking that's what it means to be a lesbian.

We have to make art about our experiences as women-loving-women, we have to hear each other, see each other, and talk about what we are doing. We need to be having conversations about what we want Lesbian culture to be. And building upon the legacy of the women who came before. This is how we make meaning out of our lives; meaning that is self-determined. It's stupid to sit here and take whatever crumbs we are given from artists who still are trying to appease malestream audiences. Or wailing that there are no good lesbian representations in media. We need to represent ourselves. We need to represent our lives as we see them, as we live them.

We need to value the works that we create, for ourselves, and for each other. Put our powerful Lesbian voices at the center of everything we say and do.

This is how we will find each other. This is how we will banish our loneliness and hopelessness and cast out despair. We let our lights shine and we make room for each other. We've GOT to start having CONVERSATIONS ABOUT CULTURE.

Art scenes are like gardens. Every work of art is like a plant. What do we want to cultivate? What do we want to plant to feed ourselves and for the next generations of lesbians? It's all up to us. If we want new images, we have to create them. If we want new sounds, we have to make them. If we want new language, we have to invent it.

We as women NEED to make works of art that express how we feel about ourselves and each other. How we love each other. How we hate each other. What we mean to each other. What our relationships mean, what they really look like. How it really feels to try and fail and succeed at loving one another. When we are at the center of our own worlds. We have to stop marginalizing our own experiences and voices inside our heads and JUST SPEAK.

Every piece of art you make adds your voice to a lineage of ideas. It becomes a part of a historical narrative. It means we are here. Our work is important. We have the right to speak on and engage with stories, narratives, systems of values, concepts, and ideas. And if you can, you should. If you have the opportunity, you're lucky. Do it.

Speak.

Say something. Say anything. Be honest. Be messy. Be real. Make something.

CREATE, WOMAN!

We need to seriously engage with each other's ideas. We need to respect each other's intellect and artistic processes enough to let ourselves unfold. We need to quit arguing so much and PUT IT INTO ART. AND PUT IT OUT THERE. PLEASE!

BECAUSE I NEED TO HEAR YOU!!!!! AND I NEED YOU TO HEAR ME!!!!!!

We have nothing left to lose.

Maybe I'll start a magazine.

[plumpybread]

Asking because of the previous ask, are you not a fan of Ethan anymore? If so, why?

It's complicated, I suppose (rant where i talk abt ethan but then also my OCs in general)

I really do not like the first version of Ethan I made like 3 years ago. Obviously I like indulging in devilish ideas but I don't know, it ended up turning into something I didn't really end up liking too much.

Then I revisited and sort of rewrote his story a bit a while back when making the OC archive site (I'm aware the site is not available anymore for the people who asked, I took it down myself) and was much happier with it for a while.

Don't get me wrong, I like Ethan, I know he's the OC people seem to like the most, but it's still like a personal mental battle of like maybe it's too effed up? Even when I draw characters going through unwilling/accidental extreme weight gain, I make them either ambivalent or accepting of their situation, but for Ethan it's kind of like torture, and I can't bring myself to get like..aroused and excited to draw more of that *personally*.

Changing up his lore wouldn't really work either since his story is based on helplessness and stuff, and it'd be disingenuous to make him be happy with his situation, so I've just sort of subconsciously decided to leave him as is and treat his content as its self contained story more than nsfw art to goon to, if that makes sense. I don't know, maybe I'm just thinking about it too much, but just wanted to say what goes through my head.

I also don't really revisit Ethan for the same reason I don't tend to draw much of all the past OCs I've made, as I see each of them as a way to explore different facets of how weight gain can manifest and adapt into a character's life to create a story around it, and I feel like I've covered most of the ground around them already.

All of my OCs come from a sudden short prompt that pops up in my head, usually out of nowhere. I suddenly wanted to make a big-hearted southern farm guy who was super massive and I immediately ran to draw Rudy, for example.

I draw them a little reference, with my typical bullet points next to them with basic info to get an idea of what their dynamic is like, and a more lengthily written backstory or description if I'm feeling fancy under it, and then for the next week or two it's all art of them and answering questions about them... and then another idea pops up, and a new OC comes in.

It's not that I get tired of them, but I just simply do not know what to draw with them. Ethan is the biggest outlier in this case, since he is my fattest OC and half immobile, you just don't really know how else to bring something new that's not him laying on his bed at a slightly different angle.

I guess that's why I always do OC asks, I sort of need them to be able to know what to draw with them, since I struggle coming with things like that by myself, and you know I always like avoiding drawing a character in a void with no context.

The Genshin Obesity AU is my longest running like "project"?? thing just because there is an endless amount of content I can pull from since there's all these characters, places and possibilities I can write from. My OCs are obviously much more self-contained and moreso serve as individual experiments to explore different people and scenarios, so after the 10th drawing of them... I genuinely do not know what else I can add to them.

I hope that was a bit insightful. I know most of you guys love Ethan, and I love him too! But I don't know, I guess this is why I don't tend to have immobile/near immobile OCs, since the potential art ideas for them drop to just them sitting on a mattress or sitting on the floor and I'm just left confused on what to do with them.

Maybe Ethan in his college days is something you guys might be interested in? Or I don't know, I'm just writing this post as my thoughts enter my head.

Sorry for the rant, I sure do love typing, hope this clears up some questions people might've had

[vi-is-badass]

This is going to be my scattered thoughts on Arcane season 2. Still reeling from the finale and some of these thoughts and opinions will change with time and re-watches. My thoughts have already changed a lot over the course of the last few days, so I might revisit this in the next couple of weeks, but for right now this is how I feel.

If you disagree with me that's fine. Everyone is going to have a different experience from you and connect with different things. That's why I love media and talking about it with other people.

Act 1 has really grown on me over time. Initially, I was a bit critical of the pacing and Vi's writing but with time, a re-watch, and talking with other people about it I have a significantly more positive view of it to the point I genuinely love the first act. Vi's writing especially works better for me when combined with what they do with her in the second act.

I love episode 3. It's a strong conclusion to act 1 and did pretty much everything I wanted to see in a follow-up to season 1. The Ashes and Blood sequence that cuts between Jayce, Ekko, and Heimerdinger finding the anomaly and the fight between Jinx and Vi was so well done that it is one of my favorite sequences to rewatch. It’s especially incredible from an editing perspective. The way the fight ends is also great with each characters reaction to Isha’s involvement being incredibly powerful on a personal and thematic level.

Act 2 is easily the strongest act for me because it takes the time to slow down and really focus on Vi and Jinx. They are what I consider the narrative heart of Arcane and it's their relationship that made me fall in love with the series in the first place. I think this act is phenomenal for both of them, doing so much heavy lifting to explore their characters and trauma in a quiet and subtle way. It really takes a look at who they were before they lost their parents-- the core of their characters-- and how it informs who they are now. How trauma and hardship shaped the two of them and who they want to be vs who they were forced to become.

To me, the " Remember Me" montage is the most beautiful music sequence of the season. This montage does so much in so little time. I will write something to expand on how I viewed the scene, but for right now, I'm just going to say it never fails to work for me emotionally.

Episode 5 is my personal favorite of the season. I love the way it explores the relationship between Vi and Jinx. They get to be siblings, fight like siblings, and finally start to reconnect after years apart without any influences pulling them in opposite directions. It's also another exploration of their longing over what could have been (What if vander and silco succeeded in creating zaun, what If silco found Vander's letter, what if they were allowed to talk in season 1, what if things with their second family didn't fall apart). It's a strong episode that is centered around what I love most about Arcane.

The moment when Vi trusts Jinx and puts down her fists, calling out to Vander despite her uncertainty, and Jinx's desperate attempts to see what happened in the aftermath really shows just how much they love each other and their individual growth.

The family hug where Vi looks at Jinx and tells her "What are you waiting for? He's your dad too." and she breaks down crying, lunging into the hug, is also one of the most potent emotional moments for me. (This family makes me emotional if these thoughts don't make that clear)

Act 3 still has me a little split, but I'm going to talk about the things I loved first because there are a lot of things I loved! I was overall mostly positive on it, but I have a few nagging issues.

Episode 7 is phenomenal. This is a close second for my favorite episode of the season. It's such a beautiful exploration of "What could have been". The way it shows that Ekko, the character the most adamant in the first season that Jinx is a lost cause and that they have to look forward, is also bogged down by a wish that things could be different especially when it comes to his relationship with Jinx/Powder, hits like a truck. His decision to return to his own reality and change what he can in the present, reconnecting with Jinx and helping save Piltover and Zaun, makes his arc one of the most effective and impactful ones in the season. It

Episode 7 also gives Jinx and Ekko's relationship the most beautiful and satisfying exploration of any of the relationships in the season for me. Ekko gets to see what Jinx could have been, that she was a creation of her surroundings rather than through pure choice like he convinced himself in season 1, and that the girl he cared about and loved/loves is in there and worth reaching out to. This alternate universe allows him to let go of his anger and pain over how things played out and mend that relationship that was broken in his universe.

Side note for the spiel above: The fact that the episode has Jinx and Ekko talk about Vi in such an emotional and empathetic way only for people to use this episode as a bludgeoning tool against Vi, saying her death made everyone happier and she made Jinx, is incredibly ironic and deeply frustrating to me. (It took me a minute but I realized my issues with this episode stemmed from the bad takes I've seen online rather than anything in the episode itself, but I'm glad I took that step back)

The dance scene with "Ma Meilleure Ennemie" playing over it was gorgeous.

The way that Jayce and Viktor's arc ends worked incredibly for me. I was initially worried because they had no screen time together in act 2 outside of Jayce killing Viktor, but the way they had their conflict play out in act 3 subverted my expectations and was very satisfying to me.

I actually like how Jinx's arc played out in the season. It was a beautiful arc that I felt was fully explored for the most part. I'll also probably expand on my thoughts on Jinx's arc once I finally recover from my most recent rewatch of Arcane and can pull my thoughts together to make something more coherent.

This isn't an act 3 specific thing, but I absolutely love how much praise Mel has been getting as a character since season 2 started up. I thought she was one of the strongest characters in the first season with a fantastic arc and I was so glad she lived to continue her growth in season 2. (She was awesome in this act though so it is a bit act 3 specific haha)

This one is hyper-specific but the shot of Vander looking at little Vi and Jinx with so much love while the words “if there was nothing to fight or protect maybe then I could finally be free maybe death is like falling asleep” play over the scene in the finale makes me want to bawl every time I see it and/or think about it more than any other moment in the series. That hit me so hard and it really shows just how much this series and its writing made me love these characters.

Now for the negatives. I didn't like how much they sidelined Vi for the final act. I loved what they did with her in act 2 and I have grown to love what they did with her in act 1, but I really don’t think they did what they needed to for her character in act 3. I do think the end point for her character is where she needed to end up and that it was where she was heading since season 1. I like the moments on their own, but she’s not in the act enough and her perspective is explored so little that it doesn’t work for me as a whole. We go from her breaking down after losing what’s left of her family (from her perspective) to a happy ending with Cait so quickly that it feels like whiplash. The show didn’t give us enough screen time with her in the third act for me to buy into Vi's ability to move forward from the weight of her guilt and feelings of responsibility. It’s frustrating because it’s that very part of her character, the guilt and responsibility that comes with being parentified at a young age that stays with you into adulthood, that really resonated with me and seeing the transition and healing from that being skirted over disappointed me personally. Still love the show and Vi is still my favorite character but the way the show handled her in the final arc was disappointing.

I will probably get crucified for this take but I was also a bit disappointed with how the show chose to brush over a lot of the things between Caitlyn and Vi in act 3. Act 1 introduced so many issues between the two of them that still needed to be addressed in act 3 (Caitlyn’s actions towards Vi in episode 3 and her prejudice towards Zaunites in particular) that their big moment didn’t feel as satisfying as I wished it did. I genuinely did want them to get together, I like that they got a happy ending, and I actually do like the scene where they get together because so much of it evokes the empathy and understanding I liked about the relationship in season 1, but I was disappointed they decided to sweep so much under the rug between them. I might have a different experience as time passes and I genuinely hope I do, but that's just how I feel right now.

I also wasn't a fan of how Vi and Jinx were sidelined during the final fight. I already talked about Vi, but outside of Jinx's big damn heroes moment she was really sidelined as well. We didn't get to see her and Ekko rally the undercity and her fight with Vi against Warwick, while emotionally impactful, lacked any tangible impact on the course of the final battle. Considering how much emphasis acts 1 and 2 put on Jinx stepping into a leadership role and being a symbol for the people of Zaun I think the decision not to show her do exactly that was a misstep and something missing from her arc. I think the fight with Warwick should have had some sort of importance in winning the fight against Ambessa and the Machine Herald.

Overall these aren't things that make me hate the show or the finale, but they're persistent issues for me that make the third act my least favorite of the season as a whole right now. I can understand why people would think differently. This was just my experience. I don’t want to be a blog that spreads negativity and I hope others enjoyed the show and found something to connect to. I love this show and it was a big part of the last 3 years of my life. I will always love this show.

[teaboot]

tranny freak :)

[bacchuschucklefuck]

Can you expand on what you mean by Baron being "too cool" to really fit a horror monster? It's a very interesting concept and I'd love to hear your thoughts. Is it that they're too active/involved/tangible and it detracts from their scariness?

I feel like I should preface this with a wall of disclaimers lmao 1/I am a hardcore, down-to-the-marrow, avid, deeply sincere horror enthusiast, esp. horror creatures. this usually means my mileage is vastly different from the average populace's, and my scaredy bone has been disintegrated by longterm exposure. most things in a piece of horror media won't scare me! so I practically never use that on its own as the scale to talk abt horror experiences, but when something does scare me it's always a special occasion to be treasured. 2/canon d20 is never really meant to be horror horror, and for good reasons: it doesn't fit the company's output, it takes a kind of carelessness in production estimation that is always a huge risk, it's often vulnerable in a way that kinda goes against how TTRPGs usually facilitates vulnerability, and for most people it's just! stressful! d20, even with the "horror-themed" seasons, generally just plays with horror tropes and stays focused in its goal of being a comedy improv tabletop theater show. 3/fantasy high's chosen system is DnD, which as I've mentioned before is before all a combat-based game system, which means the magic circle of play is drawn based on stats that facilitate and prioritize combat. want or not this affects every interaction you have in the game, and given fantasy high's concept from the ground up (everyone's going to school of DnD stuff to get better at DnD) it's doubly relevant. 4/This Is Fine I have no quarrel with this. my meters are internal, I do not ask this show to be anything it doesn't advertise itself to be, and what it is is fucking great! I like it! when I expand on this ask's question it will be like a physicist going insane in a lab. that's the mindset we're going in with.

disclaimers done. my stance on horror as a genre is that it's a utility genre rather than a content genre or a demographic genre; it is the discard of narratives. it's the trash pile. horror, above being scary, is about being ugly and messy, it's the cracks on the ground any story inevitably steps over to stay a genre that isn't horror. the genre's been around long enough to develop a codex and a general language that medias and makers and enthusiasts of the genre can use to talk about and build onto, but if you go into individual pieces there's really no unifying Horror Story. one person's beautiful life can be another's horror story, it's just how it is.

this makes The Monster a deeply intriguing piece of the genre. thing is a monster is in a decent percentage of any story - it's just when the antagonist force steps into something past a certain line traced out in the story's world. monstrousness is in pretty much every western fantasy story, it's in any story with a hero and something to vanquish or win; more than anything it's a proxy of that thing up there. the line in a narrative's world. the monster is the guard of the unknown lands, where heroic, civilized people don't tread.

what does this mean in the context of horror? the genre is about that perceived lawlessness, that "unknown land" so to say. we're in the monster's home. that's the literary context that we often walk into a horror piece with; the monster knows more than you about where you are. it may not understand you, but it holds more information than you, and with that it moves swifter than you, has more covered than you, and is more assured in its existence in this context than you. it's a struggle to catch up to it, it's nigh impossible to get one over it, and you're never sure it'll 100% work, because you just don't have the information necessary to.

with that framing you can kinda see where I'm coming from here: horror's often about the breaking of rules. I always think a monster's most effective when it breaks well-established rules of both existence and visual storytelling. think Possum (2018) or Undertale's Omega Flowey or the Xenomorph Queen - unique change in medium, unique change in graphic, unique change in design language, etc. in that sense I actually really like how canon baron plays out: they don't really function like anything else in the fantasy high universe, the bad kids have not managed to kill them when they've felled literal gods, their domain in fhjy literally introduces new mechanics to encompass their existence! from an experience design standpoint they slap mad shit. BUT! I can't help finding their character, like as a character riz (and the other bad kids, eventually) interact with, to be very... coherent? in design. this is kinda hard for me to articulate in words, it's more often a sense you get once you've looked at enough of these scrumptious fuckers, their general design and the way they show up is just kinda too clean, so to say. always kinda newly made? fresh unboxed. it, once again, makes sense for their lore - they are looking for more about themself from riz - and their function - they're an antagonist in a game experience, they're meant to be interacted with in a way that produces results and meshes with the existing magic circle - but that shininess takes away from the implied history they should have dominion over and the person they're haunting doesn't.

from another angle there is kinda something there about how put-together canon baron is as a concept; the domain they call home is riz's deep-seeded fears, extremely vulnerable things he's drawn borders around to quarantine and refused to walk into. things that from his perspective would irreversibly shatter certain pleasant fictions his world is built on top of. canon baron, While Extremely Cool, I feel is kinda too neat to connect with and signify the apocalyticized mess that'd result from this paradigm shift. the part where they're in riz's briefcase and looking through every mirror is Very Cool And Fucked Up! but ultimately the show draws a line around them as well, by making game-physical, tangible spaces they're in (the mirrors and the haunted mordred manor) and put riz and the bad kids there only when they need to confront stuff. riz is meaningfully narratively away from baron's unknown land for most of fantasy high.

with that and all of my disclaimers in mind my conclusion here is if canon baron wants to be a Horror Monster they'd have to cross way more lines. be a Lot more invasive. hence (holds up my class swap baron like a long cat)

[m0e-ru]

lets think of everyone who had persona blogs and obliterated them off the face of the earth instead of just archiving and keep them in our thoughts tonight. everyone else who directly caused them into doing that go and fucking behave

[practicedvmm13fullofpotatoes]

At this point, I'm just projecting on to Janae 💀

This is basically what I thought when I was trying to find the ballpen that just. Disappeared. It was in the one place that was so fucking obvious but I didn't bother checking because it was too obvious

[arklay]

DIANA x ALBERT WESKER / template.

[mustlovesteve]

ngl i am bummed about the timeskip

[weirdly-specific-but-ok]

for whom good omens is being written

Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:

The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.

And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:

'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."

'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.' A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'

He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation. 'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'

(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process. 'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it. 'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'

And, finally, this paragraph:

"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"

I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.

Share this post, if you can, please, so that more people can read these excerpts :")

Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)

[reiderwriter]

Little Angel

Pairing: Spencer Reid × virgin!fem reader

Genre: SMUT, some fluff, a little tiny smidge of angst. MINORS DNI 18+

Summary: As the youngest and most innocent member of the BAU, they all take care of their little angel. When they find out just how innocent you are, though, one member takes his possession to the next level. You're his little angel, and he's determined to have you.

Warnings: loss of virginity, loss of innocence, degradation, pet names, oral sex, thigh riding, fingering, cum marking, love bites, Spencer is territorial and possessive, Dom! Spencer Reid, PinV sex, mentions breeding, but he pulls out.

A/N: We've reached Day 8 of kinktober! It's our second "long" fic, meaning there's a bit more plot to this, and the smut scene is longer too (WC is almost 7k!) I hope you love this one just as much as I did... The kinktober masterlist can be found here, and my regular masterlist is here too! If you want something specific, my requests are open ❤️

Your first three months with the BAU were a blur, and for good reason. Endless cases, back-to-back, interrupted only by the slight hint of a weekend or the ever possible death row interview. You were tired, stressed, and afraid to walk home alone at night, and absolutely satisfied. As far as you were concerned, it was all worth it to get these monsters off the streets, to help save their victims and to find out what made them tick. There was nothing else you'd rather be doing. 

The team had helped you settle in well, too. You'd joined the team after Alex Blake had left - she'd recommended you actually from the college seminars you'd taken with her. You were obviously lacking a bit of experience, so they took on two team members, and you and Kate Callahan had the great opportunity of both being the newbie. But you had a slight disadvantage of age, coming in as the youngest member of the team. You thought that might be why you'd settled in so well, in all honesty. 

Hotch and Rossi were both protective in a fatherly way. Hotch pushed you and Rossi encouraged you and that was everything you needed from them. A strong pat on the back at the end of a case and a "you did good, kid," and whatever hell they'd pushed you through, it was worth it. Morgan's tough love was brotherly, but he did a great job at getting you to relax on and off the case, reminding you to not take the work home. JJ and Kate were great mentors. It wasn't easy being women in the FBI, let alone the unit that specifically looked into some of the most misogynistic killings, rapes and abductions in the world. They both gave you tips about how to handle condescending officers, and JJ had held your hair back after you'd puked your guts up on a particularly harrowing day in the field. With Penelope, friendship was easy, and you loved talking to her about whatever hyperfixation you were on that week, loving that there was someone on your team that had filled their life with genuine joy in the face of so much horror. 

And Spencer. Honestly, you were beginning to think that you'd used Spencer as a human stuffed toy a bit too much. 

You don't know how it happened at first, just that after one of your first few cases, you'd been so elated to find a victim alive, safe but traumatised, that you'd thrown yourself into his arms the minute you got back to the precinct. 

"We did it, I thought she was going to be dead, Spencer but she isn't." Your head was pressed into his chest, you were almost surprised he even heard them, muffled as they were. If you weren't so elated, you'd have noticed the way he'd stiffened at your touch, panicking slightly before awkwardly wrapping his arms around you, too. But you pulled away before you could notice that he wasn't really used to any physical comfort, bouncing off to write up your case report. 

Spencer noticed, though. Noticed how the heat of your body made him feel comforted, the way his heart rate increased to 125 BPM from it's base rate and didn't fall back to normal for another half hour. He noticed that you smelt like jasmine and patchouli, and more importantly, he noticed that he didn't really care if you touched him, and that was new. 

It became a kind of ritual for you, finding him after a case and folding into his arms to celebrate. They were friendly hugs, after all, a sign that you'd been through hell together, and you'd made it through like avenging angels. They only lingered longer when the cases went badly. You turned to crying in his arms after you'd discovered the body of a dead street girl, Veronica, in pieces in the house of an unsub who'd committed suicide by cop moments earlier. 

"I told her she'd be safe if she talked to us, Reid. I told her we'd protect her, that I'd protect her." You were so hurt by that failure that he'd had to drive you home that night, holding your hand the entire way so you didn't feel so alone, left to fester in your guilt. 

The rest of the team had begun teasing you about the hugs, but you'd brushed them off. You hugged everyone else too, and you knew for a fact that Penelope hugged every member of the team, so there was nothing special going on between you and Spencer. No one had deigned to inform you of Spencer's germophobia and aversion to touch. 

"Gonna tell me what that's all about?" Morgan asked Spencer as you bounced away from a hug one day, leaving to remove your FBI vest. 

"What what's all about?" He replied coldly, turning away to remove his own vest, replacing it with his blazer. 

"What, you don't have a statistic for how many germs are passed between people during a hug, Kid, come on, you were practically smelling her hair." The older man's eyebrows raised in a question again, but Spencer continued to blow him off. 

"I hug people all the time, it's not a big deal." He shrugged. 

"It took you four years to return one of Penelope's hugs, and you still only do that on special occasions. That's not all the time." 

"Derek, just drop it. There's nothing going on, she just… She just does it sometimes." 

It was when you'd hugged him in the middle of the office, without a case to use as an excuse, that you noticed an underlying tension in the office. You were all celebrating, of course, Callahan had just announced her pregnancy, and you were all so happy for her. You'd heard the happy news and instantly turned and thrown yourself into Spencer's arms. Even you weren't sure why, not even questioning it until you saw the awkward glances on the other profilers' faces. You brushed it off by rushing to give each of them hugs, and running out in a mad flush, needing air, or water or something to get you out of what was looking more and more like an interrogation room. 

A few cases later, the entire team headed to O'Keefe's to celebrate. 

"To another case successfully solved," Morgan toasted, and you all joined him, lifting your glasses in triumph. 

"To the wonders of non-alcoholic beer," chimed in Kate, leaving you all laughing together. The booth was small, and as usual, you'd found yourself sat right in the arms of Spencer Reid. You hadn't intended it, honestly, having slightly avoided him recently, but you'd followed Penelope into her side of the circular table, and Reid had followed you. You were sat squished between them, your arms resting awkwardly on your lap between drinks. 

"Okay, a night of drinking is slightly boring without some games to spice things up, what do you say, hot chocolate?" Penelope said, addressing Morgan who was on her other side. 

"I'm all ears, baby girl. What were you thinking?" 

"How about twenty questions? We already know a lot about each other, let's see what we don't know?" Kate suggested, thriving off of the knowledge that as the sole sober member present, she'd hold all the cards tomorrow. 

"What, how is asking questions a game?" Reid questioned jokingly from beside you. "That's just an interrogation or a therapy session, there's no winner or loser."  

Already slightly buzzing from your drink, you turned to him and out your fingers in his lips, shushing him. 

"No time for logic in matters of the bottle, Spencer. Let's play." He pulled your fingers off him, but nodded, holding them in his grip still as you turned back to the table. 

"I'll start! JJ, are you and Will thinking of having more baby LaMontagne's?" Penelope jumped at the chance to probe her teammate, and you laughed at her enthusiasm. 

"There have been discussions, but I'll not confirm or deny yet." JJ said, taking a sip of her drink as she slyly avoided a direct answer. 

"I always forget why you were so good with the press, Miss No Answers. Okay, your turn to ask a question." 

"Okay, Morgan. Are you thinking of popping the question to Savannah anytime soon?" 

"Did she send you?" He laughed and took a drink. "If I do, she'll be the first to know." 

The game went back and forth like this for a few rounds before Penelope turned the spotlight back to you. 

"Okay, Y/N. You were a college student recently, I know you've got some wild stories. Where's the craziest place you've ever done it?" You knew Penelope didn't mean to make you uncomfortable. She was just an open person. 

But you shifted in your seat nonetheless, trying to figure out if you could answer or even if you would. Your tongue was a bit looser than you expected though, because before you could even finish thinking you just blurted it out. 

"Nowhere." 

The others blinked at you slightly before Penelope dived in with another question. 

"Is that Nowhere, Oaklahoma, or you're just not having sex in crazy places?" 

"No. I'm not… I'm not having sex. Period. Never have." You felt yourself shrink as the other members of the team awkwardly apologised for probing you so much. Really it wasn't that big of a deal, and it wasn't as if you were saving it for religious or moral reasons. But you'd not been the most popular teenager, and you'd started studying serial killers and sociopaths so early that you really hadn't wanted to get so intimate with someone else like that. 

Unbeknownst to you, Spencer's grip on his own drink had tightened ever so slightly, his heart race had picked up again, and suddenly the hand that was holding yours suddenly let you go, quietly dropping your fingers like they were glowing cinders, and he was dripping in gasoline, waiting to ignite. 

Lust. He felt sick with himself for the images that were suddenly flashing through his mind now that he knew you'd never been held in that way, trying not to fantasise about you underneath him, holding him, begging him, feeling all of him. He took another swig of his drink and politely excused himself to get another as he let himself catch some air, as the sudden realization that he wanted you - and had wanted you for quite some time now - finally hit him.

The next couple of weeks were normal, and you were thankful to have that discussion behind you. No one treated you differently, acted like you were more of a child than before, asked you how your dating life was or set you up on blind dates, which was really refreshing actually. You'd let some friends know previously, and that's all they'd done, surprised that you could live ignorant to wonders of sex without shrivelling up and dying. 

The only thing that was different was Spencer. And that wasn't really difference so much as growing more comfortable with each other. He'd rest his hand on the small of your back now in support sometimes, or have a hand slung over the back of your chair when sitting together. He was constantly at your side, especially if you were around male suspects or officers who'd taken a bit of a ballsy approach. 

You liked it, probably a bit too much. You gravitated towards him in a room filled with people, and found yourself hugging him more often, when you left a room, when you entered one, when he looked like he needed it. Which, recently, was all the time. A month went by with this increased comfort level, and soon you found yourself feeling wrong if his hands weren't on you. 

He stood close to you all the time, and you noticed the stares you were getting from everyone else. A few officers who'd approach you would apologise to him when they noticed him at your back, hand on your hip as he pulled you away. 

After one case, you could even swear that you felt more than him than you were expecting. He'd moved away slightly in between one of your hugs, but you'd pulled his arms back around you and stepped closer, pressing your back against his chest, letting your head rest on his arms. Something hard and long wedged up against your ass, and in a split second he was pulling away before you could ask him about it. He excused himself, and you felt your body burn up. It was Spencer, it was just Spencer and that wasn't because of you, it was some other reason. 

Spencer didn't know what he was doing. He grew more possessive over you by the day, and he'd honestly nearly bitten the head off an officer who asked him for your number. 

"Sorry, she doesn't have a phone." 

"But I saw her with one earlier. Look I get it she's FBI, and you guys are-" 

"Okay, so she's not interested."

"Hey, why don't you let her decide that wise guy?" 

"Oh sure, get angry I'm sure she'd love that. She's not interested, she has me." He couldn't help himself from getting in the officers face at that, and Morgan had to pull him back from the edge. 

"Wow, wow, hey, calm down." The officer stormed out, and he felt triumphant for only a second before Morgan rounded on him. 

"Whatever this thing you've got going on, Spencer, you need to get it out of your system as soon as possible." His voice was low and stern, throwing a glance over his shoulder to where you were sitting, staring confusedly through the glass at Spencer, whose eyes refused to move from your own. 

" I just wanted him to back off, she doesn't like him like that."

"No, you wanted him to back off because you've marked her like some animal marking its territory. She's not your prey, Spencer, she's our team member, now you're gonna have to get your act together and leave her alone, because we've got work to do." 

Sighing and throwing his hands through his hair again, he finally looked away from you and gathered his breath. He wanted to stop this too, this horrible perverted feeling of needing his hands on you, wanting to possess you day and night. To protect you. He just wasn't sure if he was strong enough to do that. 

The next time you all went to O'Keefe's he certainly tried. You expected him to follow you into the booth again - he didn't, sitting opposite you next to JJ. You expected him to talk to you or look at you for more than a second at a time - he didn't, avoiding most conversations entirely and keeping his eyes fixed on the bar. You certainly expected him to still be sat at the table when you returned from the bathroom, ready to slip into the seat beside him, force him to talk to you. Instead he was gone, and you scanned the rest of the bar trying to locate him. 

Something green and vile jumped you when you finally locked onto him, stood at the bar, surrounded by other women. Surrounded was maybe an exaggeration, as there were really only two of them, but they were practically draping themselves over him, and for some reason that set something alight inside of you. 

You watched them for a moment, how one of them trailed a hand up his arm as he shuddered away from their touch, the other pressing herself against the bar so her chest pushed up dramatically. The green bile in your throat carried your feet forwards, and before you knew it, you were clearing it from your throat to grab their attentions. 

"Spencer, there you are!" You brightened your tone specifically, as you locked eyes with his panicked ones. The two girls looked you up and down as you moved closer, brushing past them to climb up right into his lap on the barstool, pulling his arm around you as you pressed your ass into his crotch. 

"Are you going to introduce me to your new friends?" The smile didn't reach your eyes as you let your back rest against his chest comfortably, watching the women to see their reactions. The one touching him pulled her arm back instantly, and the other readjusted her dress before they both left silently, carrying their glasses back to wherever they came from. 

You watched them leave a little triumphantly before the green faded, and you realised what you had done. 

"Y/N…?" His voice was hesitant in your ear, and you shivered slightly before pushing off of him. 

"I'm so sorry, Spence, it just- it… looked like you were hard." You panicked again, pushing closer to him. "No, like you were in a hard situation, not that you were," your hand accidentally dropped to his crotch as you spoke your final words: "Hard."

He twitched beneath you as you finally looked down to where your hand was, as his mouth opened to say something. 

"Y/N…" was all you heard before you turned around, and fast walked to the entrance, picking your bag up quickly on the way, and then sprinted the second the cold air hit your face. 

You cursed yourself inwardly as you ran the three blocks more to your apartment, thankful that you were at least in walking (or apparently running) distance. What the hell had you been thinking? Practically sexually harassing one of your coworkers like that, grabbing his dick, albeit accidentally. 

You slammed your door shut behind you, leaning against it and sliding to the floor as you finally accepted that whatever this was with Reid, it wasn't friendship for you anymore. And you weren't sure if it had ever been. 

With your head between your legs, arms wrapped tightly around yourself, you started replaying each moment with him, each touch from the very first. How even the memory of a brush past you could excite a fire in your heart, a heat between your legs growing by the second. 

You wanted to crawl pathetically into bed and not think about him until the next morning at work,  but fate, or Doctor Spencer Reid, had other plans. 

The knock at your door was sudden and incessant, the banging starting loud, and staying consistent until you tentatively pulled it open. 

He was stood there, chest heaving, looking down at you, sweat coating his forehead. 

"Can I… Come in?" He asked, and you nodded, too stunned at his sudden appearance to tell if this was real or just your fantasy becoming a little too realistic. 

He thanked you for letting him inside, and you showed him inside, guiding him to he couch, where you took a seat opposite him. 

"I wanted to make sure you were okay, you left in a rush and…" He trailed off, eyes flicking down to your lips. His Adam's apple bobbed with his swallow, and you watched it yourself, trying to avoid meeting his eyes, as if you were a schoolgirl about to get in trouble with a disappointed teacher. 

"I'm okay." 

"Okay, that's great, that's… Great." His breaths caught up to him, and he took another deep breath and a swallow before continuing. "How about we continue that game from last time. Twenty questions?" 

You'd do anything to stop him walking out of that door, but you felt too shy to touch him again, even in the friendly ways you were used to, so you eagerly accepted. 

"Yes, that… That sounds fun, thank you." 

"Okay. Question one. Do you know why I'm here?" He asks as he shifts closer to you, still not touching, but at a proximity where it would be natural to accidentally brush against one another. 

"N-No. But I might have an idea." He nodded at your response before moving on to his next question. 

"Question two. Are you a virgin?" He didn't trip or stumble over the words, pushing them out slowly and delicately so as not to offend. 

"Yes." The lump in your throat was thick, almost as if he'd put something there that you couldn't help but choke on. 

"Question three. Do you want to remain a virgin?" 

You shook your head no, following it with your voice seconds later as he stood up from his seat, putting some distance between you. 

"Question four. Do you feel intoxicated or drunk right now?" He held himself still as you sat on the very edge of your chair, desperate to feel his hands on you now. 

"No, I only had one sip at the bar before…" He held up a hand to silence you, and you did. 

Question five. Answer me honestly. Do you like it when I touch you?" 

"Yes." Your breath was a whisper, but it was breathy, sounding almost pornographic in your neediness. 

"Question six. Do you like it when other people touch you?" 

"Do you?" His head snapped back to yours, and you froze under his gaze. "Not as much." You answered and relaxed again, pouting slightly at his lack of answer. 

"Question seven. Do you like me touching other people?" He took a step closer to you again with this question, but you continued pouting as you shook your head. 

"No. I don't." His lips quirked upwards before he could stop them, but he gathered himself together again. 

"Question eight. Do you want me to leave?" You met his eyes at that question, taking one good, hard, long look at him. You noted the tensed jaw, the clenched fists, his stiff body language, trailing your eyes over him before looking him directly in the eyes. 

"No." You let the word hang on your tongue, pulling it out a bit longer than was necessary as you watched him take in a shaky breath. 

"Question nine. Do you want me to come over there and kiss you?" 

"God, yes." He was on you in seconds, restraints gone, throwing himself back at you as his lips collided with your own. Virgin you may be, but you'd kissed men before, and it had been nothing like this. 

His hands trailed up to your hair, tipping your head back slightly so he could gain better access. He bit your lip and thrust his tongue into your mouth when you gasped, so eager to consume every part of you whole. 

You'd never felt like this before. 

He pulled away, and you tried desperately to chase his lips, even as your lungs begged you to stop. 

"Last question," he whispered in the space between you, holding the sides of your face at a distance so neither of you could be tempted to dive in for a second kiss, or a third, or fourth. "Do you want me to fuck you?" You whimpered at his words, nodding furiously as you tried to lunge at him again, but he held you firm. 

"I need you to say your answer, baby. I need to hear your consent, okay?" You nod again and open your mouth, eyes never leaving his lips as you moan out a definitive "yes."

Instead of letting your lips fall against his again, he lunges for you, grabbing your legs and hauling you up into his arms, carrying you bridal style all the way back to your bedroom. 

"Gonna do it right," he mutters to himself as he throws you down on the bed, pulling back to take off his jacket and unbutton the cuffs on his shirt, rolling the sleeves up meticulously. 

"I'm going to take care of you, Y/N, okay?" You nod at him and flush, suddenly feeling the strength of his need for you as he holds himself back. He puts his hands on you again, gently coaxing your legs apart, pushing your skirt up over your hips. Reflexively, you move your hands over yourself, covering your sensitive places with your hands. 

"Don't cover yourself." His voice is strong, deep, as he orders you, and you let your arms drop back to your side. He traces his hands up and down your legs, almost as if he were memorising every inch of your skin, how you felt under his hands. 

His hands make their way up to your panties, and you watch with baited breath as he moves you, pulling your hips up so he can let them fall down. The lace material tickles you as he pushes them past your thighs, over your knees and finally off your legs entirely, balling them up and putting them in his pocket. 

"I'm going to touch you now, okay?" He asks it like a question, but he doesn't wait for your answer, unable to hold himself back before diving straight between your legs, so desperate to taste you that he's deaf to everything else. 

His tongue connects with your sensitive area first, tracing up and down at a steady pace as his legs half-heartedly push your legs open. It's almost as if he's enjoying the pressure of your legs wrapped around him, suffocating between your thighs as he feels your pleasure build, and build. 

Eventually he pushes your hips further apart, letting himself push his face into even more of you, his tongue entering your hole as he begins fucking it in and out of you, fingers coming back up to your clit to keep up the pressure there. 

"Spencer, please, please, fuck." 

"I love it when you beg for me like a needy little slut," he whispers, holding your legs apart as he looked up at you, face slick with your arousal. Your mouth drops wide at his words, and he immediately begins to retract them. 

"I'm sorry, Y/N, if that was too far, I just got caught up -" 

"I liked it." You said, quieting him as you spread your legs a bit further apart, begging for him to continue. He smiled and dived right back in, bringing his other hand up under your dress, all the way to your chest as you kept your legs open yourself. 

He sucked your clit into his mouth, lapping up all the juices you were releasing as you moaned underneath him, bucking into his face at the memory of his degradation. 

You were a needy little slut, and you needed him to make you cum. He was more than happy to oblige. 

He kept you there for what felt like forever, drinking you in for as long as he could. You orgasmed twice before he finished, completely overstimulated by the way he was desperately fucking you with his mouth. 

He was obsessed with you, with your scent, your taste, with being the first ever person to ever touch you like this, to fuck you, to make you feel so good. Without him even realising, you're pushed to the brink for a second time, shuddering under the heat of his mouth as he drinks you in. 

He finally pulls his head up again, coming up for air as you're twitching under him. 

"Perfect, baby, so perfect for me." His lips fall down to your own, and suddenly you're tasting yourself on his tongue. It's hypnotising, and despite the pleasure you've just received, you need more, desperate to feel him on you again. 

When he pulls his mouth away, he replaces himself with his fingers, pushing them into your mouth. 

"Suck," he says and you listen, as he watches the way you lick yourself off of him. 

He unzips your dress with his free hand, carefully pulling your arms out of the sleeves and pushing your dress off your body. You trace your tongue around every ridge of his fingers, leaving no inch undiscovered. He moved you to pull the dress of, and you graciously followed, letting him do whatever he wanted to you. 

"Nice little slut, tasting herself on my fingers?" He whispered when you were finally bare, pulling his fingers from your mouth, letting the trail of spit hang between you as you moaned. 

He removed himself from over you, and moved to sit on the edge of the bed. 

"Come here. Come and sit on my lap." 

You cautiously followed his directions. You'd thought that he'd fuck you then, after spending so long getting you ready, but apart from his tie, which he was in the middle of discarding as you crawled over to him, he hadn't derobed any further. 

"That's it baby, come and sit yourself down right here." He pat his thigh and you crawled over, lowering yourself down onto his clothed leg. 

"What now, Spencer?" You stuttered the words out, heart beating as you awaited his instructions. 

"Now, I want you to rock your hips back and forth. Just like this." He grabbed your hips and started moving you against his leg, pushing you down to grind into him. 

"Spencer, wait, I don't know-" 

"I do. I know you can do it, so please try. For me." You pulled you in for a kiss, and then removed his hands from you, leaving you to rock against his thigh. 

You were unsure of the movements at first, moving slowly as you dragged your aching cunt up and down the top of his pants, watching as you saw the wet patch you were making. You moaned with each movement, growing faster and more confident as you continued. 

"That's it baby, use me to get yourself off, okay? Let me see you." He whispered in your ears, pushing your sweat-slicked hair ou of your face, holding it up for you. 

"Spencer please," you don't even know what you're asking for as you beg him, feeling that familiar bubble in your stomach grow. 

"No, you can do it. You look so beautiful like this, Y/N, so desperate for my cock, huh?" You start trying to unbutton his shirt, desperate to see more of him, to feel more of his bare skin on your own. But he stops your hands and holds them against his chest. 

"You need to ask nicely first, before trying to undress me like a needy little whore." The words should sound violent, should humiliate you, but his voice is so soft you simply move faster, moaning and desperate to cum one more time. 

"Fuck, Spencer, I'm gonna… I'm gonna…" 

"No, you're not." Before you finish, he pulls you off his leg, hauling your body back onto the bed, and laying you back down on your back. You moan in disapproval, so frustrated with the lack of release that you feel tears prick the corners of your eyes. 

"Don't cry, baby. I'll give you what you want soon." He practically rips his clothes off, pulling his vest over his head, stumbling over each button and removing his belt and pants before climbing over to you. His cock finally free you take your first glance at it. 

You'd never entirely been sure how it was that the male appendage fit inside something as small as your pussy, and you were doubly unsure about how Spencer's was ever going to fit inside you. You stared at it wide eyed, as you took in the length, the girth, and the heat of it as he stroked it in one hands, pushing on top of you. 

He let go of it as soon as he was between your legs, letting it fall onto your stomach as he crawled between your legs. He trailed a finger over your lower abdomen just around where his cock was twitching against you as his other hand came up to stroke your hair. 

"You look worried, Y/N, what's wrong?" 

"Will it, um, will it fit?" You asked, knowing how cliché you sounded. 

"We've spent the last thirty-seven minutes loosening you up with foreplay. It should fit, but I can't promise it won't hurt."

"Right, if my hymen is still intact you have to…" 

"That's right. And then it's going to reach all the way in you to here," with each word, he stepped his fingers up from your clit to where the tip of his dick sat on your stomach, letting you come to terms with exactly how full you were about to be. 

"I'm going to fill you, and you're going to be mine, and I'm going to be yours. My sweet angel." He stroked your face, catching his thumb on your lips on the way down, tempted to thrust it into your mouth again, to see just how much of a whore you could be, given the chance. 

Instead, he lined himself up with your dripping core, and, making sure one last time that this is what you wanted, slowly pushed in. 

It was uncomfortable at first, having something so wholly alien inside of you, you weren't sure how to react. You wrapped your arms around him, digging your nails in, deep, as he pushed in further. 

"Y/N, I need to move more now, and it's going to hurt a little, you just have to trust me, okay?" He kissed the top of your head, but you were so lost in the sensations to answer. With one swift jerk of his hips, he pushed through your hymen, and fully sheathed himself inside of you. He pressed small kisses everywhere on your face, while whispering to you how beautiful you were. 

"You're doing so good for me angel, I'm going to take care of you. Going to make you feel so much better than this. You're so beautiful." His lips were distractingly sweet, as were his words, and soon you found yourself relaxing into him, the sharp pain of earlier fading to an electric buzz inside of you. 

You jerked your hips up to meet his, and with that, he knew you were ready. From his words, you'd assumed that he'd move slowly in you. But with one final lingering kiss to your lips, he lifted his chest up, pinned your legs tightly down, and started thrusting hard and fast. 

"Sorry, just couldn't help myself baby. Needed to see you looking ruined underneath me." Moans spilled out of your mouth with his every movement, and the orgasm you'd built up earlier hit you like a ton of bricks, blackness hazing over your eyes as they rolled back in your head. 

"Fuck, fuck, Spencer, don't stop!" You screamed at the top of your lungs, unable to control your pitch or volume as he slammed into you desperately. He was so turned on by the sight of you beneath him, so proud of having fucked away your virginity, to have given you your very first penetrative orgasm that he wouldn't have heard anything that came out of your mouth. 

His eyes were fixated at the place between you, where you joined, where he was entering you, defiling you, claiming you, using you, breeding you. 

He knew he wouldn't cum inside of you, not the first time, but it was tempting. Instead, he chose to move his lips back to your skin. He marked you with love bites and hickeys across your neck, chest and shoulders as you moaned with every roll of his hips, shuddering on his cock. He was close. And seeing you like this, displaying all the signs that you were his and his only, he finally lost it. 

Pulling his dick out of you, he stroked it through his release, spraying his seed over the parts of your skin he hadn't bruised with love. Your stomach, your breasts, hell, one spurt even landed dangerously close to your lips, he was everywhere. You. Were. His. 

He fell beside you, panting for a few moments as you finally cracked your eyes back open, realising what the two of you had just done. You wiped the cum from your face with a stray finger, staring at it for a second before licking it off your finger. 

"As hot as that was, I think we should get you cleaned up properly, angel." He spends forever cleaning you up, carrying you to the bathroom, washing your entire body with hot water and a fresh cloth, running you a hot bath to relax your muscles. You snuggle into his chest at some point in the bath, relaxing so much into him, that you drift off to sleep. 

You feel him carry you to bed, semi-conscious, tucking you in and climbing in next to you. He holds you through the night, the way he holds you after your bad cases. He holds you until he doesn't. 

You're blindsided by the cold bed the next morning. You knew he would be there, you'd felt him inside you and next to you, and you'd needed his warmth, but he was gone. You looked for him in every other part of your home, looked for a note or an explanation, but there wasn't one. 

Through tears, you got ready for work, ready to face him and make him answer why he was suddenly gone. You wanted him to apologise, especially since he'd marked you so badly the night before you looked like a car crash victim from the neck down. 

Dark lavender blossomed along your collar bones as you looked at yourself in the mirror, trailing a finger along every place that he touched the night before. 

"How could you be so stupid?" You cursed yourself. If you'd have listened to what he was saying last night, really listened, you'd have known he wasn't going to be here in the morning. He wanted to ruin you, to possess you, to take away your virginity, and he'd done just that. 

You almost wanted to keep the bruises on display going into work, to make him confront the pain he caused you by leaving. In the end, it was the inevitable stares from everyone else that convinced you otherwise. You wouldn't give him the satisfaction. 

You pushed through the doors to the bullpen and didn't bother putting your bag down before you started scanning the room for him. 

"Where's Spencer?" You practically shouted the words at Morgan, unable to hold back your anger. 

"Y/N, what's wrong?" 

"Where is he?" You demand, and there must be something in your eyes that speaks to your devastation because Morgan shuts up and just points to the top of the stairs, where Spencer is exiting Hotch's office without a care in the world. 

You don't realise that something is tears until you're beating a hand against his chest in frustration as they spill down your face. 

"Where were you?" You demand, sobbing into his chest, as he pulls your hands away. The entire office is watching your commotion, but you don't care, you're not letting him move you out of the way. 

"Y/N, I need you to sign this." His voice is calm, and you hate him for that. That he can stay so neutral when he's just broken your heart. 

"No, not until you tell me why you left." 

"Sign the papers, Y/N, trust me." He pulls your chin up so you can look him in the eye, and you catch a glimpse of the man who has been holding you, comforting you for the last four months. You snatch the pen from him and sign the papers, thrusting them back at him with a scowl. 

He smiles as he looks down at them, placing them back on his desk before pulling you in for a long, deep kiss. You're shocked at first, but you melt into it, pulling him closer so he can't leave again. 

"I'm sorry. I had to come into the office to declare our relationship, Morgan sometimes tells me I have a one track mind, and when I woke up this morning, the one thing I wanted to do was get it in writing that you were mine." 

Your push the tears out of his face, and attempt to pull him down for another kiss. You don't get the chance, as the sound of several throats clearing around you burst your bubble. 

"Public space, no canoodling." Rossi shouts down at you from the balcony, a soft smirk on his face. 

Penelope runs in from her office, and stares wide-eyed at the lack of space between the two of you. "You! And you! Security cameras….. You!"

"Now, I'm sure there's a story here, but from the state of our little angel's neck here, I'm sure I don't want to hear it." Derek laughs, smacking Spencer on the back in praise as he walks up the stairs to the meeting room. 

You slap a hand over your neck, trying to pull the turtleneck further up to hide the mark you evidently missed. 

"She's my angel, now." Spencer calls up to him. "I have the paperwork to prove it."  

[nightingale-prompts]

God's TV- DC x DP prompt

Accidentally summoning a god from another dimension can happen, especially when cults are involved. However, no can could predict that the not only was the god a teenage boy but also a very bored teenage boy who didn't want to leave.

So he stayed and moved into Titans tower.

Danny is helpful (when he wants to be) but rarely goes out on missions. He says they are boring and nothing is dangerous enough to exert the effort. Instead, he minds the medical bay. Having a healer more than made up for the lack of help.

It's not like anyone disliked Danny or thought he didn't do anything it was just that he was unpredictable. Danny could be nice, considerate, and even sweet if he was working in the medbay. He could also be a pain in the ass anywhere else. He loved pranks and scaring people with his powers. He was harmless though.

No one really knew what he did all day. He was usually in his room doing something they guested. Said room was an anomaly. It was larger on the inside having been made into a pocket dimension. The appearance and organization of the room changed every time you went in.

It was after one mission that the team learned what was in the room.

A rogue had used their invention to erase Superboy's memories and they didn't know what to do. They took him to Danny who was currently rearranging the medicine by color. They hoped that his powers covered mind-altering afflictions. Unfortunately, Danny couldn't wave a hand and fix this.

Instead, Danny took the group to his room. The decor was neon Tokyo meets space right now. The furniture was currently floating and almost hitting Wonder Girl in the head with an end table. Of course, there was no gravity here.

"Stay here while I grab it," Danny said flying up the vertical corridor.

While he was gone the room rearranged itself into a contemporary format. The furniture grounded itself and shifted into a normal living room.

Danny returned with a cart and a headset. He placed a card he pulled out of the cart into the headset and put it on the dazed Superboy's head.

"Wait what is that?" Tim asked.

"It's his memories. I kept a backup in case this happened." Danny shrugged.

Immediately everyone began asking what the hell does that mean and why does he have that.

"Oh please, this dimension has this happened all the time. Amnesia is so cliché and cheap. I saw a pattern and decided the easiest way to prevent you from losing the entirety of your lives was to make save states of your memories." Danny said matter of fact.

Robin pinched the bridge of his nose.

Impulse studied the rack of cases and looking for the card with his name on it.

Wondergirl sighed, she was used to this from Robin but even he wouldn't go this far.

"What? It's not like just anyone can find these. Only you can access your own memories anyways. I just decided to repurpose my RE:Viewer." Danny pouted.

"What is a reviewer?" Wally asked flipping through the cases. Each one had titles like moves or shows with an arrangement of stickers.

"The RE:Viewer is something I created to catalog things I've seen looking into other dimensions. I don't have an infinite memory you know. But the longer I have my title the more I'll lose touch with my mortality. These things help me stay close to people by giving me the chance to remember how it feels. I also have been using them to get the stories of others. Keeping their experiences like you'd keep a TV show or movie. So many stories could have been lost to time but now they are saved. I use them to teach myself." Danny smiled.

The concept genuinely sounded interesting. Like experiencing a movie in 4d.

It had been 3 minutes before Kon took off the headset and back to his old self.

Danny pulled the input card out and it disappeared into another realm with a flick of the wrist. Danny was completely honest that the copies were inaccessible to everyone but him.

"You feeling alright Superboy? Your memory should be backed up until a week ago." Danny said shining a light in his eye.

"I'm fine. I think. What happened?" Kon asked batting the light out of his eyes.

"Explanation later. Take a nap first. You aren't concussed at least." Danny informed.

"What are the stickers for?" Wally said pointing at the rainbow of colors the card cases had.

"Just the emotions associated with the experiences. Orange is comedy, red is action, pink is romance, and blue is tragedy." Danny listed. "That one with the pink is one of my favorites. I meddled a bit in that world. Two people who had never met fell in love at two points at different times. One of them was doomed to die but I worked my magic on a mirror that allowed them to meet once. They shared notes left in different places for the other months ahead. Makes you believe in true love. A real tear-jerker."

"What about the black stickers?" Wally asked.

"Don't touch the black ones," Danny said darkly, smacking his hand away. "You don't need to know about those. I don't like thinking about them."

"So you just take the memories of others and put them inside your machine to replay later?" Batgirl asked. "Isn't that kind of wrong?"

"No, I asked permission. I usually pull them aside at some point and ask. If it's my memories (that's the green stickers) I don't need to. The rainbow ones are simulations. Like a video games." Danny responded patting her on the back for not being to hard on him about this admittedly weird situation.

"So what's the black one with the rainbow sticker?" Wally asked picking up the case that was obviously stuffed in the back.

"STOP TOUCHING THOSE!" Danny yelled pulling him away.

[violetrainbow412-blog]

Aegon The Burnt

Aegon II Targaryen x sister!reader

word count: 1.3k

warnings: infidelity (reader is Aemond's wife), incest, spoilers of s2ep5. Just something short and self indulgent, hope you like it!

masterlist

taglist: @barnes70stark

When you arrived at Aegon's chambers, he was alone. Your mother wasn’t by his side, nor was his wife Helaena, much less Aemond, who you were sure had been the cause of all that. Everyone was crazy, the war for power was making everyone's head sick in the Red Keep and it had ended up bringing you to that point.

When you learned that your brother had gone into battle when he wasn’t required, you knew that the consequences were going to be disastrous and you even hoped that upon returning to King's Landing the star news was the death of the king. But thank the gods he was still alive, fighting, but alive.

You hadn't dared to look at him until that moment, mentally unable to think that his body had been stained at the hands of dragon fire. Targaryens don't burn, do they? Could it be your ancestors punishing Aegon’s recklessness?

And you were sure they would punish the sin of parading a dragon's head around town. They were sacred, they were your emblem and your heritage... you thought that your mother would have this more in mind and that she wouldn’t approve of that kind of massacre. You couldn't imagine your beloved Kaeryss going into battle, dead at the hands of the enemy or perhaps even your own brother.

But now it was a dragon war, not even men could stop it.

“For the seven…” you sobbed softly, you barely got close to your brother and the whole smell of burnt flesh and rot filled your nostrils.

The maester had managed to do a few things to him, he was completely bandaged and was breathing heavily, a hiss leaving his lips with every exhale he took. It was a horrible sight to see for anyone, much less the only person who had genuinely loved Aegon.

The sight made you stagger back and you had to hold on to the bedposts to keep from falling. The worst thing of all was to think that it was the king who had brought this on himself, no matter how much they wanted to convince all his subjects that he had fought bravely and had struck down Meleys.

If you had known before what he intended to do, you would have implored him to stop, you would have persuaded him with kisses and cuddles to stay in the palace. Damn, you would have gotten him drunk and fucked for hours if it kept him safe. Or ultimately, you would have told him how stupid he was for trying to go to war solely on a whim, with a dragon with no experience in battle being ridden by a man with less experience.

But past mistakes couldn't be corrected just by thinking about all the possibilities, instead you had to face the consequences.

You looked at him for a moment, trying to put aside the tremendous disgust that the burning flesh produced in you. If you dared to say that out loud, you knew that Aegon would feel tremendously hurt, since he had never boasted of having the best self-esteem, so you had to be cautious with your words and gestures when he came to his senses.

You took a seat next to the bed, in a modest chair that had surely been occupied by someone else hours before, and you tried to hold back the tears that were already gathering in your eyes. While you saw the king lying in bed, at risk of dying at any moment, you wondered how far this conflict would go.

Aegon had always expressed that he didn’t want to be king and now that he was, he turned out to be a useless one. You weren’t going to soften truths in your mind, because you, as everyone knew, that the king's claim had been a treacherous one. You had been happy that your sister could aspire to be a queen, even if you hated her and her unbearable descent. But hating her didn't mean you wanted to see so many people die, much less the innocent and weak ones as always happened.

Sometimes you wondered what would have happened if your parents had married you to Aegon instead of your brother Aemond. You couldn't blame Helaena for hating her husband, just as you hated yours, perhaps for different reasons but with the same impetus. You probably would have preferred to marry him because of the treatment he had always offered you, being kind, loving and careful. And you knew that it was wrong to love him secretly from your husband and that it was a very serious offense for a lady, but you didn't care and you assumed that if Aemond knew, he didn't care either. He never loved you, you didn't know the reasons but you were sure of it.

One of your hands traveled to the man lying on the bed to take it, carefully, and you gently caressed the healthy skin that still remained.

“Mummy?” you heard, like an almost imperceptible moan. Aegon could barely open his right eye weakly.

“No, no, honey. It’s me,” you whispered sweetly, leaning slightly so he could hear you over the smell of rot. You said your name out loud just in case he didn't recognize your voice.

He wanted to say something, but at first the tremendous pain in his chest prevented him from doing so. The maester said that he must have had many internal injuries and that only time and the grace of the gods could decide if those injuries were serious enough to kill him. You hoped not.

“My princess,” he managed to gesture.

You were always called that way, simply because Aegon considered that you did him full honor to the title and because you seemed to him his and no one else's.

“Don't try too hard,” you whispered motherly, reaching out to rub the right side of his face with unexpected love. You had to stay calm to ignore the burns. “You need to rest.”

Aegon, from his vulnerable position, looked at you sadly and you saw a tear escape his eye. It was as if with that look he was expressing to you everything he couldn't tell you.

“Does it hurt a lot?” you asked worried. It was an obvious answer, you thought, but you at least wanted him to realize that the situation mattered to you.

When he nodded weakly, you felt tremendously sorry for him. Seeing him like this completely broke your heart and if you could have done it, you would have wished you could take away all that pain in a second.

“My poor boy…” you murmured softly, still caressing his cheek gently. The man felt as if your touch was magical, healing in every way: the simple fact of having you close comforted him.

“Stay?"

“Of course I do, Aegon,” you said in a whisper.

“I'm… I'm horrendous”

“You're not,” you responded to his sob. The last thing you wanted was for him to think that you were despising him, like everyone else was going to do. You had managed to gain his trust before, however, with this physical change you knew that his fears would only increase “I love you always, honey. I promise"

And as a sign of this, you leaned close enough to place a kiss on his lips. You were very careful not to touch his wounded skin and tried to be as kind as possible with him. You wanted to show him that you weren't afraid of him, nor disgusted by him, as he was probably thinking.

There was no purer love like the one you were showing him and Aegon felt unworthy of it.

"Please… don’t leave”

“I won't,” you assured him, sitting back down and leaning against the mattress. “Don't be afraid, I'm here and I'll stay to take care of you all night, okay?”

Aegon cried silently and tried to hold on to the feeling of your hand holding his, for it was the only feeling that would keep him sane. He felt that as long as you continued to love him and stayed with him, he could overcome any adversity.

[neil-gaiman]

Hello Neil,i know you have 120k asks, so you will never see this, but genuinely, how do i start writing? I know it probably sounds silly to you, but I am 15 and already feel behind. I want to be a writer, I have loved reading ever since I read Coraline at 9 and have always wanted to do something creative with my life and to be an author just feels so fitting for me,I just don't know how to do it I guess. I keep trying but it always turns out bad,I don't even know where to beigin and how to pace the story or do anything really.I write short fanfics sometimes and when i go back to read them they are just objectively bad. I know what I do and dont like in stories,I just can't seem to accomplish what I want when I try to write it. And I do have so many ideas, but it never goes anywhere, and I can't put the words on the page. I know improving takes time but I just wish I had some guidance on how to improve(English is my third language so I probably made mistakes, I apologize )

You sound a lot l would have done at the age of 15, had I been articulate enough to say anything like that. At the age of 15 all I knew was that I really wanted to be a writer and that I wanted to write and draw comics one day. I had some ideas that would turn out to be good ideas 15 years later or 25 years later but at that time they were just ideas and I didn't know how to make them into stories.

The most important thing you can do is to keep writing. The second most important thing you can do is to live and learn and experience the world and accumulate a store of things that you have to say and things that you need to write about.

[snapscube]

I FINISHED TURNABOUT BIG TOP! Which means here is my updated autopsy report ranking for cases and characters!

Both have actually shifted around quite a bit so you may find it an interesting update. I'll explain some of my current thoughts on the new placements as well as my thoughts on 2-3 in general below a break if ur curious.

Okay so first thing let's just address the elephant in the room: We have an all new category on the character ranking!! One that I sure wish I didn't have to include but unfortunately Big Top made some... very Interesting decisions with specific characters. It would be one thing if this content was featured and then addressed, but it was particularly off-putting and frustrating to me that everything was played entirely straight?? So yeah. New lowest of the low category for a couple freaks who are actively courting a 16 year old!!!! yayyyyyy

OTHERWISE, I do have to say.... I was really pleasantly surprised at 2-3 as a case. I can say now I completely understand people having a distaste for it especially in regards to the unsavory age gaps, but literally..... almost everything else in this case was well put together and generally on-par with the quality of the rest of the series? As an overall package I actually still find Turnabout Samurai infinitely more dull. Like, maybe it's just because the lead-up to actually playing it was so uniquely frustrating for me and forcibly lowered my expectations by a ton, but there was so much good shit in Big Top. Maya, in particular, is in top form during this case. She is so fucking funny. I loved almost every word that came out of her mouth and it really solidified her top spot in the character ranking for me at present. But past that, I think the second half of this case is EXTREMELY strong compared to its opening half. I'll admit during the first trial section I was getting kinda tired with it and finding it hard to care given how much I just do not root for Max, so I had tentatively placed it at bottom of C tier. But then once von Karma arrives in the investigation section and then Acro's storyline enters the equation I really think it finds its footing. I actually found the last few scenes of the trial very emotionally effective, especially Acro's breakdown at the witness stand and mentioning how he couldn't follow through with taking his own life to escape his crime due to his desire to see his brother wake up. Like... I legitimately teared up.

And FURTHERMORE.... von Karma. Oh my god. I don't know if I'm picking up on anything here, nor do I want to know until I maybe see it for myself, but something about her conduct in the final trial really spoke to me. I feel like a surface read makes it apparent that she's just as frustrated as she is because she's losing the case to Wright again, and I do think that's a huge factor still to her reaction... but I don't know, I felt something else with her. Particularly when it came to her reaction towards Acro's attempted murder of Regina. I felt like she came across as PARTICULARLY disgusted towards that revelation and towards her own client in a way that subtly humanized her and had me just CHUCKLING AND CHORTLING in evil anticipation towards potential character arcs. I really hope I've grasped onto something here because... I love her so much. I love the idea that in spite of her reputation we're still gonna get to see this spark of humanity light up. AHHHHH.

Okay. Anyway. In summary:

I understand why people have a distaste for Big Top now, but it does not change the fact that I desperately wish I had been given the chance to experience the story myself going into it without that baggage. It genuinely did not help my experience in the slightest to just have that cloud of expectation over it and it is generally irritating that I couldn't even bring up that I was playing it without people jokingly apologizing to me or telling me that I wouldn't be able to handle it or whatever. Really not a great vibe.

As a case, it has a couple MAJOR, GLARING points of discomfort but I'm still really glad I gave it a chance and was able to find a lot of good in it anyway. It inspired me to unfortunately lower some of my other rankings because this is what I kind of consider a more middle-of-the-road quality for the series now. Solid B tier. I have played much worse.

Maya Fey is a god damn treasure.

As for some of the other character shifts, particularly in relation to some of the characters who got bumped from S to A rank, that's less because I decided I like them less now than I did when I first ranked them and more that I decided my initial interpretation of my feelings was incongruent in some cases. Like, for example I LOVE Mia I really do she's great, but in no way at this current time is she on the same level as Maya or Lana for me. So I just needed to adjust the ratios a bit.

Anyway, I'll be back eventually with posts about the next case and the last one of AA2! :3 I hear it's pretttyyy long but pretttyyy damn GOOD. Can't wait.