5 for the isat ask game!
5 - What's your favorite optional event?
VERY TOUGH ONE TO ANSWER. I'm gonna go right ahead and disqualify twohats bc it's a predictable answer. If I had to choose just one though I think it'd probably be the sus event. It really got my goat on my first playthrough bc I didn't realize you had to do it in ACT 4. If I remember correctly I think sus is the only optional event locked to ACT 4??? Now that I've actually done it though I'm quite fond of it.
Sus event is one that you really have to go out of your way to do. It kind of reminds me of the True Ending in SASASAP but More and I'm sure that's intentional. Like the requirements for sus quest necessitate that you're going to do it, if not the loop before ACT 5, very soon before it. You have to know pretty much everything about Time Craft and Wish Craft already, so whatever you're doing in the loops now is basically taking out any optional stuff before you hit the end. You have to pretty thoroughly remember how the script goes just so you know all the best ways to break it. I feel like if the True Ending route is Loop going through the motions so many times that they can't deal with holding their facade together any longer, the sus route is Siffrin waving a big red flag around for help. There's just no way you're going to stumble into sus without preplanning what to do to rack up your points and make Odile aware of how Wish Craft works.
So I think it's interesting how much Siffrin pushes back against Odile trying to figure him out. It's a pattern of behavior that I am well aware of where you're desperately going "HELP ME" but you're not willing to accept it when it's offered to you.
Siffrin spends an entire loop screwing everything up, to a point that's frankly kind of egregious even by Late Stage Timeloopers standards, and then they can't reckon with the consequences of it. I don't think sus event is as intentional of a cry for help for Siffrin as it is the player, mind you. But I do think it's. Very tragic. Yeah of course "it's too late" in the sense that Siffrin's about to talk to Euphie and the whole journey will end, but moreso it's that by the time that Odile can piece together all the information necessary to figure Siffrin out, Siffrin is just far too deeply entrenched in his self hatred and fear of abandonment to be dug out. I think if Odile could somehow figure it out in, like, early ACT 3, or if Isabeau was just a bit more pushy in getting Siffrin to do a feelings talk, maybe they'd actually be able to reach Siffrin a little. But they're always just a little too late, every single time.
I think the fact that you start really getting a bunch of weird points in ACT 3 gives this event a lot of buildup. For potential dozens of loops you'll see Odile brush against the truth of the situation, and then just barely miss. By the time she figures it out, it's too late. Explodes
Expounded upon slightly more in tags bc I don't like typing in post bodies I feel like a fish on land. eek
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Both my parents actually suffer from HORRID emotional dysregulation and are prone to snapping and going into rages. My sister is the same way tbh. I am now realizing this is why they are constantly baffled by the question of whether or not I am mad at them.
I don't have external meltdowns.
I could. I don't let it happen.
I keep my rage on the inside and stay pretty quiet about it. It's just as strong as theirs [physically shaking nose bleed from high blood pressure kind of bad], but like as a kid I saw how terrifying it was to be around [dad breaking dishes, mom putting our lawn chairs into walls] and I just internalized that I wasn't going to wear that anger on the outside.
So my mother genuinely cannot tell if I am just being quiet or if I am silently hearing the dial-up noises of pure rage. This has lead her to both making strong and confident statements like "You are a pacifist who would never hurt a fly U.U" but also acting like I am secretly dangerous maybe... It's because she has never seen me snap.
She knows what her temper is like [throwing chairs through walls], she knows what my father's temper is like [pick up child and toss out door], and she can tell I am being tested, but she doesn't know what happens when I snap or where that breaking point is.
Her -perhaps unhinged- solution to this, my whole life, has been to do things that should obviously enrage me or shut me down completely, like ignoring important boundaries, repeatedly, punishing me for expressing emotions or needs at all, etc... And then to constantly ask me if I am angry with her when I get too quiet [right after near directly telling me to shut up].
It has occurred to me now, they have never once seen me lose my temper, so they literally just can't tell if I am angry at them. My sister is easy, my mother fights and screams with my sister constantly, my mother understands this. My mother doesn't have any grasp of feelings or boundaries that are not screamed at her [apparently, and I fear my sister is the same way]. Her and my sister are close despite constant fucking fighting because they understand each other.
They are trying to get me to engage the same way and it is not working. I realize now that this has been hard for them.
I was so successfully taught to suppress my emotions, by being punished for any outburst, that rage quiet looks the same as any other kind of quiet from the outside. To them anyway.
I did tell her. For the record. I used my words. I did tell her very calmly that my response to rage, in order to avoid doing the things that terrified me as a child, was to simply leave [the autistic urge to GTFO]. When a situation or person causes too much of the dial-up rage noise, I simply extract myself from that situation, up to and including never speaking to a person again. I explained this calmly. I explained it calmly 100 times and I explained that I explain myself calmly as my rage response 1-5 [also pretty much every other negative emotion tbh], and I told her that what came next was me simply opting out and fucking off. I told her this. I couldn't understand why she never took me seriously, or why she never fucking understood.
I couldn't understand what made her like this.
But it's the same problem I have with everyone else multiplied by a factor of 10.
If I am explaining myself calmly, they can't understand that it's actually serious or that I am actually upset. ESPECIALLY because they read me as "female" and women "aren't that rational" so if I am not screaming and crying about something, which I never do, people assume I can't be upset and it isn't serious.
And then after having my boundaries ignored too many times despite having calmly explained how and why it's a problem [shaking inside or not]... I leave. I leave and everyone gets upset like this is unexpected behaviour, even though I told them 50 times that is how I would respond if they kept doing *the thing.*
And for neurotypical people especially, they are expecting there to be a disconnect between what someone says they need or feel and what their actually boundaries and feelings are, and they expect the latter to be demonstrated with emotions. Telling them bluntly you do not function that way somehow never helps?
My mother isn't just looking for normal yelling or a few tears to know I am serious, whether or not I do those either [I don't], she's looking for an explosion to know there's a problem at all.
Fucked if I know how she proceeds through life this way in general or if this is just her expectation of her own kids???
And I couldn't get why my mother couldn't read my emotions and didn't seem to think I have any. It's because she's testing for the rage limit to see where my 'actual' limit is instead of taking my word for it. Never the fuck mind that she could simply *not* test at my boundaries instead of letting me have them. Separate issue.
I couldn't figure out what made her *like this*
She's expecting me to throw a giant meltdown violent tantrum at people when I have 'actually' had enough. Maybe she got away with those being like 5'4" in another time, but I am the size of the average man, I do not get to have giant screaming rages, whether or not people perceive me consciously as a woman, and least of all because a lot of people -at least unconsciously- read me as 'masculine' or at least always "they guy" of the situation compared to all other women and some men [bigger stronger and more rational, more able to just absorb the damage and let it go so the less rational screaming/crying one doesn't have to be dealt with]. Even if it was in me to be willing to terrify people [usually never], there are such limited instances where it wouldn't just blow back on me. Potentially very dangerously.
I am going to be the quiet calm one. You are going to have to let me use my words, bitch.
So she kept ignoring my boundaries until I had to cut her out of my life, and she probably doesn't understand and probably thinks it feels sudden -after 36 long years of bullshit- abrupt and unfair.
But I told her hundreds of times.
I probably should have just screamed at her.
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Ok, but how are any of you (referring to mediaapple) considered hot? You're all way too thin (literal sticks). Not to mention that one of you has a TV for a head, another never brushes his teeth, and the third has nothing going for him. Name one thing that makes you hot.
"Nothing going for him? Are you blind?! First of all, fuck you, both of their waistlines are fucking sexy as hell. And all those stories about Lucifer being God's most beautiful angel? Yeah, it shows. He's gorgeous, and I love every inch of him! His hooves, that slutty little waist, those adorable cheeks. You know he blushes gold? Literally ethereal! And, uh, that flush looks even better over the rest of his body, just saying. And that's all without even getting into how fucking sexy he is when he's in his true form! Fuck, the raw power he exudes.... Anyway, you're insane if you think Lucifer has nothing going for him.
"And Alastor, I mean, come on! Everything about him is fucking perfect. His legs, his tail, the fact that I can almost wrap one hand around his waist! And I fucking love his ears, too! He's all sexy, sharp angles, and then has these soft, fluffy bits that are just too cute! And don't even get me started on his demonic form, cause I swear, there is nothing hotter than that.
"Oh, also, I'm fucking hot, too. Literally won Hell's hottest, thank you very much."
"With good reason. Vox is clearly hot. He has an amazing body - he's slender, sure, but let me tell you, that is all muscle. And honestly, I think the TV head just makes him even more compelling."
"I couldn't agree more! I truly don't see why anyone would list Vox having a television for a head as a downside. Why would anyone prefer something soft and fleshy that can get covered in sweat? His screen puts out warmth that is quite pleasant, and it is so delightfully expressive. As for his body, there's certainly nothing unappealing about it; I do so enjoy the way his electricity dances over him, highlighting his circuitry beautifully. And there's also something to be said for his hands - the are quite capable."
"Oh, fuck yeah, they are!"
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i would love to hear about the ollie and handler crack ship here’s a silly doodle as well
LOVE THE DOODLE YOU SEE THE VISION!!!
Also this got my ass to design Ollie so:
(Love him - Also redesigned Reggie for this too so thanks!!)
And idk if it's moreso a crackship or a rarepair that only works in an AU (HACKS up Starstruck), but Reggie's line of "...and I hope Ollie made it out too. I hope a lot of things." It's totally me reading into it but like,,,,I want them to talk because Ollie is not dead to me in my heart of hearts.
Maybe the only change is like Reggie taps into the communication on the radio in Hot Water instead of using the earpiece, so Ollie ends up hearing him also? And they end up getting along really well (with Reggie having to jump through a couple hoops to be like "haha what agency..."). There's an Agency base in the South-East coast of Australia and maybe the Agency ends up adopting him after he washes up on the shore with the escape pod (after HEAVY questioning).
Alas take a doodle of my own:
Transcript (it's just canon lines):
Ollie: "She's being controlled, it's not her fault."
Reggie: "Agent, I have 0 experience dealing with giant security squids."
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It's been well over a week now (maybe two??) but I'm still plugging away (ever-so-slowly) at this vignette about Zara and Rook. Zara's POV is a lot of fun to write, now that I have a better sense of her character. Writing this has really solidified in my mind the kind of person she is and how she acted when she was Rook's captain and mentor. She's very calm and collected in comparison to Rook, even when under a lot of stress.
Anyways, have a little snippet that I'm proud of from today, featuring the origins of the coin trick!
Pacing back and forth across her cabin floor, she rolled the coin back and forth over her knuckles again and again. The motion was easy, almost mindless, more muscle memory than real intent. The coin trick had been her favorite way to soothe her nerves for years now. She’d picked it up out of idle curiosity after watching a street performer dining in a tavern in Bon Largo, who had chatted with her for over an hour as she fretted about something mundane, never once dropping the coin from their fingers. The same performer had later tried to steal her coin purse and ended up with nothing but a new scar for their trouble, but Zara had learned two important things from the encounter: Not to trust a warm smile and a pretty face, and that keeping her hands moving kept her mind from dwelling too much on worrisome things.
one-time tagging @space-writes because they commented on my tags about Rook learning the coin trick from Zara in one of my other snippets from this piece.
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shuffle your On Repeat playlist and list the first 10 songs that play, then tag 10 people ✨
tagged by the lovely and wonderful caroline @lineegrace
Honeywell by Clem Turner
The Devil Is In The Desert by Small Leaks Sink Ships
Boy In The Bubble by Alec Benjamin
Two Hearts by Dermot Kennedy
Run Away With Me by Carly Rae Jepsen
Subliminal by half•alive
Left and Right by SEVENTEEN
The Best View in Liverpool by BANNERS
Open Road by NATI.
Warm Water, Winter Winds by A R I Z O N A
I tag @snyderpretzels21 @rinneyelaine @funkyplantguy @buglite @poeciles @milesmain @routeriver and anyone else if you wanna do it (no pressure tho!!)
(idc if I repeat tag anyone caroline tagged and idc if you already did it. you're my friends and I'm gonna be annoying because ily)
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