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heartthrobin · 4 months ago

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all's fair in love and war (2)

oliver wood x female!reader

wc: 7.87k

warnings: enemies to lovers, still so damn much pining, set in poa, timeline is a bit wonky, limited use of y/n, archie being my fav oc, cheese fest

an: literally fell asleep on my laptop last night editing this, i was so exhausted from school so i’m sorry it’s late !!! but i had the most fun in the world writing this and i hope everyone enjoys :)) don't forget to comment and repost your favourite writers

summary: Oliver is still impossibly miserable, maybe more uncooperative than before, except now when you look at him: you can't think of much else beyond how sweet his lips tasted.

part one

You can’t sleep.

You're not sure you'll find sleep ever again.

“I knew it, I knew it—“ Cherry had bounced the whole way to your dormitory, howling into your ear. “I knew it!”

The image of Oliver’s fluttering eyes swum around your brain as you blinked into the darkness of the poster bed. The taste of his tongue and his words still right against your lips.

It was a riddle of a calibre that you can’t seem to detangle. More than anything, you try to remember how strong has he tasted of Firewhisky - was he so drunk to really dismiss it to nothing at all?

You lingered on it all weekend.

Cherry didn’t help at all — he’s been in love with you forever, that’s literally so obvious — and Enzo even less so once he’d been filled in: Oliver doesn’t seem a bloke who let’s alcohol make his decisions for him, something about Scottish genetics I think.

The interaction plagued you: digging a wide hole in the base of your stomach. You mourned the thought that you may never have the opportunity to kiss those soft lips again, more than anything: preparing yourself for the feud between yourselves to worsen.

There’s barely enough time to make sense of your situation before you’re racing down over the grassy hills of the grounds, bag swinging violently over your shoulder and extraordinarily late for your Herbology lesson in the greenhouse.

Your morning alarm had rung right into one ear and out the other, a product of the tossing and turning you’d been doing for the last two nights.

When you swing the greenhouse door open, panting and face flush from the beating sun, the whole room turns to you. Sprout pauses where her hands are flailing in explanation.

“Sorry I’m late professor,” you wheeze, readjusting your strap over your shoulder.

Cherry is smirking at you from her bench, sidled up with Jane Emmet.

It hadn’t escaped you that you’d be sharing the lesson with the Gryffindors, but you’d precious little time to worry about it in the five minutes you had to pull a robe over your head and stick a toothbrush into your mouth.

Your eyes are purposeful in not looking over the room. Scared to catch the wrong eyes.

“Not a problem peach, we’re just repotting some Fire-Seed Bushes.” She brings a stubby hand to her chin, “uhm … well, Mr Kumar there in the corner doesn’t have a partner. Go join him by his pots.”

Archie has a lopsided smile on his face when you approach, a thick black curl drooping over his left eye.

“Hey.” He nudges gently.

You set your bag down and grab a pair of gloves, chuckling. “Hey Archie.”

The soil is warm when you stick your fingers into the dirt, shifting it gently enough not to mess over the edge of the bucket. There’s a Fire-Seed Bush sitting tentatively at the end of the bench, spitting sparks and emitting smoke.

“So …” Archie speaks first, the back of his hand bumping yours between the black soil. “How was your weekend?”

It’s a veiled question, a poorly veiled one at that. The question draws a laugh from the base of your stomach.

You shrug, adamant on missing the point. “It was alright, I guess. How about yours?”

He shrugs right back. “Wasn’t the greatest. Penelope Clearwater rejected me for Percy Weasley.”

You don't mean to, you really don't, but it draws another bout of laughter out of you - you clap your hand over your mouth. “I’m sorry—“

“No, I get it. Percy bloody Weasley?” His brow is creased, dirt-stained hands rising messily from the soil to swipe at a fallen piece of hair in his face. “Dead sure that bloke's own mother can't say he’s handsome. I’m better looking than him, surely?”

There’s the hanging insinuation that it was rhetorical, but you reply anyways: “you’re definitely more handsome than Percy Weasley, Archie.”

His head cocks down at you, stained paws finding his waist and pressing black fingerprints into the red jumper. “You really think so?”

“Without a doubt.”

Archie smiles, bumping your side against his. You think he might be blushing. “You’re very charming. I understand what Oliver sees in you.”

You jolt involuntarily, spilling some black soil over the edge of the pot.

Swiping at the mess lazily, you play the comment off with another crumbly chuckle: hoping it convinces him more than it does yourself. “Oliver sees in me what a bull sees in a red cape.”

Archie’s reaching timidly for the Fire-Seed Bush, lifting it off the counter and holding the dangerous botanical at arm’s length. “Not true. The boy’s half in love with you.”

This conversation is getting awfully uncomfortable awfully quickly. It picks at your curiosity nonetheless.

“He said that?”

He’s quick to shake off the question, eyes still trained on setting the roots of the bush into the gap in the soil. “Oliver doesn’t have to say anything. He spends practically every fucking mealtime mooning over at your table, and he talks about you way more than necessary—“

“That’s just because I work on his nerves. Oliver doesn’t love me, he barely tolerates me.”

The boy turns on you, confusion set in his brow. “Why is this news? Last I saw you, your tongue was halfway into his stomach.”

Zachariah Smith and his Gryffindor partner look up at that. Your face goes hot all over - Archie doesn’t seem to notice.

“We were drunk.” You say softly, eyes stuck on a loose leaf crackling against the wooden counter.

There’s a special kind of fear that's crawling into your heart where you stand. The fear of putting too much faith into the words of Archie Kumar.

That it’s an elaborate ruse. A set-up, canons of confetti and a banner screaming “you’ve been fooled!” if you were to indulge his words. The danger of allowing your mind to drift too far off into the possibilities of a world wherein Oliver Wood doesn’t hate you - at least not as much as he lets on.

Archie looks at you out the side of his eye, you can feel it, but says nothing. He hands you a miniature yellow-handled spade.

Instead you fill the space. "I heard Isla Flynn has a crush on you."

He perks: "really?"

Across the room, Oliver is bumping elbows with Poppy Davis.

"Ow!"

A loose spark has evidently landed on her exposed arm. The sparks that Oliver was supposed to be watching for, the ones that he is intent on ignoring with the constant glancing back over his shoulder to where you and his best mate are in the corner of the room fucking giggling at each other like toddlers with a box of matches.

“Oliver — can you just focus for five seconds!” Poppy isn’t impressed.

Oliver isn’t either, with the situation as a whole. The pads of his fingers are blistered from the repotting of the bush and Poppy’s careless bumps and his general indifference to the task at hand.

It eats at his brain. What are you guys talking about? Is it about him?

You laugh again and it’s loud enough that it draws his shoulders all the way taut. There’s another snap of a spark and Oliver feels where it lands at his wrist, but he doesn’t react.

“Just pass me the bloody spade.” He grumbles.

The lesson passes more slowly than Oliver could swim shoulder-deep through molasses.

It feels like years later when he tosses his gloves into the box with the rest, when the class shuffles to return tools and begin slinging half-open bags over their shoulders.

Oliver doesn’t think he’s ever packed up faster - Poppy is still scowling at him, he doesn’t care - before he’s knocking through yellow and red tied students to find Archie’s head of curly black hair.

“Hey!” He catches him by the wrist, tugging on it like a dog with a bone. Archie jumps, eyes winding down to find his friend. “What did she say?”

You’re far ahead, Oliver can make out the back of your head: hips bumping with Cherry’s up the hill towards the castle.

Archie grins. “She said Isla Flynn has a crush on me.”

Oliver groans, “Not about that, you prat. About— wait, really?”

"Yeah!" He hikes his bag higher on his shoulder. "Can you believe it? She's got that hot Irish accent and everything."

Oliver nods, "Yeah ... yeah. Good on you, mate."

He's trying desperately not to steal this moment from his best friend, but he's fucking itching to know what else you and Archie had been giggling about.

"Did she ... say anything else?" He presses, more gently than his character usually allows. "Like about me?"

Archie shrugs without looking down. "I asked her, but she seemed tense about the whole thing."

"Tense?"

"Yeah, she said something about a bull and a cape, and went like all quiet when I told her you like her--"

At that, Oliver's stomach leaps up into his throat. He grabs his best friend by the arm, jolting him to a short stop. Some Hufflepuff bumps into their halted figures, grumbling before shuffling around them.

"You told her what?" His eyes flare erratically.

Archie shrugs, an innocuously confused look painting his features. "Well I said Oliver's half in love with you, or something like that and she looked all confused about it--"

Oliver's grip on his friend's wrist tightened to a degree that a ring was sure to form on his dark skin. "You fucking pinhead! You told her I liked her?"

Pulling his arm violently from his grip, Archie has the nerve to look affronted. "You don't?"

The morning sun shining over Oliver's head feels like it's growing hotter by the second, there's a dribble of sweat running down his spine.

"That's -- that's not the point. Even if I do, which I'm not saying is the case, she doesn't need to know that."

"Were you two obliviated in your sleep last night?" Archie's eyebrows are pressed down against his eyes, slouching down to meet his friend's face. "I caught you two making out like the world was ending less than three days ago! Surely she has to figure that you feeling something for her, she's not stupid."

Oliver struggles between his thoughts, worse around his words. "That was ... we'd been drinking. For all I know, she only kissed me back cause she was trollied off Dragon-Barrell--"

"She said that, too."

Eyeing him, Oliver's hands find his hips. "Said what, exactly?"

"That you were drunk, I mentioned the kiss and she said we were drunk."

A sensation he can only identify as closest to guilt seeps up into Oliver's chest from his stomach. "She thinks I kissed her just cause I was drunk?"

Archie's hand finds Oliver's shoulder. "You should probably talk to her, mate."

He sighs, eyes drifting over the silhouette of the castle in the distance. He shakes his head like it'll rattle the plaguing thoughts loose. "We're gonna be late for Transfig."

"I mean, Archie is his best friend." Cherry is trying to rationalise the whole story. "I don't see why he'd lie about it?"

You shake your head, knocking shoulders with a Ravenclaw girl trying to pass through the corridor. "I'm not entertaining it, Cherry."

"Come on," she sighs, practically skipping to keep up with the furious pace you've set. "Would it be so terrible if he likes you?"

"Yes." You don't look at her.

The redhead's eye-roll is practically audible, "Let me rephrase, would it be so terrible if he likes you back?"

You meet her eyes for the first time since you'd entered the corridor.

She sighs, "we're gonna see him in Muggle Studies in five minutes. I think you should say something."

"Forget I said anything, Cherry." Heat flares at your neck again, prompted by the embarrassment of even imagining how such a conversation might go.

The rest of the walk is quiet, but you feel Cherry's gaze warming the side of your face.

Burbage's classroom is over-populated with Gryffindors by the time you drop your bag against the marbled floor beside your desk. In the corner of your eye, your brain has already fixated on Oliver's silhouette leaned against the edge of his own desk. You flush hot all over again, as if your thoughts were transcribing into subtitles and floating above your head for the whole class to read.

The click of Burbage's heels prompt the lingering students to find their seats, "Please take out your copies of Muggle Wars: Cause and Effect. We left off on page eighty-seven--"

You suddenly regret snapping at Cherry. Wishing for the comfort of her presence, your eyes glazing over where she's perched in the first row of desks closest to the chalkboard.

Unusually, the class trickles on without disruption. There's a few glances over at your direction, like everyone is waiting for another outburst from the grade's most volatile duo. They're sure to be let down, you're adamant to not even breathe in the direction of Wood.

Burbage comments on it, too, nearly ten minutes from the bell.

"It's suspiciously quiet in your corner today, captains." she looks down through her fingerprint-smudged frames, brushing over you and then Wood three seats away. "Something the matter?"

You shrug, refusing to acknowledge the boy. He seems to be doing the same: completely unfairly, the thought that he wouldn't look at you made the hair on your arms stand straight. "We can start up if you'd like, professor?"

Her face contorts into that irritated look that you'd grown accustomed to when Professor Burbage addresses you. "You're flirting dangerously with another session of detention, miss."

"She's just answering your question, professor."

Nobody in the class seemed more surprised than Burbage, although that in itself was a feat. The two Gryffindor boys in the row ahead of you swivel all the way around in their seats to look at Oliver, who'd just spoken.

You fight the twitching urge to look at him.

"Detention for two, it seems. I'll be seeing you both Friday afternoon."

A calm air settles again over the class, as if order had been restored. You and Wood had lost the interest of the room and students shift back to the board where WHAT IS A PRIME MINISTER? is sprawled across it in chicken-scratch handwriting.

Sighing, your eyes find the clock against the wall. Eight minutes left.

You pick at the end of your quill irritably: electing to dip it into the ink at the edge of the desk and entertain yourself quietly by drawing a miniature snowman at the corner of your page, trying not to think about another Friday afternoon in too close of a proximity to Oliver Wood. There's a soft whir, barely audible if you weren't so focused on outlining pebble eyes, and a tiny paper-airplane whizzes quietly from under your desk: landing squarely on the nose-less head of your snowman.

Fear prickles at you. You don't look up for the source, lest a suspicious sideways glance earns you another weekend with the party-animal Charity Burbage.

Instead, you carefully undo the intricately folded wings of the plane. It's barely big enough to fit into your palm once open, the top of the little note marked in black ink.

It was the same handwriting that marked the sign-out sheet for equipment in the Quidditch storage rooms down at the pitch.

'Thanks for that one, smart-mouth.'

Your eyes flicker up to Burbage, who's back is turned, before you dip your quill into the ink and scribble out a response. In your peripheral, Oliver is leaned back in his stool: biceps folded over each other. There's an unexplainably airy-fairy, fuzzy feeling warming your rib cavity.

'Believe this one was your fault, dickhead.'

You quietly refold the creased edges, before tapping it lightly with the end of your wand: then watch how it takes off the airstrip of your page and zips quietly under the cover of desks to land back in front of the sender.

There's a long pause - enough for Burbage to draw out a whole flow diagram of something called "parliament" - before the edge of the paper wing grazes at your calf again. It lands quietly again.

'Maybe.

We good?'

There's a gentleness to the sentence. Like you can hear it from Oliver's mouth, like he's avoiding your gaze when he whispers it.

You hunch over the note again.

Oliver's knuckles are turning white, twisting his wand in his hands under the table. He shouldn't have said anything. He's regretting the whole fucking idea of the stupid paper-plane now.

He's trying not to watch you write, not to notice how long you stared at his writing before you picked up your own quill. He does anyways.

When the airplane flutters down into his palm, Burbage is already excusing the class. Stools are scraping against cold tile, the clutter of textbooks being crammed back into bags.

'Never :)'

His eyes run over the word once, twice, three times over. A smile is tugging at the edge of his lip, he forces it taut - but his eyes are still shining unusually brightly when Archie knocks his shoulder to his.

"What you looking so damn happy about?"

Oliver tucks the note into the pocket of his robes. "Don’t know what yer talking about."

"But professor, why can't Hufflepuff take Saturday?"

"Well, Hufflepuff already gave up our practice days for Gryff--!"

Hooch sighed so deeply she almost melted back into her armchair. "The decision is made, Oliver. The pitch is being cleaned out on Wednesday, your team can take Saturday for any extra training."

He could practically hear the smile creeping onto your face, the smug crossed-arm look he'll no doubt find when he turns to you.

Irritation bubbles up in his throat, a familiar companion in your presence, and just as he prophesied: you are grinning.

In the weeks that followed that day in Burbage's class, it seemed that both parties decided that the topic of their shared kiss outside the Ravenclaw common room was best left undiscussed.

The arrangement is working. At least Oliver thinks so.

You still bait him and he still snaps, rising to your taunts. He still finds himself in detention more Fridays than he spends free, and his body ripples with anger when you roll your eyes at him.

But it was in moments, like this now, where your little self-satisfied grin doesn't quite vex him to the degree it once did. It's now harder to find a retort, to snap at you with a sharp-edged comment. Not when amusement crinkles at the corners of your eyes where your black lashes kiss so prettily.

Hooch swivels in her chair to find a document between one of her cluttered drawers, you take the opportunity to stick the tip of your tongue out childishly at him.

Oliver draws a tight breath, he hopes his face is still taut in annoyance, because his heart has slipped like a stone down into his stomach. That's the other issue, the tiny little obstacle in these recent weeks: he can't stop looking at your mouth. It's distracting, disarming - paralysing at the best of times.

He strips his gaze away, before he can be outed by anyone in the room. "Whatever." He mumbles.

You seem disappointed in his lack of a real response, but it passes quickly - like a shadow - over your face.

"Thanks professor." You grab up your roster from her desk and turn to the door, practically skipping out into the corridor.

He huffs.

Somehow, you and Archie have become fast friends. Mornings around Fire-Seed Bushes and Venomous Tentaculas in the heat of Greenhouse Three seems to do wonders for a friendship.

It prickles at Oliver's nerves when you pass in the corridors, when you perk up with a high "hey Arch!" and he grins down from his towering height right back at you: "hey Y/n!"

You don't look at Oliver. He's notably sour the rest of the walk.

Alright, maybe the whole arrangement wasn't really working. You were a distraction to him before, no doubt, but somehow your powers of beguilement had tripled. Especially since you seem to be behaving perfectly normal: like you hadn't given Oliver the best snog of his life outside the Ravenclaw common room that night.

Maybe it was just alcohol, maybe he is the only one plagued by the knowledge of the other's taste.

The castle has turned impossibly colder, the bitter bite of winter stinging at the loose cuffs of his robes on walkthroughs of the corridors. He can't imagine how cold the air above the pitch is going to be on Sunday when Hufflepuff faces off Slytherin for a spot in the finals.

It's all Hooch has been going on about for the last two weeks.

Oliver's had to shift around at least four practices - Roger almost twice as much, he's a pushover - to allow for you and Marcus to have more time on the pitch. His complaints fell on deaf ears, Hooch dismissed him with a wave of her bony hand and a "your time is coming, Wood."

You prance into dinner late most evenings, hair in every direction and face flush with sweat: sticking it out like a bumblebee in those awful yellow quidditch robes.

Oliver only notices because, annoyingly, he's found that he is frequenting the bench at the Gryffindor table that faces over to the Hufflepuff's. His eyes drift over the yellow-tied heads to where you clump up with Enzo and Cherry, watches you talk around mouthfuls of toast lazily, giggle behind your napkin: head rolling back to showcase that smooth neck, how it runs down to the soft slopes of your shoulders: disappearing down into your button-up.

Archie has noticed, he's sure, but hasn't done more but allude to it with teasing glances or suggestive comments.

"The Hufflepuffs up to something particularly interesting over there, Ollie?"

The speed with which Oliver's eyes snap to his peas is almost comical. He shrugs and mumbles like a child. "Don't know."

On Sunday morning, you don't go to breakfast.

There's an uncomfortable gurgling in your midriff, like a snake is slithering between your organs and you're sure even just the smell of eggs on toast would bring up your dinner.

Instead you find yourself at the pitch a whole hour before the game is set to start. Marcus is running laps around the grass, something he's done since you've known him.

He offers a curt wave, face set like cold stone.

It reminds you of Oliver a little bit, the distraction in his eyes.

Oliver is never all the way there, wherever he is, you think. His eyes mist over like he's halfway between this world and another. You know it's Quidditch: he dreams it, eats it, sleeps it.

But lately he's foggier than usual.

You think it's your imagination, brush off the idea as you have all the millions of others you'd had in the preceding weeks about the surly brute that was Oliver Wood. He plagues you.

Just the vibrato of his unimpressed huff when you get your way, when you quip something purposely annoying at him. It's addictive, the feel of his sugar-brown eyes glaring a hole through you.

Lately, his reactions have been closer to underwhelming. Allowing for only a moment of eye contact: gone are the quick-witted retorts, the Scottish-laced "princess" usually attached. The thought makes you wince in embarrassment, knowing that you've been pressing him harder lately: like a seven-year old jabbing at a claw machine, outwardly desperate for that brown plushy on the top of the pile.

Maybe he's over it. So deathly mortified of your shared kiss that he doesn't want to know you anymore, much less take the effort to hate you. Your chest pinches tightly.

You dress into your match robes slowly, taking your time with the loops of your shoelaces and the buttons down the sweater you're wearing underneath everything. Oliver Wood should be at the bottom of your list of priorities, normally, but now more than ever.

The team filters into the change-room, exhibiting varying degrees of nervousness. Cedric is practically green, but Herbert looks like he's about to go down a water-slide he's waited over an hour in line for. Beyond the swinging doors, you can hear the crowd shuffling loudly into their seats.

Before your wits are completely about you, Hooch is rapping on those same doors. "Onto the pitch, Hufflepuffs!"

You muster up your best excuse for a captain's speech for what might be the last match you ever play as one. The team seem satisfied, you figure it's easy to find solace before a game when you know it's not your last. As the only seventh year, comfort doesn't come so easily to you.

The crowd is deafening when yellow robes take to the sky: Marcus looks over, offering another nod, not unlike the one he'd given you earlier. You can tell he's feeling the dread of finality too.

There's a whistle blow and the quaffle flies past your face with a speed that nearly evacuates your nose from your face. Lee is announcing in the distance and the rumble of adrenaline forces your fingers over the handle. It tilts and you dip, disappearing into the sky of players.

The winter air at Hogwarts was biting enough roaming the corridors, but thirty metres off the ground is something wholly unnatural. Your face was burning crisp from the icy wind, the feeling in your cheeks and nose lost to the Scottish cold.

Foggy white clouds puff out with each heavy breath. Cedric zooms past and Jane loops around his moving figure to knock a stray bludger in the opposite direction.

Your eyes flash between them and the fast approaching Malcolm, he tosses the quaffle at you with a grunt and you catch it at the tips of slippery, ice-frozen fingertips.

Shooting forward again, you duck under Marcus who is hurtling through the sky at you: gone is the look of friendly fondness from his eyes, replaced with a hunger for the leather-bound ball in your grasp.

Just missing the grasp of his meaty hand, the ball passes onto Heidi.

"Another ten points to Hufflepuff," Lee's voice echoes as if from heaven. "That brings the score to ninety for Hufflepuff and eighty for Slytherin!"

It's been nearly ninety-five minutes of sitting on your broom growing colder, and you're not alone.

Around you, the team is descending into frost-induced exhaustion: Jane's nose is as bright red as a Christmas ornament and Cedric has been peeping over the top of his thick woollen-scarf for at least the last half - barely enough to catch a glance of the whizzing canary and emerald robes, much less of a tiny golden snitch.

You sigh out another white breath, letting your eyes drift over the stands. It's saturated with moving heads of faces you can't make out and yellow and green swaying banners. Your gaze lingers on the top left, in the corner facing the castle. It's where Cherry and Enzo park themselves during every match, where you know they're screaming in support, clenching their teeth at every quaffle handover. You can feel them, even when their faces blur into the crowd.

Unintentionally, you think about how Oliver's mixed in there too. Somewhere between your peers. If you had been granted another moment, if the quaffle wasn't mid-air between two Slytherins just under your nose and you'd not taken the opportunity to snatch it from them, you would have meandered into the trap of hoping that deep down in his chest - even if it was core of the earth deep - he was rooting for you, too. That he seethed at a missed goal or clenched a tight fist at his side in celebration when a Hufflepuff makes a beautiful play.

Meanwhile in the stands, Oliver has decided that the desire to play his allegiances in secret has since disappeared from his heart.

He'd played it light in the first few minutes. Mumbling under his breath at a fumbled pass or a slimy move from the Slytherins, but by the forty-fifth minute he'd found himself on his feet.

"Diggory!" His hands waved in front of him, "it was right there you fucking git--"

A Hufflepuff third year a row ahead looked at him askew, but he paid her no mind.

Archie had taken the hint early. As soon as Oliver was out of his seat, so was he. Despite being Oliver Wood's best friend, Archie had somewhat limited knowledge of the game himself and eyed Oliver's reactions to find the appropriate moments to whoop and cheer. Oliver didn't say anything, but he appreciated it more than he could verbalise.

His eyes tracked you more than anything, when you were flying between players or just floating in place: eyes like a hawk, watching over the game. His heart swelled and his pride fell to the wayside.

Just short of the two hour mark, there was a rise in the crowd.

"The seekers have caught sight of the snitch!"

Oliver's stomach rose into his throat.

"They're diving for it, Malfoy and Diggory head to head-- and Slytherin grabs the snitch, winning by 140 points!"

It sank back into place, like a stone to the bottom of the river. He watched how you froze, how you twisted over your shoulder to find Diggory's figure lingering at the bottom of the field. You shoulders sagged, hanging in the air as the others dropped to the ground.

"Slytherin have made it into the finals against Gryffindor for the quidditch cup, back here at the pitch next month!"

After a long moment, the last in the sky, you followed them down.

The raucous cheers from the Slytherins were hard to drown out, he wasn't even sure Archie heard him toss a "i'll find you at the castle" before he found himself pushing through the masses of people.

He fought against the wave moving to find the stairs, eager to return to the warmth of their dormitories, but Oliver was markedly more motivated than the majority. He stomped on some toes and nearly tossed a first year off the stands to race down the stairs.

Only once his feet had found the mushy grass of the pitch, did he pause to consider that he wasn't entirely sure what he was going to say. What was the rush for? To comfort you, tease you for your loss?

The latter option was definitely what he could do, what he could say. What was expected of him, if he was being honest. Recently, however, he's found it harder and harder to come up with remarks to hurt your feelings. Found that he quite prefers that little smile that tucks into the corner of your mouth when he says something unexpectedly fond. How your eyes practically gleam.

There's shoving from all sides of him -- get out the way, bloody hell -- and the teams pass ahead of him. Leading the march, despite it being nothing more than a slow trudge, is your figure: squashed between those of who he recognises to be Cherry Stretton and Enzo Musa's.

Their arms wrapped over your shoulders, talking animatedly into your ear on each side. Enzo tips his head to meet yours, a small touch of comfort.

Oliver sighs. He has nothing to say and no comfort to offer, wondering for a moment what he could possibly bare to hear in his own final moments as captain. He thinks that anything from your mouth would work.

So he waits, parks himself beside the stairs and waits for Archie: watching the six-legged figure disappear up over the hill.

You're not at dinner.

He knows because he's been watching the door for the better half of an hour. Archie pushes his plate at him, "Eat something there, Ollie."

Begrudgingly, Oliver brings his drumstick up to his mouth. "She's not eaten a thing since breakfast, it's almost eight."

Archie passes a sympathetic look over him. "Her friends are here, I'm sure she'll be by soon. There's no use you joining her on a hunger-strike."

He's right. Cherry and Enzo and some others that frequent your circle are talking around the table, around the spot that you usually fill. But dinner goes on and students leak steadily out towards bed without your return.

Eventually Oliver huffs, like an irritated bulldog, and grabs for the nearest napkin: unfolding it out in front of him.

"What are you doing?" Archie asks thickly, spitting bits of rice at him.

Oliver reaches for two chicken skewers, placing them neatly on the white square: alongside a dinner roll and a pumpkin pasty.

He wraps them over, double wraps it with another napkin too.

"What does it look like, Arch."

Placing it carefully into the deep pocket of his robe, Oliver goes to stand - lacking the patience it takes for Archie to answer, or for his inevitable teasing. "I'll find you back in our room."

He's halfway out the hall when Archie's voice calls out to him, "You don't even know where she is!"

Oliver shakes his head, brandishing a dismissive hand over his shoulder. "I know where she is." He mumbles for only himself to hear.

You’d watched close to twenty-one quidditch matches from the stands at the pitch on Hogwarts grounds: played in almost half of them.

The seat is still slightly too small, just uncomfortable enough to make a person shuffle. Beyond the rim over the other end of the pitch you can see the orange sun dipping behind the horizon, drawing to darkness over your moment alone.

By now you're sure the party in the common room has long since found momentum. The one you'd been promised by the team, "it's your last game, cap, we need to celebrate!". You're sure someone somewhere is looking for you, bracing a plastic cup of Firewhisky with your name on it, but you can't find it within yourself to face it all just yet.

The silence of the evening is enough, you only wish you'd been fast enough to retrieve your broomstick that's somewhere off with Enzo. Just for one last lap.

The serenity of your loneliness doesn't persevere, however. You can hear shuffling up the steps, you're tempted to look but the sunset is slipping so quickly out of your hands that it's not worth the time wasted.

It's only when the footfalls draw closer, stopping when a body slumps into the seat beside you. The seats are so cramped that his knee brushes yours, the figure long since identified from the corner of your eye.

"Come to gloat?" You ask, eyes never leaving the sky.

He shrugs. "Not today."

You nod. His smell drifts on the breeze under your nose, like peppermint and soap and Oliver.

There's a long silence. Your robes crease against the fist sitting in your lap, you've yet to change out of your quidditch uniform, you know it will be the last time.

"You missed dinner."

"Does it matter?"

Despite your avoidant gaze, Oliver's is warming the side of your face. The evening air cools the same spot.

There's a shuffling that finally draws your eyes. Oliver is still in his robes too, and his hand emerges from a deep pocket with a folded napkin square. "Figured you'd be hungry."

He places it onto your lap with a gentleness you're coming to find more of in him. Something frighteningly warm erupts in your chest and your hands come up to it, pulling apart the napkin to find picky bits inside.

You're fighting between smiling and starting to cry. You do neither.

"You carried this in your pocket the whole way from the hall?"

His eyes flicker between the food and your face before he shrugs. "Yeah."

By now, you were fighting a losing battle and the smile pulled up at the ends of your mouth so tightly that your cheeks started to hurt. "Gross."

You pick up a chicken skewer regardless, biting into it and facing the sky again. You offer him the other one and he looks for a moment like he's going to argue but takes it quietly in the end.

The chicken is tender and only after you'd swallowed the first bit did you realise how hungry you'd actually been. You finish it without a word, going to tear the pasty in half and offering a piece to your companion.

You're picking at the roll now, tearing tiny bits off and feeding it piece by piece to yourself like a bird. "Last game."

He nods. "I know."

"What could someone say to you after your last game, Wood?" You pick at him, eyes flittering between him and the now nearly black sky. "You know, to make you feel better?"

Oliver shakes his head, leaning back and rolling his shoulders: as if the thought itself unsettled him.

"Nothing, probably. I'd probably just walk into the Black Lake and drown myself."

You think he's joking, but with Oliver Wood that was hardly a sure thing.

"You wouldn't."

"What's there left to live for?" He says it with an airy chuckle.

Shrugging, your head falls against your shoulder. "You'd have to figure it out, because I'd go marching in right after you. Carry you out if I had to."

Oliver stills, eyes wide and blinking at you. Your chest goes tight, the ghost of a smile pressing at your face.

"Bridal style and everything ..." You add quietly, stifling your chuckle.

He seems to come back to himself, nodding. "We should get back. Been a long day."

The napkin crumples in your hand, shoved down into the depths of your own pocket. You walk ahead, the pathway to the steps is only narrow enough for one person at a time, and he trails behind.

By the time you've hit the steps, Oliver moving down beside you, you're brewing around an apology. A way to thin the air, to ease where your chest is tight: swirling around well done, now you've made things awkward you git. It's halfway up to your tongue when skin brushes against the back of your hand.

Warm fingers explore your knuckles to find your cool ones, slipping to knot between them.

You work not to look down, because Oliver's skittish like that. From the corner of your eye, you can see he's concentrating his gaze ahead.

His hand tightens against yours, palm callous from years wrapped around the wooden handle of his broomstick. It's a little sweaty and sticky but you're smiling so hard you're about to be sick.

You dare to look at him, Oliver's smiling too.

Oliver hasn't been sleeping.

His last few days of seventh year are slipping like water through his calloused hands and he can feel it. Every hour that passes, shadowy and fleeting.

Classes feel shorter than before, the terrible jokes Archie bombards him with over dinner sound funnier than he ever remembers them being and the glimpses he catches of you in the corridor never feel long enough. The ceiling of his poster bed flashes with moments of the day that's passed, feeling like a dream you'll be jolted out of as soon as it gets good.

Even over all his hours of broody contemplation, none of it makes the final whistle any easier to swallow. It hits him like he's been smacked with a bludger in the chest.

"Gryffindor has won the quidditch cup, two-hundred and thirty points to twenty!"

He can hear the crowd's roar, the whoops of the twins floating somewhere below him. Harry's standing on the grass of the pitch holding up his tiny golden trophy. The pitch is red all over: Oliver won.

He won.

Every moment building up over the last seven years culminated into the final blow of the whistle. The wind is whipping at the hair over his forehead: Oliver thinks this might be the happiest moment of his life, but he's not entirely sure.

He never realised that it would all be so fucking soaked in sadness.

It's over. He's leaving the castle empty handed. His engraving will live on the Quidditch Cup in a dusty cupboard for years to come, yes, and he might have a frame up in his future apartment somewhere, reminiscing on the old days. That's all.

He's struck with the devastating fear that in a few short years, nobody will remember him. More than anything, he can't believe he hadn't come to this overwhelming conclusion before right now. Before Angelina is yelling to him, waving a frantic hand and sporting the biggest grin in all of Scotland, before he was seconds from taking the prize he's held in his mind for so many years into his very hands.

Will you forget him?

It nearly knocks him off his broom. He finds that it scares him the most, more than the thought of the dust-caked trophy or the lonely corner at the back of his cupboard where his Hogwarts robes will no doubt live until eternity.

He won't forget you, he thinks. He knows.

You're just so damn annoying. And beautiful, fucking whip-clever and hilarious sometimes--

The handle of his broom is tilting down to the earth now, the crowd zooming into a blur on either side of him. He hits a shaky landing, broomstick abandoned on the grass behind him as he's pulled into the arms of his team and well-wishers.

A golden trophy passes over the heads of the twins and it's shoved into his sweating hands. It's cool to the touch and so much heavier than he thought it ever could be, but he can't seem to keep his mind on the situation long enough to realise any of that. His mind is racing around the castle wondering where you might be and what's the fastest way to get there.

His eyes are racing over the heads of the roving crowd. "Wood, Wood! Speech!"

Shadowing over everyone is Archie's tall figure standing at the back, grinning down at him. The team watches expectantly.

This is it. The moment for the speech he's been practicing in his bathroom mirror since he was seven.

"I--" he looks down at the cup for the first time, his face reflecting up at him in glimmering gold. He finds he can't remember any of the words. "I need to go find someone."

There's a buzz of confusion, but Oliver doesn't linger: shoving the Quidditch Cup into Harry's arms.

"That's the shortest speech Wood has ever given." He hears Angelina quip, but he can't be arsed to turn. He's already flying, moving through the crowd at such a pace he might just have been on his broom.

The sea of students had long since started moving up to the castle, particularly the non-gryffindors: trying to beat the stampede of scarlet that is no doubt to come. Oliver's legs carry him over the smooth green hill up towards Hogwarts, head craning over students to find your side profile somewhere in the mass.

He catches few oy, watch it!'s and congrats, Wood!'s but he doesn't turn, doesn't stop running. Students bespeckle the grass like ants lining up for crumbs, and he's all the way up into the stone corridor leading to the Great Hall when he spots Cherry's velvet red curls over the crowd, and sure enough, he finds you're knocking her shoulder with your own.

It only takes one shout of your name and you turn to peek curiously back, by which time he's taken both your shoulders into his hands and steered you to the wall of the corridor.

"Wood! What are you do--"

His hands squeeze around the plush at your upper arms. "Oliver. My name is Oliver."

Your eyes are wide in surprise, the window behind you showcases the gardens and the pitch in the distance. Sunlight forms a halo over the crown of your head.

With a head tilted in confusion, you nod slowly. "Alright ... what are you doing, Oliver?"

He can feel the eyes of Cherry and Enzo burning a hole through the side of his head, but doesn't bother with it. You're blinking up at him, gentle and benign in your features. He wonders when it became like this, when you'd lost the tight brow and the frown every time you looked at him.

"I won the Quidditch Cup." He says blankly.

You nod, a small smile tucked into the corner of your lip. "I saw. Congratulations."

Oliver only nods back at you. "I wanted to tell you. I wanted to come shove it in your face."

He's shuffling closer to your figure, and he's more than pleased to discover that you aren't cowering from it.

"Of course you did, because you're a prat." But you're smiling so hard now that it's impossible to take your jab to heart. "Is that all, Oliver?"

A warm sensation is spilling into his rib cavity and his fingertips are buzzing with electricity when they come to find either side of your face.

"No." His forehead is nearly touching yours and your hands have wrapped around his wrists. "I came to ask you out on a date. A sappy, disgustingly romantic date where I bring you flowers and pay for your hot chocolate. You'd hate it."

"That truly sounds horrible." Your smile is so wide he can barely see the whites of your eyes and it pumps more adrenaline through Oliver than any argument you'd ever shared over the last seven years.

"So, is that a yes?"

You're bouncing on your toes a little bit, bumping your nose against Oliver's clumsily. The babble of passing students and gawking onlookers has practically fallen mute to him.

"Depends, are you going to kiss me goodnight after?" You whisper it, like it's a secret between just you and him.

He nods slowly, "pretty desperate to kiss you right now, if I'm being honest princess--"

You don't wait for him to finish, thank Merlin you don't wait for him to finish, and push up onto your toes: crashing against his mouth. You're kiss is as dizzying as he remembers, but softer this time. You kiss like you know he's not running away, hands pressing softly over his neck.

It's nothing like your kiss outside the Ravenclaw common room: where that one was desperate and hot and angry, this time it's born from longing and tenderness and acceptance.

It leaves him just as fucking breathless as the first time.

Somewhere behind him, he hears wolf-whistling (he's sure it's Cherry) and when you pull your lips off his, your face is flush with embarrassment.

"I will go on a date with you, Oliver."

He takes your hand into his, curling his fingers between your own. You lean up to peck him softly and bat your eyelashes at him, grinning innocuously when you whisper: "If you treat me like you did with Delilah, I'm throwing your broomstick into the fireplace."

don't forget to comment and repost if you enjoyed :)

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nadiajustbe · 2 months ago

Text

@entanglementbroke

YOU'RE ABSOLUTELY RIGHT AND YOU SHOULD SAY IT!!!

A little post about the parallels between Sophie and Howl and Justin and Suliman because I cannot be the only one seeing this

Fist of all — and I've already mentioned this in one of my older posts but it's worth mentioning again — Witch of the Waste is apparently rather repetitive in her plans, because she took Ben as "a bait to fetch Justin" the same way she has to get Sophie in order to catch Howl.

And the fact they were both very adamant about it: the loser Howell went to search for Sophie looking like a SCARECROW and Justin was arguing with his brother for month without changing the topic before he just RUN AWAY TO FIND BEN ANYWAY.

They say lovers are crazy, after all.

Second of all, whatever is happening here. I mean, I get it, Sophie is too happy too look away from her horrible husband but THESE TO GUYS DOING BASICALLY THE SAME THING THEY'RE DOING TEN STEPS AWAY FROM THEM? (Except they weren't holding hands, but well, there was no chance of happening anyway).

And the fact that there's no dialogue — all of these guys are basically just looking at one another in silence for some amount of time.

(I do not now how to comment this third quote. Besties seemed to be really happy to see eachother as this shaking hands-hugging stuff happened immediately after the horror that was Percival)

Third of all — and there's probably more but I'll stop on these one cause it needs context and one of my favs — this small moments in CITA hinting on both soldier's and the genie's real identities through Ben and Sophie accordingly.

This becomes even funnier when you remember that Howl and Justin were affected by the same kind of spell (although Justin's were lighter) and these two were a bit desperate to notice something familiar, anyway.

(Also I find it especially funny how Ben still stands on his take of knowing the solider even when Abdullah told him pretty clearly that's a random guy from Strangia. "Then he reminds me of someone who I know" HE LOOKS LIKE HE HAS BEEN THROUGH TEN WARS, HAS A DIFFERENT HAIRCUT, UNIFORM, HASN'T SHOWERED PROPERLY IN SOME TIME AND YOU LOOK AT HIM THROUGH DUSTY MIRROR?? These gives me Sophie's "what genie" vibes)

#their kid from CITA is so irrelevant and never ever mentioned again she might as well not exists #that's what I do #act as If she doesn't exists #nothing bad about kids or characters having kids #it's just the existence of this whole plot works a bit ehh sad for Lettie's arc #like she's not supposed to get married and have kids to be happy/for her plot to be full #DON'T GET ME WRONG I LOVE LETTIE AND I LOVE BEN AND I LOVE THIS BOOK I TAKE NO CRITICISM ON IT #I MEAN THE ONE THAT IS NOT MINE-/j #it's just I think Lettie's arc would work sm better If she kept working on her witch career without getting married #BECAUSE getting married and having a kid is what everyone wanted from her and If there's a thing about Hatter sisters #is that they love crashing socials expectations #Getting married and getting kids as If it's the next step of getting married is just not the only thing that can fullfil a character #IT WORKED FOR SOPHIE PERFECTLY FOR VARIOUS OF REASONS WICH I CANNOT LIST RN #but YES THEY'RE MARRIED BECAUSE LETTIE GOT FED UP WITH PPL ASKING WHEN SHE'LL GET MARRY #and Ben being a kind-hearted person she is (and also her teacher) would be like yeah why not it'd be easier to do taxes/hj #(also you cannot tell me ppl weren't asking Ben when he'll get married too #because well Ingarian society is far from modern and his an adult man in a high position (royal wizard)#and like he couldn't just tell them he's in love with Prince Justin lol #so it was really easily settled with advantages for both #YES.#howl's moving castle book #hmc book #lettie hatter #ben sullivan #wizard suliman

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arminsumi · 1 year ago

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First request ever: Can you make a story about Gojo, where their both in a relationship but gojo had to end it because he was afraid that she would be in danger?

Thank you! Keep up the good work, I love your stories!!!

LET ME MARRY YOU

↳ GOJO さとる + fem!reader

The risk of dating you his too much for him to handle, so he breaks it off, only for him to come back to your doorstep years later and ask: "Let me marry you."

Note : istg each time i edited this... the wordcount grew lol. i hope u enjoyyy 🥹💗 tysm for enjoying my work it means everything

Warnings : angst -> fluff (?) -> happy ending trust me, Shibuya arc spoilers (Ep 9), manga spoilers (chapter 221)

🍒 More from Jay : Gojo works / Gojo fave works / JJK works / oct. reqs open

The risk of dating you is thrilling when Satoru's just a teenager in puppy love. But as he grows older, and heads into those dreaded 20s, the risk makes him more and more nervous.

What if something happens to you?

He presses kiss after kiss to your forehead and feels his chest tremble, feels his lips quiver, as he refrains from telling you the truth about the Jujutsu world. Satoru just can't do it.

There are so many instances of him saving you from curses that you're oblivious about. He just smiles strangely, and you wonder why he looks like he's just seen a ghost. Because he has, those pretty eyes see ghosts. But those pretty eyes also see you, "What am I looking at?" he responds after you ask why he's looking at you so tenderly, "I'm looking at my future wife." he flirts just to fluster you.

That's at the cafe, when things are still simple. He keeps thinking to himself, as he lays with you in bed some nights;

I want to marry you.

I'm going to marry you.

Please let me be your husband one day.

As if he's trying to manifest it.

Everything is okay-ish... until he gets pangs of fright when your name starts to be known outside of his closed circle of friends.

It's October 11th.

Gojo Satoru breaks up with you.

He leads you to believe that the two of you are just "right person, wrong time". It all hurts an incomprehensible amount for him, to finally cut the string that tethers the two of you together.

He sits on the stairs, head in his hands, mourning.

He starts many mornings with crying spells that last until midday.

He destroys evidence of you and him. In case anyone ever finds it and thus finds your apartment, or work, or college... or anything.

But he can't part with a very special photo. It's you and him in Okinawa, sharing a cheesy kiss at the beach. In the moment this photo was captured, Gojo remembers having whispered some dirty joke in your ear and that's why you smiled so big into his kiss.

He drifts to sleep to the lullaby lovesongs that defined your love.

Years pass, he refuses to even talk to you. The heartbreak worsens with time, he laughs when he realizes that on his 27th birthday.

Isn't time supposed to heal all wounds? Someone said that to him once. Well, they must have been lying without realizing it.

The day Gojo Satoru is sealed, he looks into Suguru's eyes, and remembers you through them. When he resides in that awful prison realm, he only thinks of you you you you you you you oh god he misses you so much that it feels like the very thought of your smile stabs his chest. Every memory is painful. Every flashback puts one more crack in his heart.

"Can't I ever catch a break...?" He laughs to himself, chattering skeletons making their eerie symphony around him.

He thinks. Ponders. Wonders. Broods. Daydreams. All about you. Always about you. Never anything else. Just his first love, from the late spring of his 17th year.

His earthly goddess.

The purpose of his benevolent actions.

He cries. And sobs. And weeps. Because no one can hear him but the skeletons and he's sure they don't mind the sight or sound of a 27 man howling in pain over a lost lover.

It's not just your relationship that he's mourning. But the fact he can't feel you in this cube... that he can't feel your presence in the world... that's worse than the heartbreak. At least through all these years, he's been able to sense your existence. Feel the subtle ripples of your soul no matter how distant you are; you'd be stood in a coffee shop, he'd be at Jujutsu High teaching, and yet feeling you.

Because as he promised to you at 17, "Half my soul is yours. And half your soul is mine. I'll always be with you even if I'm not there."

He has the biggest breakdown of his life in that little cramped suffocating claustrophobic eerie creepy box.

It's 19 days later. He's out. He's back in the world. And he feels the sense of you, your existence, swelling in his chest, tickling his mind, prodding his heart.

"Gojo sensei, where are you headed?"

"I'm gonna go find my other half." he says cryptically.

It's a stark bright day.

Gojo Satoru knocks at your apartment door.

You open it.

He looks at you, and you look at him.

"Hi."

"...hey...? Wow. Haha... you grew into your features, huh?"

Your voice fills his heart with life.

"You too... glad you still live in the same place... I was worried you might have moved out..."

"... Ah, Satoru, you'd be able to find me no matter what corner of the world I resided in."

Your laugh fills his mind with pleasant memories.

There's an a magnetism between you and him just like there always used to be. It feels like two magnets connecting at last, after feeling the distant attraction throughout all these years of distance.

"You're right." Satoru says after a silence of just staring into your eyes.

"I'll always find my way home."

A silence ensues after he says this.

"...haha... don't cry... or I'll cry..."

"... Satoru... I thought of you every day after you left me at the station."

"... me too."

"... why did you leave?"

He stares at you.

"... I was scared of you being in danger."

He gulps.

"Me? In danger? But you're the strongest, why would it matter."

Oh god that's right. You said it then when you were 17, "You're the strongest" and he carried that title with him from then. And now you've said it again. He's reminded. He feels a bit stupid. A bit ridiculous. A bit...

"You're right..." he chokes up. "I am. I could have protected you I guess..."

"... yeah, duh."

He smiles meekly.

It was more complicated than that, sweetheart. But I won't tell you.

He hesitates. He contemplates.

"I have to tell you everything... will you promise to believe everything I say even if it sounds insane?"

"Of course. What is it?"

He inhales deeply. And instead of blurting out his whole life story of being a sorcerer in the Jujutsu world, he just leans in and kisses you hard and truthfully. Cups your cheeks. Closes his eyes. Tastes you like a sweet from his childhood that he hasn't had for years. Presses to you. Takes in your scent.

Yeah yeah... he'll tell you everything in a minute.

But for now just let him kiss you until he runs out of breath.

Let him just...

"Hey..." he pulls away, gasping, "Let me marry you."

"Haha, Satoru..." you take it as a joke and laugh, because it sounds as bizarre and unexpected as one. Then you realize there's that serious look on his face. "... Satoru?"

"Can I?"

"... what?"

"Can I please?"

"... huh??"

"Can I marry you, please?"

He looks at you and waits for your answer. His poor heart. It's palpitating. His whole chest cavity inspires with love for you. This man that you haven't seen in years has just asked if you'll let him marry you — with very specific wording.

Can he? Will you let him?

It's funny in a way, because you think to yourself; this is such a Satoru thing to do... show up unannounced years later on your doorstep and ask for your hand in marriage as if no time has passed, as if you know the full story.

"Satoru... what happened to you throughout these years for you to come back to me and ask for my hand in marriage?" you ask, genuinely baffled.

He swallows slowly. "I know I sound like I've lost my mind. But I promise I haven't."

"That's hard to believe. The Satoru I remember was always on the brink of mania. A bit insane but not quite."

You make him laugh. "Yeah..."

"So are you asking to marry me out of insanity?"

"No."

"Well alright then. I guess I'll marry you."

You make him laugh again, with that funny tone. He hasn't laughed genuinely in years... it's always been that plastic laugh. But this is his genuine laugh. Silky and quiet. The opposite of his demeanor.

"I guess I should be explaining everything to you properly... before I ask you something like that."

"You're damn right..."

"... don't scold me too hard when I tell you all the reasons I left. Or, if you do, then at least hold me while you scold me. And run your fingers through my hair like you used to."

"Satoru."

"Yes?"

His heart throbs. He looks at you.

"Stop standing at the doorway and come inside."

"Oh."

You sigh. He smiles. Then he bows his head so it doesn't hit the top of the doorframe. Damn tiny Tokyo apartments. Your archway always had it out for the crown of his head. You laugh when he bumps into it just like he always used to.

So the two of you sit down and just talk. And talk. Maybe cry a bit. Actually, you cry a lot. And he holds you. And he says he's sorry. He says sorry over and over, as if the word is a bandage he's trying to wrap around all your heartbreak wounds that he caused.

"I'm sorry."

Satoru's apologies aren't easy to come by, and when you receive them, they nurse your heart. It's the gentleness with which he says it, and earnest too. Each successive sorry means more than the last.

"My angel..."

When you call him this after he vents to you about his time in the Prison Realm, and his overwhelming duty of being the strongest, he breaks down completely and just weeps in your arms.

He sobs like you've never heard him sob before, like a dog.

Finally. At least for a moment. He could be weak. Let down his guard. Be raw. Be emotional. Not a teacher. Not a sorcerer. Just your boy. Your Satoru.

Your consolation is all he wanted throughout these years. He looks up at you, eyes red and sore, nose sniffling, and stares at you like he can see your soul.

"...Satoru?"

"Marry me."

You chuckle again.

"If that will stop your tears..." you joke.

He sniffles loudly and swallows, composing himself.

"I thought about marrying you so much when we were together... 'n I tried so hard to bite my tongue when your name nearly rolled off it while talking to my students some days. I was always..."

On the verge of saying your name.

He sniffles long and hard and waits for your hand to weave into his hair.

"Will you think about it?"

"I will."

There's a silence. Satoru feels hopeful. He lays on your chest, arms around you like you're his whole world that he won't dare let go of again.

"There." you say with finality. "I thought about it. Let's get married."

"That took you, like, ten seconds."

You laugh with him. "Yeah... I already knew in my heart when you asked me at the doorway... you know... Satoru... it's funny. When you left, it felt like half my soul was gone. And when you knocked on my doorstep, it felt like I was whole again. Does that sound freaky, or does it tie into all this... Juju... Jujutsu stuff?"

He's silent.

"I have no idea."

"Wow. My future husband isn't knowledgeable at all." you joke.

His heart flutters at 'future husband'.

"Sorry." he says, smiling softly, "My mind is blank when your fingers are running through my hair."

The two of you go on and on, until you're laid in bed sleeping at each other's side. Resting. And god, did Gojo Satoru need a good rest.

In your arms, he's no longer an insomniac.

Do not plagiarize / repost / translate / copy layouts / etc.

Do not steal what I've worked hard to create.

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bunnys-kisses · 4 months ago

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Hey! May I please have mille-feuille with coffee and a shot of vodka, with Carlos? Love the bakery concept!

the bakery menu

the bakery is still open! feel free to check out the main post and get your own order today! as for this, thank you so much for the order! i've been finding that a lot of people have a sweet sport for mr. sainz, haha! especially the rivals trope! i wanted to make this a little different from the other rivals concept i was suggested! thank you! thank you! thank you!

mille-feuille (“that’s it, fuck, that’s a good girl.”) + coffee (rivals) + shot of vodka (rough sex)

cw: smut/pwp, rivals au, rough sex, bratty!reader, punishments, brat taming, driver!reader & driver!carlos, mean!reader & carlos, drunk sex, alcohol & drinking, biting/hickies

everyone did rivals in formula one. it was the alluring storyline for the watcher. but to do it with the first permanent female driver in a long time was maybe not the most wise choice. you were the people's princess of formula one racing.

a voice for all women who wanted to make their mark in the sport. a beacon of light, a shining example of a great driver. to hate you to an extent, was a hate towards all women.

carlos wanted you to shut that little mouth of yours.

"oh yeah, carlos? you think that you could make a woman cum? be fucking for real." you howled in laughter. there weren't many drivers left in the bar.

he had his cheek pressed against his hand as he took another sip of his beer, "you don't think i could make a woman cum?"

you shrugged, "i don't think you could if you tried. like you'd get between her legs and look confused. i'm pretty sure you could name all the parts of your car easier than you could the anatomy of a woman."

your teammate, max cut in with his hand on your shoulder, "i think you need to let this go." you looked at him and he was painfully drunk as well.

you turned back to the ferrari driver.

carlos looked to his own teammate, charles, who at some point put his face on the wooden table and just fallen asleep. carlos said to you, "see, your point is so boring it put charles to sleep."

you didn't have a verbal comeback so you just flipped him off. and did carlos want to pin you down to the nearest surface and spank the hell out of your ass, get that bratty attitude out of you

you and carlos continued to bicker, your volume only getting louder with the deeper the conversation went and the more drunk you got.

max stared up at the ceiling for a moment and sighed. in his own drunken state he said, "why don't you two go back to your hotel, and see. and you can report back to us tomorrow."

"that sounds fair." carlos said.

you raised an eyebrow, "you're going to make me cum, carlos?" then tipped your head to the side.

carlos smiled, "well, of course. shouldn't be too hard. or are you worried you might be wrong?"

you reached across the table to carlos and he met you halfway to shake your hand, "may the best driver win then, sainz."

"you too." he said with a knowing smirk.

when you ended up in your hotel room, his lips were on yours. his large hands were palming your breasts through your redbull branded t-shirt. he pulled away and pressed his forehead against yours, "we're not stopping until you cum or the sun comes up."

you laughed and held his face to look at you, "well then, i hope you enjoy driving tomorrow with no sleep." then you went back to viciously making out with him.

his hands were on your hips soon after, trying to get your pants off of you. he groaned against your lips and muttered something to himself before you two broke away and you started to get undressed. even the amount of kissing felt too intimate for your liking.

"i hope you're okay with racing with a sore back." carlos replied as he got his shirt off. he caught you admiring him for a moment, which only inflated his ego before the rest of the clothes came off.

your brain was a buzz as you got all your clothes off and stood there naked in the hotel room. "how are we gonna do this?" you asked with your arms across your chest.

carlos took in the sight of you, "well, how does the princesa feel about being on her hands and knees. or is she too good for that?"

"you're a dick, carlos."

"i'm a dick!" he said as he got closer to you, "you're a little brat. like a snippy little dog that's always gotten her way. i think you made those comments so you could have sex with me."

"i could kill you."

"but you'll fuck me instead right, princesa?"

you two ended up on the bed, but carlos had to strength to pin you down on your knees with your front pushed into the pillows. he put your arms behind your back to keep you still.

"hitting me was not in the deal." he remarked, his voice close to your ear. his erection rubbed up against your slick pussy. you liked this, you liked when he bit back.

maybe that's what you were a little dog looking for something or someone to put you in your place.

"i'm not gonna cum like this." you said.

"i think you're wrong there. i think you are really liking this." he said, his tone was venomous that sent lust through you. you hated how good he sounded.

he sank his cock into you without much fanfare, “that’s it, fuck, that’s a good girl.”

"shut up, sainz." you groaned as you felt him bound by his hand on your wrists. the other hand on your hip to give him leverage to fuck your sweet cunt.

the thrusts of his hips were hard and pushed you further into the pillows. your back arched and you whined into the pillows. you felt heat in your cheeks as he quickly fucked you.

it was rough, it was messy as the sounds of your bodies moved out of sync on the bed. it was a power struggle that carlos was winning. you hated that there was pleasure pooling in your body the more he thrusted into you.

he held you by the arms and bullied his cock into you. he was easily using you like a toy and all you had was your iron resolve that you wouldn't cum. but as you felt the dampness of sweat on your neck and the heat between your legs, it was getting harder.

"do you like that?" he asked as he continued to fuck you, "oh, is someone mad that they're liking this?" usually he tried to romance his sexual partners, but it was hard when he had so much liquor in his system. you two were filthy fucking, it was messy and hot. he could feel the sweat on his skin as he continued to thrust up into you.

"fuck you, carlos." you tilted your head back to look at him. the angle made you get a head rush.

he curled further over you and heavily made out with you. you whined at the stretch and it made you core hot. you could feel the tightness in your stomach as he fucking demolished you.

when the kiss broke you dropped your head back down onto the bed and let him keep you pinned down. he continued to move, eventually finding a place to leave bites on your neck.

you whined and said, "oh fuck, you possessive fuck!" you squirmed but couldn't get too far.

"i want them to know what i've done to you. i want charles and max to see the marks tomorrow morning and know exactly what we did."

"please, carlos. shit, shit." you panted. you couldn't really think straight anymore. in the attempt to deny your own orgasm, you were lost in the pleasure.

"i knew it." he said, "i knew you'd love this. fuck, i knew it." he panted as he felt his own orgasm come to a head. he almost bottomed out into you.

something inside of you broke as you felt the orgasm crash over you. there was no holding it back. you laid there slacked jaw and let carlos continue to fuck you until he pulled out and finished on your back.

he didn't want to give you the pleasure of him dumping his cum into you. maybe next time. if you were good. he slowed down to a stop and chuckled to himself, "you came."

"shut up."

"you finished. i knew you did."

"i could've been faking." you fought back.

"no, no." he said as he grabbed tissues off the nightstand to at least clean you up, "i know that was real, i won our little bet."

you huffed, not happy that you lost, "best two out of three." you remarked. it was almost childish, but you refused to lose to carlos sainz jr.

the following morning, you refused to look your teammate in the eye. even at the media pen. max noticed that the collar of your shirt was a little higher than how you normally kept it. but when you went to scratch the side of you neck, he get a glimpse of the damage that carlos had done.

max mentally cursed and tried to remember how much cash was in his wallet. he owed charles some money. at least you were a lot more nicer at the paddock that morning, so maybe he should be thanking carlos.

you looked over to max and raised your eyes at him. max gestured to your neck and you made a face before you mouth, "speak and you're dead." before you were all smiles to the camera.

this wouldn't be the last time max would find marks on your neck. and years later he'd have to act surprise when it came out you were dating carlos.

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hauntedhowlett-writes · 1 year ago

Text

pairing: cult leader!joel miller x virgin!female reader

rating: explicit (18+ MDNI)

word count: 8.6k

summary:

You think you’re as good as dead when a band of raiders find you. In what you think are your final moments, an angel appears.

His name is Joel Miller, and he is here to deliver you from evil.

author's note: a huge thank you to my fellow cultist @atinylittlepain for listening to me scream about this. without them, we'd probably be on version 5 of this story. and to everyone who has been excited about this, i hope you enjoy!

warnings: DARK CONTENT - DEAD DOVE DO NOT EAT, dub-con: power dynamics, dub-con: cult mentality, age difference - 60M and 27F, explicit sexual content (18+ minors do not interact), no use of y/n, dual POV, post-outbreak, canon divergence, canon typical violence (knife wounds, gun shot wounds, numerous mentions of blood), minor character death(s), blood cult ceremonies, religious themes, possessive behavior, emotional manipulation, loss of virginity, oral sex - f receiving, vaginal fingering, unprotected p in v, cum play, dirty talk, pet names, praise, joel really has a loose screw ok? if there are any tags missing, please let me know!

“I don’t think you should go out there by yourself,” you say, watching as your dad inspects his gun. He looks up at you with a pained expression.

“I gotta see where we should head next. I don’t want to lead you out in the wrong direction, accidentally get you in a bad spot,” he says. “I’ll be fine, buttercup.”

There’s a heaviness that settles in your stomach at his words. He sounds confident enough, but his eyes tell a different story, expose his fear. He stands with a sigh, a wince of pain washing over his face.

“Maybe I should—“

“No,” he interrupts. “I’m going. I won’t be gone long, okay? We can’t stay here forever. Who knows what’s out there in the forest.”

That’s exactly what you’re afraid of. At least inside the rotted cabin you stumbled across you could pretend you were safe. The forest is alive in a way you’ve never experienced growing up in a QZ surrounded with barbed wire and steel. You hear the snap of twigs and the howl of wolves, or the flutter of wings and the call of birds, and sometimes you think you feel the weight of eyes watching you if you venture out too far in your exploration.

“We’ve made it this far. We got out of Denver and that was half the battle,” your dad says. “You got your knife, right? And enough rations.”

You nod, swallowing around the lump in your throat. He kisses your forehead, dry lips lingering on your skin. You have an aching feeling this is a goodbye, some sinking intuition that he’s making a mistake that you can’t correct.

“Be back soon. I love you.”

Joel’s been keeping an eye on the people in the woods for the last three days. There was chatter on one of the radio stations that the Denver QZ was facing an uprising and he knows that once those walls come down, the survivors that venture out are bound to stumble across his town.

The cabin door opens and the man steps out, venturing into the forest. Joel waits to see if his female companion follows, but the door remains shut. He longs to see you, the girl who’s image has been burned into his brain since his first glimpse, but he has a duty to fulfill first.

He walks quickly and quietly through the forest, sure feet catching up with the man less than a mile from where he’d started. Joel clears his throat.

The man turns, fumbling with a gun that he clearly has no experience using, pointing it at Joel with shaking hands and shouting, “Move and I’ll shoot!”

“You lost?” Joel asks, holding his hands up and keeping his face trained in a mask of concern. “Lookin’ for somethin’?”

After a pause, the man seeming to have concluded that Joel isn't a threat, he says, “My daughter and I…we escaped the Denver QZ."

"That must've been difficult."

"We....we're running out of food," he continues, dropping his arms, limbs hanging heavy at his sides. "I-I don't know what else to do, man."

Gun no longer pointed at his face, Joel approaches the man, stopping when he's within arms reach. Up close, he can see the dismal state the guy is in -- sunken cheeks and bloodshot eyes, tattered clothing hanging on a thin frame. Joel places a hand on his bony shoulder.

"I can help you," he says. The man looks up, a brief glimmer of hope flashing in his eyes. Joel watches the slow realization, the way his brain catches up to what's just happened, a choked noise spilling from his dry lips.

Joel tugs his knife from the man's gut and steps back, watching as he collapses to the ground. Desperate hands smear the blooming red stain across his abdomen. Joel circles the man, positioning himself at his back, and pulls him close with a hand slapped over his mouth.

"I'll take good care of her," he whispers before dragging his knife across his neck in one clean slice. The man twitches once before growing limp and Joel releases him, body hitting the forest floor with a dull thud. Not one to waste, Joel gathers anything of use from his person.

Something catches the light against his neck. Curious, Joel tugs the bloodstained neck of his t-shirt to the side, finding a silver chain. He pulls, revealing the length of it.

A cross.

The clasp snaps with a sharp tug and Joel stuffs it in his pocket. Standing and shouldering his bag once more, he begins his walk back towards the cabin.

You're running as fast as your legs will carry you, lungs and limbs burning with the effort. You made the mistake of not listening to your dad when he'd told you stay where you were, to stay hidden, that he'd come back. Your nerves had gotten the best of you and you decided that you would catch up with him, but you didn't know which direction he'd gone. You figured you would travel a little ways and see if you could find him and if you didn't do so quickly, you'd rush back to the cabin and wait, just as he told you.

That's when the men saw you, two large figures with rifles that reminded you of FEDRA soldiers slung across their backs.

You duck behind a thick tree to catch your breath. You can hear voices calling out through the forest above the rush of blood in your ears, taunting tones carrying through the air.

"C'mon out, pretty girl!"

You chance a peek out from your hiding spot, only catching a brief glimpse of one man through the trees.

"Where ya hidin', sweet thing?"

His voice sounds far away and that gives you the courage to move forward, a tentative dash for another tree.

“I might be nicer to ya if you just come on out, but if I have to hunt ya down…well…you know what a hunter does to its prey, don’tcha?”

You press your hand over your mouth, muffling the cry that claws its way up your throat. You start to run again, faster, not caring if he can hear you so long as you're able to maintain that distance, hoping that if you can outrun them for long enough, he'll just give up and then maybe you can find your--

You crash into something, the world sliding out from under you and the breath rushing from your lungs as you land on your back with a pained shout. A hand wraps around your ankle, pulling you across the rough ground before you have the chance to recover.

"Gotcha," a man says, the voice different from the one that had been taunting you before. A figure stands over you, a foot on either side of your hips, looking down at you with a sinister smile. "Pretty little prize, huh?"

You twist your body, scrambling away from him. He laughs, following after you with unhurried strides.

“Now, don’t play hard to get,” he admonishes. A hand wraps around your ankle and he drags you toward him, kicking and screaming. Your foot connects with some fleshy part of him and he curses.

“You little fuckin’ cunt,” he hisses, dropping your foot. He kicks you, heavy boot colliding with soft flesh and bone, a sharp pain blossoming in your side, shooting down to your very marrow. You curl in on yourself, wounded prey trying to protect its most vulnerable parts.

A shot rings out, the sound startling in the relative quiet of the forest. You sit up, sudden movement making you light headed, and it takes you a long moment to register the scene before you.

The man that had been chasing you, the one that had caught you, the one that had hurt you on the surface but planned to do far worse, lies on the ground, eyes wide open but unseeing. Above him stands your savior, an older man with gray streaked dark curls and tan skin, broad shoulders and hard brown eyes. He reminds you of a painting you saw once in a book your dad owned, long before the outbreak.

“Death On A Pale Horse,” he explained when you showed him the painting that caught your eye. “Based on the Book of Revelations. You remember that one, right?”

“Yeah.”

“This one,” — he pointed to the central figure, a dark creature on a white horse — “is Death. And this one” — he pointed to a figure on the right that rides a dark brown horse, the dark colors making him blend among the horrors breaking from the sky behind him — “would be famine. You can see the emaciated man below him.”

“What about the other two?” You asked.

“The one of the red horse would be war.”

You pointed to the remaining figure, a man with dark curls and a determined expression. “And the white horse?”

Your dad paused. “Conquest. Pestilence. The Antichrist. The first horseman of the apocalypse.”

The man before you today looks like that figure on the white horse and despite his choice to rescue you from one horror, you fear he may be something far worse.

The man kneels and you flinch away from him. He sighs and says, “I ain’t goin’ to hurt you.”

“Who are you?” You ask, voice weak, throat on fire.

“My name is Joel,” he says. “I want to help you.”

“How do I know you weren’t with those other guys?” Your eyes grow wide and you rush to stand on shaky legs. “Wait, there’s another—“

“He won’t be an issue,” Joel assures you, wrapping a steadying arm around your waist. “C’mon.”

“I can’t—“

“Men like those two ain’t the only things in the forest to worry about, and I’m afraid we can’t sit around and find out. That gun shot could send a horde runnin’.”

“Wait!” You snap, pulling out of his grasp. He holds his hands up, as if in surrender, or maybe like he’s approaching a wounded animal. You’re not sure which. “My dad is out there. H-he went to figure out where to go from here. We were in a cabin…” Your voice trails off. “I told him I would wait for him.”

Joel’s eyes are soft as he says, “We need to get ourselves to safety. I can send someone out to look for your dad first thing in the mornin’.”

“Send someone?”

“There’s a group of us, down in the valley. Survivors, like you.”

“Really?” Relief washes over you, eclipsing even the ache in your belly and the burn in your throat and the pain in your muscles. “How far?”

“With the state you’re in, probably about a two hour hike.”

You don’t have much choice but to go with him, do you?

“Okay.”

“Where’re you comin’ from?” Joel asks, glancing over his shoulder at you. You’ve been following quietly behind him, head down and eyes fixed on the ground.

“Denver,” is all you offer in response. He knew that much already. He wants to know more.

Maybe he has to give more first.

“‘M from Texas, originally. Was in a QZ in Boston for a while before makin’ my way out here.”

“Why’d you come out here?” You ask.

“Had a friend once tell me, ‘Save who you can save’,” he says.

“What does that mean?” You ask.

“You’ll see.”

Joel had mentioned survivors, but you're shocked to discover that just past a wooden sign proclaiming WELCOME TO CRESTONE in chipped yellow paint, a whole town is tucked away, surrounded by a wooden gate that opens for you as you approach. You feel the weight of curious eyes as you walk through a town square, Joel's palm between your shoulder blades steering you towards a more residential area until you reach a two story adobe home.

Once inside, you’re led upstairs to a sparsely decorated bedroom, a large bed in the center with a faded quilt tucked around the mattress with precision and a dresser against one wall covered in yellowed wallpaper. Joel gestures for you to sit, kneeling on the wood floor in front of you to work on the laces of your sneakers.

“What—“

“You need rest,” he says, removing your shoes. He looks up at you, brown eyes full of concern. Your stomach flips.

“But—“

“No,” he says sternly. He stands and walks to the side of the bed, tugging the quilt free and folding it down. “I have duties to return to, but you’ll be safe here.”

You don’t have it in you to continue arguing. You haven’t seen a comfortable bed in more than two days and the exhaustion catches up to you in one fell swoop, eyes halfway to shut as you crawl into the space Joel’s made for you between the sheets. He pulls the covers over you, the warmth of a hand smoothing across your cheek the last thing you feel before falling asleep.

You wake to the sun high in the sky, streaming through the open window of a room that you don't recognize. You push yourself to sitting, your ribs protesting the movement and your head pulsing just behind your eyes. Your mouth is unbearably dry, so much so that you start coughing, further aggravating your bruised ribs.

"There's water on the nightstand," a voice says, startling you.

You look to your left, finding a young girl sitting in a wooden chair by your bed. Her dark hair is pulled back from her face, wayward pieces falling across pale skin. Her sharp brown eyes watch you with an intensity that makes your skin crawl.

“I’m Ellie,” she says. You mumble your own name.

“Did Joel save you?” Ellie asks.

“Uh—“

“He must have. That’s what he does,” she continues, cutting you off.

“Ellie!” A familiar deep voice calls out. Her eyes go wide and she scrambles from her seat, rushing for the door. Heavy footsteps climb the stairs, Joel appearing in the open doorway. He looks at her with a stern expression, mouth pressed in a thin line. “Thought I told you not to come up here.”

The look on her face isn’t fear, like her reaction would have led you to believe. No, she looks up at Joel with reverence as she says, “Sorry. Wanted to see her.”

Joel nods. “Head to the mess hall. I’ll bring her down shortly.”

Ellie casts a lingering look in your direction before disappearing through the doorway.

“Sorry about her,” Joel says. He takes a seat on the edge of the mattress. “How’re you feelin’?”

“Could be better,” you say honestly. “How long was I asleep for?”

“A little more than a day.”

Your eyes go wide. “My dad—“

“We’ve sent out a search party. No luck yet, I’m afraid,” he says. You curl into yourself a bit at the news, shoulders tight with worry. He reaches forward and places a hand on top of your own where it rests on the sheets. “You should get some food. I brought you some new clothes, too. I’ll let you get dressed and we can go down to the mess hall.“

He leaves the room before you respond and you drag the pile of clothes closer to you, finding a neatly folded t-shirt, jeans, underwear, and socks. It takes you a long moment to work your way out of your dirty clothes, your movements slow to not aggravate your injuries. You keep your bra on, pulling the clean shirt over your head, followed by the jeans. You're thrilled to be wearing something that's not caked with dirt and sweat.

You're working on putting your socks on when there's a knock at the door, Joel entering when you call out for him to come in. He smiles at you.

"There, that's better," he says. "C'mon. Let's get down to dinner."

You follow him out of the room and down the stairs. The first floor of the home has a kitchen that opens up to a living and dining area, the space filled with worn mismatched furniture. The walls are wood paneled and there's a massive stone fireplace with elk antlers mounted above it.

The sun is setting as you step outside and get your first real look at the town as its bathed in gold. Narrow residential streets give way to wider roads once you reach the town center, where commercial buildings are pressed together advertising long forgotten businesses, their windows dark.

"That's the butcher up there," Joel says, pointing to one of the wooden buildings. "He gets the meat from the traps prepped for us." He points to another building with a sign that says RESTAURANT. "That's the bakery."

"A butcher and a bakery?" You ask. "Do you have electricity here?"

"Sure do. Solar panels, just outside the gate."

You continue walking through the town until you come up on a large white building, people entering and exiting through a set of thick double doors. The shadow of a cross remains above the door, perhaps scorched by the sun where a crucifix once sat. People welcome Joel as he enters, heads turning in their curiosity. You press a little closer to Joel's side.

The large room is bursting with noise and activity -- a flurry of conversations, the clink of cutlery, and laughter. You've not seen anything like it before, the mentality in the QZ not conducive to camaraderie. You can count on one hand the number of people you would have considered friends within those walls, and even that was a stretch. You and Joel join a line of people retrieving plates of food from a single window.

"How long has all of this been here?" You ask, gesturing to the room. He looks around proudly.

"Ellie and I came across this town on accident after we went through hell leavin' Boston. The folks here set up their own quarantine zone and with bigger fish to fry, FEDRA sort of left ‘em alone. They were kind enough to take us in," he says. "After that, more people started showin' up lookin' for safety. Lots of people who escaped the QZs or had been on their own for a while and were tired of runnin'."

"Ellie says you save people," you comment, taking a step forward as the line moves. "What's that mean?"

"Every flock needs a shepherd."

You’re at the front of the line now, standing in front of the window. A woman appears, her face lighting up when she sees Joel.

“Joel! How are you?” She asks, leaning onto the ledge. Behind her you can see people moving quickly and efficiently around a stainless steel kitchen, large pots of food simmering on the stovetop.

“Well enough,” he says. He places a hand on your shoulder. “We have a new guest. Make her plate nice and full for me?”

“Of course.”

She gathers a plate from a precarious stack, loading it with a heaping pile of food ranging from mashed potatoes and stew to colorful vegetables that you haven’t seen in ages, not since before the outbreak when you were seven and your dad would make dinner rather than pass you a ration package. You’re speechless as she hands you the plate with a kind smile, a mumbled thank you the best you can manage to show your gratitude.

Joel is handed a plate as well and you follow him to a table where Ellie sits next to a man with white hair, her plate already empty in front of her. The man looks up at Joel as you approach, his expression closed off and wary.

“Michael,” Joel says in greeting, jaw ticking. You take a seat beside Ellie, who to your surprise moves closer to you, arm brushing yours. “You botherin’ Ellie?”

The man, Michael, shakes his head. “No, sir. We were just having a little talk.”

“What about?” Joel sits on the opposite side of the table. He rips his bread roll in half.

“Just some concerns I was having.”

“You bring your concerns to me. Not to her.”

The two men stare at each other, the tension thick and impossible to ignore. Finally, Michael gets up, leaving the table without another word. Ellie’s shoulder’s lose their tension and Joel catches her eye, the two of them seeming to have an entire conversation in just a look.

The moment passes and Joel’s features relax, a smile tilting the corners of his lips as he returns his attention to you and gestures to your plate.

“Dig in,” he says.

Joel walks you back to his home after dinner, the sky now dark. Ellie’s already closed herself in her room by the time the two of you return, having left the mess hall before you had finished eating.

“Tired again?” Joel asks when you yawn, mouth open wide as you stretch your arms above your head.

Your expression is sheepish as you say, “A little bit.”

“That’s to be expected,” he assures you. “You fought a hard fight. It’s okay to relax now. I’ve got you.”

“Thank you.” Your fingers tangle in the hem of the t-shirt he’d given you earlier. “I don’t know if I’ve said that already.”

“You’re welcome. Come on, let’s get you back upstairs. You can use the shower and get to bed.”

“Oh my god, a shower sounds amazing.”

He shows you the bathroom and helps you get the water running. Once he shows you where to find a towel, you smile gratefully before shutting the door on him.

Dismissed, Joel makes his way to Ellie’s room, knocking on the door. She answers quickly, opening up only enough for him to see her face.

“Yeah?” She asks.

“Can I come in?”

She rolls her eyes but opens the door further, allowing him inside. Her room is smaller than his but far more decorated, pages ripped out of old magazines and comic books tacked to the wall. She takes a seat on her single bed, folding her legs beneath her.

“What did Michael talk to you about?” He asks. She shrugs her shoulders. Joel bites back a sigh. Sometimes he forgets what it was like to reason with a teenage girl. “Ellie.”

“He said” — she pauses, scratching at her wrist in the way that she will when she’s anxious — “he said that you were full of shit. That your fucked up ceremony isn’t helping any of them.”

Joel’s teeth grind together. “That all?”

“Called me a stupid kid for following what you say,” she mumbles. “Said everyone in town was stupid for believing you.”

“Thank you for tellin’ me,” he says. Rage burns in his veins as he turns to leave.

“What are you gonna do?” Ellie asks as he reaches the door.

“I’m goin’ to teach him a lesson.”

He pulls the door shut behind him, tilting his head against the wood with a sigh. The click of a latch down the hall precedes your quiet, “Joel?”

Joel turns to face you, surprised to find you standing just outside the bathroom door with a towel tucked around your body. Water glistens on your skin in the low light, drawing his eyes down your neck and across your chest. He clears his throat.

“Everythin’ alright?” He asks.

“Yeah, everything is fine,” you murmur. “I…could I get some new clothes?”

“Of course, should’a given you some before you showered. Sorry about that.”

Joel walks past you, entering his bedroom and approaching the dresser. He tugs the top drawer open, full of clothing he’d gathered while you’d been asleep for more than a day. He piles together another t-shirt, sleep pants, and underwear, setting them on the bed for you.

You’re standing in the doorway when he finishes and he fights the urge to go to you, to pull you close, to run his wretched hands over your body like he’s wanted to since he first saw you in the forest.

He doesn’t, though. Not yet. You still have much to learn.

“Here you go,” he says. “Some more stuff in the drawers for you if you need it.”

Joel leaves you to get ready for bed, shutting the door behind him. He heads downstairs to grab what he’ll need, essentials shoved in a bag thrown over his shoulder before venturing off into the night.

Only a few lights continue to illuminate windows as Joel walks through the residential area. The house he approaches at the end of a street is already dark, quiet beyond the wood door that he knocks on three times. The door opens slowly, Michael appearing in the small space.

“What?” He grunts.

“Come take a walk,” Joel says. Michael rolls his eyes, moving to shut the door but Joel’s boot blocks his effort. “I ain’t askin’, Michael.”

“Oh, yeah? What are you going to do?” He challenges. Joel throws his weight against the door, catching Michael by surprise enough for him to step into the house.

Joel throws an elbow into the man’s gut, making him double over with a groan. He circles behind him, kicking the back of his knee to send him to the ground. He pulls a length of chain from his pocket, looping it around Michael’s neck and pulling the ends.

Michael struggles, clawing at the garotte and thrashing wildly, but Joel holds strong. He tightens his grip further until Michael’s fight becomes sluggish, lack of oxygen finally causing him to go limp.

Joel releases the chain and Michael’s body slumps to the ground. He removes his backpack, digging through the contents until he finds a rusted pair of handcuffs that he uses to bind Michael’s arms behind his back. Next, he places a strip of duct tape over his mouth.

When he wakes, Joel will lead him out past the gate. He will find an unassuming home that rests outside the boundary of Crestone. He will open the hidden doors of the cellar, the ones covered in a layer of leaves and grass. From the darkness he will hear the echo of desperate groans and the rattle of chains and the angry attempts to break free from bindings. He will lead Michael down the dirt steps, the smell of rot and fear and death clawing at his olfactory nerves.

He will place a burlap bag over a struggling Michael’s head and the man will beg and plead in words muffled by tape. Then, Joel will offer him for judgment.

A hand on you shoulder shakes you awake, the room still mostly dark when you manage to open your eyes. You groan, pulling the quilt up over your head.

“C’mon, we gotta get to breakfast,” Ellie says. The cover gets yanked down and she gives you a mischievous grin.

“Where’s Joel?” You ask, sitting up slowly. She shrugs.

“Probably there already.”

You swing your legs over the side of the bed and stand, stretching your arms up. You grab the same jeans and socks from the day before, changing into them quickly and sitting down on the floor to pull your sneakers on. Ellie watches you, her foot tapping impatiently.

“You can go without me if you’re in a rush,” you offer. She shakes her head.

“I’m fine,�� she says quickly. “You ready?”

“Sure.”

You follow her out of the house, her clipped pace difficult to keep up with due to your lingering pain. As the sun starts to rise and you pass by more of the houses, you notice something peculiar about some of them.

“What’s that?” You ask, pausing in front of one the houses. There’s a streak of what looks like dark red paint across the top of the door. Ellie doubles back and stands beside you.

“Protection,” she says.

“From what?”

She shifts her weight from foot to foot, uncomfortable with your line of questioning. Rather than answer, she walks away, leaving you to catch up to her or be left behind.

As the two of you start to walk through the square, there’s a rush of people around you. Shouting can be heard up ahead as a crowd comes into view, gathered around the front of the mess hall building. People press in close together, craning their necks to see over each other and catch a glimpse of whatever spectacle has their attention.

Ellie pushes through the crowd and you follow close on her heels until she manages to break through the other side of the wall of people. You catch glimpses of something writhing on the ground, something animal but not quite, something failed and fetid and foul. Another peek affords you a view of an arm littered with bite marks shaped by blunt teeth, deep gouges into their skin that shine red with blood and fester with disease.

Joel appears, stepping around the side of the building. The whispers cease, the crunch of Joel’s boots and pained groans the only noise to be heard in the stale air.

His dark eyes scan the crowd. People shrink back from his gaze, pressing closer to each other for relief. He reaches down, curling his fingers into the burlap material and yanking it off to reveal a man, familiar and yet not recognizable. Unseeing eyes, ashen skin, and dark red veins now the hallmark characteristics of the man you now remember as the one who had been talking to Ellie in the dining hall.

Joel draws a gun from his back, aiming it at Michael’s head. “Let this be a lesson,” he says, pulling the trigger.

The shot rings out, making you jump. The agonized sounds come to abrupt halt and his body goes limp, eyes still open as blood blooms on the ground around him.

“No blood spilled. No blood saved,” Joel says. You look up from the horrible scene and meet his hard gaze. You step back, turning and shoving your way through the crowd.

Then, you run.

You’re frantically shoving clothing into your bag when a door slams downstairs and heavy footsteps climb the stairs at a quick pace. You can feel the burn of Joel's eyes on your back, his presence in the room thick and cloying as you refuse to turn around, even when he murmurs your name.

He moves closer, a hand on your shoulder prompting you to turn to break the connection. He holds his hands up in surrender, taking a step back as he says, "Let me explain."

"Explain? Explain?! How the fuck do you explain that?!" You snap.

"If you'll just listen--"

"There's nothing you could possibly say that will--"

"Ellie is immune!" He shouts. Your words die on the tip of your tongue, lost to ether as you stare at Joel.

"W-what do you mean? Immune?" You ask.

He takes a deep breath. "I told you what my friend said. 'Save who you can save'. The first person I saved was Ellie."

"I helped her out of Boston, kept her safe, nearly lost my life if it meant keepin' her alive," He continues. "That's what I offer here."

"So you think you're....what? Some kind of god? That you can grant immunity?"

He huffs a laugh, the noise devoid of any humor. "God abandoned his worst experiment in their time of need. There is no god anymore, just the poor creatures he left behind. Someone had to take up the mantle."

"But how?"

"The ceremony," he says.

"That’s not a fucking answer, Joel!” You shout. “What fucking ceremony?!”

“Blood spilled for blood saved. You can’t make it in this world without givin’ your everythin’ first.” He lifts the bottom of his shirt, just enough to reveal a jagged scar to the right of his belly button, shiny scar tissue disrupting smooth tan skin. “I did this for Ellie. Now everyone else has to do it for themselves.”

“I don’t…I don’t understand.” You take a small step closer to inspect the wound, raising your hand and reaching out with a tentative touch. Joel inhales sharply as you run your fingers across the puckered flesh.

His hand wraps around your wrist, pulling your hand up and holding it against his chest. “It’ll be easier to show you, okay? There’s a ceremony in a couple days.”

“I don’t��“

“You’re just afraid because this is somethin’ new, but I promise you that you got nothin’ to be scared of. I’ll take care of you.” He lifts a hand to your face, tilting your chin with his thumb. “I just need you to trust me.”

His eyes are honest, earnest, pleading with you to believe him and the longer you search them, the more truth you seem to find. He will take care of you. You just know it.

“Okay.”

Dinner is served early on the day of the ceremony, the room buzzing with excited conversation. You haven’t seen Joel much the last few days, just passing glimpses, and Ellie says it’s because he has a lot to prepare for. Tonight there’s a woman at his side wearing a white dress that flows to the floor, black hair braided down her back. She smiles at Joel, hanging on every word you can’t hear. It makes your stomach clench in a weird way when her hand curls around his bicep and her head leans against his shoulder.

“That’s Marcy. She’s volunteered for the ceremony,” Ellie says. She’s sitting across from you, a smirk on her lips. “S’why she’s been hanging around Joel the last few days. Joel’s gotta prepare her.”

“Oh,” is all you manage to reply, picking at the vegetables on your plate. “What does…what does he do? To prepare her.”

She shrugs. “Dunno.”

You glance at the pair. Joel leans in close to the woman, whispering into her ear. Your fingernails dig into the meat of your palm, your hands curled into tight fists beneath the table. He stands, a hand on the woman’s shoulder as he calls the people to attention, voices fading until silence envelops the room.

“Tonight,” Joel says, “another is to be saved. And we will all bear witness to the gift of deliverance that only self-sacrifice can grant.”

It’s only a few words, but the power in them is palpable as you glance around the room at the entire town watching him with rapt attention. His eyes meet yours.

“Save who you can save,” he intones. A chill runs down your spine.

“Save who you can save,” the town echoes back.

The sun is already low on the horizon, twilight casting a soft glow on the scene. You stand at the back of the crowd, watching as Joel leads Marcy onto a raised wooden platform. Another man joins them, passing something wrapped in cloth into Joel’s outstretched hands.

“The thing about the world today,” Joel says, unwrapping the cloth to reveal a large knife, “is that there ain’t a single guarantee.” He looks out over the crowd. “Except here, within these walls. Why? Because here you’ll make the greatest sacrifice and earn the greatest reward.”

He begins to pace the length of the platform, knife in hand. “Givin’ your blood in exchange for your safety? That doesn’t sound so bad, right?” The people around you nod their heads in agreement. “You’ve seen what that sacrifice can do. I did it for Ellie. I did it for myself. And tonight—“ he places a hand on Marcy’s shoulder “—another has made the choice to earn that gift of protection.”

A cheer erupts, spreading through the crowd through shouts and applause. You find yourself joining them, clapping your hands together as you continue to watch Joel.

“Marcy,” Joel says. “What brings you here today?”

“No blood spilled, no blood saved,” she recites dutifully.

“Are you afraid?” He asks.

“No,” she says.

“Why?”

“Because I trust in your protection.”

Joel smiles at her, beaming with pride, and that knot in your stomach from earlier returns with a vengeance. You want him to look at you like that.

He stands in front of her, blocking her from view with his body. A hush falls over the crowd and from the silence erupts an anguished scream. You flinch, the sound piercing and painful and petrifying, though it seems to have taken nobody else by surprise.

Another scream as he jerks his arm back, the knife in his hand now stained with red that slides down the blade, dripping to the wood beneath his feet. He steps to the side and you can see the woman now, her hands pressed to her belly. Crimson blooms beneath her hands, marring her pretty white dress and leaching the color and vitality from her face. She drops to her knees and so does Joel, who wraps an arm around her shoulders and gently guides her until she’s lying on her back. He holds her hand and smooths her hair from her face as she just repeats, “Thank you.”

Slowly, the strength in her voice fades. Her arm goes limp in his grasp, dropping to the floor with a dull thud as her eyes flutter shut. Joel whistles sharply, three men rushing up the platform and lifting the girl into their arms, careful not to jostle her too much. Joel remains kneeling, his head turning to scan the crowd.

“We are born covered in blood,” he says. “It gives you protection from the outside world when you’re wrenched from the womb. And it will protect you now as it is wrenched from you.”

He steps off the platform and walks past the crowd, heading for the residential street. Everyone shuffles forward, moving en masse like sheep following their shepherd or cattle to the slaughter. You’re led to one of the smaller homes and you watch as Joel smooths the flat of the blade across his hand, gathering blood in his palm.

He places his palm on the door, smearing the blood across the faded blue paint. When he’s done, he turns to face the crowd.

“Marcy has earned her protection. Those of you among us that have not yet made your sacrifice, may you return home this evenin’ and realize that each passin’ day is a wasted opportunity for your salvation.” His serious expression softens as he smiles. “No blood spilled.”

“No blood saved,” the crowd says.

To your surprise, the words fall easily from your lips.

Joel shuts the door quietly behind him. He’s just finished checking on Marcy and was pleased to find that her wound has been dressed and she’s recovering well. At the kitchen sink he runs the water as hot as he can tolerate and scrubs his hands clean.

He can hear faint footsteps upstairs, the sound of your pacing back and forth in his bedroom. He’s pleased that you stayed through the entire ceremony, didn’t run away filled with fear or disgust like you had watching him make an example out of Michael.

There’s hope for you yet.

Joel dries his hands on a towel and heads upstairs. He glances at Ellie’s room out of habit, though he knows it’s empty. She likes to help out after the ceremony, usually sticking beside the town nurse, Shelly, as she monitors the person who participated in the ceremony over night.

The door to his bedroom is shut but he can see that the light is on, the glow of it seeping out from the gap beneath the door. He knocks, three sharp raps of his knuckles, and waits.

You pull the door open, and Joel is once again struck by how much he wants you, how much he’s craved you since the first time he saw you. You look up at him with wide eyes but he doesn’t sense any fear as you pull the door open further and step back to let him enter.

“You doin’ okay?” He asks, shutting the door quietly behind him. You’re standing with your arms wrapped around yourself, nodding quietly. Joel moves closer, tentatively reaching out to tilt your chin up so that he’s looking into your eyes. “Talk to me.”

“I….,” your voice trails off. You take a breath. “I want that protection.”

He was hoping you would say that. Relief floods through him.

“I can’t do that,” he says. Your brows pinch together, hurt flashing across your features. “I won’t have your blood on my hands.”

“But—“

“Listen to me—“ his hands frame your face, thumbs smoothing over the high points of your cheeks “—you’re meant for somethin’ different here.”

“Something different?” You repeat. You shake your head slightly. “I don’t understand.”

“From the moment I saw you, I knew I couldn’t let you lose a drop,” he whispers. “You don’t need to bleed, sweetheart. Not like them. I’ll protect you myself.”

Your mouth drops open the slightest bit, drawing Joel’s gaze. He slides his thumb across your bottom lip, mesmerized by the softness of it. There’s not much about his life the last twenty or so years that he would call soft.

There was his brother, Tommy, even though they couldn’t see eye to eye and had to part ways. His daughter, Sarah, before the outbreak. She took care of him, made sure he took his vitamins and packed his lunch and didn’t miss a parent-teacher conference. She was light and joy, his heart outside of his body, and she was ripped from his grasp.

There was Tess, who was not a soft person but was a soft place to land among the carnage. Bill, ornery though he was, and Frank, arguably his better half. They were a breath of normalcy, even when Bill had a gun trained on him. Ellie, once she quit being a pain in the ass and wormed her way into his heart with her promise to follow him wherever he went.

And now there was you.

“Will you let me do that?” Joel asks. “Protect you?”

You lift your hands, delicate fingers wrapping around his wrists. He wonders if you can feel the rapid beat of his heart, his pulse pounding beneath your grip. Finally, after a long moment, you whisper, “Yes.”

Joel captures your lips with his, swallowing your gasp of surprise. You’re tentative, a bit clumsy with your movements as you kiss back and he pulls away, leaning his forehead to yours.

“I-I’m sorry,” you murmur. “I’ve never—“

“Don’t worry, baby, I’ll take care of you.”

While his words don’t stop your pulse from racing, they do calm your nerves the slightest bit. It’s not that you’ve never been interested in sex, there was just never a good opportunity. Going through puberty in an apocalypse where a militant government faction monitors your every move in exchange for basic necessities wasn’t exactly conducive to forming intimate relationships.

While you’re lost in your thoughts, Joel moves you backwards until your legs hit the mattress and he urges you to sit down. He kneels in front of you, working on the laces of your sneakers, removing them and setting them to the side. He looks up at you as he removes your socks and you’re not sure if you're supposed to find the sight of him kneeling at your feet as sexy as you do, but a rush of warmth rolls through you all the same.

He runs his palms up your legs, across your thighs, until his fingertips find the waist of your jeans, popping the button of the fly and pulling the zipper down.

“Lift your hips a bit, sweetheart,” he says, working the denim down and off your legs, tossing them aside. His hands return to your thighs, goosebumps erupting along their path to your hips.

“No one’s touched you here?” He asks, here being the soft skin of your inner thigh that his thumbs sweep across. You shake your head. He moves higher, a featherlight touch over the elastic of your underwear that makes you gasp. “What about here?”

“N-no,” you manage to whisper. He smiles at you, the same proud smile he’d given Marcy that you were so desperate to have for yourself.

“Good girl,” he murmurs. He kisses the inside of your knee quickly before sitting up higher, reaching up to lift your shirt up, tugging it over your head and dropping it onto the growing pile of your clothing.

“Lie back for me,” Joel commands. You shift up the mattress and follow his instruction, bringing your arms up to cover your exposed breasts. He makes a dissatisfied click with his tongue, pulling your arms away as he crawls up the mattress to settle between your legs.

“None of that,” he admonishes, planting your hands by your head. He kisses your lips again, butterflies erupting in your stomach when his tongue tangles with yours, hot and demanding. He palms one of your breasts, hands rough on the delicate skin. “This is mine, do you understand?”

Joel brings his mouth to your breast, tongue swirling over your stiff nipple. You cry out, the foreign sensation making more heat rush through you, leaving you throbbing between your thighs. He looks up at you through his lashes as he sucks your nipple between his lips, releasing it with a lewd pop.

“Mine to touch,” he says, leaning on one arm to trail his fingers down your stomach. “Mine to kiss.” His lips trace the same heated path. “Mine to protect.”

When he reaches your underwear, he pulls back. “Look at that,” he murmurs, thumb rubbing across the gusset, making you whimper and squirm. “You’ve soaked your panties, sweetheart.”

Your face feels hot with embarrassment. “‘M sorry,” you mumble.

“Sorry? Ain’t nothin’ you need to be sorry about,” he says with a chuckle. He sits up, working your only remaining barrier between you down your legs. He spreads your legs with his hands on your thighs. “Goddamn, you look so pretty, baby.”

“Really?” You ask. His answering grin is wolfish.

“So pretty,” he repeats. He settles on his belly, face so close to your pussy you can feel the warmth of his breath against your heated flesh. “Gotta get you ready.”

Your response to the question is cut off with a high pitched moan as Joel runs his tongue through your folds, circling your clit with broad strokes. You try to close your legs against the sensation but his strong hands keep your thighs pinned down near the mattress.

He groans as he sets a slow and measured pace, alternating attention to your clit with dipping his tongue inside of you, dragging your essence from the source. Your hands clench in the sheets, chasing and retreating from the overwhelming sensation in equal measure.

There’s a blunt pressure that turns into a slight pinch as Joel slips a finger into your tight heat. Your head tilts back with a high keening noise and you’re panting, desperate for breath as he moves his hand in tandem with his tongue.

One finger becomes two that thrust and curl and part inside of you, stretching you in unfamiliar ways. It feels good, and all you want is more, more, more.

Joel’s hand moves quickly and he sucks on your clit, swirling his tongue around the sensitive bundle of nerves until that flood of relief that you’ve only accomplished a handful of times on your own washes over you, your back arching sharply off the mattress as you shout his name like a prayer to the heavens.

His motions slow to a stop and he leaves the bed. You hear the clink of a belt and the rustle of clothing being removed before his weight returns between your legs, a new heat to be felt against your flushed skin with his clothes no longer in the way. With shaky hands you reach up to touch him, starting at his shoulders.

You trail your hands across his warm tan skin, down his hard chest and softer belly. That scar, the one that frightened you before, leaves you breathless as you run your fingers over it now. He’s so strong, so powerful, and he wants you. Wants to protect you so that you don’t know that same pain.

“Joel,” you whisper. He leans forward, hands on the mattress beside your head. He kisses you, slow and all encompassing. You can feel the hard length of his sliding through the mess he’s made of you and you gasp.

“Let me make one thing clear,” he says, face serious, “there ain’t any goin’ back from this. You’re mine. You got that?”

“I trust you,” you reply. Your response earns you a deep groan from the man, a kiss to your forehead that precedes the blunt head of his cock pressing to your soaked entrance.

His cock is thicker, much thicker, than his fingers were and you whine at the intrusion. His shushes you, peppering your face with soothing kisses.

“I don’t think—“

“You’re doin’ so good, sweetheart, I know you can handle it,” Joel says. “Take a deep breath, just a little more.”

Tension gives way, a sharp pinch that turns into an ache as Joel presses his hips firmly against yours. He kisses your neck and trails his nose across your sweat damp skin, holding still as you adjust to his girth.

You shift your hips the slightest bit and Joel’s moan echoes your gasp. “Tell me I can move,” he begs, another desperate kiss pressed to your lips. “Please, baby.”

There’s something heady about the power you have in this brief moment, a man like Joel begging you for something when he’s used to having everything. You nod and that’s all the encouragement he needs to draw back slowly, that fullness leaving you inch by inch, before thrusting sharply.

It’s unlike any experience you’ve had before — the way his body moves with yours, the flex of his muscles above you, the intense look in his eyes each time he presses inside of you.

“Made for me,” he murmurs. “Mine.”

“Yours,” you agree, moaning as each drag of his cock presses against a tender spot inside of you that has your stomach tightening rapidly.

His effort doubles, hips slamming hard enough to make the headboard bang against the wall. You dig your nails into his back, watch the clench of his jaw against the sting, and moan his name as you succumb to the feeling of free falling into bliss, clenching around his cock.

“That’s it, sweetheart, fuck,” he growls, hips stilling against yours as warmth pulses inside of you, his mouth dropped open on a groan of your name.

Joel takes a moment to catch his breath before withdrawing from you. He reaches his hand between your legs, pressing his fingers into your swollen pussy as you gasp.

He holds those fingers up, the light catching on the red staining them.

Perhaps you’d spilled blood for your safety after all.

You wake to the early morning light filtering through the window, a noticeable ache between your legs as you begin to stir. You’re naked, having fallen asleep in Joel’s arms last night, his lips caressing your neck until you’d drifted off and dreamt of blood and wolves. You stretch your limbs, encountering only cold sheets as you do.

As you sit up, you realize the sound of rushing water is the shower and surmise that Joel must be in there. With stiff movements you leave the warmth of the bed and approach the dresser, tugging open the top drawer to find clothing for the day.

You’re reaching for underwear when your fingers catch on something cold, metal in a sea of fabric. You pull on the object, unearthing it from its hiding spot and holding it up for inspection.

A cross, hanging from a silver chain. A chain you would tangle your fingers in as a child, a cross that a thumb would rub across as a deep, familiar voice muttered prayers.

The shower turns off and you take one last look at the crucifix before setting it back into the dark corner you’d unearthed it from.

Then, you shut the drawer.

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