#deco web site

[whitecerberus]

c:whitecerberus

[suitservice]

bunch of tiny mouthwashing banners! Wanted to put them on my site ^^

[hiilumaru]

Made some pngs for putting on my various webbed sites!! I overhauled my commission page on my neocities so I decided to make some pretty page deco to go with it

[gogmstuff]

More 1914 Fashion -

1914 Prinsessan Margareta by Oscar Björk (Kungliga Slotten - Stockholm, Sweden). From kungligaslotten.se/ur-arkivet/bernadotteportratt/2018-02-14-prinsessan-margareta-1882-1920.html; enlarged one quarter 706X1353.

1914 Prince Oskar & His Bride Countess Ina Marie von Basseewitz. From eBay; fixed spots & flaws, esp. upper rt. corner, removed mono-color tint, & increased contrast 913X1498.

1914 Regla Manjón, Countess of Lebrija by Joaquín Bastida y Sorolla (private collection). From the-athenaeum; fixed spots w Pshop 1280X949.

Left 1914 Real Automóvil-Club de Cataluña. Copa Tibidabo by Ramon Casas (Museu Nacional d'Art de Catalunya - Barcelona, Catalunya, Spain). From atsandculture.google.com 1970X2704.

Center 1914 Robe du soir par Beer. From castaroundlesmodes.tumblr.com/post/68582843613/robe-du-soir-par-beer-1914?is_related_post=1 729X1135.

Right 1914 Waiting for the results. From messynessychic.com/2018/04/27/lovely-ladies-in-lace-at-the-paris-races; removed print and filled in lower 2/3 of left edge with Photoshop 924X1280.

1914 Society Beauty by Friedrich August von Kaulbach (for sale at Brady Hart Gallery). From their Web site; fixed flaws & bigger spots w Pshop 2500X3333.

1914 Costumes Parisiens…, Manteau de Soir en velours frappe Garni de Soir brochee d'argent by George Barbier. From tumblr.com/mote-historie/732065935834398720/george-barbier-manteau-de-soir-en-velours-frappe?source=share&.

1914 Woman at the Piano by Nathan Altman (State Tretyakov Gallery - Moskva, Russia). From arthive.com/artists/1711~Nathan_Isaevich_Altman/works/10728~The_lady_at_the_piano 647X1400. This shows art deco influence.

[galionne-speeding]

why is it on this webbed site that i see more people shipping scratch and grounder than bocoe and decoe

's wrong with you

[eurydices-cavern]

tag system, if you want to search this blog

list will be updated as i go along. tags will be attached below for easy searching.

"cw [subject]"

If anything needs a warning, it will be prefixed with "cw", followed by as many forms of phrasing as I can think of. Additionally, if it has a singular tag I can use I will use it.

(EX: scopophobia, cw scopophobia, cw eye contact)

"gifs, graphics, web graphics, rentry graphics, carrd graphics, carrd resources, rentry decor"

General tags for Tumblr's tagging system. Used on every (relevant) post.

"small gifs"

For small, miscellaneous deco things.

"large gifs"

Still general deco gifs, but they take up more space on a screen.

"blinkies"

Small, wide blinking/flashing gifs that usually proclaim or announce something.

"dividers"

Gifs or still images that can visually break up or separate web pages.

"stamps"

Self-explanatory. Small images or gifs in the style of a postage stamp.

"buttons"

Images or gifs that can be used as interactive buttons on a site, such as leading back to a home page, or going back a page.

Posts will also be tagged with their theme, in case you'd like to look for similar posts on this blog. Have fun!

[upstartcrow1564]

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A post shared by Karen Krebser (@themusesdarling)

The energy of tarot conference The Readers Studio is still washing around me in great waves, and we see that here in today’s draw. Perhaps big energies from the passage of something powerful is affecting you too. Keep that in mind as you go through your day, if events turn up cattywumpus or random happenings blossom all around you. We are in luck today: the sources of nastiness and just general yuck are busy doing other things and will hopefully just keep themselves to themselves and just leave us alone. Use your good, solid noggin today — discretion, discernment, common sense, and command are all good watch words for the day. If you feel at all intimidated or frightened or nervous about anything, for the love of all that’s holy don’t show it. Stand your ground, clear-eyed, compassionate but ultimately committed to your truth.

We’ll be starting with a new deck tomorrow, for the next six months until Samhain. Many, *many* thanks to Gerta O. Egy for this fabulous deck the Divine Deco Tarot. If you like it and want your own copy, please head over to Microcosm Publishing’s web site. You’ll find it there.

New deck tomorrow!

#tarot #tarotreading #tarotreadersofinstagram #dailytarot #DivineDecoTarot #TheMusesDarling #microcosmPublishing

[rookmeo]

hello i am wondering what are stamps used for because they look pretty and owaughhhhhhhh

for whatever you want giendoie but uh basically they're web deco so you can use them to decorate your sites and such like rentry and carrd ! They originate from deviantart and there are loads of kinds. Basically a variant of blinkies or userboxes if you think about it in a way 👍 this is how i see it though and their use is probably different back then but yeah

[stricklandvintagewatches]

Today we're delighted to showcase the extraordinary talent of noted Russian artist Olga Nenazhivina. Her work has been internationally exhibited and considered some of the most exquisite created today. Having grown up on the shores of the Sea of Japan, Ms. Nenazhivina was at the confluence of the headwaters of many cultures: Her discipline and penchant for Asian imagery, combined with a breeze of Art Deco can be mesmeric. We thank Ms. Nenazhivina for allowing us to share her expressive painting, "Moment."

One can learn more about her art from her Facebook page (https://www.facebook.com/nenazhivina), Web site and gallery showings.

[canmom]

Animation Night 145: Brid Bard

...Bard Brid? Sorry, the line’s not very clear here. Say again...

Oh, Brad Bird?

OK, so. Imagine there’s a really dad-like guy who directs movies. Someone for a lot of nostalgia for his childhood during which, Cold War not withstanding, he was impassioned by witnessing The Jungle Book (not unlike a certain Richard Williams) and encouraged by supportive parents to pursue animation. And it went well. Really well. Our boy Brad got an ‘unprecedented’ internship at Disney with Milt Kahl(!) off the back of his film The Tortoise and the Hare, had a chill time at high school, then went to CalArts on scholarship where he studied alongside John Lasseter (keep an eye on him. not just because he might sexually assault somebody but also because he’ll be in this story later), Tim Burton and Henry Selick.

In short, about the most direct and uncomplicated route into animation you can imagine.

Brad Bird joined Disney (their investment paying off) in 1978, working on films like The Fox and the Hound and The Black Cauldron, but soon clashed with the studio heads who he judged not to be upholding principles he believed Disney represented. (He would be vindicated in a way by Don Bluth throwing down the gauntlet a few years later and kicking off the ‘Disney Renaissance’.) One of his last contributions must have been to The Brave Little Toaster, where he worked alongside the future founders of Pixar.

There followed a few years in which he moved to the SF Bay Area (perhaps not so gentrified back then(?) but Bird definitely had money), pitching projects left and right. One of his big passions was to adapt the comic book The Spirit. Mostly he tried experiments that didn’t pan out, like making a CG film at Lucasfilm with Ed Catmull, later founder of Pixar. He worked on The Plague Dogs (AN 86) until he got fired again.

Nevertheless, his reel of hypothetical films did catch the eye of Steven Spielberg, who absorbed Bird into his company Amblin Entertainment in order to expand his short film The Family Dog, co-created with Tim Burton, into an episode of the anthology series Amazing Stories. (Family Dog would later spawn a disastrous spin-off series in 1993, but by this point Bird had moved on). I think it’s worth noting this one because it gives a sense of what sort of original ideas Bird is working with: a dysfunctional suburban family as seen through the eyes of their dog. ‘Dysfunctional suburban family’ would be the centre of... almost every single one of Bird’s works since.

Bird continued to work under Spielberg’s wing, still clashing with execs; he got straight-married in this time to film editor Elizabeth Canney. Things seemed to be going well enough, despite his frustrations - until his sister Susan was killed in a murder-suicide by her estranged husband. This understandably fucked with him pretty hard. After a few years of depression he recovered, enough to take an invitation to work on The Simpsons in 1989 after Matt Groening was impressed by the cinematography in Family Dog. (Seriously he’s connected to just about everyone in the animation industry!) He continued on the Simpsons throughout the early 90s, working part-time to ‘oversee the script-to-animation pipeline’ and introduce this same filmic sensibility, as well as contributing to other animated sitcoms like The Critic and King of the Hill.

Let’s fast forward to the end of the 90s. As we’ve discussed... many times on this webbed site, this is when the steam of the ‘Disney Renaissance’ was about to run out, and the new CG era was about to begin. Our boy Brad, meanwhile, is struggling trying to juggle being a Dad(TM) with spending all his time making animated films. Which leads to Brad writing... a story about a suburban family strained by one of them being a superhero, yeah.

But Brad wouldn’t get to make this film just yet. Instead, his successful pitch was something called Ray Gunn, a scifi story about a detect in an Art-Deco retrofuturistic world. This movie also did not get made... but it’s because Warner bought up the studio Turner that was making it, and shut down Ray Gunn. Instead, they offered Bird a different animated film with a nostalgic bent, adapting childrens’ book The Iron Man by Ted Hughes, which was in its turn written to help his children cope with the death of his wife Sylvia Plath (yeah that Sylvia Plath!). Bird liked the pacifist themes of the novel, but while the children’s book has the feeling of a parable, he gave it a concrete setting in the 50s, and centered the story on the paranoia of the Cold War, seen from the point of view of an innocent boy.

So with this first movie we see start to see the major preoccupations of Brad Bird come into play (though he did not write the screenplay in this case). The Iron Giant comes in the middle of a brief handful of traditionally animated films made by Warner to ride on the coattails of Disney; the others include Space Jam and Osmosis Jones. They were by and large not very successful; The Iron Giant was the one critical success but failed for blah blah marketing y’know reasons. Like most of Bird’s films, the core relationship is a father [figure]-son one, in this case beatnik artist Dean who lives in a junkyard and ends up becoming surrogate father to nine-year-old protagonist Hogarth.

The themes of the film are pretty on the nose: in an idyllic American small town (Bird explicitly referred to Norman Rockwell and sitcom character Ward Cleaver) masking severe paranoia falls a harmless alien robot. It’s viewed as a threat by everyone but the social outcast and the child. The military get called in, gung-ho to throw around their toys; by the time the townspeople figure out that they’ve been huge cunts, a missile is in the air. What saves everyone is the fact that our nine-year-old protagonist has gone to the effort of teaching the Giant good old American values, so it goes and intercepts the missile in a heroic sacrifice... undercut with a final hint that it can regenerate. In fact Bird originally planned an ending where full scale war breaks out between the US and USSR, but ultimately this was softened.

What sells it is charming character animation. The production seems to be the opposite of most animated film stories: meticulously planned, prevised and storyboarded, while making effective use of cel-shaded CG for vehicles and mecha scenes, putting it among the first works to experiment in that direction. In another anime-like touch, the animation of the film was divided up by scene rather than by character.

And, within the American full animation tradition, it’s probably one of the only films to address the Cold War at all. Of course there are others from other countries! When The Wind Blows is probably the most direct; anime is rarely directly about the Cold War (the Future War 198X controversy excepted) but it’s implicit in most works that deal with sci-fi and military themes such as Akira. And in modern times, now that it’s History and serious animated dramas are more accepted, you get films like Funan about the Cambodian genocide. In the USSR... it’s complicated.

But in America... while animation studios were recruited en masse to produce WWII propaganda, for the most part animated films from the 50s through to the 80s don’t really touch on the war. They adopt mythological past settings, or tell stories closer to home. Perhaps by the time of The Iron Giant, with the war over, and the specific setting now 50 years in the past, it was considered safe enough.

The characters of Bird’s film are very much archetypal. It’s kind of a fable about the Cold War, and in the final edit of the script, a reassuring one. The ‘illusion of life’ animation techniques are used to imbue each character with enough charm and specificity but they are largely defined by their roles. I’m not saying this to criticise; this is precisely the model of film that American animation specialises in and it uses it to very good effect. Ultimately though because it’s a fable, you can only take so much from it.

Despite the commercial failure of The Iron Giant, it did finally give Brad some clout as a director. A certain John Lasseter to a new studio that was making serious waves in animation... yeah, you know them, it’s Pixar. I wrote about early Pixar back on Animation Night 75, so go check that out if you like.

At Pixar, Bird ended up directing the studio’s sixth film, finally getting a chance to follow up on his pitch for The Incredibles which features... that’s right... a suburban family with a beleaguered father in a setting designed to nostalgically reference a mid-20th-century American aesthetic. Mmm.

By this time, Pixar movies had started to establish a formula. The characters would be some kind of high concept centering on characters like toys, bugs, monsters or fish that wouldn’t face the limits of rendering humans. Usually they would center on a duo of male characters who would start off at odds and but gradually build a bond over the course of the film. They’d be suitable for kids but have enough comedy to amuse adults. There would be a villain to overcome, and a wider sphere of quirky buddies to support the main duo. Women would be almost nonexistent. At this time, it seemed that Pixar could do absolutely no wrong; their films were basically always hits.

But even so, I remember when The Incredibles came out. It hit the nerd sphere like a bomb. I remember all the memes about Edna Mode (voiced Brad Bird) shouting ‘no capes!’; I also remember the articles that argued that the film was in fact Objectivist propaganda.

Looking back, it’s hard to entirely disagree with them! The thrust of The Incredibles is that an ungrateful public rejects the special superheroes, leading to an end to their romantic days of vanquishing evil and staging dramatic fights on top of trains; now they’re all caught up in the banality of the capitalism. Bob, aka ‘Mr Incredible’, works in a miserable cubicle as an insurance salesman; Helen aka ‘Elastigirl’ is an exhausted suburban housewife trying to rein in somewhat estranged superpowered teenagers. The pencil-necked bureaucrats of Society, you see, have denied them the chance to exercise their special abilities as they did in the romantic past.

But lo! There is a new supervillain after all; it is Syndrome, once a starry-eyed young superhero, who after a rejection by Mr Incredible, came up with a plan to create a high-tech scheme to sell gadgets that would make just about anyone be able to use superpowers - even if, the arc words declare, ‘if everyone is special, no-one is’, a sentiment that basically goes unexamined further. However, his plan to stage a superhero battle to sell these gadgets backfires resulting in an out of control robot. Luckily, the Incredible family have been united over the course of their adventures and can defeat the robot, society reevaluates the superhero issue, and the captains of industry heroes can assume their proper roles of being naturally better than everyone.

It is, looking back with adult eyes, a very strange narrative to be pushing; it’s possible to see the feelings that Bird must have put into it but damn lmao dude’s got some shit to examine. But as a film it’s technically pretty much impeccable, with memorable sequences that got memed about as much as any animated film from the 2000s. It opened ‘families amirite fellas’ as an avenue for Pixar to tell stories about, which they’d dig into much further later with films like Inside Out.

But I won’t spare too any more words on The Incredibles, since I’m not actually planning to show it tonight. No, the other film of Bird’s I’m planning on showing is...

Ratatouille! A film whose influence lasted so long that you’ll get an extended parody even in 2022′s Everything Everywhere All At Once. As far as Pixar high concepts go it’s pretty up there, centering on a food-loving rat Remy who befriends a chef and hatches a scheme where he will give instructions by tugging on his hair while hiding under a chef’s hat. This concept was not due to Bird but to Jan Pinkava, director of Geri’s Game, who had developed the film for years; Bird was pulled in to attempt to salvage what Pixar saw as a hopelessly mired production. Bird, with some reticence, took the established design work, but rewrote the script into something that better fit his tastes in filmmaking. Pinkava for his part refused to comment, but left Pixar not much later.

So the Brad Bird angle enters in the secondary plot, with Remy’s relationship with his dad who doesn’t understand his artistic passion for food. The story is probably what you’d expect given these elements! ‘Probably’ because... I actually haven’t seen this movie, it’s like the one major gap in my knowledge of ‘classic’ Pixar films.

Since Ratatouillie, Bird departed animation and started directing live-action films, including an episode of Mission Impossible that breaks the formula (unless it’s got some kind of dad arc I don’t know about), and Tomorrowland which gets back on the 50s nostalgia train. I haven’t seen any of them so I can’t really comment too much except to say that it sounds like Tomorrowland doubles down harder on the vague Objectivism angle lmao.

But rather than an explicit philosophical conviction, which Brad Bird the self-described ‘centrist’ doesn’t particularly seem to have, it seems more that it’s just a channeling of not entirely examined frustrations about his difficult time getting established as a filmmaker. Bird, it seems, grew up basically being told he was a one of a kind animation genius, and entered the animation industry with a lot of romantic expectations which were frustrated by its reality. It’s easy to read his films as mostly being about how people didn’t understand clever Brad Bird.

Bird is a bit of an odd case in another way. Like basically all animators he rails against the ‘animation is for children’ stereotype of the medium that just doesn’t seem to break, yet his films are very much about archetypal characters with very clearly defined, abstracted arcs. Perhaps that’s just what he’s able to make. But he doesn’t seem to be interested in pushing the envelope anywhere particularly weird or discomforting. Beyond his ambition to bring live action cinematography in to animation, his ‘superpower’, once he got to exercise it, seems to be that he’s very good at planning. His scripts are tightly focused, his productions are on schedule, and he’s the guy you call in when old Jan isn’t finishing his movie on time.

Still, all these criticisms aside, he’s one of the major influences on the subsequent decades of CG films, and his films are consistently very solid. So if you’d like to join me - with apologies for the late start - we’ll be watching The Iron Giant and Ratatouille over at twitch.tv/canmom. Hope to see ya there, films start in about 15 minutes!

[yridenergyridenergy]

There will be an exhibition at Tokyo LE DECO from February 7th to February 12th to commemorate the release of Dir en grey's latest photobook. There would be some unreleased photos featured in that exhibition.

[whitecerberus]

c:whitecerberus

[depressed-and-sour-lemon-bite]

To Buy Rugs Online

Getting a decent rug can make any room look warm and seriously welcoming. You can match your style to pretty much any sort of rug out there, be it for rug or wood floors it will look perfect. Throughout the long term I've looked for pleasant rugs that fit my style and primarily began with physical stores. Once upon a time before web search tools I'd ask my companions where they found their rugs, searched in the telephone directory, and strolled miles of store space. It would take click here to learn more me weeks, and tragically sometimes months to find what I was searching for at a good cost. I wanted to surrender more often than not and making due with something I would lament buying later.

However, here comes the mysterious web, heaps of rugs are in a real sense readily available. New, old, Persian, Oriental, enormous region, workmanship deco, plain, the rundown is unending! You should simply find a couple of sites that match your favored style and value reach, and you'll have such countless a larger number of decisions than you'll track down in your state or country! I'm so happy the times of attempting to get another rug toward the rear of my minivan are over too. The delivery cost is typically certainly worth the cost of comfort!

I'm not afraid to concede I've purchased in excess of 50 rugs online, and I'm certain I'll add to that number from now on. I've never had any issues that weren't cleared up by a couple of messages or a call. Hope for the best. Buying things on the web today is much more secure than it used to be, even a long time back as I would see it. Simply utilize a believed Mastercard with online insurance, which practically every one of them do these days, and you're totally secure.

It's not hard to buy rugs online, in fact it's so natural you could go overboard, similar to me. Yet, on the off chance that you really want the ideal expansion to a dull room, you can't turn out badly with a decent Persian region rug.

[hufflepuffing-all-day-long]

Benefits of Mahogany Dinning Tables

Starting from the beginning, our furniture has been created from wood, till the improvement of modern upheaval, when new materials appeared that was utilized for making our furniture. As of now various different materials like glass, plastic and metal are additionally utilized for making furniture that is considered as cutting edge. There are various workmanship deco that make less utilization of wood for visit site here assembling furniture as they depend on different materials. There unquestionably is no question that utilization of glass and steel has figured out how to upset the business, yet there are sure benefits of buying Mahogany dinning tables.

Wood is constantly viewed as beautiful and honorable material that is normal, thus if you buy Mahogany dinning tables it seems, by all accounts, to be particularly appealing and has the ability to join simple living with immortal beauty. Regardless of what style you pick you can constantly find one that suits your home stylistic layout beginning from modern to probably the most customary ones that can keep going for a really long time. Probably the best Mahogany tables are excellent quality that is particularly strong and simple to keep up with. In the event that you need your dining table to keep going for a lift time then you should attempt to clean and wax it no less than one time each year. This will continuously propose with a look that is lavish and simultaneously being a lot of ecological friendly is likewise thought of.

While looking through over the web you unquestionably can go over various sites that could offer you with beautiful Mahogany dinning tables that are accessible at a reasonable cost. As you can get different nature of Mahogany wood so you can constantly find the right quality that could suit your style and budget. You positively can find one that is hand created that could match other furniture in your home. On the off chance that you are prepared to spend minimal additional cash, then, at that point, you can find one that is classical and strong piece.

You can likewise attempt to find one that is a mix of glass top or marble top and Mahogany wooden base. Before you buy one you need to remember that hard to recreate the beautiful carvings should be possible on the wood when contrasted with some other material. Despite the fact that it is difficult to cut Mahogany wood, still there are various individuals who make sensitive designs utilizing probably the best modern cutting procedures to give it an elegant looks.

One of the fundamental benefits of buying Mahogany dinning tables is that it offers with a look that is regular. If you are having an entire house that is embellished with steel or glass furniture then it could have a freezing appearance and an excluding looks, while the house that is very much enriched with wooden furniture gives off an impression of being particularly welcoming.

[ietm-jsg]

Interactive Electronic Technical Manual (IETM) JSG 0852 & S1000D

Code and Pixels Introduction

Code and Pixels Interactive Technologies Private Limited (CNP) is an IETM service provider based in Hyderabad (India).

IETM Services

We have extensive experience in execution of IETMs (INDIAN STANDARD IETM JSG 0852:2001, LEVELS 3,4,5 and European Aviation Standard IETM S1000D, lEVEL4)

Code and Pixels Clients

Partnering with the best to deliver exceptional Quality & Value. We are proud to work with Indian Defence (Army, Navy, and IAF).

Welcome to Code and Pixels

Code and Pixels is the best among the top software development companies in Hyderabad, India. Code and Pixels Interactive Technologies Private Limited (CNP) is an IT service provider based in Hyderabad (India). We provide end-to-end IETM solutions, specialized in the innovative use of technology.

We confidently manage large and complex projects without slipping on delivery deadlines while maintaining the highest standards of quality and efficiency.

Technical Documentation Services

Code and Pixels is the only Company, delivered 50 plus IETMs (Class 3, Class 4, and 5) to Indian defense and many corporates i.e. Tata, L&T, Nova, and Defense labs such as DRDL, RCI, ASL, BDL, ECIL, BEL, and many OEMs.

We assure you that we will deliver IETM as per the end-users expectations adhering to all the standards. We have worked in association with the Naval Technical Group of Navy and also with eMMS team of the Indian Air force and MAG (DRDL) of the Indian Army.

Our experience in delivering 50 Plus projects of IETM will definitely give an edge to your product. We have come across all the hurdles in Project Implementing. IETM looks simple but it has so many challenges while implementing and getting approvals from the client.

Having vast experience, we assure you that we will be your trusted technology partners in delivering IETMs.

Registered with

Almost for all the Defense labs and production agencies, we have designed, developed, and installed Interactive Electronic Technical Manual, or Electronic Technical Manual OR Technical Publications (IETP). All these terms refer to IETM Documentations.

We are proud to deliver ARMY IETMs, NAVY IETMs, and Air force IETMs in various cities of INDIA.

We have executed the IETM and CBT projects of OEMs having production centers pan INDIA, in Hyderabad(DRDO, ASL, RCI, BDL, ECIL, BEL) Vishakapatnam, Vizag(HSL), Chennai, Coimbatore, Tamilnadu (ADU, APTARA), Maharashtra, Mumbai(L&T, TATA), Pune(L&T, TATA, Kirloskar), Delhi (SBI, GNU, GIZ, NTPC), Cochin (TIL), Goa(Marine electrical), Kolkata(TIL, Kolkatta University), Bhopal, Utter Pradesh, Lucknow, Noida(SBI, UGC), Gujarat, Surat (PIRAMAL, ANSA DECO), Gandhi Nagar (BOB, INFLIBNET), Kerala, Trivandrum, Bangalore(BEL, Canara Bank, TALLY), Pondicherry(Integra), Gopalpur Cantonment, Odisha (Army AD College).

Proud to be associated with OEMs supplying defense equipment for ARMY, NAVY, and AIR FORCE.

We have developed IETM Framework using open source software hence, no proprietary or licensed software is required to play IETM Viewer, either in Windows Operating systems or in Linux Operating system. The installation process is also very simple and these electronic manuals can be viewed using all the major browsers and all the standard devices i.e. mobiles, tabs, and different size monitors, etc.

Download IETM presentation having information such as “IETM Architecture”, “How to create”, “IETM format”, “S1000D standard”, “Information code list” and about “data module DM” and naming, etc from “download presentations” section of this web site. We have expertise in developing IETM in Indian Defense standard JSG 0852 or European aviation standard S1000D.

We are not JUST a Vendor or Service Provider or S1000D Developers or IETM software developers but we are your trusted partner in the execution of the projects.

Ask for a Live Demo and walkthrough of the IETM software and get the Best quotation to execute the project – gopikrishna@codeandpixels.net or call 09849527706

We need information i.e.

how many pages are to be converted (It means what is the volume or page count of all the manuals which you have prepared).

What is the standard asked for? Indian Standard or S1000D?

About Company

Code and Pixels Interactive Technologies Private Limited (CNP) is an IT service provider based in Hyderabad (India).

Get in touch

ietm@codeandpixels.net

09849527706

[sword-to-song]

Floor Lamps - Fundamental Lighting Plan

One motivation behind why floor lamps are irreplaceable in planning and decorating is because it makes a feeling of equilibrium in any room. Their transportability visit site here capability makes the lamp portable starting with one region then onto the next making decorating and makeover simple.

Because of the various well known style floor lamps have on the lookout, picking one that suits best one's taste and style and coordinating and matching them with other stylistic layout is simple. Craftsmanship Deco, Tiffany and Mission are only probably the most favored style. It offers an assortment of lighting components, including halogen and glowing. They can be used for various lighting purposes, for example, surrounding lighting, up lighting, spot lighting fine art, and assignment lighting.

This come in many tones, surfaces and completes like chrome, glass, metal, Plexiglas, wood and created iron. Some integrate texture or rice paper into the plan to make huge unattached lamp style.

Flexible styles of floor lamps, similar to the offset or swing arm configuration are utilitarian plans, permits light to be continued on the most suitable position. Floor lamps can likewise be used as additional light for perusing. There are plans that come total with a magazine rack joined to the lamp stand that are very famous these days.

Since most lamps are sold alone without shades or bulbs, ensure that the shade you will purchase is viable with the lamp you select and the bulbs you really want are promptly accessible on the lookout. There are close to as many shade styles to choose from as there are lamp styles, including glass, cowhide, material and stained glass. Whether you are searching for usefulness and planning purposes, there is an accessible thing to suit each originator's segregating taste. You can find floor lamps on the web and wherever from retail chains and home improvement communities to fine furnishings and lighting shops.