#didn't love the performances

[ennaih]

Every Film I Watch In 2023:

164. Talk To Me (2022)

[cowgirls-blues]

✨Vox Phantasma ✨

Hocus-pocus, brother.

[theerastour]

the eras tour + details

[bashzzey]

Rhythm with party hat n this pose is such a goober 💖😊

& silly bonus 😏

[breakbleheavens]

TAYLOR SWIFT performs MY BOY ONLY BREAKS HIS FAVORITE TOYS for the first time ▸ The Eras Tour — Paris, France (Night 2) | May 10, 2024

[lorebird]

In which Ford struggles so badly to relate to other people that he wonders if he’s really human at all. The more isolated he becomes, the harder it is to reconcile with his own humanity.

[cosmicdreamgrl]

𝘧𝘢𝘷𝘦 𝘫𝘬 𝘭𝘰𝘰𝘬𝘴: (119/?)

[miramelo]

[hyohaehyuk]

I dont know if anyone posted this here already but a while ago the fandom start digging and found out that there is a huge chance that Sam have known Raleigh Ritchie music and have been a Jacob fan maybe since 2014. This bc Sam was in the same festival Raleigh Ritchie was performing. I think i even remember reading someone mentioning that they have friends in common too.

Not only that but Josh O'connor, Sam co-star in Riot Club (2014) added Raleigh Ritchie on a playlist he created in JULY 2016 called "Sam Reid"

I also remember of seeing a screenshot of jacob having the "Flume - Never Be Like You ft. Kai" in which Sam in the Music Video, on one of his playlists (i think it was also from 2014) but he have his playlists private now and i cannot find the tweet. So if he saw that MV maybe i also saw Sam back in 2014 🤡

This is some invisible red thread of fate sh*t going on right here 😱💀

Source: wolfganglestat, slaystat and nocontextIestat

[secriden]

love sea episode 2 rewatch thoughts:

in hindsight, this opening should've clued us in that this episode was going to be horny as fuck.

ok so if episode 1 was about establishing mahasamut, i think the purpose of episode 2 is really to give us a much more nuanced introduction to tongrak. what's fascinating is that the show chooses to impart this insight to us through a rather unusual medium: sex (and, specifically, tongrak's attitude about sex).

we open with kinky kinky beach sex and it tells us that tongrak is impulsive, hedonistic, and tends to give into the emotions of the moment (something that, as the series develops, he does with increasingly self-sabotaging results; eg. when he lashes out at mahasamut after the 1st run in with prin or when he runs off to appease jak when he gets fearful in episode 9).

it also tells us that tongrak is very comfortable with his physical wants and needs. sure, mahasamut kinda flusters him because he awakens desires that are more intense than he's is used to, but tongrak's still grounded enough in his sense of self that he can roll with it pretty quickly and becomes an active, willing, even enthusiastic participant. (it's not going to be his physical desire that drives a wedge between them; its going to be the emotional connection that ends up being terrifying to tongrak.)

this episode also lays a ton of groundwork to set up why and how intensely mahasamut and tongrak are drawn to each other.

a lot of it, early on, is purely physical.

mahasamut and tongrak clock that they're compatible in their (D/s) kink immediately and they embrace this with gleeful abandonment. other people have made this point a lot more clearly than i could ever hope to (see @williamrikers excellent analysis of mutrak's kink dynamic), so i won't belabour the point, but i would like to point out how thoroughly the show wants the audience to know that these two are a perfect match physically and sexually (specifically with their particular kinks) and that they are incredibly comfortable with that.

(an aside: one thing i adore about peat's portrayal of tongrak's submissiveness in the beach scene is the way he starts out being the initiator in the kiss - in the gif above, it's tongrak that grabs mahasamut and yanks him into the kiss at first - but once its clear that mahasamut is on board, tongrak is almost constantly angled up, head tipped back, responding to mahasamut's cues but making no attempt to direct whats happening. there's so much surrender in the pliant way peat holds himself as they kiss and the way he goes from pulling mahasamut into the kiss to just clinging to his torso as he lets mahasamut take control. even when he reaches for mahasamut's dick, the second mahasamut pins him down and gives him an instruction, tongrak makes no attempt to redirect and just goes with what mahasamut wants. there's just such great detail in this portrayal of surrender.)

but what makes this encounter different (from the many, many other ones they've both had) is going to be how neither of them were able to keep this connection as purely physical for very long. (this is what episode 3 is for, though, so lets put a pin in that thought.)

back to insights into tongrak's character: we also get an escalation/confirmation about how tongrak views sex (and relationships) as purely transactional. tongrak's entire backstory is grounded in the idea that 'everybody has a price' because that's what his parents showed him. to tongrak, every human interaction is about finding the right things to give (usually money in his case) to get what he wants and this has allowed him to rationalise that feelings and emotions (both his own/the other person's) don't matter.

tongrak firmly believes that as long as he's offering something of sufficient (monetary) value, he's perfectly within rights to demand what he wants without consulting mahasamut's feelings, wants, or thoughts about the matter. in fact, he thinks of mahasamut as kind of an object for his sexual gratification and/or convenience. this is why he feels no remorse about kicking mahasamut out after they have sex even though mahasamut clearly wants to cuddle/come down from the physical high together. the next morning, it never pings to him that he should be guilty about how he treated mahasamut.

(look at his face. he's such an entitled diva. i love him so much.)

not only is this attitude - in reality - a very inaccurate way to view human beings (because as a species we are creatures very much led by our emotions), but it is the source of tongrak's own dissatisfaction and unhappiness. he never acknowledges any of his own emotional needs and so cannot manage or address them in a meaningful or healthy way.

so to summarise tongrak understands and is comfortable with his physical desires but does not know how to even acknowledge his emotional ones whilst impulsively being led by them in the heat of the moment: already we can see that this is a recipe for disaster and tells an unspoken story of pain and trauma.

(i also want to mention how well mahasamut continues to respond to tongrak's specific brand of caustic entitlement. he doesn't bother making a big deal about tongrak throwing money at him, but he also never names a price for his 'services' either. he blatantly refers to tongrak as his "owner" but also makes it clear that it's not tongrak's money that's keeping him around, but rather mahasamut's own desire for tongrak. it's like he'll act in tongrak's play but he won't quite stick to the script either. its so, so effective because he doesn't trigger tongrak's fight or flight response but he's still undermining and proving tongrak's assumptions wrong at every turn. this is what allows mahasamut to worm his way behind tongrak's walls whilst simultaneously chipping away at them.)

one last little bit of (this time non-sex-adjacent) insight into tongrak: he has a great capacity for compassion. (which will, eventually, turn into love.)

mahasamut, at this point, is mostly just an incredible lay to tongrak. but already he shows care and concern for mahasamut that's separate from what he can offer tongrak. he's concerned at a (relatively minor) hint that mahasamut has been mistreated in the past and then again concerned that mahasamut will suffer the repercussions of any hit to his reputation. [note: this is informed by a backstory regarding homophobia on the island that's from Khom/Connor's story in Love Sand, but even without that insight we can see tongrak's concern is for mahasamut.] (again, this is something the show is setting up to callback to later when tongrak gets offended on mahasamut's behalf when he thinks the waiter made fun of mahasamut.)

these little glimpses give us such a contrasting perspective on tongrak compared to episode 1, where he was mostly just a rich, entitled, and fairly unlikable character. we're being shown that what we've seen so far is really a mask as tongrak's true character slowly starts bleeding through as he has more interactions with mahasamut.

and then the episode closes on heartbreak: You're aware aren't you? Love is just a figment of our imagination.

tongrak's expression right before he says this is filled with resignation and disappointment. he hates that he has to say it but he feels its his duty to burst mahasamut's bubble. he genuinely believes this and so to him he's just doing mahasamut a favour by telling him a Truth about life. for us, this is the final crack in the mask and we see just how lost and fragile and hurt tongrak truly is.

(and the way peat sells this part - the cold almost clinical look in his eyes when he says the line. the tiny pout of his lips like tongrak can't help but feel sad about it, even though he accepts it as reality. the cold, flat tone peat uses to deliver the line when tongrak's usually quite expressive and uses lots of inflections and intonations in his speech. ugh <3)

but this is also really important because this is why we, the audience, start to care about tongrak. mame takes us on this journey, sets us up to wonder why tongrak's the main character when he starts out kinda of awful and then shifts the ground out from under us by showing us his soft, wounded underbelly. we can't help but want him to be loved, now, and this is why we become invested in 'tongrak mahasamut'.

[cogcltrcorn]

the thing abt cherik is that mags is convinced that if he isn't vigilant charles is going to fucking re-wire his brain into a toaster and because of it he perceives every positive emotion he feels towards charles as proof charles has meddled with his mind. "he made me trust him, by messing with my mind with his psionic powers!" which, no, he didn't. except for the times he did. but no he didn't. except when he did

[nadiajustbe]

When it comes to HMC trilogy, I take almost no criticism, as it just a wonderful written-story with alive and relatable characters. However, If I had to name a part I'd found reasonable to criticise and may critises myself, I'd say it's Lettie Hatter's arc.

Not because it was entirely bad, but because it could be so much better If it wasn't written in the 80s and had a different mindset attached to it. And because the way it starts and the way it progress has little to no connection to how it ends.

Because the whole thing of the Hatter sisters, all of them, was breaking social norms and expectations.

Sophie firmly believed that she would stay in the Hatter Shop for the rest of her life with the most boring existence possible — and yet she married the most chaotic, whiny and slither-outing wizard in all of Ingary, with whom everyday is a full-blown fantasy adventure.

Martha, as the youngest, was expected to have the above mentioned fantasy adventures, be a mighty witch, even a hero, maybe — but she decided to chose a happy, steady basic life with a husband and ten kids, and she didn't want to listen to anyone who said otherwise.

Lettie's arc, just as the whole stories of her sisters, were tied on what people wanted from her. She was the most beautiful out of all girls, If we believe Sophie's words, and people almost wished she would marry and find a life spouse, as she had one million proposals a day even before switching with Martha. But that wasn't what she wanted — I'm sure she would reject all of them as often as her sister did, because she wasn't a big fan of it, just as working in the bakery. Lettie wanted to be a witch, and she practically became one, switching with Martha, working with ms. Fairfax.

But while Sophie's arc of expecting to be plane and ordinary ended on being gifted and adventurous, Martha's arc of avoiding busy life ended on finding a person she loves and planning to build a big family, Lettie's arc of searching for greatest achievement and avoiding marriages ended on...a marriage.

A marriage that, as stated by herself — "Ben doesn't like people to know I'm a witch" — kinda disregards her initial want to show that she has intelligence outside of her beauty, the one that he can show and that she can use.

(This line has absolutely no context whatsoever and we can only guess why Ben wants so, because it's actually so out of his character, even all the bits that were described before. But nope, no context, no explanations. It may be because she was pregnant at the time, but, again nothing like this was ever said and it's a pretty lame excuse anyway. Magical mirrors in their house also do not obey Lettie, at all)

And, as much as I absolutely love Ben and as much as I absolutely love Lettie, I don't think pairing them was a good choice. Mostly because Lettie was seventeen (one year younger than Sophie) in the end of HMC when their "pairing" started, and Ben is described to be noticeably older that Howl in CITA, which brings us to the conclusion he's at least in his thirties. And that's...a bit uncomfortable of an age gap, especially If we take into the account they canonically had a kid about a year later. And also Ben was supposed to be her mentor.

...And If he stayed her mentor and nothing more, it would be actually great. Because I believe Lettie deserves the same development her sister had, to get was she initially wanted and what she was fighting for. To be an apprentice of the Royal Wizard, to be a powerful a well-known witch, to show the world who told her that she has to marry to succeed in life that she in fact, doesn't, to show all this guys that tried to propose to her that she didn't need them, at all. But definitely not a wife, or a mother.

Not because being a mother or/and a wife is a bad character development. It worked perfectly with Sophie, because it represents her chaotic happily ever after better than anything else, it worked with Martha because she wanted to had ten kids and marry. It's just not for Lettie's character in particular precisely because everything in her concept of "beatiful middle sister" showed that was she's supposed to be.

Because Mrs. Pentstemmon said Lettie awaits a great, good fate, that she'll be as powerful as the Witch of the Waste — and I want to see it. Because I didn't.

[escapedaudios]

I'm a big fan of fruity villains IDGAF if people are like "oh no this hurts the LGBT community because queer coding and poopoo caca" I don't give a fuck I love fabulous dazzling flamboyant villains that say shit like "oh darling, but you won't be surviving mmmMMMM" and then do the fruitiest evil laugh ever.

[justhauntley]

Okay okay okay long post but,

I need to say this cause it's nearly midnight and this idea is keeping me awake! Please tell me if you like the sound of the idea or if you think it's a bit of a stretch lol

So I started thinking about this today and cannot stop but y'know those Danny Phantom AU where Danny has a space obsession but everyone assumes it's actually a protection obsession?? I had an idea where, what if they're not assuming and Danny's pretending to have a protection obsession because he doesn't want his rouges to feel guilty about keeping him from his obsession?

Here me out! What if Danny feels like pretending to have a protection obsession is necessary to keeping his rouges happy and content while fulfilling their obsessions? He wants them to be happy because it means they'll be more satisfied and will come around less (he hopes). His rouges are more than happy to attack because they feel like they're helping Danny fulfill HIS obsession!

Eventually Danny starts to think of it like he's performing for those around him, like he's the star of the show he didn't realize he was in- He finds himself watching plays and operas and broadway shows and he enjoys them?? Which he didn't expect! Soon he becomes a bit obsessed with putting on the perfect performance for others, but obviously that has side effects on his mental health.

Maybe we can bring in some Ghost King Phantom? Like he becomes the Ghost King once he's graduated university or something and to his surprise, Frostbite tells him that he has a new Performance Obsession and of course this can give an opportunity for angsty spirals... Also if I'm being completely honest, the design and personality I have in my head for him is reminiscent of Furina from Genshin Impact, which I'm pretty sure was an accident, especially because I finished the newest quest yesterday... But whatever... I'll worry about it later.

If enough people like the idea I'll probably put a story and designs together, might even throw some dpxdc into the ring who knows, I sure don't! Anyway, my first time actually putting thought into an AU idea and I'm having a lot of fun with it. Let me know what you think!

[uhbasicallyjustmilex]

every time i rewatch the miracle aligner music video i am just flabbergasted. FLABBERGASTED. like. they really chose to make it like THAT. and by 'like THAT' i am specifically referring to:

1) “an attempt to extract the truth... approximately" *cue rosepetals and intense eye contact*

2) THIS being the opening shot of the two of them

3) miles legitimately spending the first minute of the entire video blatantly checking alex out

4) literal rainbow lighting around them

5) endless hand holding and twirling

6) that moment where miles's hand reaches ever so reflexively for alex's neck

7) the fucking closing scene?????????

[jtl-fics]

Fluent Freshman - Part 20

PREVIOUS

FF had watched more than a few self-defense videos when he believed that Andrew Minyard was looking for a dark alley to stab him in. He had learned how to turn the attacker’s momentum against them. Had learned about disarming the person trying to stab him.

He’d even had Matt teach him a few punches claiming that it was for the dust-ups that tended to happen on the court.

He, naturally, does not use any of that knowledge because his mind immediately reverts into Lizard panic mode the moment Jackson Plank takes another step forward with a knife (HUGE. Is it wild that he is thinking about Crocodile Dundee right now?)

“If you come quietly you won’t get hurt.” Jackson says and he reverts to who he is as a person and he freezes. His bravery was used up maybe it was only ever tied to great pump up songs and now in the silence of the alley he is back to being Stone-Faced Smith.

“You’re going to dial up Wesninski and if you don’t say EXACTLY what I tell you to then I’m going to have you SING in agony.”

Y’know in that moment he stops thinking about Crocodile Dundee.

He thinks about a movie that is far more ingrained in his mind than any number of self-defense videos or one-off lessons with Matthew Boyd where he’d been trying not to flinch. A movie he had watched in better days with his family and had been a favorite of his Grandma’s (and his).

He thinks about Miss Congeniality.

Sandra Bullock as Gracie Hart has taught him everything he ever truly needs to know when he takes a step back and Jackson comes at him.

He strikes right at Jackson’s nose with the palm of his hand.

“SON OF A-“

The knife is dropped and FF kicks it under a dumpster.

FF grabs the single weapon he has on his person.

The McDonald’s Megamind Happy Meal Light Effects Brainbot.

He points the LED light straight at Jackson’s eyes and just like Aaron in the car on the way back, “Shit, that’s bright!” And now completely blinded by a combination of watery eyes and LED McDonald’s toy he proceeds to SING just as Gracie Hart had taught him.

S - Solar Plexus. He punches Jackson there as hard as he can.

I - Instep. He smashes his booted foot down on the inside of Jackson’s shoes (who the fuck wears LOAFERS to a kidnapping?)

N - Nose. He’d feel bad about hitting it again if Jackson wasn’t y’know…a hitman out to hurt Captain Neil.

G - Groin. He may have to give himself just half a second to apologize to all of mankind for what he is about to do. His step brothers had definitely kicked him in the groin plenty of times to try and get a reaction. It’s an art to not let anyone know that your ball has retreated up into lower intestine. He kicks Jackson as hard as he can (collegiate athlete) with the boots that Nicky had let him borrow. He is right on target with the toe of his shoes.

Jackson goes down.

The next thing he does is not something Gracie Hart had taught him but does still feel like the right thing to do in this situation. He kicks Jackson in the head and the man goes limp.

If FF throws both hands up in the air and lets out a “I am Miss Congeniality!” Victory cry into the alleyway well no one is around or awake to know that.

He feels like he deserves a sash and a crown and some flowers.

He looks down at Jackson and then over at the van the man had hopped out of. He was definitely PLANNING on kidnapping Captain Neil so he probably has like…some kind of restraint?

Well, better to completely subdue this guy before he tries to figure out the game plan for Romero. Wait, what’s that next to the Crocodile Dundee knife, are those...?

***

Roland is calling for a second time.

Andrew had let it go to voicemail the first time. It was usually Roland complaining about Nicky, Aaron, or Kevin doing something exceptionally stupid in their inebriated states. They have a system. Roland will call and leave a voicemail detailing the dumb shit his family has gotten up to and then he’ll let it go.

If Roland calls twice then there’s an issue.

Arm still around Neil’s shoulders he answers the phone, “What.” He asks.

“You need to help your new friend. There’s some guy following him, he’s armed and dangerous and looking for someone to grab to get Neil’s attention. He tried to lead the guy outside but he’s standing watching it for now so there might have already been someone waiting?” Roland gets out in a rush and Andrew is up and moving towards the stairs even as he’s closing the phone to disconnect the call.

Neil, of course, is right on his heels. “What is it? Did something happen?” Neil asks and they are up the stairs and pushing past Frank and his stupid pineapple shirt. Andrew spots Nicky and he spots Aaron.

“Get Nicky and Aaron somewhere safe. I need to go help Smith with something.” He says because whoever this is wants Neil and Andrew will not let Neil get within grabbing distance and won’t mention it. Neil, blessedly, does what Andrew asks without question.

Andrew scans the crowd and finds a man whose gaze goes between his phone and the back door.

A face that Andrew had memorized.

One of Nathan’s surviving men.

In the same Zip Code as Neil.

And that man has the audacity to still be breathing.

He looks and Nicky and Aaron (drunk, drugged, and useless because Andrew had wanted them to be) are with Neil and Roland is directing them to the backroom.

Andrew goes out the alley and can feel Romero’s eyes on him.

He’s prepared for a lot of things to see out in that alley. He’s angry that FF hadn’t just come down and grabbed him and Neil (he does not need TWO martyrs) and he wants to know what the fuck FF was thinking (or if he was thinking at all). Even with that anger he does not wish to see FF’s blood spilled all over an alleyway because Andrew’s family needed to be protected and FF was the only one sober enough and aware enough to do it.

He knows what Nathan’s men are capable of.

Knows that Romero was one of Nathan’s best so if there is someone out in the alleyway then it’s likely one of his other bests.

FF doesn’t even know how to use a knife. He had asked and FF had firmly declined every time Andrew had brought it up after the first fainting incident. “I’m not interested in learning that. No.” Had been the standard response.

He knew FF had at least taken a lesson or two from Boyd on throwing a punch considering the one he shot out a week ago when a Striker came at him after the third time FF intercepted a pass.

Still, Andrew had not anticipated coming out into the alleyway and finding an unharmed FF securing an unconscious Jackson Plank’s arms behind his back with fuzzy handcuffs.

“Am I interrupting something?” He asks and FF looks up at him with a flush on his cheeks.

“It’s not my fault this is a weird sex alleyway! They’re the first thing I found on my way over to the van to look for actual restraints.” FF says immediately and Andrew almost laughs at the insanity of it. “Wait, where’s Captain Neil?” FF looks around nervously.

“He’s with Aaron and Nicky in the backroom. Roland gave me your S.O.S.” Andrew says even as he quickly makes his way away from the door and towards FF. “Romero is watching the door. Let’s give him a reason to come out.” He says going over to Jackson and when he rolls the man over he raises an eyebrow at the piss stain on his pants and the blood dripping down his nose.

He looks to FF who resolutely does not look back at him.

It’s a story he’ll get out of his friend eventually. Looks like FF didn’t really need those knife lessons. Something settles a bit more in Andrew, it’s nice to have someone else in their group that could handle themselves in a fight.

Andrew finds a phone and FF rolls Jackson back onto his stomach, “He could choke on his own blood.” He shrugs and Andrew wouldn’t care if Jackson choked on his own blood in fuzzy handcuffs in a back alley but he can understand FF not wanting a murder charge.

Andrew looks at the phone and sees the the swipe pattern clear as day. It takes him two tries to get the order right but then Jackson’s phone is available for him to get over to the texting app.

The texts he reads there make him angry. There were a lot of plans on what the two of them were going to do to Neil before his body was offered up to a different crime family to show that Romero and Jackson had no loyalty left to the Wesninski line.

He types out a text to Romero that will have the jackass come out thinking everything had gone well and they had two hostages. He looks over to FF, “You ready for round two?” He asks.

“There isn’t a tap out option right?” FF asks and Andrew laughs at the joke.

Always cool under pressure it seems.

“No.”

“Then yeah, I guess just hit send.” FF says with a shrug.

Andrew does just that.

MASTERPOST FOR ALL PARTS OF FLUENT FRESHMAN AU

NEXT

Didn’t wanna leave ya’ll hanging on that particular cliffhanger for too long ;)

@i-have-three-feelings @blep-23 @dreamerking27 @andreilsmyreligion @belodensetdust @rainbowpineapplebottle @yarn-ace @iwouldlikesometea @lily-s-world @obscureshipsandchips @booklover242 @whataboutmyfries @sahturnos @pluto-pepsi @dreamerthinker @passinhosdetartaruga @leftunknownheart @aro-manita-muscaria @hologramsaredead @Chaoticgremlinswishtheycouldbeme @tntwme @tayspots @nick-scar @crazy-fangirl2524 @blue-jos10 @stabbyfoxandrew @splishsplashyouropinionistrash @sammichly @the-broken-pen @bitchesdoweknowu @very-small-flower @ghostlyboiii @its-a-paxycab @bisexual-genderfluid-fan @cheesecookie @theoneandonlylostsock @foxsoulcourt @blueleys @adverbialstarlight @elia-nna @can-i-just-stay-in-the-corner @nikodiangel @foxandcrow-inatrenchcoat @hallucinatedjosten @satanic-foxhole-court @vexingcosmos @chalilodimun @insectsgetcooked @angry-kid-with-no-money @queer-crows @lillyndra @themugglemudperson​ @readertodeath @apileofpillows @mortalsbowbeforeme @hellomynameismoo​ @next-level-mess @youreonlylow​ @interstellarfig​ @notprocrastinatingatalltoday​ @percyjacksonfan3​ @queenofcrazy27​ @bsmr261 @ghostlyscares​ @spencellio​ @adinthedarkroom​ @harpymoth​ @sufferingjustalilbit​ @anxietymoss​ @oddgreyhound​ @ohno-myhyperfixation-itsbroken​ @ken22789​ @atiredvampire​ @isoldescorner​ @not--a--pipedream​ @azure-wing​ @bushbees​  @roonilwazlib-main​ @crumplelush​ @foldedaces-paperbirds​ @thesenseinnonsense​ @let-tyrants-fear​ @ketchupfriesandallthingsnice​ @legowerewolf​ @deadlydodos​ @but-we-respect-his-craft​ @cariniqe​ @zanypersonapricotbiscuit​

The requests to be added to the tag list keep being spread out across a few different areas. If I missed you please just ask again in the replies I promise I just missed you.

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