#does any of this say something about me as a person? maybe.

[until-my-teeth-fell-out]

[Image ID: A tweet thread that says "a common ocd fear is becoming a pedophile? uh what" replied to with "Yes it's one of the most common intrusive thoughts" the first user replies with "that's psychotic i have intrusive thoughts constantly and like 5 diagnosed mental illnesses and and never are my thoughts 'fuck kids'".

Another user shares this thread and adds "'that's psychotic' well, yeah, it's a mental illness."

Another user retweets this user and says "funny how people have very little sympathy for ocd, bpd, schizophrenia etc. when they're exposed to symptoms that they can't romanticize. There's nothing fun, pretty, or enjoyable about mental illness. We're not exactly having a good time." /End ID]

Maybe this is friendly fire but the "I have mental illness but I'm not like THAT" folks... I think they're really just "does not have this disorder but assumes they do because they're upset sometimes OR has something like low support needs autism or ADHD or mild depression and anxiety which still do have stigma around them but aren't exactly known as the 'wah scary murderer' disorder so they've never had to experience this for one day in their lives but pretend they could just to insert themselves in other disorder spaces and then push the people actually belonging to that space out"... if you know what I mean.

Also that person calling this "psychotic" PISSES ME OFF. That's not what that means. That's not what ANY of that means!

Not to mention, intrusive thoughts can't win! At least 90% of the time. Saying things like that can make OCD worse for people but really, you're not going to go out and become a murderer! You're not going to wake up one day and hurt your loved ones!

[euthymiya]

part one ; office mate! gojo ; company heir! gojo ; female intern! reader ; fluff ; pre getting together

Satoru is good at getting things he wants. It’s not because he’s spoiled (although he’s that, too) but rather, it’s because he’s persistent. Annoyingly so. Persistent in that way where he doesn’t necessarily earn what he wants, but scores it just because the other party is tired enough to cave for the sake of some peace.

Case example: you.

You sit across from him as he happily sips on his excessively expensive coffee from all the extra syrups.

“How can you have that much sugar?” You cringe.

He raises an amused brow as he hums, “Because I don’t choose to be miserable. You should try it sometime.”

Glaring, you roll your eyes before taking a sip of your own coffee. Satoru is at least nice and chivalrous enough to pay for your coffee—although, knowing what you do now, it’s not exactly as though he can’t afford it. You’re pretty sure being the heir to the company you intern for means he’s loaded in enough money that a simple iced coffee isn’t too much of a dent in his pockets.

You give him an unimpressed frown before getting to the heart of the matter. “Why didn’t you tell me your dad owns the company?”

“Does it matter?”

“Yes,” you hiss, “I’ve been passive aggressively calling you a lazy asshole for two months!”

“Do you change your mind about that?” He asks infuriatingly calmly.

“No,” you admit. You take a long look at him before nodding in confirmation as you repeat, “No, I don’t.”

He pouts a little at that, still cute and aggravating at the same time. “Hey,” he says, only a little wounded and a whole lot excessively dramatic. You can tell he didn’t get a lot of attention growing up with the way he pulls theatrics. Something about the psychology of unmet emotional needs as a child from your one semester of psych in college comes back. “You don’t have to say it so condescendingly.”

“Well, you are lazy,” you point out. He shrugs because…well, it’s a fair point. “But now I know why.”

“So what, if you knew my old man was our big boss, you’d be nicer to me? Is that it?”

You crinkle your nose and give him a look of disbelief. “No,” you say—it’s almost amused. The first ounce of humor you’ve shown around him at all. “But I wouldn’t have wasted my energy caring that you’re a deadweight in the office.”

“Ouch,” he pouts, “I bought the coffee machine on our floor!”

“It’s getting rather faulty,” you hum, “You should consider investing in another one for us.”

Satoru likes that about you. You’re interesting. Interesting not because you’re exceptionally smart or all that impressive—not that you’re bad by any means. Being accepted as an intern here must mean your resume has a degree of prestige to it, but you’re just like any other person in the building. Except, instead of shrugging off his bratty, obnoxious self, you seem to care a great deal about what he does.

It greatly amuses him enough that you’ve sparked his interest.

“You’re fun,” he chuckles, “I like you. You’re not boring.”

“Just what every woman wants to hear,” you bat your lashes, sarcastically giving him a dreamy sigh, “Not boring. How charming of you.”

He grins wider, and something in your heart does a little bit of a clench. It’s so…pretty. Everything about him is pretty. The clean, pristine button down with perfectly ironed pants. The soft, messy hair that somehow adds to his expensive look rather than take away. Those bright, piercing blue eyes that feel like you’re lost in infinity when you look into them.

He’s pretty. Pretty annoying, too—but pretty all the same.

“I’m working on it,” he murmurs.

“What? Your manners?” You snort.

“My charm,” he corrects.

“We might be here for quite some time then,” you tease. You don’t know what it is. Falling into a bantering back and forth with him is so easy—so amusing and, if you’re honest, a tiny bit exciting.

Maybe a background of wealth and fortune makes a man appealing like that. Or maybe he’s just likable. You’re not sure yet.

“You’re saying you’ll be here waiting for me to get there?” He raises a brow, winking as he adds, “So maybe you’re charmed after all.”

“That’s a stretch,” you pretend to scoff. Nevermind the hardly hidden smile on your face—that means nothing. “I just want to watch you fail, that’s all.”

“And if I succeed?” He challenges, looking at you expectantly.

You roll your eyes, deciding to indulge him in whatever petty games he has going on. “In what, being charming?”

“Yes,” he nods, “What if I succeed in being an irresistible dreamboat of an office neighbor?”

“I doubt that’ll happen,” you bite your lip in an attempt to fight back a large, dimpled grin. It’s funny, you think—just up until a few hours ago, all he ever managed to do was pull your lips into a scowl. Now, it feels like it’s impossible not to stretch them into a smile. “But, if it does, I suppose I’ll eat my own words.”

“No,” Satoru shakes his head, lips curled into a serious, unsatisfied frown, “No that simply won’t do. I need better than that.”

“Okay,” you finally laugh. It’s radiant. It comes from your belly and vibrates through your chest. He’s somehow good at it—just one coffee grab during your lunch break, and he’s already managed to earn the sound of your joy so easily. Something about that tickles a weird, unfamiliar spot under your ribcage. “Lay out your terms.”

“You have to be my girlfriend if I manage to make your eyes turn into hearts over my handsomely unbeatable appeal.”

It’s cheeky, his grin. Wide, confident, and still boyishly hopeful. You start to wonder why you ever disliked such an easy to fall for smile.

“That’s pretty bold,” you note.

“I’m bold about the things I want.” You pretend that those words don’t make your heart do a helpless flutter.

“Okay,” you nod, agreeing as you take a final sip of your coffee and hand him the empty cup, “I’ll agree to these unlikely terms. You can start by bringing me another coffee.”

“You got it, boss,” he salutes before doing a giddy little jog to the counter and ordering you another coffee. It’s cute. It has your heart in a scarily fast chokehold.

Somewhere in the heat of the moment, as you watch him fumble over his wallet and almost drop his card while he goes to pay, you think he may have already won the terms to this ridiculous agreement.

But you won’t tell him that, you think. Just to drag out the eager, hopeful look in his eyes that dart over at you and shoot you a sly wink.

———————————

here is part two as promised for @enyathedrakaina bc they sent me cat pics

[quibbs126]

So I did some more Transformers drawings, and I figured page was full enough

I mean, it isn’t really, I could have fit more in the corner if I wanted, but I can’t think of anything else to draw there, so might as well post it now

So I suppose, let’s talk through all this

First off we have an Optimus I never finished, because I couldn’t get that bending shoulder to look right. It just looks off, and I can’t finish it until it looks right. So I never did

I think he’s supposed to be sad and yearning after the breakup with Megatron, and talking about it with someone

Anyways, then we move on to the Dinobot section, which I made because I started Beast Wars and like Dinobot, and had been attempting to draw him at work the previous day

I think I draw him too skinny, which is why I made that middle one, to be more accurate. But I also kind of like drawing him skinnier? I know it isn’t accurate, but I like making him so. Like he’s got muscles, but has a lean body type. I don’t know

Then today, I wanted to draw a happy, smiling D-16, who’s doing so at something Orion did for him (this isn’t supposed to be a recreation of the race scene)

I was going to do it more like the Dinobot style, but then I ended up going back to 3D boxes anyways

Honestly I think it’s one of the ones I’m most proud of, look at him and his sweet little face

Still can’t get the sticker right though

But anyways, on to the last thing, the Bee and Elita

Honestly I think the two of them need some ships in this universe too. Megatron and Optimus got their whole situation, but what about them? Elita doesn’t really have any options presented right now outside of maybe Arcee and I guess Airachnid (but personally I’m not here for the toxic yuri right now), and I don’t really know about Bee

The sequels should give them new characters to have subplots and shipping with. It can’t all be Megatron and Optimus hogging the spotlight (even if I do like them)

As for the drawings of the two themselves, I mean it’s alright. I think Elita came out better though. But it’s also my first time drawing them, and it takes some practice for me to get them right

I’m realizing as I type this that I have a sketchbook, and I got good at drawing Dinobot after drawing him on sauce paper a few times. So like, I could just do that to try and practice the characters without needing to be at work, and having a handy place to keep those references. Hm, well that’s a solution for later

It also does not help that I don’t have good references for them, especially in their cogged forms. These are about the best I got, and they aren’t the best quality either, I do not know how to draw their heads (well mostly Bee’s)

I also don’t think I’m drawing the Transformers One cast right. Like their bodies and general proportions I mean

Like, I noticed from this random screenshot I saw today that D-16’s noticeably wider than Orion

And I also know that the quartet have their own distinct face shapes from one another

I just don’t know how to convey those things in my drawing of them, it doesn’t want to work

Also I don’t think I have the basic structure of how their bodies work down either. I noticed today that almost all of them have more cylindrical shoulders than the rectangles I sketch, and also they have those middle circle joints

This is an observation I’ve had before, but the Transformers One designs to me really feel like action figures/toys with the way they’re built and designed. I don’t really know how to explain what I mean, but it’s how I see these designs in particular, which I can’t say with Animated or I think Beast Wars either. If this makes sense

But yeah, that’s the drawings. I don’t really know how to end this

[quintessenceofdust88]

Little Blobs

Hey everyone!! I bring you a new chapter of Little Blobs on this fine Wednesday. From here on, I intend to follow a more logical timeline lol and we'll get to see how Buck's pregnancy progresses from the very start. I hope you enjoy it <3

“What's got you pouting so early in the morning, Buckaroo?" 

Hen’s voice, paired with the smell of fresh coffee, manages to snap Buck out of his mind. He accepts the mug she’s placing in front of him automatically, but he didn’t drink it; he’s too nauseous. Or too guilty. Or both. 

You see, there’s a reason why everybody calls Buck a human golden retriever. It was usually so rare for him to be in a mood, but lately... He’s so often tired, and so often nauseous, that it’s been hard to keep his spirits up. Like that morning with Tommy.

Even though they’ve been together for eighteen months, it was a rare occurrence for their shifts to align so perfectly that they could get ready for work together in the morning. Usually, those moments would make Buck giddy with the domesticity of it all. Not today, apparently.

From the minute he woke up, Buck had just been off, feeling tired and nauseous and out of sorts. And for no reason at all, he simply snapped at Tommy for the leftover fruit he had left in the blender (which, sure, could be a little annoying, but not *that* annoying). Buck knew right away that his "Damn, Tommy, how hard is it to keep things clean?! It's like living in a frat house again!" had been uncalled for. 

Tommy had looked at him in surprise, muttered a "Sorry, Evan" and turned his back to Buck, apparently laser-focused on washing the blender. Buck knew right then that he should apologize, but he was still too pissy to do it, and their goodbyes had been frosty when they left for their respective stations.

And that's how Hen finds him, staring at the void and wondering if he should text Tommy and let him know how sorry he is or wait to do it in person once their 48-hour shifts are over.

Before Buck knows it, he’s spilling out to Hen, kind of expecting her to call him out for being an idiot to his husband, but instead, Hen hums thoughtfully.

"Yeah, I can't help but notice you *have* been moody lately, Buck. Far too moody for a newlywed, if you ask me" She teases lightly, and Buck gives her a half-hearted smile.

"I promise you, Tommy’s not the problem” He reassures her.  “He’s not even complaining about my bitchiness and the fact I have slept on top of him every single time we've sat to watch a movie together for the last three weeks"

"Wait, you?!" Hen asks, her eyebrows going up. "Evan 'ball of energy' Buckley..."

"Buckley-Kinard" He corrects eagerly, his smile widening despite himself at that.

"My bad" Hen chuckles. "Evan 'ball of energy' Buckley-Kinard, falling asleep during movie nights? Aren’t you the one who’s usually researching fun facts and talking a mile a minute, instead of letting people actually listen to what’s going on?"

"Yeah!" Buck agrees, nodding enthusiastically, not even a little self-conscious; Tommy says his ramblings are cute. "But lately, I don't know, I... I thought maybe I was tired from wedding planning, but it’s been a month since we got married. I don’t know what’s going on, Hen"

"Hey, you two!" Bobby's voice interrupts whatever it is Hen planned to say. “Breakfast is about ready, wanna join the rest of us?”

And Buck intends to, truly he does. But the minute he approaches the kitchen and the smell of Bobby’s frittata reaches his nose, he can’t. The nausea that bubbles up in his stomach is too strong to ignore, and he finds himself rushing to the bathroom.

By the time he comes back, Bobby is waiting for him with worried eyes and a glass of ice cold water, that Buck gratefully sips slowly. 

“Alright there, Buck?” He asks, and Buck nods sheepishly, not liking the way everyone’s looking at him as if he’d keel at any moment. 

“Fine, Cap. Sorry about that. Think I caught a stomach bug or something” He mutters, still sipping his water, and Hen looks as if she’s about to add something when the bell rings. 

They don’t get a chance to sit down and talk again, not in private anyway, but Buck feels Hen’s gaze landing upon him all through their 48-hour shift. It’s especially sharp when he falls asleep in the middle of the afternoon and when he barely touches Bobby’s meatloaf at dinner.

It’s a look that Hen has when she feels someone’s being particularly dense, and Buck’s not completely sure what he’s done to deserve it this time, other than being overly snappy and tired. By the time their shift is over, he’s more than ready to go home, wait for Tommy (he had sent an apology text that morning after all, and Tommy’s easy forgiveness had almost made him cry. And just about half an hour ago, Tommy texted that he was caught on a call and would probably be late, which almost made him cry again) and sleep for the next 12 hours.

Before he can leave, though, Hen’s voice calls from inside the station.

“Buck, wait!” She says, approaching him with a small paper bag in her hands. 

“What’s that you got there, Hen? Don’t tell me you’ve gotten me a present” He teases her, and Hen looks uncertain.

“Well” She says carefully. “It all depends on how you’ll see things. And maybe I’m wrong anyway, but. I think you should take these” 

She hands him the bag, and Buck opens it up to see three different brands of pregnancy tests inside. He widens his eyes, looking from the bag to Hen, and she’s looking expectantly at him.

“Hen, you don’t think I’m…” Buck can’t even say it; the possibility had never crossed his mind, and yet… It feels like his brain is short-circuiting as he revisits his latest symptoms in his mind. 

“Well, why not? You are a carrier, aren’t you? You told me that when you were debating if you could be a surrogate to your friends” She says, and Buck nods dumbly. “And, well, I know you and Tommy get… busy with each other very often.”

“We…Well, yeah, but I take birth control” Buck says, frantically recalling the last few weeks in his mind and wondering if he could’ve forgotten to take the pill at some point. And then it dawns on him how frantic their wedding day had been, and yeah, he doesn’t remember taking it on that day. Or the day after. Or during their weekend honeymoon in San Diego (they had been… busy, as Hen would put it). “Oh, fuck, Hen, what if I’m pregnant?! I can’t be pregnant right now, it’s not the plan!”

“Buckaroo, I don’t know what the plan is, but life doesn’t tend to care for it. Maybe you’re not; I’m just saying it’s a possibility and you should check it” Hen says placatingly. “If it’s positive, you and Tommy will figure it out; if it’s negative, you owe me 30 bucks for the tests”

“There’s only one of me” He jokes automatically, but his mind is nowhere near it. “T-thanks anyway, Hen. I… I’ll take those as soon as I’m home” Before Tommy arrives, he decides; there’s no reason to get his husband worked up over nothing if they’re negative. And if they’re positive, Buck has some time to decide on how to tell him.

“You’re welcome, Buckaroo. When you have the results and are ready to share, let me know, ok? Good luck!”

She’s gone before Buck can ask if good luck means positive or negative. He’s not sure he knows what he wishes for right now.

Tommy turns off the engine in his truck, content to see Evan’s Jeep already in the garage. Content but not surprised, considering he got caught up in a search and rescue and is two hours late. He has a strong suspicion his husband’s been catching up on some sleep during those hours, because he hasn’t answered Tommy’s text asking what he wanted for dinner; he had gone with pizza as a safe bet, though Evan’s appetite had been all over the place lately. Tommy knows that the younger man can be stubborn about his health, but he will drag him to a doctor if he isn’t better by the weekend.

He tries to enter home without making much noise, putting the pizzas on the kitchen table. Evan’s not at the kitchen or living room, and the house is completely silent. Tommy makes his way to their bedroom, ready to gently wake Evan up so he can get some food in him before they go to bed for the night; they probably won’t get up to anything fun tonight, both of them exhausted from their shifts, but if Tommy has anything to say about it, they’ll spend the next 24 hours in their bed making up for it. 

But when he gets to their bedroom, he’s surprised by an empty and still made bed, and no husband in sight. Tommy frowns, starting to worry. 

“Evan?!” He calls. 

“I’m in here…” Evan answers, his voice coming from the en-suite bathroom that Tommy hadn’t even noticed was with the door ajar. Something in Evan’s voice makes Tommy rush to it, and he opens the door to find his husband sitting on the floor; he looks up at him with dazed eyes, his fist tightly clutched around something Tommy can’t see. 

“Babe, are you okay?! Was it your stomach again?” Tommy asks, kneeling down by his side and automatically raising his hand to feel Evan’s forehead; it’s not hot, and when he gently takes Tommy’s hand in his free one, Tommy sees it’s cold and sweaty. To his horror, he can also see tears pooling up in Evan’s eyes. “Did something happen, Evan?”

Evan laughs somewhat hysterically at that, which doesn’t help with Tommy’s nerves at all. Then he nods, caressing Tommy’s hand with his thumb, making gentle circles.

“Y-yeah, something happened. I… I figured out why I snapped at you the other day” He says, his voice thick, and Tommy lets out a sigh of relief. 

“Sweetheart, I can’t believe you’re still thinking about that. It was nothing, I already said I…” He doesn’t get to finish the sentence, though, because Evan is opening Tommy’s hand and pressing the three plastic sticks that he was so tightly holding against it. 

Tommy looks down at them with a frown, and his heart skips a beat when he realizes what they are: pregnancy tests. Two of them show two lines and, even if Tommy didn’t know what that means (he does; he absolutely does), the third one is a fancy digital kind that has the word in bold letters: PREGNANT. 

He looks from the tests to Evan, his mouth agape, and his husband’s looking back at him with expectant blue eyes and the tiniest hint of a frown between his eyebrows. 

“I… On the wedding frenzy I guess I forgot to take my pill” He says, and he takes Tommy’s stunned silence as a cue to continue. “I… I know it’s not the plan, I know we said we’d wait at least a year before kids, I…”

Tommy can’t take it anymore; in a move that has become signature by now, he grabs his chin and presses a gentle soft kiss against his mouth. When the kiss is done, Evan is the one left agape, while Tommy can’t stop a smile from widening across his face. 

“Fuck the plan, Evan. Are you happy?” He asks earnestly; Tommy knows he is, and the more it dawns on him, the happier he gets. But it’s Evan’s body and Tommy knows he’s much more of a planner than himself, so he’ll rein in the excitement if Evan needs to process this differently. 

But to his relief, Evan gives him that adorable crooked smile, looking down at the tests Tommy’s holding, and then at his own belly, then back at Tommy with eyes full of joy. 

“Yeah, I’m happy. I’m fucking thrilled, Tommy. We’re having a baby!” He says, as it’s just dawning on him, and hearing him say it out loud makes it dawn on Tommy too. 

They smile at each other like two idiots, and before Tommy knows it, he’s helping Evan up and pulling him in a tight hug, pressing a soft kiss to his temple. He lets out a delighted laugh, feeling happier than he’s ever felt before, except maybe for their wedding day. 

“We’re having a baby, oh my God, that’s incredible. You’re incredible” He says, resting his chin on Evan’s shoulder, and then with a dawning sense of realization, he steps back, looking at him worriedly. “Oh my God, are you okay?! Is the baby okay? Can you tell if they’re okay?! Damn we need to schedule a doctor’s appointment, and probably start thinking about a nursery, and you have to talk to Bobby and…”

“Babe” Evan interrupts him, sounding way too amused (Tommy’s not often the one to freak out between the two) as he puts both his hand in Tommy’s face, effectively shutting him up. “I’m sure the baby’s fine. I’ll talk to Bobby on my next shift, and we can figure out everything else tomorrow. Okay?”

“Yeah. Yeah, you’re making sense” Tommy easily agrees, nodding and looking at Evan with a scrutinizing gaze. “Are you okay, though, Evan? What do you need?”

“I’m fine, Tommy” He says, his voice sounding between exasperated and amused, but Tommy doesn’t care if he’s being overbearing. Evan is the most precious person in the world to him, and now he’s carrying the other most precious person in the world to him. Tommy will do anything for him. “What I need is food. I’m finally not feeling nauseous and I wanna take advantage of it while it lasts. Please tell me you brought dinner?”

“You didn’t answer me, so I brought pizza. But if you want anything else, anything else, I’ll go and get it in fifteen minutes max. Just name it, babe” Tommy offers, and Evan smiles bashfully, pressing a kiss to his cheek. 

“Pizza is more than fine, but I might make use of this generosity at some point in the next nine months” He says, and Tommy knows it’s meant like a tease, but if anything, it sounds like a promise.

“Anytime you want” He says, and then his hand goes straight to Evan’s still flat belly. He can’t see or feel anything, but knowing their little one is there is enough to fill his heart for now. “For you two, anything, anytime”

“Hey” Evan says, putting his own hand on top of Tommy’s, his smile bright enough to outshine the Sun itself. “I love you”

“I love you too, Evan”

–

A smile spreads across her face, and she sends back a congrats, daddies!! before deleting both messages. Karen has full access to her phone and her to Karen’s, and she knows her wife can’t keep a secret for her life, so she won’t take any chances. But God is she happy for those two. 

When Hen’s cellphone dings, she’s about to go to bed; after coming home from their 48-hour shift, she had helped Karen with the kids’ nightly routine and the two of them had spent some time together watching TV and drinking wine after tucking them in. Now she’s pleasantly sleepy and ready to enjoy a good night of sleep and then three whole blessed days off.

And yet, her conversation with Buck has been on the back of her mind all day. When Hen sees the message she got is from him, it’s with eager hands that she unlocks her phone and opens their thread. There’s only two emojis and five words looking back at her: 👶🏻👍🏻 but don’t tell anyone yet!

One thing Hen knows: they’re going to be wonderful fathers. 

--

[More from Little Blobs Verse]

Tag list: (let me know if you'd like to be removed or if I missed anyone! Also if anyone else wants to be tagged, either on my fics in general or just the Little Blobs' Verse, let me know! ♥)

@bidisasterevankinard @unhingedangstaddict @silversky9 @music-is-the-voice-of-the-soul @asmugfirefighter @rubydaiquiri  @racerchix21 @actuallyitsellie

[theinfamousmaybelle]

I know, right? Like, these motherfuckers think it's cool to just 'hate' on a character. Do they realize the character is meant to be written that way? Like, guess what: the world doesn't revolve around you (the haters). Being rude too someone is not cool. It does not make you seem cool. Hating on somebody is not fucking cool, it is shitty and pathetic. It does not make you seem like the coolest person ever, it makes you sound like an asshole and a dickbag.

Harassing someone is not cool, either. If you don't have anything nice too say, don't say anything at all. That's a rule I go by. Kat poured her heart and soul into her writing and people shitted all over the female characters. What about the males?

'Oh, Ruin killing billions upon trillions of innocent people is okay because he 'stopped something bigger' from happening'? Oh yeah definitely (sarcasm) 💀. 'Oh, Bloodmoon hurting Earth is okay because he was made too kill'. Yeah, sure it is, buddy 🙄 like, are we forgetting what Moon did? He abused Sun. But nooo, everyone glazes past that. I love Moon, but goddamn, you guys are oblivious!

Oh, and don't get me STARTED on the Earth and Pollux hate. Earth being a tool and walked all over is okay because she's a 'woman'? But the moment she is even a little selfish, people shit all over her character because they are pathetic little assholes who don't care about people. At least people who apologize for hating have some HUMANITY. People are shitting on Pollux as well, because she was acting 'childish' and being a 'hypocrite'. Whilst the hypocrite thing is true, she doesn't understand basic emotions, you can't expect her too know. Women get so hated on...like, stop being sexist!

If you childish ass fuckers think that you can get away with this, you are so fucking wrong. All you children who are immature? Get mature. Or leave this community. GET A LIFE. TOUCH SOME GRASS. DO ANYTHING OTHER THAN SHIT ON CHARACTERS. If you wake up every morning and think 'wow, time too hate on anyone who doesn't share my opinion' then you can go unfollow me. 'A little sensitive too getting blocked, so maybe don't do that. But please, if you're a hater, unfollow me.

It is genuinely not fair. Kat is living in a hell you haters created. She has a right too quit. Nobody can blame her. If I see any of you miserable fucks doing that, I will personally call you out and then block you. Nobody deserves too go through that shit. You haters are the reason she quit. You are responsible for this.

Thank you for reading.

Genuinely

If you think it’s funny or cute to harass Queenkatluv or mock her for stepping away from a fandom that has gone out of its way to make her feel unwelcome

Block me. I don’t want to see you. Unfollow me immediately. You are not welcome in my community

Kat is a wonderful writer, and voice actor, and extremely sweet and kind and the VAs stuck their necks out for me when I was being harassed for months on end. None of the VAs deserve the shit this fandom puts them through, and it’s this fandom’s fault that she is leaving. She already left the discord, she abandoned her askbox. She is now being harassed in her personal DMs on Twitter.

This is bullshit.

You do not belong in this community if you think this is acceptable behavior.

[loweffortopinions]

There’s a saying that Rook is the teams therapist, right?

I'll add this: In the future, I'll work with helping younger students, and some of the things Rook says are what I’d say to kids aged 10–14 to help them see the bigger picture, some variant of:

“Let’s not jump to conclusions.” “Take a deep breath, we’ll figure this out.” “You need to think about how your actions affect others.”

That’s part of why the game is tiring to me. It’s like I’m living out my future work in game—just less fulfilling. Because kids make shit interesting, they don’t always agree. They push back, argue, question everything. I have to earn their trust and convince them to see my point (or they have to convince me).

In Veilguard, though? No resistance. No pushback. The characters fall into line so quickly that I never get the sense there's any real disagreement. Ever. I've had more lively and nuanced discussions with children. Yet the game pretends like there is real conflict! Take Davrin and Lucanis: the setup works fine—Davrin has every reason to be upset after losing hundreds of comrades in battle, and he questions why Lucanis missed the shot at Ghil, and if Spite had anything to do with it. Fair.

But then it just… fizzles out? By the time they kiss and make up, the real issue is ignored. Instead, Davrin says something about Lucanis being “an assassin for hire,” and Lucanis replies that Davrin is self-righteous. Guys... I don't think that was the problem to begin with?

What changed? What reason does Davrin have to suddenly trust Lucanis? If anything, I’m on board with Davrin’s original thought! Why should anyone trust this guy? Especially my Rook who's also a Warden.

Maybe Davrin’s just tougher than most—able to deal with a lot of shit and move forward without answer... or it's because of Assan: The emotional support pet.

Ah. Now it makes sense, I guess.

Also: The whole Davrin is such a dad to Assan thing? Not cute. Personal ick of mine to treat animals like children. Companion? Fair. A living being you care A LOT about? Sure. You being the animals Mom/Dad/Parent? No. // Not a personal attack, you do you. I have friends like this. Only saying it because it turned me away from Davrins character; it is a core part of his personality I couldn't ignore. //

[sassydefendorflower]

not me getting irrationally frustrated with this eternal pissing contest between Brotherhood and '03 that somehow still seems to happen even though both shows can legally drink alcohol in Germany by now.

(i wanted to say "can drive a car" but, no, I refuse to use a silly little US-centric comparison for this)

They both have pros and cons. They both have strengths and weaknesses. They are not interchangeable and, to be honest, they are such deeply different stories it feels like an insult to constantly compare them to each other.

OF COURSE you're going to hate Brotherhood, if you expect it to be simply a "remastered" of '03 - '03 is a TRAGEDY and it sets itself up as a tragedy from the very first episode on! I mean, ALPHONSE ELRIC IS OUR NARRATOR! Is there anything more ominous than that? Edward Elric is inherently tragic in '03. Even when he's being silly, everything he does is tinged in grey sadness and a heavy cloud of "doomed" hanging over his head.

If you know this character - if you LOVE this character - of course Brotherhood is gonna disappoint the fuck out of you. Because Brotherhood is the OPPOSITE of a tragedy. It is a story about hope. About if enough people believe in the good of humanity, maybe we can actually change the course of history and create something hopeful.

If the story of '03 is "the path to hell is paved in good intentions" then Brotherhood is all about breaking the cycle of violence.

Neither of these concepts is inherently better or worse than the other. But you cannot compare them. Not really.

You cannot look at a tragedy and go "why is nobody laughing? why are they dying? why are they losing hope?" when all of these things are written into the foundation of the story itself.

AND

just as importantly. You cannot look at a story about hope and go "but why aren't the consequences more dire? why are two opposing forces fighting alongside each other? why are we having a laugh if the world is ending?" - when the answer to that question is: to create a better world you first have to dream of one.

You cannot expect Brotherhood to deal with the Ishvalen genocide to the degree of gruesomeness that '03 does (or with the degree of justified rage by Scar) if Brotherhood is fundamentally a story about breaking the circle of violence even when it fucking sucks. I am not saying Brotherhood couldn't have handled it better in parts (never adapted manga chapters, my beloved) but it just fundamentally isn't a story about a justified Ishvalen survivor trying to enact large scale revenge on the Amestrian military - that's '03.

And if you're looking for a darker look at militarism and imperialism (that doesn't try to offer you a idealistic hopeful ending) there is an entire 51 episode show about that! But don't go and complain when that show dares to end in tragedy. Don't complain if there isn't a happy ending, or if all your heroes end up deeply tragically sad and alone.

You can't compare apple and oranges, and you can't really compare Brotherhood and '03 - so any attempt at calling on better than the other kind of falls short.

"'03 is better!" - yeah, a better tragedy. A more realistic look at Ishval. A darker tale about personal responsibility and consequences. And the homunculi are just a touch more fucked up.

"Brotherhood is better!" - It certainly has more in-depth world building! And a very well-rounded ending. It certainly is a better story about hope. About coming together.

But they're not the same story. So, really, they shouldn't be treated as such.

[hauntingofhouses]

arcane s2 spoilers. another caitlyn critical rant because i have Thoughts and i'm Annoyed

can i just say i'm soooo annoyed at how the narrative treats ambessa as the worst most irredeemable person and the one true villain of the series while caitlyn who spent half of s2 as a tyrant in both piltover and zaun is just let off the hook despite them working together for most of that time.

"she didnt MEAN it" but she did do it. she terrorized the people of zaun, she was complicit. yes ambessa was using her but that's because she was so easy to use! ambessa barely had to do much manipulation, barely had to lift a finger for caitlyn to give the green light on all the tactics the militant regime used.

now, see, it's not like i'm AGAINST caitlyn redeeming herself. i'm not. i was ready for her to go down a dark path and for vi to pull her out of it. my gripe is with how it was executed. caitlyn did not deserve it, she didn't DO anything to actually work towards redemption and getting vi's forgiveness.

also caitlyn fans being so ready to just push all the blame onto ambessa is so frustrating because you know what. ambessa is an interesting character. and caitlyn's relationship with ambessa was also super interesting because it paralleled the mother-daughter relationships of caitlyn & counselor kiramman, and mel & ambessa. ambessa elevated caitlyn's character from something akin to stale bread dressed in a girlboss copaganda fit, to something actually intriguing to watch.

but of course all that is thrown away because the show apparently didn't have time to do a full caitlyn redemption arc, which would've further developed the character, while simultaneously unpacking the damage she did to zaun and to vi&jinx's relationship. but nope we didn't get that! instead she betrays ambessa off-screen for the sake of a stupid plot twist and because "she was loyal to vi all along!!!! that's the power of love!!!!" and like i love a good sappy wholesome "power of love" moment, but this wasn't it, man. this came out of nowhere and it just felt so jarring, automatically undoing all of caitlyn's development thus far (a negative arc is still character development). and not only does it somehow just undo all the damage she's done, but also just... brushes past it??? like that girl was wearing a whole ass villain cape and everything and we're just... gonna brush past that? okay.

and look. the thing is, i wouldn't be AS salty about this if the ENDING, at least, was different. like maybe if sevika got a word in during any part of act 3. or if the people of zaun were given more agency in rising up against her regime. OR MAYBE if jinx didn't have to DIE in order for CAITLYN to get her happy ending with vi. and yes, maybe jinx didn't actually die and she did manage to survive, but the people who love and care about her (sevika and ekko) are still left behind, unhappy, while she (presumably) left aboard the airship to who-knows-where. and as a side note i would also like to add that ekko is the fucking boy saviour, the MVP of the entire show who saved EVERYONE from viktor, yet he didn't get a happy ending but was left sitting there all alone, not even with his band of firelights! like come on!

but getting back on subject. the story didn't even show vi properly mourning or acknowledging the loss of her sister in the epilogue. instead more focus is given to caitlyn. no mention of jinx in that last caitvi scene. instead it focuses on caitvi's relationship ("are you still in this fight, violet? / "i'm the dirt under your nails, cupcake. nothing is gonna clean me out." even the episode title is taken from that line). season 2 featured caitlyn as a more major protagonist than vi, with the opening episode and even the closing scenes centering on her. and that, ultimately, is where so much of my frustration towards her character is coming from. it feels like the story of two sisters, vi & jinx, was superceded by caitlyn, and what was initially assumed to be paranoia-induced jealousy from jinx towards caitlyn in season 1 suddenly makes sense. caitlyn entered the picture and immediately jinx is forced out of it, in so many ways.

[alexanderwales]

@queenlua

(this is sort of a tangent so feel free to ignore me ENTIRELY but: who exactly is the audience for litRPG stuff? my first time hearing of it was at a sf/f writer's workshop, and when it was described to me i was like "wouldn't these people simply read webfiction" but then i was informed of The Sales Numbers Around LitRPG People I Had Never Heard Of and was like What The Hell, but i was clearly the only Extremely Online person in the room so figured i wouldn't get any further context from present company lol)

For some reason I thought I had answered this, and maybe I did somewhere and can't find it, so sorry if this is a restatement of something you've already read, but ...

There are a few fundamental fantasies being fulfilled by the modern litRPG.

First, there's the power fantasy, the idea that you can have control and be agenty and make decisions. I don't think there's anything wrong with power fantasy per se, and I expect that the desire for power fantasy will grow when people feel more and more powerless. litRPG does not offer anything much different from e.g. superhero stories, at least as far as power fantasy goes.

Second, there's the progression. This is part of the power fantasy, the getting stronger over time angle, powering up, getting better. litRPG promises that, it's in the nature of the RPG elements, and fundamental to the appeal. This is something that e.g. superhero stories usually don't have. (There is a whole genre, progression fantasy, that focuses on this, and litRPGs are usually a subset of that depending on who you ask.)

Third, the litRPG offers legibility. It is clear what the powers are, what they do, what choices are to be made. Everything is clearly laid out and easy to conceptualize, at least most of the time. And because this is the case, it's good as a platform for the imagination, especially for analytical readers. It's something for people to daydream about, argue over, etc. Legibility is super important, IMO, or at least the appearance of legibility, the illusion that the author has a Concrete Plan with Hard Numbers. Armchair psychoanalysis is that a desire for this relates to a lack of legibility (and by proxy "fairness") in real life.

Fourth, the litRPG naturally speaks the language of videogames, and a lot of the readers are super into videogames, so there's some element of "thing that I like" in there which I don't think can actually add to any analysis, but also some of the things that people like about video games are power fantasy, progression, and legibility, so ...

There's also a lot of overlap between webfic and litRPG. I don't know that I'd say it's the most popular form of webfic right now, but ... probably it is? The overall market is young men for both. [Edit: I should probably clarify that I don't know what the hell goes on over at Wattpad. AO3 is also webfic, but that's fanfic, and female dominated last I checked. I'm talking more RoyalRoad, SB/SV, QQ, etc. I am not a market expert, terms and conditions may apply.]

Here are some other reasons I've heard from people when I've asked:

it's hard to screw up, so you're guaranteed a quality baseline

the writing is often simple popcorn that's easy to digest

the writing is often bad in a way that makes it less predictable

there's often no romance or introspection

the numbers are going up, and I like that consistent dopamine drip feed

the characters are simple

the main character is just like me

I think some of these are just wild to think about, and others are not really about the genre, just the kinds of people who write within it and the stories that make up the bulk of what people are reading.

LitRPG where the protagonist's game system is very clearly from a game with a 20-minute day-night cycle, and whose gamification of hunger, thirst, and sleep just wreaks havoc on his personal and professional life.

Just kidding, litRPG protagonists don't have personal or professional lives.

[juneiper-art]

I don't really understand the idea that Davrin's story is mostly about Assan. I don't think his story is about Assan at all, though it is obviously inextricably tied to Assan (but I'd argue, so is Emmrich's story with Manfred). All the conversations Davrin has about Assan aren't about Assan, they're about him.

Davrin is this character who left behind a peaceful life because he was hotheaded and young and didn't see value in it. He fell into the cultishness of the Wardens exactly because this grand idea of the sword against the darkness is appealing (especially to a young person). And once he is a warden, Davrin gets that exact Warden fatalism that depicts the order as being in a never ending, relentless, glorious war. Davrin bought in. He sees himself with that grim determination as having only one future- war without end. And when he meets Assan, he makes the exact same assumption about the griffon. To him, Assan is a symbol of that exact determined path of war. As Rook you can say that Assan 'is the perfect warden' and he agrees. Because to him, the idea of being a warden is only to be a tool of war.

He simply does not see any other possibility for himself and his future. He will die a warden and he wants to do so killing an archdemon. I guess I relate to how Davrin is 'growing up' in this story. He had Assan forced upon him and through caring about something and nurturing it, he's seeing the world differently. Sometimes you have to be forced into a position of care to understand the value of it, compared to that rhetoric noble ideal of warriors. This life of nurturing that he so brashly dismissed is something that he begins to realize has more value than he thought. Maybe the most value.

The fatalism isn't true. Endless war isn't the only possible future and it isn't the only path to glory. If you choose to give the griffons to Arlathan forest, this is extremely apparent, because what Davrin does is honor the value of building a future.

Sorry to bring film into this, but it's a joy of mine, but it reminds me of in Rome, Open City, in Pina's character. She's not a resistance fighter, she's not out risking her life against the darkness, but what she is doing is seeing a future. She's imagining past the war, past the losses and the suffering and the destruction. She presents a path of resistance that's through hope. When she dies, it is as though the future dies with her, because the resistance fighters aren't thinking about the future, they're thinking nobly about dying for their cause, of becoming heroic martyrs. And I think this is exactly the change Davrin experiences. He starts to hope for a future instead of being resigned to a glorious death.

So yeah, I guess Assan is like, the motivating factor in that storytelling, but I just think simplifying it to 'it's about Assan' is like, not doing credit to this theme that I find to be extremely heart wrenching, especially when so much of the focus and glory goes to 'warriors' and not the people at home...building a life. Maybe something something about Achilles and choosing a life of obscurity. Do you see what I'm saying.

[vigilskeep]

in your opinion, how do you think veilguard delivers on the found family trope it was aiming for? on a scale of da2 (found family) - dai (coworkers), does it break the scale?

well, for the record, i DON’T think da2 was found family 😭 i know i’m a hater for this but i have never believed any of the dragon age parties are, as a whole, found families. that has never been how they come across to me

as for veilguard, i’m not sure. the team definitely interact a lot and get to know each other... i think i would have been more sold on “found family” if we had more scenes seeing them interact as a group rather than in individual pairs, if there were timeskips for them to get closer, maybe if they had stronger investment in, and opinions on, each other’s personal quests...?

i don’t think i quite believed in it and when rook used the word “family”—i think it was to mythal—i mostly found it startling. i brought these people together to save the world and i don’t believe i ever fully felt that they were sticking together for any other reason

maybe i’ll change my mind on a second run-through though! i’m trying to max out party banters a bit more and already getting a much better idea of the full set of dynamics. and i definitely like the idea of them as a found family and i won’t mind fic/fanon that pushes that because it doesn’t stretch what’s presented in canon in the way it does for the other games imo. i mean, they’re all actually friends, which is new and startling enough! i could for sure see them developing into found family if they stick together after the game, too... like i was saying about them maybe having to continue to defend the crossroads or something. and since there’s no real epilogue, that is a free playground right now

[white-wolf-buckaroo]

The last drop in The Last Drop: Part 2

A dad!Vander fic (with my og character, Luna, Vander's fifth adopted child)

Masterlist: there you go

Disclaimer: english ain't my first language folks

The Last Drop was louder than anywhere Luna had ever been before. The nights were the worst—crowds of people shouting over music, chairs scraping against the floor, and the occasional crash of glass breaking. It was overwhelming at first. Her small hands often clutched Vander’s shirt as she hid behind him as he stood behind the counter, her wide eyes darting toward every unfamiliar noise.

“It’s alright, Lu,” he’d say, his big hand resting on her shoulder. “Nothing to be scared of.”

When he said it, she tried to believe him.

But it wasn’t just the noise. The other kids—Vi, Mylo, Claggor, and Powder—were a whirlwind of energy that made her head spin. Vander wouldn’t let them go out alone at night (yet, when they were older they could, he always said), so they hung around in the evening sitting on a table by the wall, or messing around a little bit. Not that anyone minded, really. Vi was the loudest, always climbing something or chasing Mylo through the bar. Mylo talked a mile a minute, sometimes teasing Powder and now also Luna in a way that made her unsure if he was joking or not. Claggor was quieter but still intimidating with how easily he kept up with the chaos, kind of like Vander in that way.

And then there was Powder. Powder was closer to her size and age, with a wide grin and a streak of curiosity that seemed boundless; she was undoubtedly excited at having someone younger around, as the older kids tended to baby her from time to time. She was the first to approach Luna.

“Do you like dolls?” Powder had asked one afternoon, holding up a patched-together figure with button eyes.

Luna blinked, unsure how to answer. “I… don’t have one.”

Powder’s eyes lit up. “I can make you one!”

The blue haired girl hovered around her, asking endless questions. “Do you like colours? I love to draw! What’s your favourite food? Are you scared of spiders? I’m not. Well, okay, maybe sometimes.”

It was a lot, but Powder’s excitement was easier to handle than Mylo’s teasing or Vi’s confident energy. Vi, on the other hand, took her time warming up to Luna.

“She’s so quiet,” Vi had whispered to Vander one evening, looking at Luna sitting at the table, swinging her legs idly as Powder braided her hair (insisting that she had to wear it like herself). Mylo and Claggor were bickering over a game of cards nearby, their voices blending into the general hum of the bar. “Is she scared of us?”

“She’s just getting used to everything,” Vander replied, while cleaning the inside of a mug. “Give her time.”

“So… she’s going to stay with us? Permanently?” Vi asked, her tone uncertain. She wasn’t really sure how she felt about it. Not that she minded having someone else around, but it was another change. Another person to get used to.

Vander glanced at her, his expression softening. “She doesn’t have anywhere to go or anyone else to take care of her.”

Vi frowned, crossing her arms. She leaned her arms on the counter, her face scrunching in thought. “It’s just… we don’t even know her. What if she doesn’t fit in?”

Vander chuckled softly, the sound rumbling in his chest. “And what exactly does ‘fitting in’ look like around here, huh?” He gestured toward Mylo and Claggor, who were now arguing loudly over whether Claggor had cheated in their game. Powder, meanwhile, was carefully arranging Luna’s hair into a lopsided braid, ignoring the two boys excellently as she chatted about her favourite toys she wanted to show Luna later.

Vi’s lips twitched into a reluctant smile. “Fair point.”

“Look,” Vander continued, his voice quieter now. “When I found you and Powder, it wasn’t any different. You already knew me, yes, but you were also scared and you had gone through a lot, just like her.”

Vi looked down, her expression softening as she remembered. “Yeah, I guess.”

“And now look at you,” Vander said with a grin, ruffling her hair. “You’re the one making this place feel like home for the others. You’ll do the same for her. Just give it time. She’s going to be one of us, just like you, Powder, and the boys.”

Vi huffed but didn’t protest. “Fine. But she’s not gonna cry all the time, is she?”

Vander chuckled again, shaking his head. “You’d be surprised. That kid’s tougher than she looks, I’m sure of it. She’ll be okay,” he said, almost to himself. His voice had turned low, filled with quiet determination, the kind that always made Vi believe he could do anything. “She’s got us now.”

Vi watched him for a moment, the way his gaze softened as he looked at Luna, the way he crossed his arms over his chest and let out a deep, thoughtful breath. He wasn’t just saying it—he really believed it.

And if Vander believed it, maybe Vi could too.

Vi glanced over at Luna as well, watching her laugh quietly at something Powder had said, her small hands clutching the edge of the table as if she was still anchoring herself to this new world. Maybe Vander was right. Maybe she just needed time.

So, Vi tried in her own way. She offered Luna the better seat when they ate dinner and slowed down when explaining the rules of the games they played to include her.

“Tag’s easy,” Vi said one day, crouching down to Luna’s level. “If you don’t wanna play, that’s fine too.”

Luna hesitated but nodded. Vi grinned, grabbing her hand to pull her into the game.

“You just gotta run fast, okay?” Luna nodded. “Hide so that they don’t find you. If they don’t, you win!”

“But what if you never find me?” she asked, eyes wide showing her frighten.

“We will, don’t worry about that,” Vi laughed a bit, crouching down again to her level to look her into the eyes when she noticed Luna still didn’t seem at ease. “Hey, I promise. I’ll find you. Always. And if not me, then Vander, okay?”

That seemed to do the trick; it certainly did, when Luna would end up winning a lot of times because she would hide in the smallest of places. She would always wait for Vi or one of the others to find her in order leave her hiding spot, though, always making sure they found her.

Claggor was the first to win her over completely. Unlike Mylo’s teasing or Powder’s chatter, Claggor was steady, with a calmness that made him approachable even when Luna was feeling shy or overwhelmed. He was the one who helped Luna feel less lost in the chaos of the Last Drop.

The first time she followed him around the Last Drop, it wasn’t because he’d asked her to—it was because he was working on fixing something at one of the tables, and she was curious. She hovered nearby, not saying anything, just watching as he tightened a loose screw on a wobbly chair leg.

“You want to help?” he asked after a while, glancing up at her with a small smile.

Luna froze, startled. “I don’t know how.”

“That’s okay,” he said. “I’ll show you.” He handed her a screwdriver, holding her small hand in his for a moment to guide it into position. “Now turn it, like this. Slowly.”

She followed his instructions, her brow furrowing in concentration as she twisted the screwdriver. When the screw was snug in its place, she glanced up at him, uncertain.

“Perfect,” Claggor said, grinning. “Good job, Lu.”

From then on, she seemed to follow him around whenever he worked on repairs. He never complained, even when she slowed him down by asking too many questions or accidentally dropping tools. When she accidentally tipped over his toolbox, scattering screws and nails across the floor, she was afraid he’d be mad, and immediately scrambled to pick everything up, but he was calm about it.

“It’s okay,” Claggor said, crouching down beside her to help. “Happens to me all the time.”

“Really?” she asked, her wide eyes sceptical.

“Sure,��� he said with a wink. “Once, I spilled everything right in the middle of the bar when it was full. Vander nearly tripped over me.”

That made her giggle, and Claggor grinned, satisfied.

When they weren’t fixing things, Claggor had a way of looking out for her without making a big deal out of it. If she was struggling to reach something on the counter, he’d quietly grab it for her. If Mylo’s teasing got a little too much, Claggor would step in with a simple “Knock it off, Mylo” that usually did the trick.

And when she was too nervous to speak up during one of their mealtimes, it was Claggor who noticed and slid the bread basket closer to her with an encouraging nod.

“You don’t have to ask,” he said softly. “Just take what you want. Nobody’s gonna mind.”

Even Mylo softened after a while. Though he still teased her (like most older brothers did to their younger sisters), his jokes became less sharp and more playful. One night, when they were all sitting at the table for dinner, Mylo leaned back in his chair, tossing a pickle from his plate to hers.

“Trade you,” he said.

“For what?” Luna asked cautiously, looking down at the pickle as though it might bite her.

“Nothing. I just don’t like pickles.” He grinned and added, “And you look like you do.”

She wrinkled her nose but took the pickle anyway, nibbling at the edge. Mylo smirked, satisfied, and went back to his meal. It wasn’t a grand gesture, but it made her giggle—the first time she’d done so around him.

He remembered his first weeks after Vander had taken him in; he hadn’t been used to having a roof, a bed, food on the table… He had been unsure about everything at first, masking it with roughness and sharp bites whenever someone spoke up to him about it. And although he had grown into a teaser and he thought it was funny to annoy others from time to time, he also wanted to help Luna feel more at ease. He didn’t stop teasing her completely, but the edge in his voice softened. He’d say things like, “Careful, squirt, don’t trip over your own feet,” when she hesitated on the stairs, only to add, “Here, hold the rail like this,” as he showed her how to climb them more confidently.

When she joined the group to watch him and Claggor play cards, he scooted over to give her a better view of the game, though he kept up a running commentary that made her giggle.

“See, Lu, Claggor’s terrible at this. Don’t ever take advice from him about cards,” Mylo said, leaning close as though sharing a great secret.

“Hey!” Claggor protested.

“It’s true,” Mylo shot back, grinning.

“Don’t listen to him Lu, he cheats all the time!”

“I do not!”

“Yes you do!”

Luna only giggled.

One night, as the bar quieted down and they all sat around in the warm, dim light, Mylo noticed her watching him and Powder play a game with a set of battered dice.

“Wanna play?” he asked suddenly, holding up the dice.

Luna blinked. “I don’t know how.”

“It’s easy,” he said, shrugging. “I’ll teach you.” He scooted over to make room for her on the bench, motioning for her to sit beside him. “Okay, so here’s how it works...” For the first few rounds, Luna struggled to keep up, biting her lip in concentration as she tried to understand the rules. Mylo teased her lightly when she made mistakes, but he always followed it up with a quick explanation or a playful grin to show he wasn’t serious.

“See? You’re getting it,” he said after she won her first round. “You might even be better than Powder soon.” Powder protested, glaring at him. “What? Just saying.”

Luna smiled, her confidence growing. It kind of broke the ice. By the end of her first week, she started to feel less like an outsider and more like she belonged, giggling and smiling more often.

By the end of her first week, Luna started to feel less like an outsider and more like she belonged.

It wasn’t sudden, and it wasn’t always easy, but every little moment helped her feel a bit more at home. The way Powder had smiled at her the first time she handed her a piece of bread. How Mylo had tried to teach her how to throw a rock just right in the alley, despite her clumsy attempts. Claggor’s quiet approval when she helped wash the dishes, and even the rare chuckles from Vi when she managed to get something just right in the makeshift kitchen.

But more than anything, it was Vander’s presence that made her feel like she was becoming part of something.

Every night, when the bar quieted down, and the sounds of the busy day faded into a quiet hum, Vander would make time for the kids. Late in the evening, when the others would be settling into their cots, murmuring amongst themselves or falling asleep with their heads buried under old blankets, Luna always waited for the moment when Vander would sit beside her bed, asking her about her day.

It was something she had come to look forward to, the time when the world outside faded away, and she could focus on something—someone—who made her feel like she wasn’t alone in this strange new world.

Luna hugged her blanket tight against her chest, the edges worn and soft. It was a gift from Powder, who had insisted she take it when Luna had no blankets of her own one of the first nights she had spent with them.

“They’re loud,” Luna said quietly, her voice unsure, her eyes still darting over to where the others were gathering nearby, talking and laughing in their own chaotic way. “But… they’re nice.”

Vander’s gaze softened as he watched her, his expression full of quiet understanding. He leaned a little closer, his large frame casting a comforting shadow over her bed. “They are,” he said with a small smile. “They’re your family now, Lu. You’ll see. They’ve got your back.”

Family.

The word seemed so big, so final. Luna didn’t fully understand it. She thought of the people she had met before, the ones who had taken her in for a night or two, fed her scraps, and then sent her away when their patience ran out. But there was something different about Vander’s words. They felt warm, like the sun on a cool day. Not demanding, not overwhelming, but steady.

Luna tucked herself deeper into the blanket Powder had given her, the edges soft against her skin. She glanced over at the others, who were talking about something she didn’t fully understand, but they weren’t laughing at her, or ignoring her. Powder was saying something about a machine she wanted to make with some metal scraps Claggor had given her, her voice animated as she waved her hands explaining it excitedly while Mylo told her to shut up and let him sleep.

Vander’s voice, calm and reassuring, pulled her back to the present. “We’re your family now,” he repeated, his hand gently brushing her hair back from her face. “There’s nothing to be afraid of, not anymore.”

The word didn’t seem as strange anymore. Family.

It felt safe. It felt like belonging. It felt right.

[starryredpandawrites]

Siblinks Turkey Shenanigans

In honor of the holiday, I have this silly Thanksgiving scenario stuck in my head that I want to get out that I might turn into a Bendy Bite someday. There's so much shenanigan potential I'm having trouble deciding what to keep and what to laugh about and move on from, so there's a poll at the end so y'all can help me decide.

Anyways, there are three ways I picture this scenario happening:

Option 1:

Audrey has been having a lot of fun introducing Bendy to all the holidays, and decides to surprise him with Thanksgiving. Big-little man loves to eat (both forms) and she knows he’s gonna love it. She’s also really looking forward to celebrating it because she hasn’t celebrated it since Joey died. Like, she was the type of person to be annoyed/sad that they were given the day off and wished that she could work instead because she had no-one to come home to. Now, she does! She doesn’t tell him she has the day off either, and is just hoping he sleeps long enough to get most of the cooking done so it’s a proper surprise.

A couple days before Thanksgiving, she sets the turkey in the fridge to thaw. She doesn't explain it to Bendy because she doesn't want to ruin the surprise and doesn't even think about it being necessary because who in the world would eat a raw turkey? (she recognizes her mistake later)

Problem: Bendy is a hungry boi, and often gets late night munchies as the Ink Demon. He sees the turkey in the fridge and is like, "A snack? For me?" and just eats the whole damn thing raw and partially frozen. In this scenario, he might leave Audrey a leg behind or something like that to be considerate (she's probably talked to him before about leaving her some when she's brought home big meals like this before).

Audrey wakes up, goes to work, gets home to find the turkey being gone and is, like, where tf is the turkey?!? until she remembers she's living with a demon and is surprised but not surprised because he used to eat whole people raw. She tries to goes out to buy another one but either the stores have already closed or they already ran out of turkeys. Also, it would have been too late to thaw it by then anyway. She might buy a ham or a chicken or something to replace it or she might just go home in defeat, saying they'll just celebrate it some other weekend.

However, Bendy feels really guilty for eating the turkey, even though Audrey told him it was partially her fault for not telling him what the turkey was for. So, that night, he sneaks out, and when Audrey wakes up she finds another surprise in her fridge. It's filled with dead birds. Pidgeons, sparrows, a duck or two and maybe even a pheasant.

Audrey freaks out and confronts Bendy, and he explains that he caught them to replace the turkey he ate. Audrey has another talk with him about not putting dead animals in the fridge but decides to go ahead and try using one of the larger birds for the dinner.

New problem: she has NO IDEA how much work goes into cleaning birds and this is back when the internet wasn't a thing. She sets Bendy on plucking duty to make up for his theft while she works on the other thanksgiving dishes. Bendy is a little miffed she doesn't want to try any of the other birds he brought home, but stops complaining after being given plucking duty (he hates it/finds it super boring/tedious and doesn't want to pluck anything else) Back to the bird, she tries to clean and prepare it the best she can, but it's gonna end up super gamey and weird, so she just eats a little and lets Bendy have the rest and focuses on the other dishes and her singular turkey leg.

They still enjoy the day together just by hanging out and watching all the thanksgiving/christmas themed shows on TV so the day is still a success. Audrey just makes a mental note to buy an extra turkey the next year just in case.

Option 2:

Audrey does tell him about Thanksgiving and they're both hyped about it. When Audrey sets the turkey out to thaw, she is very clear that it's for Thanksgiving, but doesn't outright tell him not to eat it because, again, most people wouldn't need to be told that. Bendy is not most people.

This time, however, he knows the turkey is for thanksgivng and he knows it's off-limits. The first night, he keeps opening and closing the fridge, walking away then walking back, over and over again while berating himself for being so weak. He stays strong through the first night, but halfway through the second night he gives in and just devours it.

On Thanksgiving Day, Audrey wakes up and is weirded out because usually Bendy likes to sleep in the same room as her, and he’s nowhere to be seen. Then, she realizes he must have done something he feels guilty about, and just runs to the kitchen to discover the missing turkey. This time, he's left nothing behind.

She chews him out, he's super guilty, she feels bad because it is his first Thanksgiving. She goes out to try and get something but all the stores are closed (this is before Walmart normalized being open all year). She comes back empty-handed to an empty apartment and is about to panic until Bendy comes back just in time with, you guessed it, more dead birds!

Again, Audrey chews him out for sneaking out in broad daylight but he excuses it since she explained to him earlier that almost everyone is home for the holiday and they needed a replacement bird.

Situation ends like the first, with Audrey trying and failing to cook one of the random birds and they just enjoy the rest of the day.

Option 3:

In the other two versions I imagined the Ink Demon going ham on the turkey late at night, but there's another option that's possibly funnier

Yanno how in my fic there's a memory disconnect/blurr of Bendy between his Ink Demon form and his Baby Benders form? Let's say Audrey sets the turkey out to defrost while the Ink Demon is watching soap operas or smg and tells him it's for Thanksgiving. Ink Demon kinda waves her off because he really wants to know if Missy is cheating on Peter with Austin, or if Austin is actually her long-lost brother like she claims.

They go to bed, Bendy wakes up as Baby Benders with midnight munchies, opens the fridge, sees the turkey and thinks, "A snack? For me?" and eats it as Baby Benders.

This scenario proceeds to play out like the other two OR

He goes to bed and wakes up early as the Ink Demon again, or he switches before going back to bed, realizes he screwed up, and immediately goes out to replace the turkey so when Audrey wakes up to not only a missing turkey, but also a bunch of dead birds in her fridge.

Now, I wanna know which one YOU guys (gender-neutral) think is more likely to happen, plus a couple bonus options because funny.

Bonus thought: After the first thanksgiving and seeing how much Bendy can eat, she decides to buy two turkeys and only cooks one of them/the other one is for Bendy. The year after that, she buys three. The year after that, she buys five. She could keep going but decides more than five is excessive and Bendy will just have to deal.

[literaticat]

It took me a while to stop crying and resolve to help people who will be targeted (starting 1/20/25). I am also trying to reconnect to even a scrap of joy, by tiptoeing back into writing. But...I keep analyzing my WIPs through the lens of how That Guy will be making half the country feel, wondering, "Is X funny enough? Is Y topic too serious?" Help?! Is it worth writing/querying anything that's not totally escapist? Are there genres that should just stay in a drawer right now?

No need to wait until January to help people! :-)

As to the writing piece: I think you are overthinking it. And hey, I get that! Half the country is still somewhat in "reeling mode", it hasn't even been a month, no need to make any huge decisions or change the course of your writing life or fret about queries that you aren't ready to send anyway right this second. Give yourself some grace. Do some deep breathing.

Nobody knows what the future will bring.

Hey, maybe people will want to read more than they ever have and publishing will thrive across all genres. Maybe there will be an unforeseen trend of books about cowboys in space or something that will make a genre flourish that we haven't ever even thought of before!

Or, maybe the tarriffs will eff publishing up so badly we won't need to worry about ANY genres anymore. Maybe he'll sell us all to Daddy Vladdy for a nickel or start Civil War II and we'll all have to become resistance fighters. (Or, maybe we'll get lucky and the meteor will come; that might be better, because I don't have much to offer in the way of actual resistance fighting unless the troops need children's books or cookies!)

But since none of those lines of thinking are particularly helpful or healthy, maybe let's not focus on speculating about all the random possible scenarios. It's too much! Your brain will break!

Here's what is within your purview: YOUR LITTLE CORNER OF THE WORLD. That includes your work, yes, but also your home, your family, your personal behavior and habits, your physical and mental health, and the well-being of your communities (both literal, like, the people who live near you, and figurative, the people near you or even across the country or the globe with whom you have shared values, etc)

I'm not an expert obvs, but I do feel like, when I stop "reeling" and thinking about whatever bizzaro outrage some politician is perpetrating and start thinking about what tangible things I can do to help support MY LITTLE CORNER OF THE WORLD, I feel a lot better. More useful.

(Like, how about instead of doomscrolling, I actually take that time and put my impotent rage to use pulling out the dying tomato plants and getting the yard ready for winter? How about instead of crying into my pillow, I gather a bunch of stuff to donate to a local charity? OH LOOK, I FORGOT ABOUT THE NEWS FOR A WHILE AND GOT THINGS DONE AND MADE MY CORNER OF THE WORLD BETTER! And now I'm tired and can take a nice shower and watch something silly on TV and go to sleep! Yay!)

What I'm saying is, AFTER you do the deep breathing and give yourself grace and all that stuff -- maybe DON'T think about your WIPS through the lens of "OMG what horror show is that freak in the white house doing" or "what will random terrible people think about what I'm doing" -- but rather, think, how do *I* feel about what I'm doing?

We have limited time on this earth -- do you WANT to spend your time on this? Will working on this bring you joy? Does the idea of writing it excite you? Will it reading it bring other people in your communities joy, or hope, or escapism, or important information, or inspiration, or *something else positive*? Those are the kinds of projects you should focus on, imo.

Obviously I have no clue what "Trends" will be coming up in the future, or what the publishing landscape or the world will look like at all -- but I DO SUSPECT that what we will need the most is books that bring something positive to the table. Whether that means a book full of pure delight/escapist entertainment, or reminders about what is beautiful in the world and special about humanity, or tools to help people enact change, or fuel for the next generation of rebels and resistance fighters, or whatever it is.

And, I think that "something positive" could come in the form of fiction, nonfiction, and pretty much ANY genre or category.

(Probably not a great time for extremely bleak / hopeless books, and certainly not a great time for books that you yourself are not passionate about. Writing and publishing is hard enough - don't do the projects that are a misery on top of all that!)

[drabbles-mc]

Pick-Up

Jesse Pinkman & Ignacio "Nacho" Varga

For @narcosfandomdiscord Book of Near Misses: fanwork with two characters from the same show who have never met

Warnings: 18+, language, no plot just vibes

Word Count: 2.2k

A/N: do you ever think about the fact that these two never got to meet? because i sure do!!!!!! i feel like there is more down the line that i would like to do with these two in a different story. but for now there's this! also my first time ever writing for Jesse so 🫡

“Yo!” Jesse banged on the safehouse door. “Open up!”

He didn’t hear anyone calling back to him, didn’t hear any movement from the other side of the door at all. Letting out a deep sigh, he started to make his way around the house. All of the curtains were covering the windows, all the locks on them secured. The only car in the driveway was his own, and for a moment Jesse couldn’t help but to think that maybe Mike had sent him off on some sort of wild goose chase. Punishment for whatever he’d done most recently that had annoyed him.

When he wound up back at the front door again, Jesse was about to turn around and walk off. He’d been through enough bouts of hazing and pointless trips. What he didn’t want, though, was to get into deeper trouble because he didn’t do what he was supposed to. There was still always the off-chance that this was all legit.

Standing halfway between the front door and the car, Jesse took out his phone and dialed one of the four numbers that were programmed into it. Bringing the phone up to his ear, he let it ring. His shoulders slumped, head tilting back as he waited to be sent to voicemail, to a voicemail box that probably wouldn’t even let him leave a message.

“What?” Mike’s voice came through on the other end of the line, as unamused as he ever was.

“Did you even send me to the right place?” Jesse asked.

“Did you go to the right place?” he rebutted.

Jesse rolled his eyes, able to picture perfectly Mike’s expression even though the two of them were miles and miles away from each other. “I think I can match a house number and a street name.”

“Okay, then, you’re in the right spot.”

“Does your guy know I’m coming, then? Because I’m out here banging on the door and—”

“Did you really think that banging on the door was the best course of action? For a man that’s currently a fugitive and on the run from—”

“Alright, alright. So,” Jesse shrugged, “what, then?”

“There’s a number in your phone that you’ve never had to call before.” He paused, a meaningful silence that lasted just long enough for Jesse to put two and two together on his own. “Call it.”

Jesse opened his mouth to respond, something along the lines of, “How was I supposed to know?” or “Why wasn’t that part of the directions?” But before he could say anything the line went dead. He huffed before navigating his way through the umpteenth flip phone that he’d had and gone through.

He hovered over the contact saved into his phone as only NV. He looked back up at the windows on the front of the house, hoping to catch some movement in the curtains and getting nothing. Finally, he hit the dial button.

When the person on the other end of the line answered, they didn’t say anything. Jesse could hear the faint waves of static, but no breathing, no voice. “Look, I’m gonna wait out here for five more minutes and then I’m turning around and going home. I’m only out here because Mike—”

“Mike sent you?” the man on the other end of the line finally spoke up at the sound of a familiar name.

“Yeah,” Jesse said, rolling his eyes. “Sent me because he’s too busy doing other shit, I guess.” He paused, waited for the man to say something else, and when he didn’t, he said, “Four minutes, dude.”

Jesse waited for a response but it never came. Once more he was faced with a dead phone line and he briefly wondered if there would ever be a time in his life again when people actually gave him a response of some kind before hanging up. A simple “Got it” or “Thanks” would work in lieu of a real goodbye, but he never seemed to get anything these days.

He stood there and continued to stare at the front of the house. He watched the windows, the curtains still not showing any kind of movement. He wasn’t really close enough to hear the sounds of any scuffling around inside but he still strained an ear just in case. Another minute had almost ticked by, which never really felt like a long time until Jesse was standing aimlessly in someone’s driveway, and the front door still hadn’t opened.

Finally hitting the point where he felt like he’d either been set up for failure, or was about to fall into some sort of trap, Jesse shook his head and mumbled a quiet, “Fuck this,” to himself before continuing the trek back to the car.

Just as his fingers wrapped around the handle of the car door, he caught movement out of the corner of his eye. Turning in the direction of it, he saw a man walking out from behind the house. He had a bag slung over one shoulder, and a gun clutched with both hands pointed at the ground. Jesse’s face scrunched in confusion as much at the gun as at the state of the man in general.

Mike hadn’t told him much of anything about the errand that he was on, which was typical. He definitely hadn’t given Jesse a description of the person that he was supposed to be transporting which, looking back on it seemed like just as much of a security measure as it was a liability but there was nothing that he was ever going to be able to do about that.

Whoever this guy was, he certainly wasn’t dressed like a man on the run with the exception of the gun in his hands. He didn’t fit the bill for a guy who had been hiding out in a safehouse for who knows how long. Even though his shirt was dingy and wrinkled now, Jesse could see that on a better day, it was nicer than anything that was in his own closet. The boots on his feet weren’t the kind made for the types of treks they would most likely find themselves on.

There was no shortage to the number of comments that crossed Jesse’s mind to make as the man walked closer to him. The one he settled on, however, was emphasized with a perplexed look as he said, “Dude, what are you doing?”

The man mirrored his expression, though there was more annoyance etched into his features than Jesse’s. “What?”

Jesse nodded towards the gun that he was holding. “What are you doing? It’s just,” he held his hands out, gesturing to the space around the two of them, “just us. Gonna pop your ride out of here?”

He kept both hands on the gun still, however the muscles in his arms lost a little bit of their tension. “If you’re my ride,” he said, giving Jesse a pointed once-over as he did, “then yeah, sorry if I don’t wanna just take my chances.”

“You think Mike would send me all the way out here just to—”

“Even if you’re not here to kill me, I don’t exactly trust that you’re gonna be able to stop someone else who wants to,” he explained. He didn’t want to say it, but he also wouldn’t put it past Mike or anyone in their business to send someone all the way out to where he was just to get rid of him. Whoever this kid was that Mike sent didn’t seem like the kind of guy he’d send for that kind of job, but he knew better now than to say things like never.

Jesse rolled his eyes. “Whatever.” Finally reaching and pulling the door open, he said, “Get in. Or don’t.”

Jesse had hardly sat down in the driver’s seat before turning the car back on. He was half-expecting whoever this guy was to turn around and walk back towards the house. Jesse wouldn’t have stopped him. Leaning across the console, Jesse stared out through the passenger window to see what the guy was doing, and found him doing another scan around them before finally opening the door and getting inside.

He watched the man as he set his bag on the floor between his feet. Jesse contemplated offering for him to throw it in the back seat, but the gun still being held in one of the guy’s hands was telling Jesse that the level of trust probably wasn’t quite there yet.

“Jesse,” he said as he shifted to reverse.

“What?”

Jesse looked at him before continuing on to look over his shoulder to back out of the crumbling driveway. “My name is Jesse. This is, you know,” he put the car into drive, “the part where you tell me who you are, what makes you so special.”

He stared at Jesse skeptically for a moment as he started off down the road. The car rattled slightly, filing what would’ve been deafening silence otherwise. He sat and he stared until Jesse turned to give him a quick glance before locking back onto the road. “Dude, it’s gonna be a long-ass drive if you’re just gonna sit there and stare at me in silence.”

He narrowed his eyes just slightly before finally saying, “Nacho.”

The chuckle that Jesse let out at that was reflexive. It was far from the strangest nickname he’d heard, and given the circles that he’d found himself running in lately he should know better than to laugh. But he couldn’t stop himself. He shook his head slightly as he reined in the other laughs that wanted to sneak their way out, an undeniable smirk on his face.

“Nacho,” he repeated with emphasis that was only amusing to him, “right on, yo.”

Jesse sat and waited for another moment longer, wondering if Nacho was going to have anything to say in response to that. He wasn’t looking for the guy’s life story, but he was wondering if Nacho was going to divulge anything about why they were in their current situation. Maybe even say how he knew Mike, or why Mike gave enough of a crap about him to have someone go out and fetch him, but didn’t give so much of a crap to come out and rescue Nacho himself. He’d settle for anything, but as Nacho settled back in his seat, gun still in his lap, Jesse knew that he wasn’t going to get any information that he didn’t pry or dig for.

“Right,” Jesse muttered under his breath. Not wanting to just listen to the rattling of the car on the road, and since his temporary partner didn’t seem to have anything to say, Jesse reached and turned the radio on to fill the void.

Music blared from the speakers for about forty seconds before Nacho shook his head and reached forward to shut it off. Nacho scoffed at the noise, and Jesse rolled his eyes at the lack of it.

Silence persisted for another minute or two before Jesse started to improvise, drumming his hands on the steering wheel. The rhythm didn’t feel familiar to Nacho, and he wondered if Jesse even had something in mind or if it was just stream of consciousness at this point. Nacho turned and looked at him as he drove and decided that there was no forethought happening there.

“Turn it back on,” Nacho finally said with a shake of his head.

“What?” Jesse asked, looking over at the man in the passenger seat.

“The radio.” He leaned so that his elbow was propped on the tiny ledge built into the car door. “Turn it back on,” he repeated as he propped his chin in his hand that wasn’t holding onto the gun.

Jesse rolled his eyes but he did as instructed, just glad to have something aside from his own thoughts to listen to. “Alright.” With both hands back on the wheel, he still found himself tapping his thumbs against it but it wasn’t audible. Eyes still trained on the road, he said, “Should’ve known that Mike wasn’t sending me to pick up anyone fun.”

“I—”

“If you’re looking for fun I think you’re looking in…the worst places possible.”

The sound Jesse made next wasn’t quite a chuckle, just that short, sharp exhale through his nose to prove that he’d heard and understood what Nacho was saying whether or not he agreed with it. Something about the response made it all click for him in a way, why Mike had sent Jesse out to the middle of nowhere to pick this guy up. Nacho might not have been in the divulging mood, probably wouldn’t ever be based on what Jesse had seen so far, but he didn’t need to know anything else to see how the web tangled itself together.

Leaning back in the driver’s seat, Jesse reached to turn the volume up two more notches before letting his hand fall onto the center console instead of back on the steering wheel. Out of the corner of his eye, he saw Nacho give another shake of his head, but neither of them said anything to the other. The ends of Jesse’s mouth curled upwards as he continued on down the road, preparing for a long, quiet drive back home.

[seventeenlovesthree]

Since it's my personal mission to make everybody watch the Digimon Adventure Tri Stage Play, I dug up one of my favourite interviews again. I owe the producer my life, because he simply managed to create the best piece of Digimon Adventure media since Adventure itself (in my opinion almost as amazing as Our War Game and that MEANS something). However, I saw a few people being confused about a few things, so I wanted to clarify:

"Wait, is the Stage Play just Tri's story but done on stage?"

Nope, it does take place during the Tri era (between the third and fourth movie to be exact), but it is an original (side) story that can be watched without having any knowledge of Tri or Tri's plot.

"Does the story take place in the real or in the Digital World?"

That would actually be a spoiler and since there is no easy answer to this, I'm gonna say you have to watch it for yourself.

"Are the characters like in the original or like in Tri?"

That's the fun part - of course there are glimpses and pieces of the Tri characterizations, but the producer really did his very best to adapt the characters faithfully and as respectfully from the original source material as much as he could and I think you can feel that:

"To be honest, the generational timing was a little off for me, so I had never seen Digimon before. After I received the request for the stage play, I watched all of it, including the original TV series and the movie series, but I didn’t expect that I’d be crying so many times. It was a story of human growth and Digimon evolution being deeply intertwined, and I watched as that growth and evolution was overlaid with so many other things. Maybe it was because I watched it as an adult, but I was able to see it from all sorts of perspectives in regards to “people growing”. (...) While I’ve worked with other people’s stories and made plays out of them several times, it was usually in the sense of taking the original work’s story and repurposing it for the stage format. But for this one, even though I’m borrowing the original series’s characters, the story is being written from scratch, and it’s my first time writing words for characters that were created by other people. It was a high level of difficulty, and I still feel it even now. Also, it made me wonder how the scriptwriters for the anime must have done this. They were also writing the same characters in the same world, while sharing that job with tons of other people. It’s amazing that they were able to do that. But, naturally, it wasn’t just full of difficult and painful things, but once the story properly got going, I got to hear the lines I was writing in the voices of the characters from the original series, and getting to savor those kinds of moments was very fun. Someone like me, who works in the theatre field, gets to take over the job of writing the lines of characters made by others. And then I have Toei check over it, and we get even closer to the mark. So in other words, we bring these characters to life by sharing them between everyone. And especially in the case of Digimon, it was an interesting experience in that there wasn’t just one writer or director, but rather that everyone had their own version of Taichi and Yamato, and the dialogue was born from between all of that.

"Anything else I need to know?"

If you are able to see past some cringe, don't mind nostalgia baiting and are okay with a few... Questionable scenes in regards to the main antagonist (which you will definitely know if you've watched the original Adventure series), you will enjoy this.

Also, personally, I'd say this is the order of plot relevance of each human character, so if your favourite characters are in the top half of the list (and even if they're not), you are likely to have fun:

Taichi

Jyou

Koushirou

Yamato

Mimi

Hikari

Sora

Takeru