#collin's wife sun-young almost died by fire

[holocene-sims]

the four plagues of salmon woods

correlation apparently is causation: the presence of firefighters (collin) causes fires

fire #1 (not pictured): kaylynn may be going a little senile. she abandoned her food in the fryer

fire #2: kaylynn again. she abandoned her macaroni and cheese

before fire #2 was finally put out when collin came home from work, sun-young briefly caught on fire and birdie burnt to death. one of the dogs, hawke, pleaded with the grim reaper and saved her life, but as soon as she resurrected, kaylynn starved to death because she never got to eat

and uhhh none of the dogs saved her

fire #3: baby ingrid aged up the next day! and for the first time in my 11 long years of playing sims 3, the BIRTHDAY CAKE EXPLODED IN FLAMES

fire #4: idk????? the fireplace wasn't on????? potential cause: spontaneous rug combustion

[orbemnews]

Michael Collins, ‘Third Man’ of the Moon Landing, Dies at 90 Michael Collins, who piloted the Apollo 11 spacecraft Columbia in orbit 60 miles above the moon while his crewmates, Neil Armstrong and Col. Buzz Aldrin, became the first men to walk on the lunar surface, died on Wednesday. He was 90. A statement released by Mr. Collins’s family on Twitter said the cause was cancer. The statement did not say where he died. It was an epic moment of exploration, an instant when the fantasy of science fiction writers became a reality. And when it transpired, Lt. Col. Michael Collins of the Air Force was the loneliest man in history. When the lunar module Eagle, descending from Columbia, touched down on the moon on July 20, 1969, Colonel Collins lost contact with his crewmates and with NASA, his line of communication blocked as he passed over the moon’s far side. It was a blackout that would occur during a portion of each orbit he would make. “I am alone now, truly alone, and absolutely isolated from any known life,” he wrote in recreating his thoughts for his 1974 memoir, “Carrying the Fire.” “If a count were taken, the score would be three billion plus two over on the other side of the moon, and one plus God only knows what on this side,” he added. “I like the feeling. Outside my window I can see stars — and that is all. Where I know the moon to be, there is simply a black void.” After 48 minutes cut off from any human voice, Colonel Collins emerged from the moon’s far side. “My windows suddenly flash full of sunlight as Columbia swings around into the dawn,” he wrote. “The moon appears quickly, dark, gray and craggy.” Colonel Collins contacted NASA and learned that the lunar module had touched down safely, Mr. Armstrong having radioed: “Houston, Tranquillity Base here. The Eagle has landed.” Peering down from Columbia as he orbited at 3,700 miles per hour, Colonel Collins spotted the lunar module briefly, and he made radio contact with Mr. Armstrong and Colonel Aldrin before their moonwalks. (He was too far above to actually see them walking on the surface.) He also heard President Richard M. Nixon’s telephone call to the two men as they stood on the moon, congratulating them on the magnitude of that moment. Colonel Collins, who had begun flying in 1952, had hurtled through the skies as a test pilot and orbited the Earth 43 times in the Gemini 10 capsule. In 2019, he recalled his orbit of the moon for the 50th anniversary of the Apollo 11 mission. “I had this beautiful little domain,” he told The New York Times. “I was the emperor, the captain of it, and it was quite commodious. I had warm coffee, even.” He may have been the “third man” that day, but he was busy completing the items on his task list. “I was nervous about getting every syllable of it exactly right, because this was going to be the day,” he remembered. “This was no fooling around. This was it.” Colonel Collins was greatly worried about the moment when the lunar module was to blast off from the moon to dock with Columbia for the trip back to Earth. He knew that if the lander’s ascent engine malfunctioned, Mr. Armstrong and Colonel Aldrin might be stranded on the lunar surface or be sent into a wild orbit. “What happens if they veer this way, that way, the other way?” Colonel Collins remarked 50 years later, noting that he had carried a packet around his neck containing 18 contingency plans for rescuing his crewmates. As he wrote of the moment in his memoir: “My secret terror for the last six months has been leaving them on the moon and returning to Earth alone; now I am within minutes of finding out the truth of the matter. If they fail to rise from the surface, or crash back into it, I am not going to commit suicide; I am coming home, forthwith, but I will be a marked man for life and I know it.” The ascent from the moon and the docking of Columbia and the lunar lander proved flawless, and when the Apollo 11 crew members splashed down in the Pacific Ocean, they were American heroes. Michael Collins was a member of a distinguished military family. He was born on Oct. 31, 1930, in Rome, when his father, Maj. Gen. James Lawton Collins, who had been an aide to John J. Pershing, the general of the armies, in Mexico and World War I, was the military attaché at the United States Embassy. Michael was a nephew of Gen. J. Lawton Collins, known as Lightning Joe, a prominent World War II commander who also served as Army chief of staff during the Korean War. Michael’s older brother, Brig. Gen. James Lawton Collins Jr., led an artillery battalion ashore at Utah Beach on D-Day and was later director of the Army’s military history program. Michael traveled with his father and his mother, Virginia (Stewart) Collins, to Army postings as a child, attended the St. Albans prep school in Washington and graduated from West Point in 1952. He chose an Air Force career over the Army to avoid suggestions of nepotism in future assignments. He became a jet fighter pilot, and in 1960 he entered the test-pilot program at Edwards Air Force Base in California. He was selected by NASA three years later as part of a third group of astronauts chosen to participate in the Apollo mission to the moon. In July 1966, he teamed with Cmdr. John W. Young of the Navy in the three-day Gemini 10 mission. They docked with an Agena rocket that had lifted off before them from Cape Canaveral, then fired its 16,000-pound thrust engine and reached an altitude of 475 miles, the farthest penetration of space that anyone had achieved at that time. Their Gemini spacecraft remained linked with the Agena for more than 38 hours in the first significant test of the docking technique to be employed by Columbia and Eagle. The Gemini 10 astronauts carried out a second rendezvous when they came within a few inches of another Agena rocket, which had remained in space after the Gemini 8 mission. But they did not attempt to dock with it since its electrical system was no longer operating, as NASA had anticipated. Colonel Collins became the first man to emerge from a spacecraft twice during a single mission. He stood up waist-high from an open hatch in the Gemini 10 to take photographs of ultraviolet rays given off by stars, and later carried out a spacewalk to retrieve a scientific device from the side of the Gemini 8 Agena. That was also the first time an astronaut had taken such a journey to reach another object in space. Gemini 10 almost ran out of fuel before splashing down in the Atlantic Ocean, but it was a highly successful mission. Colonel Collins left NASA a year after the Apollo 11 mission, when he was named assistant secretary of state for public affairs. He became director of the Smithsonian’s National Air and Space Museum in 1971 and presided over the opening of its building on the National Mall five years later to mark the nation’s bicentennial. He was appointed under secretary of the Smithsonian Institution in 1978 and was named vice president of the LTV Aerospace and Defense Company in 1980. He later formed a Washington-based consulting firm. He retired from the Air Force Reserve in 1982 as a major general. Mr. Collins’s wife, Patricia (Finnegan) Collins, a social worker, died in 2014. Complete information on survivors was not immediately available. Having long been interested in poetry and literature, Mr. Collins had a gift for writing about space. In addition to “Carrying the Fire,” he was the author of “Liftoff: The Story of America’s Adventure in Space” (1988), and he described a hypothetical journey in “Mission to Mars” (1990). “It is something new under the sun to find an astronaut who isn’t afraid to express his feelings,” Henry S.F. Cooper Jr. wrote in his Times review of “Carrying the Fire.” Indeed, as Mr. Collins sought to capture the wonder and beauty of space, he wrote in that book, “I have been places and done things you simply would not believe. I feel like saying: I have dangled from a cord a hundred miles up; I have seen the earth eclipsed by the moon, and enjoyed it. I have seen the sun’s true light, unfiltered by any planet’s atmosphere. I have seen the ultimate black of infinity in a stillness undisturbed by any living thing. “I do have this secret,” he added, “this precious thing, that I will always carry with me.” Source link Orbem News #Collins #Dies #landing #Man #MICHAEL #Moon

[weekendwarriorblog]

WHAT TO WATCH THIS WEEKEND May 17, 2019  - JOHN WICK CHAPTER 3, A DOG’S JOURNEY, THE SUN IS ALSO A STAR

Well, the summer is grinding along at a rather slow pace. Granted, it’s only the third or fourth official weekend, depending on when you started counting, and if you live in New York City, it doesn’t really feel like summer at all, but as has been the case since starting my beat at The Beat, I hope people will be reading this for the limited releases and repertory stuff, which I try to make fairly comprehensive and complete.

Normally, I wouldn’t be too impressed with Lionsgate’s decision to release Keanu Reeves’ JOHN WICK CHAPTER 3 - PARABELLUM in the summer, but surprise, surprise, I actually liked this one. A LOT! I already reviewed the movie for The Beat, a review which you can read here, but I do think that most of the people who liked the first movie will like this one, too, as it adds the likes of Halle Berry, Asia Kate Dillon  (Orange is the New Black) and Mark Dacascos to flesh out the mythology while sending John Wick on the run as he’s excommunicated from the assassin’s guild.

I don’t have as much an opinion about the doggie sequel A DOG’S JOURNEY (Universal). I mean, I like dogs just fine, but I never got around to seeing A Dog’s Purpose, and I’m not sure I can follow this movie’s high-concept premise without having seen it. Apparently, a dog dies and then keeps coming back as another dog in order to protect Dennis Quaid’s daughter… no, I don’t get how that works either, but I’ll probably never see this.

The other movie I’ve seen which opens Friday is Ry Russo-Young’s THE SUN IS ALSO A STAR (Warner Bros./MGM), based on the novel by Nicola Yoon, starring Yara Shahidi (black-ish,grown-ish) and Charles Melton from Riverdale. If you know me at all, then you can probably guess that I’ve never seen those shows, but I have seen Russo-Young’s other films, and she’s a director that’s definitely grown on me as she’s taken on YA adaptations. I’m not going to write a full review of this one (due to time constraints and illness) but I was generally mixed on it. I thought the two young actors were fantastic, and this was a perfectly nice romantic film that generally used its New York locations well, but there were definitely parts where I was just bored and not that into the story. It’s a shame, because I usually buy into the whole fate and destiny thing, especially when it come to romance, but this one just gets silly at times.

You can find out what I think of the above film’s box office prospects over at The Beat.

LIMITED RELEASES

This is a very busy week for limited releases with a lot of things coming out of the woodwork at the last minute… and honestly, most of what I’ve seen is just okay, at best.

Jack O’Connell plays Cameron Todd Willingham in Ed Zwick’s TRIAL BY FIRE (Roadside Attractions), based on the true story of the Texas man accused of murdering his three young daughters via arson in 1991. He spent 12 years on Death Row before his case found its way to writer Elizabeth Gilbert, played by Laura Dern, who tries to negate the evidence against Willingham. I wanted to like this movie more than I did, because it is an interesting story with a decent script written by Oscar winner Geoffrey Fletcher (Precious), based on an article by New Yorker writer David Grann (apparently all of his articles become movies, so he has a good agent, huh?). The movie is generally okay, mainly due to the fantastic rounded performance by O’Connell but it’s also quite long-winded and didn’t need to be over two hours to get its point across.

Joanna Hogg’s autobiographical British indie THE SOUVENIR (A24) stars Honor Swinton Byrne (yes, that’s Tilda’s daughter) as film school student Julie who encounters and gets involved with a gregarious and opinionated older man named named Anthony (Tom Burke) who turns out to be a heroin junkie who effectively sabotages the film she’s trying to get made. While I can generally understand what Hogg was trying to do with this movie, I found it very long and drawn-out, and I was even more shocked to learn that this was meant to be the first of a two-part movie, but no, I won’t bother with Part 2 even if it does star Robert Pattinson, probably as another dick who tries to derail Julie’s career, cause that’s what men do.

The Lunchbox director Ritesh Batra returns to India for the romantic drama PHOTOGRAPH (Amazon) about Rafi (Nawazuddin Siddiqui), a man from a poor village who takes a picture of student named Miloni (Sanya Malhotra) and sends it to his grandma, saying it’s his new girlfriend, so she’ll get off his back about marrying. Rafi sends his grandma a picture of Miloni, but then has to convince Miloni to play along and meet his grandmother when she comes to Mumbai. As the two spend more time getting to know each other, a romance begins. It’s a nice movie, maybe not quite as great as The Lunchbox, but a nice date night movie for sure.

Opening at the Metrograph, which is in the midst of a Ryusuke Hamaguchi retrospective, is the Japanese filmmaker’s most recent film ASAKO I AND II (Grasshopper Films), based on the novel by Tomoka Shibasaki. It begins with a romance between a shy girl from (Asako, played by Erika Karata) who falls for a young man named Baku (Masahiro Higashide), who suddenly vanishes on her. She ends up moving to Tokyo and meeting another man named Ryohei, who is Baku’s spitting image – maybe because he’s also played by Higashide. A relationship develops between them until Asako learns what happened to Baku. This is definitely a strange but mostly satisfying romance story that would be a great date night double feature of Photograph.

From Sweden comes Pella Kagerman and Hugo Lilja’s sci-fi thriller ANIARA (Magnet Releasing), which takes place on the title spaceship which is taking the three-week journey to Mars full of thousands of passengers when it’s knocked off course. The problem is that it might take years to get back on course, which immediately throws everyone on board into a panic. At the center of it is Emelie Jonsson’s woman who runs a “Mima chamber” where people can go to relax, a chamber that gets increasingly more busy until it breaks down and then things just get completely crazy.  If you wondered what Passengersmight have been like if Gaspar Noe directed it then Aniarais the movie for you, but I did like Jonsson’s character arc as she ends up starting a relationship with a woman officer on the ship and where that story goes.

Karen Gillan stars in Collin Schiffli’s ALL CREATURES HERE BELOW (Samuel Goldwyn), which is written by and co-stars David Dastmalchian from Ant-Manand other films. It deals with a couple living in poverty, forcing him to break the law, as they set off to find refuge in Kansas City. I haven’t seen it but it sounds interesting with that casting.

Shirley Jackson’s 1962 mystery novel WE HAVE ALWAYS LIVED IN THE CASTLE (Brainstorm Media)is adapted by filmmaker Stacie Passon with an all-star cast including Taissa Farmiga, Alexandra Daddario, Sebastian Stan and Crispin Glover. Farmiga plays Merricat who lives with her sister Constance (Daddario) and uncle (Glover), the only survivors of a poisonic that killed the rest of their family five years earlier. When their cousin Charles (Stan) arrives, asking about the family’s finances, it begins a battle for control as tragedy looms.

Now playingat the Film Forum is The Third Wife (Film Movement), Ash Mayfair’s Vietnamese drama set in the 19th Century about a 14-year-old named May, who becomes the third wife of a much older man. With a mostly female cast and crew, the film has drawn comparisons to Zhang Yimou’s Raise the Red Lantern and some of the flashbacks in The Joy Luck Club (which I recently rewatched and cried my eyes out, but don’t tell anyone).

Then opening Friday at the Film Forum is Andrey Paunov’s documentary Walking on Water (Kino Lorber), about artist Christo and his late wife Jeanne-Claude, who had built some of the most amazing large-scale installations including the famous “The Gates” in Central Park and their most recent project “The Floating Piers” over Lake Iseo in Italy. The movie will open in L.A. and San Fran next Friday, May 24.

Johnny Depp stars in Wayne Roberts’ The Professor (Saban Films), a movie that seems to be getting dumped into theaters after a DirecTV release. Depp plays Richard, a college lecturer who discovers he has six months to live so he turns into a party animal, much to the shock of his wife (Rosemarie DeWitt) and chancellor (Ron Livingston). Also costarring Zoey Deutch, it opens in select cities.

Kevin and Michael Goetz’s A Violent Separation (Screen Media) stars Brenton Thwaites as Norman Young, deputy of a midwstern town who is forced to arrest his older brother Ray (Ben Robson) for murder. Things get more difficult when Norman gets involved with the victim’s younger sister (Alycia Debnam-Carey). It opens at New York’s Cinema Village and a few other theaters as well as On Demand.

Now playing at the Roxy Cinema in New York is Matt Hinton’s doc Parallel Love: The Story of a Band Called Luxury (Abramorama) about the small-town band Luxury, whose career almost ended in a wreck, but who continue to make records even as three members become priests.

Another music-related doc out this week is the Cordero Brothers thriller Room 37 - The Mysterious Death of Johnny Thunders (Cleopatra Entertainment), which as you might guess from the title is about famed rocker Johnny Thunders (Leo Ramsay) and how his trip to New Orleans to get his life together turned deadly.

This week’s Bollywood offering is Aki Ali’s De De Pyaar De, starring Ajay Devgn, Tabu and Rakul Preet Singh in a London-based love triangle.

Opening in New York this Friday, then in L.A. May 24 and VOD June 21 is Eddie Alcazar’s Perfect  (Breaker Films), exec. produced by Steven Soderbergh, which stars Garrett Wareing as a troubled young man sent to a clinic by his mother (Abbie Cornish) to help with his dark visions.

Next up is Rachel Carey’s Ask for Jane  (Level Film) starring Cait Cortelyou in a timely movie set in Chicago 1969 where abortion is punishable by prison and two women try to find a doctor to help a pregnant student at the University of Chicago has tried to kill herself. The two women end up forming the Jane Collective, an organization that helps women get safe abortions.

Asa Butterfield, Finn Cole, Hermione Corfield, Michael Sheen, Margot Robbie, Nick Frost and Simon Pegg star in Crispian Mills’ horror-comedy Slaughterhouse Rulez set in a British boarding school where monsters have been unleashed from a sinkhole. The movie was a hit in England but is barely getting a release in the States even with that amazing cast.

STREAMING AND CABLE

Not much of note on Netflix except Kate Melville’s rom-com Good Sam, a movie about a reporter who is trying to find a stranger who is leaving bags of money all around New York City.

I probably haven’t been paying enough attention to the streaming service MUBU, but in honor of the Cannes Film Festival that started this week, the service is doing a “Cannes Takeover” which includes Gus Van Sant’s Paranoid Park, Crisi Piu’s The Death of Mr. Lazarescu, Alejandro Innaritu’s Amores Perrosand other films that broke out of the French film festival.

REPERTORY

METROGRAPH (NYC):

Sci-fi author Samuel R. Delaney will be at the Metrograph for Delaneymania, a collection of films selected by him including This Island Earth (1955), Ingmar Bergman’s The Seventh Seal  (1957), Jean Cocteau’s Orpheus  (1950), as well as Orson Welles’ Touch of Evil: Director’s Cut  (1958). The series will also include Fred Barney Taylor’s doc about Delany called The Polymath and more. Playtime: Family Matinees is also getting involved into Delanwymania with screenings of The Boy with the Green Hair (1948) on Saturday and Sunday morning. Also this weekend is the firstMetrograph Book Fair of the year with lots of rare and vintage books and magazines on sale.This week’s Late Nites at Metrographincludes screenings of Michael Mann’s Thief  (1981) and more screenings of Gasar Noé’sClimax, which seems to be Metrograph’s new go-to movie. (Sorry, Carol!)

THE NEW BEVERLY (L.A.):

Weds and Thursday seems double features of Elaine May’s Mikey & Nicky  (1976), starring Peter Falk and John Cassavetes, and Between the Lines (1977), while Friday and Saturday’s double feature is Martha Coolidge’s 1983 film Valley Girl (with Coolidge and special guests on Saturday!) and Sofia Coppola’s 1999 debut The Virgin Suicides.  The Sunday/Monday double feature is two from Dorothy Arzner, Merrily We Go To Hell (1932) and First Comes Courage(1943).Friday’s midnight is Tarantino and Rodriguez’s 2007 anthology Grindhouse, while Saturday at midnight, you have another chance to watch The Love Witch from 2016.  The weekend’s KIDDEE MATINEE is Agnieszka Holland’s 1993 film The Secret Garden  (which is being remade next year). On Monday afternoon, there’s a screening of Josie and the Pussycats… no, I’m not sure why either.

FILM FORUM (NYC):

Sadly, the Trilogies series ends Thursday, but the Film Forum will screen a 4k restoration of Alain Resnais’ Last Year at Marienbad (1961), and this weekend’s Film Forum Jr.offering is Tim Burton’s Edward Scissorhands  (1990), starring Johnny Depp. Dan Streible is back with his eclectic of shorts called More Orphans of New York.

EGYPTIAN THEATRE (LA):

On Friday, you can catch a “New York Sleaze Triple Feature” (yes, in L.A.) with Fulci’s The New York Ripper (1982),Nightmares in a Damaged Brain  (1981) and Abel Ferrar’s The Driller Killer  (1979). The Cassavetes & Scorsese: Love is Strangeseries continues on Saturday with Goodfellas and Husbands, plus the 1965 film The 10th Victim is showing as part of the Art Directors Guild Film Society Series on Sunday. Also on Sunday, Spanish filmmaker Ivan Zulueta (who died ten years ago) gets a tribute with a screening of 1979’s Arrebato.

AERO  (LA):

This week, the Aero begins the Passion of Pier Paolo Pasolini series (probably in conjunction with Abel Ferrara’s film, which finally gets a theatrical release) with a series of double features: Solo, or the 120 Days of Sodom (1975) and Pigsty (1969) on Thursday, The Decameron  (1970) and Oedipus Rex (1967) on Friday, The Canterbury Tales (1971) and Teorema (1968) on Saturday, and Arabian Nights (1974)and Medea (1969) on Sunday. On Monday, they’ll screen a rare 35mm print of Pasonlini’s The Gospel According to St. Matthew(1964). Since I really enjoyed Ferrara’s new film starring Willem Dafoe, I’m bummed I missed the Metrograph’s retrospective of Pasolini last year, but this is a good chance to see this prolific Italian filmmaker’s often-controversial work.

QUAD CINEMA (NYC):

Another great series begins at the Quad this weekend with Fighting Mad: German Genre Films from the Margins, based around Dominik Graf’s two-part documentary A Journey Through German Film. Graf programmed the series with Olaf Müller, who presents a few of the screenings. It’s a pretty rich series with no films that I personally have had a chance to see – I have a couple screeners to watch – but there are sure to be a few gems in there if you have time to see some of the 17 movies.

IFC CENTER (NYC)

Waverly Midnights: ParentalGuidance  will screen Roman Polanski’s horror classicRosemary’s Baby (1968) and James Cameron’s Aliens (again). Weekend Classics: Love Mom and Dad screens Pier Paolo Pasolini’s 1962 film Mamma Roma, while Late Night Favorites: Spring shows the Coens’ Fargo, David Fincher’s Fight Club and Pee Wee’s Big Adventure.

BAM CINEMATEK (NYC):

Black 90s: A Turning Point in American Cinema continues this weekend with Waiting to Exhale, The Five Heartbeats, Fear of a Black Hat, House Party, a 20thAnniversary screening of The Best Man and a lot more. It’s a really good series with a lot of movies worth checking out.

MOMA (NYC):

Abel Ferrara: Unrated continues with 1986’s Crime Story on Wednesday, 1993’s Dangerous Game on Thursday, Welcome to New York  (2014) on Sunday and Piazza Vittorio (2017) and 4:44 Last Day on Earth  (2011) on Sunday. The series will continue through May 31. MOMA is also doing a Jean-Claude Carriereseries, honoring the amazing prolific work of the French screenwriter, including Louis Malle’s Milou en Mai  (1964), Milos Forman’s Taking Off (1971) and many more, which will be screened between now and June 16.

ROXY CINEMA (NYC)

A new addition! The theater in the Roxy Hotel in Tribeca is showing Joanna Hogg’s earlier film Archipelego (2010), as well as Sally Potter’s 1992 film Orlando in 35mm!

MUSEUM OF THE MOVING IMAGE (NYC):

On Saturday, MOMI is doing a Filmmaker Memorial for John Singleton, put together by The Black Filmmaker Foundation and the Black Film Critics Circle with BFCC President Michael Sargent and other critics discussing Singleton’s work. Otherwise, MOMI is finishing up Panorama Europe.

LANDMARK THEATRES NUART  (LA):

This week’s midnight movie on Friday is the Japanese horror filmHouse (Hausu) from 1977.

That’s it for this week. Next week, we get Guy Ritchie’s Aladdin, starring Will Smith; Olivia Wilde’s hilarious Book Smart and the James Gunn-produced Brightburn. Oh, yeah, and it’s Memorial Day weekend!